[313] playlist WNUR chicago 19 april 2002
clinically inclined 19 april 2002 fridays 11 pm - 12:30 am CDT www.wnur.org / 89.3 fm in chicago selections: dave siska macho cat garage - rubber run - the muffler strut (down low) matthew herbert - 5 days - other mistakes (soundslike) chateau flight - rituel - puzzle lp (versatile) shinichi atobe - the red line (chain reaction) yagya - snowflake 4 - rhythm of snow lp (force inc) farben - so much love - don't fight phrases ep (klang) niels jensen - from coast... - from coast to coast ep (axodya) smyglyssna - om partikular - plug research and development (plug research) reload - peschi - a collection of short stories (infonet) front 242 - art and strategy - geography lp (wax trax) '82 fumiya tanaka - drive #2 - unknown possibility vol 2 (torema) damon wild - travel - color theory lp (music man) john f - stone cold (exhibit) jeff mills - detached - lifelike (axis) fumiya tanaka - drive #2 - unknown possibility vol 2 (torema) o'hare - movin on (sterac rmx) (aspro) casino classix - ringer (ifach) kit clayton - the angular adventures of kit clayton (parallel) planetary assault systems - manipulator - archive (peacefrog) heiko laux - mainplateau ep (i220) 2000 and one - sunk ice (100% pure) plaid - unreleased ? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 2nd-hand electro/techno vinyl sources?
>>I'm currently looking for sources of 2nd-hand vinyl. I'm sure something was >>suggested further down this list but I can't find it now, any suggestions >>(other than ebay) ? >>Of particular interest would be online searchable catalogues. www.gemm.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Electro CDs - Recommendations Pls
>>look out for the Radioactive Man album (forget the name). It's self titled. And highly recommended. www.planetxusa.com has a decent selection of electro :) -=ryan=- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
actually, i thought that was weird. i can't really think of two movies that have the same name, that aren't re-makes. On Wed, 24 Apr 2002, Holly MacDonald-Korth wrote: > on a related note, you can have movies of the same name - "slackers" and > "slackers"... and many more... > > -Original Message- > From: scotto you know [mailto:[EMAIL PROTECTED] > Sent: Wednesday, April 24, 2002 1:42 PM > To: 313@hyperreal.org > Subject: RE: [313] bell vs wink / forcefield > > > >From: "Grammenos, Peter" <[EMAIL PROTECTED]> > > > >just tell me this then, why on earth would he call is superfreak? in my > >opinion it's because he's taken freak [ from '92 ] and applied new > >production techniques/equipment to the original idea... > > you cannot copyright song names/titles. lots of songs have the same name. > I'm coming up dry for an example, (wait van halen's and the pointer sister's > > - jump, different songs same name) > > so as to why he named it superfreak and not just freak?? > > _ > Send and receive Hotmail on your mobile device: http://mobile.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
on a related note, you can have movies of the same name - "slackers" and "slackers"... and many more... -Original Message- From: scotto you know [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 24, 2002 1:42 PM To: 313@hyperreal.org Subject: RE: [313] bell vs wink / forcefield >From: "Grammenos, Peter" <[EMAIL PROTECTED]> > >just tell me this then, why on earth would he call is superfreak? in my >opinion it's because he's taken freak [ from '92 ] and applied new >production techniques/equipment to the original idea... you cannot copyright song names/titles. lots of songs have the same name. I'm coming up dry for an example, (wait van halen's and the pointer sister's - jump, different songs same name) so as to why he named it superfreak and not just freak?? _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
there's this awful acid-techno group called Autokinetic that titled one of their tracks Spaz. On Wed, 24 Apr 2002, scotto you know wrote: > >From: "Grammenos, Peter" <[EMAIL PROTECTED]> > > > >just tell me this then, why on earth would he call is superfreak? in my > >opinion it's because he's taken freak [ from '92 ] and applied new > >production techniques/equipment to the original idea... > > you cannot copyright song names/titles. lots of songs have the same name. > I'm coming up dry for an example, (wait van halen's and the pointer sister's > - jump, different songs same name) > > so as to why he named it superfreak and not just freak?? > > _ > Send and receive Hotmail on your mobile device: http://mobile.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
ok- lets not have any fun and just continue this completely played out topic of negativity. On Wed, 24 Apr 2002, Grammenos, Peter wrote: > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Wednesday, April 24, 2002 3:40 PM > To: Grammenos, Peter > Cc: 'glyn'; 313@hyperreal.org > Subject: RE: [313] bell vs wink / forcefield > > > i can't even begin to imagine how many tracks have the word freak in them. > > PG> ".. on a track that sounds as similar as these two do" > > wanna start a list? > > PG> lets start a list of these. gotta any deep chord tracks named after any > basic channel tracks? no. any others.. > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
-Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 24, 2002 3:40 PM To: Grammenos, Peter Cc: 'glyn'; 313@hyperreal.org Subject: RE: [313] bell vs wink / forcefield i can't even begin to imagine how many tracks have the word freak in them. PG> ".. on a track that sounds as similar as these two do" wanna start a list? PG> lets start a list of these. gotta any deep chord tracks named after any basic channel tracks? no. any others.. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
i can't even begin to imagine how many tracks have the word freak in them. wanna start a list? On Wed, 24 Apr 2002, Grammenos, Peter wrote: > > just tell me this then, why on earth would he call is superfreak? in my > opinion it's because he's taken freak [ from '92 ] and applied new > production techniques/equipment to the original idea... give dan bell some > credit, at a minimum the inspiration for the name/voice sample. i don't know > of any tracks that use the same exact word/phrase on a track that sound as > similar as these two do and also have similar titles. > > -pete > > > -Original Message- > From: glyn [mailto:[EMAIL PROTECTED] > Sent: Wednesday, April 24, 2002 2:36 PM > Cc: 313@hyperreal.org > Subject: Re: [313] bell vs wink / forcefield > > > "Grammenos, Peter" wrote: > > > That is a blatant rip off, period! Tracks feel the same, sound the same, > and > > probably use the use the same production techniques ! [ one can never be > > certain ]. How lame, especially for a producer like wink who has been in > the > > business for this long. But then again, he isn't the first producer to do > > this... > > you know, i didn't see the similarity between the other bell mp3 that was > posted > a couple of weeks ago, but thought i would give him the benefit of the doubt > until i heard this current that was posted on forcefield. having checked > now > it out, i think it's fairly evident that the tracks have different drum > sounds > and programming, different main monosynth lines, and really > different-sounding > vocal samples/effects treatments of "freak" (in all honesty, i think wink > does a > lot more with the latter than bell). sure it sounds and feels "like" bell > (and > also like robert hood-- especially the monosynth line), but a *lot* of > techno > tracks sound and feel "like" other techno tracks. if wink owes bell > anything > over this then samuel l. sessions and every second hard techno producer > after > about 1998 or so should be making monthly payments to jeff mills, the > deepchord > guys should have already sold their firstborns to the hardwax crew, and > every > halfwit who ever lays hand on a tb-303 with the intent of making squelchy > noises > should write a cheque to dj pierre & spanky, etc. etc. etc. the argument > here > seems to me to stem more from a dislike for wink and his previous trashy > rave > anthems more than it does from any real musical analysis. > > glyn > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] bell vs wink / forcefield
amen!!! On Wed, 24 Apr 2002, glyn wrote: > "Grammenos, Peter" wrote: > > > That is a blatant rip off, period! Tracks feel the same, sound the same, and > > probably use the use the same production techniques ! [ one can never be > > certain ]. How lame, especially for a producer like wink who has been in the > > business for this long. But then again, he isn't the first producer to do > > this... > > you know, i didn't see the similarity between the other bell mp3 that was > posted > a couple of weeks ago, but thought i would give him the benefit of the doubt > until i heard this current that was posted on forcefield. having checked now > it out, i think it's fairly evident that the tracks have different drum sounds > and programming, different main monosynth lines, and really different-sounding > vocal samples/effects treatments of "freak" (in all honesty, i think wink > does a > lot more with the latter than bell). sure it sounds and feels "like" bell > (and > also like robert hood-- especially the monosynth line), but a *lot* of techno > tracks sound and feel "like" other techno tracks. if wink owes bell anything > over this then samuel l. sessions and every second hard techno producer after > about 1998 or so should be making monthly payments to jeff mills, the > deepchord > guys should have already sold their firstborns to the hardwax crew, and every > halfwit who ever lays hand on a tb-303 with the intent of making squelchy > noises > should write a cheque to dj pierre & spanky, etc. etc. etc. the argument here > seems to me to stem more from a dislike for wink and his previous trashy rave > anthems more than it does from any real musical analysis. > > glyn > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
From: "Grammenos, Peter" <[EMAIL PROTECTED]> just tell me this then, why on earth would he call is superfreak? in my opinion it's because he's taken freak [ from '92 ] and applied new production techniques/equipment to the original idea... you cannot copyright song names/titles. lots of songs have the same name. I'm coming up dry for an example, (wait van halen's and the pointer sister's - jump, different songs same name) so as to why he named it superfreak and not just freak?? _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
if dan bell had any sense, and i think you would agree that he does [judging by the position HE'S in], why on earth would he publicly slag josh, to make himself look like a person who didn't know what he was talking about??? there is some validity in dan bell's letter, otherwise it would not have been written. he knows more about the particulars of his track than anyone else does. you gotta give the guy some credit. -Original Message- From: Jayson B. [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 24, 2002 3:04 PM To: 313@hyperreal.org Subject: RE: [313] bell vs wink / forcefield >just tell me this then, why on earth would he call is superfreak? and i ask, why would he INTENTIONALLY write a track supposedly "exactly" like a dan bell track, and then swipe the name? If he had ANY sense (which, regardless of what you think of wink, he has to have some or else he wouldn't be in the position he is now), would he name the track the same as well? was he lookin for a fight? i don't think so. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
just tell me this then, why on earth would he call is superfreak? and i ask, why would he INTENTIONALLY write a track supposedly "exactly" like a dan bell track, and then swipe the name? If he had ANY sense (which, regardless of what you think of wink, he has to have some or else he wouldn't be in the position he is now), would he name the track the same as well? was he lookin for a fight? i don't think so. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
just tell me this then, why on earth would he call is superfreak? in my opinion it's because he's taken freak [ from '92 ] and applied new production techniques/equipment to the original idea... give dan bell some credit, at a minimum the inspiration for the name/voice sample. i don't know of any tracks that use the same exact word/phrase on a track that sound as similar as these two do and also have similar titles. -pete -Original Message- From: glyn [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 24, 2002 2:36 PM Cc: 313@hyperreal.org Subject: Re: [313] bell vs wink / forcefield "Grammenos, Peter" wrote: > That is a blatant rip off, period! Tracks feel the same, sound the same, and > probably use the use the same production techniques ! [ one can never be > certain ]. How lame, especially for a producer like wink who has been in the > business for this long. But then again, he isn't the first producer to do > this... you know, i didn't see the similarity between the other bell mp3 that was posted a couple of weeks ago, but thought i would give him the benefit of the doubt until i heard this current that was posted on forcefield. having checked now it out, i think it's fairly evident that the tracks have different drum sounds and programming, different main monosynth lines, and really different-sounding vocal samples/effects treatments of "freak" (in all honesty, i think wink does a lot more with the latter than bell). sure it sounds and feels "like" bell (and also like robert hood-- especially the monosynth line), but a *lot* of techno tracks sound and feel "like" other techno tracks. if wink owes bell anything over this then samuel l. sessions and every second hard techno producer after about 1998 or so should be making monthly payments to jeff mills, the deepchord guys should have already sold their firstborns to the hardwax crew, and every halfwit who ever lays hand on a tb-303 with the intent of making squelchy noises should write a cheque to dj pierre & spanky, etc. etc. etc. the argument here seems to me to stem more from a dislike for wink and his previous trashy rave anthems more than it does from any real musical analysis. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] bell vs wink / forcefield
"Grammenos, Peter" wrote: > That is a blatant rip off, period! Tracks feel the same, sound the same, and > probably use the use the same production techniques ! [ one can never be > certain ]. How lame, especially for a producer like wink who has been in the > business for this long. But then again, he isn't the first producer to do > this... you know, i didn't see the similarity between the other bell mp3 that was posted a couple of weeks ago, but thought i would give him the benefit of the doubt until i heard this current that was posted on forcefield. having checked now it out, i think it's fairly evident that the tracks have different drum sounds and programming, different main monosynth lines, and really different-sounding vocal samples/effects treatments of "freak" (in all honesty, i think wink does a lot more with the latter than bell). sure it sounds and feels "like" bell (and also like robert hood-- especially the monosynth line), but a *lot* of techno tracks sound and feel "like" other techno tracks. if wink owes bell anything over this then samuel l. sessions and every second hard techno producer after about 1998 or so should be making monthly payments to jeff mills, the deepchord guys should have already sold their firstborns to the hardwax crew, and every halfwit who ever lays hand on a tb-303 with the intent of making squelchy noises should write a cheque to dj pierre & spanky, etc. etc. etc. the argument here seems to me to stem more from a dislike for wink and his previous trashy rave anthems more than it does from any real musical analysis. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] bell vs wink / forcefield
in my opinion everyone is free to draw an acid synth into a drum programing and name the track. we all have to agree that josh wink's behavior was really weird since he put the sample the same word into the track but i dont have a big problem with that. im surprised that this topic ever came out. The Wood Tower > > That is a blatant rip off, period! Tracks feel the same, sound the same, and > probably use the use the same production techniques ! [ one can never be > certain ]. How lame, especially for a producer like wink who has been in the > business for this long. But then again, he isn't the first producer to do > this... > > Nice article... > > > -Original Message- > From: marsel [mailto:[EMAIL PROTECTED] > Sent: Wednesday, April 24, 2002 12:52 PM > To: 313@hyperreal.org; [EMAIL PROTECTED]; truevibes-yahoogroups.com > Subject: [313] bell vs wink / forcefield > > > > forcefield seems to being rebuild > > for dan bell & josh wink > > both tracks and letters are up at: > > http://www.forcefield.org > > tracks go in streaming mp3.. a lot easier for you all > > up as well is the new column from our techno space cadet 'amazing' arnold > > so far so good > > .. > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Brian Harden/ i-94 series???
Matthew, Pt. 1, Brian Harden - Nubirth Project Vol. 1 12" MG-003 Pt. 2, Brian Harden - Nubirth Project Vol. 2 12" MG-009 Pt. 3, Boo Williams - Universal Limits MG-LP1 Pt. 4, Brian Harden - Instinctive State Of MG-LP2 also on CD Check www.big50entertainment.com |-Original Message- |From: Matthew Mangold [mailto:[EMAIL PROTECTED] |Sent: Sunday, April 21, 2002 11:40 PM |To: 313 |Subject: RE: [313] Brian Harden/ i-94 series??? | | |Boo Williams' "Universal Limits" is part of the series as well. | |mm | |-Original Message- |From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] |Sent: Friday, April 19, 2002 10:50 PM |To: 313@hyperreal.org |Subject: [313] Brian Harden/ i-94 series??? | | |I just heard Brian Harden's "instinctive state of..." CD |on moods and grooves record label and I really like it a lot. for those |who like Glenn Underground's stuff should take a listen. This CD is |part 4 of what the record label calls the "i-94 series," My question is |can someone tell me the other releases of this series? | | |- |To unsubscribe, e-mail: [EMAIL PROTECTED] |For additional commands, e-mail: [EMAIL PROTECTED] | | _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield OT
True! I second this! Who heard the last Kenny Hawkes and Louise Carver "Play The Game" on Music For Freaks ? (Release date end of April? ) Sounds, imho, more than a passing resembelence to Josh "One". I'm awaiting Josh Stinks, sorry Wink reaction on this one. Sorry sometimes I can't help From: "Grammenos, Peter" <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: RE: [313] bell vs wink / forcefield Date: Wed, 24 Apr 2002 13:36:48 -0400 That is a blatant rip off, period! Tracks feel the same, sound the same, and probably use the use the same production techniques ! [ one can never be certain ]. How lame, especially for a producer like wink who has been in the business for this long. But then again, he isn't the first producer to do this... Nice article... -Original Message- From: marsel [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 24, 2002 12:52 PM To: 313@hyperreal.org; [EMAIL PROTECTED]; truevibes-yahoogroups.com Subject: [313] bell vs wink / forcefield forcefield seems to being rebuild for dan bell & josh wink both tracks and letters are up at: http://www.forcefield.org tracks go in streaming mp3.. a lot easier for you all up as well is the new column from our techno space cadet 'amazing' arnold so far so good .. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] And what about _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
i have a feeling that dan`s letter is more to the point. soon as i can i`ll check the tracks and than we see what we can see y -Original Message- From: Grammenos, Peter [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 24, 2002 7:37 PM To: 313@hyperreal.org Subject: RE: [313] bell vs wink / forcefield That is a blatant rip off, period! Tracks feel the same, sound the same, and probably use the use the same production techniques ! [ one can never be certain ]. How lame, especially for a producer like wink who has been in the business for this long. But then again, he isn't the first producer to do this... Nice article... -Original Message- From: marsel [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 24, 2002 12:52 PM To: 313@hyperreal.org; [EMAIL PROTECTED]; truevibes-yahoogroups.com Subject: [313] bell vs wink / forcefield forcefield seems to being rebuild for dan bell & josh wink both tracks and letters are up at: http://www.forcefield.org tracks go in streaming mp3.. a lot easier for you all up as well is the new column from our techno space cadet 'amazing' arnold so far so good .. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] bell vs wink / forcefield
That is a blatant rip off, period! Tracks feel the same, sound the same, and probably use the use the same production techniques ! [ one can never be certain ]. How lame, especially for a producer like wink who has been in the business for this long. But then again, he isn't the first producer to do this... Nice article... -Original Message- From: marsel [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 24, 2002 12:52 PM To: 313@hyperreal.org; [EMAIL PROTECTED]; truevibes-yahoogroups.com Subject: [313] bell vs wink / forcefield forcefield seems to being rebuild for dan bell & josh wink both tracks and letters are up at: http://www.forcefield.org tracks go in streaming mp3.. a lot easier for you all up as well is the new column from our techno space cadet 'amazing' arnold so far so good .. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] bell vs wink / forcefield
forcefield seems to being rebuild for dan bell & josh wink both tracks and letters are up at: http://www.forcefield.org tracks go in streaming mp3.. a lot easier for you all up as well is the new column from our techno space cadet 'amazing' arnold so far so good .. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] whats on now
Mantronix - "Bassline", Steady B - "Serious (remix)", Man Parrish - "Boogie Down Bronx", and The Merciless Amir - "A Day Without a Rhyme" (to make it 313 related). Today is Old School day for me. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] whats on now
Lester: >angie stone "i wish i didn't miss you anymore" > >this single is sooo phat i want to get the 12 inch. even though i don't >have tables. Don't get it for the remixes, because they're bland. However... There's also a Spen+Karizma dub of 'Brotha' on there that's definitely worth the purchase! Otto PS Anyone else who can't seem to get enough of Chris Brann - 'Delilah' (Yoshitoshi) ? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] detroit lables logos
a couple of years ago i found a site with some detroit lables logos. now i cant remember where it was. anyone know where can i find it?? the submerge site have some but they are too litle there for what i want to do with it. take care u all. S.O.M. Wood Tower - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] "can you feel it?" vocal version
I always thought it was by Chuck Roberts. I forget the original label, but it was one of those early Chicago ones. I'm pretty sure that's the first place the "My House" speech appeared. -J on 4/24/02 6:27 AM, Sakari Karipuro at [EMAIL PROTECTED] wrote: > james bucknell wrote on Wed, 24 Apr 2002 about following: > >> the original is by the rhythm masters on catch a beat records, the track is >> called my house. can't remember the year, and can't find it in the records >> at the moment. > > as some listmembers remembered better than i; > this was discussed back in december 2000; the answer at the time was: > > > > From: Frank Zappa <[EMAIL PROTECTED]> > To: 313@hyperreal.org > Subject: Re:[313]the creator > >> Subject: Re: [313] the creator >> >>> On Tue, 5 Dec 2000, jose bello wrote: >>> who is the creator of this words ? in the beginning was jack... Jose Bello.Spain >>> >>> i first heard these words on mr. fingers "can youfeel it" but i have this >>> feeling that it is not the original. i have readfrom somewhere in the >>> that these words are from osheen "my house" but ihave not heard the >>> track... > > > > Well, here it is AGAIN..TP should > start a history of house and > techno hotlinehe he he he > > This subject came up on the 313 list a few months > back, I saved the message > that Terrence Parker posted with the answer to this > seemingly omnipotent > question. So with all credit due to TP, here is his > answer: > > "The ORIGINAL VERSION of the famous speech "In the > beginning there was Jack, > and Jack had a groove . . . ." is by ITALO ECSTASY. > The track is entitled > "MY > HOUSE," and was ORIGINALLY released on XYZ RECORDS > late in the year 1986. > > Yes, it was used as a "vocal drop" on top of many > instrumental recordings > over the years, including Mr. Fingers' "CAN YOU FEEL > IT." But don't get it > twisted ladies and gentlemen. The Mr. Fingers' version > (which was originally > a BOOTLEG) is NOT WHERE THIS SPEECH ORIGINATED FROM!" > (Terrence Parker) > > > hope this helps > > michael > renegaderhythms > > > > > > if you look at the archives you'll see that at the time i also was > interested in the subject, i hope will remember it from now on :) > > > sakke > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] whats on now
YEAH listen towww.2ser.com.au sydney australia. * dark energy, sat midnite - 2am * biorhythms, sun nite, 11pm - 1am. note that these are aussie times, so put your caps on! happy listening for very-much jaded peoples... cheers cobber! - Original Message - From: nathan goode <[EMAIL PROTECTED]> To: Cowgirl <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Thursday, April 25, 2002 1:47 AM Subject: Re: [313] whats on now > i'm listening to the 'andy caldwell/fred everything mix on groovetech' > > nice housey tunes > > can anyone recommend any house sets apart from betalounge & groovetech that > are worth listening to. > > cheers > > nath > - Original Message - > From: Cowgirl <[EMAIL PROTECTED]> > Cc: <313@hyperreal.org> > Sent: Wednesday, April 24, 2002 2:31 AM > Subject: Re: [313] whats on now > > > > I'm listening to samples of the new "zok zok vs. zoffy z" (tok tok vs. > soffy > > o) > > > > god, all I really need is some leg warmers and frosted hair at this point. > > > > guess I should have warned the gentleman asking about electro that I'm a > > sick little 80's pop princess with no shame... > > > > kind of OT- for those of you who have heard Herbert's remixes- "Secondhand > > Sounds" is anyone as addicted to it as I am? it goes great with after > dinner > > drinks. > > > > -dina > > > > - Original Message - > > From: <[EMAIL PROTECTED]> > > To: Lester Kenyatta Spence <[EMAIL PROTECTED]> > > Cc: <313@hyperreal.org> > > Sent: Tuesday, April 23, 2002 11:48 AM > > Subject: Re: [313] whats on now > > > > > > > > > > Harry the Bastard presents Club "H" and Stacey Pullen's DJ Kicks CD - > tons > > > of great older tracks on both. I'd love to blend these two CDs into one > > > massive pull on the ol' heart strings! > > > > > > MEK > > > > > > > > > - > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] whats on now
i'm listening to the 'andy caldwell/fred everything mix on groovetech' nice housey tunes can anyone recommend any house sets apart from betalounge & groovetech that are worth listening to. cheers nath - Original Message - From: Cowgirl <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Wednesday, April 24, 2002 2:31 AM Subject: Re: [313] whats on now > I'm listening to samples of the new "zok zok vs. zoffy z" (tok tok vs. soffy > o) > > god, all I really need is some leg warmers and frosted hair at this point. > > guess I should have warned the gentleman asking about electro that I'm a > sick little 80's pop princess with no shame... > > kind of OT- for those of you who have heard Herbert's remixes- "Secondhand > Sounds" is anyone as addicted to it as I am? it goes great with after dinner > drinks. > > -dina > > - Original Message - > From: <[EMAIL PROTECTED]> > To: Lester Kenyatta Spence <[EMAIL PROTECTED]> > Cc: <313@hyperreal.org> > Sent: Tuesday, April 23, 2002 11:48 AM > Subject: Re: [313] whats on now > > > > > > Harry the Bastard presents Club "H" and Stacey Pullen's DJ Kicks CD - tons > > of great older tracks on both. I'd love to blend these two CDs into one > > massive pull on the ol' heart strings! > > > > MEK > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) Dale Lawrence? (fwd)
I find that many of them will cryptically sign messages with just a creepy uppercase initial . :^) sean [EMAIL PROTECTED] wrote: > So what are the charateristics of a "crazed techno-stalker"? > > W > > -Original Message- > From: Kent williams <[EMAIL PROTECTED]> at inet-1 > Sent: Tuesday, April 23, 2002 11:15 PM > To: 313 list <313@hyperreal.org> at INET-1 > Subject: [313] Dale Lawrence? (fwd) > > If anyone corresponds with Dale regularly you might fwd this to him. > Tom is a good guy, not some crazed techno stalker. > -- Forwarded message -- > Date: Tue, 23 Apr 2002 17:24:41 -0700 (PDT) > From: Tom Butcher <[EMAIL PROTECTED]> > To: [EMAIL PROTECTED] > Subject: [idm] Dale Lawrence? > > Hello, > > Does anyone have contact information for Dale Lawrence? > I've tried his M-nus email but am not having any luck. > > Thanks > > t > > --- > Tom Butcher > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - > ATTENTION: > The information in this electronic mail message is private and > confidential, and only intended for the addressee. Should you > receive this message by mistake, you are hereby notified that > any disclosure, reproduction, distribution or use of this > message is strictly prohibited. Please inform the sender by > reply transmission and delete the message without copying or > opening it. > > Messages and attachments are scanned for all viruses known. > If this message contains password-protected attachments, the > files have NOT been scanned for viruses by the ING mail domain. > Always scan attachments before opening them. > - > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
I live in australia, and I have no problem 'hunting down records'. I always pay less than I would at my local import store because I pay attention to exchange rates and country of manufacture + it gets delivered to my door. I also have no problem selling second hand records all over the world. Hunting for records is a systematic and logical process. A real music lover will search for the music. Finding good music wherever it may lie, is an essential part of the dj artform. A DJ having records that no one else has, is and always has been vitally important since the beginning of the notion of seeing/hearing a dj as a form of entertainment. A real Dj/music lover cannot afford to expect music to be presented to them, rather they must look for it. Limiting records is an essential catalyst of innovation within dance music - no one wants to go and see a dj play records that everyone else has - this breeds blandness. Some producers are selfless enough to put progression before profits. on 24/4/02 8:05 PM, Cyclone Wehner at [EMAIL PROTECTED] wrote: > Interesting the idea of making people hunt down hard to find records. I > think that is pretty much a fact of life for people in countries like > Australia, maybe in Europe it's necessary where you are spoilt for choice. > Of course we can go on the Internet but the cost is so high. It took me a > while even to get Blackwater (it's out locally here now) and I only got hold > of the Derrick May remix of Jaguar because of a kind friend in France. We're > used to hustling!! > > -- >> From: "Tom Robbins/Magic Feet" <[EMAIL PROTECTED]> >> To: "313 mailing list" <313@hyperreal.org> >> Subject: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour >> Date: Wed, 24 Apr 2002 6:14 PM >> > >> Let the head-scratching begin! >> >> * >> >> >> ARTIST: MILLSART >> TITLE: ACTUAL (AXIS 009 C/D) >> LABEL: AXIS >> FORMAT: CD >> CAT NO: AX-009 C/D >> RELEASE DATE: 3 JUNE 2002 >> >> Following the third Millsart release of the acclaimed 'Every Dog Has Its >> Day' series, Jeff Mills returns to his hard to find Axis 009 series with a >> CD collection of the forthcoming 'C' and 'D' vinyl instalments. >> >> Jeff Mills plays the following UK dates this May & June and makes his first >> UK Festival appearance in 5 years at Homelands on June 1st. >> >> May 1 Royal Festival Hall - London >> May 24 Tribal Sessions @ Sankeys Soap - Manchester >> May 25 Shine @ QBSU - Belfast >> May 31 Pressure @ The Arches - Glasgow >> June 1 Homelands @ Winchester Bowl - Winchester >> June 1 Fabric - London >> June 2 Redbox - Dublin >> >> Jeff Mills on AX-009 >> >> About AX-009 The beginning >> >> The AX-009 series, the ninth day of the ninth month originated in the summer >> of 1993 in Berlin at the home of Hardwax Records-Berlin owner Mark Ernestus. >> We discussed our curiosity on whether Electronic Music Buyers, at that time, >> still felt the urge and had the patience to seek out and chase down >> hard-to-find new music. I decided then to create a sub-line of records out >> of the ninth release from Axis Records and dedicated these releases solely >> for this purpose of exploring this question. Create records that would be >> only sold at one record shop in the world, Hard wax- Berlin and sporadically >> made available for purchase a few times a year for as long as the demand was >> there. Even we here at Axis Records never knew when the release would be >> made available. The project sustained itself and lasted 8 years. >> >> The structure of an AX-009 record >> >> My initial idea of AX-009 was to create unique minimal compositions that >> could be linked together while baring a unique signature of their own. >> Similar to a song or arrangement but in minimal form. I relied on the depth >> of the tracks to divide them accordingly: >> >> The first two releases, AX-009 and AX-009b processed 4 tracks each. Track 1A >> symbolizes the most definitive of all the four on the release. Track 1B >> symbolizes an intentional passiveness as not to override Track 1A. Instead >> assisting Track 1A. Track 2A is always the thick and lush one. Track 2B is >> always the sign of rejuvenation, the most expressive of the four. >> >> The label design was always blank, the Axis colours of gold on side A and >> black on side B. With exception of AX-009 B2 "Spider Formation", tracks are >> never titled. >> >> AX-009 The series begins >> >> With the end of the very successful Purpose Maker series (PM), it left room >> for me to create even more releases for AX-009 project. While in the process >> of making AX-009c, I discovered that there was a need to create Sci Fi >> Techno again. That, there were so many percussion/bongo tracks available, >> that making another one is useless for the DJs that looking for something >> different. We have enough. What I noticed in most of the percussion Techno >> tracks today lack music or arrangement. Either for reasons that other >> producers feel that b
[313] ot : ebay auction
Ive got a huge list of stuff up at the mo. bit of a mixed bag of stuff from '86 - '94 nearly everything starting at £4.99, anyone wanting to check it out can find it here www.i123.co.uk cheers, grant - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
I agree it's an incentive - but for Australians (and more so people in, say, Mexico or Croatia) it's not so novel, as we ALWAYS have to hunt down things, and we more pay for it, that was my point. I am sure Jeff would have had the UK and West European market in mind and, for them, it's an excellent idea. But it's relative. -- >From: "Odeluga, Ken" <[EMAIL PROTECTED]> >To: Cyclone Wehner <[EMAIL PROTECTED]>, "[EMAIL PROTECTED] Org" <313@hyperreal.org> >Subject: RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour >Date: Wed, 24 Apr 2002 8:59 PM > > It's intriguing and fun to hunt down hard-to-find records, plus the relative > rareity value could be a factor, going forward ... apart from that, it is > just a teensy gimmicky, and at worse unfair on further-flung fans. But which > fans are dissuaded from buying (if they can)? I think the real effect is > exactly opposite to dissuasion, which I think is the point. K > >>-Original Message- >>From: Cyclone Wehner [mailto:[EMAIL PROTECTED] >>Sent: Wednesday, April 24, 2002 11:06 AM >>To: 313 Detroit >>Subject: Re: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour >> >> >>Interesting the idea of making people hunt down hard to find records. I >>think that is pretty much a fact of life for people in countries like >>Australia, maybe in Europe it's necessary where you are spoilt for choice. >>Of course we can go on the Internet but the cost is so high. It took me a >>while even to get Blackwater (it's out locally here now) and I >>only got hold >>of the Derrick May remix of Jaguar because of a kind friend in >>France. We're >>used to hustling!! >> >>-- >>>From: "Tom Robbins/Magic Feet" <[EMAIL PROTECTED]> >>>To: "313 mailing list" <313@hyperreal.org> >>>Subject: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour >>>Date: Wed, 24 Apr 2002 6:14 PM >>> >> >>> Let the head-scratching begin! >>> >>> * >>> >>> >>> ARTIST: MILLSART >>> TITLE: ACTUAL (AXIS 009 C/D) >>> LABEL: AXIS >>> FORMAT: CD >>> CAT NO: AX-009 C/D >>> RELEASE DATE: 3 JUNE 2002 >>> >>> Following the third Millsart release of the acclaimed 'Every Dog Has Its >>> Day' series, Jeff Mills returns to his hard to find Axis 009 >>series with a >>> CD collection of the forthcoming 'C' and 'D' vinyl instalments. >>> >>> Jeff Mills plays the following UK dates this May & June and >>makes his first >>> UK Festival appearance in 5 years at Homelands on June 1st. >>> >>> May 1 Royal Festival Hall - London >>> May 24 Tribal Sessions @ Sankeys Soap - Manchester >>> May 25 Shine @ QBSU - Belfast >>> May 31 Pressure @ The Arches - Glasgow >>> June 1 Homelands @ Winchester Bowl - Winchester >>> June 1 Fabric - London >>> June 2 Redbox - Dublin >>> >>> Jeff Mills on AX-009 >>> >>> About AX-009 The beginning >>> >>> The AX-009 series, the ninth day of the ninth month originated >>in the summer >>> of 1993 in Berlin at the home of Hardwax Records-Berlin owner >>Mark Ernestus. >>> We discussed our curiosity on whether Electronic Music Buyers, >>at that time, >>> still felt the urge and had the patience to seek out and chase down >>> hard-to-find new music. I decided then to create a sub-line of >>records out >>> of the ninth release from Axis Records and dedicated these >>releases solely >>> for this purpose of exploring this question. Create records that would be >>> only sold at one record shop in the world, Hard wax- Berlin and >>sporadically >>> made available for purchase a few times a year for as long as >>the demand was >>> there. Even we here at Axis Records never knew when the release would be >>> made available. The project sustained itself and lasted 8 years. >>> >>> The structure of an AX-009 record >>> >>> My initial idea of AX-009 was to create unique minimal compositions that >>> could be linked together while baring a unique signature of their own. >>> Similar to a song or arrangement but in minimal form. I relied >>on the depth >>> of the tracks to divide them accordingly: >>> >>> The first two releases, AX-009 and AX-009b processed 4 tracks >>each. Track 1A >>> symbolizes the most definitive of all the four on the release. Track 1B >>> symbolizes an intentional passiveness as not to override Track >>1A. Instead >>> assisting Track 1A. Track 2A is always the thick and lush one. >>Track 2B is >>> always the sign of rejuvenation, the most expressive of the four. >>> >>> The label design was always blank, the Axis colours of gold on side A and >>> black on side B. With exception of AX-009 B2 "Spider Formation", >>tracks are >>> never titled. >>> >>> AX-009 The series begins >>> >>> With the end of the very successful Purpose Maker series (PM), >>it left room >>> for me to create even more releases for AX-009 project. While in >>the process >>> of making AX-009c, I discovered that there was a need to create Sci Fi >>> Techno again. That, there were so many percussion/bongo tracks available, >>> that making another one is useless for the DJs that looking for something >>> different
[313] re: barca
I'm off to Barcelona next week, Is there anything on worth seeing? particularly next weekend (3rd May). ta -s _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) Dale Lawrence? (fwd)
Dale is on the list wait.no he isn't. wait.yes he is. wait.no he isn't. yeah huh! stop diana! muhaha d np:St.Germain,Latin Note --- [EMAIL PROTECTED] wrote: > So what are the charateristics of a "crazed > techno-stalker"? > > W > > -Original Message- > From: Kent williams <[EMAIL PROTECTED]> at inet-1 > Sent: Tuesday, April 23, 2002 11:15 PM > To: 313 list <313@hyperreal.org> at INET-1 > Subject: [313] Dale Lawrence? (fwd) > > > If anyone corresponds with Dale regularly you might > fwd this to him. > Tom is a good guy, not some crazed techno stalker. > -- Forwarded message -- > Date: Tue, 23 Apr 2002 17:24:41 -0700 (PDT) > From: Tom Butcher <[EMAIL PROTECTED]> > To: [EMAIL PROTECTED] > Subject: [idm] Dale Lawrence? > > > Hello, > > Does anyone have contact information for Dale > Lawrence? > I've tried his M-nus email but am not having any > luck. > > Thanks > > t > > --- > Tom Butcher > > > - > To unsubscribe, e-mail: > [EMAIL PROTECTED] > For additional commands, e-mail: > [EMAIL PROTECTED] > > > - > ATTENTION: > The information in this electronic mail message is > private and > confidential, and only intended for the addressee. > Should you > receive this message by mistake, you are hereby > notified that > any disclosure, reproduction, distribution or use of > this > message is strictly prohibited. Please inform the > sender by > reply transmission and delete the message without > copying or > opening it. > > Messages and attachments are scanned for all viruses > known. > If this message contains password-protected > attachments, the > files have NOT been scanned for viruses by the ING > mail domain. > Always scan attachments before opening them. > - > > - > To unsubscribe, e-mail: > [EMAIL PROTECTED] > For additional commands, e-mail: > [EMAIL PROTECTED] > __ Do You Yahoo!? Yahoo! Games - play chess, backgammon, pool and more http://games.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
It's intriguing and fun to hunt down hard-to-find records, plus the relative rareity value could be a factor, going forward ... apart from that, it is just a teensy gimmicky, and at worse unfair on further-flung fans. But which fans are dissuaded from buying (if they can)? I think the real effect is exactly opposite to dissuasion, which I think is the point. K >-Original Message- >From: Cyclone Wehner [mailto:[EMAIL PROTECTED] >Sent: Wednesday, April 24, 2002 11:06 AM >To: 313 Detroit >Subject: Re: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour > > >Interesting the idea of making people hunt down hard to find records. I >think that is pretty much a fact of life for people in countries like >Australia, maybe in Europe it's necessary where you are spoilt for choice. >Of course we can go on the Internet but the cost is so high. It took me a >while even to get Blackwater (it's out locally here now) and I >only got hold >of the Derrick May remix of Jaguar because of a kind friend in >France. We're >used to hustling!! > >-- >>From: "Tom Robbins/Magic Feet" <[EMAIL PROTECTED]> >>To: "313 mailing list" <313@hyperreal.org> >>Subject: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour >>Date: Wed, 24 Apr 2002 6:14 PM >> > >> Let the head-scratching begin! >> >> * >> >> >> ARTIST: MILLSART >> TITLE: ACTUAL (AXIS 009 C/D) >> LABEL: AXIS >> FORMAT: CD >> CAT NO: AX-009 C/D >> RELEASE DATE: 3 JUNE 2002 >> >> Following the third Millsart release of the acclaimed 'Every Dog Has Its >> Day' series, Jeff Mills returns to his hard to find Axis 009 >series with a >> CD collection of the forthcoming 'C' and 'D' vinyl instalments. >> >> Jeff Mills plays the following UK dates this May & June and >makes his first >> UK Festival appearance in 5 years at Homelands on June 1st. >> >> May 1 Royal Festival Hall - London >> May 24 Tribal Sessions @ Sankeys Soap - Manchester >> May 25 Shine @ QBSU - Belfast >> May 31 Pressure @ The Arches - Glasgow >> June 1 Homelands @ Winchester Bowl - Winchester >> June 1 Fabric - London >> June 2 Redbox - Dublin >> >> Jeff Mills on AX-009 >> >> About AX-009 The beginning >> >> The AX-009 series, the ninth day of the ninth month originated >in the summer >> of 1993 in Berlin at the home of Hardwax Records-Berlin owner >Mark Ernestus. >> We discussed our curiosity on whether Electronic Music Buyers, >at that time, >> still felt the urge and had the patience to seek out and chase down >> hard-to-find new music. I decided then to create a sub-line of >records out >> of the ninth release from Axis Records and dedicated these >releases solely >> for this purpose of exploring this question. Create records that would be >> only sold at one record shop in the world, Hard wax- Berlin and >sporadically >> made available for purchase a few times a year for as long as >the demand was >> there. Even we here at Axis Records never knew when the release would be >> made available. The project sustained itself and lasted 8 years. >> >> The structure of an AX-009 record >> >> My initial idea of AX-009 was to create unique minimal compositions that >> could be linked together while baring a unique signature of their own. >> Similar to a song or arrangement but in minimal form. I relied >on the depth >> of the tracks to divide them accordingly: >> >> The first two releases, AX-009 and AX-009b processed 4 tracks >each. Track 1A >> symbolizes the most definitive of all the four on the release. Track 1B >> symbolizes an intentional passiveness as not to override Track >1A. Instead >> assisting Track 1A. Track 2A is always the thick and lush one. >Track 2B is >> always the sign of rejuvenation, the most expressive of the four. >> >> The label design was always blank, the Axis colours of gold on side A and >> black on side B. With exception of AX-009 B2 "Spider Formation", >tracks are >> never titled. >> >> AX-009 The series begins >> >> With the end of the very successful Purpose Maker series (PM), >it left room >> for me to create even more releases for AX-009 project. While in >the process >> of making AX-009c, I discovered that there was a need to create Sci Fi >> Techno again. That, there were so many percussion/bongo tracks available, >> that making another one is useless for the DJs that looking for something >> different. We have enough. What I noticed in most of the >percussion Techno >> tracks today lack music or arrangement. Either for reasons that other >> producers feel that bits of basslines and fragments of samples >are enough or >> people are satisfied with drum heavy tracks and ask for more. >So, I thought >> it would be interesting to create a line of records that assisted those >> tracks. >> >> Something similar to woman's cosmetics. Drum and percussion-less >music that >> could be layered upon other tracks or drum computer that would >give it even >> more life. Tracks that could be layered together to enhance or hide, like >> cosmetics. Because of the necessary skill to ho
[313] 2nd-hand electro/techno vinyl sources?
I'm currently looking for sources of 2nd-hand vinyl. I'm sure something was suggested further down this list but I can't find it now, any suggestions (other than ebay) ? Of particular interest would be online searchable catalogues. Thanks in advance! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] "can you feel it?" vocal version
james bucknell wrote on Wed, 24 Apr 2002 about following: > the original is by the rhythm masters on catch a beat records, the track is > called my house. can't remember the year, and can't find it in the records > at the moment. as some listmembers remembered better than i; this was discussed back in december 2000; the answer at the time was: From: Frank Zappa <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: Re:[313]the creator > Subject: Re: [313] the creator > > > On Tue, 5 Dec 2000, jose bello wrote: > > > > > who is the creator of this words ? > > > in the beginning was jack... > > > Jose Bello.Spain > > > > i first heard these words on mr. fingers "can youfeel it" but i have this > > feeling that it is not the original. i have readfrom somewhere in the > > that these words are from osheen "my house" but ihave not heard the > > track... Well, here it is AGAIN..TP should start a history of house and techno hotlinehe he he he This subject came up on the 313 list a few months back, I saved the message that Terrence Parker posted with the answer to this seemingly omnipotent question. So with all credit due to TP, here is his answer: "The ORIGINAL VERSION of the famous speech "In the beginning there was Jack, and Jack had a groove . . . ." is by ITALO ECSTASY. The track is entitled "MY HOUSE," and was ORIGINALLY released on XYZ RECORDS late in the year 1986. Yes, it was used as a "vocal drop" on top of many instrumental recordings over the years, including Mr. Fingers' "CAN YOU FEEL IT." But don't get it twisted ladies and gentlemen. The Mr. Fingers' version (which was originally a BOOTLEG) is NOT WHERE THIS SPEECH ORIGINATED FROM!" (Terrence Parker) hope this helps michael renegaderhythms if you look at the archives you'll see that at the time i also was interested in the subject, i hope will remember it from now on :) sakke - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
Interesting the idea of making people hunt down hard to find records. I think that is pretty much a fact of life for people in countries like Australia, maybe in Europe it's necessary where you are spoilt for choice. Of course we can go on the Internet but the cost is so high. It took me a while even to get Blackwater (it's out locally here now) and I only got hold of the Derrick May remix of Jaguar because of a kind friend in France. We're used to hustling!! -- >From: "Tom Robbins/Magic Feet" <[EMAIL PROTECTED]> >To: "313 mailing list" <313@hyperreal.org> >Subject: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour >Date: Wed, 24 Apr 2002 6:14 PM > > Let the head-scratching begin! > > * > > > ARTIST: MILLSART > TITLE: ACTUAL (AXIS 009 C/D) > LABEL: AXIS > FORMAT: CD > CAT NO: AX-009 C/D > RELEASE DATE: 3 JUNE 2002 > > Following the third Millsart release of the acclaimed 'Every Dog Has Its > Day' series, Jeff Mills returns to his hard to find Axis 009 series with a > CD collection of the forthcoming 'C' and 'D' vinyl instalments. > > Jeff Mills plays the following UK dates this May & June and makes his first > UK Festival appearance in 5 years at Homelands on June 1st. > > May 1 Royal Festival Hall - London > May 24 Tribal Sessions @ Sankeys Soap - Manchester > May 25 Shine @ QBSU - Belfast > May 31 Pressure @ The Arches - Glasgow > June 1 Homelands @ Winchester Bowl - Winchester > June 1 Fabric - London > June 2 Redbox - Dublin > > Jeff Mills on AX-009 > > About AX-009 The beginning > > The AX-009 series, the ninth day of the ninth month originated in the summer > of 1993 in Berlin at the home of Hardwax Records-Berlin owner Mark Ernestus. > We discussed our curiosity on whether Electronic Music Buyers, at that time, > still felt the urge and had the patience to seek out and chase down > hard-to-find new music. I decided then to create a sub-line of records out > of the ninth release from Axis Records and dedicated these releases solely > for this purpose of exploring this question. Create records that would be > only sold at one record shop in the world, Hard wax- Berlin and sporadically > made available for purchase a few times a year for as long as the demand was > there. Even we here at Axis Records never knew when the release would be > made available. The project sustained itself and lasted 8 years. > > The structure of an AX-009 record > > My initial idea of AX-009 was to create unique minimal compositions that > could be linked together while baring a unique signature of their own. > Similar to a song or arrangement but in minimal form. I relied on the depth > of the tracks to divide them accordingly: > > The first two releases, AX-009 and AX-009b processed 4 tracks each. Track 1A > symbolizes the most definitive of all the four on the release. Track 1B > symbolizes an intentional passiveness as not to override Track 1A. Instead > assisting Track 1A. Track 2A is always the thick and lush one. Track 2B is > always the sign of rejuvenation, the most expressive of the four. > > The label design was always blank, the Axis colours of gold on side A and > black on side B. With exception of AX-009 B2 "Spider Formation", tracks are > never titled. > > AX-009 The series begins > > With the end of the very successful Purpose Maker series (PM), it left room > for me to create even more releases for AX-009 project. While in the process > of making AX-009c, I discovered that there was a need to create Sci Fi > Techno again. That, there were so many percussion/bongo tracks available, > that making another one is useless for the DJs that looking for something > different. We have enough. What I noticed in most of the percussion Techno > tracks today lack music or arrangement. Either for reasons that other > producers feel that bits of basslines and fragments of samples are enough or > people are satisfied with drum heavy tracks and ask for more. So, I thought > it would be interesting to create a line of records that assisted those > tracks. > > Something similar to woman's cosmetics. Drum and percussion-less music that > could be layered upon other tracks or drum computer that would give it even > more life. Tracks that could be layered together to enhance or hide, like > cosmetics. Because of the necessary skill to hold these tracks against other > drum tracks or drum machine, obviously, AX-009 is designed for the most > experienced DJs. These tracks range in style widely from minimal to > abstractions. When simply listened to, the same tracks take on a different > appearance. Built with drama in mind, the AX-009 tracks still hold the > initial designs of individual character that has made these releases an > intriguing experience to listen to. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
also Shades Of Rhythm (Live PA) crazy blast from the past action !? >-Original Message- >From: Langsman, Marc [mailto:[EMAIL PROTECTED] >Sent: Wednesday, April 24, 2002 11:04 AM >To: 'Martijn de Blaauw'; 313 mailing list >Subject: RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour > > >yeah yeah : > >The End Arena >Jeff Mills >Laurent Garnier >Richie Hawtin >Mr C >Hernan Cattaneo >DJ Anderson Noise (Brasil) > >The subliminal/back2basics arena has a few itneresting housey acts.. > >X-Press 2 (6 Decks) >Tim Deluxe >Ralph Lawson >FC Kahuna > >Slam in the main arena by the looks of things :D >Soft Cell and the Beta Band are playing live (seems fairly off >the wall) > >Also Zero 7, Kruder & Dorfmeister, Gilles Peterson, Jazzanova > >theres quite a lot of the usual Radio1 poop but definitely >some reasonable >acts - still doesnt look as good at the T-in the park dance lineups :( > > > >>-Original Message- >>From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] >>Sent: Wednesday, April 24, 2002 9:51 AM >>To: Langsman, Marc; 313 mailing list >>Subject: RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour >> >> >>I believe Jeff Mills, Laurent Garnier, Richie Hawtin, Dave Clarke >>Mr. C and Carl Cox are playing in one tent that night... >>Sounds pretty good to me!!! >> >> >>-Oorspronkelijk bericht- >>Van: Langsman, Marc [mailto:[EMAIL PROTECTED] >>Verzonden: woensdag 24 april 2002 10:55 >>Aan: 'Tom Robbins/Magic Feet'; 313 mailing list >>Onderwerp: RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour >> >> >>>June 1 Homelands @ Winchester Bowl - Winchester >> >>wow jeff mills @ homeland !!?? >> >>Seems substantially more udnerground than the usual pete tong related >>poofs.. >>anyopne know the full lineup ? >> >>Im definitely gonna be hitting this one if there's a strong >>detriot/chi-town >>presence :D >> >>Marc >> >> >>--- >>- >>-- >>This message is intended only for the personal and >>confidential use of the >>designated recipient(s) named above. If you are not the >>intended recipient >>of this message you are hereby notified that any review, >dissemination, >>distribution or copying of this message is strictly prohibited. This >>communication is for information purposes only and should not >>be regarded as >>an offer to sell or as a solicitation of an offer to buy any financial >>product, an official confirmation of any transaction, or as >an official >>statement of Lehman Brothers. Email transmission cannot be >>guaranteed to be >>secure or error-free. Therefore, we do not represent that >>this information >>is complete or accurate and it should not be relied upon as such. All >>information is subject to change without notice. >> >> >> >>- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] >> >> >>- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] >> >> > > >--- >--- >This message is intended only for the personal and >confidential use of the designated recipient(s) named above. >If you are not the intended recipient of this message you are >hereby notified that any review, dissemination, distribution >or copying of this message is strictly prohibited. This >communication is for information purposes only and should not >be regarded as an offer to sell or as a solicitation of an >offer to buy any financial product, an official confirmation >of any transaction, or as an official statement of Lehman >Brothers. Email transmission cannot be guaranteed to be >secure or error-free. Therefore, we do not represent that >this information is complete or accurate and it should not be >relied upon as such. All information is subject to change >without notice. > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not b
RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
yeah yeah : The End Arena Jeff Mills Laurent Garnier Richie Hawtin Mr C Hernan Cattaneo DJ Anderson Noise (Brasil) The subliminal/back2basics arena has a few itneresting housey acts.. X-Press 2 (6 Decks) Tim Deluxe Ralph Lawson FC Kahuna Slam in the main arena by the looks of things :D Soft Cell and the Beta Band are playing live (seems fairly off the wall) Also Zero 7, Kruder & Dorfmeister, Gilles Peterson, Jazzanova theres quite a lot of the usual Radio1 poop but definitely some reasonable acts - still doesnt look as good at the T-in the park dance lineups :( >-Original Message- >From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] >Sent: Wednesday, April 24, 2002 9:51 AM >To: Langsman, Marc; 313 mailing list >Subject: RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour > > >I believe Jeff Mills, Laurent Garnier, Richie Hawtin, Dave Clarke >Mr. C and Carl Cox are playing in one tent that night... >Sounds pretty good to me!!! > > >-Oorspronkelijk bericht- >Van: Langsman, Marc [mailto:[EMAIL PROTECTED] >Verzonden: woensdag 24 april 2002 10:55 >Aan: 'Tom Robbins/Magic Feet'; 313 mailing list >Onderwerp: RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour > > >>June 1 Homelands @ Winchester Bowl - Winchester > >wow jeff mills @ homeland !!?? > >Seems substantially more udnerground than the usual pete tong related >poofs.. >anyopne know the full lineup ? > >Im definitely gonna be hitting this one if there's a strong >detriot/chi-town >presence :D > >Marc > > >--- >- >-- >This message is intended only for the personal and >confidential use of the >designated recipient(s) named above. If you are not the >intended recipient >of this message you are hereby notified that any review, dissemination, >distribution or copying of this message is strictly prohibited. This >communication is for information purposes only and should not >be regarded as >an offer to sell or as a solicitation of an offer to buy any financial >product, an official confirmation of any transaction, or as an official >statement of Lehman Brothers. Email transmission cannot be >guaranteed to be >secure or error-free. Therefore, we do not represent that >this information >is complete or accurate and it should not be relied upon as such. All >information is subject to change without notice. > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] "can you feel it?" vocal version
the original is by the rhythm masters on catch a beat records, the track is called my house. can't remember the year, and can't find it in the records at the moment. it really came to general notice when larry sherman at trax records put the accapella over the top of fingers inc 'can u feel it'. james www.jbucknell.com > From: Matthew KANE <[EMAIL PROTECTED]> > Organization: STMicroelectronics - Grenoble > Date: Tue, 23 Apr 2002 11:05:31 +0200 > To: 313@hyperreal.org > Subject: [313] "can you feel it?" vocal version > > OK, my friend gave me a mix CD of his, and he has a version of "Can You Feel > It?" with a big long speech. "LET THERE BE HOUSE" and house music was born, > etc. > etc. > > Was this where that speech actually came from? Someone else I've talked to has > the exact same words credited to someone else. > > -- > THAT'S MY FATHER! Touch it and I'll kill you! > [EMAIL PROTECTED] weekdays || [EMAIL PROTECTED] weekends > matt kane's brain - http://mkb.n3.net - http://www.everything2.com/?node=mkb > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
I believe Jeff Mills, Laurent Garnier, Richie Hawtin, Dave Clarke Mr. C and Carl Cox are playing in one tent that night... Sounds pretty good to me!!! -Oorspronkelijk bericht- Van: Langsman, Marc [mailto:[EMAIL PROTECTED] Verzonden: woensdag 24 april 2002 10:55 Aan: 'Tom Robbins/Magic Feet'; 313 mailing list Onderwerp: RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour >June 1 Homelands @ Winchester Bowl - Winchester wow jeff mills @ homeland !!?? Seems substantially more udnerground than the usual pete tong related poofs.. anyopne know the full lineup ? Im definitely gonna be hitting this one if there's a strong detriot/chi-town presence :D Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
speaking of jeff mills, does anyone know if there has also been a 12" release of 'from the 21st' ? i once heard a rumour that there was an official japan-only vinyl release of it, apart from the cd. has anyone heard ax-009cd ? what's it like ? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
http://www.homelands.co.uk/pages/ - Original Message - From: Langsman, Marc <[EMAIL PROTECTED]> To: 'Tom Robbins/Magic Feet' <[EMAIL PROTECTED]>; 313 mailing list <313@hyperreal.org> Sent: Wednesday, April 24, 2002 9:55 AM Subject: RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour > >June 1 Homelands @ Winchester Bowl - Winchester > > wow jeff mills @ homeland !!?? > > Seems substantially more udnerground than the usual pete tong related > poofs.. > anyopne know the full lineup ? > > Im definitely gonna be hitting this one if there's a strong detriot/chi-town > presence :D > > Marc > > > -- > This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
>June 1 Homelands @ Winchester Bowl - Winchester wow jeff mills @ homeland !!?? Seems substantially more udnerground than the usual pete tong related poofs.. anyopne know the full lineup ? Im definitely gonna be hitting this one if there's a strong detriot/chi-town presence :D Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] electro ish stuff
not forgetting the japanese telecom album on intuit solar the cd version of which to my knowledge also contains remixes Trevor Wilkes wrote: > Well if you like Japanese telecom then you'll love the Dopplereffekt CD on > Gigiolo...even better in my opinion.. > > Trevor Wilkes > - Original Message - > From: <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Tuesday, April 23, 2002 7:10 PM > Subject: [313] electro ish stuff > > > > > >I'm looking for some recommendations for a good electro CD. I'm told > > >there's a good one called 'Futurism' on City Rockers and I've also been > > >recommended Detroit Grand Pubahs 'Funk Ya'll." I've already got Japanese > > >Telecom which is good so something similar would be cool. > > > > futurism might be ok, depending on what flavour of electro you prefer. > > personally, i thought that there was quite a bit of filler and that the > > best tracks (kittin, hacker, golden boy) were probably best available > > elsewhere. then again, there is a lot of stuff there for an ok price. its > a > > mix CD too. > > > > yesterday i got my copy of the ghostly international 'disco nouveau' > > compilation which is supposedly more italo than electro inspired, though > > it's a pretty blurry distinction sometimes. anyway, i've only had one > > listen but i reckon its very cool, a really nice selection of quality & > > varied tracks, beautiful packaging too! can't wait to get to know it > better > > - the ectomorph track especially. > > > > also don't miss the i-f mix CD 'mixed up in the hague' natch (yeah i know > > again, strictly italo but its so cool) and if you want to check the > > original sounds, the 'classic electro mastercuts' on beechwood are great > > comps. do the smurf! > > > > p > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] something that made me laugth
bucks fizz remixed by robert hood ?? british humour ?!? Giles Dickerson wrote: > I love the catalog number. > > - Giles > > D I G I T A S // B O S T O N > -- > Giles Dickerson > Art Director > 800 Boylston Street > Boston, MA > 02199 > -- > mobile 617 899 9635 > office 617 369 8601 > > > -- > > From: [EMAIL PROTECTED] > > Sent: Tuesday, April 23, 2002 3:25 PM > > To: 313@hyperreal.org > > Subject: [313] something that made me laugth > > > > For sale now on the Smallfish website!!! > > > > artist: VARIOUS > > title: 200 RAVE CLASSICS-THE ULTIMATE PARTY COLLECTION > > label: RONCO > > cat #: SHHITE1 > > format: 35 TAPE BOX SET > > price: £0.00 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Elecrtro CD Recommendations
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Thanks to everyone who responded, I've got so many recommendations! That should keep going for a while (and ruin me financially as well!) This list is great! Cheers, Gary. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fw: JEFF MILLS: Axis 009 C/D & UK Tour
Let the head-scratching begin! * ARTIST: MILLSART TITLE: ACTUAL (AXIS 009 C/D) LABEL: AXIS FORMAT: CD CAT NO: AX-009 C/D RELEASE DATE: 3 JUNE 2002 Following the third Millsart release of the acclaimed 'Every Dog Has Its Day' series, Jeff Mills returns to his hard to find Axis 009 series with a CD collection of the forthcoming 'C' and 'D' vinyl instalments. Jeff Mills plays the following UK dates this May & June and makes his first UK Festival appearance in 5 years at Homelands on June 1st. May 1 Royal Festival Hall - London May 24 Tribal Sessions @ Sankeys Soap - Manchester May 25 Shine @ QBSU - Belfast May 31 Pressure @ The Arches - Glasgow June 1 Homelands @ Winchester Bowl - Winchester June 1 Fabric - London June 2 Redbox - Dublin Jeff Mills on AX-009 About AX-009 The beginning The AX-009 series, the ninth day of the ninth month originated in the summer of 1993 in Berlin at the home of Hardwax Records-Berlin owner Mark Ernestus. We discussed our curiosity on whether Electronic Music Buyers, at that time, still felt the urge and had the patience to seek out and chase down hard-to-find new music. I decided then to create a sub-line of records out of the ninth release from Axis Records and dedicated these releases solely for this purpose of exploring this question. Create records that would be only sold at one record shop in the world, Hard wax- Berlin and sporadically made available for purchase a few times a year for as long as the demand was there. Even we here at Axis Records never knew when the release would be made available. The project sustained itself and lasted 8 years. The structure of an AX-009 record My initial idea of AX-009 was to create unique minimal compositions that could be linked together while baring a unique signature of their own. Similar to a song or arrangement but in minimal form. I relied on the depth of the tracks to divide them accordingly: The first two releases, AX-009 and AX-009b processed 4 tracks each. Track 1A symbolizes the most definitive of all the four on the release. Track 1B symbolizes an intentional passiveness as not to override Track 1A. Instead assisting Track 1A. Track 2A is always the thick and lush one. Track 2B is always the sign of rejuvenation, the most expressive of the four. The label design was always blank, the Axis colours of gold on side A and black on side B. With exception of AX-009 B2 "Spider Formation", tracks are never titled. AX-009 The series begins With the end of the very successful Purpose Maker series (PM), it left room for me to create even more releases for AX-009 project. While in the process of making AX-009c, I discovered that there was a need to create Sci Fi Techno again. That, there were so many percussion/bongo tracks available, that making another one is useless for the DJs that looking for something different. We have enough. What I noticed in most of the percussion Techno tracks today lack music or arrangement. Either for reasons that other producers feel that bits of basslines and fragments of samples are enough or people are satisfied with drum heavy tracks and ask for more. So, I thought it would be interesting to create a line of records that assisted those tracks. Something similar to woman's cosmetics. Drum and percussion-less music that could be layered upon other tracks or drum computer that would give it even more life. Tracks that could be layered together to enhance or hide, like cosmetics. Because of the necessary skill to hold these tracks against other drum tracks or drum machine, obviously, AX-009 is designed for the most experienced DJs. These tracks range in style widely from minimal to abstractions. When simply listened to, the same tracks take on a different appearance. Built with drama in mind, the AX-009 tracks still hold the initial designs of individual character that has made these releases an intriguing experience to listen to. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fw: Hell's Angels invade the Capital again
Vitalic! * Following the hot success of Tiga's American Gigolo mix CD and his soon to be massive and Radio 1 A Listed 'Sunglasses At Night' 12" with cohort Zyntherius (released this week, licensed to City Rockers) those Munich mavericks are back for more fun and mayhem at Bugged Out! Leading the charge is Gigolo top dandy Hell, with able support from Vitalic, whose Pony EP has had clubland frothing at the mouth since late last year which has just scooped No 1 in NMEs 'Top 10 Killer Electronic Tracks' and will get a full UK release this summer. The details: The Boutique Meets Bugged Out! Friday 3rd May 2002 Heaven, The Arches, Villiers Street. London (tube: Charing Cross or Embankment) 10pm - 6am Bugged Out! v Gigolo Rob Bright: 10-12 DJ Hell: 12-1.30 Vitalic (live): 1.30-2.15 Hell: 2.15- 4 Billy Nasty: 4-6 (Electro Set) The Boutique Jacques lu Cont Jon Carter Midfield General Richard Marshall The 19th Hole / Sunday best Jolly Music Erol Alkan Rob da Bank @ Heaven, The Arches, Villiars Street, London 10pm 6am £13 NUS b4 11pm £15 others - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] heh, misspelled Insync
I think you're right there. Jamie also did the LHAS (Larry Heard Appreciation Society - what a genius pseudonym) releases, but seems to have followed Insync by dropping off the map. TOM > I'm pretty sure this is Jaime (Jamie?) Read. He had a 3x12" LP called 'The > End of the Beginning' on Fragmented - all the tracks are very Insync vs. > Mysterons-esq, one or two are absolute gems, some of the others are a bit > meandering. All Detroit influenced UK techno style with some Larry Heard > thrown in. > > I also have a 12" on Ugly Cutz by him called 'Incision' I think which is a > bit more dancefloor oriented. > > The Wookey 12" with Insync is my favourite though. > > Ignore, all the above if Jaime Read isn't Wookey but AFAIK he is. > > [CiM] > > _ > Chat with friends online, try MSN Messenger: http://messenger.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] heh, misspelled Insync
tpr 001 insync vs mysteron - transform - 12" tpr 002 insync vs mysteron - these four walls - 12" tpr 003 wookey - who's listening - 12" tpr 004 insync vs mysteron - planetarium - 12" tpr 005 insync vs mysteron - android architect - cd which leaves the question to me, did this wookey guy release other stuff as well? the tunes "who's listening" and "in a midi" are absolute classics! I'm pretty sure this is Jaime (Jamie?) Read. He had a 3x12" LP called 'The End of the Beginning' on Fragmented - all the tracks are very Insync vs. Mysterons-esq, one or two are absolute gems, some of the others are a bit meandering. All Detroit influenced UK techno style with some Larry Heard thrown in. I also have a 12" on Ugly Cutz by him called 'Incision' I think which is a bit more dancefloor oriented. The Wookey 12" with Insync is my favourite though. Ignore, all the above if Jaime Read isn't Wookey but AFAIK he is. [CiM] _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Electro CDs - Recommendations Pls
A few more: Old school: - Electro Vol. 1-10 (Streetsounds) New school: - Origins Of A Sound: The Electro Bass Sounds Of Detroit (Submerge) - Techno Bass: The Mission (Direct Beat) - Booming On Pluto: Electro For Droids (Virgin) - From Beyond (Interdimensional Transmissions) - This Is Not The 80s (INCredible) forthcoming June 02 Electropop (not 'pure' electro, but likely to appeal): - Futurism (City Rockers) - Lektroluv (NEWS) - International DeeJay Gigolos Vol 5 (International DeeJay Gigolos) - Tiga: American Gigolo (International DeeJay Gigolos/Turbo) - Electroclash (Mogul Electro) Electro forever! TOM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: (313) Dale Lawrence? (fwd)
So what are the charateristics of a "crazed techno-stalker"? W -Original Message- From: Kent williams <[EMAIL PROTECTED]> at inet-1 Sent: Tuesday, April 23, 2002 11:15 PM To: 313 list <313@hyperreal.org> at INET-1 Subject: [313] Dale Lawrence? (fwd) If anyone corresponds with Dale regularly you might fwd this to him. Tom is a good guy, not some crazed techno stalker. -- Forwarded message -- Date: Tue, 23 Apr 2002 17:24:41 -0700 (PDT) From: Tom Butcher <[EMAIL PROTECTED]> To: [EMAIL PROTECTED] Subject: [idm] Dale Lawrence? Hello, Does anyone have contact information for Dale Lawrence? I've tried his M-nus email but am not having any luck. Thanks t --- Tom Butcher - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Dale Lawrence? (fwd)
If anyone corresponds with Dale regularly you might fwd this to him. Tom is a good guy, not some crazed techno stalker. -- Forwarded message -- Date: Tue, 23 Apr 2002 17:24:41 -0700 (PDT) From: Tom Butcher <[EMAIL PROTECTED]> To: [EMAIL PROTECTED] Subject: [idm] Dale Lawrence? Hello, Does anyone have contact information for Dale Lawrence? I've tried his M-nus email but am not having any luck. Thanks t --- Tom Butcher - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] ***Record Sale***
Hola! I am selling some records from my personal collection on a website called http://www.big12inch.com. There are many Techno releases as well as a few from other genres (Hip-Hop, House, Disco, Acid Jazz, etc.). All are in good shape and many have only been played once or twice. There are some very rare and hard to find records as well. I have just reduced prices on all these titles by 20% Happy Diggin! I have a few titles that have not made onto the site yet so if you are looking for a particular title please feel free to contact me off-list or use the subscribe form on the site. Thank You, Malcolm J. McAtee http://www.big12inch.com House Music is a feeling! -- Extensive selection of dance music records from around the world. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] FA ebay
New Herbert, Matthias Schaffhauser, ARS Antiqua Remixed, SMASH.tv, Batidos (Ron Trent collab.), Lords of Svek, more. No reserves. Thanks. http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems&[EMAIL PROTECTED]&completed=0&sort=0&since=-1 seller id = [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
