Re: (313) Electryfyin Mojo sample on K1 Machine Soul?
On Jun 25, 2005, at 2:54 PM, [EMAIL PROTECTED] wrote: Can someone tell me if the vocal sample on the microthol mix of Plastic People http://www.discogs.com/release/318692 is a sample from Mojo's show? It sounds like the voice from that Moodymann sampeld prince interview. the words are: hold on tight don't let go, whenever you feel like times are getting you down ... keep hanging, keep remembering, there ain't nobody bad like you. thanks That's Mojo alright. Closed out nearly every show with a slight variation on those words. -- Ian
(313) frigid records promo
Since i am all about the free information, here is my first release from my experimental label, Frigid Records, I have two more 7" planed for release this year. All distribution will be either electronic or direct contact. --the labels site is not up yet, but will be soon. Frigid Records 7" promo available for download: http://home.earthlink.net/~dasalechem/promo/nightmar3-big_fellas-(frgd -74501).zip Thanks for listening. -d
(313) Electryfyin Mojo sample on K1 Machine Soul?
Can someone tell me if the vocal sample on the microthol mix of Plastic People http://www.discogs.com/release/318692 is a sample from Mojo's show? It sounds like the voice from that Moodymann sampeld prince interview. the words are: hold on tight don't let go, whenever you feel like times are getting you down ... keep hanging, keep remembering, there ain't nobody bad like you. thanks
Re: (313) b-boy/girl groups (electrofunk)
On Jun 24, 2005, at 10:01 AM, [EMAIL PROTECTED] wrote: I'm interested in seeing people spin on their heads and do helicopters for hours on end Looking for well thought out routines where they're actually dancing to the music and not just showing off their muscle moves if they're dancing to electro all the better http://dickcream.com/h/05/0418 :) - Greg
(313) Attn: (616) listers (event post)
The past year i have been saturating myself in old wizard tapes from the radio, and I have been bitching about the 80's night invasion in my city, as they have become the most popular counter-culture weekly nights here. Now I am doing something about that. Arachnid Kid (Ideal Collective) & JM Nightmar3 (Frigid Records) Presents the Ideal Time-Machine Are you tired of hearing the same oldies on old school radio shows or club nights? We invite you to experience our extensive collection of old school underground hip-hop, electro, soul-funk, miami-bass, detroit, chicago, and freestyle music; all seamlessly mixed utilizing todays cutting-edge technology. Every thursday night* on the second floor @ Drink Ultra Lounge, Grand Rapids MI, aka the Lenox Room. Cover includes admission to Jeff Leopard's Retro-Deluxe, two clubs for the price of one. *since this is a brand new club-night management will close the 2nd floor if attendance is low before 11pm, so come between 10-11 and represent your love for classic urban dance-music, turn the clock back to 1989! http://home.earthlink.net/~dasalechem/ideal-time_machine.pdf http://www.idealcollective.com
Re: (313) A reasonable compression rate?
Original message
Subject:Re: (313) A reasonable compression rate?
Author: Guilherme Menegon Arantes <[EMAIL PROTECTED]>
Date: 25th June 2005 3:13:12
On Sat, Jun 25, 2005 at 12:21:08PM -, [EMAIL PROTECTED] wrote:
> From: "Tristan Watkins" <[EMAIL PROTECTED]>
> Subject: A reasonable compression rate?
> Message-ID: <[EMAIL PROTECTED]>
>
> The storage requirements for 1000 records at 24 bit 96 KHz would be =
> astronomical. IIRC, I mixed down a 6 minute track to 32 bit 96 KHz and it =
> was over 300MB! If you actually decide to encode an average of 2 =
> tracks/record that would require ~600GB. 1500 records and you're nearly at =
> a terrabyte (don't even worry about albums for now).=20
>
> Even if you're thinking that hard disk space is cheap these days, the =
> backup requirements are crazy. Plunking that on DVD's you've got an =
> organisational nightmare, and if you're thinking of using a NAS, a =
> terrabyte is bloody expensive.=20
Nice point Tristan. I agree with you that \emph{today} some of these
numbers sound obscene, but they will not in, say, 5 years time.
And if I am embarking in the mission to digitalise a lot of music, I
want to do it right from the first time.
> Personaly, I will never dispose the vinyl I like the most. But I want to
> digitalise because 1) I am living abroad now and will for some time,
> maybe changing location a couple of times. It is hard to carry around a
> lot of records, but much easier to carry, say, 40 DVD-Rs or 2x200GB HD
> (2x to get it mirrored, 200GB in 24/96 gives 100 hours of music, which
> then can be easily compressed...)
I hear ya! I still need to recover around 6-700 records from the states. I
haven't had them in almost three years and am really starting to miss them! But
it's become painfully clear that I won't be reuniting with all of them any time
soon. It's just way too expensive to ship that much vinyl across an ocean. If
only I could pay someone to digitise them all and send me the hard disks.
Err... what I really need is a digitiser/shipper/eBay broker. Once I get the
hard disks I'll decide what I *really* need to keep. You ship me that half and
the other half is your for keeps or eBay. Less than 50 are crap because I
already thinned it down to essentials. Any volunteers in Iowa City? ;) Kent,
you should have some free time when your youngest moves out. :)
Tristan
===
[EMAIL PROTECTED]
http://www.phonopsia.co.uk
(313) BLEEP43 TONIGHT - WITH JACEN SOLO LIVE (LONDON)
Hello all, Just thought I'd remind anyone who might be interested about our event tonight. Apologies for the bandwidth use. Looking forward to seeing some of you tonight. Cheers, Ken * Bleep43 - 25th June 2005 8 til late at Public Life, 82a Commercial Street, LONDON E1 Jacen Solo (AI records / live) Jonny McIntosh Ken Odeluga (Bleep43) VLF (live) £6 before 11.30, £7 after. This month's party offers differing contrasts in styles, not least from Jacen Solo, who is giving us the opportunity to hear a live set of material taken from his debut LP Virgo, just released through AI records on 20th June. Jacen's debut 12" "Forbidden Medicine" last year offered firm proof that he's a real talent to watch. Check mp3 samples of the new LP on http://www.airecords.com We're also very happy to welcome back one of our favourite DJs, Jonny McIntosh, who takes time out from academia to jack. VLF showcase their debut liveset, and Ken Odeluga completes the line-up. *UPDATED SCHEDULE* VLF - LIVE - 8.30 - 9.30 KEN ODELUGA - 9.30 - 11.30 JONNY McINTOSH - 11.30 - 1.30 JACEN SOLO - LIVE -1.30 - 3 Music is an open sky. http://bleep43.com
Re: (313) A reasonable compression rate?
On Sat, Jun 25, 2005 at 12:21:08PM -, [EMAIL PROTECTED] wrote:
> From: "Tristan Watkins" <[EMAIL PROTECTED]>
> Subject: A reasonable compression rate?
> Message-ID: <[EMAIL PROTECTED]>
>
> The storage requirements for 1000 records at 24 bit 96 KHz would be =
> astronomical. IIRC, I mixed down a 6 minute track to 32 bit 96 KHz and it =
> was over 300MB! If you actually decide to encode an average of 2 =
> tracks/record that would require ~600GB. 1500 records and you're nearly at =
> a terrabyte (don't even worry about albums for now).=20
>
> Even if you're thinking that hard disk space is cheap these days, the =
> backup requirements are crazy. Plunking that on DVD's you've got an =
> organisational nightmare, and if you're thinking of using a NAS, a =
> terrabyte is bloody expensive.=20
Nice point Tristan. I agree with you that \emph{today} some of these
numbers sound obscene, but they will not in, say, 5 years time.
And if I am embarking in the mission to digitalise a lot of music, I
want to do it right from the first time.
Personaly, I will never dispose the vinyl I like the most. But I want to
digitalise because 1) I am living abroad now and will for some time,
maybe changing location a couple of times. It is hard to carry around a
lot of records, but much easier to carry, say, 40 DVD-Rs or 2x200GB HD
(2x to get it mirrored, 200GB in 24/96 gives 100 hours of music, which
then can be easily compressed...)
2) I often buy records which I end up not enjoying, or maybe buy without
listening at all (through internet, etc). Digitalising is a way of
keeping the music and allows me to sell these records.
In the long term terabyte storage wont be that expensive and we will be
able to afford with or DIY terabyte NAS or disk-servers.
If you are really mental and rich, one of those nice robotic tape
jukeboxes would do the job even today.
Since network connection is getting faster and cheaper, you could get a
central server, with all your collection digitalised, and allow your
friends to access it, giving them the choice of final bitrate
(compressed from the originals in your server), but this is another
history...
Anyway, a shuffle feature through a whole collection sounds great.
G
Re: (313) A reasonable compression rate?
Original message Subject:Re: (313) A reasonable compression rate? Author: matt kane's brain <[EMAIL PROTECTED]> Date: 24th June 2005 3:55:23 > 24-bit 96kHz is 16.9 Mbytes / minute per channel. Yeah, I should correct my post from yesterday. A 7:00 track was 307MB at 32 bit (float)/96KHz, but that's still 200MB at 24 bit/96KHz for a 6 minute track, which is obscene. I've only encoded a fraction of my collection over the last six months, and that's 1129 tracks (110 hours). That takes up 10.8 GB in 256kbps mp3 as opposed to 223 GB at 24 bit 96 KHz. I'd definitely be looking at terrabytes of storage if I didn't chose a compressed format. >From a practical point of view, I don't know when I'll get around to doing all >my vinyls. So far I've just been encoding new purchases as I get them rather >than recording straight to minidisk, and recently I've decided to start >working on my 5-600 CDs, as that's a (relatively) quick win. Even with the >small chunk I've got so far I've found it's really nice to just press shuffle >and redicsover things I haven't heard in ages. I have yet to 'go digital' and don't think I will until I've at least finished with the CDs. As a DJ the main benefit to me will be to have a huge range of stuff a click away, and without that mass it just seems pointless not to use vinyl. It's a totally different approach than carefully picking 50 records to fill the bag, and means recalibrating loads of tendencies and habits. Also, I'm sure I'll just start messing around once I get the tools and won't ever get around to encoding the rest of my stuff. However, I'm starting to get quite excited about that day's arrival. I think it'll be loads of fun once I get there. @Kamal: Will you pay for palletising and shipping? I know a good freighter or two. ;) Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
(313) track ID
This is from a Derrick May mix in France in 2000 (Anfer, Dijon). Can anyone tell me which track this is? http://revelly.gb.free.fr/track2anfer.mp3
(313) melbourne 313 on sale...
hey guys don't often post, just thought I'd mention that my record shop in Melbourne, Australia is having a sale for a week, with all 12"es $13AUD and LPS/CDS half price. The list of what we have is available at www.slaprecords.net and we'd be happy to mail order any sale items... there are some nice D and Chi-town releases going cheap so I thought I'd word everyone up. Having said that, if you're southern hemisphere, we do stock heaps of D sounds and more, look us up anytime for mail order. cheers Nic @ Slap Records 61 3 9416 3707 [EMAIL PROTECTED]
