Re: Books on Detriot Techno
Der klang... is really good. Definitely recommend. Even if its not so detroit focused > On Feb 28, 2020, at 2:32 PM, Shaun Fogarty wrote: > Nice one, I will try to have a read. > On Fri, 28 Feb 2020, 19:02 Mario De Block, wrote: > hi > > I read good things about > https://www.abebooks.com/9783738604290/Klang-Familie-Felix-Denk-Sven-3738604294/plp. > It concentrates on the Berlin scene, but does zoom in to the link with > Detroit too, of course. I plan to buy it soon. > > And there's a chapter from Laurent Garnier's book that's on Detroit, which > you could read here: > https://www.vice.com/en_us/article/jp4m78/read-the-detroit-techno-chapter-of-laurent-garniers-legendary-2003-book-electrochoc. > > Ps: I just hope we can maintain a decent exchange on the board from now on. > If no real explicit "moderator" ss is there (and apt appreciation to Kent for > maintaining this board, still), we all should just moderate ourselves a > little. > I found myself upset a bit too much as well maybe, by a few raw and offensive > tones of late. > > Mario > > Van: David Mansfield > Verzonden: vrijdag 28 februari 2020 19:34 > Aan: 313@hyperreal.org <313@hyperreal.org> > Onderwerp: Books on Detriot Techno > > Hello Everyone, > > I have read Dan Sicko's Techno Rebels and enjoyed it. I was wondering if > anyone knows of any other informative books on Detroit techno I could check > out. > > Thanks!
Re: "Mad" Mike Banks & Stacey "Hotwaxx" Hale at symposium
that was your first mistake On Wed, Feb 26, 2020 at 12:57 PM kent williams wrote: > I have the Internet but you sounded like you had some knowledge and > context to offer. > > On Wed, Feb 26, 2020 at 11:53 AM Denise Dalphond > wrote: > >> Nandi Comer and a bunch of other people. Do you have the internet? >> >> Denise Dalphond >> >> >> >> >> On Wed, Feb 26, 2020 at 12:43 PM kent williams >> wrote: >> >>> Who are the DJs in Seraphine Collective? >>> >>> Maybe it's just me but the current music that dominates my listening is >>> by women, non-binary and queer people. Octo Octa, Ciel, Ilana Bryne, Eris >>> Drew, Violet, Ziur, Meemo Comma, Erika. Most of those people are in the >>> Detroit scene, per se, but Eris Drew is playing "No Way Back" during >>> Movement this year, and Violet is playing the Lot Mass after party. >>> >>> On Tue, Feb 25, 2020 at 5:28 AM Denise Dalphond < >>> denisedalph...@gmail.com> wrote: >>> There’s always stuff goin on. Submerge hosts Seraphine Collective, a DJ crew 4 women, non-binary, and queer people. Like they practice at Submerge. And then, Submerge seems like they have been having some shows, like up and coming mostly Black women musicians from Detroit. Denise Dalphond On Tue, Feb 25, 2020 at 3:34 AM Andrew Duke < andrewdukecognit...@gmail.com> wrote: > As a teacher and the son of a teacher, it makes me happy when I read > about ongoing events like this; Mike Huckaby and Terrence Dixon are also > giving back in their ways. (You can skip the site survey if it prompts > you): > > https://www.michigandaily.com/section/campus-life/detroit-djs-producers-talk-start-techno-and-bringing-music-education-detroit > > Andrew > > > -- Denise Dalphond, Ph. D. ethnomusicologist schoolcraftwax.work >>> -- >> Denise Dalphond, Ph. D. >> ethnomusicologist >> schoolcraftwax.work >> >
Re: A&A: Jacktone Radio guest mix
Gerald Donald's entire career... On Sep 17, 2016, at 8:40 PM, Joe Marougi wrote: So when is it ok to misrepresent yourself or juice off another's persona? Where is the line that separates us being dicks to call it out them being douches for doing it? Examples that come to mind: Moodymanc Detroit Swindle What Oliver $ did Detroit Soul The vocal sample in Los Picaros by Fabrice Lig Sent from my iPhone, may include typoes. > On Sep 17, 2016, at 9:49 AM, Eamonn Doyle wrote: > >> >> I can't think of any good reason for a European male to otherise themselves >> and present as a minority woman. Why? This is exoticizing the other, plain >> and simple. > > > What about an African male / South American male ? Japanese male ? He is > Dutch - Surinamese as it happens. A minority woman ? Where ? In whose eyes ? > > Eamonn / D1 > > > > > > > > > > >> >> There is already a dearth of actual women and minorities in the music game, >> the last thing we need is dudes pretending to be them. I'm sure he's a >> super nice guy, but it's beside the point. >> >>> On Sat, Sep 17, 2016 at 12:06 PM, Eamonn Doyle wrote: >>> >>> >>> >>> > On 17 Sep 2016, at 16:55, Arturo Lopez wrote: >>> > >>> > It's my understanding this is a Dutch male recording as a woman?, >>> > bringing in orientalist nonsense and 'exotic' flavorings for no reason. >>> >>> >>> >>> >>> How do you know it was for no reason ? >>> >>> He’s not a wanker actually. >>> >>> FYI - 'What’s a girl to do' was originally released by us on D1 Recordings >>> in 2004. >>> >>> Eamonn / D1 >
Re: (313) roll call?
hello i lurk in dc, having previously lurked in nyc, toledo, and ann arbor. dc has the best weather but the worst techno. at my age i think that's for the best carry on -ben/bsb On Wed, Nov 28, 2012 at 12:32 PM, Allen Goodman wrote: > I've been lurking since '99. > > While I'm happily in Portland, OR, I miss Detroit and Detroit techno > everyday. > > Allen > > On Nov 28, 2012, at 9:27 AM, PB wrote: > > > Also still lurking. I think I have been on this list since '98. > > > > Love reading about new releases and upcoming events and the quality > > content that comes from this pool of listserv members. > > > > Now in the SF Bay area... just bought a Juno 106. :) > > > > -Peter > > > > On Wed, Nov 28, 2012 at 9:14 AM, Thorin Teague > wrote: > >> I've been lurking for a long time, but rarely post. Rarely (like > >> apparently now) while I feel like I have something to say. >
Re: (313) cults and christianity in techno
i thought he became born again long long after preacher man i dont think that makes it mocking as much as tongue in cheek. though he may view the track differently in hindsight On Fri, Jun 6, 2008 at 4:44 PM, Thor Teague <[EMAIL PROTECTED]> wrote: > > Firstly... if someone believes something as deeply as scientologists > believe in their thetans, and christians in christ, and so forth, it > is their right to include it in their artwork, and may God (should you > choose to believe in the existence of God) help this country if that > changes. (Also may he give me the means to beat cheeks to canada.) In > many cases, for these artistic choices are speculative until you hear > it from the artist themselves--depending on how obvious the artist > wishes to make it, if they are engaging in advocacy, or just > observing, etc. > > Secondly... if it bothers you, in most cases it is not forced on you. > I'll concede that arguably it is being psuedoforced in a club/DJ > situation. But if I'm not mistaken you're talking about a record that > you may or may not choose to buy, in fact correct me if I'm wrong, is > this one track on the record? You could choose to not play it. > > Thirdly... are you absolutely certain that Green Velvet's Preacher Man > track is not mocking? I'm kind of shocked, I was certain it was. It's > just so wacky. > > Just depends on how things are done. I am not bothered by people > choosing to touch on/discuss/sing/rap about their > spiritual/metaphysical beliefs in and of itself, not even necessarily > advocacy. > > Is it a good track or not? > > My 2c. > > On Fri, Jun 6, 2008 at 3:09 PM, Frank Glazer <[EMAIL PROTECTED]> wrote: > > I am shocked and amazed at the number of people who are completely > > willing to brush aside the possibility that a techno producer could be > > involved in some mass-marketed new age cult nonsense akin to > > scientology. Those of you who have tried to push it under the rug or > > dismiss it as an attempt at comedy puzzle me to no end. And those of > > you who are trying to stifle discussion of it - why? Why is it so > > terrible to discuss the meaning behind some lyrics, regardless of > > whether they're ironic or serious? > > > > Also, it's no secret that Curtis of Green Velvet/Cajmere fame is a > > born again christian, so whoever said that the preacher track isn't > > serious is mistaken. > > > > -- > > peace, > > > > frank > > > > dj mix archive: http://www.deejaycountzero.com > >
Re: (313) Derrick May 2000 DEMF
i think he opened with james brown - the payback but the record you're after i think is bob azzam - batucada por favor http://www.discogs.com/release/127712 On Fri, May 30, 2008 at 4:14 PM, 1-11 <[EMAIL PROTECTED]> wrote: > > I remember this being asked at the time and I have checked the 313 archive, > but does anybody know the first track Derrick May played at the 2000 DEMF? > Somebody wrote in the archives that it's on 'Mr Bongo' but the rest of the > details appear sketchy. > > Thanks.
Re: (313) since I won't be at DEMF
Is there a lot of drink driving in the US? yes On 5/25/07, Robert Taylor <[EMAIL PROTECTED]> wrote: The reason I've been thinking about it is from watching The Wire and seeing the state McNulty and Bunk get into before driving home - and they're cops! Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: jwan allen [mailto:[EMAIL PROTECTED] Sent: 25 May 2007 15:34 To: Robert Taylor Cc: Roberto Ty; David Armin-Parcells; 313-List Subject: Re: (313) since I won't be at DEMF Yes there is, regardless of what one thinks a lot is. I once worked for the DUI office here in Pittsburgh (population including surrounding counties a little over a million) and the year end fiscal report would blow your mind. It's a multimillion dollar business, and I mean BUSINE$$! The recent lowering of the acceptable BAC, has just added more money to the coffers. But I digress, I'm really looking forward to this weekend and I'm sure I'll see many of the attendees on this list at some point. Drive, Fly, Walk Safely! jw On 5/25/07, Robert Taylor <[EMAIL PROTECTED]> wrote: > Is there a lot of drink driving in the US? > > > Rob Taylor > VT Librarian > x8599 > Hatch Desk x1088 > VT Library Users' Guide > > -Original Message- > From: Roberto Ty [mailto:[EMAIL PROTECTED] > Sent: 25 May 2007 15:07 > To: Robert Taylor; David Armin-Parcells; 313-List > Subject: Re: (313) since I won't be at DEMF > > Good ol' footpower, People Mover (a very short transit system), buses > and our own vehicles. > > > > From: Robert Taylor <[EMAIL PROTECTED]> > > Date: Fri, 25 May 2007 15:00:38 +0100 > > To: David Armin-Parcells <[EMAIL PROTECTED]>, 313 > > <313@hyperreal.org> > > Conversation: (313) since I won't be at DEMF > > Subject: RE: (313) since I won't be at DEMF > > > > How the hell do you guys get around when out on the town then? > > > > > > Rob Taylor > > VT Librarian > > x8599 > > Hatch Desk x1088 > > VT Library Users' Guide > > > > -Original Message- > > From: David Armin-Parcells [mailto:[EMAIL PROTECTED] > > Sent: 25 May 2007 14:55 > > To: 313 > > Subject: Re: (313) since I won't be at DEMF > > > > good luck getting a cab @ 5am > > even if you call for one it may take an hour to get to you... > > public transit is not our strong point in the D > > > > > >> > >> On 24 May 2007, at 02:49, kent williams wrote: > >> > >>> I'm wishing all who attend a great festival, and offering some > > advice. > >>> > >>> 1. If you go to an afterparty and you're not parked right under a > >>> streetlight on Woodward, park in a lot with an attendant. Trust > >>> me on this. > >> > >> Or just cab it everywhere. Worked really well for Nicole & me in > >> 2003, > > > >> and it was relatively cheap to boot. > >> > >> Have a grand time! > >> > > > > ## > > > > ### > > Note: > > > > Any views or opinions are solely those of the author and do not > > necessarily represent those of Channel Four Television Corporation > > unless specifically stated. This email and any files transmitted are > > confidential and intended solely for the use of the individual or > > entity to which they are addressed. If you have received this email > > in > > > error, please notify [EMAIL PROTECTED] > > > > Thank You. > > > > Channel 4, 124 Horseferry Road, London, SW1P 2TX. VAT no. GB > > 626475817 > > > > > ## > > > > ### > > > ## > ### > Note: > > Any views or opinions are solely those of the author and do not > necessarily represent those of Channel Four Television Corporation > unless specifically stated. This email and any files transmitted are > confidential and intended solely for the use of the individual or > entity to which they are addressed. If you have received this email in > error, please notify [EMAIL PROTECTED] > > Thank You. > > Channel 4, 124 Horseferry Road, London, SW1P 2TX. VAT no. GB 626475817 > ## > ### > -- Technoir Audio http://www.technoiraudio.com "dealing with your imperfect world" # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel 4, 124 Horseferry Road, London, SW1P 2TX. VAT no. GB 626475817 #
Re: (313) Carl Craig tracks I don't know (from Pacou mix)
T.Brookes+A.Soul - City LIfe (Craigs Caya Dub) -RushHour Carl Craig - 4 My Peepz-planet e Carl Craig - Darkness/ Angel-planet e Johnny L - This Time (Craig Mix) - XL Paperclip People - Throw-planet e Quadrant - Infinition(Craig MIx)-planet e Psyche-Andromeda(Craig Mix)-Transmat SpaceTime Continuum - Kairo Craig Remix-Reflective Designer Music Vol 1-problemz-planet e Dave Angel - Take Off (Craig Mix)-Blunted Psyche-Elements-Planet e Remake (eich me son sche)-planet e Carl Craig vs. Johnny Blas - Picadillo 7-ubiquity Paperclip People-Steam - Open Inner City - Goodlife (Craig Mix) - Pias Ultramarine - Hooter(Craig Rmx)-Real Soon Carl Craig - Technology-planet e Carl Craig-Climax(reworked)-Open Chez Damier - Help Myself (Craig Mix)-KMS 69-rushed-planet e/ R+S Reese Project - I Believe(Craig Dub)-Giant/ Warner BFC-Static Friendly-Fragile Designer Music Vol. 1 - Good Girls-planet e UFO - The Planet Plan (Craig Mix) - talkin loud Paperclip People - Floor - planet e Designer Music Vol 1 - Latin Chic behind door#1-planet e Innerzone Orchestra - nitwit-planet e Paperclip People - Paperclip Man- Open 69 - Extraterrestial Raggabeats - planet e Innerzone Orchestra-Bug In the Bassbin - planet e Carl Craig - No more Words - retroactive BFC - Sleep - beechwood On 2/14/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: Title says it all really. I've said on this list before I seem to spend all my time listening to clips of new 12"s at record shop sites. Often with little reward as there doesn't seem that much good new stuff out to justify doing that, instead of what I should be, which is: 1. Listening to the good records I did actually buy but am too busy listening to clips of more stuff to have actually played. 2. Listening to mixes I'd enjoy - and which when I actually do I generally get more exposure to good records I haven't heard and should set about buying (albeit 2nd hand and a bit harder to track down) than I do from shops. So the only time I seem to do 2 above is when I'm on holiday. After a month in Cuba last year I found a load of stuff I want to know about off those Deep Space Radio shows from a bit back. I came on here and said I'd cut and post clips. But surprise, surprise as soon as I'm back in the UK working, going out and listening to [EMAIL PROTECTED] shop's mailouts I've no time. Now I've come back from a month in Brazil with more stuff I've heard on my mp3 player and want to know what it is and buy! My only hope in the most pressing of these cases, 2 tracks from a mix of C2 stuff by Pacou called "Pacou_-_CarlCraigWorks", is that rather than me having to get round to posting clips someone else knows this mix (I can't remember if I got it off here or somewhere else) and can tell me what the tracks at about 53 and 58 mins are. They sandwich one of the well known 69 tracks from R&S (though I can't remember which one now) which is on around 55 mins. Anyone got a tracklist for this mix? I was frightened when I listened to it as I went in thinking "oh yeah I'll know everything on this since I'm a C2 man but it'll be nice to lay in this hammock listening to one classic after another" only to find quite a few I didn't know. The two I'm after are hot.
Re: (313) Poetry To Music
same poem: ltj bukem - horizons On 4/24/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: > > > > > Maya Angelou appears on another record by East Village Loft Society (Ashley > Beedle) called "I Wanna Sing Sunshine" > probalby one of my favorite records in my collection. The poem is from > Bill Clinton's inaguration > http://poetry.eserver.org/angelou.html > one of those tunes and poems that fills you up with joy > > MEK > > Klaas-Jan Jongsma <[EMAIL PROTECTED]> wrote on 04/24/2006 10:23:54 AM: > > > Well Mike, you could have mentioned your own track: "The Struggle Of > > My People", that track is great and features a poem of Maya Angelo (sp?) > > > > http://www.discogs.com/release/3765 > > > > KJ > > > > > > > > On 24-apr-2006, at 15:23, Big 50 Entertainment wrote: > > > > > There are two tracks here which feature Sky (A Beautiful Thing and > > > Sunlight). > > > http://emporium50.com/Merchant2/merchant.mvc? > > > Screen=PROD&Product_Code=MGCD-2 > > > &Category_Code=MG-CD > > > > > > She also has a bonus CD included with the Mahogani compilation: > > > http://www.discogs.com/release/475075 > > > > > > MG > > > > > > -Original Message- > > > From: Cyclone Wehner [mailto:[EMAIL PROTECTED] > > > Sent: Sunday, April 23, 2006 6:08 PM > > > To: 313 list > > > Subject: (313) Poetry To Music > > > > > > Does anyone know of any poetry set to electronic music? > > > I wondered if it's been done. I collect these sort of projects - > > > traditional poems set to music (as opposed to spoken word). I started > > > after buying Nikki Giovanni's album which is stellar. I just got an > > > incredible album RADA did a while ago with Shakespeare readings as > > > well as some songs - Bryan Ferry sings the immortal "Shall I Compare > > > Thee..." It's more traditional pop, the music, not electronic. > > > I realised lately that Propaganda's A Dream Within A Dream is Poe's > > > poem set to music (funny, I assumed it was Shakespeare), but want > > > other examples. > > > > > > > > > > > > >
Re: (313) 313 tattoos? Now, I've got one ;)
that would be more a 734 tattoo though On 4/14/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: > > > > > Uh, Kiss aren't from Detroit > if it was a tattoo of the Stooges - then it would be > > > > > "fab." > <[EMAIL PROTECTED] > > To >"seek" <[EMAIL PROTECTED]>, > 04/14/06 03:59 PM <313@hyperreal.org> > cc > >Subject >Re: (313) 313 tattoos? Now, I've >got one ;) > > > > > > > > > > > i think this is the ultimate 313 tattoo ;) > > > > > > http://www.lcc.edu/lookout/previous_images/old_previous_images/past%20photo%20essay%20photos/photo_48.jpg > > > 'nuff said. > > > ps: yeah kent, in my original post i was speculating about the different > drexciya graphics would make good tattoo subjects. > The wavejumper is cool, but i prefer the squid from the The Quest cd if i > remember correctly > > fab. > > CITYMORB MUSIC > www.citymorb.net | [EMAIL PROTECTED] > > out now: CTM002 SMBP - Stars Falling ep. > next release: CTM004 Vermont - The Santa Cruz Operation ep. > > > >
Re: (313) New Prince
it's ok. musicology was a lot better On 3/23/06, Robert Taylor <[EMAIL PROTECTED]> wrote: > That reminds me, anyone heard the new Prince album? Is it a return to > form? Musicology was supposed to be but it wasn't THAT inspiring. > I heard a wicked instrumental funk track of his on Gilles Peterson a > couple of months back, so I have my fingers crossed. > > Oh, and shouldn't he now be called The Artist Formerly Known As The > Artist Formerly Known As Prince? > > -Original Message- > From: Kent Williams [mailto:[EMAIL PROTECTED] > Sent: 23 March 2006 16:37 > To: list 313; do id > Subject: (313) Aw Yeah Duran Duran Duran & Jason Forrest in Iowa > > the Artist Formerly Known As Donna Summer, AKA Jason Forrest, > # > Note: > > Any views or opinions are solely those of the author and do not necessarily > represent > those of Channel Four Television Corporation unless specifically stated. This > email > and any files transmitted are confidential and intended solely for the use of > the > individual or entity to which they are addressed. If you have received this > email in > error, please notify [EMAIL PROTECTED] > > Thank You. > # >
Re: (313) Re : Re: (313) DJ Frankie Bones vs Joey Beltram
make it stop On 3/3/06, Thomas D. Cox, Jr. <[EMAIL PROTECTED]> wrote: > On 3/3/06, seek <[EMAIL PROTECTED]> wrote: > > > Frankie Bones can be whatever he wants to, as far as DJing: > > he's got gigs. What do you have? A big mouth, a keyboard, > > and an interenet connection. > > > > Nuff said. > > and tiesto has even more gigs than frankie does? should i give a sh*t > about him too? as always, your logic is fantastic. good luck with > that. > > tom >
Re: (313) DE9 Transitions
thought the cd was good, though awfully similar to the hawtin live sets i've heard recently. kinda feel like i have about 5 copies of the same set i dont know why he included that timewarp footage on the dvd; it looks terribly boring On 12/2/05, Benoît Pueyo <[EMAIL PROTECTED]> wrote: > I agree. Though the "boring" aspect can be perceptible at some times, it > is just due to the fact some of the records are played for a very long > time while other are just short glimpses. But eh, thats the concept. > > Damn the first 20 minutes of the mix were previewed at Sonar on a really > grat sounding 5.1 system and they still sound to me the best part of the > mix Lot of groove IMO. > > And this Detroit Grand Pubah tracks oh damn i could dance on it for > hours ! > > The end of the mix is more classic and "trendy" but it becomes > interesting with this Carl Craig track... Too bad it ends at that time > on the CD, coz the DVD mix end very very well with a typical 313 > atmosphere IMO. > > So,what i like is not the concept or the track selection (im not a huge > fan of minimal) but the structure and the groove. Too bad its present > only in some parts of the mix, that also miss some real peaktime (it > could actually be the beginning eh !!) > > -- > Benoît. > > Martin Dust a écrit : > > I'm going to have to disagree, the album has plenty of cold machine soul > > and he does keep it interesting, it may not be a giant leap but it fits > > well with his work. It's a great package for 9.99 and I really like the > > 12" as well, so there :) > > > > m > > > > > > On 2 Dec 2005, at 15:36, Stoddard, Kamal wrote: > > > >> Only marginally interesting in concept. Aurally it sucks. No soul. Just > >> an abundance of ponderance with a dash of psychedelics and a heaping > >> helping of ego. That sounds suspiciously like the recipe for a steaming > >> pile of shxt too. Imagine that. > >> > >> KKS > >> > > > > > > > > >
Re: (313) Fake Los Hermanos record?
This doesnt really matter. trademarks emerge through use, not registration. if you use the name as the artist and people recognize the name as the artist, then thats the trademark, registered or not Moreover, theres a decent argument that people would assume an artist called los hermanos is part of the record label (ala UR) - sort of a variation on the "aunt jemima" theory of trademarks (holds that even though aunt jemima is a trademark for pancake batter, someone else cant use the name to sell syrup) at least thats what i think i remember from class last semester ;) Quoting kj at technotourist dot org <[EMAIL PROTECTED]>: > > The Los Hermanos of Rolando and Mitchell is trademarked as the > label > name, this is an artist who calls himselves Los Hermanos. >
Re: (313) Fake Los Hermanos record?
well, i would think a lot people shopping for that record or buying it are lured in by the name, which they associate with the work of rolando and gerald. thats the basis of trademark infringment Quoting kj at technotourist dot org <[EMAIL PROTECTED]>: > Well i don't think it is a crime to record as Los Hermanos? It > never > says that is Los Hermanos, produced by Gerald Mitchell and > Rolando. > > > On 28-jul-04, at 19:08, Ilmar Kerm wrote: > > > Hello > > > > What do you think, is this record produced by the real Los > Hermanos or > > not? > > > > http://www.discogs.com/release/284821 > > http://www.juno.co.uk/IP/IF144759-01.htm > > > > -- > > Ilmar Kerm > > > > >
RE: (313) London 313 peeps - Fabric
well, i've seen him far more times than i can count over the last few years and thoroughly enjoyed it each time. to each his own, though Quoting Robert Taylor <[EMAIL PROTECTED]>: > Christian Smith - yeuccch > Not me. > Though Heather wasn't bad last time I heard her there > > -Original Message- > From: Ben Britz [mailto:[EMAIL PROTECTED] > Sent: Monday, July 26, 2004 3:46 PM > To: Robert Taylor > Cc: 313@hyperreal.org > Subject: RE: (313) London 313 peeps - Fabric > > > not exactly 313, but is anyone else going to see dj heather and > christian smith in 2 weeks? > > Quoting Robert Taylor <[EMAIL PROTECTED]>: > > > No - wear what you like - don't bring any glowsticks though! > > > > -Original Message- > > From: [EMAIL PROTECTED] > > [mailto:[EMAIL PROTECTED] > > Sent: Monday, July 26, 2004 2:51 PM > > To: 313@hyperreal.org > > Subject: (313) London 313 peeps - Fabric > > > > > > Is there a dress code for the club? > > > > MEK > > > > > > # > > Note: > > > > Any views or opinions are solely those of the author and do > not > > necessarily represent > > those of Channel Four Television Corporation unless > specifically > > stated. This email > > and any files transmitted are confidential and intended solely > > for the use of the > > individual or entity to which they are addressed. If you have > > received this email in > > error, please notify [EMAIL PROTECTED] > > > > Thank You. > > > > # > > > > > > > # > Note: > > Any views or opinions are solely those of the author and do not > necessarily represent > those of Channel Four Television Corporation unless specifically > stated. This email > and any files transmitted are confidential and intended solely > for the use of the > individual or entity to which they are addressed. If you have > received this email in > error, please notify [EMAIL PROTECTED] > > Thank You. > # > >
RE: (313) London 313 peeps - Fabric
not exactly 313, but is anyone else going to see dj heather and christian smith in 2 weeks? Quoting Robert Taylor <[EMAIL PROTECTED]>: > No - wear what you like - don't bring any glowsticks though! > > -Original Message- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] > Sent: Monday, July 26, 2004 2:51 PM > To: 313@hyperreal.org > Subject: (313) London 313 peeps - Fabric > > > Is there a dress code for the club? > > MEK > > # > Note: > > Any views or opinions are solely those of the author and do not > necessarily represent > those of Channel Four Television Corporation unless specifically > stated. This email > and any files transmitted are confidential and intended solely > for the use of the > individual or entity to which they are addressed. If you have > received this email in > error, please notify [EMAIL PROTECTED] > > Thank You. > # > >
Re: (313) Re: new Prodigy album
do they, like, sing about feelings and stuff? Quoting "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>: > -- Original Message -- > From: "DJ Entropy" <[EMAIL PROTECTED]> > > >Yes, I just described one. You just replied about it. > > uh, no. thats mall punk, thats what my little sister listens to. > > > >"real punk" isn't just what X person happens to like, moron. > > youre right, its just not MTV/mall/trendy punk. > > tom > > > andythepooh.com > > > > >
Re: AW: (313) miss kitten ?
Miss Kitten is definitely worth seeing in my book. I dont care for her production stuff or that 80s/electroclash junk, but she is a very talented dj. Her sets are mostly euro-techno, with little bits of electro and more eclectic stuff thrown in to spice it up. More technasia than larry tee. I'm seeing her friday in DC and am quite excited about it actually. -bsb Quoting Carlos de Brito <[EMAIL PROTECTED]>: > nah, don't expect only "electro clash/boring 80s redux". > her lastest album is excellent, diverse. try this as a review: > http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:pgeq97ydkrjt~T1. > and if > she's djing (she can definetely "pump the floor") with matthew > dear, it > might also go this way round: > http://www.discogs.com/release/135858. at > end, you might hope that there is no door to leave. ;) > > c. > > > > -Ursprüngliche Nachricht- > Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Gesendet: Donnerstag, 22. Juli 2004 02:18 > An: [EMAIL PROTECTED] > Cc: 313@hyperreal.org > Betreff: Re: (313) miss kitten ? > > > my advice: go see matthew dear, then make for the door quickly. > > - jobot > > > > - Original Message - > From: [EMAIL PROTECTED] > Date: Wednesday, July 21, 2004 7:15 pm > Subject: (313) miss kitten ? > > > Hey I was hoping that folks on this list would have an opinion > > about whether it is worth going out of my way to see miss > kitten? > > It is a pricey show, mathew dear is opening, but it is one of > only > > a couple of techno-esque shows that have come to San Francisco > > > this year. I don't like electro clash/boring 80s redux at all > > > (but i like anthony rother), so I haven't really checked out > her > > records before. I generally like to support anything that > > happens, just because it is happening, but for 20 bones and > some > > scheduling conflicts, I need to know if this is something that > > > will pump the floor and inspire me musically or be chin > > scratching paradise and bore me. Any thoughts? Off list. > > thanks, > > > >
Re: (313) Last Tronic Treatment Party
from all the drunk voicemails i got, it appears it was quite the party. i'm told acquaviva and christian both played fantastic sets before a very drunk and lewd danny howells closed it, predictably, with blue monday. Quoting Fred Wilson <[EMAIL PROTECTED]>: > Did anyone hit the last Tronic Treatment party with Christian > Smith and Nigel Richards last night? > > any reviews? >
RE: (313) washington dc?
unless you enjoy waving glowsticks to the epic sounds of tiesto, it's a wasteland Quoting LR T <[EMAIL PROTECTED]>: > Unfortunately techno here in DC is slim to non-existent. There > are no > decent record stores anymore. There are two larger clubs--Nation > and Club > Five that feature electronic dance music but they mainly book > house, > progressive, trance, or jungle dj's. Richie and Magda were just > at Nation > last month so I think that was our techno allotment for the year. > Below is > a list of who's playing at local clubs for the next few months: > > D:Fuse & Ray Kang > Sander Kleinberg > Sasha > Dimitri from Paris > Nigel Richards > Tiesto > Chris Fortier > Emma Feline > Christopher Lawrence > Danny Howels > Jimmy Van M > Paul Oakenfold > Grooverider > Feelgood > Ms. Kitten > Mark Farina > Steve Porter > George Acosta > Doc Martin > John Digweed > Ferry Corsten > Armin Van Buuren > Paul Van Dyk > Bad Boy Bill > Donald Glaude > > > > >From: Rc <[EMAIL PROTECTED]> > >To: 313 <313@hyperreal.org> > >Subject: (313) washington dc? > >Date: Tue, 29 Jun 2004 20:39:59 +1000 > > > >can anyone suggest some decent record stores and/or clubs in > dc? > > > >i remember someone saying recently onlist that good dance music > was hard to > >come buy in dc? > > > >there must be something though. > > > >thanks > >rc > > > > _ > MSN Toolbar provides one-click access to Hotmail from any Web > page FREE > download! > http://toolbar.msn.click-url.com/go/onm00200413ave/direct/01/ >
Re: (313) Nitzer Ebb....eh?
aktion mekanik is what i was thinking of love that hell disc Quoting [EMAIL PROTECTED]: > He probably did, although i don't have info on it. I do have an > excellent > EBM mix by Hell tho, called "electronic body". > > Terrance Fixmer did, however, compile a great number of old > industrial > tracks (hard to find) dist. by musicman, called "Aktion Mekanik". > It is > the only way i've been able to get a hold of skinny puppy's > track > "assimilate". > > dense > > On Tue, 22 Jun 2004, Ben Britz wrote: > > > didnt terrence fixmer do a mix album of all this sort of stuff > > recently? anyone buy it? > > > > seems an extension/progression fo the electroclash '80s > fixation, > > with dj hell typically out front. > > > > > > Quoting [EMAIL PROTECTED]: > > > > > > > > > > > > > > > > > >Dj Hell is playing out Front 242 tunes, would u consider > that to > > > be good > > > >thing then? > > > > > > Yes - very much so. It's good to hear someone is playing > > > something from > > > that era besides Nitzer Ebb > > > they along with several other groups had a more consistent, > > > longer, and > > > less one-dimensional career > > > > > > >Togehter with Front 242 and Frontline Assembly they were > the > > > 'big names' > > > >of the Electronic Body Music scene back in the 80's. U > don't > > > have to like > > > >thier tunes, the early ones from thier album 'That Total > Age' > > > sound like a > > > >pitched up version of DAF but try their album 'Belief' or > > > 'Showtime' and u > > > >wil hear a different band. > > > > > > I don't like 'That Total Age' but it does seem to be the only > one > > > that gets > > > played in techno sets. > > > I'd love to hear tunes off of their other records within > techno > > > sets - but > > > it doens't happen. > > > > > > it's always either 'Join in the Chant' or 'Let Your Body > Learn' > > > that I hear > > > > > > and yes, I do think they are crap tunes - explain to me what > this > > > is about > > > beyond vague sloganeering. > > > If they were trying to mock fascists then Laibach beat them > to it > > > except > > > Laibach has a much better and more fleshed out idea and > message. > > > If they were trying to be angry but danceable then Front 242 > has > > > them beat > > > there. > > > I've never been a fan of bands/artists that have really vague > yet > > > anthemic > > > tunes - especially those that have big chanting sing-along > type > > > lyrics > > > lots of rage (or feigned rage) but what is the target or > cause? > > > There's > > > just nothing there. I just want them to light a joint and > calm > > > the f*ck > > > down - maybe think of something interesting to say while > still > > > making me > > > dance. However the lyrics in these two tunes are about as > > > interesting as > > > Madonna's. > > > > > > I read a Amazon customer review that pretty much sums up > Nitzer's > > > entire > > > first album: > > > > > > >>NE's approach to things was pretty simple: lay down a > pummeling > > > beat, > > > shout military vocals and lay some simple yet catchy synth > hooks > > > on top > > > > > > look at these lyrics: > > > > > > lies, lies, lies, lies > > > gold, gold, gold, gold > > > guns, guns, guns, guns > > > fire, fire, fire > > > > > > gold, gold, gold, gold > > > judge, judge, judge, judge > > > guns, guns, guns, guns > > > fire, fire, fire > > > > > > muscle and hate > > > muscle and hate > > > muscle, muscle, muscle, muscle > > > > > > lies, lies, lies, lies > > > books, books, books, books > > > burn, burn, burn, burn > > > fire, fire, fire > > > > > > judge, judge, judge, judge > > > gold, gold, gold, gold > > > guns, guns, guns, guns > > > fire, fire, fire > > > > > > muscle and hate > > > muscle and hate > > > muscle, muscle, mu
Re: (313) Nitzer Ebb....eh?
didnt terrence fixmer do a mix album of all this sort of stuff recently? anyone buy it? seems an extension/progression fo the electroclash '80s fixation, with dj hell typically out front. Quoting [EMAIL PROTECTED]: > > > > > >Dj Hell is playing out Front 242 tunes, would u consider that to > be good > >thing then? > > Yes - very much so. It's good to hear someone is playing > something from > that era besides Nitzer Ebb > they along with several other groups had a more consistent, > longer, and > less one-dimensional career > > >Togehter with Front 242 and Frontline Assembly they were the > 'big names' > >of the Electronic Body Music scene back in the 80's. U don't > have to like > >thier tunes, the early ones from thier album 'That Total Age' > sound like a > >pitched up version of DAF but try their album 'Belief' or > 'Showtime' and u > >wil hear a different band. > > I don't like 'That Total Age' but it does seem to be the only one > that gets > played in techno sets. > I'd love to hear tunes off of their other records within techno > sets - but > it doens't happen. > > it's always either 'Join in the Chant' or 'Let Your Body Learn' > that I hear > > and yes, I do think they are crap tunes - explain to me what this > is about > beyond vague sloganeering. > If they were trying to mock fascists then Laibach beat them to it > except > Laibach has a much better and more fleshed out idea and message. > If they were trying to be angry but danceable then Front 242 has > them beat > there. > I've never been a fan of bands/artists that have really vague yet > anthemic > tunes - especially those that have big chanting sing-along type > lyrics > lots of rage (or feigned rage) but what is the target or cause? > There's > just nothing there. I just want them to light a joint and calm > the f*ck > down - maybe think of something interesting to say while still > making me > dance. However the lyrics in these two tunes are about as > interesting as > Madonna's. > > I read a Amazon customer review that pretty much sums up Nitzer's > entire > first album: > > >>NE's approach to things was pretty simple: lay down a pummeling > beat, > shout military vocals and lay some simple yet catchy synth hooks > on top > > look at these lyrics: > > lies, lies, lies, lies > gold, gold, gold, gold > guns, guns, guns, guns > fire, fire, fire > > gold, gold, gold, gold > judge, judge, judge, judge > guns, guns, guns, guns > fire, fire, fire > > muscle and hate > muscle and hate > muscle, muscle, muscle, muscle > > lies, lies, lies, lies > books, books, books, books > burn, burn, burn, burn > fire, fire, fire > > judge, judge, judge, judge > gold, gold, gold, gold > guns, guns, guns, guns > fire, fire, fire > > muscle and hate > muscle and hate > muscle, muscle, muscle, muscle > > join in the chant > join in the chant > join in the chant > join in the chant > muscle, muscle, muscle, muscle > > lies, lies, lies, lies > books, books, books, books > burn, burn, burn, burn > fire, fire, fire > > guns, guns, guns, guns > gold, gold, gold, gold > judge, judge, judge, judge > fire, fire, fire > > muscle and hate > muscle and hate > muscle, muscle > muscle and hate > muscle and hate > > force is machine > force is machine > force is machine > join in the chant > force is machine > join in the chant > muscle, muscle > > lies, lies, lies, lies > books, books, books, books > burn, burn, burn, burn > fire, fire, fire > > judge, judge, judge, judge > gold, gold, gold, gold > guns, guns, guns, guns > fire, fire, fire > > muscle and hate > muscle and hate > muscle, muscle, muscle, muscle > > force is machine > force is machine > join in the chant > force is machine > join in the chant > join in the chant > join in the chant > join in the chant (muscle) > muscle, muscle, muscle > > fire, fire, fire > > join in the chant > > > yeah, whatever. > > MEK > > > > > > "Martijn de Blaauw" > > <[EMAIL PROTECTED]To: > [EMAIL PROTECTED] > > chline.biz>cc: > 313@hyperreal.org > > Subject: > Re: (313) Nitzer Ebbeh? > > 06/22/04 01:48 AM > > Please respond to > > martijn.de.blaauw > >
Re: (313) Ritchie and Magda last night in D.C.
i'm definitely looking forward to selway and kitten. hawtin was a good time, though i've seen him play much better sets. i'm new to dc, but there is just no techno scene here is there? btw, i've never before been to a venue where the guy doing the search has a tip cup, lmfao -bsb Quoting Tim Moore <[EMAIL PROTECTED]>: > I had no idea there were other people from DC/MD on this list! > I'll > echo the praise, and add that I hope the crowd response from > Friday > will convince the Buzzlife folks to book more techno in the > future. > They already have Miss Kitten & Selway coming next month... > -- > Tim Moore > > On Jun 12, 2004, at 5:56 PM, LR T wrote: > > > I was there as well and agree, it was a great night. They were > both > > here last summer (well in Baltimore) at a July 4th party and it > was > > so-so. I think that was part of the Control tour and had a > very > > different sound/feel. But last night they were both on and > played > > great tracks. Ritchie played hard, reminded me of his sets from > a few > > years back. Banging. Magda pulls out the coolest tracks, her > style is > > unique and was a great way to start out the night. > > > > Still smiling about getting too see both of them two weekends > in a > > row, first Mutek and then back home in DC. Unfortunately that > will > > probably be it for techno here for a looong time. > > Lara > > > > > >> From: Arturo Lopez <[EMAIL PROTECTED]> > >> To: 313@hyperreal.org > >> Subject: (313) Ritchie and Magda last night in D.C. > >> Date: Sat, 12 Jun 2004 15:14:48 -0400 > >> > >> Hey, just wanted to say that the Ritchie and Magda show last > night > >> here in DC went really well. We don't get to see either of > these two > >> around here very often (I think the last time Ritchie played > here was > >> like 3 years ago), so this was a real treat for us. You > detroiters > >> get spoiled with the quality of music you have access to :) > If you > >> are anywhere near any of the locations for this > Minimize/Maximize > >> tour, you should really make an effort to come out. -Art > >> >
Re: (313) The Price is Right theme remix/edit?
is that music original to the price is right? i feel like it was taken from some old jazz or pop record. Quoting Nik <[EMAIL PROTECTED]>: > The Discogs Community say it all... > > 6 members have this item > 0 members want this item > > Heh heh > > N > > >>> matt kane's brain<[EMAIL PROTECTED]> 03/06/2004 19:04:14 >>> > At 01:59 PM 6/3/2004, [EMAIL PROTECTED] wrote: > >Who the hell did that remix/edit dance version of the Price is > Right game > >show theme? > > Crystal Waters! > > http://www.discogs.com/release/167288 > http://www.discogs.com/release/62758 > > I only know this because there was a bit done on the original > theme and > this remix on NPR. I swear it! > -- > unsigned short int to_yer_mama; > http://www.mkb-dj.org > Matthew Kane : Software Engineer : Zebra Atlantek, Inc. > [EMAIL PROTECTED] || [EMAIL PROTECTED] > > >
Re: (313) my personal experience at movement
Afterparties: the claude young party was ok. Musically it was great, claude played a really good and very long set with rudiman doing keyboards over top (i could have done without that, personally). The venue disappointed though - horribly weak sound, weird layout, a bathroom line around the block - at least the outdoor patio was cool. The crowd wasnt so great either - NO ONE DANCED - just people 10 deep crowded around claude staring at him. i felt like i was at some sort of seminar rather than a nightclub. who stole the fun? tried to go to the may, pullen, k, krivit afterparty, but arrived to find they had a no camera policy and wouldnt even let you check them. as a trip back to the hotel would have set us back ages and stuck us in a rather long line we hopped over to the tronic party at the works instead. christian smith blew the place apart, but frankly i spent most of the night by the bar getting drunk, so my impressions are a bit skewed. Festival: only made it sunday, but had a blast. I saw: mike huckaby - old school, old school, old school. old school detroit techno, old school euro techno, old school chicago house. hey went back, way back, back in the day. joris voorn - pretty boy plays techno. not my favorite, but ok orlando voorn - rocked it. best, most charismatic hard techno set i've heard in ages - at least since technasia at tronic about a year ago. ron trent- did his usual deep afro thing to a packed tent of people escaping the rain francois k - wow. all i can think to say is that it was a once in a lifetime set. if you've heard his sonar set, you have an idea of the style, but this was just genius. Stuff I missed but heard about: heard nothing but raves about TP, Mike Grant, and Ken Ishii (at tronic 1). the mike dearborn party was universally described as a crackden. Festival 1, Afterparties 0 this year, imho Quoting [EMAIL PROTECTED]: > > >Anyway I'm not gonna go on and on even though I could. Met lots > of cool > >people, a few from the 313 list, yeah, and the music was great > and all > that, > >blah blah I'll leave it for another post. :) > > come on, come on! the suspense is killing me...! > how was last night? how was the UR party? > what about the ultradyne/ectomorph one, or the recloose/john > arlnold/ayro > or the c.young/shake/d.bell or... bah, I could go on forever. > _ > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring > > >
Re: (313) why lie on your bio (Tim Baker)
yeah, i grew up in jackson (ok, brooklyn to be precise) and toledo and whenever i'm dealing with people from outside the area i usually just say detroit or the detroit area. it's just a handy, well-known reference point, not an attempt to decieve people. Quoting Dennis DeSantis <[EMAIL PROTECTED]>: > Let's back up for a minute. > > houseman04: Did you grow up in Southeastern Michigan? You > mentioned > that you work in A2, but are you originally from the area? > > I can understand that, if you're not from the area, you could see > this > as a potentially divisive and confusing issue. But it's really > very > common for anyone from basically east of Jackson to the lake (not > to > mention north of Toledo to basically...well, the lake) to refer > to > themselves as "from Detroit". > > It's not meant to be deceiving. It's just that the so-called > "metro > Detroit" area really is thought of as that - satellites around > Detroit. > And the area in question is REALLY large. > > When people ask me where I'm from, I tell them Detroit. (I was > born in > Warren and grew up in Sterling Heights.) If they then make it > clear > that they're actually familiar with the area, I go into > suburbs-level > detail. > > 2 more cents, > > -- > Dennis DeSantis > www.dennisdesantis.com >
Re: (313) Worst Track Played (Was Saunderson & Craig last weekend)
again, it was the corny house remix, not the original. original = cool but overplayed. remix = judge jules fodder Quoting Ken Odeluga <[EMAIL PROTECTED]>: > also acquaviva playing "electric avenue" at the demf a few years > ago, but he's neither a legend nor a favorite. but it was > really, > really bad > > Hmm. What's wrong with it? > > Eddie Grant - dreadlocked reggae musician- sporting synths and > drum > machine at the high in the mix out of nowhere in 1982 (or > whenever it > was.) It's notable and not cheesy at all. The lyrics hint about > the > (then) oppressiveness and inner-city blight that Electric Avenue > is not > a million miles away from even today. Also check 'Livin' On The > Frontline'. I don't even like the tracks enough to own them but I > don't > think they're as bad as all that. > > k >
Re: (313) Kevin Saunderson & Carl Craig last weekend in London
what he said Quoting Matt MacQueen <[EMAIL PROTECTED]>: : > > > ahh personally i'm not all about dissin, just poking fun the way > you > would laugh a bit about it over a beer with friends.. we all > place > these DJs on impossibly high pedestals and the reality is they're > just > people who make (usually) genius and (occasionally) bad musical > selections all the time. It's humanizing these stars.. DJing > used to > be the true democratization conduit between the crowd and the > music... > lately it's all this superstar power stuff that I think needs to > be > reeled back in to earth from time to time :) > > no harm intended, keep it lighthearted and tongue-in-cheek > peace > -- > Matt MacQueen > http://SonicSunset.com >
RE: (313) Kevin Saunderson & Carl Craig last weekend in London
nothing wrong with the original, but the remix blew. i usually have a very high cheese tolerance, especially by 313 standards, but that was a step too far for me - especially as the entire set was cheesy, not just that record (as opposed to the pullen set i mentioned, which was fantastic, one bad record or not). not like it ruined my life or anything, it just kinda sucked, thats all. thats my subjective opinion and i'm sticking to it :) Quoting David Powers <[EMAIL PROTECTED]>: > What's wrong with "Electric Avenue"? > > This snobby purist thing is starting to get to me. I think you > all forget that DJs have to sometimes play stuff that ordinary > people relate to, their job is to rock the crowd, so what if they > play something you think is cheesy once in a while? It's not the > same as playing a set full of cheesy stuff. I mean, we're > talking about "pop-art" here, it's not the same as a performance > where people are just listening and nodding their heads. > > That being said, I don't want to hear Briteny Spears or Justin > Timberlake, personally. But you people seem to be taking this > too seriously. I guess it just makes everyone sound really > whiney to try and discuss the WORST record you can think of a DJ > playing. More to the point, it's really subjective, I'd be more > interested in whether the crowd reacted poorly. THAT would say > something more objective or interesting about the subject. > > ~David > > > -- Original Message --------- > Subject: RE: (313) Kevin Saunderson & Carl Craig last weekend in > London > Date: Thu, 6 May 2004 11:03:12 -0400 > From: Ben Britz <[EMAIL PROTECTED]> > To: [EMAIL PROTECTED] > > > stacey pullen - phats and small "respect the cock" at motor in > 2001. > 4 hours a stunning techno and chicago house, then THAT?!?!?! > > also acquaviva playing "electric avenue" at the demf a few years > ago, but he's neither a legend nor a favorite. but it was > really, > really bad > > Quoting [EMAIL PROTECTED]: > > > > > Brendan>Kenny Larkin, despite playing a very good set overall, > > dropped one > > or > > >tracks in Liverpool a few months back that were so bad I had > to > > >walk off the dancefloor. The problem is, I don't remember > what > > they > > >were... > > > > I remember very little from that night..! > > > > But, while we're on the subject of Kenny Larkin in Liverpool. > > > > Was he just playing records that night? I'm sure he had a > re-edit > > of Never > > On Sunday "Journey" > > (or he was being clever with an fx box). or was he playing > cd's > > or with a > > lap-top? > > anyone else seen him on his 'tour'? > > > > Scott - can you remember? or anyone? > > > > Alex > > > _ > > > > - End of message text > > > > This e-mail is sent by the above named in their > > individual, non-business capacity and is not on > > behalf of PricewaterhouseCoopers. > > > > PricewaterhouseCoopers may monitor outgoing and incoming > > e-mails and other telecommunications on its e-mail and > > telecommunications systems. By replying to this e-mail you > > give your consent to such monitoring > > > > > > > > >
Re: (313) Kevin Saunderson & Carl Craig last weekend in London
phil oakey was electric dreams eddie grant was electric avenue. it was the godawful "ringbang mix" that was "big in miami" a few years ago Quoting Cyclone Wehner <[EMAIL PROTECTED]>: > > >> On May 6, 2004, at 10:03 AM, Ben Britz wrote: > >>> also acquaviva playing "electric avenue" at the demf a few > years > >>> ago, but he's neither a legend nor a favorite. but it was > really, > >>> really bad > > > > Are we talking the Phil Oakey version? If you are, you can see > why tho... > > Wasn't that Eddie Grant? >
RE: (313) Kevin Saunderson & Carl Craig last weekend in London
stacey pullen - phats and small "respect the cock" at motor in 2001. 4 hours a stunning techno and chicago house, then THAT?!?!?! also acquaviva playing "electric avenue" at the demf a few years ago, but he's neither a legend nor a favorite. but it was really, really bad Quoting [EMAIL PROTECTED]: > > Brendan>Kenny Larkin, despite playing a very good set overall, > dropped one > or > >tracks in Liverpool a few months back that were so bad I had to > >walk off the dancefloor. The problem is, I don't remember what > they > >were... > > I remember very little from that night..! > > But, while we're on the subject of Kenny Larkin in Liverpool. > > Was he just playing records that night? I'm sure he had a re-edit > of Never > On Sunday "Journey" > (or he was being clever with an fx box). or was he playing cd's > or with a > lap-top? > anyone else seen him on his 'tour'? > > Scott - can you remember? or anyone? > > Alex > _ > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring > > >
RE: (313) Jeff Mills comp on Azuli
I really like the DT one, though it took me a bit to warm up to it. He must have spent an immense amount of time on it because he re-edits nearly every track and writes a paragrah or two in the liner notes on each of them. Also have the Francois K and DLC discs and they are amazing as well. Gonna pick up Vega's asap and then Mills. Quoting [EMAIL PROTECTED]: > > > > > > there's also a danny tenaglia and tony humphries comp in the > series. all > these choice series of comps are really good, the derrick carter > is > brilliant. the frankie knuckles comp has the incomparable 'love > bug' by > bumblebee unlimited. the danny tenaglia one is the weakest - but > it does > contain two stone cold gems; Tony Cook - On The Floor and Hugh > Masekela - > Don't Go Lose It Baby. > can't wait for the jeff mills. > james > www.jbucknell.com > > > > > > [EMAIL PROTECTED] > > et > > > To > 03/05/04 11:24 PM Robert Taylor > ><[EMAIL PROTECTED]> > > > cc >Sven Venema > ><[EMAIL PROTECTED]>, > >ThReE-oNe-ThReE > <313@hyperreal.org> > > Subject >RE: (313) Jeff Mills comp > on Azuli > > > > > > > > > > > > > > > > > the derrick carter one was loosly 'mixed' > > supposed it depends on how mixable the tracks are from one to the > next. > > On Fri, 30 Apr 2004, Robert Taylor wrote: > > > It's a compilation, not a mix, I think. > > The previous Choice comps weren't mixed. > > Frankie Knuckles, Derrick Carter and Francois Kevorkian did the > other > ones > > > > -Original Message- > > From: Sven Venema [mailto:[EMAIL PROTECTED] > > Sent: Friday, April 30, 2004 11:08 AM > > To: ThReE-oNe-ThReE > > Subject: Re: (313) Jeff Mills comp on Azuli > > > > > > Just now, "Robert Taylor" wrote: > > > > > Ryan just stuck this tracklisting on LD - I think it is part > of the > > Choice series of comps. It's a good indication of the sets he > has been > > playing at the Xmas Lost parties over the past couple of > years: > > > CD2 > > [deleted] > > > Ramirez - El Ritmo Barbaro > > > Florence - Analogue Expressions > > > > Eh? That's gotta be an interesting mix :) Thanks for the info! > > > > Sven > > > > -- > > Wer't de eangst regearret, > > kriget de leafde gjin kans. > > > > > # > > > Note: > > > > Any views or opinions are solely those of the author and do > not > necessarily represent > > those of Channel Four Television Corporation unless > specifically stated. > This email > > and any files transmitted are confidential and intended solely > for the > use of the > > individual or entity to which they are addressed. If you have > received > this email in > > error, please notify [EMAIL PROTECTED] > > > > Thank You. > > > # > > > > > > > ForwardSourceID:NTB8D2 >
RE: (313) Laurent Garnier
i could have guessed he wouldnt be a favorite around these parts, but generally speaking, people who dont like carl cox need to pick their heads up from their laptops and remember what clubs are about. he rocks it. sorry to be harsh, but i just dont get people who criticize him. then again, to each his own i guess as for garnier, i find that the "eclectic" bit of his sets doesnt change much, but the techno portions (which are what i enjoy) are generally pretty cutting edge and absorbing, even if he does have some old favorites - what DJ doesnt? I saw garnier thursday at centro-fly and thoroughly enjoyed myself. he certainly doesnt come around often enough for me to get bored then again, i'm a student, so what do i know... Quoting martin dust <[EMAIL PROTECTED]>: > OK, the first time I saw him was good but since then I've seen a > lot more > people, I still go along to see him as a few of the boys love > him. He just > bores me to tears, he's like Cox - he's a student DJ for people > to drunk or > fcked on class A's. I've seen him twice this year, probably a > month apart, I > won breakfast off one friend by naming the next three tracks > after he > dropped Red 2. > > I understand why people dig him, he's just not for me - I already > have the > CD... > > Martin > > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: 26 April 2004 14:57 > To: martin dust > Cc: 313@hyperreal.org > Subject: RE: (313) Laurent Garnier > > > no- i want to know. maybe its just because i'm bored at work, but > a little > debate would be good. > not looking for a fight, but i'm genuinly curious to know why > you've > choosen to stray so far form the pack on this particular DJ. > > Unless the whole point is just to stray from the pack. its a > known disease > amongst these techno circles > > > On Mon, 26 Apr 2004, martin dust wrote: > > > I'm totally chilled, no shouting here, just drinking tea and > shooting the > > breeze - there's no anger in my words just straight talking. > I'm no > cryptic > > hater Y. > > > > There's little point in me saying why I think Larry takes the > easy way > out - > > you can't argue with blind faith... > > > > Take it easy... > > > > -Original Message- > > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > > Sent: 26 April 2004 14:46 > > To: martin dust > > Cc: 313@hyperreal.org > > Subject: RE: (313) Laurent Garnier > > > > > > damn fool. i haven't yelled at anyone. (until now) > > > > if you just said- he doens't do it for me, i would except with > a shrug. > > But you're making cryptic hater statements, like- he takes the > easy route- > > or whatever it was. > > > > you offer no serious critique nor constructive critisim. just > vague > > statements. As a person who is often accused of being a hater > (usually on > > this list) I think I always back up my critism with specifics > as to why i > > feel that way, and suggestions on what could be done in my mind > to not > > make me feel that way. You've done none of the above. You're > just getting > > angry and i don't know why. > > > > > > On Mon, 26 Apr 2004, martin dust wrote: > > > > > I don't hate anyone my friend, you OK up there on your moral > high > ground - > > > does it look like rain? Wasn't aware that you'd be made judge > and jury > and > > > had the skills to decide where the line should be drawn. What > I'm > offering > > > you is only MHO, that's all - nothing more. I've seen Larry > Gardner > loads > > > and he doesn't rock my boat but he does for others - but then > again I've > > > never run with the pack. > > > > > > If you can't take other peoples views with all this shout and > pointing > it > > > may be best to keep quite... > > > > > > -Original Message- > > > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > > > Sent: 26 April 2004 13:40 > > > To: martin dust > > > Cc: Kim B; [EMAIL PROTECTED]; 313@hyperreal.org > > > Subject: RE: (313) Laurent Garnier > > > > > > > > > ok martin- > > > > > > you have offically crossed the line into hater. I don't even > know what > you > > > mean by the statement below. does anyone? > > > > > > btw- this taken from Detroitluv, posted by Mr. Plaslaiko... > > > > - > > > the man probably played 50-55 records... > > > > > > out of those: > > > > > > nervous acid. > > > > > > a mr. g record i couldnt identify. > > > > > > some remix of computer madness. > > > > > > and a different version of his own "the man with the red > face" > > > > > > outside of that no clue but 90% of it was sweet. > > > > -- > > > > > > must not have been the 'same set' is guess. > > > > > > > > > > > > > > > On Mon, 26 Apr 2004, martin dust wrote: > > > > > > > Sure, I just believe he takes the easy way out...IMHO > > > > > > > > -Original Message- > > > > From: Kim B [mailto:[EMAIL PROTECTED] > > > > Sent: 26 April
RE: (313) That Friday Question
claude's essential underground is amazing. it lacks the mixing flair of his dj sets, but the tracks are stunning. the rok disc is pretty good too, if you like that hard tresor sound- though there is one monster trainwreck, which he didnt edit out Quoting [EMAIL PROTECTED]: > i think that's the sort of faux modesty you get from a lot of > people when > they have one particular release that completely overshadows > everything else > they've done. > > for my nickles, you can't find a better mix CD than Claude's DJ > Kicks. Not > only does it define a particularly exciting time in my techno > education, > but it also sounds like no othe mix that i know is. It's minimal > yet slow > and funky. Totally Detroit, yet when I listen to it now its seems > to > foresee a lot of the Perlon, Sender, etc... microhouse sound. > > There;s a few other Claude mixes that I enjoy. There;s a house > music one > from 1996 radio broadcast floating on P2P. A lot of the others > tend to be > blazing techno which isn't my thing. > > And there's also the Berlin/Detroit double mix CD (which I think > was a > Japanese release) with Claude on one disc and Rok on the other. > Needless > to say, the Claude mix is better. > > > > On Fri, 2 Apr 2004 [EMAIL PROTECTED] wrote: > > > aha well he mentioned the CD mix...hmmm..Its funy cos as we > were in the taxi > > I told him that I listened and grew up with the kicks mix and > said it rocked > > and he said he hated it and he had much better ones than > that...well I will see tomorrow :) > > > > -Original Message- > > From: ed612313 [mailto:[EMAIL PROTECTED] > > Sent: Fri 02/04/2004 15:13 > > To: Martin Dust; 313 > > Cc: > > Subject: Re: (313) That Friday Question > > > > > > > > bone, shake, suburban knight, rolando,Buzz Gorree,Titonton > Duvante, TP,L > > Burden. All would be good. Im not fussy. > > and as for claudes japanese cds being better than hes dj kicks > one - ive > > heard him mention this before??? he couldnt be talking about > his DJ F1100 > > (sony japan - mixed on cd decks?)??? Ive been trying to find > out what cds > > hes been talking about for ages. The F1100 is way below what i > expected > > after hearing/learning/growing up on his dj kicks mix as well > as loving the > > cenrtal mix. Basically both his studio mixes done on > turntables destroy his > > 2 cd studio mixes. But that could just be me? > > anyway > > peace > > ed > > - Original Message - > > From: "Martin Dust" <[EMAIL PROTECTED]> > > To: "313" <313@hyperreal.org> > > Sent: Friday, April 02, 2004 7:53 PM > > Subject: (313) That Friday Question > > > > > > > If I could blag a mix from anyone for Little D, who would > you have me > > blag? > > > > > > Martin > > > > > > > > > > > > > > > > > > > >
Re: (313) New York
b&s is just doing a one-off this weekend; it wont be running in 5 weeks. danny krivit has been doing monthly parties at deep, however, and there is always shelter Quoting [EMAIL PROTECTED]: > Hi all > > I have a friend who is off to New York in 5 weeks time and I > wondered if Body & Soul will > be running then or what be on that has that kinda style.. > > thanks all > > Ian >
Re: (313) 313 stuff in cleveland, OH?
i had the misfortune of livng there this summer. aside from a few mildly entertaining (but prog/tech-house based) nights at abasso, there was nothing worth a darn. wound up driving to chicago just to hear some quality tunes -bsb Quoting Lee Herrington IV <[EMAIL PROTECTED]>: > > hi folks. any of you cats know of any 313 related events, > gatherings, or > nights in the 216 area? anybody? the only notable club that we > have around > here is "moda". i think last night they hosted some > sahsa&dickweed > wank-off. it seems lately that the only place to absorb some > quality techno > is in my car or my attic... and i'm tired of dealing with the > bouncers when > i try to get into my attic. how did those dudes get in here > anyway? > > cheers, > lrh >
