Re: (313) looking for K-Led record (was shot in the dark)
> Yasume - Sing The Noises - CCO yasume rocks. -Joe (fux) - Original Message - From: <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Monday, December 08, 2003 8:31 AM Subject: Re: (313) looking for K-Led record (was shot in the dark) > I am totally in love with this record! It's one of my favourite > releases of the year. Speaking of which, here are some of the tracks > released this year that I played on the show and made me grin like an > idiot in the studio. > > It's roughly chronological, not all are 313 I'm afraid and I'm sure I > missed loads, but here goes: > > Hoighty Beaver - Acorns - Blank Page > Beans - Mutescreamer - Warp > DJ Spinna - Tune You Out - BBE > Nobukazu Takemura - Conical Flask - Thrill Jockey > !!! - Me And Giuliani Down By The School Yard (A True Story) - Touch And Go > Spacek - 123-Magic - K7 > Chris Clark - Slow Spines - Warp > HiM - Slow Slow Slow - FatCat > SND - Palo Alto - Mille Plateaux > Samuel L Session - Body 'N' Soul - SLS > Sixtoo - Outremont Mainline Runs Across The Sunset - Vertical Form > Ceephax - Moor - First Cask > Kraftwerk - Aero Dynamik - EMI > David K. Frampton - The Mast - Blank Page > Maps + Diagrams - Not Here - Expanding > Luke Vibert - Synthax - Warp > Loka - Safe Self Tester - Ninja Tune > John Arnold - Get Yourself Together (Joshua Remix) - Ubiquity > Dub Taylor - Spring Slide - Forcetracks > Super Numeri - The Coastal Bird Scene Pt 1 - Ninja Tune > Pavel Kostiuk & The Musicals - Oklahoma - Goya > Rhythm & Sound with Jennifer Lara - Queen In My Empire - Burial Mix > Prozak Turner - Watch Out - Dreamworks > Victor Malloy - Tallyvan Army - Inertia > Husky Rescue - Rainbow Flows - Catskills > Pest - Chicken Spit (Me We Remix) - Ninja Tune > Madlib - Please Set Me At Ease - Blue Note > Yasume - Sing The Noises - CCO > Willis - Paper & Stone (Brooks' Scissor Beats Remix) - 679 > Hint - Count Your Blessings (Blessed By Minotaur Shock) - Ninja Tune > Ty - I Want 2 - Big Dada > Plant 43 - Airlock > Senor Coconut - Smooth Operator (Version Square) - New State > Noiseshaper - Good Enough For You Pt 1 - Different Drummer > Rechenzentrum - Tiefenscharfe - Mille Plateaux > K-Led - Time Changes The World - Force Inc. > Mr Bubble - Bubble Beats - UR > The Nudge - Bumpin' - Grand Central > Max Durante & Keith Tucker - Static Fusion - Electrix > Dub Kult - Bells Of Death - Arcola > Jackson - Utopia - Barclay > Fragile State - Every Day A Story (4 Hero's Electric Fusion Mix) - Bar De Lune > Rob Smith - Jah Provide - Grand Central > Riow Arai - Gold - Leaf > Michael Manning - The Lost Aberrant Dragonfly - Ai > Various Artists (Enjoy Detroit LP) - God Dub It - Premier Cru > Dolphin Boy - On The Ceiling - Tummy Touch > Meg - Kouro (Theo Parrish Remix) - Joint > Mice Parade - Remora (Free The Shark Remix) - FatCat > Ennio Morricone - Teorema (Chicken Lips Dub Mix) - Compost > Vikter Duplaix - Galaxy (Charlie Dark Remix) - K7 > Def Harmonic - Best I Can Do - Altered Vibes > > At 06:21 pm -0600 7/12/03, [EMAIL PROTECTED] wrote: > >I think I might have found it > > > >K-Led "Tomorrow in the Morning" on Force Inc. > > > >anyone know where I can find sound samples of this? > > > >MEK > > > > > > > > > > > >Michael.Elliot-Knight > > @fallon.com To: > >313@hyperreal.org > > > >cc: > > 12/07/03 06:08 PMSubject: Re: > >(313) looking for record - shot in the dark here > > > > > > > > > > > > > > > > > > > > > > > > > >Oh yeah - it probably came out in late October or November > > > >MEK > > > > > > > > Michael.Elliot-Knight > > > > @fallon.com To: > >313@hyperreal.org > >cc: > > > > 12/07/03 06:01 PMSubject: (313) looking > >for record - shot in the dark here > > > > > > > > > > > > > > > > > > > > > >Ok I've got a really vague description but it's the only thing I can go on > >I had the record on hold but the store cleared out their "hold bins" and > >now I can't find it nor do I remember everything about it > > > >Looking for a full length record - 2x12" that I believe is fairly new > >I thought it was on !K7 but I looked on their website and I don't see it > > > >I vaguely remember the cover has a picture of the artist - black man with > >dreds > >the background I believe was blue and it looked alot like the DJ Kicks > >records > > > >The title or artist was something like "D-tech" > >I had never heard the name but the music was nice melodic techno and some > >deep spacey house music > >there might have been some harder Mills-ish tracks as well > > > >I was really sold on it but didn't have enough money > > > >It's not Spacek - I have them > >it's not Victor Duplaix > > > >help! > > > >MEK >
Re: (313) Book: Generation Ecstasy : Into the World of Techno andRave Culture
-- Original Message -- From: [EMAIL PROTECTED] >all fair points matt. > >i guess i'd rather read about crazed culture with music as a >secondary. > >hence my love for lester bangs, hunter thompson, ect those guys are fantastic for sure. and i do believe that mr reynolds does love music in and of itself as well as writing about it in its context. the idea that i think hes going for is that he wants to write about the culture as it exists, from the inside. thats a very forward thinking thing to do IMO, right up there with jeff mills making a documentary on something that is still with us. it will help people understand things better once they disappear. some things can easily be conveyed using a historical writing type perspective. but can you really explain hardcore's chart potential without understanding the culture behind it in the UK at the time? and no one can write better about that culture than someone who was there and participated. tom andythepooh.com
Re: (313) Book: Generation Ecstasy : Into the World of Techno and Rave Culture
-- Original Message -- From: Matt MacQueen <[EMAIL PROTECTED]> >(that's what music >journo's do, i admit, and it's usually more out of their desire to >generate more ink than a true proper look at something for what it is) >just killed his earnestness and credibility for me. hmmm. ill have to disagree with you on this. the guy is obviously in it for his love of music, and most especially his love of the ever changing trends in music. i wouldnt necessarily call myself a simon reynolds fan, but i do read his blog all the time. i reccomend you find it and check it out, see that he does indeed overanalyze music in general, but for fun as opposed to money. and as far as his concentration on the "hardcore continuum", thats mostly a result of his location during specific times when music changed. if you think about it, techno and house are mostly very retro music. im not saying this in a bad way, but just observe how you can mix old disco records with old house and techno records with new house and techno records and make it sound coherent. if you try that with any number of the hardcore related genres, its pretty much not going to happen because of their high rate of change (or "progression" as some like to think of it;). >That said I haven't tried to write a book on techno, so I still can't >blame him for trying. Respect is certainly due for that. But this is >a book for people who want to get back in touch with their Inner >Raver... or see what other parts of the rave scene they missed out, >it's a book about drugs connection with the music... it's a book as >much or more focused on drugs than the music. ive always had something of a beef with the connection of dance music and drugs because im not a big drug user, but over time ive come to see the importance of drug use to dance music. to say theyre unrelated is to totally miss anything of the culture that actually made dance music come into existance. its not like people making acid house suddenly made people want to do ecstacy. the people who made it were making something that appealed to dancefloors that already were using it, as well as other drugs. >If you're looking for something >meaningful about techno music, I recommend you look elsewhere. im not sure that was the point of the book though. thats what "techno rebels" is for. his book was focused more on the UK rave culture, which is far different from the detroit and chicago cultures that surrounded techno and house. tom andythepooh.com
Re: (313) Alton Miller on Peacefrog
- Original Message - From: "Scott K Ellis" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Sunday, December 07, 2003 1:00 AM Subject: RE: (313) Alton Miller on Peacefrog > I find that I enjoy his music the most when he keeps > things more minimal and understated--witness 'Shine on Me.' I really gotta agree with this. That's kind of what I was trying to get at when I was saying the first three and last two tracks on the album are my favorites. Also agree that AM feat. Sky is a very good record. Probably as good as anything on the album. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Nu Era
New Era - 'Some Think Electronically' EP (Twisted Funk) Anyone heard this 2x10'' by Marc Mac? Somebody tells me it's probably the kind of thing that would like. k
Re: (313) Book: Generation Ecstasy : Into the World of Techno and Rave Culture
all fair points matt. i guess i'd rather read about crazed culture with music as a secondary. hence my love for lester bangs, hunter thompson, ect i think writing about music requires a presentation within another context (be it biographical, anidotal, whatever...) for me- an actual discertaion about 'the music' alone would be painfully boring. to each his own =) On Mon, 8 Dec 2003, Matt MacQueen wrote: > > Everyone's music collection is based around 'phases'. Reynolds just > > does > > an excellent job capturing his phases in print. Don't diss because he > > went > > through some phases that you didn't. > > I don't have anything against phasing of techno. I'll just diss then > cause I think it's a wack book. It's a visceral reaction. You've > done a good job at citing the reasons why you like the book, fair > enough. However I think any writer that capitulates this much on > opinions, trends, phases, THIS micro-genre is better than THAT > micro-genre [at this millisecond in time], etc. (that's what music > journo's do, i admit, and it's usually more out of their desire to > generate more ink than a true proper look at something for what it is) > just killed his earnestness and credibility for me. > > I think it comes down to a vibe if you like all the ranting and > spouting and style of Reynolds. To me just sounds like B.S. through > the lens of e-colored glasses... like the guy in the chill-out room you > wish would just shut-up and finally just pass out. ;) I don't > recommend the book other than a way to react to his half-witted > blatherings and form an opinion of your own. I guess that's what good > books do, force you to react to an opinion, but not in the way this > one does? > > That said I haven't tried to write a book on techno, so I still can't > blame him for trying. Respect is certainly due for that. But this is > a book for people who want to get back in touch with their Inner > Raver... or see what other parts of the rave scene they missed out, > it's a book about drugs connection with the music... it's a book as > much or more focused on drugs than the music. In fact little all that > critically valuable on the actual music IMHO, other than some > interesting details here and there on tracks but lacks any real > perspective. Obviously you connected with Reynolds, I don't. > > Wasn't it Reynolds who called Maurizio-type music "heroin house" in The > Wire? It's almost like for Reynolds the music CANNOT EXIST without a > drug reference to compliment it. That's just such a crutch! (for the > record: I am not anti-drug, i'm more anti-idiocy than anything.) > > Hey, if you like it you like it. :) I just wanted to point out some > of the reasons it chafed me personally... your mileage may vary. If > you want to read all about drug subculture with music as the secondary > backdrop, you may love it, I didn't. If you're looking for something > meaningful about techno music, I recommend you look elsewhere. > > peace, > Matt MacQueen > >
(313) spatial reminder ::: november 03
has this been on here before? - Original Message - ... and finally another heads-up about our christmas party... spatial presents : : : djs:tom churchill & laurence hughes guests: peel seamus, newworldaquarium & m>o>s aka aroy dee (delsin/nwaq/mos/rushhour/peacefrog, amsterdam) venue: to be announced date: saturday 13th december time: midnight til very late door: £5 .. we'll be letting you know more about this one-off event in the next couple of weeks... cheers, spatial crew www.spatialsounds.com
Re: (313) Book: Generation Ecstasy : Into the World of Techno and Rave Culture
Everyone's music collection is based around 'phases'. Reynolds just does an excellent job capturing his phases in print. Don't diss because he went through some phases that you didn't. I don't have anything against phasing of techno. I'll just diss then cause I think it's a wack book. It's a visceral reaction. You've done a good job at citing the reasons why you like the book, fair enough. However I think any writer that capitulates this much on opinions, trends, phases, THIS micro-genre is better than THAT micro-genre [at this millisecond in time], etc. (that's what music journo's do, i admit, and it's usually more out of their desire to generate more ink than a true proper look at something for what it is) just killed his earnestness and credibility for me. I think it comes down to a vibe if you like all the ranting and spouting and style of Reynolds. To me just sounds like B.S. through the lens of e-colored glasses... like the guy in the chill-out room you wish would just shut-up and finally just pass out. ;) I don't recommend the book other than a way to react to his half-witted blatherings and form an opinion of your own. I guess that's what good books do, force you to react to an opinion, but not in the way this one does? That said I haven't tried to write a book on techno, so I still can't blame him for trying. Respect is certainly due for that. But this is a book for people who want to get back in touch with their Inner Raver... or see what other parts of the rave scene they missed out, it's a book about drugs connection with the music... it's a book as much or more focused on drugs than the music. In fact little all that critically valuable on the actual music IMHO, other than some interesting details here and there on tracks but lacks any real perspective. Obviously you connected with Reynolds, I don't. Wasn't it Reynolds who called Maurizio-type music "heroin house" in The Wire? It's almost like for Reynolds the music CANNOT EXIST without a drug reference to compliment it. That's just such a crutch! (for the record: I am not anti-drug, i'm more anti-idiocy than anything.) Hey, if you like it you like it. :) I just wanted to point out some of the reasons it chafed me personally... your mileage may vary. If you want to read all about drug subculture with music as the secondary backdrop, you may love it, I didn't. If you're looking for something meaningful about techno music, I recommend you look elsewhere. peace, Matt MacQueen
Re: (313) looking for K-Led record (was shot in the dark)
> Has K-Led done anything else? I looked around but couldn't > find anything - if it is the first release - wha! Can't > wait to hear future stuff. Check out the bio on the Force site: http://www.force-inc.net/fim/artists/k-led/k-led_2.html --- Tom Butcher Codebase / x09Music www.x09music.com/codebase
Re: (313) looking for K-Led record (was shot in the dark)
>I am totally in love with this record! It's one of my favourite >releases of the year. Speaking of which, here are some of the tracks >released this year that I played on the show and made me grin like an >idiot in the studio. Has K-Led done anything else? I looked around but couldn't find anything - if it is the first release - wha! Can't wait to hear future stuff. MEK
Re: (313) fast forward shows?
Nope, it's there allright. My mistake, sorry On Mon, 8 Dec 2003, Ivan Tomasevic wrote: > > > Vol. 6A is still missing or something... > > > > --
(313) fast forward shows?
Vol. 6A is still missing or something... --
(313) Astor Piazzola remixed
Just got a copy of the new Astor Piazzola Remixed CD nice redoes by 4hero, Osunlade, John Beltran, Fantasista, and John Arnold just to name a few fantastic and beautiful tangos for any fan of nu-jazz/broken beat/acid jazz, Argentinian music, South American soul, etc. MEK
Re: (313) a.r.t
>'As one' Amalia track on the 1st ep is outstanding >No.3 is also a must have.. Never realy got into the red and blue ones. I quite like those red & blue ones.. there's a cool black dog track on one.. even some of the later ones I never used to be that keen on I like now. I think it's one (if not THE) of my favourite uk techno labels. future/past "clinically inclined" always was a classic for me too! so, definitely looking forward to anything new they might offer... _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) a.r.t
'As one' Amalia track on the 1st ep is outstanding No.3 is also a must have.. Never realy got into the red and blue ones. placid On 8/12/03 1:50 pm, "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote: > I heard this monumental label *might* just be starting up again in the new > year. > > now, that is good news. > > you didn't hear it from me though > > ; ) > _ > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring > > >
Re: (313) HMC
I'd like to mention the acid sling shot through outerspace that is "3AM" devastating MEK "Benn D. Glazier" <[EMAIL PROTECTED]To: "David Gillies" <[EMAIL PROTECTED]>, "313 Detroit" et> <313@hyperreal.org> cc: 12/07/03 10:18 PMSubject: Re: (313) HMC On Mon, 08 Dec 2003 13:49:17 +1100, "David Gillies" <[EMAIL PROTECTED]> said: > [EMAIL PROTECTED] wrote: > > >Phreakin' / Cum On- diRty HoUse > > > >best 2-sided record ever? > > > I think the Southern Cross double pack is still one of my all time > favourites. I'd certainly say Southern Cross is the Juice/Dirty House etc. record that I played the most in a club next to Life Support System which was an anthem in Adelaide, however my favourite? Tough... Blue Harvest by Paddee, Analog Dialogue, Secret Weapon, Out Of Order, Dragonfly... in fact many of those were huge club hits in Adelaide, along with Phreakin', which was probably the release that got the most notice. I also do believe it was the track that took him the shortest time to do. bg -- Benn Glazier email: [EMAIL PROTECTED] phone: +61 (0)413 316 618 http://www.royaltech.net
(313) a.r.t
I heard this monumental label *might* just be starting up again in the new year. now, that is good news. you didn't hear it from me though ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) looking for K-Led record (was shot in the dark)
Well that's what I thought when I looked at the list, but then I try never to play the same track twice (excluding the theme tune) and I worked out that I've done 44 3hour shows so far this year so in a way it's actually quite a short list At 01:33 pm + 8/12/03, Odeluga, Ken wrote: Just a few Dan! ;-) -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, December 08, 2003 1:32 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) looking for K-Led record (was shot in the dark) I am totally in love with this record! It's one of my favourite releases of the year. Speaking of which, here are some of the tracks released this year that I played on the show and made me grin like an idiot in the studio. It's roughly chronological, not all are 313 I'm afraid and I'm sure I missed loads, but here goes: Hoighty Beaver - Acorns - Blank Page Beans - Mutescreamer - Warp DJ Spinna - Tune You Out - BBE Nobukazu Takemura - Conical Flask - Thrill Jockey !!! - Me And Giuliani Down By The School Yard (A True Story) - Touch And Go Spacek - 123-Magic - K7 Chris Clark - Slow Spines - Warp HiM - Slow Slow Slow - FatCat SND - Palo Alto - Mille Plateaux Samuel L Session - Body 'N' Soul - SLS Sixtoo - Outremont Mainline Runs Across The Sunset - Vertical Form Ceephax - Moor - First Cask Kraftwerk - Aero Dynamik - EMI David K. Frampton - The Mast - Blank Page Maps + Diagrams - Not Here - Expanding Luke Vibert - Synthax - Warp Loka - Safe Self Tester - Ninja Tune John Arnold - Get Yourself Together (Joshua Remix) - Ubiquity Dub Taylor - Spring Slide - Forcetracks Super Numeri - The Coastal Bird Scene Pt 1 - Ninja Tune Pavel Kostiuk & The Musicals - Oklahoma - Goya Rhythm & Sound with Jennifer Lara - Queen In My Empire - Burial Mix Prozak Turner - Watch Out - Dreamworks Victor Malloy - Tallyvan Army - Inertia Husky Rescue - Rainbow Flows - Catskills Pest - Chicken Spit (Me We Remix) - Ninja Tune Madlib - Please Set Me At Ease - Blue Note Yasume - Sing The Noises - CCO Willis - Paper & Stone (Brooks' Scissor Beats Remix) - 679 Hint - Count Your Blessings (Blessed By Minotaur Shock) - Ninja Tune Ty - I Want 2 - Big Dada Plant 43 - Airlock Senor Coconut - Smooth Operator (Version Square) - New State Noiseshaper - Good Enough For You Pt 1 - Different Drummer Rechenzentrum - Tiefenscharfe - Mille Plateaux K-Led - Time Changes The World - Force Inc. Mr Bubble - Bubble Beats - UR The Nudge - Bumpin' - Grand Central Max Durante & Keith Tucker - Static Fusion - Electrix Dub Kult - Bells Of Death - Arcola Jackson - Utopia - Barclay Fragile State - Every Day A Story (4 Hero's Electric Fusion Mix) - Bar De Lune Rob Smith - Jah Provide - Grand Central Riow Arai - Gold - Leaf Michael Manning - The Lost Aberrant Dragonfly - Ai Various Artists (Enjoy Detroit LP) - God Dub It - Premier Cru Dolphin Boy - On The Ceiling - Tummy Touch Meg - Kouro (Theo Parrish Remix) - Joint Mice Parade - Remora (Free The Shark Remix) - FatCat Ennio Morricone - Teorema (Chicken Lips Dub Mix) - Compost Vikter Duplaix - Galaxy (Charlie Dark Remix) - K7 Def Harmonic - Best I Can Do - Altered Vibes At 06:21 pm -0600 7/12/03, [EMAIL PROTECTED] wrote: I think I might have found it K-Led "Tomorrow in the Morning" on Force Inc. anyone know where I can find sound samples of this? MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 12/07/03 06:08 PMSubject: Re: (313) looking for record - shot in the dark here Oh yeah - it probably came out in late October or November MEK Michael.Elliot-Knight >> @fallon.com To: 313@hyperreal.org cc: 12/07/03 06:01 PMSubject: (313) looking for record - shot in the dark here Ok I've got a really vague description but it's the only thing I can go on I had the record on hold but the store cleared out their "hold bins" and now I can't find it nor do I remember everything about it Looking for a full length record - 2x12" that I believe is fairly new I thought it was on !K7 but I looked on their website and I don't see it I vaguely remember the cover has a picture of the artist - black man with dreds the background I believe was blue and it looked alot like the DJ Kicks records The title or artist was something like "D-tech" I had never heard the name but the music was nice melodic techno and some deep spacey house music there might have been some harder Mills-ish tracks as well I was really sold on it but didn't have enough money It's not Spacek - I have them it's not Victor Duplaix help! MEK
RE: (313) looking for K-Led record (was shot in the dark)
Just a few Dan! ;-) >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Monday, December 08, 2003 1:32 PM >To: [EMAIL PROTECTED] >Cc: 313@hyperreal.org >Subject: Re: (313) looking for K-Led record (was shot in the dark) > > >I am totally in love with this record! It's one of my favourite >releases of the year. Speaking of which, here are some of the tracks >released this year that I played on the show and made me grin like an >idiot in the studio. > >It's roughly chronological, not all are 313 I'm afraid and I'm sure I >missed loads, but here goes: > >Hoighty Beaver - Acorns - Blank Page >Beans - Mutescreamer - Warp >DJ Spinna - Tune You Out - BBE >Nobukazu Takemura - Conical Flask - Thrill Jockey >!!! - Me And Giuliani Down By The School Yard (A True Story) - Touch And Go >Spacek - 123-Magic - K7 >Chris Clark - Slow Spines - Warp >HiM - Slow Slow Slow - FatCat >SND - Palo Alto- Mille Plateaux >Samuel L Session - Body 'N' Soul - SLS >Sixtoo - Outremont Mainline Runs Across The Sunset - Vertical Form >Ceephax - Moor - First Cask >Kraftwerk - Aero Dynamik - EMI >David K. Frampton - The Mast - Blank Page >Maps + Diagrams - Not Here - Expanding >Luke Vibert - Synthax - Warp >Loka - Safe Self Tester - Ninja Tune >John Arnold - Get Yourself Together (Joshua Remix) - Ubiquity >Dub Taylor - Spring Slide - Forcetracks >Super Numeri - The Coastal Bird Scene Pt 1 - Ninja Tune >Pavel Kostiuk & The Musicals - Oklahoma - Goya >Rhythm & Sound with Jennifer Lara - Queen In My Empire - Burial Mix >Prozak Turner - Watch Out - Dreamworks >Victor Malloy - Tallyvan Army - Inertia >Husky Rescue - Rainbow Flows - Catskills >Pest - Chicken Spit (Me We Remix) - Ninja Tune >Madlib - Please Set Me At Ease - Blue Note >Yasume - Sing The Noises - CCO >Willis - Paper & Stone (Brooks' Scissor Beats Remix) - 679 >Hint - Count Your Blessings (Blessed By Minotaur Shock) - Ninja Tune >Ty - I Want 2 - Big Dada >Plant 43 - Airlock >Senor Coconut - Smooth Operator (Version Square) - New State >Noiseshaper - Good Enough For You Pt 1 - Different Drummer >Rechenzentrum - Tiefenscharfe - Mille Plateaux >K-Led - Time Changes The World - Force Inc. >Mr Bubble - Bubble Beats - UR >The Nudge - Bumpin' - Grand Central >Max Durante & Keith Tucker - Static Fusion - Electrix >Dub Kult - Bells Of Death - Arcola >Jackson - Utopia - Barclay >Fragile State - Every Day A Story (4 Hero's Electric Fusion Mix) - >Bar De Lune >Rob Smith - Jah Provide - Grand Central >Riow Arai - Gold - Leaf >Michael Manning - The Lost Aberrant Dragonfly - Ai >Various Artists (Enjoy Detroit LP) - God Dub It - Premier Cru >Dolphin Boy - On The Ceiling - Tummy Touch >Meg - Kouro (Theo Parrish Remix) - Joint >Mice Parade - Remora (Free The Shark Remix) - FatCat >Ennio Morricone - Teorema (Chicken Lips Dub Mix) - Compost >Vikter Duplaix - Galaxy (Charlie Dark Remix) - K7 >Def Harmonic - Best I Can Do - Altered Vibes > >At 06:21 pm -0600 7/12/03, [EMAIL PROTECTED] wrote: >>I think I might have found it >> >>K-Led "Tomorrow in the Morning" on Force Inc. >> >>anyone know where I can find sound samples of this? >> >>MEK >> >> >> >> > >> >>Michael.Elliot-Knight > >> @fallon.com To: >>313@hyperreal.org >> >>cc: > >> 12/07/03 06:08 PMSubject: Re: >>(313) looking for record - shot in the dark here >> >> > >> >> > >> >> >> >> >> >> >> >> >>Oh yeah - it probably came out in late October or November >> >>MEK >> >> >> >> Michael.Elliot-Knight >> >> @fallon.com To: >>313@hyperreal.org >>cc: >> >> 12/07/03 06:01 PMSubject: >(313) looking >>for record - shot in the dark here >> >> >> >> >> >> >> >> >> >> >>Ok I've got a really vague description but it's the only thing I can go on >>I had the record on hold but the store cleared out their "hold bins" and >>now I can't find it nor do I remember everything about it >> >>Looking for a full length record - 2x12" that I believe is fairly new >>I thought it was on !K7 but I looked on their website and I don't see it >> >>I vaguely remember the cover has a picture of the artist - black man with >>dreds >>the background I believe was blue and it looked alot like the DJ Kicks >>records >> >>The title or artist was something like "D-tech" >>I had never heard the name but the music was nice melodic techno and some >>deep spacey house music >>there might have been some harder Mills-ish tracks as well >> >>I was really sold on it but didn't have enough money >> >>It's not Spacek - I have them >>it's not Victor Duplaix >> >>help! >> >>MEK > >
(313) radio playlist - 6/12/03 - Chilled Out Passion Oxford
Oh, and just in case you hadn't had enough of my lists, here's Friday nights playlist...:) Best Dan. CHILLED OUT PASSION on PASSION 107.9FM, OXFORD Live Webcast http://www.passion1079.com 6/12/03 1-4am De La Soul Me Myself and I (Instrumental) Tommy Boy La Funk Mob Ravers Suck Our Sound (Carl Craig Mix) Mo Wax Iridite prods feat. Elijah Ice 2 GoIridite Louis Digital Relay 42Arcola Alexander Robotnick Problemes D'Amour New Religion Morganistic Wonder Input Neuron Musique Djosos KrostTrumpet Pan Americana Vikter Duplaix Galaxy (Charlie Dark Remix) K7 MIX BY PEEPSHOW PADDY Bonobo The Shark Tru-Thoughts RSL Magic Of Spain Player Thievery CorporationComing From The Top 4AD Ralph Myerz & The Jack Herren Band Think Twice Emperor Norton Cinematic Orchestra Evolution feat. Fontella Bass (Mr P Remix) Ninja Tune BentBeautiful Otherness Sport Fly Like An Ulrich (Fruitless Mix) CainLa Telecabine Sunday Best Hint Count Your Blessings (Blessed By Minotaur Shock) Ninja Tune A Tribe Called QuestBonita Applebaum (Why Edit) Jive Nightmares On Wax Finer (Alex Gopher Mix) Warp Alucidnation24hrBig Chill Bonobo Flutter Ninja Tune BlurTender (Cornelius Mix) Food DataOptimus Prime Sirkus LambGorecki Mercury Air Sexy Boy (Etienne De Crecy Mix) Source Talking Heads Once In A Lifetime Sire David HolmesDon't Die Just Yet (La Funk Mob Mix)Go Beat Jake Bickerton Reaching Out To All Of Us Quantic Sweet Calling feat. Alice Russell Tru-Thoughts Elvis Presley Change Of Habit RCA END OF MIX Def HarmonicBest I Can Do Altered Vibes Psychonauts CirclesInternational Deejay Gigolo Diplo Time Is WeakBig Dada Johnny Clarke Crazy Baldhead Justice Archie SheppBlues For Brother George JacksonImpulse The Impressions People Get ReadyProbe Wagon ChristDown Under Rising High Hiroshi WatanabeAfter Time Third Ear DisjectaCheekchops Warp
Re: (313) looking for K-Led record (was shot in the dark)
I am totally in love with this record! It's one of my favourite releases of the year. Speaking of which, here are some of the tracks released this year that I played on the show and made me grin like an idiot in the studio. It's roughly chronological, not all are 313 I'm afraid and I'm sure I missed loads, but here goes: Hoighty Beaver - Acorns - Blank Page Beans - Mutescreamer - Warp DJ Spinna - Tune You Out - BBE Nobukazu Takemura - Conical Flask - Thrill Jockey !!! - Me And Giuliani Down By The School Yard (A True Story) - Touch And Go Spacek - 123-Magic - K7 Chris Clark - Slow Spines - Warp HiM - Slow Slow Slow - FatCat SND - Palo Alto - Mille Plateaux Samuel L Session - Body 'N' Soul - SLS Sixtoo - Outremont Mainline Runs Across The Sunset - Vertical Form Ceephax - Moor - First Cask Kraftwerk - Aero Dynamik - EMI David K. Frampton - The Mast - Blank Page Maps + Diagrams - Not Here - Expanding Luke Vibert - Synthax - Warp Loka - Safe Self Tester - Ninja Tune John Arnold - Get Yourself Together (Joshua Remix) - Ubiquity Dub Taylor - Spring Slide - Forcetracks Super Numeri - The Coastal Bird Scene Pt 1 - Ninja Tune Pavel Kostiuk & The Musicals - Oklahoma - Goya Rhythm & Sound with Jennifer Lara - Queen In My Empire - Burial Mix Prozak Turner - Watch Out - Dreamworks Victor Malloy - Tallyvan Army - Inertia Husky Rescue - Rainbow Flows - Catskills Pest - Chicken Spit (Me We Remix) - Ninja Tune Madlib - Please Set Me At Ease - Blue Note Yasume - Sing The Noises - CCO Willis - Paper & Stone (Brooks' Scissor Beats Remix) - 679 Hint - Count Your Blessings (Blessed By Minotaur Shock) - Ninja Tune Ty - I Want 2 - Big Dada Plant 43 - Airlock Senor Coconut - Smooth Operator (Version Square) - New State Noiseshaper - Good Enough For You Pt 1 - Different Drummer Rechenzentrum - Tiefenscharfe - Mille Plateaux K-Led - Time Changes The World - Force Inc. Mr Bubble - Bubble Beats - UR The Nudge - Bumpin' - Grand Central Max Durante & Keith Tucker - Static Fusion - Electrix Dub Kult - Bells Of Death - Arcola Jackson - Utopia - Barclay Fragile State - Every Day A Story (4 Hero's Electric Fusion Mix) - Bar De Lune Rob Smith - Jah Provide - Grand Central Riow Arai - Gold - Leaf Michael Manning - The Lost Aberrant Dragonfly - Ai Various Artists (Enjoy Detroit LP) - God Dub It - Premier Cru Dolphin Boy - On The Ceiling - Tummy Touch Meg - Kouro (Theo Parrish Remix) - Joint Mice Parade - Remora (Free The Shark Remix) - FatCat Ennio Morricone - Teorema (Chicken Lips Dub Mix) - Compost Vikter Duplaix - Galaxy (Charlie Dark Remix) - K7 Def Harmonic - Best I Can Do - Altered Vibes At 06:21 pm -0600 7/12/03, [EMAIL PROTECTED] wrote: I think I might have found it K-Led "Tomorrow in the Morning" on Force Inc. anyone know where I can find sound samples of this? MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 12/07/03 06:08 PMSubject: Re: (313) looking for record - shot in the dark here Oh yeah - it probably came out in late October or November MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 12/07/03 06:01 PMSubject: (313) looking for record - shot in the dark here Ok I've got a really vague description but it's the only thing I can go on I had the record on hold but the store cleared out their "hold bins" and now I can't find it nor do I remember everything about it Looking for a full length record - 2x12" that I believe is fairly new I thought it was on !K7 but I looked on their website and I don't see it I vaguely remember the cover has a picture of the artist - black man with dreds the background I believe was blue and it looked alot like the DJ Kicks records The title or artist was something like "D-tech" I had never heard the name but the music was nice melodic techno and some deep spacey house music there might have been some harder Mills-ish tracks as well I was really sold on it but didn't have enough money It's not Spacek - I have them it's not Victor Duplaix help! MEK
(313) newies
recommendations...! > Future Beat Alliance - Versatile > Stinkworx - Saliva - Delsin > Amp Fiddler LP all great! buy buy buy! p.s. In true alex style, I think I've deleted loads of important emails from my computer. If you mailed me about something important, and I've not got back by tomorrow, please hit me again. what a f**k wit. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Need PF recommendation
ANYTHING by Planetary Assault Systems. And the Maya Songs by alavarado is pure quality as well... -Oorspronkelijk bericht- Van: Ian [mailto:[EMAIL PROTECTED] Verzonden: zondag 7 december 2003 20:20 Aan: The Music Institute Onderwerp: (313) Need PF recommendation I'm taking advantage of the peacefrog.com 3 for 2 CD deal, and wanted advice on which of the following you folks would consider "most essential" (mind you--I have most of the PF releases not listed here): Anthony Nicholson - Dance Anthology Volume 2 (PF089CD) Charles Webster - Born On The 24th Of July (PF097CD) Chris Brann - Deep Fall (PF071CD) David Alvarado - Mayasongs (PFG010CD) Furry Phreaks - Want Me (Like Water) (PFG006CD) Neil Landstrumm - Brown By August (PF040CD) Norma Jean Bell - Come Into My Room (PFG15CD) Paul Johnson - Bump Talkin (PF041CD) Paul Johnson - Feel The Music (PF056CD) Planetary Assault Systems - Atomic Funkster (PFG008CD) Stasis - Inspiration (PF028CD) Stasis - From the old to the new (PF046CD) Underground Evolution - Primordial Passage (PF090CD) Various Artists - Deletions Vol. 1 (PFEC01) Wamdue Kids - These Branching Moments (PF059CD) Thanks, and keep those "best of 2003" lists comin'! -- im
Re: (313) New records (secret history)
Hello! I've been really ill, flat on my ar*e for a week at least, so sorry I didn't reply. I had no power cable for my PC, couldn't listen to music cos my head was banging. I've been crawling up the walls! I did manage to read three books though. thanks to the peeps who came to the party! it was fun, and nice to meet you. See you again soon I hope. Q's >That mix of > 'Problems'.. it's not on the Fuzz Dance 12" that I have, is that > someone's remix? THAT IS MY FAVORITE MIX OF IT! It's got reverb > stop/starts at the beginning and extra sounds towards the end that are > not in the original version. I had only heard this mix on some old > tapes but never on vinyl. Maybe Commander Bond can shed some light? I can't remember! I'm pretty sure we took the version that came on US Sire, I remember we had a couple of versions with us in the studio when we mastered it and we were making a last minute decision. I think its F.K's mix of it. Maybe I should check. >Erm ... I'll probably get turned into flambe for this, but perhaps Alex >could crawl out and talk about the decisions behind the track list choices? Right, well. Erm. It started as a tape for my mate. with about 30 tracks on. It's incredibly difficult to sort out licensing issues for the most obscure stuff, people just seem to have disappeared in some cases, other cases no one seems to know who owns the rights to the track, even if you can find the original artist/owner. So, to cut an incredibly long story short, the track choices are a) things we could get. b) things we felt people would be interested in (without being too obscure - remember we live in an insular world!) c) relevant to todays 'techno' a little, as New Religion is a techno label. also things that hadn't been on a suitable club pressing before (e.g. peut etre pas..) >Maybe it's just me being an Old Farte but I can remember back in the day >making fun of "Temporary Secretary" by holding our noses (to make as nasal >a sound as possible) and chanting "Temp-or-rary/Sec-re-tary" derisively ... >just seemed a bit naff to me ... The B-side of this record is the track for me (secret friend). But there was a couple of reasons for its inclusion... a) it sounds a bit 'mad' and quirky. b) we could get it! its a quirky record thats quite in demand here at the minute, and its a £25 record also. I believe a certain well known US jock bought a copy of the LP just for this track. It's one of those, love it or hate it... most seem to hate it though. >No quarrels with Liasons (a record I bought new in '82, hah!) or Visage >but then surely something like John Foxx's "Plaza" off of "Metamatic" should >rate, then? Someone started a John Foxx mix for us a while ago : ) I believe there will be a 12" with a mix and the original, maybe as a promo for the next lp. it's a hot contemporary artist too who fits nicely but, anyway, I'm not too sure if you're having a dig?!!! I mean, yeah, theres tons and tons of stuff out there, some leaning towards industrial, some leaning towards euro/italo, some pop, some just straight up 'dance', electro etc. It wasn't supposed to be a definitive compilation or anything, just a bit of fun that may turn some people onto the records and make them available to more people. we are in a really fortunate position to be able to do it, so we did it! anyway, I was really happy to be involved with it, I learnt alot and it certainly takes my mind off the postman duties for a little while, and thats always welcome : ) p.s. Greg, I was 7 when the Liasons LP came out! Of course, theres always people in the world far more qualified than me to do these things, but, I got the chance, so I grabbed it, who wouldn't!? anyway, I bet you're all well sick of this by now, so sorry for the late reply... alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Need PF recommendation
>From those you've listed, I would pick the Wamdue Kids one (really sweet deep house - a couple of slightly cheesy moments, but overall a great album), and either of the Stasis albums. The Deletions CD has got some excellent tracks too - Original Message - From: Odeluga, Ken To: 'Ian' ; The Music Institute ; [EMAIL PROTECTED] Org Sent: Monday, December 08, 2003 10:47 AM Subject: RE: (313) Need PF recommendation Circuit Funk, Stasis, PF013, 1993 Tracks: 01 View From The Rille, 02 Prsesence, 03 Mnemic Iamge, 04 Inosphere >-Original Message- >From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] >Sent: Monday, December 08, 2003 10:31 AM >To: 'Ian'; The Music Institute >Subject: RE: (313) Need PF recommendation > > >Suburban Knight - My Sol Dark Direction >Granted, you may have most of the tracks already, but there are some new, >exclusive cuts. > >-Original Message- >From: Ian [mailto:[EMAIL PROTECTED] >Sent: 07 December 2003 7:20 >To: The Music Institute >Subject: (313) Need PF recommendation > > >I'm taking advantage of the peacefrog.com 3 for 2 CD deal, and >wanted advice >on which of the following you folks would consider "most essential" (mind >you--I have most of the PF releases not listed here): > >Anthony Nicholson - Dance Anthology Volume 2 (PF089CD) >Charles Webster - Born On The 24th Of July (PF097CD) >Chris Brann - Deep Fall (PF071CD) >David Alvarado - Mayasongs (PFG010CD) >Furry Phreaks - Want Me (Like Water) (PFG006CD) >Neil Landstrumm - Brown By August (PF040CD) >Norma Jean Bell - Come Into My Room (PFG15CD) >Paul Johnson - Bump Talkin (PF041CD) >Paul Johnson - Feel The Music (PF056CD) >Planetary Assault Systems - Atomic Funkster (PFG008CD) >Stasis - Inspiration (PF028CD) >Stasis - From the old to the new (PF046CD) >Underground Evolution - Primordial Passage (PF090CD) >Various Artists - Deletions Vol. 1 (PFEC01) >Wamdue Kids - These Branching Moments (PF059CD) > >Thanks, and keep those "best of 2003" lists comin'! >-- >im > > > >*** > >Opinions expressed in this email are those of the individual and >not Entergy-Koch Trading Limited or its affiliated companies. >This email and any files transmitted with it, including replies >and forwarded copies (which may contain alterations) subsequently >transmitted from the Company, are confidential and solely for the >use of the intended recipient. It may contain material protected by >attorney-client privilege. If you are not listed on the "To" or "Cc" >lines of the original email (or are not the person responsible for >delivering to an intended recipient), then you are not an intended >recipient and have received this email in error. Any use by an >unintended recipient is strictly prohibited. > >If you have received this email in error please notify the IT manager >by telephone on +44 (0)20 7337 8300 or via email to >[EMAIL PROTECTED], attaching this message. Please >then delete this email and all attachments, and destroy any copies >thereof. Thank you. >*** > > >
RE: (313) Derrick May - HMC
plays at some of the more 'scene' parties but i havent heard a peep out of him for a long time which is not very pleasing ab -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Monday, December 08, 2003 11:37 AM To: 313 Detroit Subject: Re: (313) Derrick May - HMC I actually think Cam (HMC) has temporarily retired - maybe someone in SA can confirm? His brother was DJing and producing too, playing more progressive house. I have not heard anything of HMC for a long time. -- >From: "Sam K" <[EMAIL PROTECTED]> >To: "list" <313@hyperreal.org> >Subject: Re: (313) Derrick May - HMC >Date: Mon, 8 Dec 2003 11:15 AM > >> > Sam - you heard HMC DJ? One of the few seamless DJs that rocks my world. >> > ;) >> > >> > bg > > yep saw him play a 6 hour set, it was so good i got a nose bleed. Infact > i'm moving to Adelaide today (not for HMC;^) > > > On Sun, 07 Dec 2003 20:33:47 +1100, "Cyclone Wehner" > <[EMAIL PROTECTED]> said: >> I agree. I enjoyed both gigs. I was surprised by some of the criticism of >> the Home gig but c'est la vie. I still think it was a brave move on the >> part >> of Home to book Derrick May and not Paul Oakenfold and props to them for >> that. >> People can say it was fatigue but Mayday is apparently immune to that. He >> was tired at the Movement party in Detroit and that was well. you ask >> anyone who was there. He has the energy of a 12 year old kid. >> Honkytonks can hold about 300. >> The best techno gig I saw in Syd of late was Mr Saunderson at Chinese >> Laundry, that had really good energy and was a fun night. >> There were some great people at Home too. I just think in Sydney there is >> less of a techno scene overall and everyone is in agreement over that. >> It's >> warm much of the time and people go out more. There are fewer venues. The >> authorities are harder on licensing. That's not a diss... >> >> > We're talking about a venue in Sydney which has multiple levels with DJs >> > playing different sounds - over 2000 punters it can hold. What can Honkys >> > hold - a few hundred? >> > >> > It's always going to be a different dynamic with such a difference in >> > venues types. Derrick was good in Sydney, and his level of 'good' usurps >> > most DJs, however maybe he just didn't feel the electricity in Sydney. >> > >> > Here's my review on the night - >> > http://www.inthemix.com.au/p/np/viewnews.php?id=13137 >> > >> > As for home, we arrived maybe 45 mins before his set and left 20 mins >> > after. Danced near the front buried with friends, and tried to ignore the >> > surroundings. >> > >> > Sure it was hard to handle the few idiots around the place, but hey... >> > you've got to take the good with the bad. >> > >> > Sam - you heard HMC DJ? One of the few seamless DJs that rocks my world. >> > ;) >> > >> > bg >> > >> > >> > >> > On Thu, 04 Dec 2003 09:40:34 +1100, "Cyclone Wehner" >> > <[EMAIL PROTECTED]> said: >> >> It was ace last night. Difference of opinion maybe! >> >> >> >> -- >> >> >From: "Sam K" <[EMAIL PROTECTED]> >> >> >To: "list" <313@hyperreal.org> >> >> >Subject: Re: (313) Derrick May Melbourne >> >> >Date: Wed, 3 Dec 2003 5:18 PM >> >> > >> >> >> >> > I hate seamless mixing, I guess i am comparing it to when he played in >> >> > canberra last year and was cutting it up all night on three decks. I >> >> > found the music alot more exciting than the stuff he was playin this >> >> > time. I was really getting into parts on saturday but it just seamed to >> >> > stop and start to much. last time i heard him it had much more of a >> >> > exciting, adventurous and complete feeling. >> >> > >> >> > anyways;^) >> >> > >> >> > Sam >> >> > >> >> > On Wed, 03 Dec 2003 15:47:12 +1100, "Cyclone Wehner" >> >> > <[EMAIL PROTECTED]> said: >> >> >> I read some similiar things on www.inthemix.com.au (Syd forum) and some >> >> >> conflicting things. >> >> >> A few people said he was tired, I have no idea why. He was very energetic >> >> >> and dripping sweat, he flew in from Singapore just before. He wanted the >> >> >> sound up, maybe that had some influence on the night. >> >> >> He's not from the seamless mixing skool, I loved the effects, and loved >> >> >> the >> >> >> flow, but that's me, I really dislike seamless mixing and mono sets, it's >> >> >> the excitement that appeals to me. It was trademark Mayday. >> >> >> But Melbourne is his city, so we'll see. >> >> >> I don't think the crowd in Sydney got it. >> >> >> Brave move on the part of Home, they could have easily got someone >> >> >> commercial like Bob Sinclar! ;) >> >> >> >> >> >> -- >> >> >> >From: "Sam K" <[EMAIL PROTECTED]> >> >> >> >To: "list" <313@hyperreal.org> >> >> >> >Subject: Re: (313) Derrick May Melbourne >> >> >> >Date: Wed, 3 Dec 2003 3:41 PM >> >> >> > >> >> >> >> >> >> > Hmm...i would be very interested in how melbourne goes because i didn't >> >> >> > enjoy him in sydney. He over used the effects and never kept a flow. >> >> >> > Also i thoug
RE: (313) Need PF recommendation
Circuit Funk, Stasis, PF013, 1993 Tracks: 01 View From The Rille, 02 Prsesence, 03 Mnemic Iamge, 04 Inosphere >-Original Message- >From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] >Sent: Monday, December 08, 2003 10:31 AM >To: 'Ian'; The Music Institute >Subject: RE: (313) Need PF recommendation > > >Suburban Knight - My Sol Dark Direction >Granted, you may have most of the tracks already, but there are some new, >exclusive cuts. > >-Original Message- >From: Ian [mailto:[EMAIL PROTECTED] >Sent: 07 December 2003 7:20 >To: The Music Institute >Subject: (313) Need PF recommendation > > >I'm taking advantage of the peacefrog.com 3 for 2 CD deal, and >wanted advice >on which of the following you folks would consider "most essential" (mind >you--I have most of the PF releases not listed here): > >Anthony Nicholson - Dance Anthology Volume 2 (PF089CD) >Charles Webster - Born On The 24th Of July (PF097CD) >Chris Brann - Deep Fall (PF071CD) >David Alvarado - Mayasongs (PFG010CD) >Furry Phreaks - Want Me (Like Water) (PFG006CD) >Neil Landstrumm - Brown By August (PF040CD) >Norma Jean Bell - Come Into My Room (PFG15CD) >Paul Johnson - Bump Talkin (PF041CD) >Paul Johnson - Feel The Music (PF056CD) >Planetary Assault Systems - Atomic Funkster (PFG008CD) >Stasis - Inspiration (PF028CD) >Stasis - From the old to the new (PF046CD) >Underground Evolution - Primordial Passage (PF090CD) >Various Artists - Deletions Vol. 1 (PFEC01) >Wamdue Kids - These Branching Moments (PF059CD) > >Thanks, and keep those "best of 2003" lists comin'! >-- >im > > > >*** > >Opinions expressed in this email are those of the individual and >not Entergy-Koch Trading Limited or its affiliated companies. >This email and any files transmitted with it, including replies >and forwarded copies (which may contain alterations) subsequently >transmitted from the Company, are confidential and solely for the >use of the intended recipient. It may contain material protected by >attorney-client privilege. If you are not listed on the "To" or "Cc" >lines of the original email (or are not the person responsible for >delivering to an intended recipient), then you are not an intended >recipient and have received this email in error. Any use by an >unintended recipient is strictly prohibited. > >If you have received this email in error please notify the IT manager >by telephone on +44 (0)20 7337 8300 or via email to >[EMAIL PROTECTED], attaching this message. Please >then delete this email and all attachments, and destroy any copies >thereof. Thank you. >*** > > >
RE: (313) Need PF recommendation
Suburban Knight - My Sol Dark Direction Granted, you may have most of the tracks already, but there are some new, exclusive cuts. -Original Message- From: Ian [mailto:[EMAIL PROTECTED] Sent: 07 December 2003 7:20 To: The Music Institute Subject: (313) Need PF recommendation I'm taking advantage of the peacefrog.com 3 for 2 CD deal, and wanted advice on which of the following you folks would consider "most essential" (mind you--I have most of the PF releases not listed here): Anthony Nicholson - Dance Anthology Volume 2 (PF089CD) Charles Webster - Born On The 24th Of July (PF097CD) Chris Brann - Deep Fall (PF071CD) David Alvarado - Mayasongs (PFG010CD) Furry Phreaks - Want Me (Like Water) (PFG006CD) Neil Landstrumm - Brown By August (PF040CD) Norma Jean Bell - Come Into My Room (PFG15CD) Paul Johnson - Bump Talkin (PF041CD) Paul Johnson - Feel The Music (PF056CD) Planetary Assault Systems - Atomic Funkster (PFG008CD) Stasis - Inspiration (PF028CD) Stasis - From the old to the new (PF046CD) Underground Evolution - Primordial Passage (PF090CD) Various Artists - Deletions Vol. 1 (PFEC01) Wamdue Kids - These Branching Moments (PF059CD) Thanks, and keep those "best of 2003" lists comin'! -- im *** Opinions expressed in this email are those of the individual and not Entergy-Koch Trading Limited or its affiliated companies. This email and any files transmitted with it, including replies and forwarded copies (which may contain alterations) subsequently transmitted from the Company, are confidential and solely for the use of the intended recipient. It may contain material protected by attorney-client privilege. If you are not listed on the "To" or "Cc" lines of the original email (or are not the person responsible for delivering to an intended recipient), then you are not an intended recipient and have received this email in error. Any use by an unintended recipient is strictly prohibited. If you have received this email in error please notify the IT manager by telephone on +44 (0)20 7337 8300 or via email to [EMAIL PROTECTED], attaching this message. Please then delete this email and all attachments, and destroy any copies thereof. Thank you. ***
(313) Stacy Kidd
How is Stacy Kidd as a DJ? He's in town this weekend and I'm curious.
Re: (313) HMC
On Mon, 08 Dec 2003 13:49:17 +1100, "David Gillies" <[EMAIL PROTECTED]> said: > [EMAIL PROTECTED] wrote: > > >Phreakin' / Cum On- diRty HoUse > > > >best 2-sided record ever? > > > I think the Southern Cross double pack is still one of my all time > favourites. I'd certainly say Southern Cross is the Juice/Dirty House etc. record that I played the most in a club next to Life Support System which was an anthem in Adelaide, however my favourite? Tough... Blue Harvest by Paddee, Analog Dialogue, Secret Weapon, Out Of Order, Dragonfly... in fact many of those were huge club hits in Adelaide, along with Phreakin', which was probably the release that got the most notice. I also do believe it was the track that took him the shortest time to do. bg -- Benn Glazier email: [EMAIL PROTECTED] phone: +61 (0)413 316 618 http://www.royaltech.net
Re: (313) HMC
[EMAIL PROTECTED] wrote: Phreakin' / Cum On- diRty HoUse best 2-sided record ever? I think the Southern Cross double pack is still one of my all time favourites.
Re: (313) Derrick May - HMC
HMC is semi-retired... that's probably the best way to put it. He'll occaisionally play a party, do a 6 hour set of the old times if you like - playing house, techno and everywhere in between. Not sure if he's still buying records, wouldn't be suprised that he is. The Juice Records website is back up and running and label manager DMZ is up to no good again - http://www.juicerecords.com.au Rob Little is HMC's brother and he's had one release on Adelaide label Undefined. bg On Mon, 08 Dec 2003 12:07:11 +1100, "Cyclone Wehner" <[EMAIL PROTECTED]> said: > I actually think Cam (HMC) has temporarily retired - maybe someone in SA > can > confirm? > His brother was DJing and producing too, playing more progressive house. > I > have not heard anything of HMC for a long time. > > -- > >From: "Sam K" <[EMAIL PROTECTED]> > >To: "list" <313@hyperreal.org> > >Subject: Re: (313) Derrick May - HMC > >Date: Mon, 8 Dec 2003 11:15 AM > > > > >> > Sam - you heard HMC DJ? One of the few seamless DJs that rocks my world. > >> > ;) > >> > > >> > bg > > > > yep saw him play a 6 hour set, it was so good i got a nose bleed. Infact > > i'm moving to Adelaide today (not for HMC;^) > > > > > > On Sun, 07 Dec 2003 20:33:47 +1100, "Cyclone Wehner" > > <[EMAIL PROTECTED]> said: > >> I agree. I enjoyed both gigs. I was surprised by some of the criticism of > >> the Home gig but c'est la vie. I still think it was a brave move on the > >> part > >> of Home to book Derrick May and not Paul Oakenfold and props to them for > >> that. > >> People can say it was fatigue but Mayday is apparently immune to that. He > >> was tired at the Movement party in Detroit and that was well. you ask > >> anyone who was there. He has the energy of a 12 year old kid. > >> Honkytonks can hold about 300. > >> The best techno gig I saw in Syd of late was Mr Saunderson at Chinese > >> Laundry, that had really good energy and was a fun night. > >> There were some great people at Home too. I just think in Sydney there is > >> less of a techno scene overall and everyone is in agreement over that. > >> It's > >> warm much of the time and people go out more. There are fewer venues. The > >> authorities are harder on licensing. That's not a diss... > >> > >> > We're talking about a venue in Sydney which has multiple levels with DJs > >> > playing different sounds - over 2000 punters it can hold. What can Honkys > >> > hold - a few hundred? > >> > > >> > It's always going to be a different dynamic with such a difference in > >> > venues types. Derrick was good in Sydney, and his level of 'good' usurps > >> > most DJs, however maybe he just didn't feel the electricity in Sydney. > >> > > >> > Here's my review on the night - > >> > http://www.inthemix.com.au/p/np/viewnews.php?id=13137 > >> > > >> > As for home, we arrived maybe 45 mins before his set and left 20 mins > >> > after. Danced near the front buried with friends, and tried to ignore the > >> > surroundings. > >> > > >> > Sure it was hard to handle the few idiots around the place, but hey... > >> > you've got to take the good with the bad. > >> > > >> > Sam - you heard HMC DJ? One of the few seamless DJs that rocks my world. > >> > ;) > >> > > >> > bg > >> > > >> > > >> > > >> > On Thu, 04 Dec 2003 09:40:34 +1100, "Cyclone Wehner" > >> > <[EMAIL PROTECTED]> said: > >> >> It was ace last night. Difference of opinion maybe! > >> >> > >> >> -- > >> >> >From: "Sam K" <[EMAIL PROTECTED]> > >> >> >To: "list" <313@hyperreal.org> > >> >> >Subject: Re: (313) Derrick May Melbourne > >> >> >Date: Wed, 3 Dec 2003 5:18 PM > >> >> > > >> >> > >> >> > I hate seamless mixing, I guess i am comparing it to when he played in > >> >> > canberra last year and was cutting it up all night on three decks. I > >> >> > found the music alot more exciting than the stuff he was playin this > >> >> > time. I was really getting into parts on saturday but it just seamed > >> >> > to > >> >> > stop and start to much. last time i heard him it had much more of a > >> >> > exciting, adventurous and complete feeling. > >> >> > > >> >> > anyways;^) > >> >> > > >> >> > Sam > >> >> > > >> >> > On Wed, 03 Dec 2003 15:47:12 +1100, "Cyclone Wehner" > >> >> > <[EMAIL PROTECTED]> said: > >> >> >> I read some similiar things on www.inthemix.com.au (Syd forum) and > >> >> >> some > >> >> >> conflicting things. > >> >> >> A few people said he was tired, I have no idea why. He was very > energetic > >> >> >> and dripping sweat, he flew in from Singapore just before. He wanted > the > >> >> >> sound up, maybe that had some influence on the night. > >> >> >> He's not from the seamless mixing skool, I loved the effects, and > >> >> >> loved > >> >> >> the > >> >> >> flow, but that's me, I really dislike seamless mixing and mono sets, > it's > >> >> >> the excitement that appeals to me. It was trademark Mayday. > >> >> >> But Melbourne is his city, so we'll see. > >> >> >> I don't think the crowd in Sydney got it. > >> >> >> Brave mo
Re: (313) Derrick May - HMC
I actually think Cam (HMC) has temporarily retired - maybe someone in SA can confirm? His brother was DJing and producing too, playing more progressive house. I have not heard anything of HMC for a long time. -- >From: "Sam K" <[EMAIL PROTECTED]> >To: "list" <313@hyperreal.org> >Subject: Re: (313) Derrick May - HMC >Date: Mon, 8 Dec 2003 11:15 AM > >> > Sam - you heard HMC DJ? One of the few seamless DJs that rocks my world. >> > ;) >> > >> > bg > > yep saw him play a 6 hour set, it was so good i got a nose bleed. Infact > i'm moving to Adelaide today (not for HMC;^) > > > On Sun, 07 Dec 2003 20:33:47 +1100, "Cyclone Wehner" > <[EMAIL PROTECTED]> said: >> I agree. I enjoyed both gigs. I was surprised by some of the criticism of >> the Home gig but c'est la vie. I still think it was a brave move on the >> part >> of Home to book Derrick May and not Paul Oakenfold and props to them for >> that. >> People can say it was fatigue but Mayday is apparently immune to that. He >> was tired at the Movement party in Detroit and that was well. you ask >> anyone who was there. He has the energy of a 12 year old kid. >> Honkytonks can hold about 300. >> The best techno gig I saw in Syd of late was Mr Saunderson at Chinese >> Laundry, that had really good energy and was a fun night. >> There were some great people at Home too. I just think in Sydney there is >> less of a techno scene overall and everyone is in agreement over that. >> It's >> warm much of the time and people go out more. There are fewer venues. The >> authorities are harder on licensing. That's not a diss... >> >> > We're talking about a venue in Sydney which has multiple levels with DJs >> > playing different sounds - over 2000 punters it can hold. What can Honkys >> > hold - a few hundred? >> > >> > It's always going to be a different dynamic with such a difference in >> > venues types. Derrick was good in Sydney, and his level of 'good' usurps >> > most DJs, however maybe he just didn't feel the electricity in Sydney. >> > >> > Here's my review on the night - >> > http://www.inthemix.com.au/p/np/viewnews.php?id=13137 >> > >> > As for home, we arrived maybe 45 mins before his set and left 20 mins >> > after. Danced near the front buried with friends, and tried to ignore the >> > surroundings. >> > >> > Sure it was hard to handle the few idiots around the place, but hey... >> > you've got to take the good with the bad. >> > >> > Sam - you heard HMC DJ? One of the few seamless DJs that rocks my world. >> > ;) >> > >> > bg >> > >> > >> > >> > On Thu, 04 Dec 2003 09:40:34 +1100, "Cyclone Wehner" >> > <[EMAIL PROTECTED]> said: >> >> It was ace last night. Difference of opinion maybe! >> >> >> >> -- >> >> >From: "Sam K" <[EMAIL PROTECTED]> >> >> >To: "list" <313@hyperreal.org> >> >> >Subject: Re: (313) Derrick May Melbourne >> >> >Date: Wed, 3 Dec 2003 5:18 PM >> >> > >> >> >> >> > I hate seamless mixing, I guess i am comparing it to when he played in >> >> > canberra last year and was cutting it up all night on three decks. I >> >> > found the music alot more exciting than the stuff he was playin this >> >> > time. I was really getting into parts on saturday but it just seamed to >> >> > stop and start to much. last time i heard him it had much more of a >> >> > exciting, adventurous and complete feeling. >> >> > >> >> > anyways;^) >> >> > >> >> > Sam >> >> > >> >> > On Wed, 03 Dec 2003 15:47:12 +1100, "Cyclone Wehner" >> >> > <[EMAIL PROTECTED]> said: >> >> >> I read some similiar things on www.inthemix.com.au (Syd forum) and some >> >> >> conflicting things. >> >> >> A few people said he was tired, I have no idea why. He was very energetic >> >> >> and dripping sweat, he flew in from Singapore just before. He wanted the >> >> >> sound up, maybe that had some influence on the night. >> >> >> He's not from the seamless mixing skool, I loved the effects, and loved >> >> >> the >> >> >> flow, but that's me, I really dislike seamless mixing and mono sets, it's >> >> >> the excitement that appeals to me. It was trademark Mayday. >> >> >> But Melbourne is his city, so we'll see. >> >> >> I don't think the crowd in Sydney got it. >> >> >> Brave move on the part of Home, they could have easily got someone >> >> >> commercial like Bob Sinclar! ;) >> >> >> >> >> >> -- >> >> >> >From: "Sam K" <[EMAIL PROTECTED]> >> >> >> >To: "list" <313@hyperreal.org> >> >> >> >Subject: Re: (313) Derrick May Melbourne >> >> >> >Date: Wed, 3 Dec 2003 3:41 PM >> >> >> > >> >> >> >> >> >> > Hmm...i would be very interested in how melbourne goes because i didn't >> >> >> > enjoy him in sydney. He over used the effects and never kept a flow. >> >> >> > Also i thought the standard of tunes was way down he seemed to be >> playing >> >> >> > alot of euro filler. He played star dancer but then pressed the power >> >> >> > button and played(i think) some bushwaker and layo track. I went up >> close >> >> >> > one time and behind his standard dj "look like i'm
Re: (313) Need PF recommendation
- Original Message - From: <[EMAIL PROTECTED]> To: "Phonopsia" <[EMAIL PROTECTED]> Cc: "Ian" <[EMAIL PROTECTED]>; "The Music Institute" <313@hyperreal.org> Sent: Monday, December 08, 2003 12:56 AM Subject: Re: (313) Need PF recommendation > has anyone picked up the new charles webster remix album? > > any good? Yes. It is rather good, and actually holds together as a reasonably coherent collection. Favorite remixes are by Pepe Braddock, Jimpster, Theo Parrish and Charles Webster himself - and the previously released Herbert remix which should be obvious (but it should be said that the dub on the single is better than the remix on the album). I'm ashamed to say (after my last post especially) that I don't own the album and I may even prefer the remixes. Certainly more dancefloor utility. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Need PF recommendation
has anyone picked up the new charles webster remix album? any good? what the heck am i doing with all these music questions today? On Mon, 8 Dec 2003, Phonopsia wrote: > - Original Message - > From: "Ian" <[EMAIL PROTECTED]> > To: "The Music Institute" <313@hyperreal.org> > Sent: Sunday, December 07, 2003 7:20 PM > Subject: (313) Need PF recommendation > > > > Charles Webster - Born On The 24th Of July (PF097CD) > > Neil Landstrumm - Brown By August (PF040CD) > > Paul Johnson - Bump Talkin (PF041CD) > > Wamdue Kids - These Branching Moments (PF059CD) > > I would go with these, with the Paul Johnson coming in at a distant #4, but > the few tracks on there that stand out, really stand out. The Underground > Evolution is nice too, as a #5. A rather unusual release for Peacefrog as > well. I suppose it resonates with Anthony Nicholson a bit, but certainly not > what you'd normally expect. Ultra-deep house in a thick Trent/Nicholson way. > The other 4 above should have reasonably evident value. 'Brown by August' is > proper Landstrumm from his heyday - a la Takks, etc. 'These branching > Moments' has that one track that sounds like Chris Brann doing Kenny Larkin. > Absolutely detonate. If you don't know the Charles Webster, well - you > should. I recently heard it was Peacefrog's best selling album ever - and > that say a hell of a lot. > > Tristan > === > http://www.phonopsia.co.uk > [EMAIL PROTECTED] > > >
Re: (313) Derrick May - HMC
Phreakin' / Cum On- diRty HoUse best 2-sided record ever? On Sun, 7 Dec 2003, Sam K wrote: > > > Sam - you heard HMC DJ? One of the few seamless DJs that rocks my world. > > > ;) > > > > > > bg > > yep saw him play a 6 hour set, it was so good i got a nose bleed. Infact > i'm moving to Adelaide today (not for HMC;^) > > > On Sun, 07 Dec 2003 20:33:47 +1100, "Cyclone Wehner" > <[EMAIL PROTECTED]> said: > > I agree. I enjoyed both gigs. I was surprised by some of the criticism of > > the Home gig but c'est la vie. I still think it was a brave move on the > > part > > of Home to book Derrick May and not Paul Oakenfold and props to them for > > that. > > People can say it was fatigue but Mayday is apparently immune to that. He > > was tired at the Movement party in Detroit and that was well. you ask > > anyone who was there. He has the energy of a 12 year old kid. > > Honkytonks can hold about 300. > > The best techno gig I saw in Syd of late was Mr Saunderson at Chinese > > Laundry, that had really good energy and was a fun night. > > There were some great people at Home too. I just think in Sydney there is > > less of a techno scene overall and everyone is in agreement over that. > > It's > > warm much of the time and people go out more. There are fewer venues. The > > authorities are harder on licensing. That's not a diss... > > > > > We're talking about a venue in Sydney which has multiple levels with DJs > > > playing different sounds - over 2000 punters it can hold. What can Honkys > > > hold - a few hundred? > > > > > > It's always going to be a different dynamic with such a difference in > > > venues types. Derrick was good in Sydney, and his level of 'good' usurps > > > most DJs, however maybe he just didn't feel the electricity in Sydney. > > > > > > Here's my review on the night - > > > http://www.inthemix.com.au/p/np/viewnews.php?id=13137 > > > > > > As for home, we arrived maybe 45 mins before his set and left 20 mins > > > after. Danced near the front buried with friends, and tried to ignore the > > > surroundings. > > > > > > Sure it was hard to handle the few idiots around the place, but hey... > > > you've got to take the good with the bad. > > > > > > Sam - you heard HMC DJ? One of the few seamless DJs that rocks my world. > > > ;) > > > > > > bg > > > > > > > > > > > > On Thu, 04 Dec 2003 09:40:34 +1100, "Cyclone Wehner" > > > <[EMAIL PROTECTED]> said: > > >> It was ace last night. Difference of opinion maybe! > > >> > > >> -- > > >> >From: "Sam K" <[EMAIL PROTECTED]> > > >> >To: "list" <313@hyperreal.org> > > >> >Subject: Re: (313) Derrick May Melbourne > > >> >Date: Wed, 3 Dec 2003 5:18 PM > > >> > > > >> > > >> > I hate seamless mixing, I guess i am comparing it to when he played in > > >> > canberra last year and was cutting it up all night on three decks. I > > >> > found the music alot more exciting than the stuff he was playin this > > >> > time. I was really getting into parts on saturday but it just seamed > > >> > to > > >> > stop and start to much. last time i heard him it had much more of a > > >> > exciting, adventurous and complete feeling. > > >> > > > >> > anyways;^) > > >> > > > >> > Sam > > >> > > > >> > On Wed, 03 Dec 2003 15:47:12 +1100, "Cyclone Wehner" > > >> > <[EMAIL PROTECTED]> said: > > >> >> I read some similiar things on www.inthemix.com.au (Syd forum) and > > >> >> some > > >> >> conflicting things. > > >> >> A few people said he was tired, I have no idea why. He was very > > >> >> energetic > > >> >> and dripping sweat, he flew in from Singapore just before. He wanted > > >> >> the > > >> >> sound up, maybe that had some influence on the night. > > >> >> He's not from the seamless mixing skool, I loved the effects, and > > >> >> loved > > >> >> the > > >> >> flow, but that's me, I really dislike seamless mixing and mono sets, > > >> >> it's > > >> >> the excitement that appeals to me. It was trademark Mayday. > > >> >> But Melbourne is his city, so we'll see. > > >> >> I don't think the crowd in Sydney got it. > > >> >> Brave move on the part of Home, they could have easily got someone > > >> >> commercial like Bob Sinclar! ;) > > >> >> > > >> >> -- > > >> >> >From: "Sam K" <[EMAIL PROTECTED]> > > >> >> >To: "list" <313@hyperreal.org> > > >> >> >Subject: Re: (313) Derrick May Melbourne > > >> >> >Date: Wed, 3 Dec 2003 3:41 PM > > >> >> > > > >> >> > > >> >> > Hmm...i would be very interested in how melbourne goes because i > > >> >> > didn't > > >> >> > enjoy him in sydney. He over used the effects and never kept a > > >> >> > flow. > > >> >> > Also i thought the standard of tunes was way down he seemed to be > > playing > > >> >> > alot of euro filler. He played star dancer but then pressed the > > >> >> > power > > >> >> > button and played(i think) some bushwaker and layo track. I went up > > close > > >> >> > one time and behind his standard dj "look like i'm lovin it" he > > >> >> > looked > > >> >> > like he wanted
Re: (313) Need PF recommendation
- Original Message - From: "Ian" <[EMAIL PROTECTED]> To: "The Music Institute" <313@hyperreal.org> Sent: Sunday, December 07, 2003 7:20 PM Subject: (313) Need PF recommendation > Charles Webster - Born On The 24th Of July (PF097CD) > Neil Landstrumm - Brown By August (PF040CD) > Paul Johnson - Bump Talkin (PF041CD) > Wamdue Kids - These Branching Moments (PF059CD) I would go with these, with the Paul Johnson coming in at a distant #4, but the few tracks on there that stand out, really stand out. The Underground Evolution is nice too, as a #5. A rather unusual release for Peacefrog as well. I suppose it resonates with Anthony Nicholson a bit, but certainly not what you'd normally expect. Ultra-deep house in a thick Trent/Nicholson way. The other 4 above should have reasonably evident value. 'Brown by August' is proper Landstrumm from his heyday - a la Takks, etc. 'These branching Moments' has that one track that sounds like Chris Brann doing Kenny Larkin. Absolutely detonate. If you don't know the Charles Webster, well - you should. I recently heard it was Peacefrog's best selling album ever - and that say a hell of a lot. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) looking for K-Led record (was shot in the dark)
Nevermind - found some at Nuloop thanks for everyone's help LOL! MEK Michael.Elliot-Knight @fallon.com To: [EMAIL PROTECTED] cc: 313@hyperreal.org 12/07/03 06:21 PMSubject: Re: (313) looking for K-Led record (was shot in the dark) I think I might have found it K-Led "Tomorrow in the Morning" on Force Inc. anyone know where I can find sound samples of this? MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 12/07/03 06:08 PMSubject: Re: (313) looking for record - shot in the dark here Oh yeah - it probably came out in late October or November MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 12/07/03 06:01 PMSubject: (313) looking for record - shot in the dark here Ok I've got a really vague description but it's the only thing I can go on I had the record on hold but the store cleared out their "hold bins" and now I can't find it nor do I remember everything about it Looking for a full length record - 2x12" that I believe is fairly new I thought it was on !K7 but I looked on their website and I don't see it I vaguely remember the cover has a picture of the artist - black man with dreds the background I believe was blue and it looked alot like the DJ Kicks records The title or artist was something like "D-tech" I had never heard the name but the music was nice melodic techno and some deep spacey house music there might have been some harder Mills-ish tracks as well I was really sold on it but didn't have enough money It's not Spacek - I have them it's not Victor Duplaix help! MEK
Re: (313) looking for K-Led record (was shot in the dark)
I think I might have found it K-Led "Tomorrow in the Morning" on Force Inc. anyone know where I can find sound samples of this? MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 12/07/03 06:08 PMSubject: Re: (313) looking for record - shot in the dark here Oh yeah - it probably came out in late October or November MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 12/07/03 06:01 PMSubject: (313) looking for record - shot in the dark here Ok I've got a really vague description but it's the only thing I can go on I had the record on hold but the store cleared out their "hold bins" and now I can't find it nor do I remember everything about it Looking for a full length record - 2x12" that I believe is fairly new I thought it was on !K7 but I looked on their website and I don't see it I vaguely remember the cover has a picture of the artist - black man with dreds the background I believe was blue and it looked alot like the DJ Kicks records The title or artist was something like "D-tech" I had never heard the name but the music was nice melodic techno and some deep spacey house music there might have been some harder Mills-ish tracks as well I was really sold on it but didn't have enough money It's not Spacek - I have them it's not Victor Duplaix help! MEK
Re: (313) Derrick May - HMC
> > Sam - you heard HMC DJ? One of the few seamless DJs that rocks my world. > > ;) > > > > bg yep saw him play a 6 hour set, it was so good i got a nose bleed. Infact i'm moving to Adelaide today (not for HMC;^) On Sun, 07 Dec 2003 20:33:47 +1100, "Cyclone Wehner" <[EMAIL PROTECTED]> said: > I agree. I enjoyed both gigs. I was surprised by some of the criticism of > the Home gig but c'est la vie. I still think it was a brave move on the > part > of Home to book Derrick May and not Paul Oakenfold and props to them for > that. > People can say it was fatigue but Mayday is apparently immune to that. He > was tired at the Movement party in Detroit and that was well. you ask > anyone who was there. He has the energy of a 12 year old kid. > Honkytonks can hold about 300. > The best techno gig I saw in Syd of late was Mr Saunderson at Chinese > Laundry, that had really good energy and was a fun night. > There were some great people at Home too. I just think in Sydney there is > less of a techno scene overall and everyone is in agreement over that. > It's > warm much of the time and people go out more. There are fewer venues. The > authorities are harder on licensing. That's not a diss... > > > We're talking about a venue in Sydney which has multiple levels with DJs > > playing different sounds - over 2000 punters it can hold. What can Honkys > > hold - a few hundred? > > > > It's always going to be a different dynamic with such a difference in > > venues types. Derrick was good in Sydney, and his level of 'good' usurps > > most DJs, however maybe he just didn't feel the electricity in Sydney. > > > > Here's my review on the night - > > http://www.inthemix.com.au/p/np/viewnews.php?id=13137 > > > > As for home, we arrived maybe 45 mins before his set and left 20 mins > > after. Danced near the front buried with friends, and tried to ignore the > > surroundings. > > > > Sure it was hard to handle the few idiots around the place, but hey... > > you've got to take the good with the bad. > > > > Sam - you heard HMC DJ? One of the few seamless DJs that rocks my world. > > ;) > > > > bg > > > > > > > > On Thu, 04 Dec 2003 09:40:34 +1100, "Cyclone Wehner" > > <[EMAIL PROTECTED]> said: > >> It was ace last night. Difference of opinion maybe! > >> > >> -- > >> >From: "Sam K" <[EMAIL PROTECTED]> > >> >To: "list" <313@hyperreal.org> > >> >Subject: Re: (313) Derrick May Melbourne > >> >Date: Wed, 3 Dec 2003 5:18 PM > >> > > >> > >> > I hate seamless mixing, I guess i am comparing it to when he played in > >> > canberra last year and was cutting it up all night on three decks. I > >> > found the music alot more exciting than the stuff he was playin this > >> > time. I was really getting into parts on saturday but it just seamed to > >> > stop and start to much. last time i heard him it had much more of a > >> > exciting, adventurous and complete feeling. > >> > > >> > anyways;^) > >> > > >> > Sam > >> > > >> > On Wed, 03 Dec 2003 15:47:12 +1100, "Cyclone Wehner" > >> > <[EMAIL PROTECTED]> said: > >> >> I read some similiar things on www.inthemix.com.au (Syd forum) and some > >> >> conflicting things. > >> >> A few people said he was tired, I have no idea why. He was very > >> >> energetic > >> >> and dripping sweat, he flew in from Singapore just before. He wanted the > >> >> sound up, maybe that had some influence on the night. > >> >> He's not from the seamless mixing skool, I loved the effects, and loved > >> >> the > >> >> flow, but that's me, I really dislike seamless mixing and mono sets, > >> >> it's > >> >> the excitement that appeals to me. It was trademark Mayday. > >> >> But Melbourne is his city, so we'll see. > >> >> I don't think the crowd in Sydney got it. > >> >> Brave move on the part of Home, they could have easily got someone > >> >> commercial like Bob Sinclar! ;) > >> >> > >> >> -- > >> >> >From: "Sam K" <[EMAIL PROTECTED]> > >> >> >To: "list" <313@hyperreal.org> > >> >> >Subject: Re: (313) Derrick May Melbourne > >> >> >Date: Wed, 3 Dec 2003 3:41 PM > >> >> > > >> >> > >> >> > Hmm...i would be very interested in how melbourne goes because i > >> >> > didn't > >> >> > enjoy him in sydney. He over used the effects and never kept a flow. > >> >> > Also i thought the standard of tunes was way down he seemed to be > playing > >> >> > alot of euro filler. He played star dancer but then pressed the power > >> >> > button and played(i think) some bushwaker and layo track. I went up > close > >> >> > one time and behind his standard dj "look like i'm lovin it" he looked > >> >> > like he wanted to fall asleep. > >> >> > > >> >> > anyways please inform me after tonight. > >> >> > > >> >> > Sam > >> >> > > >> >> > > >> >> > On Wed, 3 Dec 2003 14:15:06 +1100, "ed612313" <[EMAIL PROTECTED]> > >> >> > said: > >> >> >> i thought it was his only gig in aust also?? > >> >> >> home was painful > >> >> >> anyway > >> >> >> looking 4ward to deepspace this sat > >> >> >> ed > >> >> >>
Re: (313) looking for record - shot in the dark here
Oh yeah - it probably came out in late October or November MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 12/07/03 06:01 PMSubject: (313) looking for record - shot in the dark here Ok I've got a really vague description but it's the only thing I can go on I had the record on hold but the store cleared out their "hold bins" and now I can't find it nor do I remember everything about it Looking for a full length record - 2x12" that I believe is fairly new I thought it was on !K7 but I looked on their website and I don't see it I vaguely remember the cover has a picture of the artist - black man with dreds the background I believe was blue and it looked alot like the DJ Kicks records The title or artist was something like "D-tech" I had never heard the name but the music was nice melodic techno and some deep spacey house music there might have been some harder Mills-ish tracks as well I was really sold on it but didn't have enough money It's not Spacek - I have them it's not Victor Duplaix help! MEK
(313) looking for record - shot in the dark here
Ok I've got a really vague description but it's the only thing I can go on I had the record on hold but the store cleared out their "hold bins" and now I can't find it nor do I remember everything about it Looking for a full length record - 2x12" that I believe is fairly new I thought it was on !K7 but I looked on their website and I don't see it I vaguely remember the cover has a picture of the artist - black man with dreds the background I believe was blue and it looked alot like the DJ Kicks records The title or artist was something like "D-tech" I had never heard the name but the music was nice melodic techno and some deep spacey house music there might have been some harder Mills-ish tracks as well I was really sold on it but didn't have enough money It's not Spacek - I have them it's not Victor Duplaix help! MEK
