aying what he would normally play?
-Original Message-
From: kj at technotourist dot org [mailto:[EMAIL PROTECTED]
Sent: Thu 03/06/2004 14:13
To: 313 Mailinglist List
Cc:
Subject: Re: (313) Movement 04
The mos
The most funniest thing i got was this sticker Tom Linder gave to me
with the 2 words
"Jit Happens"
On it. Simply brilliant because it is oh so true. I was hoping to see
some jit during the liveset from electrofunk though. Musical highlights
for me this weekend at the festival: Duplex, Orlan
now there's a tee-shirt with a message. i wonder if you can pick those up at
Target. :-P
>
> From: [EMAIL PROTECTED]
> Date: 2004/06/03 Thu AM 06:01:29 EDT
> To: 313@hyperreal.org
> Subject: Re: (313) Movement 04
>
>
> >Can we now stop the Tristan Watkins
who's Trance? :)
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: Thu 03/06/2004 12:03
To: [EMAIL PROTECTED]; 313@hyperreal.org
Cc:
Subject: RE: (313) Movement 04
I wouldn't ex
I wouldn't exactly call it adoration either!
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, June 03, 2004 10:01 AM
To: 313@hyperreal.org
Subject: Re: (313) Movement 04
>Can we now stop the Tristan Watkins adoration please?
awww. it was
>Can we now stop the Tristan Watkins adoration please?
awww. it was fun.
OK.
But just one last high-five for the boy, check his tee!
http://www.dogsquad.co.uk/~lisa/gallery/view_photo.php?set_albumName=album18&id=Tristan_Hannah_01
teehee.
last post, I promise.
__
>Hehehehehehe
>Who's playing behind T?
Funny innit!
"All Out K"
from Rushhour...
_
- End of message text
This e-mail is sent by the above named in their
individual, non-business capacity
At 05:48 AM 6/3/2004, you wrote:
Hehehehehehe
Who's playing behind T?
Not sure which pic you're talking about, but I'm pretty sure that's the one
Lisa snapped while sitting next to me at Aardvarck/High Tech Soul Stage.
EMAIL PROTECTED]
Sent: Thursday, June 03, 2004 5:39 AM
To: 313@hyperreal.org
Subject: Re: (313) Movement 04
Gotta love this one . . .
http://www.dogsquad.co.uk/~lisa/gallery/albums/album18/Tristan.jpg
###
##
Note:
Any vie
Hehehehehehe
Who's playing behind T?
-Original Message-
From: Fred Heutte [mailto:[EMAIL PROTECTED]
Sent: Thursday, June 03, 2004 5:39 AM
To: 313@hyperreal.org
Subject: Re: (313) Movement 04
Gotta love this one . . .
http://www.dogsquad.co.uk/~lisa/gallery/albums/album18/Trista
ahh there he is :)
-Original Message-
From: lisa [mailto:[EMAIL PROTECTED]
Sent: Thu 03/06/2004 07:18
To: Fred Heutte
Cc: 313@hyperreal.org
Subject: Re: (313) Movement 04
Oh yes - that's genius
Oh yes - that's genius eh? I think someone took a little movie of the
event. teehee ...
Fred Heutte wrote:
Gotta love this one . . .
http://www.dogsquad.co.uk/~lisa/gallery/albums/album18/Tristan.jpg
Gotta love this one . . .
http://www.dogsquad.co.uk/~lisa/gallery/albums/album18/Tristan.jpg
the
referee to playing in the field ourselves.
Joost
> -Original Message-
> From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
> Sent: dinsdag 17 februari 2004 2:32
> To: 313@hyperreal.org
> Subject: Re: (313) movement 04
>
>
> -- Original Message --
-- Original Message --
From: "Stewart Caig" <[EMAIL PROTECTED]>
>
>Its like, I went and saw that Cold Mountain and thought it kinda
sucked. But
>I couldn't begin to make a movie like it, nor can I really
comprehend the
>effort that must have gone into it.
wish
Sheffield would get behind something like this, man I'm even saving my hard
earned to make it over.
Martin
- Original Message -
From: <[EMAIL PROTECTED]>
To: "Stewart Caig" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Monday, February 16, 2004 1
If not, they should
have just stopped after the success of the first year.
Peace,
Alex
"Stewart Caig" <[EMAIL PROTECTED]>
02/16/2004 05:17 PM
To
<313@hyperreal.org>
cc
Subject
Re: (313) movement 04
> i have no problem with people making valid criticism. i hat
On Mon, Feb 16, 2004 at 05:05:08PM -0500, Thomas D. Cox, Jr. wrote:
> when's the yearly ATOMLY ELECTRONIC MUSIC FESTIVAL gonna start
> featuring groundbreaking performers from all over the world? ha.
I think he's on to something.
-j
--
oh yeah...that stuff i see in my wallet sometimes...
just karl bartos would be cool tho even.
> hey so why cant kraftwerk play? coachella is good enough but not the d??
> bitches! :P
$$
_
Let the advanced feat
> hey so why cant kraftwerk play? coachella is good enough but not the d??
> bitches! :P
$$
>
> _
> Check out the great features of the new MSN 9 Dial-up, with the MSN Dial-up
> Accelerator. http://click.atdmt.com/
i have no problem with people making valid criticism. i hate
seeing someone who is just being ignorant trying to tear down
something do great like he could do better. pshaw. good luck man.
when's the yearly ATOMLY ELECTRONIC MUSIC FESTIVAL gonna start
featuring groundbreaking performers from all o
> i have no problem with people making valid criticism. i hate
> seeing someone who is just being ignorant trying to tear down
> something do great like he could do better. pshaw. good luck man.
> when's the yearly ATOMLY ELECTRONIC MUSIC FESTIVAL gonna start
> featuring groundbreaking performers
-- Original Message --
From: "J. T." <[EMAIL PROTECTED]>
>tom, why are you so pissed? who cares...people can say whatever
they
>want...i think energy is better spent not arguing over tossed-off
>comments...why not stop and try to understand someone else's
clarify that: your "unqualified" opinion.
tom, why are you so pissed? who cares...people can say whatever they
want...i think energy is better spent not arguing over tossed-off
comments...why not stop and try to understand someone else's viewpoint...if
you find no value in it, write it off, d
Nice post, chief.
Have a good one.
["Thomas D. Cox, Jr." <[EMAIL PROTECTED]>]
> -- Original Message --
> From: atomly <[EMAIL PROTECTED]>
>
> >Well, I think you're wrong, but whatever, it's not worth arguing
> about.
> >Nothing on this list is worth argui
-- Original Message --
From: atomly <[EMAIL PROTECTED]>
>Well, I think you're wrong, but whatever, it's not worth arguing
about.
>Nothing on this list is worth arguing about, because every time I
try I
>get a bunch of responses from people saying the same
It was always better "back in the day"... ;0)
So, Atomly- you don't think that DEMF / Movement has ANY value??
RB
-Original Message-
From: atomly [mailto:[EMAIL PROTECTED]
Sent: 16 February 2004 4:33
To: 313@hyperreal.org
Subject: Re: (313) movement 04
[&qu
["Thomas D. Cox, Jr." <[EMAIL PROTECTED]>]
> im saying you dont need to be a professional artist to make good art,
> but business is a different story. provide some credentials involving
> free festivals that draw hundreds of thousands of people while getting
> corporate sponsors from the highest l
-- Original Message --
From: atomly <[EMAIL PROTECTED]>
>Well, then, you're saying business is immune to critique?
im saying you dont need to be a professional artist to make good
art, but business is a different story. provide some credentials
involving
By most accounts, last year's lineup was the strongest since the
first DEMF. Even accounting for some variation, I've found
the lineups to be well above my quite high tolerance level for
big public events. I mean, I'm the kind of person who will
walk out of a movie half an hour in if it sucks. (
[Fred Heutte <[EMAIL PROTECTED]>]
> You talk about defensiveness, Atomly, but then you say things
> like this:
>
> "Carl Craig booked a diverse lineup that you couldn't see anywhere
> else in the world whereas last year they must've done all the
> bookings out of a Detroit white pages from 1996."
["Thomas D. Cox, Jr." <[EMAIL PROTECTED]>]
> youre not critiqueing an artform, youre claiming that people who get
> paid to do business dont know how to do their business. there's a
> reason theyre called professionals.
Well, then, you're saying business is immune to critique?
--
:: atomly ::
-- Original Message --
From: atomly <[EMAIL PROTECTED]>
>OK, I totally don't understand this reasoning. So from now on I
can't
>complain about a record unless I offer to do a remix for them or
>something? I thought I was allowed to state my opinion-- mayb
You talk about defensiveness, Atomly, but then you say things
like this:
"Carl Craig booked a diverse lineup that you couldn't see anywhere
else in the world whereas last year they must've done all the
bookings out of a Detroit white pages from 1996."
Let's review the evidence then. Open up the
["Thomas D. Cox, Jr." <[EMAIL PROTECTED]>]
> anyway, i wonder why your name didnt pop up when they were getting
> their finances together this year since you seem to think its so easy.
OK, I totally don't understand this reasoning. So from now on I can't
complain about a record unless I offer to
-- Original Message --
From: atomly <[EMAIL PROTECTED]>
>Man... Give it back to Carl Craig. How you can take over
something
>like Movement and not turn a profit is beyond ridiculous to me.
IIRC it did lose money for the first two years as well, didnt it?
4, 2004 5:54 PM
Subject: Re: (313) movement 04
> [Oliver Ruehl <[EMAIL PROTECTED]>]
> > movement 2004
> >
> > http://www.freep.com/news/locway/move14_20040214.htm
>
> Man... Give it back to Carl Craig. How you can take over something
> like Movement and no
ed
-- mail forwarded, original message follows ------
To: 313@hyperreal.org
From: [EMAIL PROTECTED]
Subject: Re: (313) movement 04
Date: Sat, 14 Feb 2004 11:54:38 -0600
[Oliver Ruehl <[EMAIL PROTECTED]>]
> movement 2004
>
> http://www.freep.com/news/locway/move14_20040214.htm
Man...
you on as staff. Better yet, invest a few hundred
thousand dollars and have a deciding voice in how the show runs.
That is in fact how many major festivals of all kinds operate.
fred
-- mail forwarded, original message follows --
To: 313@hyperreal.org
From: [EMAIL PROTECTED]
Subject: Re:
>From: atomly <[EMAIL PROTECTED]>
>To: 313@hyperreal.org
>Subject: Re: (313) movement 04
>Date: Sun, 15 Feb 2004 4:54 AM
>
> [Oliver Ruehl <[EMAIL PROTECTED]>]
>> movement 2004
>>
>> http://www.freep.com/news/locway/move14_20040214.htm
>
> Man.
I don't know Adam. What's the business model? Let me see: Hire multiple
giant sound systems for three days, install them on gigantic custom built
stages, pay people at the top of their profession to perform, and your only
revenue stream is charging people who set up vendor tents and sell funnel
cak
[Oliver Ruehl <[EMAIL PROTECTED]>]
> movement 2004
>
> http://www.freep.com/news/locway/move14_20040214.htm
Man... Give it back to Carl Craig. How you can take over something
like Movement and not turn a profit is beyond ridiculous to me.
--
:: atomly ::
[ [EMAIL PROTECTED] : www.atomly.com
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