Good Bye
It is the beginning of the end (of legitimizing piracy). From: http://news.bbc.co.uk/hi/english/business/newsid_1142000/1142663.stm Napster's chief executive Hank Barry has told BBC News Online in an exclusive interview that users will soon be charged a membership fee. Mr Barry also said royalties would be paid to artists whose material is swapped over the internet with the help of Napster software. I think that the record companies believe the best way to proceed is to settle the question... through litigation Hank Barry, Napster chief executive Napster had been sued and threatened with closure by all of the world's biggest music publishing groups, but late last year the internet venture signed a deal with German media conglomerate Bertelsmann. Talks are now on-going with other media groups, including TVT and Edel. Mr Barry said that details of the size and scope of the membership fee are yet to be finalised. Speaking on the sidelines of the World Economic Forum in Davos, Mr Barry said: "Napster will continue to be an easy site to use and Napster will pay royalties." When asked when the membership fee would be put in place he said there was no final schedule. Bertelsmann has indicated that it could be brought in as early as June this year. Napster's site connects music lovers across the world, allowing them to download digital music tracks from each others' computers free of charge. The music industry has felt threatened by the rapid growth of the Napster community, because they fear the loss of music sales, while artists lose out on royalties. Guessing the market Napster has high hopes for the potential size of the market. Mr Barry said there were 200 million multimedia PCs worldwide with the capability to copy an MP3 file. Napster's software, meanwhile, had been downloaded and installed 57 million times. While the average person may have 30 CDs, he said hardware with the capability of holding 614 CDs could now be bought for just $150 in the United States. Lawsuits still threaten Napster In the meantime, though, Napster still faces lawsuits from most of the big record firms. Mr Barry said: "I think that the record companies believe the best way to proceed is to settle the question." Napster, he says, still hopes for "constructive dialogue" and probably "legislation" to solve the copyright issue. And Mr Barry maintains that record sales are rising: "If you give people more access to music, they buy more music." __ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/
Re: [313] Look out world...DGPB
on 1/29/01 5:46 PM, aro. vane at [EMAIL PROTECTED] wrote: > http://www.rollingstone.com/features/bigthings/article.asp?id=4 > > while we're on the subject... anybody know if "big > onion" got released on 12"? To my knowledge, no, but it's been one of my favorite tracks of theirs, and a good complement to Sandwiches, IMHO. But you'd be very surprised to hear the direction some of their newer efforts have gone. Paris and Andy are both giving their gear a workout. It'll be interesting to see what happens for them this year, and who might re-mix what next... -- There4IM
Re: [313] Look out world...DGPB
interesting to note that 3 out of RS's 10 "next big things" are from detroit (d-12 & white stripes in addition to dgpb) must be something in the water... - Original Message - From: Ian <[EMAIL PROTECTED]> To: The Music Institute <313@hyperreal.org> Sent: Monday, January 29, 2001 4:45 PM Subject: [313] Look out world...DGPB > http://www.rollingstone.com/features/bigthings/article.asp?id=4 > > February 15th issue. > -- > There4IM > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] Coming soon...
In a message dated 1/29/01 12:29:47 PM, [EMAIL PROTECTED] writes: > >TOMORROW CD 01 - Time Machine EP (Released Feb, cd only) > Mills had sent out white labels of this but decided to throw in a few more tracks and made it into a cd(only one he's doing without a major label), so if by any chance you have the white label, its a collector's item. =) Glyph
Look out world...DGPB
http://www.rollingstone.com/features/bigthings/article.asp?id=4 February 15th issue. -- There4IM
Art of Dance?
Hello! I know my chances are very small but maybe I´m lucky today? Does anybody know where i can get the At of Dance releases? I´m searching now for a long time and I can´t get them out of my mind! The only one I got was the Plankton/Clavia´s North Ep! How many releases exist of this great label? Thanx in advance and stay true! Arne
Re: [313] the long dj set
on a similar note, a venue can have something to do with the way a dj presents the music. in a large club or rave setting the dj is expected to delivery phat beats that keep the dancers dancing and quick and quality beat matching and mixing skills are essential to keep the flow and feel of the night's techno journey. in smaller clubs or lounges people may not be expecting quick mixing skills as much but would rather here some great music and smooth and creative transitions. I've heard DJs in a club startle the dancers because their mixing and transitions were slow and sloppy. I've also heard DJs try to mix songs in and out too quickly and not allowing time to let a quality track play out for a while. As a fairly rookie DJ myself I find that playing rhythmic techno sets is effective by making quick transitions but i like to extend house tracks a bit because there is so much going on with the arrangements of the songs. experimental techno (force ink, chain reaction, brinkman, kompakt, etc) is fun to mix two tracks together for a long time creating almost a third unique track. i wish i had the skill to mix 3 records at once but i'm just not there yet - not even close ;) - my thoughts djr Playing almost whole records together can be just as valid a DJ style in the sense of creating something new. Perhaps not in the 'creating new sounds' sense, but definitely in the 'creating a new experience' sense. Two words: Theo Parrish. Or David Mancuso, check the book 'Last night a DJ saved my life' for a description how he perfectly created a mood, playing records from beginning to end, even allowing silence between two records. Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] the long dj set
- Original Message - From: Otto Koppius <[EMAIL PROTECTED]> : : Playing almost whole records together can be just as valid a DJ style in : the sense of creating something new. Perhaps not in the 'creating new : sounds' sense, but definitely in the 'creating a new experience' sense. : yep. well put :-) : Two words: Theo Parrish. Or David Mancuso, check the book 'Last night a : DJ saved my life' for a description how he perfectly created a mood, : playing records from beginning to end, even allowing silence between two : records. i'd just like to add two names here. dj hell and sven vaeth. especially vaeth, listen to one of his very long sets, the mixing becomes totally unimportant, but he tells a story... peter
Re: [313] the long dj set
Ya know, I haven't really noticed this trend on Betalounge or Groovetech, or from 313 DJs in general. Am I missing something? I think part of being a skilled DJ is knowing when to mix agressively and when to let the records do the talking. It's an essential programming skill if you ask me. It would be a shame to play one minute of something off the new St. Germain for instance. Tristan --- Otto Koppius <[EMAIL PROTECTED]> wrote: > darw_n wrote: > > > Instead of "oh, I am going to take this hook, and > this break down and create > > something new", > > Which is only *one* style of DJing... > > > it has become *exactly* what a wedding or radio DJ > or a POP > > band does, they play *exactly* what the crowd > wants to hear... > > This can be done just as well with the hiphop > approach, i.e. > take-a-hook-here etc. approach. Every genre has bad > DJs. > > > They could not understand that it can be more that > just playing records... > > Playing almost whole records together can be just as > valid a DJ style in > the sense of creating something new. Perhaps not in > the 'creating new > sounds' sense, but definitely in the 'creating a new > experience' sense. > > Two words: Theo Parrish. Or David Mancuso, check the > book 'Last night a > DJ saved my life' for a description how he perfectly > created a mood, > playing records from beginning to end, even allowing > silence between two > records. > > Otto > > - > To unsubscribe, e-mail: > [EMAIL PROTECTED] > For additional commands, e-mail: > [EMAIL PROTECTED] > __ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/
Ring ring ring ha ha hey!
http://hometown.aol.com/leeroyd90/phone.html I'm sure some of you with mobile phones will enjoy these! BABY DIDDY
Re: [313] the long dj set
darw_n wrote: > Instead of "oh, I am going to take this hook, and this break down and create > something new", Which is only *one* style of DJing... > it has become *exactly* what a wedding or radio DJ or a POP > band does, they play *exactly* what the crowd wants to hear... This can be done just as well with the hiphop approach, i.e. take-a-hook-here etc. approach. Every genre has bad DJs. > They could not understand that it can be more that just playing records... Playing almost whole records together can be just as valid a DJ style in the sense of creating something new. Perhaps not in the 'creating new sounds' sense, but definitely in the 'creating a new experience' sense. Two words: Theo Parrish. Or David Mancuso, check the book 'Last night a DJ saved my life' for a description how he perfectly created a mood, playing records from beginning to end, even allowing silence between two records. Otto
Re: [313] the longg dj set
This is a great question!!! I think its because the whole notion of the DJ being a creative artist is lost. The newer DJ's never even thought of creating, they entertain, "rockstardom", the very thing we rebelled against to begin with... Instead of "oh, I am going to take this hook, and this break down and create something new", it has become *exactly* what a wedding or radio DJ or a POP band does, they play *exactly* what the crowd wants to hear... The older DJ's, or some of the persistent ones (like myself) find the creation to be for more interesting, and far more valid. But the problem here is that this is very hard to communicate to a new DJ. So many times, that I actually got in arguments with "normal" non techno orientated people about DJing. They could not understand that it can be more that just playing records... darw_n "create, demonstrate, toneshift..." http://www.thedemonstration.com http://www.sphereproductions.com http://www.mannequinodd.com search "djdarwin" on napster - Original Message - From: "Lester Kenyatta Spence" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, January 29, 2001 11:27 AM Subject: [313] the longg dj set > i've been listening to betaloung, and groovetechand there is a > distinctly different approach to dj sets than say ten + years ago. rather > than about a MINUTE of a song, then a segue, djs now play the whole > songor close to it, before bringing in something else. > > does this occur as a result of djs having to spin 6-8 hour setsor is > there something else going on? > > > > peace > lks > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
_rohformat @ mp3.com
mp3.com/_rohformat mp3.com/_rvaggelen mp3.com/karllihagen download, listen, dance, scream, feel good, drink a beer (or similar) rohformat crew
Re: [313] Events in SF?
SF feb 3rd Independant Music Distro all techno Party @ Integral concepts every 1st Saturday Nikola Arturo Garces Lucas Rodenbusch aka E.B.E. Club 6 60 6th st. 10-2 should be off the hook local guys bangin it Soundworks is good but you gotta get there before Andre and Nik buy up all the stuff. also be sure to check out Housewares which has a new revamped techno side. Nik bought almost all of submerge's catalogue a few weeks back Hans On Sun, 28 Jan 2001 12:27:40 -0800 (PST), [EMAIL PROTECTED] wrote: > I'm going to be in the San Francisco for the next few weeks. Anyone > know of any good musical events in the bay area during february? > Thanks in advance... > > Also, any hints about favorite clubs / record stores would be welcome. > > > = > __ >rob kent | [EMAIL PROTECTED] | http://cc.kzoo.edu/~k96rk01 > > __ > Do You Yahoo!? > Yahoo! Auctions - Buy the things you want at great prices. > http://auctions.yahoo.com/ > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > Hans Kaufmann Teknarke Management 620 Baker #5 San Francisco, CA 94117 (415)885-3422 (415)786-7408 Mobile ___ Send a cool gift with your E-Card http://www.bluemountain.com/giftcenter/
titonton duvante
titonton duvante, dj-set http://www.betalounge.com/stuff/lounge1-25-01.ram
Re: [313] Coming soon...
> --- > MILLS, JEFF: Time Machine CD (TOMORROW/AXIS). "Inspired and noted on the > novel Time Machine by H.G. Wells, this 43 minute sequed journey into time > travel explores the outer limits and stretches the boundaries of your mind. > Produced, mixed and edited by Jeff Mills. From instrumental stroytelling, > he propels the idea of not being in our time but, yet experiencing first > hand, places and things from another time. Past and future. Caution: This > release is only for the adventurous." > --- > There's also a new Purposemaker on the way. There's actually two new Purposemakers coming. PM 12 - Jet Set (Released Feb) PM 11 - Servo Unique (No release date) TOMORROW CD 01 - Time Machine EP (Released Feb, cd only) /Tobias (Sorry if posted twice)
RE: [313] Coming soon...
sounds like jeff is getting more and more adventerous...he seems to be exploring things more. think it has anything to do with age?? JEFF! > -Original Message- > From: Batory, Jason [SMTP:[EMAIL PROTECTED] > Sent: Monday, January 29, 2001 12:17 AM > To: '313' > Subject: [313] Coming soon... > > From the BentCrayon mailout: > > --- > MILLS, JEFF: Time Machine CD (TOMORROW/AXIS). "Inspired and noted on the > novel Time Machine by H.G. Wells, this 43 minute sequed journey into time > travel explores the outer limits and stretches the boundaries of your > mind. > Produced, mixed and edited by Jeff Mills. From instrumental stroytelling, > he propels the idea of not being in our time but, yet experiencing first > hand, places and things from another time. Past and future. Caution: This > release is only for the adventurous." > --- > > There's also a new Purposemaker on the way. > > Respect > JasonB > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] the longg dj set
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RE: [313] the longg dj set
For the Dancer it might be good to have the song changed every 3-4 minutes but at 35 yrs Im now a Listerner and prefer to hear the whole song to feel it as a composition...OTOH a good set is composed in a similar manner.. Feets Dont Fail Me Know... > -Original Message- > From: Lester Kenyatta Spence [SMTP:[EMAIL PROTECTED] > Sent: Monday, January 29, 2001 4:27 PM > To: 313@hyperreal.org > Subject: [313] the longg dj set > > i've been listening to betaloung, and groovetechand there is a > distinctly different approach to dj sets than say ten + years ago. rather > than about a MINUTE of a song, then a segue, djs now play the whole > songor close to it, before bringing in something else. > > does this occur as a result of djs having to spin 6-8 hour setsor is > there something else going on? > > > > peace > lks > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
delsin party tickets/flyers
i got several questions from people inquiring where to pick up a flyer, which will be your ticket for the delsin, '..going thru life' - party, sunday 11.02.2001 they should be available (very soon) from rushhour - amsterdam clone - rotterdam metro - utrecht rare records - eindhoven waaghals - nijmegen forbidden planet - leiden courthouse - alkmaar hardwax - berlin atlas - london smallfish - london or drop me a line & i'll send you some.. ^&^* delsin. records | http://www.delsin.org _-
the longg dj set
i've been listening to betaloung, and groovetechand there is a distinctly different approach to dj sets than say ten + years ago. rather than about a MINUTE of a song, then a segue, djs now play the whole songor close to it, before bringing in something else. does this occur as a result of djs having to spin 6-8 hour setsor is there something else going on? peace lks
RE: [313] Paula Temple on Radio 1 (was ADULT on Virtual FM)
does anyone have any info on paula temple? does she have a web site? m.d. - Original Message - From: "Tom Robbins" <[EMAIL PROTECTED]> To: "313 mailing list" <313@hyperreal.org> Sent: Sun, 28 Jan 2001 17:37:34 - Subject: [313] Paula Temple on Radio 1 (was ADULT on Virtual FM) > Yeah, this is great news, both for Paula and electronic music in this > country. Just to add a little detail, I believe Paula was offered this > R1 > show after her Virtual FM show won a national competition, although I > heard > she was just going to be doing one hour on R1, not two. Apparently she's > not > allowed to use the vocoder to disguise her voice (as is her normal > practice), though, with the consequence that she's even more nervous > now! > > I think it would be cool if we made sure R1 received plenty of feedback > about the show - might make them start to take the electronic audience a > little more seriously. > > And yes, anyone out of the R1 broadcasting region can check the show on > the > web. > > > Hi, > > I spotted your reference to Virtual FM on this list- I went to see > Claude > > Young at The Orbit here in England last night (who was fantastic by > the > way!) > > and was introduced to Paula Temple who is the main DJ at Virtual FM. > Get > > this... she's been asked to do a 2 hour mix on BBC Radio One > broadcasting > on > > the 8th Feb on their 'one world' show. From what I understood, she's > going > to > > be playing a mixture of techno, electronic and electro - something > that > > doesn't happen every night on radio one!! I'm sure you'll be able to > pick > it > > up through the radio one web site. > > > > Eve > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] Re: Mmmmmmm...ACID
Sorry: http://deephousepage.com/ Tristan -- Eleven mixes, one album, various tracks, pics and info here: http://phonopsia.tripod.com/ [EMAIL PROTECTED] on AOL IM "Deserve's Got Nothing to Do With it". -Clint Eastwood, Unforgiven -Original Message- From: ab <[EMAIL PROTECTED]> To: Phonopsia <[EMAIL PROTECTED]> Date: Monday, January 29, 2001 9:41 AM Subject: Re: [313] Re: Mmm...ACID >cannot find server > >- Original Message - >From: Phonopsia <[EMAIL PROTECTED]> >To: jonathan morse <[EMAIL PROTECTED]>; <313@hyperreal.org> >Sent: Monday, January 29, 2001 6:22 AM >Subject: Re: [313] Re: Mmm...ACID > > >> You may also want to go to the deep house pages. Plenty of old Chicago >acid >> there. http://www.deephousepages.com >> >> Tristan >> -- >> Eleven mixes, one album, various tracks, pics and info here: > _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
Re: [313] The TechnoTourist Rave Kru
> That joke just gets funnier by the day, maybe i start my own "kru" ;) we > could make dj-battles with our mc303s (and if you are not so rich > "rebirth") ;) can't it be any lower than that? ;) rp[rf] http://www.mp3.com/_rohformat
Re: [313] Re: Mmmmmmm...ACID
You may also want to go to the deep house pages. Plenty of old Chicago acid there. http://www.deephousepages.com Tristan -- Eleven mixes, one album, various tracks, pics and info here: http://phonopsia.tripod.com/ [EMAIL PROTECTED] on AOL IM "Deserve's Got Nothing to Do With it". -Clint Eastwood, Unforgiven -Original Message- From: jonathan morse <[EMAIL PROTECTED]> To: 313@hyperreal.org <313@hyperreal.org> Date: Monday, January 29, 2001 7:37 AM Subject: [313] Re: Mmm...ACID > > >-- >>From: "ryan burns" <[EMAIL PROTECTED]> >>To: 313@hyperreal.org >>Subject: RE: [313] Craving some old acid house >>Date: 29. Jan.200100:18 >> > >> >> i saw a mix cd at the local record store the other day. it was a mix with >> only TRXX records on it. it think it was mixed by rick garcia or some other >> chicago dj. havent heard it yet but track listing had alot of what your >> looking for. > > >that cd is called 'rewind 1984: chicago' and is put out by UC. tracklisting >is as follows: > >no way back - adonis >give yourself to me - farley >cold world - frankie knuckles pres. jamie principle >thank ya - sweet d >love cant turn around - farley 'jackmaste' funk & jesse saunders >i cant forget - mr. lee >work the box - santos >trax u lost - house master boyz >cant get enough - liz torres feat. edward crosby >got the bug - pierres pfantasy club >dum dum pt. II - fresh >ride the ryhthm - on the house w/ marshall jefferson >its ok - the force >bring down the walls - robert owen >house nation - house master boyz & the rude boy of house >come to me - gwendolyn >you used to hold me - ralphi rosario feat. xavier gold >we are phutre - phuture >move your body - marshall jefferson >pump up chicago - mr. lee >farley knows house - farley 'jackmaster' funk >your only friend - phuture >can you feel it - mr. fingers > > >the hardfloor x-mix, as mentioned, is also the shiznit. you might want to >check some of the early stickmen stuff especially a compilation called >'impakt' and of course 'acid house for all' on definitive is a must have >(though im a bit biased on that claim ;p) > >there is also a vinyl comp from 1988 on A&M i have called 'house >hallucinates' which has a few caustic gems on it. > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
R: [313] The TechnoTourist Rave Kru
even have 'mod' battles!! - Original Message - From: Christian Bloch <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, January 29, 2001 3:12 PM Subject: Re: [313] The TechnoTourist Rave Kru > That joke just gets funnier by the day, maybe i start my own "kru" ;) we > could make dj-battles with our mc303s (and if you are not so rich > "rebirth") ;) > > Christian Bloch > www.mp3.com/bloch > Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go > > > - Original Message - > From: "Jongsma, K.J." <[EMAIL PROTECTED]> > To: <313@hyperreal.org>; <[EMAIL PROTECTED]> > Sent: Monday, January 29, 2001 1:31 PM > Subject: [313] The TechnoTourist Rave Kru > > > > We rule! > > > > check out: http://technotourist.org/ttKru/ > > > > :) > > > > Klaas-Jan Jongsma > > --- > > Gemeente Almelo > > Bureau ICT Service > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] The TechnoTourist Rave Kru
That joke just gets funnier by the day, maybe i start my own "kru" ;) we could make dj-battles with our mc303s (and if you are not so rich "rebirth") ;) Christian Bloch www.mp3.com/bloch Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go - Original Message - From: "Jongsma, K.J." <[EMAIL PROTECTED]> To: <313@hyperreal.org>; <[EMAIL PROTECTED]> Sent: Monday, January 29, 2001 1:31 PM Subject: [313] The TechnoTourist Rave Kru > We rule! > > check out: http://technotourist.org/ttKru/ > > :) > > Klaas-Jan Jongsma > --- > Gemeente Almelo > Bureau ICT Service > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
Re: [LOW] RE: [313] Re: [LOW] The TechnoTourist Rave Kru
What's wrong with having a MC303 :-( >= Original Message From [EMAIL PROTECTED] (peter mueller) = >what are the conditions to become a member? No pubic hair and a MC303 :D R. B - Out Bart Wolff J.S. Ruppertstraat 26-2 1069 KL Amsterdam Netherlands _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [LOW] RE: [313] Re: [LOW] The TechnoTourist Rave Kru
really? damn' , and i just started to shave my pubic hair peter - Original Message - From: Jongsma, K.J. <[EMAIL PROTECTED]> To: <313@hyperreal.org>; <[EMAIL PROTECTED]> Sent: Monday, January 29, 2001 2:48 PM Subject: [LOW] RE: [313] Re: [LOW] The TechnoTourist Rave Kru : Just to be sure: : : Of course we don't mean anything we say on that page, just takking a piss : : : [EMAIL PROTECTED] : :
RE: [313] Re: [LOW] The TechnoTourist Rave Kru
Just to be sure: Of course we don't mean anything we say on that page, just takking a piss [EMAIL PROTECTED] > -Oorspronkelijk bericht- > Van: Roland van Oorschot [mailto:[EMAIL PROTECTED] > Verzonden: maandag 29 januari 2001 14:45 > Aan: Jongsma, K.J.; 313@hyperreal.org; [EMAIL PROTECTED]; > [EMAIL PROTECTED] > Onderwerp: RE: [313] Re: [LOW] The TechnoTourist Rave Kru > > > >= Original Message From [EMAIL PROTECTED] (peter > mueller) = > >what are the conditions to become a member? > > No pubic hair and a MC303 :D > > R. > > --- > f:un[x]iun > > http://funxiun.2y.net > http://www.mp3.com/scout303 > --- > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
Re: [313] The TechnoTourist Rave Kru
At 13:31 29/01/01 +0100, you wrote: We rule! check out: http://technotourist.org/ttKru/ you goofballs.. so Otto K is Drexciya.. of course!!! -- benn [royal] glazier [EMAIL PROTECTED] http://www.royaltech.net faster, more distinct, closer to the edge.
RE: [313] Re: [LOW] The TechnoTourist Rave Kru
>= Original Message From [EMAIL PROTECTED] (peter mueller) = >what are the conditions to become a member? No pubic hair and a MC303 :D R. --- f:un[x]iun http://funxiun.2y.net http://www.mp3.com/scout303 ---
Re: [LOW] The TechnoTourist Rave Kru
what are the conditions to become a member? peter :-) - Original Message - From: Jongsma, K.J. <[EMAIL PROTECTED]> To: <313@hyperreal.org>; <[EMAIL PROTECTED]> Sent: Monday, January 29, 2001 1:31 PM Subject: [LOW] The TechnoTourist Rave Kru : We rule! : : check out: http://technotourist.org/ttKru/ : : :) : : Klaas-Jan Jongsma : --- : Gemeente Almelo : Bureau ICT Service
paging engine-o
ok...i know yer here but i purged the in box and dont have the addy.
Re: Mmmmmmm...ACID
-- >From: "ryan burns" <[EMAIL PROTECTED]> >To: 313@hyperreal.org >Subject: RE: [313] Craving some old acid house >Date: 29. Jan.200100:18 > > > i saw a mix cd at the local record store the other day. it was a mix with > only TRXX records on it. it think it was mixed by rick garcia or some other > chicago dj. havent heard it yet but track listing had alot of what your > looking for. that cd is called 'rewind 1984: chicago' and is put out by UC. tracklisting is as follows: no way back - adonis give yourself to me - farley cold world - frankie knuckles pres. jamie principle thank ya - sweet d love cant turn around - farley 'jackmaste' funk & jesse saunders i cant forget - mr. lee work the box - santos trax u lost - house master boyz cant get enough - liz torres feat. edward crosby got the bug - pierres pfantasy club dum dum pt. II - fresh ride the ryhthm - on the house w/ marshall jefferson its ok - the force bring down the walls - robert owen house nation - house master boyz & the rude boy of house come to me - gwendolyn you used to hold me - ralphi rosario feat. xavier gold we are phutre - phuture move your body - marshall jefferson pump up chicago - mr. lee farley knows house - farley 'jackmaster' funk your only friend - phuture can you feel it - mr. fingers the hardfloor x-mix, as mentioned, is also the shiznit. you might want to check some of the early stickmen stuff especially a compilation called 'impakt' and of course 'acid house for all' on definitive is a must have (though im a bit biased on that claim ;p) there is also a vinyl comp from 1988 on A&M i have called 'house hallucinates' which has a few caustic gems on it.
The TechnoTourist Rave Kru
We rule! check out: http://technotourist.org/ttKru/ :) Klaas-Jan Jongsma --- Gemeente Almelo Bureau ICT Service
Coming soon...
>From the BentCrayon mailout: --- MILLS, JEFF: Time Machine CD (TOMORROW/AXIS). "Inspired and noted on the novel Time Machine by H.G. Wells, this 43 minute sequed journey into time travel explores the outer limits and stretches the boundaries of your mind. Produced, mixed and edited by Jeff Mills. From instrumental stroytelling, he propels the idea of not being in our time but, yet experiencing first hand, places and things from another time. Past and future. Caution: This release is only for the adventurous." --- There's also a new Purposemaker on the way. Respect JasonB
RE: [313] Craving some old acid house
i saw a mix cd at the local record store the other day. it was a mix with only TRXX records on it. it think it was mixed by rick garcia or some other chicago dj. havent heard it yet but track listing had alot of what your looking for. -Original Message- From: David Bitterman [mailto:[EMAIL PROTECTED] Sent: Sunday, January 28, 2001 2:05 PM To: 313@hyperreal.org Subject: [313] Craving some old acid house Anyone know where I can get a GOOD mix tape of some older acid house and chicago jacky type tracks? I don't have much to listen to and would like a good mix of it, while simultaneously attempting the feat of avoiding to much cheese. Any suggestions? D - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
RE: [313] Craving some old acid house
You could do worse than this mix cd:
http://www.studio-k7.com/xmix/x068cd.html
Just a few hundred days before the turn of the century the X-Mix-Series
starts with a new chapter. Founded in 1992 Studio K7 set standarts with it's
combination of a mixed DJ-Set and animated video which no other label has
achieved. Since then every X-MIX carried a special idea through some amazing
virtual worlds and top-class DJs as Kevin Saunderson, Richie Hawtin & John
Aquaviva, Dave Angel, DJ Hell, Mr.C, Ken Ishii, Dave Clarke or Laurent
Garnier were the pilots of enjoyment. As the tenth voyage is on it?s way to
jack the box, this X-MIX will be hosted by Oliver Bondzio und Ramon Zenker
aka HARDFLOOR, who contributed their special set to the ten years of
Acid-House! Therefore it?s obvious that it had to carry the trademark of the
Summer of Love: The Smiley![PARA]Hardfloor are worldwide one of the most
respected and succsessful german technoacts, already gaining international
with their third release "Acpierence". "That's pretty important to us," says
Oliver Bondzio, "that you can say: this is a Hardfloor record. But we're not
stuck in the past," he asserts, and then adds: "On the other hand, our
greatest hits always had a 303 bassline."[PARA]The MUZIK-Magazine called
"Acpierience" the best Acidrecord ever and as an aftereffect to this
succsess Hardfloor devolped a distinctive acid sound, a style which, as
producers, they have made their very own. This unique style was also highly
requested for many remixes and people like New Order, Anne Clark, Mory
Kante, Richie Hawtin or Robert Armani got their 303-treatment.[PARA]Besides
it?s focus on the times of Acid-House this X-MIX is dedicated to Armando
(who died of leukemia in 1997), one of the inventors of acid house and a
friend of Oliver. This acid flashback is also Hardfloor's first ever mix CD.
"We've had a really good time doing it and now we're filled with new energy
to go out and work on more Hardfloor stuff."[PARA]For Oliver and Hardfloor
partner Ramon Zenker, acid was where it all began. Back in 1988, Oliver was
DJing at Konigsburg in Krefeld, one corner of Germany where, in advance of
the rest of the country, there was already a thriving rave scene. "Acid was
what made us start producing music. I was always into Kraftwerk and other
electronic music, but it was too complex for me to reproduce. Acid sounded
so cheap and yet so powerful. All you needed was a drum machine and a
303."[PARA]Hardfloor's X-Mix is a celebration of that sound, a dance-step
back a decade into 1988, without forgetting the exiting present. "That was
the Summer of Love - the big year for acid house." Classic Chicago acid
tracks from the likes of Nathan Jones aka Phuture/DJ Pierre ("Box Energy" or
"Spank Spank"), Chris Westbrook aka BamBam ("Where is Your Child"),
Housemaster Boys ("Housenation"), Sleezy D (I?ve lost control), Adonis and
Fast Eddie rub grooves with three brand-new and exclusive Hardfloor tracks,
crafted to sound as though they're also from 1988. These tracks are the
first Hardfloortracks after their 3 albums and 11 singles for the Frankfurt
based Harthouselabel, which split in 1997 and releases now only in the UK
via EYE-Q.[PARA]In comparison to the past X-MIXes the visual realisation of
this set was tranferred into an entirely new territory. Working with 16mm
film, video samples, animated still frames, and raw material from old
scientific films, the X-Mix series here leaves all tired and typical imagery
behind, looking to the past in order to start moving into the future. The
austrian company MVD (based in Vienna) was responsible for the new outlook
and their earlier work was displayed at events like the Sonar-Festival '97
(Spain), Days of Architecture`97 (Austria) or CD-ROMs like the Farmers
Manual on Mego-Records.[PARA]As a special style of music Acid is in a
constant rate of development through the work of various producers from
around the whole world. The X-MIX-Series runs through the same ongoing
process of a change in content and optics, never forgetting it?s prime
directive of releasing an excellent DJ-Set. Therefore we want to end this
introduction with a great and very true quote which defines quite good this
10th X-MIX: "Acid sound so unique, you just have to move your feet!"
Soundtrack [PARA]* Vinyl VersionArtist Title Label
Hardfloor I Can't ComplainUpright Songs *
Bam Bam Where Is Your Child Westbrook
Co-Jack Nightshift Jakpot *
Phuture The Creator Trax *
Armando Land of Confusion Warehouse *
Fast Eddie Let's GoDJ International *
Hardfloor Safety RazorUpright Songs
Housemaster BoyzHousenation Trax
Adonis The PokeDJ International
Hardfloor BodymoveUpright Songs *
DJ Pierre Box Energy Trax *
Gentry Ice Do You Wanna Jack Jacktrax
Fast Eddie Ac
'Mechanical Pulse' WDBM East Lansing - Playlist 1/26
'The Mechanical Pulse' 1/26 Playlist WDBM East Lansing - 2000 Watts O' FM Fridays 10PM-2AM EST on WDBM-FM Listen Live : http://www.mechanicalpulse.com/ ~~~ Upcoming Guests: 2/2 - Bill VanLoo 2/9 - Aaron Bennett 2/16 - Brooks Mosher ~~~ Playlist ~~~ Wild Planet - Transmitter (430 West) Isolee - Beau Mot Plague (Playhouse) Laurent Garnier - Crispy Bacon 'Aux 88 Mix' (F Comm) John Tejada - To The Northern Sky (Defocus) New Sector Movement - My History (People) DJ Progress - LIVE SET (AudioArt Productions, E. Lansing) Keith Cha - LIVE SET (AudioArt Productions, E. Lansing) Inner City - Good Life 'Stacey Pullen's Tribute to Body and Soul Mix' (Pias) Cassius - La Mouche (Astralwerks) Autechre - Basscadet (TVT) Dub Pistols - Westway (Concrete) Chad Pulley - 1 Eyed Jacks (Chad Pulley) Jazz Transit - Let's Do This (Stereo Deluxe) ~~~ Fish WDBM Host of 'The Mechanical Pulse' [EMAIL PROTECTED] ~ [EMAIL PROTECTED] http://www.mechanicalpulse.com/ WDBM-FM Michigan State University G4 Holden East Lansing, MI 48825 517.353.4414 x 518
Re: [313] apple commersh: http://www.apple.com/hardware/ads/powerbook_g4-1.html
the acid-jazz list id'd this as minus 8, snowblind (compost records)...i hate the swiss - Original Message - From: Kent williams <[EMAIL PROTECTED]> To: 313 list <313@hyperreal.org> Sent: Friday, January 26, 2001 11:40 AM Subject: [313] apple commersh: http://www.apple.com/hardware/ads/powerbook_g4-1.html > http://www.apple.com/hardware/ads/powerbook_g4-1.html > > I don't know if it's a real detroit track but definitely influenced. > > By the way the Titanium G4 will be THE material fetish for all the > laptop live crowd. > > kent williams -- [EMAIL PROTECTED] > http://www.cornwarning.com -- Iowa's First Techno Record Label > http://www.mp3.com/chaircrusher -- tunes > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
items for sale (AFX, Redcell, others)
Hi - I have the following for sale on eBay. Especially worth noting are the Redcell: Stasis CD on B12 and the AFX "Hangable Auto Bulb" 12" on Warp. -- Redcell: Stasis CD (B12CD1) http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1406870607 AFX: Hangable Auto Bulb 12" (Warp) http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1406935897 Ambient Senses: The Vision CD (various artists compilation) http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1406875779 Low Res: Approximate Love Boat CD http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1406931247 Sun Electric: Eya CD Single http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1406934396 -- Thanks, Bill -- http://www.chromedecay.org
women in electronic music
I need some opinions. I am currently trying to put together a panel discussion featuring some accomplished women in electyronic music from the Detroit area. Can people think of some good questions to ask them for a panel discussion and some good topics other than the obvious to bring up. Thanks. -Rachael
Re: [313] Events in SF?
I forgot to mention Soundworks, which has a wide variety but for some reason I never find much I like there. Almost all new and not much backstock, and I thrive on backstock and second-hand. But the people are very nice and the CD selection in particular is excellent. Here's a quick guide with most of the addresses and so on: http://www.flux.net/Guide/sforecord.html
RE: [313] Craving some old acid house
Ask James Bucknell, he's on this list. Great dj with very deep crates for most things, but in particular, early Chicago and acid. Suspect he's got a CD of this sorta thing already made. Sorry James! Don't mean to blow your horn.. -Original Message- From: David Bitterman [mailto:[EMAIL PROTECTED] Sent: Sunday, January 28, 2001 2:05 PM To: 313@hyperreal.org Subject: [313] Craving some old acid house Anyone know where I can get a GOOD mix tape of some older acid house and chicago jacky type tracks? I don't have much to listen to and would like a good mix of it, while simultaneously attempting the feat of avoiding to much cheese. Any suggestions? D - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: finalscratch and the future of DJing
> In addition the mention of Blade Runner obviously shows me that the person > technology to find our happiness (read the book if you've only seen the > movie) In addition artistically, he's telling a story about the future > using a classic storytelling method, the detective story Same with the > film The film is shot in "Noir" style... A style that has been around > since the 50's These are both combinations of futuristic ideas as well > as classic ideas Which is very much what began techno... > I think Manta Manta! & Honeymoon in Paradise are pretty much techno too. I think there arent any books of these movies. "Ah..kom'dnrein SuzyPuzy. Ich habe ein misschentafel so groB wie een Jumbo cockpit!"
Re: [313] Remember our friends in the 'DJ Alien Rave Kru'?
Check out the guestbook athome4.swipnet.se/~w-46401/DARK/main.html, it's even funnier than the site itself.
RE: finalscratch and the future of DJing
I may be jumping in on this a little late, but I just wanted to make a couple of quick comments... The first is that P-funk, James Brown, and eurodisco, have just as much to do with techno as Tofler That is the beauty of it... The combination of organic, anologue ideas with that of the digital age That's the beauty of the use of turntables, it's a way for human hands to manipulate the sounds created by digital equiptment... No computer program will ever give you the freedom it takes to truly work a record, and a crowd Could you seriously see Derrick May, or Stacey Pullen, or especially Claude Young using a computer to just "smooth mix" their sets??? In addition the mention of Blade Runner obviously shows me that the person who wrote that dosn't truly understand the beauty of the film or Philip K. Dicks writing... Sure he's writing about the future... but he's talking about it negetively about the loss of human emotion and our reliance on technology to find our happiness (read the book if you've only seen the movie) In addition artistically, he's telling a story about the future using a classic storytelling method, the detective story Same with the film The film is shot in "Noir" style... A style that has been around since the 50's These are both combinations of futuristic ideas as well as classic ideas Which is very much what began techno... Hell, kraftwerk was just trying to make american motown music with machines that's the beauty of it... it is not an art of convenience Thanks for readig this if you did... Have a good night Scott
