Re: (313) The story of the Original Hot Mix 5

[James_Bucknell]

my car is full of hotmix 5 tapes d.loaded from deep house pages (and a
couple of tapes by a friend that's deeply influenced by the hot mix 5
style). it's always chicago 1984 in my car. i've even come to love the ads
- harlem globe trotters in town for one night only, bobby brown playing the
world's largest house party, and i've got to get some hair relaxer.
james
www.jbucknell.com



   
 Matt MacQueen 
 <[EMAIL PROTECTED] 
 .com>  To 
   313 <313@hyperreal.org> 
 03/03/04 09:45 PM  cc 
   
   Subject 
   (313) The story of the Original Hot 
   Mix 5   
   
   
   
   
   
   




This one is floating around the net again and thought this might
interest some of you   lotsa details but one of the greatest eras
in radio mix shows.

(and you can still hear Kenny "Jammin" Jason on the syndicated 'old
school friday mix' on V-103 in Chicago that is syndicated nationally,
but it's mostly mainstream disco/funk stuff, nothing very underground
or raw house from back then, but hey it's better than nothing, driving
around you can catch Zapp - Computer Love or Black Ivory - Main Line.
Still you're not gonna hear anything like raw jackin acid or psycho
dark stuff like 'where is your child' and stuff like used to be on the
old shows).

--

LOST IN THE MIX

THE STORY OF THE ORIGINAL HOT MIX 5

by Rebecca Ortiz

You thought it was dead. You even mourned its absence. But whoever
told you disco died was lying. Well they weren't necessarily lying -
they were just misinformed. You see disco never died; it just
descended. Now you might be asking yourself what could the bellbottom
wearing, afro-fabulous, Saturday Night Fever-living-times
have "descended" in to? In one sentence? One of the greatest elements
of Chicago's history--house music.

Although it has been rumored that house music was to have been co-
invented in our sister city New York, make no mistake, Chicago's
style and sound combination took people on the wildest rides of their
lives and claimed an identity all its own. And although several
artists contributed to this advanced genre of dance music, there were
five individuals that laid some serious groundwork. Despite confusion
of the original team, the names of replacements and the vendettas
that surrounded the industry as a whole, these five remained strong -
strong enough to leave a severe dent in the city of Chicago. They may
not have parted "best friends" - or have even passed as business
associates-- but they made Chicago, house music, and the world that
surrounds that lifestyle what it is, as we know it today. These five
individuals were the premier DJ team in the world. Ladies and
gentlemen it gives me great pleasure to introduce to you the Hot Mix
5.

Farley "Jackmaster" Funk, Mickey "Mixin" Oliver, Scott "Smokin" Silz,
Ralphi Rosario and Kenny "Jammin" Jason, all arrived for a meeting
planned by Michaels to discuss his idea for a house mix show. The
sixth interviewee, Jeff Davis, failed to show. During this meeting
they talked of this "team/corporation" they were forming. They were
the Hot Mix guys which was the generic term given to the group before
members were chosen by Michaels and after hours of struggling with
names they decided on the Hot Mix 5.

Chosen to host the show was part-time WBMX radio personality Armando
Rivera. It wasn't long after the 5 were formed that the show
developed a personality all it's own. "It's the Saturday Night Live
Ain't no Jive mix show hosted by Armando." Each week the switchboard
would light up with requests and comments about their favorite of the
5. Playing the latest in house sounds, Farley appealed to the African-
American audience, Ralphi to the Hispanic audience, Mickey and Kenny
represented the streets of Chicago and Scott the suburbs. For
scheduled guest appearances they would pack venues with thousands of
people, sweat would be dripping from the ceiling and sometimes the
cops would come and clos

RE: (313) R&S Records mix

[James_Bucknell]

there's one decent mix of dominator - is it the joey beltram mix, or the
one on the flip? anyway, a slow mid 120s mix.
james
www.jbucknell.com



   
 "Robert Taylor"   
 <[EMAIL PROTECTED] 
 4.co.uk>   To 
   "placid" <[EMAIL PROTECTED]>,
 03/03/04 06:02 PM <313@hyperreal.org> 
cc 
   
   Subject 
   RE: (313) R&S Records mix   
   
   
   
   
   
   




You're just a raveophobe, Placid.
Watch out for yer bassbins I'm telling yer!

-Original Message-
From: placid [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 5:59 PM
To: 313@hyperreal.org
Subject: RE: (313) R&S Records mix


Dominator was an abomination  I think we sould have a 'dominator
death' day where we all go to a football stadium and ceremoniously burn
copies of dominator...

Pile of s**te

P


-Original Message-
From: lisa [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 17:50
To: Robert Taylor
Cc: jonathan morse; Gerald; tree wun tree
Subject: Re: (313) R&S Records mix

one of the reasons I liked this (other than it's got some fackin' fat
tunes on it) is that it's not made up of what I'd consider obvious stuff

from that era. maybe to people like the ones on this list, we know the
songs, but gosh - how many times do we need to hear Dominator or Plastic

Dreams?! altho', there are some really noyce remixes of those tunes -
hehe. this coming from a person that has most all the R&S comps, most of

the early 12"s, etc.

;)


Robert Taylor wrote:
> Or Dominator or Horsepower, or even Piano Power?
>
> Not sure if Plastic Dreams would fit into the mix
>
> -Original Message-
> From: jonathan morse [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, March 03, 2004 5:03 PM
> To: Robert Taylor; lisa; Gerald
> Cc: tree wun tree
> Subject: Re: (313) R&S Records mix
>
>
> WHAT?!?!?!?  wheres "plastic dreams" ?!?!
>
>
>
>
>
> On 03.03.2004 11:40 , "Robert Taylor"  <[EMAIL PROTECTED]>
wrote:
>
>
>>Ooh yeah - that Vortex tune was a favourite LSD track when I was a
teen - all
>>those early Plus8 tracks were
>>
>>-Original Message-
>>From: lisa [mailto:[EMAIL PROTECTED]
>>Sent: Wednesday, March 03, 2004 4:39 PM
>>To: Gerald
>>Cc: 313@hyperreal.org
>>Subject: Re: (313) R&S Records mix
>>
>>
>>cool stuff - gosh, I'm getting all nostaglic here!
>>
>>nice info on the page too - I didn't realize this:
>>
>>"(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram
&
>>Mundo Muzique."
>>
>>that note has me wanting to pull out some old rekkids and read the
>>sleeves to see what I find!
>>
>>lisa  :)
>>
>>
>>Gerald wrote:
>>
>>>I've been meaning to do this for a while, and finally got it done.
>>>Recording it wasn't a problem... finding all the info was!
>>>
>>>The mix features early works/appearances by some of today's
successful
>>>producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin,
Dave
>>>Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...
>>>
>>>For more info, and to download the mp3 - go to the mixes page at
>>>www.gerald-matrix.com
>>>all the records are originally from 1989-92, and it's just over an
hour
>>>long.
>>>
>>>here's the tracklist...
>>>
>>>Artist - Title
>>>1 - Fred 1 - A1
>>>2 - Equitek - Stylus Flight
>>>3 - Source - Eclipse
>>>4 - Second Phase - Vortex
>>>5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
>>>6 - Directional Force - Parameter
>>>7 - Mundo Muzique - Albido
>>>8 - Tronik House - The Savage & Beyond
>>>9 - Nexus 21 - Logical Progression
>>>10- C J Bolland - It's All In The Mind
>>>11- The Project - Do That Dance
>>>12- GreyHouse - New Beats The House
>>>13- Joey Beltram - Energy Flash
>>>14- DJ Hell - My Definition of House Music
>>>15- Project 86 - Total Recall
>>>16- Space Opera - Space 3001 [Out Of Control mix]
>>>17- Mental Overdrive - 12000 AD [The Warning]
>>>18- The Aphex Twin - Digeridoo
>>>19- Ken Ishii - Prodome
>>>
>>>Cheers!
>>>
>>>G
>>>
>>>
>>>--
>>>www.gerald-matrix.com
>>>
>>>
>>>
>>
>>
>>

Re: (313) so londoners, how was scion?

[Fabrizio Nahum]

Doh!
i guess my flux capacitor is broken as well!!
- Original Message - 
From: "Brendan Nelson" <[EMAIL PROTECTED]>
To: "Fabrizio Nahum" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, March 03, 2004 9:22 PM
Subject: RE: (313) so londoners, how was scion?


> Unfortunately the flux capacitor in my modified Delorean is out of order
at
> the moment (going to cost me an arm and a leg to fix!) so I only really
know
> about gigs that have actually happened. If I could zip forward in time to
> April 2nd and catch Scion now, I definitely would! But as it is I'm going
to
> have to wait a month :)
>
> > -Original Message-
> > From: Fabrizio Nahum [mailto:[EMAIL PROTECTED]
> > Sent: 03 March 2004 20:14
> > To: 313@hyperreal.org
> > Subject: (313) so londoners, how was scion?
> >
> >
> > anyone care to share their impressions of the evening with scion? ;)
> >
> > cheers
> > fab

Re: (313) Plastikman Live in Montreal 06.03.04

[yussel]

there's some recordings of a Plastikman live set from Tokyo floating
around on P2P. It was a bonus 3" disc from the Japanese release of
Consumed.

http://www.discogs.com/release/39171

Also- the Sickness CD single had a live version of Slak/Krikets taken from
the Spastic party. And I'm prety sure you can still buy it through Mute.

http://www.discogs.com/release/161924


Somewhere I have a cassette recording of the Plastikman set from Tribal
Gathering that I got off of someone back in my tape trading by mail days.

The quality is pretty rough- but the set is ridiculous. Unfortunately- one
of the mechanisms in the cassette broke- and I haven't been able to fix
it. Can anyone help me out with a copy? (Never on P2P either)





On Wed, 3 Mar 2004 [EMAIL PROTECTED] wrote:

>
>
>
>
>
> anybody seen a plastikman show before? i was all set to go to his gig in
> brooklyn (in 95?) when he was stopped at the border by the INS and sent
> back to windsor. is/was it a live p.a. of solely plastikman material or was
> djing with other tracks?
> james
> www.jbucknell.com
>
>
>
>
>
>  Ramon Crespo
>  <[EMAIL PROTECTED]
>  l.net> To
>313 <313@hyperreal.org>
>  03/03/04 05:12 AM  cc
>
>Subject
>(313) Plastikman Live in Montreal
>06.03.04
>
>
>
>
>
>
>
>
>
>
> Didnt see this posted so here's the info:
>
> PRESS RELEASE
>
> FIRST PLASTIKMAN LIVE SHOW IN 9 YEARS
> ANNOUNCED TODAY
>
> Windsor, Ontario
>
> March 2nd, 2004
>
>
> Richie Hawtin announced today the first Plastikman live show on
> plastikman.com. The event will take place June 3rd, 2004 in Montreal,
> Canada as the opening event to this year’s Mutek festival (mutek.ca). It
> will be the first live performance of Plastikman material since 1995.
>
> Hawtin describes the show as a rare, one-night performance incorporating
> multiple media with the artist controlling all parameters of the event.
> As with his DJ sets, he will also involve unprecedented new artistic
> technologies — all developed and customised for this show.
>
> The following entities are partners in producing the show:
>
> Mutek — www.mutek.ca 
> Derivative Inc. — www.derivativeinc.com 
> Crush Inc. — www.crushinc.com 
> Ableton, AG — www.ableton.com 
> Digidesign — www.digidesign.com 
>
> Turkish video artist Ali Mahmut Demirel, who directed the eye-popping
> video for the ‘Disconnect’ (novamute/Minus) single, as well as new media
> event producer/curator Kevin McHugh have both contributed to Hawtin’s
> plans.
>
> Previous Plastikman live shows have achieved almost mythic renown.
> Artists, critics, and fans still talk about performances at Glastonbury
> Festival, Tribal Gathering, and underground events in Detroit. In the
> years since, Hawtin has increased his profile as a DJ and producer,
> constantly updating, innovating and pioneering new technologies. The
> current Plastikman album ‘Closer’ is out now on novamute/M-nus.
>
>
>
> ForwardSourceID:NT7AD2

(313) The story of the Original Hot Mix 5

[Matt MacQueen]

This one is floating around the net again and thought this might 
interest some of you   lotsa details but one of the greatest eras 
in radio mix shows.


(and you can still hear Kenny "Jammin" Jason on the syndicated 'old 
school friday mix' on V-103 in Chicago that is syndicated nationally, 
but it's mostly mainstream disco/funk stuff, nothing very underground 
or raw house from back then, but hey it's better than nothing, driving 
around you can catch Zapp - Computer Love or Black Ivory - Main Line.  
Still you're not gonna hear anything like raw jackin acid or psycho 
dark stuff like 'where is your child' and stuff like used to be on the 
old shows).


--

LOST IN THE MIX

THE STORY OF THE ORIGINAL HOT MIX 5

by Rebecca Ortiz

You thought it was dead. You even mourned its absence. But whoever
told you disco died was lying. Well they weren't necessarily lying -
they were just misinformed. You see disco never died; it just
descended. Now you might be asking yourself what could the bellbottom
wearing, afro-fabulous, Saturday Night Fever-living-times
have "descended" in to? In one sentence? One of the greatest elements
of Chicago's history--house music.

Although it has been rumored that house music was to have been co-
invented in our sister city New York, make no mistake, Chicago's
style and sound combination took people on the wildest rides of their
lives and claimed an identity all its own. And although several
artists contributed to this advanced genre of dance music, there were
five individuals that laid some serious groundwork. Despite confusion
of the original team, the names of replacements and the vendettas
that surrounded the industry as a whole, these five remained strong -
strong enough to leave a severe dent in the city of Chicago. They may
not have parted "best friends" - or have even passed as business
associates-- but they made Chicago, house music, and the world that
surrounds that lifestyle what it is, as we know it today. These five
individuals were the premier DJ team in the world. Ladies and
gentlemen it gives me great pleasure to introduce to you the Hot Mix
5.

Farley "Jackmaster" Funk, Mickey "Mixin" Oliver, Scott "Smokin" Silz,
Ralphi Rosario and Kenny "Jammin" Jason, all arrived for a meeting
planned by Michaels to discuss his idea for a house mix show. The
sixth interviewee, Jeff Davis, failed to show. During this meeting
they talked of this "team/corporation" they were forming. They were
the Hot Mix guys which was the generic term given to the group before
members were chosen by Michaels and after hours of struggling with
names they decided on the Hot Mix 5.

Chosen to host the show was part-time WBMX radio personality Armando
Rivera. It wasn't long after the 5 were formed that the show
developed a personality all it's own. "It's the Saturday Night Live
Ain't no Jive mix show hosted by Armando." Each week the switchboard
would light up with requests and comments about their favorite of the
5. Playing the latest in house sounds, Farley appealed to the African-
American audience, Ralphi to the Hispanic audience, Mickey and Kenny
represented the streets of Chicago and Scott the suburbs. For
scheduled guest appearances they would pack venues with thousands of
people, sweat would be dripping from the ceiling and sometimes the
cops would come and close the place down for violating fire codes
with hundreds of people over-populating these events.

"Driving down Rush and Division [in downtown Chicago] on the weekend
was like listening to a giant ghetto blaster," recalls Michaels, "It
didn't matter what creed you were or what kind of car you had--
everyone had the Saturday Night Live Ain't No Jive show on - it gave
me chills."

Their success seemed to be larger than life. They were in demand
around the city getting paid unprecedented amounts of money to play
an hour-long set. If they played a record on Saturday night, come
Sunday morning kids would be at the record store eagerly waiting to
buy it. But with all this good fame and fortune came trying times.

By popular demand, after only three months of on airtime as the Hot
Mix 5, a Friday night mix show was added. Now it was no longer the
Saturday Night Live Ain't No Jive show but also the Friday Night Jam.
The months to follow would add the Hot Lunch Mix and also 15 minute
Mini-mixes throughout the day. The demand for the men was getting
stressful. Aside from turning in two weekly mix tapes for radio play
they were playing events/parties on Friday and Saturday nights per
their contracts with WBMX. Plus they were expected to live their own
lives. At the time Ralphi was only a freshman in high school.
Although the stresses were inevitable after four years on WBMX (1981-
1984) the show was about to reach a turning point.

Through the years, Michaels served as the "unofficial manager" of the
group. Helping the guys understand the technical side of their
contracts and their popu

RE: (313) Boss 550 mk 2

[Steward, Tim]

You can try
the site www.keyboardmuseum.org they have old manuals



TS-1

-Original Message-
From: FC2 Richards [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 7:35 AM
To: '313@hyperreal.org'
Subject: (313) Boss 550 mk 2


I have a Boss 550 mk 2 drum machine and am lookinf for some high quality
scans of the instruction manual, or a PDF will work fine too.  Does anyone
have one or know where I can find it on-line???

Peace

Jeff



The contents of this e-mail are intended for the named addressee only. It
contains information that may be confidential. Unless you are the named
addressee or an authorized designee, you may not copy or use it, or disclose
it to anyone else. If you received it in error please notify us immediately
and then destroy it. 

(313) Boss 550 mk 2

[FC2 Richards]

I have a Boss 550 mk 2 drum machine and am lookinf for some high quality
scans of the instruction manual, or a PDF will work fine too.  Does anyone
have one or know where I can find it on-line???

Peace

Jeff

(313) Late Night Essentials: WMC Update

[Dan Kurzius]

For those interested, we've just posted our latest newsletter
www.latenightessentials.com/eletter/.

In it you'll find sound clips of the upcoming Late Night releases by Cpen,
John Dahlbäck and Jussi-Pekka Parikka. www.latenightessentials.com/releases/

Also we've added info about our new Deep Cuts series
www.latenightessentials.com/releases/deep_cuts.phtml.  We'll be handing out
special limited WMC pressings of the release, so be sure to track us down if
you're planning to be down in Miami.

And finally I have sound clips up of the first LNE record
http://www.latenightessentials.com/releases/lne001.phtml.  I've had several
people on the list ask me about it, so I figured I'd give it a mention.

Cheers
dK
Late Night Essentials
www.latenightessentials.com

RE: (313) so londoners, how was scion?

[Brendan Nelson]

Unfortunately the flux capacitor in my modified Delorean is out of order at
the moment (going to cost me an arm and a leg to fix!) so I only really know
about gigs that have actually happened. If I could zip forward in time to
April 2nd and catch Scion now, I definitely would! But as it is I'm going to
have to wait a month :)

> -Original Message-
> From: Fabrizio Nahum [mailto:[EMAIL PROTECTED]
> Sent: 03 March 2004 20:14
> To: 313@hyperreal.org
> Subject: (313) so londoners, how was scion?
>
>
> anyone care to share their impressions of the evening with scion? ;)
>
> cheers
> fab

(313) To All Southern and London UK 313ers - My Birthday Bash

[ian cheshire]

The Birthday Mash-up

When : 26th March
Where : Tzar Bar - VIP Room, Brighton, UK
Who : Me & Nick Lodge
Start : 6pm onwards
Price : Nowt

DJ's on the nite playing classics/house/techno plus Chris Finke will also be
playing.

Expect the usual shenanigans...

Cheers
Ian
---
Outgoing mail is certified Virus Free.
Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.596 / Virus Database: 379 - Release Date: 26/02/04

(313) so londoners, how was scion?

[Fabrizio Nahum]

anyone care to share their impressions of the evening with scion? ;)

cheers
fab

(313) EFA is bankrupt

[J. T.]

Dear Business Partners,

with deepest regrets we herewith must let you know that we have been forced 
to file bankruptcy today.


This is based on the developments of the recent weeks during which we have 
tried everything to avoid this step by downsizing our staff, restructuring 
all distribution methods and channels, negotiating with third parties, 
particularly with several groups of possible investors, yet - sadly - to no 
avail. All our attempts to find any other means to keep afloat in times of 
collapsing markets have remained unsuccessful. Since it has not been 
possible to reach possible solutions and it has become obvious that we were 
no longer able to stay in business when relying on our own strength.


We expect the relevant court to name a receiver within the very future. We 
do hope that jointly with that receiver we may be in a position where EFA´s 
key business areas can be saved and restructured. However, it is unclear if 
our desire to reestablish EFA will be rewarded by the receiver´s 
perspective.


We thank you for all the years of cooperation and the trust in EFA.

Yours sincerely

EFA Medien GmbH


_
Find things fast with the new MSN Toolbar – includes FREE pop-up blocking! 
http://clk.atdmt.com/AVE/go/onm00200414ave/direct/01/

Re: (313) R&S Records mix

[lisa]

LOL! no matter how cheesy or silly it is, there's something strangely 
comforting about that sound - whiRRRrrr whiRRRrrr 
boomboomboomboomboomboomboomboom whiRRRrrr whiRRRrrr ... some of that 
stuff stepped into a scary space musically - remember "nine is a 
classic" by ace the space? hehe


Robert Taylor wrote:

You're just a raveophobe, Placid.
Watch out for yer bassbins I'm telling yer!

-Original Message-
From: placid [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 5:59 PM
To: 313@hyperreal.org
Subject: RE: (313) R&S Records mix


Dominator was an abomination  I think we sould have a 'dominator
death' day where we all go to a football stadium and ceremoniously burn
copies of dominator...

Pile of s**te

P


-Original Message-
From: lisa [mailto:[EMAIL PROTECTED] 
Sent: 03 March 2004 17:50

To: Robert Taylor
Cc: jonathan morse; Gerald; tree wun tree
Subject: Re: (313) R&S Records mix

one of the reasons I liked this (other than it's got some fackin' fat 
tunes on it) is that it's not made up of what I'd consider obvious stuff


from that era. maybe to people like the ones on this list, we know the 
songs, but gosh - how many times do we need to hear Dominator or Plastic


Dreams?! altho', there are some really noyce remixes of those tunes - 
hehe. this coming from a person that has most all the R&S comps, most of


the early 12"s, etc.

;)


Robert Taylor wrote:


Or Dominator or Horsepower, or even Piano Power?

Not sure if Plastic Dreams would fit into the mix

-Original Message-
From: jonathan morse [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 5:03 PM
To: Robert Taylor; lisa; Gerald
Cc: tree wun tree
Subject: Re: (313) R&S Records mix


WHAT?!?!?!?  wheres "plastic dreams" ?!?!





On 03.03.2004 11:40 , "Robert Taylor"  <[EMAIL PROTECTED]>


wrote:




Ooh yeah - that Vortex tune was a favourite LSD track when I was a



teen - all


those early Plus8 tracks were

-Original Message-
From: lisa [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 4:39 PM
To: Gerald
Cc: 313@hyperreal.org
Subject: Re: (313) R&S Records mix


cool stuff - gosh, I'm getting all nostaglic here!

nice info on the page too - I didn't realize this:

"(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram



&


Mundo Muzique."

that note has me wanting to pull out some old rekkids and read the
sleeves to see what I find!

lisa  :)


Gerald wrote:



I've been meaning to do this for a while, and finally got it done.
Recording it wasn't a problem... finding all the info was!

The mix features early works/appearances by some of today's



successful


producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin,



Dave


Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...

For more info, and to download the mp3 - go to the mixes page at
www.gerald-matrix.com
all the records are originally from 1989-92, and it's just over an



hour


long.

here's the tracklist...

Artist - Title
1 - Fred 1 - A1 
2 - Equitek - Stylus Flight

3 - Source - Eclipse
4 - Second Phase - Vortex
5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
6 - Directional Force - Parameter
7 - Mundo Muzique - Albido
8 - Tronik House - The Savage & Beyond
9 - Nexus 21 - Logical Progression
10- C J Bolland - It's All In The Mind
11- The Project - Do That Dance
12- GreyHouse - New Beats The House
13- Joey Beltram - Energy Flash
14- DJ Hell - My Definition of House Music
15- Project 86 - Total Recall
16- Space Opera - Space 3001 [Out Of Control mix]
17- Mental Overdrive - 12000 AD [The Warning]
18- The Aphex Twin - Digeridoo
19- Ken Ishii - Prodome

Cheers!

G


--
www.gerald-matrix.com






##






###
Note:

Any views or opinions are solely those of the author and do not



necessarily

represent 
those of Channel Four Television Corporation unless specifically



stated.. This

email 
and any files transmitted are confidential and intended solely for the



use of

the 
individual or entity to which they are addressed. If you have received



this

email in 
error, please notify [EMAIL PROTECTED]


Thank You.
##






###








#


Note:

Any views or opinions are solely those of the author and do not


necessarily represent 


those of Channel Four Television Corporation unless specifically


stated. This email 


and any files transmitted are confidential and intended solely for the


use of the 


individual or entity to which they are addressed. If you have received


this email in 


error, please notify [EMAIL PROTECTED]

Thank You.




#







###

RE: (313) R&S Records mix

[Robert Taylor]

You're just a raveophobe, Placid.
Watch out for yer bassbins I'm telling yer!

-Original Message-
From: placid [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 5:59 PM
To: 313@hyperreal.org
Subject: RE: (313) R&S Records mix


Dominator was an abomination  I think we sould have a 'dominator
death' day where we all go to a football stadium and ceremoniously burn
copies of dominator...

Pile of s**te

P


-Original Message-
From: lisa [mailto:[EMAIL PROTECTED] 
Sent: 03 March 2004 17:50
To: Robert Taylor
Cc: jonathan morse; Gerald; tree wun tree
Subject: Re: (313) R&S Records mix

one of the reasons I liked this (other than it's got some fackin' fat 
tunes on it) is that it's not made up of what I'd consider obvious stuff

from that era. maybe to people like the ones on this list, we know the 
songs, but gosh - how many times do we need to hear Dominator or Plastic

Dreams?! altho', there are some really noyce remixes of those tunes - 
hehe. this coming from a person that has most all the R&S comps, most of

the early 12"s, etc.

;)


Robert Taylor wrote:
> Or Dominator or Horsepower, or even Piano Power?
> 
> Not sure if Plastic Dreams would fit into the mix
> 
> -Original Message-
> From: jonathan morse [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, March 03, 2004 5:03 PM
> To: Robert Taylor; lisa; Gerald
> Cc: tree wun tree
> Subject: Re: (313) R&S Records mix
> 
> 
> WHAT?!?!?!?  wheres "plastic dreams" ?!?!
> 
> 
> 
> 
> 
> On 03.03.2004 11:40 , "Robert Taylor"  <[EMAIL PROTECTED]>
wrote:
> 
> 
>>Ooh yeah - that Vortex tune was a favourite LSD track when I was a
teen - all
>>those early Plus8 tracks were
>>
>>-Original Message-
>>From: lisa [mailto:[EMAIL PROTECTED]
>>Sent: Wednesday, March 03, 2004 4:39 PM
>>To: Gerald
>>Cc: 313@hyperreal.org
>>Subject: Re: (313) R&S Records mix
>>
>>
>>cool stuff - gosh, I'm getting all nostaglic here!
>>
>>nice info on the page too - I didn't realize this:
>>
>>"(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram
&
>>Mundo Muzique."
>>
>>that note has me wanting to pull out some old rekkids and read the
>>sleeves to see what I find!
>>
>>lisa  :)
>>
>>
>>Gerald wrote:
>>
>>>I've been meaning to do this for a while, and finally got it done.
>>>Recording it wasn't a problem... finding all the info was!
>>>
>>>The mix features early works/appearances by some of today's
successful
>>>producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin,
Dave
>>>Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...
>>>
>>>For more info, and to download the mp3 - go to the mixes page at
>>>www.gerald-matrix.com
>>>all the records are originally from 1989-92, and it's just over an
hour
>>>long.
>>>
>>>here's the tracklist...
>>>
>>>Artist - Title
>>>1 - Fred 1 - A1 
>>>2 - Equitek - Stylus Flight
>>>3 - Source - Eclipse
>>>4 - Second Phase - Vortex
>>>5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
>>>6 - Directional Force - Parameter
>>>7 - Mundo Muzique - Albido
>>>8 - Tronik House - The Savage & Beyond
>>>9 - Nexus 21 - Logical Progression
>>>10- C J Bolland - It's All In The Mind
>>>11- The Project - Do That Dance
>>>12- GreyHouse - New Beats The House
>>>13- Joey Beltram - Energy Flash
>>>14- DJ Hell - My Definition of House Music
>>>15- Project 86 - Total Recall
>>>16- Space Opera - Space 3001 [Out Of Control mix]
>>>17- Mental Overdrive - 12000 AD [The Warning]
>>>18- The Aphex Twin - Digeridoo
>>>19- Ken Ishii - Prodome
>>>
>>>Cheers!
>>>
>>>G
>>>
>>>
>>>--
>>>www.gerald-matrix.com
>>>
>>>
>>>
>>
>>
>>##

>>###
>>Note:
>>
>>Any views or opinions are solely those of the author and do not
necessarily
>>represent 
>>those of Channel Four Television Corporation unless specifically
stated.. This
>>email 
>>and any files transmitted are confidential and intended solely for the
use of
>>the 
>>individual or entity to which they are addressed. If you have received
this
>>email in 
>>error, please notify [EMAIL PROTECTED]
>>
>>Thank You.
>>##

>>###
>>
>>
> 
> 
>

#
> Note:
> 
> Any views or opinions are solely those of the author and do not
necessarily represent 
> those of Channel Four Television Corporation unless specifically
stated. This email 
> and any files transmitted are confidential and intended solely for the
use of the 
> individual or entity to which they are addressed. If you have received
this email in 
> error, please notify [EMAIL PROTECTED]
> 
> Thank You.
>

#
> 
> 



#
Note:

Any views or opinions are solely those of the author and

Re: (313) R&S Records mix

[jonathan morse]

how many times? I *almost* switched cellular carriers when i found out that
there was a plastic dreams ring tone for the nokias...


=)


On 03.03.2004 12:50 , "lisa"  <[EMAIL PROTECTED]> wrote:

> one of the reasons I liked this (other than it's got some fackin' fat
> tunes on it) is that it's not made up of what I'd consider obvious stuff
> from that era. maybe to people like the ones on this list, we know the
> songs, but gosh - how many times do we need to hear Dominator or Plastic
> Dreams?! altho', there are some really noyce remixes of those tunes -
> hehe. this coming from a person that has most all the R&S comps, most of
> the early 12"s, etc.
> 
> ;)
> 
> 
> Robert Taylor wrote:
>> Or Dominator or Horsepower, or even Piano Power?
>> 
>> Not sure if Plastic Dreams would fit into the mix
>> 
>> -Original Message-
>> From: jonathan morse [mailto:[EMAIL PROTECTED]
>> Sent: Wednesday, March 03, 2004 5:03 PM
>> To: Robert Taylor; lisa; Gerald
>> Cc: tree wun tree
>> Subject: Re: (313) R&S Records mix
>> 
>> 
>> WHAT?!?!?!?  wheres "plastic dreams" ?!?!
>> 
>> 
>> 
>> 
>> 
>> On 03.03.2004 11:40 , "Robert Taylor"  <[EMAIL PROTECTED]> wrote:
>> 
>> 
>>> Ooh yeah - that Vortex tune was a favourite LSD track when I was a teen -
>>> all
>>> those early Plus8 tracks were
>>> 
>>> -Original Message-
>>> From: lisa [mailto:[EMAIL PROTECTED]
>>> Sent: Wednesday, March 03, 2004 4:39 PM
>>> To: Gerald
>>> Cc: 313@hyperreal.org
>>> Subject: Re: (313) R&S Records mix
>>> 
>>> 
>>> cool stuff - gosh, I'm getting all nostaglic here!
>>> 
>>> nice info on the page too - I didn't realize this:
>>> 
>>> "(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram &
>>> Mundo Muzique."
>>> 
>>> that note has me wanting to pull out some old rekkids and read the
>>> sleeves to see what I find!
>>> 
>>> lisa  :)
>>> 
>>> 
>>> Gerald wrote:
>>> 
 I've been meaning to do this for a while, and finally got it done.
 Recording it wasn't a problem... finding all the info was!
 
 The mix features early works/appearances by some of today's successful
 producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave
 Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...
 
 For more info, and to download the mp3 - go to the mixes page at
 www.gerald-matrix.com
 all the records are originally from 1989-92, and it's just over an hour
 long.
 
 here's the tracklist...
 
 Artist - Title
 1 - Fred 1 - A1
 2 - Equitek - Stylus Flight
 3 - Source - Eclipse
 4 - Second Phase - Vortex
 5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
 6 - Directional Force - Parameter
 7 - Mundo Muzique - Albido
 8 - Tronik House - The Savage & Beyond
 9 - Nexus 21 - Logical Progression
 10- C J Bolland - It's All In The Mind
 11- The Project - Do That Dance
 12- GreyHouse - New Beats The House
 13- Joey Beltram - Energy Flash
 14- DJ Hell - My Definition of House Music
 15- Project 86 - Total Recall
 16- Space Opera - Space 3001 [Out Of Control mix]
 17- Mental Overdrive - 12000 AD [The Warning]
 18- The Aphex Twin - Digeridoo
 19- Ken Ishii - Prodome
 
 Cheers!
 
 G
 
 
 --
 www.gerald-matrix.com
 
 
 
>>> 
>>> 
>>> 
>>> ##
>>> ###
>>> Note:
>>> 
>>> Any views or opinions are solely those of the author and do not necessarily
>>> represent 
>>> those of Channel Four Television Corporation unless specifically stated..
>>> This
>>> email 
>>> and any files transmitted are confidential and intended solely for the use
>>> of
>>> the 
>>> individual or entity to which they are addressed. If you have received this
>>> email in 
>>> error, please notify [EMAIL PROTECTED]
>>> 
>>> Thank You.
>>> 
>>> ##
>>> ###
>>> 
>>> 
>> 
>> 
>> #
>> 
>> Note:
>> 
>> Any views or opinions are solely those of the author and do not necessarily
>> represent 
>> those of Channel Four Television Corporation unless specifically stated. This
>> email 
>> and any files transmitted are confidential and intended solely for the use of
>> the 
>> individual or entity to which they are addressed. If you have received this
>> email in 
>> error, please notify [EMAIL PROTECTED]
>> 
>> Thank You.
>> #
>> 
>> 
>> 
> 
> 
> 

(313) Elecktroids--Elecktro World

[Andrew Duke Cognition Audioworks http://cognitionaudioworks.com]

Am re-enjoying this album as I type this.
"Mystery World" is playing right now;
sends chills down my spine when it hits
the breakdowns (particularly after just
listening to Giorgio Moroder's From Here
To Eternity).  Wow!
Still sublime 9 years later. One of my
absolute favorite releases on Warp Records.
Andrew Duke

--
Jason Trenholm was born 31 August 1969 and died 1 January 2004.  
We met when we were 5 years old; he was my best friend for the next 29 years.*
Andrew Duke releases out now: 
Take Nothing For Granted http://cognitionaudioworks.com

Environmental Politics http://and-oar.org
Sprung http://bip-hop.com *Canadian electronica album of the year nominee*
http://warprecords.com/mart/music/release.php?cat=BLEEP12&fc_type=CD
More Destructive Than Organized http://staalplaat.com
Highest Common Denominator http://pieheadrecords.com
Physical and Mental Health http://dialrecords.com
74'02 (split with Hypo) http://tsunami-addiction.com
http://cognitionaudioworks.com

RE: (313) R&S Records mix

[placid]

Dominator was an abomination  I think we sould have a 'dominator
death' day where we all go to a football stadium and ceremoniously burn
copies of dominator...

Pile of s**te

P


-Original Message-
From: lisa [mailto:[EMAIL PROTECTED] 
Sent: 03 March 2004 17:50
To: Robert Taylor
Cc: jonathan morse; Gerald; tree wun tree
Subject: Re: (313) R&S Records mix

one of the reasons I liked this (other than it's got some fackin' fat 
tunes on it) is that it's not made up of what I'd consider obvious stuff

from that era. maybe to people like the ones on this list, we know the 
songs, but gosh - how many times do we need to hear Dominator or Plastic

Dreams?! altho', there are some really noyce remixes of those tunes - 
hehe. this coming from a person that has most all the R&S comps, most of

the early 12"s, etc.

;)


Robert Taylor wrote:
> Or Dominator or Horsepower, or even Piano Power?
> 
> Not sure if Plastic Dreams would fit into the mix
> 
> -Original Message-
> From: jonathan morse [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, March 03, 2004 5:03 PM
> To: Robert Taylor; lisa; Gerald
> Cc: tree wun tree
> Subject: Re: (313) R&S Records mix
> 
> 
> WHAT?!?!?!?  wheres "plastic dreams" ?!?!
> 
> 
> 
> 
> 
> On 03.03.2004 11:40 , "Robert Taylor"  <[EMAIL PROTECTED]>
wrote:
> 
> 
>>Ooh yeah - that Vortex tune was a favourite LSD track when I was a
teen - all
>>those early Plus8 tracks were
>>
>>-Original Message-
>>From: lisa [mailto:[EMAIL PROTECTED]
>>Sent: Wednesday, March 03, 2004 4:39 PM
>>To: Gerald
>>Cc: 313@hyperreal.org
>>Subject: Re: (313) R&S Records mix
>>
>>
>>cool stuff - gosh, I'm getting all nostaglic here!
>>
>>nice info on the page too - I didn't realize this:
>>
>>"(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram
&
>>Mundo Muzique."
>>
>>that note has me wanting to pull out some old rekkids and read the
>>sleeves to see what I find!
>>
>>lisa  :)
>>
>>
>>Gerald wrote:
>>
>>>I've been meaning to do this for a while, and finally got it done.
>>>Recording it wasn't a problem... finding all the info was!
>>>
>>>The mix features early works/appearances by some of today's
successful
>>>producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin,
Dave
>>>Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...
>>>
>>>For more info, and to download the mp3 - go to the mixes page at
>>>www.gerald-matrix.com
>>>all the records are originally from 1989-92, and it's just over an
hour
>>>long.
>>>
>>>here's the tracklist...
>>>
>>>Artist - Title
>>>1 - Fred 1 - A1 
>>>2 - Equitek - Stylus Flight
>>>3 - Source - Eclipse
>>>4 - Second Phase - Vortex
>>>5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
>>>6 - Directional Force - Parameter
>>>7 - Mundo Muzique - Albido
>>>8 - Tronik House - The Savage & Beyond
>>>9 - Nexus 21 - Logical Progression
>>>10- C J Bolland - It's All In The Mind
>>>11- The Project - Do That Dance
>>>12- GreyHouse - New Beats The House
>>>13- Joey Beltram - Energy Flash
>>>14- DJ Hell - My Definition of House Music
>>>15- Project 86 - Total Recall
>>>16- Space Opera - Space 3001 [Out Of Control mix]
>>>17- Mental Overdrive - 12000 AD [The Warning]
>>>18- The Aphex Twin - Digeridoo
>>>19- Ken Ishii - Prodome
>>>
>>>Cheers!
>>>
>>>G
>>>
>>>
>>>--
>>>www.gerald-matrix.com
>>>
>>>
>>>
>>
>>
>>##

>>###
>>Note:
>>
>>Any views or opinions are solely those of the author and do not
necessarily
>>represent 
>>those of Channel Four Television Corporation unless specifically
stated.. This
>>email 
>>and any files transmitted are confidential and intended solely for the
use of
>>the 
>>individual or entity to which they are addressed. If you have received
this
>>email in 
>>error, please notify [EMAIL PROTECTED]
>>
>>Thank You.
>>##

>>###
>>
>>
> 
> 
>

#
> Note:
> 
> Any views or opinions are solely those of the author and do not
necessarily represent 
> those of Channel Four Television Corporation unless specifically
stated. This email 
> and any files transmitted are confidential and intended solely for the
use of the 
> individual or entity to which they are addressed. If you have received
this email in 
> error, please notify [EMAIL PROTECTED]
> 
> Thank You.
>

#
> 
> 

Re: (313) edits

[Matt MacQueen]

edits edits edits.

the world went edit mad


here's why i like edits:

normally theyre pressed nice and loud now, so someone can make an
edit of an LP track that might have not sounded too hot in the mix
and it will be nice and loud and edited for mixability.


all true.   Usually.  The sound/mastering/pressing on some of the later 
Ugly Edits however are crap-ola, and some of those originals aren't 
that hard to find clean copy of. I  mean come on, some of these sound 
like they're playing in a felt shoebox.There are also good edits 
and bad edits, a (re)edit of said great track does not automatically 
make it's edit a winner, of course!   There are lots of just kind of 
boring ones, though usually it will tip you off to discovering a cool 
original along the way you were unaware of.


ALSO, while i'm  ranting, some re-edit types are getting really lazy 
about the TIME of the edits themselves, like the whole point of an edit 
(in many cases anyway) is to fix things and make it easier for DJs to 
use them effectively.. whether it's to extend a break or accentuate the 
cool weirdo synth squiggle line, or even drop a live player into the 
mix or add a punchier kick to it.. the point is a re-edit that drifts 
"out of time" to a sequence is just as annoying/challenging to mix with 
as an original that drifts out of time.If you're going to drop a 
classic into a program to add/subtract/sweeten it, can you at least 
sync it up a  bit, to a clock or put it on a grid so it doesn't drift 
quite so much?  I mean I mix old stuff all the time and it's drifting 
off time like a coked-up live studio disco drummer without a 
clicktrack... yes it's a risk but kind of fun (and scary)  and a labor 
or love to DJ with records you KNOW you have to babysit throughout the 
entire mix to push it and pull it so the tempo stays in time.  But 
should you have to do that with any re-edit worth it's salt?  Hell 
naw... not to that extent anyway


Particular recent offenders: the Carl Craig re-edit of talking heads 
'Once in a Lifetime' on Moxie (maybe it was an oldie done with tape 
cutting so if that's the case i'll forgive... otherwise COME ON CARL 
that thing is looser than the original!)   And the Omar re-work of "set 
it out" is pretty rough, you can actually hear where the claps were 
meant to match up but double-up over each other, yikes.   I'm not 
expecting perfection, just more attention "if you gonna do it do it 
right"...  By comparision the  'secret mixes and fixes' and 'freestyle 
edits' do a good job of keeping originally out-of-time things more in 
time.  Knowwhatimean?I guess "if ya want something done right, ya 
gotta do it yourself"  ;)   [This was also a message on one of Danny's 
old Balihu record labels]


and now someone edit this email by deleting it.

peace
--
Matt MacQueen
http://SonicSunset.com

Re: (313) R&S Records mix

[lisa]

one of the reasons I liked this (other than it's got some fackin' fat 
tunes on it) is that it's not made up of what I'd consider obvious stuff 
from that era. maybe to people like the ones on this list, we know the 
songs, but gosh - how many times do we need to hear Dominator or Plastic 
Dreams?! altho', there are some really noyce remixes of those tunes - 
hehe. this coming from a person that has most all the R&S comps, most of 
the early 12"s, etc.


;)


Robert Taylor wrote:

Or Dominator or Horsepower, or even Piano Power?

Not sure if Plastic Dreams would fit into the mix

-Original Message-
From: jonathan morse [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 5:03 PM
To: Robert Taylor; lisa; Gerald
Cc: tree wun tree
Subject: Re: (313) R&S Records mix


WHAT?!?!?!?  wheres "plastic dreams" ?!?!





On 03.03.2004 11:40 , "Robert Taylor"  <[EMAIL PROTECTED]> wrote:



Ooh yeah - that Vortex tune was a favourite LSD track when I was a teen - all
those early Plus8 tracks were

-Original Message-
From: lisa [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 4:39 PM
To: Gerald
Cc: 313@hyperreal.org
Subject: Re: (313) R&S Records mix


cool stuff - gosh, I'm getting all nostaglic here!

nice info on the page too - I didn't realize this:

"(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram &
Mundo Muzique."

that note has me wanting to pull out some old rekkids and read the
sleeves to see what I find!

lisa  :)


Gerald wrote:


I've been meaning to do this for a while, and finally got it done.
Recording it wasn't a problem... finding all the info was!

The mix features early works/appearances by some of today's successful
producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave
Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...

For more info, and to download the mp3 - go to the mixes page at
www.gerald-matrix.com
all the records are originally from 1989-92, and it's just over an hour
long.

here's the tracklist...

Artist - Title
1 - Fred 1 - A1 
2 - Equitek - Stylus Flight

3 - Source - Eclipse
4 - Second Phase - Vortex
5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
6 - Directional Force - Parameter
7 - Mundo Muzique - Albido
8 - Tronik House - The Savage & Beyond
9 - Nexus 21 - Logical Progression
10- C J Bolland - It's All In The Mind
11- The Project - Do That Dance
12- GreyHouse - New Beats The House
13- Joey Beltram - Energy Flash
14- DJ Hell - My Definition of House Music
15- Project 86 - Total Recall
16- Space Opera - Space 3001 [Out Of Control mix]
17- Mental Overdrive - 12000 AD [The Warning]
18- The Aphex Twin - Digeridoo
19- Ken Ishii - Prodome

Cheers!

G


--
www.gerald-matrix.com






##
###
Note:

Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.. This
email 
and any files transmitted are confidential and intended solely for the use of
the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED]


Thank You.
##
###





#
Note:

Any views or opinions are solely those of the author and do not necessarily represent 
those of Channel Four Television Corporation unless specifically stated. This email 
and any files transmitted are confidential and intended solely for the use of the 
individual or entity to which they are addressed. If you have received this email in 
error, please notify [EMAIL PROTECTED]


Thank You.
#

RE: (313) R&S Records mix

[Robert Taylor]

Or Dominator or Horsepower, or even Piano Power?

Not sure if Plastic Dreams would fit into the mix

-Original Message-
From: jonathan morse [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 5:03 PM
To: Robert Taylor; lisa; Gerald
Cc: tree wun tree
Subject: Re: (313) R&S Records mix


WHAT?!?!?!?  wheres "plastic dreams" ?!?!





On 03.03.2004 11:40 , "Robert Taylor"  <[EMAIL PROTECTED]> wrote:

> Ooh yeah - that Vortex tune was a favourite LSD track when I was a teen - all
> those early Plus8 tracks were
> 
> -Original Message-
> From: lisa [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, March 03, 2004 4:39 PM
> To: Gerald
> Cc: 313@hyperreal.org
> Subject: Re: (313) R&S Records mix
> 
> 
> cool stuff - gosh, I'm getting all nostaglic here!
> 
> nice info on the page too - I didn't realize this:
> 
> "(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram &
> Mundo Muzique."
> 
> that note has me wanting to pull out some old rekkids and read the
> sleeves to see what I find!
> 
> lisa  :)
> 
> 
> Gerald wrote:
>> I've been meaning to do this for a while, and finally got it done.
>> Recording it wasn't a problem... finding all the info was!
>> 
>> The mix features early works/appearances by some of today's successful
>> producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave
>> Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...
>> 
>> For more info, and to download the mp3 - go to the mixes page at
>> www.gerald-matrix.com
>> all the records are originally from 1989-92, and it's just over an hour
>> long.
>> 
>> here's the tracklist...
>> 
>> Artist - Title
>> 1 - Fred 1 - A1 
>> 2 - Equitek - Stylus Flight
>> 3 - Source - Eclipse
>> 4 - Second Phase - Vortex
>> 5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
>> 6 - Directional Force - Parameter
>> 7 - Mundo Muzique - Albido
>> 8 - Tronik House - The Savage & Beyond
>> 9 - Nexus 21 - Logical Progression
>> 10- C J Bolland - It's All In The Mind
>> 11- The Project - Do That Dance
>> 12- GreyHouse - New Beats The House
>> 13- Joey Beltram - Energy Flash
>> 14- DJ Hell - My Definition of House Music
>> 15- Project 86 - Total Recall
>> 16- Space Opera - Space 3001 [Out Of Control mix]
>> 17- Mental Overdrive - 12000 AD [The Warning]
>> 18- The Aphex Twin - Digeridoo
>> 19- Ken Ishii - Prodome
>> 
>> Cheers!
>> 
>> G
>> 
>> 
>> --
>> www.gerald-matrix.com
>> 
>> 
>> 
> 
> 
> ##
> ###
> Note:
> 
> Any views or opinions are solely those of the author and do not necessarily
> represent 
> those of Channel Four Television Corporation unless specifically stated.. This
> email 
> and any files transmitted are confidential and intended solely for the use of
> the 
> individual or entity to which they are addressed. If you have received this
> email in 
> error, please notify [EMAIL PROTECTED]
> 
> Thank You.
> ##
> ###
> 
> 

#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

Re: (313) R&S Records mix

[jonathan morse]

WHAT?!?!?!?  wheres "plastic dreams" ?!?!





On 03.03.2004 11:40 , "Robert Taylor"  <[EMAIL PROTECTED]> wrote:

> Ooh yeah - that Vortex tune was a favourite LSD track when I was a teen - all
> those early Plus8 tracks were
> 
> -Original Message-
> From: lisa [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, March 03, 2004 4:39 PM
> To: Gerald
> Cc: 313@hyperreal.org
> Subject: Re: (313) R&S Records mix
> 
> 
> cool stuff - gosh, I'm getting all nostaglic here!
> 
> nice info on the page too - I didn't realize this:
> 
> "(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram &
> Mundo Muzique."
> 
> that note has me wanting to pull out some old rekkids and read the
> sleeves to see what I find!
> 
> lisa  :)
> 
> 
> Gerald wrote:
>> I've been meaning to do this for a while, and finally got it done.
>> Recording it wasn't a problem... finding all the info was!
>> 
>> The mix features early works/appearances by some of today's successful
>> producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave
>> Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...
>> 
>> For more info, and to download the mp3 - go to the mixes page at
>> www.gerald-matrix.com
>> all the records are originally from 1989-92, and it's just over an hour
>> long.
>> 
>> here's the tracklist...
>> 
>> Artist - Title
>> 1 - Fred 1 - A1 
>> 2 - Equitek - Stylus Flight
>> 3 - Source - Eclipse
>> 4 - Second Phase - Vortex
>> 5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
>> 6 - Directional Force - Parameter
>> 7 - Mundo Muzique - Albido
>> 8 - Tronik House - The Savage & Beyond
>> 9 - Nexus 21 - Logical Progression
>> 10- C J Bolland - It's All In The Mind
>> 11- The Project - Do That Dance
>> 12- GreyHouse - New Beats The House
>> 13- Joey Beltram - Energy Flash
>> 14- DJ Hell - My Definition of House Music
>> 15- Project 86 - Total Recall
>> 16- Space Opera - Space 3001 [Out Of Control mix]
>> 17- Mental Overdrive - 12000 AD [The Warning]
>> 18- The Aphex Twin - Digeridoo
>> 19- Ken Ishii - Prodome
>> 
>> Cheers!
>> 
>> G
>> 
>> 
>> --
>> www.gerald-matrix.com
>> 
>> 
>> 
> 
> 
> ##
> ###
> Note:
> 
> Any views or opinions are solely those of the author and do not necessarily
> represent 
> those of Channel Four Television Corporation unless specifically stated. This
> email 
> and any files transmitted are confidential and intended solely for the use of
> the 
> individual or entity to which they are addressed. If you have received this
> email in 
> error, please notify [EMAIL PROTECTED]
> 
> Thank You.
> ##
> ###
> 
> 

RE: (313) R&S Records mix

[Robert Taylor]

Ooh yeah - that Vortex tune was a favourite LSD track when I was a teen - all 
those early Plus8 tracks were

-Original Message-
From: lisa [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 4:39 PM
To: Gerald
Cc: 313@hyperreal.org
Subject: Re: (313) R&S Records mix


cool stuff - gosh, I'm getting all nostaglic here!

nice info on the page too - I didn't realize this:

"(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram & 
Mundo Muzique."

that note has me wanting to pull out some old rekkids and read the 
sleeves to see what I find!

lisa  :)


Gerald wrote:
> I've been meaning to do this for a while, and finally got it done.
> Recording it wasn't a problem... finding all the info was!
> 
> The mix features early works/appearances by some of today's successful
> producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave
> Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...
> 
> For more info, and to download the mp3 - go to the mixes page at 
> www.gerald-matrix.com
> all the records are originally from 1989-92, and it's just over an hour
> long.
> 
> here's the tracklist...
> 
> Artist - Title
> 1 - Fred 1 - A1 
> 2 - Equitek - Stylus Flight
> 3 - Source - Eclipse
> 4 - Second Phase - Vortex
> 5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
> 6 - Directional Force - Parameter
> 7 - Mundo Muzique - Albido
> 8 - Tronik House - The Savage & Beyond
> 9 - Nexus 21 - Logical Progression
> 10- C J Bolland - It's All In The Mind
> 11- The Project - Do That Dance
> 12- GreyHouse - New Beats The House
> 13- Joey Beltram - Energy Flash
> 14- DJ Hell - My Definition of House Music
> 15- Project 86 - Total Recall
> 16- Space Opera - Space 3001 [Out Of Control mix]
> 17- Mental Overdrive - 12000 AD [The Warning]
> 18- The Aphex Twin - Digeridoo
> 19- Ken Ishii - Prodome
> 
> Cheers!
> 
> G
> 
> 
> --
> www.gerald-matrix.com 
> 
> 
> 


#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

RE: (313) Mills

[Michael . Elliot-Knight]

Yes - My pot throwing event has been called off due to the fact that it
really is a crap hobby.

Plus my Technics 1200s seemed to have seized up with all the clay getting
in their works.

MEK



  
  "Robert Taylor"   
  
  <[EMAIL PROTECTED]To:   <313@hyperreal.org>   
   
  4.co.uk> cc:  
  
   Subject:  RE: (313) Mills
  
  03/03/04 09:33 AM 
  

  

  




Strange coming from me, but has anyone got anything sensible to say today?
;-)

-Original Message-
From: Greg Earle [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 3:30 PM
To: 313@hyperreal.org
Subject: Re: (313) Mills


On Mar 2, 2004, at 2:43 PM EST, [EMAIL PROTECTED] wrote:
> I'm suprisingly ok with the whole DVD thing.  Maybe the levels are at
> least ok on the DVD. =P

Droid Behavior and I are proud to announce WrestleMania XXXIX - a
knock-down, drag-out 15-round steel cage hot oil wrestling deathmatch
between

YUSSEL (URB, USA)

and

MILLS (Axis/Purpose Maker/Tomorrow, USA)

Right in the middle of the dancefloor at Circus Disco, Hollywood,
on 3/13.  Yes folks ... you heard it here first ...

 - Greg (Who thinks it will be filmed for a future Mills DVD)

#

Note:

Any views or opinions are solely those of the author and do not necessarily
represent
those of Channel Four Television Corporation unless specifically stated.
This email
and any files transmitted are confidential and intended solely for the use
of the
individual or entity to which they are addressed. If you have received this
email in
error, please notify [EMAIL PROTECTED]

Thank You.
#

Re: (313) R&S Records mix

[lisa]

cool stuff - gosh, I'm getting all nostaglic here!

nice info on the page too - I didn't realize this:

"(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram & 
Mundo Muzique."


that note has me wanting to pull out some old rekkids and read the 
sleeves to see what I find!


lisa  :)


Gerald wrote:

I've been meaning to do this for a while, and finally got it done.
Recording it wasn't a problem... finding all the info was!

The mix features early works/appearances by some of today's successful
producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave
Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...

For more info, and to download the mp3 - go to the mixes page at 
www.gerald-matrix.com

all the records are originally from 1989-92, and it's just over an hour
long.

here's the tracklist...

Artist - Title
1 - Fred 1 - A1 
2 - Equitek - Stylus Flight

3 - Source - Eclipse
4 - Second Phase - Vortex
5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
6 - Directional Force - Parameter
7 - Mundo Muzique - Albido
8 - Tronik House - The Savage & Beyond
9 - Nexus 21 - Logical Progression
10- C J Bolland - It's All In The Mind
11- The Project - Do That Dance
12- GreyHouse - New Beats The House
13- Joey Beltram - Energy Flash
14- DJ Hell - My Definition of House Music
15- Project 86 - Total Recall
16- Space Opera - Space 3001 [Out Of Control mix]
17- Mental Overdrive - 12000 AD [The Warning]
18- The Aphex Twin - Digeridoo
19- Ken Ishii - Prodome

Cheers!

G


--
www.gerald-matrix.com 

[Fwd: RE: (313) Stevie Wonder was re: something sensible was Re: (313) Mills]

[Andrew Duke Cognition Audioworks http://cognitionaudioworks.com]

 Original Message 
Subject: 	RE: (313) Stevie Wonder was re: something sensible was Re: 
(313) Mills

Date:   Wed, 3 Mar 2004 16:21:26 -
From:   Mann, Ravinder [CCS] <[EMAIL PROTECTED]>
To: 	'[EMAIL PROTECTED]' 
<[EMAIL PROTECTED]>, Robert Taylor 
<[EMAIL PROTECTED]>

CC: 313@hyperreal.org



In the UK we have a 'boy band' called Blue they hooked up with SW and Angie Stone in a recents collabaration (abhoration) for the classic Signed Sealed Delivered Im Yours. 


Blue *feat* SW and AS. I mean two a penny boy band feat a soul legend.

Why Stevie ? Why are you spoiling my memory of all the great music with this 
cack ? Surely you don't need the money ...

Yeah I will be putting on Fulfillingness' First Finale as soon as I get home 
tonight.

Rav

ps This post prob wont make it to the list as it seem I cant post anymore : ( 
so if you fellas want to forward it, feel free.

-Original Message-
From: Andrew Duke Cognition Audioworks http://cognitionaudioworks.com [mailto:[EMAIL PROTECTED] 
Sent: 03 March 2004 16:07

To: Robert Taylor
Cc: 313@hyperreal.org
Subject: (313) Stevie Wonder was re: something sensible was Re: (313) Mills


Robert Taylor wrote:

Strange coming from me, but has anyone got anything sensible to say 
today? ;-)
 

I had the unfortunate experience of, while flipping through the TV channels yesterday, coming upon the video for Stevie Wonder's "Just Called To Say I Love You" from the absolutely horrid "Woman In Red" soundtrack (don't drive drunk and calling to say you love someone are great sentiments, yes, but accompanying them with clunky 1984 sounds don't work).  Now, let me state for the record that Stevie Wonder is a HUGE fave of mine, I just don't have any *post*-1983 records from him!  Anyway, that incident from yesterday lead to my listening to nothing but Stevie records so far 
today
and I just had a second unfortunate experience that leads to this rant: STOP BASTARDIZING STEVIE RECORDS BY "interpolating" THEM! Why the anger?: well, here am I enjoying side 2 of Songs In The Key Of Life and track 1 is "I Wish"--bastardized by Will Smith for that bloody movie Wild West (I forget the exact title), and then just 2 songs later comes the most wonderful "Pastime Paradise"--bastardized by Coolio for his horrible rework.  Taken separately, I was able to suffer through these bastardizations in the past when they came out, but having the 
reminders rubbed in my
face within the space of 3 tracks this morning, damn, I almost feel Will 
and Coolio

should be apologizing to anyone listening to Songs In The Key Of Life from now 
on! :) Brings back another horrible memory: I had had a house/tech-house 
residency at a local bar (313 relevance:  Kenny Larkin's rework of Sade that I 
got when Dan Bell was running the Seventh City store in Detroit with Kristie 
Negro was a bit hit at this
residency) and Coolio's "Gangsta's Paradise" was a big hit at the time (not that I ever played it--ever--but the other DJs at the bar certainly 
did).

So I played Stevie's "Pasttime Paradise" when someone requested Coolio during the 
house/tech-house night (guess he didn't clue in to the theme of the night) thinking I could sorta 
satisfy the request and perhaps educate a bit as well as keep the vibe I was trying to work with. 
Well, I almost got beaten up! When I explained the Stevie-- Coolio connection, the guy did not give 
a sh*t--he just wanted to hear his Coolio.  Will Smith did the same horrible thing to a Whispers 
record I used to love.  Don't miss those days at all. Thank goodness Kanye West chops up and plays 
around a bit with the Chaka Khan sample when he uses it on "Through The Wire" instead of 
going for a rap-over-the-original rework. Whew!  Not sure if it was sensible, but there's my rant 
for the morning, Robert. :). Andrew Duke

--
Jason Trenholm was born 31 August 1969 and died 1 January 2004.  
We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: 
Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* http://warprecords.com/mart/music/release.php?cat=BLEEP12&fc_type=CD

More Destructive Than Organized http://staalplaat.com
Highest Common Denominator http://pieheadrecords.com
Physical and Mental Health http://dialrecords.com
74'02 (split with Hypo) http://tsunami-addiction.com 
http://cognitionaudioworks.com




--
Jason Trenholm was born 31 August 1969 and died 1 January 2004.  
We met when we were 5 years old; he was my best friend for the next 29 years.*
Andrew Duke releases out now: 
Take Nothing For Granted http://cognitionaudioworks.com

Environmental Politics http://and-oar.org
Sprung http://bip-hop.com *Canadian electronica album of the year nominee*
http://warprecords.com/mart/music/release.php?cat=BLEEP12&fc_type=CD
More Destructive Than Organized http://staalplaat.com
Highest 

RE: (313) Stevie Wonder was re: something sensible was Re: (313) Mills

[Mann, Ravinder [CCS]]

In the UK we have a 'boy band' called Blue they hooked up with SW and Angie 
Stone in a recents collabaration (abhoration) for the classic Signed Sealed 
Delivered Im Yours. 

Blue *feat* SW and AS. I mean two a penny boy band feat a soul legend.

Why Stevie ? Why are you spoiling my memory of all the great music with this 
cack ? Surely you don't need the money ...

Yeah I will be putting on Fulfillingness' First Finale as soon as I get home 
tonight.

Rav

ps This post prob wont make it to the list as it seem I cant post anymore : ( 
so if you fellas want to forward it, feel free.

-Original Message-
From: Andrew Duke Cognition Audioworks http://cognitionaudioworks.com 
[mailto:[EMAIL PROTECTED] 
Sent: 03 March 2004 16:07
To: Robert Taylor
Cc: 313@hyperreal.org
Subject: (313) Stevie Wonder was re: something sensible was Re: (313) Mills


Robert Taylor wrote:

>Strange coming from me, but has anyone got anything sensible to say 
>today? ;-)
>  
>
I had the unfortunate experience of, while flipping through the TV channels 
yesterday, coming upon the video for Stevie Wonder's "Just Called To Say I Love 
You" from the absolutely horrid "Woman In Red" soundtrack (don't drive drunk 
and calling to say you love someone are great sentiments, yes, but accompanying 
them with clunky 1984 sounds don't work).  Now, let me state for the record 
that Stevie Wonder is a HUGE fave of mine, I just don't have any *post*-1983 
records from him!  Anyway, that incident from yesterday lead to my listening to 
nothing but Stevie records so far 
today
and I just had a second unfortunate experience that leads to this rant: STOP 
BASTARDIZING STEVIE RECORDS BY "interpolating" THEM! Why the anger?: well, here 
am I enjoying side 2 of Songs In The Key Of Life and track 1 is "I 
Wish"--bastardized by Will Smith for that bloody movie Wild West (I forget the 
exact title), and then just 2 songs later comes the most wonderful "Pastime 
Paradise"--bastardized by Coolio for his horrible rework.  Taken separately, I 
was able to suffer through these bastardizations in the past when they came 
out, but having the 
reminders rubbed in my
face within the space of 3 tracks this morning, damn, I almost feel Will 
and Coolio
should be apologizing to anyone listening to Songs In The Key Of Life from now 
on! :) Brings back another horrible memory: I had had a house/tech-house 
residency at a local bar (313 relevance:  Kenny Larkin's rework of Sade that I 
got when Dan Bell was running the Seventh City store in Detroit with Kristie 
Negro was a bit hit at this
residency) and Coolio's "Gangsta's Paradise" was a big hit at the time (not 
that I ever played it--ever--but the other DJs at the bar certainly 
did).
So I played Stevie's "Pasttime Paradise" when someone requested Coolio during 
the house/tech-house night (guess he didn't clue in to the theme of the night) 
thinking I could sorta satisfy the request and perhaps educate a bit as well as 
keep the vibe I was trying to work with. Well, I almost got beaten up! When I 
explained the Stevie-- Coolio connection, the guy did not give a sh*t--he just 
wanted to hear his Coolio.  Will Smith did the same horrible thing to a 
Whispers record I used to love.  Don't miss those days at all. Thank goodness 
Kanye West chops up and plays around a bit with the Chaka Khan sample when he 
uses it on "Through The Wire" instead of going for a rap-over-the-original 
rework. Whew!  Not sure if it was sensible, but there's my rant for the 
morning, Robert. :). Andrew Duke

-- 
Jason Trenholm was born 31 August 1969 and died 1 January 2004.  
We met when we were 5 years old; he was my best friend for the next 29 
years.* Andrew Duke releases out now: 
Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics 
http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the 
year nominee* 
http://warprecords.com/mart/music/release.php?cat=BLEEP12&fc_type=CD
More Destructive Than Organized http://staalplaat.com
Highest Common Denominator http://pieheadrecords.com
Physical and Mental Health http://dialrecords.com
74'02 (split with Hypo) http://tsunami-addiction.com 
http://cognitionaudioworks.com

(313) Stevie Wonder was re: something sensible was Re: (313) Mills

[Andrew Duke Cognition Audioworks http://cognitionaudioworks.com]

Robert Taylor wrote:


Strange coming from me, but has anyone got anything sensible to say today? ;-)
 


I had the unfortunate experience of, while flipping through the TV channels
yesterday, coming upon the video for Stevie Wonder's "Just Called To Say
I Love You" from the absolutely horrid "Woman In Red" soundtrack (don't
drive drunk and calling to say you love someone are great sentiments, yes,
but accompanying them with clunky 1984 sounds don't work).  Now, let
me state for the record that Stevie Wonder is a HUGE fave of mine, I just
don't have any *post*-1983 records from him!  Anyway, that incident
from yesterday lead to my listening to nothing but Stevie records so far 
today

and I just had a second unfortunate experience that leads to this rant:
STOP BASTARDIZING STEVIE RECORDS BY "interpolating" THEM!
Why the anger?: well, here am I enjoying side 2 of Songs In The Key Of Life
and track 1 is "I Wish"--bastardized by Will Smith for that bloody
movie Wild West (I forget the exact title), and then just 2 songs later
comes the most wonderful "Pastime Paradise"--bastardized by Coolio
for his horrible rework.  Taken separately, I was able to suffer through
these bastardizations in the past when they came out, but having the 
reminders rubbed in my
face within the space of 3 tracks this morning, damn, I almost feel Will 
and Coolio

should be apologizing to anyone listening to Songs In The Key Of Life
from now on! :) Brings back another horrible memory: I had had a
house/tech-house residency at a local bar (313 relevance:  Kenny
Larkin's rework of Sade that I got when Dan Bell was running the
Seventh City store in Detroit with Kristie Negro was a bit hit at this
residency) and Coolio's "Gangsta's Paradise" was a big hit at the time
(not that I ever played it--ever--but the other DJs at the bar certainly 
did).

So I played Stevie's "Pasttime Paradise" when someone requested
Coolio during the house/tech-house night (guess he didn't clue in to
the theme of the night) thinking I could sorta satisfy the request and
perhaps educate a bit as well as keep the vibe I was trying to work
with. Well, I almost got beaten up! When I explained the Stevie--
Coolio connection, the guy did not give a sh*t--he just wanted
to hear his Coolio.  Will Smith did the same horrible thing to a
Whispers record I used to love.  Don't miss those days
at all. Thank goodness Kanye West chops up and plays around
a bit with the Chaka Khan sample when he uses it on "Through
The Wire" instead of going for a rap-over-the-original rework.
Whew!  Not sure if it was sensible, but there's my rant for the
morning, Robert. :). Andrew Duke

--
Jason Trenholm was born 31 August 1969 and died 1 January 2004.  
We met when we were 5 years old; he was my best friend for the next 29 years.*
Andrew Duke releases out now: 
Take Nothing For Granted http://cognitionaudioworks.com

Environmental Politics http://and-oar.org
Sprung http://bip-hop.com *Canadian electronica album of the year nominee*
http://warprecords.com/mart/music/release.php?cat=BLEEP12&fc_type=CD
More Destructive Than Organized http://staalplaat.com
Highest Common Denominator http://pieheadrecords.com
Physical and Mental Health http://dialrecords.com
74'02 (split with Hypo) http://tsunami-addiction.com
http://cognitionaudioworks.com

313@hyperreal.org

[iancheshire]

LOLnever again I swear :)

-Original Message- 
From: Katrin Richter [mailto:[EMAIL PROTECTED] 
Sent: Wed 03/03/2004 15:56 
To: [EMAIL PROTECTED]; 313@hyperreal.org 
Cc: 
Subject: AW: (313) kdj on m&g



At least you don't wear G strings with your balls dangling out



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 16:45
An: 313@hyperreal.org
Betreff: Re: (313) kdj on m&g


>Well.. not that fast. MG005 has been repressed and is available in 
every
>shop I know.

oh, ha ha ha! oh well, thought I was being cl.

never mind, I do this alot. (stupid things)

: )

alex



_

- End of message text 

This e-mail is sent by the above named in their
individual, non-business capacity and is not on
behalf of PricewaterhouseCoopers.

PricewaterhouseCoopers may monitor outgoing and incoming
e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
give your consent to such monitoring

313@hyperreal.org

[Katrin Richter]

At least you don't wear G strings with your balls dangling out



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 16:45
An: 313@hyperreal.org
Betreff: Re: (313) kdj on m&g


>Well.. not that fast. MG005 has been repressed and is available in every
>shop I know.

oh, ha ha ha! oh well, thought I was being cl.

never mind, I do this alot. (stupid things)

: )

alex



_

- End of message text 

This e-mail is sent by the above named in their
individual, non-business capacity and is not on
behalf of PricewaterhouseCoopers.

PricewaterhouseCoopers may monitor outgoing and incoming
e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
give your consent to such monitoring

313@hyperreal.org

[alex . bond]

>Well.. not that fast. MG005 has been repressed and is available in every
>shop I know.

oh, ha ha ha! oh well, thought I was being cl.

never mind, I do this alot. (stupid things)

: )

alex



_

- End of message text 

This e-mail is sent by the above named in their
individual, non-business capacity and is not on
behalf of PricewaterhouseCoopers.

PricewaterhouseCoopers may monitor outgoing and incoming
e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
give your consent to such monitoring

313@hyperreal.org

[Maarten Baute]

> erm, I'll probably get shot for mentioning this, but
>
> *in a quiet voice*
>
> www.piccadillyrecords.com has copies of the rare 1-sided kdj release on
> moods and grooves.
>
> check the "just in" section.
>
> are you ready, 1,2,3.GO!!!

Well.. not that fast. MG005 has been repressed and is available in every
shop I know.

Cheers,
Maarten

RE: (313) Mills

[Paul Kendrick]

Thats not sensible - thats boasting

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 15:37
To: 'Robert Taylor'; 313@hyperreal.org
Subject: RE: (313) Mills


I scored "Twin Hype - Do It To The Crowd" today.
Well happy, I am.
:0)

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 3:33 
To: 313@hyperreal.org
Subject: RE: (313) Mills


Strange coming from me, but has anyone got anything sensible to say today?
;-)

-Original Message-
From: Greg Earle [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 3:30 PM
To: 313@hyperreal.org
Subject: Re: (313) Mills


On Mar 2, 2004, at 2:43 PM EST, [EMAIL PROTECTED] wrote:
> I'm suprisingly ok with the whole DVD thing.  Maybe the levels are at 
> least ok on the DVD. =P

Droid Behavior and I are proud to announce WrestleMania XXXIX - a
knock-down, drag-out 15-round steel cage hot oil wrestling deathmatch
between

YUSSEL (URB, USA)

and

MILLS (Axis/Purpose Maker/Tomorrow, USA)

Right in the middle of the dancefloor at Circus Disco, Hollywood,
on 3/13.  Yes folks ... you heard it here first ...

- Greg (Who thinks it will be filmed for a future Mills DVD)


#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED]

Thank You.

#



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Opinions expressed in this email are those of the individual and 
not Entergy-Koch Trading Limited or its affiliated companies. 
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and forwarded copies (which may contain alterations) subsequently 
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Re: (313) edits

[Thomas D. Cox, Jr.]

-- Original Message --
From: [EMAIL PROTECTED]

>edits edits edits.
>
>the world went edit mad

here's why i like edits: 

normally theyre pressed nice and loud now, so someone can make an 
edit of an LP track that might have not sounded too hot in the mix 
and it will be nice and loud and edited for mixability. plus it 
helps resurrect older cuts that people might not know about 
(especially when you were born at the end of the disco thing like 
i was...). and it also helps some hard to find older cuts get a 
rerelease and im all about things being in press all the time. 

tom

 


andythepooh.com


 
   

RE: (313) R&S Records mix

[Quest Pond]

Haha great one- I noticed from your website listing the mix you got some
info from Gabriel (v-agent)- An old friend and fellow dj from Adelaide. I
would expect him to know such things :)

Brings back some memories.

Regards,

Quest Pond

-Original Message-
From: Gerald [mailto:[EMAIL PROTECTED]
Sent: Thursday, 4 March 2004 1:33 AM
To: 313@hyperreal.org
Subject: (313) R&S Records mix


I've been meaning to do this for a while, and finally got it done.
Recording it wasn't a problem... finding all the info was!

The mix features early works/appearances by some of today's successful
producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave
Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...

For more info, and to download the mp3 - go to the mixes page at
www.gerald-matrix.com
all the records are originally from 1989-92, and it's just over an hour
long.

here's the tracklist...

Artist - Title
1 - Fred 1 - A1
2 - Equitek - Stylus Flight
3 - Source - Eclipse
4 - Second Phase - Vortex
5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
6 - Directional Force - Parameter
7 - Mundo Muzique - Albido
8 - Tronik House - The Savage & Beyond
9 - Nexus 21 - Logical Progression
10- C J Bolland - It's All In The Mind
11- The Project - Do That Dance
12- GreyHouse - New Beats The House
13- Joey Beltram - Energy Flash
14- DJ Hell - My Definition of House Music
15- Project 86 - Total Recall
16- Space Opera - Space 3001 [Out Of Control mix]
17- Mental Overdrive - 12000 AD [The Warning]
18- The Aphex Twin - Digeridoo
19- Ken Ishii - Prodome

Cheers!

G


--
www.gerald-matrix.com

313@hyperreal.org

[Thomas D. Cox, Jr.]

-- Original Message --
From: [EMAIL PROTECTED]

>erm, I'll probably get shot for mentioning this, but
>
>*in a quiet voice*
>
>www.piccadillyrecords.com has copies of the rare 1-sided kdj 
release on
>moods and grooves.
>
>check the "just in" section.
>
>are you ready, 1,2,3.GO!!!

yeah i was really happy to pick one of those up in my local shop 
recently. you cant go wrong with that inside cut. 

tom 


andythepooh.com


 
   

RE: (313) Mills

[Blackman, Ryan (UKEKT)]

I scored "Twin Hype - Do It To The Crowd" today.
Well happy, I am.
:0)

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 3:33 
To: 313@hyperreal.org
Subject: RE: (313) Mills


Strange coming from me, but has anyone got anything sensible to say today?
;-)

-Original Message-
From: Greg Earle [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 3:30 PM
To: 313@hyperreal.org
Subject: Re: (313) Mills


On Mar 2, 2004, at 2:43 PM EST, [EMAIL PROTECTED] wrote:
> I'm suprisingly ok with the whole DVD thing.  Maybe the levels are at 
> least ok on the DVD. =P

Droid Behavior and I are proud to announce WrestleMania XXXIX - a
knock-down, drag-out 15-round steel cage hot oil wrestling deathmatch
between

YUSSEL (URB, USA)

and

MILLS (Axis/Purpose Maker/Tomorrow, USA)

Right in the middle of the dancefloor at Circus Disco, Hollywood,
on 3/13.  Yes folks ... you heard it here first ...

- Greg (Who thinks it will be filmed for a future Mills DVD)


#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED]

Thank You.

#



***
Opinions expressed in this email are those of the individual and 
not Entergy-Koch Trading Limited or its affiliated companies. 
This email and any files transmitted with it, including replies 
and forwarded copies (which may contain alterations) subsequently 
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313@hyperreal.org

[alex . bond]

erm, I'll probably get shot for mentioning this, but

*in a quiet voice*

www.piccadillyrecords.com has copies of the rare 1-sided kdj release on
moods and grooves.

check the "just in" section.

are you ready, 1,2,3.GO!!!

alex
_

- End of message text 

This e-mail is sent by the above named in their
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PricewaterhouseCoopers may monitor outgoing and incoming
e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
give your consent to such monitoring

RE: (313) Mills

[Robert Taylor]

Strange coming from me, but has anyone got anything sensible to say today? ;-)

-Original Message-
From: Greg Earle [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 3:30 PM
To: 313@hyperreal.org
Subject: Re: (313) Mills


On Mar 2, 2004, at 2:43 PM EST, [EMAIL PROTECTED] wrote:
> I'm suprisingly ok with the whole DVD thing.  Maybe the levels are at 
> least ok on the DVD. =P

Droid Behavior and I are proud to announce WrestleMania XXXIX - a
knock-down, drag-out 15-round steel cage hot oil wrestling deathmatch
between

YUSSEL (URB, USA)

and

MILLS (Axis/Purpose Maker/Tomorrow, USA)

Right in the middle of the dancefloor at Circus Disco, Hollywood,
on 3/13.  Yes folks ... you heard it here first ...

- Greg (Who thinks it will be filmed for a future Mills DVD)

#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

Re: (313) Mills

[Greg Earle]

On Mar 2, 2004, at 2:43 PM EST, [EMAIL PROTECTED] wrote:
I'm suprisingly ok with the whole DVD thing.  Maybe the levels are at 
least ok on the DVD. =P


Droid Behavior and I are proud to announce WrestleMania XXXIX - a
knock-down, drag-out 15-round steel cage hot oil wrestling deathmatch
between

YUSSEL (URB, USA)

and

MILLS (Axis/Purpose Maker/Tomorrow, USA)

Right in the middle of the dancefloor at Circus Disco, Hollywood,
on 3/13.  Yes folks ... you heard it here first ...

- Greg (Who thinks it will be filmed for a future Mills DVD)

Re: (313) edits vs. remixes was Re: (313) edits

[Thomas D. Cox, Jr.]

-- Original Message --
From: "Andrew Duke Cognition Audioworks 

>re: remixes, commissioned or not?:
>And people like Yam Who? started out by doing
>bootleg remixes (called remixes because they added
>layers of acoustic instruments--new drums, basslines,
>keys, etc; and real live players, not programmed
>all by one person) for well known artists like
>Pharrel of the Neptunes and Raphael Sadiq (spelling,
>I just got up) and were so revered for these, despite
>them being bootlegs, that they are now being
>comissioned, sometimes by those same artists they
>initially remixed without permission, for legitmate
>remixes. 

those guys are killing it. that recent one about outer space is 
like the illest tune. i think i have almost all their remixes, i 
need the raphael saadiq and the amp fiddler + only child. 

tom 


andythepooh.com


 
   

(313) Re: K-werk East Coast Dates?

[Greg Earle]

On Mar 3, 2004, at 13:25 PM, [EMAIL PROTECTED] wrote:


Does anyone know if Kraftwerk will be playing any East Coast US 
dates?

Anyone? anyone? 


HTML e-mail!  Eeek!  Run Forrest, Run!  

There's still only Toronto and Montreal listed on their tour page.

And, amazingly enough, looks like that's all there will be, kids.

4 days after Coachella (May 5th) they're in Reykjavic, Iceland.

Then 10 days off and the rest of the tour goes:

15 May 2004 Vienna Gasometer
17 May 2004 Rome Gran Teatro
18 May 2004 Turin Lingotto Auditorium
19 May 2004 Bern Grosse Halle
20 May 2004 Bern Grosse Halle
22 May 2004 Prague T-Mobile Arena
24 May 2004 Ljubljana Krizanke Monastery
25 May 2004 Budapest Arena
27 May 2004 Warsaw Sala Kongresova
29 May 2004 Riga Kipsala Hall
30 May 2004 Tallinn Exhibition Hall
01 Jun 2004 St. Petersburg D. S. Yubilenny
03 Jun 2004 Moscow Luzhniki Sports Palace

Unless there's a surprise add of a Detroit show on April 21st
or 22nd, fahgeddaboudit ...

(The San Francisco show at The Warfield goes on sale this Sunday
 morning at 10:00 at The Fillmore box office, btw)

- Greg (Who feels lucky that he gets to go to 2 of the 3 US gigs)

RE: (313) edits

[Vinyl Underground]

hi alex
that track that mood 2 swing sampled
the org track is vince montana's - a dance fantasy - close encouters of the
3rd kind its like a mini lp of space influenced disco from 1978 - i've
actaully got one in the shop (cheap) if you want it - the edit is quite good
as its only a 2 min break

too many edits though i agree!

aidy

Vinyl Underground
c/o Watts
80 Abington Street
Northampton , UK
NN1 2BB
Tel: 44(0)1604 634433
Fax: 44(0)1604 626828

http://www.vinylunderground.co.uk

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 10:14
To: 313@hyperreal.org
Subject: (313) edits


edits edits edits.

the world went edit mad

anyway, I got the "Magick Edit Allstars" 1&2, and they made a right mess of
the labels, 01 has the labels of 02 and vice versa.
(these are good edits btw I think, worth having, little extended bits, few
crazy fx etc). they made 'slicks' "spacebass" sound much better!

BUT, there's a track on there that I don't recognise that I'm trying to
find out what it is..
It's the 2nd track on the side that has two tracks on (theres only one side
with 2 tracks) and it's a killer boogie number that Mood II Swing sampled
for one of their best tracks. anyone know?

also, do you remember the Magick Kuts bootleg 12's that were about a few
years ago? I think these might be the same guys as them, but just doing
more boogie/disco tracks that have been famously sampled in house, as
opposed to the others which were more electronic oddities..

and, another thing, I managed to get an "Omar S 002" 12" - not listened yet
- is there "Omar01"?

that's it today, I promise.

alex
_

- End of message text 

This e-mail is sent by the above named in their
individual, non-business capacity and is not on
behalf of PricewaterhouseCoopers.

PricewaterhouseCoopers may monitor outgoing and incoming
e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
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Re: (313) Track id on mahogani site

[Maarten Baute]

> What is the track playing on www.mahoganimusic.com

Several tracks by Andres. Mahogani 004 lp.

Cheers,
Maarten

(313) edits vs. remixes was Re: (313) edits

[Andrew Duke Cognition Audioworks http://cognitionaudioworks.com]

Cobert, Gwendal wrote:


... sounds like the best answer so far. Bringing a second question : a re-edit is usually 
done without the original artist's authorization, while a remix is 
"commissioned" by the artist, right ?

Gwendal
 


re: remixes, commissioned or not?:
And people like Yam Who? started out by doing
bootleg remixes (called remixes because they added
layers of acoustic instruments--new drums, basslines,
keys, etc; and real live players, not programmed
all by one person) for well known artists like
Pharrel of the Neptunes and Raphael Sadiq (spelling,
I just got up) and were so revered for these, despite
them being bootlegs, that they are now being
comissioned, sometimes by those same artists they
initially remixed without permission, for legitmate
remixes. Andrew Duke

np Stevie Wonder--They Won't Go When I Go

--
Jason Trenholm was born 31 August 1969 and died 1 January 2004.  
We met when we were 5 years old; he was my best friend for the next 29 years.*
Andrew Duke releases out now: 
Take Nothing For Granted http://cognitionaudioworks.com

Environmental Politics http://and-oar.org
Sprung http://bip-hop.com *Canadian electronica album of the year nominee*
http://warprecords.com/mart/music/release.php?cat=BLEEP12&fc_type=CD
More Destructive Than Organized http://staalplaat.com
Highest Common Denominator http://pieheadrecords.com
Physical and Mental Health http://dialrecords.com
74'02 (split with Hypo) http://tsunami-addiction.com
http://cognitionaudioworks.com

RE: (313) Kenny Larkin @ T-funkshun, UK

[Steward, Tim]

Yo Sent!

Kenny is dropping his new cd in the beginning of April
I have not heard if he is doing a vinyl release

TS-1

-Original Message-
From: jason kenjar [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 9:24 AM
To: 313@hyperreal.org
Subject: Re: (313) Kenny Larkin @ T-funkshun, UK


I am also very curious as to what mr. Larkin is dropping nowadays, 
knowing what he is up to will really help me plan my trip to the land 
of euro in about 3 weeks. somebody please chime in with information as 
to mr. larkins level of freshness.

- yankee doodle jason

Oh yeah... Incase people arent sick of hearing about Mills (ha!) he has 
two new works of art out on Axis right now. I don't know about the 
virtual Dj concept, but this actual DJ plans to rock the sheat out 
of those new releases!!


-(sent)

On Wednesday, March 3, 2004, at 04:16 AM, Sean Creen wrote:

> Has anyone heard Kenny play recently? He's playing in Dublin after the
> Kraftwerk gig in a couple of weeks and I'm wondering if he's worth 
> hanging
> around for?
> I need to get back up to Belfast to get to work the next morning and I 
> don't
> want to miss out on a night's sleep to hear someone play dull clubtrax 
> (as a
> lot of the Detroit guys seem to when they're in Europe).
>
> Cheers,
> Sean.
>
> -Original Message-
> From: robin [mailto:[EMAIL PROTECTED]
> Sent: 03 March 2004 10:11
> To: [EMAIL PROTECTED]
> Cc: 313@hyperreal.org
> Subject: Re: (313) Kenny Larkin @ T-funkshun, UK
>
>
>
> yeah i'm pretty sure to be going over for this...
>
>
>
> robin...
>
> On 3 Mar 2004, at 10:02, [EMAIL PROTECTED] wrote:
>
>>
>>> T-FUNKSHUN 3RD BIRTHDAY
>>> KENNY LARKIN (Peacefrog//art of dance)
>>
>> woo-hoo, happy birthday to my scouse comrades!!
>> I have secured a chain to attach my wallet on, and a padlock for my
>> lacoste
>> shelly, and I'm coming over...
>>
>> (only joking guys, nice one I'm looking forward to it.)
>>
>> alex
>>
>> p.s. anyone else from the list going?
>> _
>>
>> - End of message text 
>>
>> This e-mail is sent by the above named in their
>> individual, non-business capacity and is not on
>> behalf of PricewaterhouseCoopers.
>>
>> PricewaterhouseCoopers may monitor outgoing and incoming
>> e-mails and other telecommunications on its e-mail and
>> telecommunications systems. By replying to this e-mail you
>> give your consent to such monitoring
>>
>>
>>
>
>



The contents of this e-mail are intended for the named addressee only. It
contains information that may be confidential. Unless you are the named
addressee or an authorized designee, you may not copy or use it, or disclose
it to anyone else. If you received it in error please notify us immediately
and then destroy it. 

RE: AW: AW: (313) Stuff & Clowns

[iancheshire]

hey not me in my previous out of work job I was heavily involved in porn as my 
x was so me not bothered plus  I dressed as a gal a couple of times once for 
charity and other times cos the charity thing worked so well.oh the 
attention was lovely but me balls kept falling out of me g string :)
 
-Original Message- 
From: Martin [mailto:[EMAIL PROTECTED] 
Sent: Wed 03/03/2004 14:20 
To: [EMAIL PROTECTED]; Katrin Richter; 313@hyperreal.org 
Cc: 
Subject: Re: AW: AW: (313) Stuff & Clowns



Yes I have Sky and no I haven't, but I have kissed a lady with an Adam's
apple in Thailand - who cares...


3/3/04 2:17 PM [EMAIL PROTECTED]@blueyonder.co.uk

> Martin do you have Sky?  you've been watching There's something about 
Miriam
> haven't you , come
> one admit it :)
>
> -Original Message-
> From: Martin [mailto:[EMAIL PROTECTED]
> Sent: Wed 03/03/2004 14:09
> To: Katrin Richter; 313@hyperreal.org
> Cc:
> Subject: Re: AW: AW: (313) Stuff & Clowns
>
>
>
> Who cares, with the correct lubrication and gentle lighting...
>
> 3/3/04 2:02 PM Katrin [EMAIL PROTECTED]
>
>> Who says it's a she???
>>
>>
>>
>> -Ursprüngliche Nachricht-
>> Von: Martin [mailto:[EMAIL PROTECTED]
>> Gesendet: Mittwoch, 3. März 2004 14:53
>> An: [EMAIL PROTECTED]; Katrin Richter; 313@hyperreal.org
>> Betreff: Re: AW: (313) Stuff & Clowns
>>
>> Who's Public? I have I met her?
>>
>>
>> 3/3/04 1:57 PM [EMAIL PROTECTED]@blueyonder.co.uk
>>
>>> naa your right, I did try it and I failed miserably..also my 
wife was
>> not
>>> amused :(
>>>
>>> -Original Message-
>>> From: Katrin Richter [mailto:[EMAIL PROTECTED]
>>> Sent: Wed 03/03/2004 13:50
>>> To: [EMAIL PROTECTED]; 313@hyperreal.org
>>> Cc:
>>> Subject: AW: AW: (313) Stuff & Clowns
>>>
>>>
>>>
>>> Neither does coming in public
>>>
>>>
>>>
>>> -Ursprüngliche Nachricht-
>>> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>>> Gesendet: Mittwoch, 3. März 2004 14:49
>>> An: Katrin Richter; Martin; 313@hyperreal.org
>>> Betreff: RE: AW: (313) Stuff & Clowns
>>>
>>> "I am more into "come as you are""
>>>
>>> yeah true but nude doesn't go down that well here Katrin :0)
>>>
>>>-Original Message-
>>>From: Katrin Richter [mailto:[EMAIL PROTECTED]
>>>Sent: Wed 03/03/2004 13:42
>>>To: Martin; 313@hyperreal.org
>>>Cc:
>>>Subject: AW: AW: (313) Stuff & Clowns
>>>
>>>
>>>
>>>Maybe it's a very narrow minded thing to impose your taste on
>> others,
>>> but
>>>then I must admit that I never really liked Crasher Kids.. 
but
>> then,
>>> when I
>>>think back how much celebration and dressing up already 
mattered in
>> the
>>>early days of techno and house, it was very much a question 
of
>> taste to
>>>dress up and making the party something special by 
performing etc
>> (ask
>>> DJ
>>>Rush for exaple how had his own group called KneDeep back in
>> Chicago).
>>>
>>>I am more into "come as you are".
>>>
>>>
>>>
>>>
>>>
>>>-Ursprngliche Nachricht-
>>>Von: Martin [mailto:[EMAIL PROTECTED]
>>>Gesendet: Mittwoch, 3. Mrz 2004 14:32
>>>An: Katrin Richter; 313@hyperreal.org
>>>Betreff: Re: AW: (313) Stuff & Clowns
>>>
>>>More a matter of taste darling :)
>>>
>>>
>>>
>>>3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
>>>
 Martin,

 I am just realising how restricting your dress cope is in my eyes. 
I wish
 there were jugglers in Germany... or people with face paint... 
here, the
 crowd's just boring, boring, boring

 Peace
 Kat



 Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
 percussionists! Shirter Techno People, No Dad House or Son's of 
Pikey



>>>
>>>
>>>
>>>
>>>
>>
>>
>
>
>

(313) Release date for the new Connection Machine record on Down Low Music?

[Jussi Lehtonen]

Hi!

To my knowledge Connection Machine is _finally_ releasing new material on 
Down Low Music.
Someone on this list mentioned that the release date would be in May. Is 
this correct?

Bitflower still remains one of my all time favourite Planet E:s. :)



Jussi Lehtonen

  "Metaprogram yourself."

(313) R&S Records mix

[Gerald]

I've been meaning to do this for a while, and finally got it done.
Recording it wasn't a problem... finding all the info was!

The mix features early works/appearances by some of today's successful
producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave
Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more...

For more info, and to download the mp3 - go to the mixes page at 
www.gerald-matrix.com
all the records are originally from 1989-92, and it's just over an hour
long.

here's the tracklist...

Artist - Title
1 - Fred 1 - A1 
2 - Equitek - Stylus Flight
3 - Source - Eclipse
4 - Second Phase - Vortex
5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix]
6 - Directional Force - Parameter
7 - Mundo Muzique - Albido
8 - Tronik House - The Savage & Beyond
9 - Nexus 21 - Logical Progression
10- C J Bolland - It's All In The Mind
11- The Project - Do That Dance
12- GreyHouse - New Beats The House
13- Joey Beltram - Energy Flash
14- DJ Hell - My Definition of House Music
15- Project 86 - Total Recall
16- Space Opera - Space 3001 [Out Of Control mix]
17- Mental Overdrive - 12000 AD [The Warning]
18- The Aphex Twin - Digeridoo
19- Ken Ishii - Prodome

Cheers!

G


--
www.gerald-matrix.com 

Re: AW: AW: (313) Stuff & Clowns

[Martin]

Yes I have Sky and no I haven't, but I have kissed a lady with an Adam's
apple in Thailand - who cares...


3/3/04 2:17 PM [EMAIL PROTECTED]@blueyonder.co.uk

> Martin do you have Sky?  you've been watching There's something about Miriam
> haven't you , come
> one admit it :)
> 
> -Original Message-
> From: Martin [mailto:[EMAIL PROTECTED]
> Sent: Wed 03/03/2004 14:09
> To: Katrin Richter; 313@hyperreal.org
> Cc: 
> Subject: Re: AW: AW: (313) Stuff & Clowns
> 
> 
> 
> Who cares, with the correct lubrication and gentle lighting...
> 
> 3/3/04 2:02 PM Katrin [EMAIL PROTECTED]
> 
>> Who says it's a she???
>> 
>> 
>> 
>> -Ursprüngliche Nachricht-
>> Von: Martin [mailto:[EMAIL PROTECTED]
>> Gesendet: Mittwoch, 3. März 2004 14:53
>> An: [EMAIL PROTECTED]; Katrin Richter; 313@hyperreal.org
>> Betreff: Re: AW: (313) Stuff & Clowns
>> 
>> Who's Public? I have I met her?
>> 
>> 
>> 3/3/04 1:57 PM [EMAIL PROTECTED]@blueyonder.co.uk
>> 
>>> naa your right, I did try it and I failed miserably..also my wife was
>> not
>>> amused :(
>>> 
>>> -Original Message-
>>> From: Katrin Richter [mailto:[EMAIL PROTECTED]
>>> Sent: Wed 03/03/2004 13:50
>>> To: [EMAIL PROTECTED]; 313@hyperreal.org
>>> Cc:
>>> Subject: AW: AW: (313) Stuff & Clowns
>>> 
>>> 
>>> 
>>> Neither does coming in public
>>> 
>>> 
>>> 
>>> -Ursprüngliche Nachricht-
>>> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>>> Gesendet: Mittwoch, 3. März 2004 14:49
>>> An: Katrin Richter; Martin; 313@hyperreal.org
>>> Betreff: RE: AW: (313) Stuff & Clowns
>>> 
>>> "I am more into "come as you are""
>>> 
>>> yeah true but nude doesn't go down that well here Katrin :0)
>>> 
>>>-Original Message-
>>>From: Katrin Richter [mailto:[EMAIL PROTECTED]
>>>Sent: Wed 03/03/2004 13:42
>>>To: Martin; 313@hyperreal.org
>>>Cc:
>>>Subject: AW: AW: (313) Stuff & Clowns
>>> 
>>> 
>>> 
>>>Maybe it's a very narrow minded thing to impose your taste on
>> others,
>>> but
>>>then I must admit that I never really liked Crasher Kids.. but
>> then,
>>> when I
>>>think back how much celebration and dressing up already mattered in
>> the
>>>early days of techno and house, it was very much a question of
>> taste to
>>>dress up and making the party something special by performing etc
>> (ask
>>> DJ
>>>Rush for exaple how had his own group called KneDeep back in
>> Chicago).
>>> 
>>>I am more into "come as you are".
>>> 
>>> 
>>> 
>>> 
>>> 
>>>-Ursprngliche Nachricht-
>>>Von: Martin [mailto:[EMAIL PROTECTED]
>>>Gesendet: Mittwoch, 3. Mrz 2004 14:32
>>>An: Katrin Richter; 313@hyperreal.org
>>>Betreff: Re: AW: (313) Stuff & Clowns
>>> 
>>>More a matter of taste darling :)
>>> 
>>> 
>>> 
>>>3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
>>> 
 Martin,
 
 I am just realising how restricting your dress cope is in my eyes. I wish
 there were jugglers in Germany... or people with face paint... here, the
 crowd's just boring, boring, boring
 
 Peace
 Kat
 
 
 
 Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
 percussionists! Shirter Techno People, No Dad House or Son's of Pikey
 
 
 
>>> 
>>> 
>>> 
>>> 
>>> 
>> 
>> 
> 
> 
> 

Re: (313) Kenny Larkin @ T-funkshun, UK

[jason kenjar]

I am also very curious as to what mr. Larkin is dropping nowadays, 
knowing what he is up to will really help me plan my trip to the land 
of euro in about 3 weeks. somebody please chime in with information as 
to mr. larkins level of freshness.


- yankee doodle jason

Oh yeah... Incase people arent sick of hearing about Mills (ha!) he has 
two new works of art out on Axis right now. I don't know about the 
virtual Dj concept, but this actual DJ plans to rock the sheat out 
of those new releases!!



-(sent)

On Wednesday, March 3, 2004, at 04:16 AM, Sean Creen wrote:


Has anyone heard Kenny play recently? He's playing in Dublin after the
Kraftwerk gig in a couple of weeks and I'm wondering if he's worth 
hanging

around for?
I need to get back up to Belfast to get to work the next morning and I 
don't
want to miss out on a night's sleep to hear someone play dull clubtrax 
(as a

lot of the Detroit guys seem to when they're in Europe).

Cheers,
Sean.

-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 10:11
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) Kenny Larkin @ T-funkshun, UK



yeah i'm pretty sure to be going over for this...



robin...

On 3 Mar 2004, at 10:02, [EMAIL PROTECTED] wrote:




T-FUNKSHUN 3RD BIRTHDAY
KENNY LARKIN (Peacefrog//art of dance)


woo-hoo, happy birthday to my scouse comrades!!
I have secured a chain to attach my wallet on, and a padlock for my
lacoste
shelly, and I'm coming over...

(only joking guys, nice one I'm looking forward to it.)

alex

p.s. anyone else from the list going?
_

- End of message text 

This e-mail is sent by the above named in their
individual, non-business capacity and is not on
behalf of PricewaterhouseCoopers.

PricewaterhouseCoopers may monitor outgoing and incoming
e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
give your consent to such monitoring

Re: (313) Track id on mahogani site

[George Emsies]

I had the same problem, but did some dig'n and found et here...

http://www.mahoganimusic.com/images/andres/



On Wed, 3 Mar 2004 [EMAIL PROTECTED] wrote:

>
> I can't hear any track
>
> : (
>
> but, thanks for letting us know that site was there.
>
> alex
> _
>
> - End of message text 
>
> This e-mail is sent by the above named in their
> individual, non-business capacity and is not on
> behalf of PricewaterhouseCoopers.
>
> PricewaterhouseCoopers may monitor outgoing and incoming
> e-mails and other telecommunications on its e-mail and

RE: AW: AW: (313) Stuff & Clowns

[iancheshire]

Martin do you have Sky?  you've been watching There's something about Miriam 
haven't you , come
one admit it :)
 
-Original Message- 
From: Martin [mailto:[EMAIL PROTECTED] 
Sent: Wed 03/03/2004 14:09 
To: Katrin Richter; 313@hyperreal.org 
Cc: 
Subject: Re: AW: AW: (313) Stuff & Clowns



Who cares, with the correct lubrication and gentle lighting...

3/3/04 2:02 PM Katrin [EMAIL PROTECTED]

> Who says it's a she???
>
>
>
> -Ursprüngliche Nachricht-
> Von: Martin [mailto:[EMAIL PROTECTED]
> Gesendet: Mittwoch, 3. März 2004 14:53
> An: [EMAIL PROTECTED]; Katrin Richter; 313@hyperreal.org
> Betreff: Re: AW: (313) Stuff & Clowns
>
> Who's Public? I have I met her?
>
>
> 3/3/04 1:57 PM [EMAIL PROTECTED]@blueyonder.co.uk
>
>> naa your right, I did try it and I failed miserably..also my 
wife was
> not
>> amused :(
>>
>> -Original Message-
>> From: Katrin Richter [mailto:[EMAIL PROTECTED]
>> Sent: Wed 03/03/2004 13:50
>> To: [EMAIL PROTECTED]; 313@hyperreal.org
>> Cc:
>> Subject: AW: AW: (313) Stuff & Clowns
>>
>>
>>
>> Neither does coming in public
>>
>>
>>
>> -Ursprüngliche Nachricht-
>> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>> Gesendet: Mittwoch, 3. März 2004 14:49
>> An: Katrin Richter; Martin; 313@hyperreal.org
>> Betreff: RE: AW: (313) Stuff & Clowns
>>
>> "I am more into "come as you are""
>>
>> yeah true but nude doesn't go down that well here Katrin :0)
>>
>>-Original Message-
>>From: Katrin Richter [mailto:[EMAIL PROTECTED]
>>Sent: Wed 03/03/2004 13:42
>>To: Martin; 313@hyperreal.org
>>Cc:
>>Subject: AW: AW: (313) Stuff & Clowns
>>
>>
>>
>>Maybe it's a very narrow minded thing to impose your taste on
> others,
>> but
>>then I must admit that I never really liked Crasher Kids.. but
> then,
>> when I
>>think back how much celebration and dressing up already 
mattered in
> the
>>early days of techno and house, it was very much a question of
> taste to
>>dress up and making the party something special by performing 
etc
> (ask
>> DJ
>>Rush for exaple how had his own group called KneDeep back in
> Chicago).
>>
>>I am more into "come as you are".
>>
>>
>>
>>
>>
>>-Ursprngliche Nachricht-
>>Von: Martin [mailto:[EMAIL PROTECTED]
>>Gesendet: Mittwoch, 3. Mrz 2004 14:32
>>An: Katrin Richter; 313@hyperreal.org
>>Betreff: Re: AW: (313) Stuff & Clowns
>>
>>More a matter of taste darling :)
>>
>>
>>
>>3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
>>
>>> Martin,
>>>
>>> I am just realising how restricting your dress cope is in my eyes. 
I wish
>>> there were jugglers in Germany... or people with face paint... 
here, the
>>> crowd's just boring, boring, boring
>>>
>>> Peace
>>> Kat
>>>
>>>
>>>
>>> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
>>> percussionists! Shirter Techno People, No Dad House or Son's of 
Pikey
>>>
>>>
>>>
>>
>>
>>
>>
>>
>
>

Re: AW: AW: (313) Stuff & Clowns

[Martin]

Who cares, with the correct lubrication and gentle lighting...

3/3/04 2:02 PM Katrin [EMAIL PROTECTED]

> Who says it's a she???
> 
> 
> 
> -Ursprüngliche Nachricht-
> Von: Martin [mailto:[EMAIL PROTECTED]
> Gesendet: Mittwoch, 3. März 2004 14:53
> An: [EMAIL PROTECTED]; Katrin Richter; 313@hyperreal.org
> Betreff: Re: AW: (313) Stuff & Clowns
> 
> Who's Public? I have I met her?
> 
> 
> 3/3/04 1:57 PM [EMAIL PROTECTED]@blueyonder.co.uk
> 
>> naa your right, I did try it and I failed miserably..also my wife was
> not
>> amused :(
>> 
>> -Original Message-
>> From: Katrin Richter [mailto:[EMAIL PROTECTED]
>> Sent: Wed 03/03/2004 13:50
>> To: [EMAIL PROTECTED]; 313@hyperreal.org
>> Cc:
>> Subject: AW: AW: (313) Stuff & Clowns
>> 
>> 
>> 
>> Neither does coming in public
>> 
>> 
>> 
>> -Ursprüngliche Nachricht-
>> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>> Gesendet: Mittwoch, 3. März 2004 14:49
>> An: Katrin Richter; Martin; 313@hyperreal.org
>> Betreff: RE: AW: (313) Stuff & Clowns
>> 
>> "I am more into "come as you are""
>> 
>> yeah true but nude doesn't go down that well here Katrin :0)
>> 
>>-Original Message-
>>From: Katrin Richter [mailto:[EMAIL PROTECTED]
>>Sent: Wed 03/03/2004 13:42
>>To: Martin; 313@hyperreal.org
>>Cc:
>>Subject: AW: AW: (313) Stuff & Clowns
>> 
>> 
>> 
>>Maybe it's a very narrow minded thing to impose your taste on
> others,
>> but
>>then I must admit that I never really liked Crasher Kids.. but
> then,
>> when I
>>think back how much celebration and dressing up already mattered in
> the
>>early days of techno and house, it was very much a question of
> taste to
>>dress up and making the party something special by performing etc
> (ask
>> DJ
>>Rush for exaple how had his own group called KneDeep back in
> Chicago).
>> 
>>I am more into "come as you are".
>> 
>> 
>> 
>> 
>> 
>>-Ursprngliche Nachricht-
>>Von: Martin [mailto:[EMAIL PROTECTED]
>>Gesendet: Mittwoch, 3. Mrz 2004 14:32
>>An: Katrin Richter; 313@hyperreal.org
>>Betreff: Re: AW: (313) Stuff & Clowns
>> 
>>More a matter of taste darling :)
>> 
>> 
>> 
>>3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
>> 
>>> Martin,
>>> 
>>> I am just realising how restricting your dress cope is in my eyes. I wish
>>> there were jugglers in Germany... or people with face paint... here, the
>>> crowd's just boring, boring, boring
>>> 
>>> Peace
>>> Kat
>>> 
>>> 
>>> 
>>> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
>>> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>>> 
>>> 
>>> 
>> 
>> 
>> 
>> 
>> 
> 
> 

AW: AW: (313) Stuff & Clowns

[Katrin Richter]

Who says it's a she???



-Ursprüngliche Nachricht-
Von: Martin [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 14:53
An: [EMAIL PROTECTED]; Katrin Richter; 313@hyperreal.org
Betreff: Re: AW: (313) Stuff & Clowns

Who's Public? I have I met her?


3/3/04 1:57 PM [EMAIL PROTECTED]@blueyonder.co.uk

> naa your right, I did try it and I failed miserably..also my wife was
not
> amused :(
>
> -Original Message-
> From: Katrin Richter [mailto:[EMAIL PROTECTED]
> Sent: Wed 03/03/2004 13:50
> To: [EMAIL PROTECTED]; 313@hyperreal.org
> Cc:
> Subject: AW: AW: (313) Stuff & Clowns
>
>
>
> Neither does coming in public
>
>
>
> -Ursprüngliche Nachricht-
> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Gesendet: Mittwoch, 3. März 2004 14:49
> An: Katrin Richter; Martin; 313@hyperreal.org
> Betreff: RE: AW: (313) Stuff & Clowns
>
> "I am more into "come as you are""
>
> yeah true but nude doesn't go down that well here Katrin :0)
>
>-Original Message-
>From: Katrin Richter [mailto:[EMAIL PROTECTED]
>Sent: Wed 03/03/2004 13:42
>To: Martin; 313@hyperreal.org
>Cc:
>Subject: AW: AW: (313) Stuff & Clowns
>
>
>
>Maybe it's a very narrow minded thing to impose your taste on
others,
> but
>then I must admit that I never really liked Crasher Kids.. but
then,
> when I
>think back how much celebration and dressing up already mattered in
the
>early days of techno and house, it was very much a question of
taste to
>dress up and making the party something special by performing etc
(ask
> DJ
>Rush for exaple how had his own group called KneDeep back in
Chicago).
>
>I am more into "come as you are".
>
>
>
>
>
>-Ursprngliche Nachricht-
>Von: Martin [mailto:[EMAIL PROTECTED]
>Gesendet: Mittwoch, 3. Mrz 2004 14:32
>An: Katrin Richter; 313@hyperreal.org
>Betreff: Re: AW: (313) Stuff & Clowns
>
>More a matter of taste darling :)
>
>
>
>3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
>
>> Martin,
>>
>> I am just realising how restricting your dress cope is in my eyes. I wish
>> there were jugglers in Germany... or people with face paint... here, the
>> crowd's just boring, boring, boring
>>
>> Peace
>> Kat
>>
>>
>>
>> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
>> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>>
>>
>>
>
>
>
>
>

RE: AW: (313) Stuff & Clowns

[iancheshire]

naa you haven't but she was very open lets put it that way :)

-Original Message- 
From: Martin [mailto:[EMAIL PROTECTED] 
Sent: Wed 03/03/2004 13:53 
To: [EMAIL PROTECTED]; Katrin Richter; 313@hyperreal.org 
Cc: 
Subject: Re: AW: (313) Stuff & Clowns



Who's Public? I have I met her?


3/3/04 1:57 PM [EMAIL PROTECTED]@blueyonder.co.uk

> naa your right, I did try it and I failed miserably..also my wife 
was not
> amused :(
>
> -Original Message-
> From: Katrin Richter [mailto:[EMAIL PROTECTED]
> Sent: Wed 03/03/2004 13:50
> To: [EMAIL PROTECTED]; 313@hyperreal.org
> Cc:
> Subject: AW: AW: (313) Stuff & Clowns
>
>
>
> Neither does coming in public
>
>
>
> -Ursprüngliche Nachricht-
> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Gesendet: Mittwoch, 3. März 2004 14:49
> An: Katrin Richter; Martin; 313@hyperreal.org
> Betreff: RE: AW: (313) Stuff & Clowns
>
> "I am more into "come as you are""
>
> yeah true but nude doesn't go down that well here Katrin :0)
>
>-Original Message-
>From: Katrin Richter [mailto:[EMAIL PROTECTED]
>Sent: Wed 03/03/2004 13:42
>To: Martin; 313@hyperreal.org
>Cc:
>Subject: AW: AW: (313) Stuff & Clowns
> 
> 
>
>Maybe it's a very narrow minded thing to impose your taste on 
others,
> but
>then I must admit that I never really liked Crasher Kids.. but 
then,
> when I
>think back how much celebration and dressing up already 
mattered in the
>early days of techno and house, it was very much a question of 
taste to
>dress up and making the party something special by performing 
etc (ask
> DJ
>Rush for exaple how had his own group called KneDeep back in 
Chicago).
> 
>I am more into "come as you are".
> 
> 
> 
> 
> 
>-Ursprngliche Nachricht-
>Von: Martin [mailto:[EMAIL PROTECTED]
>Gesendet: Mittwoch, 3. Mrz 2004 14:32
>An: Katrin Richter; 313@hyperreal.org
>Betreff: Re: AW: (313) Stuff & Clowns
> 
>More a matter of taste darling :)
> 
> 
> 
>3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
> 
>> Martin,
>>
>> I am just realising how restricting your dress cope is in my eyes. I 
wish
>> there were jugglers in Germany... or people with face paint... here, 
the
>> crowd's just boring, boring, boring
>>
>> Peace
>> Kat
>>
>>
>>
>> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
>> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>>
>>
>>
> 
> 
>
>
>

RE: AW: (313) Stuff & Clowns

[Peteri, Jochem]

where´s the nudity??

-Original Message-
From: Martin [mailto:[EMAIL PROTECTED]
Sent: woensdag 3 maart 2004 14:53
To: [EMAIL PROTECTED]; Katrin Richter; 313@hyperreal.org
Subject: Re: AW: (313) Stuff & Clowns


Who's Public? I have I met her?


3/3/04 1:57 PM [EMAIL PROTECTED]@blueyonder.co.uk

> naa your right, I did try it and I failed miserably..also my wife was not
> amused :(
> 
> -Original Message-
> From: Katrin Richter [mailto:[EMAIL PROTECTED]
> Sent: Wed 03/03/2004 13:50
> To: [EMAIL PROTECTED]; 313@hyperreal.org
> Cc: 
> Subject: AW: AW: (313) Stuff & Clowns
> 
> 
> 
> Neither does coming in public
> 
> 
> 
> -Ursprüngliche Nachricht-
> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Gesendet: Mittwoch, 3. März 2004 14:49
> An: Katrin Richter; Martin; 313@hyperreal.org
> Betreff: RE: AW: (313) Stuff & Clowns
> 
> "I am more into "come as you are""
> 
> yeah true but nude doesn't go down that well here Katrin :0)
> 
>-Original Message-
>From: Katrin Richter [mailto:[EMAIL PROTECTED]
>Sent: Wed 03/03/2004 13:42
>To: Martin; 313@hyperreal.org
>Cc:
>Subject: AW: AW: (313) Stuff & Clowns
>  
>  
> 
>Maybe it's a very narrow minded thing to impose your taste on others,
> but
>then I must admit that I never really liked Crasher Kids.. but then,
> when I
>think back how much celebration and dressing up already mattered in the
>early days of techno and house, it was very much a question of taste to
>dress up and making the party something special by performing etc (ask
> DJ
>Rush for exaple how had his own group called KneDeep back in Chicago).
>  
>I am more into "come as you are".
>  
>  
>  
>  
>  
>-Ursprngliche Nachricht-
>Von: Martin [mailto:[EMAIL PROTECTED]
>Gesendet: Mittwoch, 3. Mrz 2004 14:32
>An: Katrin Richter; 313@hyperreal.org
>Betreff: Re: AW: (313) Stuff & Clowns
>  
>More a matter of taste darling :)
>  
>  
>  
>3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
>  
>> Martin,
>> 
>> I am just realising how restricting your dress cope is in my eyes. I wish
>> there were jugglers in Germany... or people with face paint... here, the
>> crowd's just boring, boring, boring
>> 
>> Peace
>> Kat
>> 
>> 
>> 
>> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
>> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>> 
>> 
>> 
>  
>  
> 
> 
> 


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Re: AW: (313) Stuff & Clowns

[Martin]

Who's Public? I have I met her?


3/3/04 1:57 PM [EMAIL PROTECTED]@blueyonder.co.uk

> naa your right, I did try it and I failed miserably..also my wife was not
> amused :(
> 
> -Original Message-
> From: Katrin Richter [mailto:[EMAIL PROTECTED]
> Sent: Wed 03/03/2004 13:50
> To: [EMAIL PROTECTED]; 313@hyperreal.org
> Cc: 
> Subject: AW: AW: (313) Stuff & Clowns
> 
> 
> 
> Neither does coming in public
> 
> 
> 
> -Ursprüngliche Nachricht-
> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Gesendet: Mittwoch, 3. März 2004 14:49
> An: Katrin Richter; Martin; 313@hyperreal.org
> Betreff: RE: AW: (313) Stuff & Clowns
> 
> "I am more into "come as you are""
> 
> yeah true but nude doesn't go down that well here Katrin :0)
> 
>-Original Message-
>From: Katrin Richter [mailto:[EMAIL PROTECTED]
>Sent: Wed 03/03/2004 13:42
>To: Martin; 313@hyperreal.org
>Cc:
>Subject: AW: AW: (313) Stuff & Clowns
>  
>  
> 
>Maybe it's a very narrow minded thing to impose your taste on others,
> but
>then I must admit that I never really liked Crasher Kids.. but then,
> when I
>think back how much celebration and dressing up already mattered in the
>early days of techno and house, it was very much a question of taste to
>dress up and making the party something special by performing etc (ask
> DJ
>Rush for exaple how had his own group called KneDeep back in Chicago).
>  
>I am more into "come as you are".
>  
>  
>  
>  
>  
>-Ursprngliche Nachricht-
>Von: Martin [mailto:[EMAIL PROTECTED]
>Gesendet: Mittwoch, 3. Mrz 2004 14:32
>An: Katrin Richter; 313@hyperreal.org
>Betreff: Re: AW: (313) Stuff & Clowns
>  
>More a matter of taste darling :)
>  
>  
>  
>3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
>  
>> Martin,
>> 
>> I am just realising how restricting your dress cope is in my eyes. I wish
>> there were jugglers in Germany... or people with face paint... here, the
>> crowd's just boring, boring, boring
>> 
>> Peace
>> Kat
>> 
>> 
>> 
>> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
>> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>> 
>> 
>> 
>  
>  
> 
> 
> 

RE: AW: (313) Stuff & Clowns

[iancheshire]

naa your right, I did try it and I failed miserably..also my wife was not 
amused :(

-Original Message- 
From: Katrin Richter [mailto:[EMAIL PROTECTED] 
Sent: Wed 03/03/2004 13:50 
To: [EMAIL PROTECTED]; 313@hyperreal.org 
Cc: 
Subject: AW: AW: (313) Stuff & Clowns



Neither does coming in public



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 14:49
An: Katrin Richter; Martin; 313@hyperreal.org
Betreff: RE: AW: (313) Stuff & Clowns

"I am more into "come as you are""

yeah true but nude doesn't go down that well here Katrin :0)

-Original Message-
From: Katrin Richter [mailto:[EMAIL PROTECTED]
Sent: Wed 03/03/2004 13:42
To: Martin; 313@hyperreal.org
Cc:
Subject: AW: AW: (313) Stuff & Clowns
  
  

Maybe it's a very narrow minded thing to impose your taste on 
others, but
then I must admit that I never really liked Crasher Kids.. but 
then, when I
think back how much celebration and dressing up already 
mattered in the
early days of techno and house, it was very much a question of 
taste to
dress up and making the party something special by performing 
etc (ask DJ
Rush for exaple how had his own group called KneDeep back in 
Chicago).
  
I am more into "come as you are".
  
  
  
  
  
-Ursprngliche Nachricht-
Von: Martin [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. Mrz 2004 14:32
An: Katrin Richter; 313@hyperreal.org
Betreff: Re: AW: (313) Stuff & Clowns
  
More a matter of taste darling :)
  
  
  
3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
  
> Martin,
>
> I am just realising how restricting your dress cope is in my 
eyes. I wish
> there were jugglers in Germany... or people with face 
paint... here, the
> crowd's just boring, boring, boring
>
> Peace
> Kat
>
>
>
> Dresscode: No jugglers, No Clowns, No Face paint, No 
Moustaches, No
> percussionists! Shirter Techno People, No Dad House or Son's 
of Pikey
>
>
>
  
  

Re: (313) Track id on mahogani site

[alex . bond]

I can't hear any track

: (

but, thanks for letting us know that site was there.

alex
_

- End of message text 

This e-mail is sent by the above named in their
individual, non-business capacity and is not on
behalf of PricewaterhouseCoopers.

PricewaterhouseCoopers may monitor outgoing and incoming
e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
give your consent to such monitoring

AW: AW: (313) Stuff & Clowns

[Katrin Richter]

Neither does coming in public



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 14:49
An: Katrin Richter; Martin; 313@hyperreal.org
Betreff: RE: AW: (313) Stuff & Clowns

"I am more into "come as you are""

yeah true but nude doesn't go down that well here Katrin :0)

-Original Message-
From: Katrin Richter [mailto:[EMAIL PROTECTED]
Sent: Wed 03/03/2004 13:42
To: Martin; 313@hyperreal.org
Cc:
Subject: AW: AW: (313) Stuff & Clowns
   
   

Maybe it's a very narrow minded thing to impose your taste on others, 
but
then I must admit that I never really liked Crasher Kids.. but then, 
when I
think back how much celebration and dressing up already mattered in the
early days of techno and house, it was very much a question of taste to
dress up and making the party something special by performing etc (ask 
DJ
Rush for exaple how had his own group called KneDeep back in Chicago).
   
I am more into "come as you are".
   
   
   
   
   
-Ursprngliche Nachricht-
Von: Martin [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. Mrz 2004 14:32
An: Katrin Richter; 313@hyperreal.org
Betreff: Re: AW: (313) Stuff & Clowns
   
More a matter of taste darling :)
   
   
   
3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
   
> Martin,
>
> I am just realising how restricting your dress cope is in my eyes. I 
wish
> there were jugglers in Germany... or people with face paint... here, 
the
> crowd's just boring, boring, boring
>
> Peace
> Kat
>
>
>
> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>
>
>
   
   

RE: AW: (313) Stuff & Clowns

[iancheshire]

"I am more into "come as you are""
 
yeah true but nude doesn't go down that well here Katrin :0)

-Original Message- 
From: Katrin Richter [mailto:[EMAIL PROTECTED] 
Sent: Wed 03/03/2004 13:42 
To: Martin; 313@hyperreal.org 
Cc: 
Subject: AW: AW: (313) Stuff & Clowns



Maybe it's a very narrow minded thing to impose your taste on others, 
but
then I must admit that I never really liked Crasher Kids.. but then, 
when I
think back how much celebration and dressing up already mattered in the
early days of techno and house, it was very much a question of taste to
dress up and making the party something special by performing etc (ask 
DJ
Rush for exaple how had his own group called KneDeep back in Chicago).

I am more into "come as you are".





-Ursprüngliche Nachricht-
Von: Martin [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 14:32
An: Katrin Richter; 313@hyperreal.org
Betreff: Re: AW: (313) Stuff & Clowns

More a matter of taste darling :)



3/3/04 1:34 PM Katrin [EMAIL PROTECTED]

> Martin,
>
> I am just realising how restricting your dress cope is in my eyes. I 
wish
> there were jugglers in Germany... or people with face paint... here, 
the
> crowd's just boring, boring, boring
>
> Peace
> Kat
>
>
>
> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>
>
>

Re: (313) Track id on mahogani site

[Tom Churchill]

> What is the track playing on www.mahoganimusic.com

Andres - You're Still The One  - from the Out In The Open 12" on Moods &
Grooves and also featured on his Mahogani LP...

Cheers,

Tom

RE: (313) Track id on mahogani site

[Peteri, Jochem]

according to the source its andres/stilltheone.mp3

-Original Message-
From: placid [mailto:[EMAIL PROTECTED]
Sent: woensdag 3 maart 2004 14:42
To: '313'
Subject: (313) Track id on mahogani site


What is the track playing on www.mahoganimusic.com

placid 



The information contained in this e-mail communication is solely intended for 
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e-mail.

Re: AW: AW: (313) Stuff & Clowns

[Martin]

Thanks for the advice, but nothing happens without my say so anyway :)

Here's the Dresscode for the next event:

Dresscode: No Men from C&A. Wedding or Funeral Shoes. Closed minds, bottled
vitriol or vinegar tits.

In England we call in humour in the USA - humor...

Love and Kisses
Martin Dust


3/3/04 1:42 PM Katrin [EMAIL PROTECTED]

> Maybe it's a very narrow minded thing to impose your taste on others, but
> then I must admit that I never really liked Crasher Kids.. but then, when I
> think back how much celebration and dressing up already mattered in the
> early days of techno and house, it was very much a question of taste to
> dress up and making the party something special by performing etc (ask DJ
> Rush for exaple how had his own group called KneDeep back in Chicago).
> 
> I am more into "come as you are".
> 
> 
> 
> 
> 
> -Ursprüngliche Nachricht-
> Von: Martin [mailto:[EMAIL PROTECTED]
> Gesendet: Mittwoch, 3. März 2004 14:32
> An: Katrin Richter; 313@hyperreal.org
> Betreff: Re: AW: (313) Stuff & Clowns
> 
> More a matter of taste darling :)
> 
> 
> 
> 3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
> 
>> Martin,
>> 
>> I am just realising how restricting your dress cope is in my eyes. I wish
>> there were jugglers in Germany... or people with face paint... here, the
>> crowd's just boring, boring, boring
>> 
>> Peace
>> Kat
>> 
>> 
>> 
>> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
>> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>> 
>> 
>> 
> 
> 

RE: AW: (313) Stuff & Clowns

[Robert Taylor]

It's more of a joke than a door policy though 

-Original Message-
From: Katrin Richter [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 1:43 PM
To: Martin; 313@hyperreal.org
Subject: AW: AW: (313) Stuff & Clowns


Maybe it's a very narrow minded thing to impose your taste on others, but
then I must admit that I never really liked Crasher Kids.. but then, when I
think back how much celebration and dressing up already mattered in the
early days of techno and house, it was very much a question of taste to
dress up and making the party something special by performing etc (ask DJ
Rush for exaple how had his own group called KneDeep back in Chicago).

I am more into "come as you are".





-Ursprüngliche Nachricht-
Von: Martin [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 14:32
An: Katrin Richter; 313@hyperreal.org
Betreff: Re: AW: (313) Stuff & Clowns

More a matter of taste darling :)



3/3/04 1:34 PM Katrin [EMAIL PROTECTED]

> Martin,
>
> I am just realising how restricting your dress cope is in my eyes. I wish
> there were jugglers in Germany... or people with face paint... here, the
> crowd's just boring, boring, boring
>
> Peace
> Kat
>
>
>
> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>
>
>

#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

AW: AW: (313) Stuff & Clowns

[Katrin Richter]

Maybe it's a very narrow minded thing to impose your taste on others, but
then I must admit that I never really liked Crasher Kids.. but then, when I
think back how much celebration and dressing up already mattered in the
early days of techno and house, it was very much a question of taste to
dress up and making the party something special by performing etc (ask DJ
Rush for exaple how had his own group called KneDeep back in Chicago).

I am more into "come as you are".





-Ursprüngliche Nachricht-
Von: Martin [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 14:32
An: Katrin Richter; 313@hyperreal.org
Betreff: Re: AW: (313) Stuff & Clowns

More a matter of taste darling :)



3/3/04 1:34 PM Katrin [EMAIL PROTECTED]

> Martin,
>
> I am just realising how restricting your dress cope is in my eyes. I wish
> there were jugglers in Germany... or people with face paint... here, the
> crowd's just boring, boring, boring
>
> Peace
> Kat
>
>
>
> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>
>
>

(313) Track id on mahogani site

[placid]

What is the track playing on www.mahoganimusic.com

placid 

RE: (313) edits

[Cobert, Gwendal]

You're right - I guess I should re-read that book, I read it several years ago 
now and I've discovered a lot of stuff since then !

Gwendal



> -Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 1:04 PM
To: Cob

> ert, Gwendal
Cc: 313@hyperreal.org
Subject: Re: (313

> edits




> not necessarily, to pick one example if you look back over detroit 

> history a lot of tracks were created by one person and then re-edited 

> before release by another person. it's how a lot of detroit 

> artists got 

> their break... (it's mentioned in Dan Sicko's Techno Rebels 

> btw, a book 

> i recommend anyone read if they haven't already)...of course this was 

> in the days of tape edits.

> 

> robin...

> 

> 

> > ... sounds like the best answer so far. Bringing a second 

> question : a 

> > re-edit is usually done without the original artist's 

> authorization, 

> > while a remix is "commissioned" by the artist, right ?

> >

> > Gwendal

> >

> >

> >

> >> -Original Message-

> > From: Tom Churchill [mailto:[EMAIL PROTECTED]

> > Sent: Wednesday, March 03, 2004 11:42 A

> >

> > M

> > To: Cobert, Gwendal; 313

> > Subject: Re: (313

> >

> >> edits

> >

> >

> >> what is the difference between an "edit" and a "remix" ???

> >

> >>

> >

> >> A re-edit, in the original sense of the word, uses only the final

> >

> >> two-channel (stereo) recording of a song, which is then cut

> >

> >> up, extended,

> >

> >> shortened, reversed, put through effects etc. These days this

> >

> >> would most

> >

> >> likely be done in audio software like Pro Tools, Logic or

> >

> >> Cubase, but in the

> >

> >> old days it would be done by cutting and splicing

> >

> >> quarter-inch reel-to-reel

> >

> >> tape.

> >

> >>

> >

> >> A remix, on the other hand, is generally done by someone

> >

> >> who's been given

> >

> >> access to the original multi-track tape (in the old days) or

> >

> >> individual

> >

> >> sounds, loops, samples, beats etc (today). The remixer can

> >

> >> then use as many

> >

> >> or as few of the original building blocks of the song as 

> they like, in

> >

> >> conjunction with musical elements created themselves, to

> >

> >> create a new track

> >

> >> which uses any number of parts of the original.

> >

> >>

> >

> >> The primary difference being that anyone with a copy of the

> >

> >> record can do

> >

> >> their own 'edit', but to do a proper 'remix' you need the

> >

> >> original producer

> >

> >> to provide you with the song's original 'building blocks' in

> >

> >> isolation.

> >

> >>

> >

> >> Cheers,

> >

> >>

> >

> >> Tom

> >

> >>

> >

> >>

> >

> 

> 

Re: AW: (313) Stuff & Clowns

[Martin]

More a matter of taste darling :)



3/3/04 1:34 PM Katrin [EMAIL PROTECTED]

> Martin,
> 
> I am just realising how restricting your dress cope is in my eyes. I wish
> there were jugglers in Germany... or people with face paint... here, the
> crowd's just boring, boring, boring
> 
> Peace
> Kat
> 
> 
> 
> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
> 
> 
> 

AW: (313) Stuff & Clowns

[Katrin Richter]

Martin,

I am just realising how restricting your dress cope is in my eyes. I wish
there were jugglers in Germany... or people with face paint... here, the
crowd's just boring, boring, boring

Peace
Kat



Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
percussionists! Shirter Techno People, No Dad House or Son's of Pikey

Re: (313) Plastikman Live in Montreal 06.03.04

[jonathan morse]

Ahhh yes...spastik. what a moment in history. hot as fuk, both literally and
figuratively. all I gotta say is thank god I was right behind rich and the
whole set up with he rest of the gang when the DPD came through with the
pepper spray and that there was a rather large garage-type door behind us
all leading into the open air  =)

I still have all sorts of souvenirs and mementos from that night, including
a "planet e" squirt gun.

and the transcendence parties...just as sick. especially the speedy j live
party in 1996. 

those were the days...








On 03.03.2004 02:53 , "Matt MacQueen"  <[EMAIL PROTECTED]> wrote:

> On Mar 3, 2004, at 12:50 AM, Adam H wrote:
>> Spastik(94) and Transcendence(95).  The shows were _incredible_  Both
>> were "plastikman" tracks live followed by 4-6 hour dj sets.
>> 
>> I wonder if he will play any of the goo*cough* I mean old plastikman
>> tracks..   :D
> 
> hi Adam-
> I also caught him live for the 1st time in 94 at Spastik in Detroit too
> (was it really 10 years ago?  holy shi*t), but missed Transcendence,
> which may have been even bigger?   Pre-mp3, pre-Traktor, pre-Ableton,
> it was nearly pre-Clinton for god sake.   I gotta give him credit it
> was a mindblower of a party, the complete experience.  I mean at the
> time it was about as literally as 'techno' as you could get in the US,
> I still may even have the flyer somewhere (how sad am I).   There was a
> pile of live gear / rack / PA stuff  and then if i recall he played
> some records.  There really aren't parties like that anymore in the US,
> at that scale (and venue and volume) in Detroit, that still have a very
> underground feel with that level of talent and almost fetishistic
> overwhelmingly huge sound systems.  I remember his parents were in the
> crowd, and there were some contorting +8 dancers up on speakers peeling
> off layers of lycra clothing?  (do i have the right party here??
> yikes, it's all a blur, hahh)
> 
> I kept thinking we're all gonna spontaneously combust it was so hot,
> packed in, everything was covered in black plastic and dripping in
> human perspiration. The sounds themselves felt like they were dripping,
> it was intense.  I'm sure whatever he'll do now from a performance
> standpoint will be completely unique and innovative as that's just his
> style, he's not one for nostalgia just for the sake of it.   Especially
> with the near-freakish control he usually has over every element of the
> parties, from technology, audio/visual setups, wanting the latest of
> everything, etc.
> 
> I haven't cared for his last couple of albums (or straight
> jackhammer-like direction of his DJ sets in recent years) as much as
> his earlier more sparse material. The first 2 Plastikman albums (Sheet
> One and Musik) I think are still much better than the new ones IMHO..
> but frankly i'm still glad he brought back the whole Plastikman concept
> to life.  It's interesting and makes you think, whether you love it or
> hate it.   It probably all depends on if/when you got into his music
> and what tracks you got into (or out of) first...But anyone who can
> go to this live set will probably be in for the 'total experience' --
> it's no slouchy organization, every detail matters.
> 
> peace
> --
> Matt MacQueen
> http://SonicSunset.com
> 
> 

RE: (313) 65D Mavericks (was Shawn Rudiman live set)

[iancheshire]

hey cool! I am gonna be busy 2nite... 

-Original Message- 
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] 
Sent: Wed 03/03/2004 12:46 
To: [EMAIL PROTECTED]; Matt Chester; 313@hyperreal.org 
Cc: 
Subject: RE: (313) 65D Mavericks (was Shawn Rudiman live set)



Speaking of Live Sets..

Tonight at 9pm GMT myself and Lee Boltons' techno show "Locked Grooves"
broadcasts, featuring

65D Mavericks (Surface, Blueprint, Inceptive, UK) LIVE set from 
Foundation,
Brno, CZ.
Myself on three decks (also live from Foundation, CZ)
Nick Wilson (Inceptive, Continual) DJ set.
Lee Bolton (show host)

It's a three hour show, so buff yourselves up for a TREAT!!! The Mav's 
live
set is simply amazing. Hope you can tune in.

www.protonradio.com @ 9pm Greenwhich Mean Time.






-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 12:42
To: Matt Chester; 313@hyperreal.org
Subject: RE: (313) Shawn Rudiman live set


lush! will get on that tonite :) cheers Matt!

-Original Message-
From: Matt Chester [mailto:[EMAIL PROTECTED]
Sent: Wed 03/03/2004 12:06
To: 313@hyperreal.org
Cc:
Subject: (313) Shawn Rudiman live set
   
   

Hiya - just for anyone bored today, I highly recommend you check
this out.
It was recorded from the 11th Hour tour at Nurture in Glasgow 
last
November,
but the guys running the night have finally posted it online.  
Out
of all
the times I've heard Shawn play, this was far and away the best 
-
for anyone
who's not heard his live sets b4 it's really an unmissable 
download!
   
http://www.basiclevel.com/audio.htm
   
Enjoy!  - Matt
   
   





***
Opinions expressed in this email are those of the individual and
not Entergy-Koch Trading Limited or its affiliated companies.
This email and any files transmitted with it, including replies
and forwarded copies (which may contain alterations) subsequently
transmitted from the Company, are confidential and solely for the
use of the intended recipient. It may contain material protected by
attorney-client privilege. If you are not listed on the "To" or "Cc"
lines of the original email (or are not the person responsible for
delivering to an intended recipient), then you are not an intended
recipient and have received this email in error.  Any use by an
unintended recipient is strictly prohibited.

If you have received this email in error please notify the IT manager
by telephone on +44 (0)20 7337 8300 or via email to
[EMAIL PROTECTED], attaching this message. Please
then delete this email and all attachments, and destroy any copies
thereof.  Thank you.

***

RE: (313) 65D Mavericks (was Shawn Rudiman live set)

[Blackman, Ryan (UKEKT)]

Speaking of Live Sets..

Tonight at 9pm GMT myself and Lee Boltons' techno show "Locked Grooves"
broadcasts, featuring

65D Mavericks (Surface, Blueprint, Inceptive, UK) LIVE set from Foundation,
Brno, CZ.
Myself on three decks (also live from Foundation, CZ)
Nick Wilson (Inceptive, Continual) DJ set.
Lee Bolton (show host)

It's a three hour show, so buff yourselves up for a TREAT!!! The Mav's live
set is simply amazing. Hope you can tune in.

www.protonradio.com @ 9pm Greenwhich Mean Time.


 



-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 12:42 
To: Matt Chester; 313@hyperreal.org
Subject: RE: (313) Shawn Rudiman live set


lush! will get on that tonite :) cheers Matt!

-Original Message- 
From: Matt Chester [mailto:[EMAIL PROTECTED] 
Sent: Wed 03/03/2004 12:06 
To: 313@hyperreal.org 
Cc: 
Subject: (313) Shawn Rudiman live set



Hiya - just for anyone bored today, I highly recommend you check
this out.
It was recorded from the 11th Hour tour at Nurture in Glasgow last
November,
but the guys running the night have finally posted it online.  Out
of all
the times I've heard Shawn play, this was far and away the best -
for anyone
who's not heard his live sets b4 it's really an unmissable download!

http://www.basiclevel.com/audio.htm

Enjoy!  - Matt






***
Opinions expressed in this email are those of the individual and 
not Entergy-Koch Trading Limited or its affiliated companies. 
This email and any files transmitted with it, including replies 
and forwarded copies (which may contain alterations) subsequently 
transmitted from the Company, are confidential and solely for the 
use of the intended recipient. It may contain material protected by 
attorney-client privilege. If you are not listed on the "To" or "Cc" 
lines of the original email (or are not the person responsible for 
delivering to an intended recipient), then you are not an intended 
recipient and have received this email in error.  Any use by an 
unintended recipient is strictly prohibited.

If you have received this email in error please notify the IT manager 
by telephone on +44 (0)20 7337 8300 or via email to 
[EMAIL PROTECTED], attaching this message. Please 
then delete this email and all attachments, and destroy any copies 
thereof.  Thank you.
***

RE: (313) Shawn Rudiman live set

[iancheshire]

lush! will get on that tonite :) cheers Matt!

-Original Message- 
From: Matt Chester [mailto:[EMAIL PROTECTED] 
Sent: Wed 03/03/2004 12:06 
To: 313@hyperreal.org 
Cc: 
Subject: (313) Shawn Rudiman live set



Hiya - just for anyone bored today, I highly recommend you check this 
out.
It was recorded from the 11th Hour tour at Nurture in Glasgow last 
November,
but the guys running the night have finally posted it online.  Out of 
all
the times I've heard Shawn play, this was far and away the best - for 
anyone
who's not heard his live sets b4 it's really an unmissable download!

http://www.basiclevel.com/audio.htm

Enjoy!  - Matt

RE: (313) edits

[Ken Odeluga]

There's a little coterie of folks out there who are still Derrick May's
pals, who's technical expertise he made good use of on those early releases,
without credit (with their agreement). It's not done 'em any harm. Always
useful having May as a patron.

k

>-Original Message-
>From: Robert Taylor [mailto:[EMAIL PROTECTED]
>Sent: Wednesday, March 03, 2004 12:08 PM
>To: robin; Cobert, Gwendal
>Cc: 313@hyperreal.org
>Subject: RE: (313) edits
>
>
>Isn't that how Carl Craig got his break and aren't a few of
>Derrick May's releases edited by an uncredited Craig?
>
>-Original Message-
>From: robin [mailto:[EMAIL PROTECTED]
>Sent: Wednesday, March 03, 2004 12:04 PM
>To: Cobert, Gwendal
>Cc: 313@hyperreal.org
>Subject: Re: (313) edits
>
>
>
>not necessarily, to pick one example if you look back over detroit
>history a lot of tracks were created by one person and then re-edited
>before release by another person. it's how a lot of detroit artists got
>their break... (it's mentioned in Dan Sicko's Techno Rebels btw, a book
>i recommend anyone read if they haven't already)...of course this was
>in the days of tape edits.
>
>robin...
>
>
>> ... sounds like the best answer so far. Bringing a second question : a
>> re-edit is usually done without the original artist's authorization,
>> while a remix is "commissioned" by the artist, right ?
>>
>> Gwendal
>>
>>
>>
>>> -Original Message-
>> From: Tom Churchill [mailto:[EMAIL PROTECTED]
>> Sent: Wednesday, March 03, 2004 11:42 A
>>
>> M
>> To: Cobert, Gwendal; 313
>> Subject: Re: (313
>>
>>> edits
>>
>>
>>> what is the difference between an "edit" and a "remix" ???
>>
>>>
>>
>>> A re-edit, in the original sense of the word, uses only the final
>>
>>> two-channel (stereo) recording of a song, which is then cut
>>
>>> up, extended,
>>
>>> shortened, reversed, put through effects etc. These days this
>>
>>> would most
>>
>>> likely be done in audio software like Pro Tools, Logic or
>>
>>> Cubase, but in the
>>
>>> old days it would be done by cutting and splicing
>>
>>> quarter-inch reel-to-reel
>>
>>> tape.
>>
>>>
>>
>>> A remix, on the other hand, is generally done by someone
>>
>>> who's been given
>>
>>> access to the original multi-track tape (in the old days) or
>>
>>> individual
>>
>>> sounds, loops, samples, beats etc (today). The remixer can
>>
>>> then use as many
>>
>>> or as few of the original building blocks of the song as they like, in
>>
>>> conjunction with musical elements created themselves, to
>>
>>> create a new track
>>
>>> which uses any number of parts of the original.
>>
>>>
>>
>>> The primary difference being that anyone with a copy of the
>>
>>> record can do
>>
>>> their own 'edit', but to do a proper 'remix' you need the
>>
>>> original producer
>>
>>> to provide you with the song's original 'building blocks' in
>>
>>> isolation.
>>
>>>
>>
>>> Cheers,
>>
>>>
>>
>>> Tom
>>
>>>
>>
>>>
>>
>
>###
>##
>Note:
>
>Any views or opinions are solely those of the author and do not
>necessarily represent
>those of Channel Four Television Corporation unless specifically
>stated. This email
>and any files transmitted are confidential and intended solely for
>the use of the
>individual or entity to which they are addressed. If you have
>received this email in
>error, please notify [EMAIL PROTECTED]
>
>Thank You.
>###
>##
>
>

RE: (313) edits

[Robert Taylor]

Isn't that how Carl Craig got his break and aren't a few of Derrick May's 
releases edited by an uncredited Craig?

-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 12:04 PM
To: Cobert, Gwendal
Cc: 313@hyperreal.org
Subject: Re: (313) edits



not necessarily, to pick one example if you look back over detroit 
history a lot of tracks were created by one person and then re-edited 
before release by another person. it's how a lot of detroit artists got 
their break... (it's mentioned in Dan Sicko's Techno Rebels btw, a book 
i recommend anyone read if they haven't already)...of course this was 
in the days of tape edits.

robin...


> ... sounds like the best answer so far. Bringing a second question : a 
> re-edit is usually done without the original artist's authorization, 
> while a remix is "commissioned" by the artist, right ?
>
> Gwendal
>
>
>
>> -Original Message-
> From: Tom Churchill [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, March 03, 2004 11:42 A
>
> M
> To: Cobert, Gwendal; 313
> Subject: Re: (313
>
>> edits
>
>
>> what is the difference between an "edit" and a "remix" ???
>
>>
>
>> A re-edit, in the original sense of the word, uses only the final
>
>> two-channel (stereo) recording of a song, which is then cut
>
>> up, extended,
>
>> shortened, reversed, put through effects etc. These days this
>
>> would most
>
>> likely be done in audio software like Pro Tools, Logic or
>
>> Cubase, but in the
>
>> old days it would be done by cutting and splicing
>
>> quarter-inch reel-to-reel
>
>> tape.
>
>>
>
>> A remix, on the other hand, is generally done by someone
>
>> who's been given
>
>> access to the original multi-track tape (in the old days) or
>
>> individual
>
>> sounds, loops, samples, beats etc (today). The remixer can
>
>> then use as many
>
>> or as few of the original building blocks of the song as they like, in
>
>> conjunction with musical elements created themselves, to
>
>> create a new track
>
>> which uses any number of parts of the original.
>
>>
>
>> The primary difference being that anyone with a copy of the
>
>> record can do
>
>> their own 'edit', but to do a proper 'remix' you need the
>
>> original producer
>
>> to provide you with the song's original 'building blocks' in
>
>> isolation.
>
>>
>
>> Cheers,
>
>>
>
>> Tom
>
>>
>
>>
>

#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

Re: (313) edits

[robin]

not necessarily, to pick one example if you look back over detroit 
history a lot of tracks were created by one person and then re-edited 
before release by another person. it's how a lot of detroit artists got 
their break... (it's mentioned in Dan Sicko's Techno Rebels btw, a book 
i recommend anyone read if they haven't already)...of course this was 
in the days of tape edits.


robin...


... sounds like the best answer so far. Bringing a second question : a 
re-edit is usually done without the original artist's authorization, 
while a remix is "commissioned" by the artist, right ?


Gwendal




-Original Message-

From: Tom Churchill [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 11:42 A

M
To: Cobert, Gwendal; 313
Subject: Re: (313


edits




what is the difference between an "edit" and a "remix" ???







A re-edit, in the original sense of the word, uses only the final



two-channel (stereo) recording of a song, which is then cut



up, extended,



shortened, reversed, put through effects etc. These days this



would most



likely be done in audio software like Pro Tools, Logic or



Cubase, but in the



old days it would be done by cutting and splicing



quarter-inch reel-to-reel



tape.







A remix, on the other hand, is generally done by someone



who's been given



access to the original multi-track tape (in the old days) or



individual



sounds, loops, samples, beats etc (today). The remixer can



then use as many



or as few of the original building blocks of the song as they like, in



conjunction with musical elements created themselves, to



create a new track



which uses any number of parts of the original.







The primary difference being that anyone with a copy of the



record can do



their own 'edit', but to do a proper 'remix' you need the



original producer



to provide you with the song's original 'building blocks' in



isolation.







Cheers,







Tom

(313) Shawn Rudiman live set

[Matt Chester]

Hiya - just for anyone bored today, I highly recommend you check this out.
It was recorded from the 11th Hour tour at Nurture in Glasgow last November,
but the guys running the night have finally posted it online.  Out of all
the times I've heard Shawn play, this was far and away the best - for anyone
who's not heard his live sets b4 it's really an unmissable download!

http://www.basiclevel.com/audio.htm

Enjoy!  - Matt

RE: (313) edits

[Cobert, Gwendal]

... sounds like the best answer so far. Bringing a second question : a re-edit 
is usually done without the original artist's authorization, while a remix is 
"commissioned" by the artist, right ?

Gwendal



> -Original Message-
From: Tom Churchill [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 11:42 A

M
To: Cobert, Gwendal; 313
Subject: Re: (313

> edits


> what is the difference between an "edit" and a "remix" ???

> 

> A re-edit, in the original sense of the word, uses only the final

> two-channel (stereo) recording of a song, which is then cut 

> up, extended,

> shortened, reversed, put through effects etc. These days this 

> would most

> likely be done in audio software like Pro Tools, Logic or 

> Cubase, but in the

> old days it would be done by cutting and splicing 

> quarter-inch reel-to-reel

> tape.

> 

> A remix, on the other hand, is generally done by someone 

> who's been given

> access to the original multi-track tape (in the old days) or 

> individual

> sounds, loops, samples, beats etc (today). The remixer can 

> then use as many

> or as few of the original building blocks of the song as they like, in

> conjunction with musical elements created themselves, to 

> create a new track

> which uses any number of parts of the original.

> 

> The primary difference being that anyone with a copy of the 

> record can do

> their own 'edit', but to do a proper 'remix' you need the 

> original producer

> to provide you with the song's original 'building blocks' in 

> isolation.

> 

> Cheers,

> 

> Tom

> 

> 

Re: (313) edits

[Tom Churchill]

> what is the difference between an "edit" and a "remix" ???

A re-edit, in the original sense of the word, uses only the final
two-channel (stereo) recording of a song, which is then cut up, extended,
shortened, reversed, put through effects etc. These days this would most
likely be done in audio software like Pro Tools, Logic or Cubase, but in the
old days it would be done by cutting and splicing quarter-inch reel-to-reel
tape.

A remix, on the other hand, is generally done by someone who's been given
access to the original multi-track tape (in the old days) or individual
sounds, loops, samples, beats etc (today). The remixer can then use as many
or as few of the original building blocks of the song as they like, in
conjunction with musical elements created themselves, to create a new track
which uses any number of parts of the original.

The primary difference being that anyone with a copy of the record can do
their own 'edit', but to do a proper 'remix' you need the original producer
to provide you with the song's original 'building blocks' in isolation.

Cheers,

Tom

RE: (313) edits

[Jari Tolkkinen]

On Wed, 3 Mar 2004, Cobert, Gwendal wrote:

> And now for a VERY stupid question...
> 
> what is the difference between an "edit" and a "remix" ???

I've figured that edit is like a mix, shortened or lenghtened version of 
the original tune without changing the main feeling of the original tune. 
Radio edit is good example of this.

Remix on the other hand can sample the original house tune and put a 
breakbeat drums. For example.

--
Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net
--

RE: (313) Kenny Larkin @ T-funkshun, UK

[Sean Creen]

Has anyone heard Kenny play recently? He's playing in Dublin after the
Kraftwerk gig in a couple of weeks and I'm wondering if he's worth hanging
around for?
I need to get back up to Belfast to get to work the next morning and I don't
want to miss out on a night's sleep to hear someone play dull clubtrax (as a
lot of the Detroit guys seem to when they're in Europe).

Cheers,
Sean.

-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 10:11
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) Kenny Larkin @ T-funkshun, UK



yeah i'm pretty sure to be going over for this...



robin...

On 3 Mar 2004, at 10:02, [EMAIL PROTECTED] wrote:

>
>> T-FUNKSHUN 3RD BIRTHDAY
>> KENNY LARKIN (Peacefrog//art of dance)
>
> woo-hoo, happy birthday to my scouse comrades!!
> I have secured a chain to attach my wallet on, and a padlock for my
> lacoste
> shelly, and I'm coming over...
>
> (only joking guys, nice one I'm looking forward to it.)
>
> alex
>
> p.s. anyone else from the list going?
> _
>
> - End of message text 
>
> This e-mail is sent by the above named in their
> individual, non-business capacity and is not on
> behalf of PricewaterhouseCoopers.
>
> PricewaterhouseCoopers may monitor outgoing and incoming
> e-mails and other telecommunications on its e-mail and
> telecommunications systems. By replying to this e-mail you
> give your consent to such monitoring
>
>
>

RE: (313) edits

[Cobert, Gwendal]

And now for a VERY stupid question...

what is the difference between an "edit" and a "remix" ???

Gwendal



> -Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 11:14 

> AM
To: 313@hyperreal.org
Subject: (313

> edits


edits edits edits.

> 

> the world went edit mad

> 

> anyway, I got the "Magick Edit Allstars" 1&2, and they made a 

> right mess of

> the labels, 01 has the labels of 02 and vice versa.

> (these are good edits btw I think, worth having, little 

> extended bits, few

> crazy fx etc). they made 'slicks' "spacebass" sound much better!

> 

> BUT, there's a track on there that I don't recognise that I'm 

> trying to

> find out what it is..

> It's the 2nd track on the side that has two tracks on (theres 

> only one side

> with 2 tracks) and it's a killer boogie number that Mood II 

> Swing sampled

> for one of their best tracks. anyone know?

> 

> also, do you remember the Magick Kuts bootleg 12's that were 

> about a few

> years ago? I think these might be the same guys as them, but 

> just doing

> more boogie/disco tracks that have been famously sampled in house, as

> opposed to the others which were more electronic oddities..

> 

> and, another thing, I managed to get an "Omar S 002" 12" - 

> not listened yet

> - is there "Omar01"?

> 

> that's it today, I promise.

> 

> alex

> _

> 

> - End of message text 

> 

> This e-mail is sent by the above named in their

> individual, non-business capacity and is not on

> behalf of PricewaterhouseCoopers.

> 

> PricewaterhouseCoopers may monitor outgoing and incoming

> e-mails and other telecommunications on its e-mail and

> telecommunications systems. By replying to this e-mail you

> give your consent to such monitoring

> 

> 

> 

> 

(313) edits

[alex . bond]

edits edits edits.

the world went edit mad

anyway, I got the "Magick Edit Allstars" 1&2, and they made a right mess of
the labels, 01 has the labels of 02 and vice versa.
(these are good edits btw I think, worth having, little extended bits, few
crazy fx etc). they made 'slicks' "spacebass" sound much better!

BUT, there's a track on there that I don't recognise that I'm trying to
find out what it is..
It's the 2nd track on the side that has two tracks on (theres only one side
with 2 tracks) and it's a killer boogie number that Mood II Swing sampled
for one of their best tracks. anyone know?

also, do you remember the Magick Kuts bootleg 12's that were about a few
years ago? I think these might be the same guys as them, but just doing
more boogie/disco tracks that have been famously sampled in house, as
opposed to the others which were more electronic oddities..

and, another thing, I managed to get an "Omar S 002" 12" - not listened yet
- is there "Omar01"?

that's it today, I promise.

alex
_

- End of message text 

This e-mail is sent by the above named in their
individual, non-business capacity and is not on
behalf of PricewaterhouseCoopers.

PricewaterhouseCoopers may monitor outgoing and incoming
e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
give your consent to such monitoring

Re: (313) Kenny Larkin @ T-funkshun, UK

[robin]

yeah i'm pretty sure to be going over for this...



robin...

On 3 Mar 2004, at 10:02, [EMAIL PROTECTED] wrote:




T-FUNKSHUN 3RD BIRTHDAY
KENNY LARKIN (Peacefrog//art of dance)


woo-hoo, happy birthday to my scouse comrades!!
I have secured a chain to attach my wallet on, and a padlock for my 
lacoste

shelly, and I'm coming over...

(only joking guys, nice one I'm looking forward to it.)

alex

p.s. anyone else from the list going?
_

- End of message text 

This e-mail is sent by the above named in their
individual, non-business capacity and is not on
behalf of PricewaterhouseCoopers.

PricewaterhouseCoopers may monitor outgoing and incoming
e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
give your consent to such monitoring

RE: (313) Kenny Larkin @ T-funkshun, UK

[alex . bond]

>T-FUNKSHUN 3RD BIRTHDAY
>KENNY LARKIN (Peacefrog//art of dance)

woo-hoo, happy birthday to my scouse comrades!!
I have secured a chain to attach my wallet on, and a padlock for my lacoste
shelly, and I'm coming over...

(only joking guys, nice one I'm looking forward to it.)

alex

p.s. anyone else from the list going?
_

- End of message text 

This e-mail is sent by the above named in their
individual, non-business capacity and is not on
behalf of PricewaterhouseCoopers.

PricewaterhouseCoopers may monitor outgoing and incoming
e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
give your consent to such monitoring

RE: (313) Plastikman Live in Montreal 06.03.04

[Blackman, Ryan (UKEKT)]

Ditto That. :0D

-Original Message-
From: Paul Kendrick [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 9:41 
To: Robert Taylor; [EMAIL PROTECTED]
Cc: 313
Subject: RE: (313) Plastikman Live in Montreal 06.03.04


I also saw him around that time (95) at a megadog strangely enough. In
London. Rocked big time.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 09:38
To: [EMAIL PROTECTED]
Cc: 313
Subject: RE: (313) Plastikman Live in Montreal 06.03.04


Oh yes, at Tribal Gathering '95 in the UK, and it was the best electronic
live act I have ever witnessed - I'll never forget it - it was quite hard
and acidic, as well as heavily percussive - he played a lot of his
Plastikman tracks like Spastik as well as F.U., Substance Abuse and even
that Robotman track.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 5:49 AM
Cc: 313
Subject: Re: (313) Plastikman Live in Montreal 06.03.04







anybody seen a plastikman show before? i was all set to go to his gig in
brooklyn (in 95?) when he was stopped at the border by the INS and sent
back to windsor. is/was it a live p.a. of solely plastikman material or was
djing with other tracks?
james
www.jbucknell.com





Ramon Crespo
   <[EMAIL PROTECTED]  
l.net> To   
 313 <313@hyperreal.org>  03/03/04 
05:12 AM  cc

   Subject  
  (313) Plastikman Live in Montreal  
06.03.04





  



Didnt see this posted so here's the info:

PRESS RELEASE

FIRST PLASTIKMAN LIVE SHOW IN 9 YEARS
ANNOUNCED TODAY

Windsor, Ontario

March 2nd, 2004


Richie Hawtin announced today the first Plastikman live show on
plastikman.com. The event will take place June 3rd, 2004 in Montreal,
Canada as the opening event to this year’s Mutek festival (mutek.ca). It
will be the first live performance of Plastikman material since 1995.

Hawtin describes the show as a rare, one-night performance incorporating
multiple media with the artist controlling all parameters of the event.
As with his DJ sets, he will also involve unprecedented new artistic
technologies — all developed and customised for this show.

The following entities are partners in producing the show:

Mutek — www.mutek.ca 
Derivative Inc. — www.derivativeinc.com 
Crush Inc. — www.crushinc.com 
Ableton, AG — www.ableton.com 
Digidesign — www.digidesign.com 

Turkish video artist Ali Mahmut Demirel, who directed the eye-popping
video for the ‘Disconnect’ (novamute/Minus) single, as well as new media
event producer/curator Kevin McHugh have both contributed to Hawtin’s
plans.

Previous Plastikman live shows have achieved almost mythic renown.
Artists, critics, and fans still talk about performances at Glastonbury
Festival, Tribal Gathering, and underground events in Detroit. In the
years since, Hawtin has increased his profile as a DJ and producer,
constantly updating, innovating and pioneering new technologies. The
current Plastikman album ‘Closer’ is out now on novamute/M-nus.



ForwardSourceID:NT7AD2


#
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Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
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error, please notify [EMAIL PROTECTED]

Thank You.

#




***
Opinions expressed in this email are those of the individual and 
not Entergy-Koch Trading Limited or its affiliated companies

RE: (313) Plastikman Live in Montreal 06.03.04

[Paul Kendrick]

I also saw him around that time (95) at a megadog strangely enough. In London. 
Rocked big time.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 03 March 2004 09:38
To: [EMAIL PROTECTED]
Cc: 313
Subject: RE: (313) Plastikman Live in Montreal 06.03.04


Oh yes, at Tribal Gathering '95 in the UK, and it was the best electronic live 
act I have ever witnessed - I'll never forget it - it was quite hard and 
acidic, as well as heavily percussive - he played a lot of his Plastikman 
tracks like Spastik as well as F.U., Substance Abuse and even that Robotman 
track.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 5:49 AM
Cc: 313
Subject: Re: (313) Plastikman Live in Montreal 06.03.04







anybody seen a plastikman show before? i was all set to go to his gig in
brooklyn (in 95?) when he was stopped at the border by the INS and sent
back to windsor. is/was it a live p.a. of solely plastikman material or was
djing with other tracks?
james
www.jbucknell.com




   
 Ramon Crespo  
 <[EMAIL PROTECTED] 
 l.net> To 
   313 <313@hyperreal.org> 
 03/03/04 05:12 AM  cc 
   
   Subject 
   (313) Plastikman Live in Montreal   
   06.03.04
   
   
   
   
   
   




Didnt see this posted so here's the info:

PRESS RELEASE

FIRST PLASTIKMAN LIVE SHOW IN 9 YEARS
ANNOUNCED TODAY

Windsor, Ontario

March 2nd, 2004


Richie Hawtin announced today the first Plastikman live show on
plastikman.com. The event will take place June 3rd, 2004 in Montreal,
Canada as the opening event to this year’s Mutek festival (mutek.ca). It
will be the first live performance of Plastikman material since 1995.

Hawtin describes the show as a rare, one-night performance incorporating
multiple media with the artist controlling all parameters of the event.
As with his DJ sets, he will also involve unprecedented new artistic
technologies — all developed and customised for this show.

The following entities are partners in producing the show:

Mutek — www.mutek.ca 
Derivative Inc. — www.derivativeinc.com 
Crush Inc. — www.crushinc.com 
Ableton, AG — www.ableton.com 
Digidesign — www.digidesign.com 

Turkish video artist Ali Mahmut Demirel, who directed the eye-popping
video for the ‘Disconnect’ (novamute/Minus) single, as well as new media
event producer/curator Kevin McHugh have both contributed to Hawtin’s
plans.

Previous Plastikman live shows have achieved almost mythic renown.
Artists, critics, and fans still talk about performances at Glastonbury
Festival, Tribal Gathering, and underground events in Detroit. In the
years since, Hawtin has increased his profile as a DJ and producer,
constantly updating, innovating and pioneering new technologies. The
current Plastikman album ‘Closer’ is out now on novamute/M-nus.



ForwardSourceID:NT7AD2

#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

RE: (313) Plastikman Live in Montreal 06.03.04

[Robert Taylor]

Oh yes, at Tribal Gathering '95 in the UK, and it was the best electronic live 
act I have ever witnessed - I'll never forget it - it was quite hard and 
acidic, as well as heavily percussive - he played a lot of his Plastikman 
tracks like Spastik as well as F.U., Substance Abuse and even that Robotman 
track.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 5:49 AM
Cc: 313
Subject: Re: (313) Plastikman Live in Montreal 06.03.04







anybody seen a plastikman show before? i was all set to go to his gig in
brooklyn (in 95?) when he was stopped at the border by the INS and sent
back to windsor. is/was it a live p.a. of solely plastikman material or was
djing with other tracks?
james
www.jbucknell.com




   
 Ramon Crespo  
 <[EMAIL PROTECTED] 
 l.net> To 
   313 <313@hyperreal.org> 
 03/03/04 05:12 AM  cc 
   
   Subject 
   (313) Plastikman Live in Montreal   
   06.03.04
   
   
   
   
   
   




Didnt see this posted so here's the info:

PRESS RELEASE

FIRST PLASTIKMAN LIVE SHOW IN 9 YEARS
ANNOUNCED TODAY

Windsor, Ontario

March 2nd, 2004


Richie Hawtin announced today the first Plastikman live show on
plastikman.com. The event will take place June 3rd, 2004 in Montreal,
Canada as the opening event to this year’s Mutek festival (mutek.ca). It
will be the first live performance of Plastikman material since 1995.

Hawtin describes the show as a rare, one-night performance incorporating
multiple media with the artist controlling all parameters of the event.
As with his DJ sets, he will also involve unprecedented new artistic
technologies — all developed and customised for this show.

The following entities are partners in producing the show:

Mutek — www.mutek.ca 
Derivative Inc. — www.derivativeinc.com 
Crush Inc. — www.crushinc.com 
Ableton, AG — www.ableton.com 
Digidesign — www.digidesign.com 

Turkish video artist Ali Mahmut Demirel, who directed the eye-popping
video for the ‘Disconnect’ (novamute/Minus) single, as well as new media
event producer/curator Kevin McHugh have both contributed to Hawtin’s
plans.

Previous Plastikman live shows have achieved almost mythic renown.
Artists, critics, and fans still talk about performances at Glastonbury
Festival, Tribal Gathering, and underground events in Detroit. In the
years since, Hawtin has increased his profile as a DJ and producer,
constantly updating, innovating and pioneering new technologies. The
current Plastikman album ‘Closer’ is out now on novamute/M-nus.



ForwardSourceID:NT7AD2

#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

Re: (313) Plastikman Live in Montreal 06.03.04

[Adam H]

It rained _really hard_ that night.  I thought I was going to get stuck 
on the freeway.  The gear he used seemed to take up a garageworth of 
space.  Definitely pre-mp3-ableton-ni-powerbook.


I remember Terry Mullen playing blackout right before the show started, 
then silence, screams, lights on peoples clothing with sunglasses, drp, 
more screams, music starts, graphics start on the video screen, total 
craziness for the next ~40 minutes. Trancendence was very different.  
It was on a floor of a skyscraper right there in downtown Toronto.  It 
didnt feel underground at all, very big event in a large open space.  
No video screen to accompany the music but the speakers emitted an evil 
red glow at points.  The music had a tighter feel from the Spastik 
show.


Geez that happened 10 years ago, I feel old.

Dang kids today with their music collections in little iPods and 
studios in little notebooks.  Why in my day we walked miles in a bad 
part of town with 100 pound record crates, in the snow, barefoot, and 
we liked it.  If gear couldnt give you a hernia or put you in debt it 
was no good I tell you.  New fangled computers matching beats for you, 
pffft:P




On Mar 03, 2004, at 02:53, Matt MacQueen wrote:


On Mar 3, 2004, at 12:50 AM, Adam H wrote:
Spastik(94) and Transcendence(95).  The shows were _incredible_  Both 
were "plastikman" tracks live followed by 4-6 hour dj sets.


I wonder if he will play any of the goo*cough* I mean old plastikman 
tracks..   :D


hi Adam-
I also caught him live for the 1st time in 94 at Spastik in Detroit 
too (was it really 10 years ago?  holy shi*t), but missed 
Transcendence, which may have been even bigger?   Pre-mp3, 
pre-Traktor, pre-Ableton, it was nearly pre-Clinton for god sake.   I 
gotta give him credit it was a mindblower of a party, the complete 
experience.  I mean at the time it was about as literally as 'techno' 
as you could get in the US, I still may even have the flyer somewhere 
(how sad am I).   There was a pile of live gear / rack / PA stuff  and 
then if i recall he played some records.  There really aren't parties 
like that anymore in the US, at that scale (and venue and volume) in 
Detroit, that still have a very underground feel with that level of 
talent and almost fetishistic overwhelmingly huge sound systems.  I 
remember his parents were in the crowd, and there were some contorting 
+8 dancers up on speakers peeling off layers of lycra clothing?  (do i 
have the right party here??  yikes, it's all a blur, hahh)


I kept thinking we're all gonna spontaneously combust it was so hot, 
packed in, everything was covered in black plastic and dripping in 
human perspiration. The sounds themselves felt like they were 
dripping, it was intense.  I'm sure whatever he'll do now from a 
performance standpoint will be completely unique and innovative as 
that's just his style, he's not one for nostalgia just for the sake of 
it.   Especially with the near-freakish control he usually has over 
every element of the parties, from technology, audio/visual setups, 
wanting the latest of everything, etc.


I haven't cared for his last couple of albums (or straight 
jackhammer-like direction of his DJ sets in recent years) as much as 
his earlier more sparse material. The first 2 Plastikman albums (Sheet 
One and Musik) I think are still much better than the new ones IMHO.. 
but frankly i'm still glad he brought back the whole Plastikman 
concept to life.  It's interesting and makes you think, whether you 
love it or hate it.   It probably all depends on if/when you got into 
his music and what tracks you got into (or out of) first...But 
anyone who can go to this live set will probably be in for the 'total 
experience' --  it's no slouchy organization, every detail matters.


peace
--
Matt MacQueen
http://SonicSunset.com

(313) Playlist WNUR Chicago - 27 Feb. 2004

[Matt MacQueen]

Clinically Inclined
27 February 2004
Fridays 10:30pm - 1:00am,  89.3 FM WNUR in Chicago
http://SonicSunset.com  (download part 2 of this show, view archives)


To highlight a Chicago stop for John Beltran & John Arnold tour, Dave 
drops some Beltran & Placid Angles wonders from his oft-pined for 
Peacefrog / 33rpm era. New music this week music from Soulphiction, D5 
& Derek Carr plus classics from the Dramatics, Players Association, 
Fingers Inc and Carl Craig. Add a pinch of italo cooking spices from 
Dharma, Firefly, Cocadisco & Paciscopi and simmer for 2 hours.



Part 1 > Matt MacQueen

The Dramatics - What You See Is What You Get - Best Of (Volt) 1976
Firefly - Love Is Gonna Be On Your Site [remix] (Uni Disc) 1981
The Players Association - Dancin - We Got The Groove (Vanguard) 1980
Paciscopi - Love's Harmony [Instrumental] (Capriccio) 1985
Cocadisco 1 - A1 (Viewlexx)
Dharma - Plastic Doll [Instrumental] (JDC) 1981
Comtron - Bad Business - Evil System (Blacklabel)
Purple Flash - We Can Make It (Darshan Jesrani remix) - Unclassics 3 
(Environ)

Omar S - B2 (AOS)
DJ Kent - In The Bush [Theo Parrish Beats remix] (Bearfunk)
Soulphiction - Liquid Patterns - Soulphiction EP (Freude-am-Tanzen)
C.F. Noel ii present - Noisette - le nid d'oiseau (MOTO)
Derek Carr - Improv - Detroit-Berlin-Westmeath (Headspace)
D5 - Formation 1 - Formation 1 EP (Digital Soul)


Part 2 > Dave Siska

new world aquarium - tresspassers (planet e)
john beltran featuring open house - earth & nightfall [club mix] 
(33rpm/sinewave)

fingers inc - mystery of love - the house sound of chicago (london) 1986
"fast eddie" smith - jack the house [house mix] (underground) 1987
lil louis - music takes u away [vibrant mix] (dance mania) 1988
carl craig - a wonderful life [epic mix] (planet e)
john beltran - collage of dreams [outro] - ten days of blue (peacefrog)
robert hood - omega (peacefrog)
jeremiah - in your eyes - alphabet ep (grow)
primitive urges volume 1 (primitive)
pantytec - elastobabe [soul capsule's cosmic warrior mix] (perlon)
kenny larkin - life goes on (r&s)
jeff mills - gata - from the 21st part 1 (axis)
fabrice lig - roots of the future (raygun)
gary martin - subterranean substance [g martin mix] (teknotika)
iridite productions - a1 - the acceptable face of elitist techno 
(downlow)

placid angles - everything under the sun - the cry (peacefrog)


peace
--
Matt MacQueen
http://SonicSunset.com

Re: (313) Plastikman Live in Montreal 06.03.04

[Matt MacQueen]

On Mar 3, 2004, at 12:50 AM, Adam H wrote:
Spastik(94) and Transcendence(95).  The shows were _incredible_  Both 
were "plastikman" tracks live followed by 4-6 hour dj sets.


I wonder if he will play any of the goo*cough* I mean old plastikman 
tracks..   :D


hi Adam-
I also caught him live for the 1st time in 94 at Spastik in Detroit too 
(was it really 10 years ago?  holy shi*t), but missed Transcendence, 
which may have been even bigger?   Pre-mp3, pre-Traktor, pre-Ableton, 
it was nearly pre-Clinton for god sake.   I gotta give him credit it 
was a mindblower of a party, the complete experience.  I mean at the 
time it was about as literally as 'techno' as you could get in the US, 
I still may even have the flyer somewhere (how sad am I).   There was a 
pile of live gear / rack / PA stuff  and then if i recall he played 
some records.  There really aren't parties like that anymore in the US, 
at that scale (and venue and volume) in Detroit, that still have a very 
underground feel with that level of talent and almost fetishistic 
overwhelmingly huge sound systems.  I remember his parents were in the 
crowd, and there were some contorting +8 dancers up on speakers peeling 
off layers of lycra clothing?  (do i have the right party here??  
yikes, it's all a blur, hahh)


I kept thinking we're all gonna spontaneously combust it was so hot, 
packed in, everything was covered in black plastic and dripping in 
human perspiration. The sounds themselves felt like they were dripping, 
it was intense.  I'm sure whatever he'll do now from a performance 
standpoint will be completely unique and innovative as that's just his 
style, he's not one for nostalgia just for the sake of it.   Especially 
with the near-freakish control he usually has over every element of the 
parties, from technology, audio/visual setups, wanting the latest of 
everything, etc.


I haven't cared for his last couple of albums (or straight 
jackhammer-like direction of his DJ sets in recent years) as much as 
his earlier more sparse material. The first 2 Plastikman albums (Sheet 
One and Musik) I think are still much better than the new ones IMHO.. 
but frankly i'm still glad he brought back the whole Plastikman concept 
to life.  It's interesting and makes you think, whether you love it or 
hate it.   It probably all depends on if/when you got into his music 
and what tracks you got into (or out of) first...But anyone who can 
go to this live set will probably be in for the 'total experience' --  
it's no slouchy organization, every detail matters.


peace
--
Matt MacQueen
http://SonicSunset.com

Re: (313) Plastikman Live in Montreal 06.03.04

[Adam H]

Spastik(94) and Transcendence(95).  The shows were _incredible_  Both 
were "plastikman" tracks live followed by 4-6 hour dj sets.


I wonder if he will play any of the goo*cough* I mean old plastikman 
tracks..   :D




On Mar 03, 2004, at 00:48, [EMAIL PROTECTED] wrote:







anybody seen a plastikman show before? i was all set to go to his gig 
in

brooklyn (in 95?) when he was stopped at the border by the INS and sent
back to windsor. is/was it a live p.a. of solely plastikman material 
or was

djing with other tracks?
james
www.jbucknell.com





 Ramon Crespo
 <[EMAIL PROTECTED]
 l.net>
 To

   313 <313@hyperreal.org>
 03/03/04 05:12 AM 
 cc


   
Subject
   (313) Plastikman Live in 
Montreal

   06.03.04










Didnt see this posted so here's the info:

PRESS RELEASE

FIRST PLASTIKMAN LIVE SHOW IN 9 YEARS
ANNOUNCED TODAY

Windsor, Ontario

March 2nd, 2004


Richie Hawtin announced today the first Plastikman live show on
plastikman.com. The event will take place June 3rd, 2004 in Montreal,
Canada as the opening event to this year’s Mutek festival (mutek.ca). 
It

will be the first live performance of Plastikman material since 1995.

Hawtin describes the show as a rare, one-night performance 
incorporating

multiple media with the artist controlling all parameters of the event.
As with his DJ sets, he will also involve unprecedented new artistic
technologies — all developed and customised for this show.

The following entities are partners in producing the show:

Mutek — www.mutek.ca 
Derivative Inc. — www.derivativeinc.com 
Crush Inc. — www.crushinc.com 
Ableton, AG — www.ableton.com 
Digidesign — www.digidesign.com 

Turkish video artist Ali Mahmut Demirel, who directed the eye-popping
video for the ‘Disconnect’ (novamute/Minus) single, as well as new 
media

event producer/curator Kevin McHugh have both contributed to Hawtin’s
plans.

Previous Plastikman live shows have achieved almost mythic renown.
Artists, critics, and fans still talk about performances at Glastonbury
Festival, Tribal Gathering, and underground events in Detroit. In the
years since, Hawtin has increased his profile as a DJ and producer,
constantly updating, innovating and pioneering new technologies. The
current Plastikman album ‘Closer’ is out now on novamute/M-nus.



ForwardSourceID:NT7AD2

Re: (313) Plastikman Live in Montreal 06.03.04

[James_Bucknell]

anybody seen a plastikman show before? i was all set to go to his gig in
brooklyn (in 95?) when he was stopped at the border by the INS and sent
back to windsor. is/was it a live p.a. of solely plastikman material or was
djing with other tracks?
james
www.jbucknell.com




   
 Ramon Crespo  
 <[EMAIL PROTECTED] 
 l.net> To 
   313 <313@hyperreal.org> 
 03/03/04 05:12 AM  cc 
   
   Subject 
   (313) Plastikman Live in Montreal   
   06.03.04
   
   
   
   
   
   




Didnt see this posted so here's the info:

PRESS RELEASE

FIRST PLASTIKMAN LIVE SHOW IN 9 YEARS
ANNOUNCED TODAY

Windsor, Ontario

March 2nd, 2004


Richie Hawtin announced today the first Plastikman live show on
plastikman.com. The event will take place June 3rd, 2004 in Montreal,
Canada as the opening event to this year’s Mutek festival (mutek.ca). It
will be the first live performance of Plastikman material since 1995.

Hawtin describes the show as a rare, one-night performance incorporating
multiple media with the artist controlling all parameters of the event.
As with his DJ sets, he will also involve unprecedented new artistic
technologies — all developed and customised for this show.

The following entities are partners in producing the show:

Mutek — www.mutek.ca 
Derivative Inc. — www.derivativeinc.com 
Crush Inc. — www.crushinc.com 
Ableton, AG — www.ableton.com 
Digidesign — www.digidesign.com 

Turkish video artist Ali Mahmut Demirel, who directed the eye-popping
video for the ‘Disconnect’ (novamute/Minus) single, as well as new media
event producer/curator Kevin McHugh have both contributed to Hawtin’s
plans.

Previous Plastikman live shows have achieved almost mythic renown.
Artists, critics, and fans still talk about performances at Glastonbury
Festival, Tribal Gathering, and underground events in Detroit. In the
years since, Hawtin has increased his profile as a DJ and producer,
constantly updating, innovating and pioneering new technologies. The
current Plastikman album ‘Closer’ is out now on novamute/M-nus.



ForwardSourceID:NT7AD2

(313) Plastikman Live in Montreal 06.03.04

[Ramon Crespo]

Didnt see this posted so here's the info:

PRESS RELEASE

FIRST PLASTIKMAN LIVE SHOW IN 9 YEARS
ANNOUNCED TODAY

Windsor, Ontario

March 2nd, 2004


Richie Hawtin announced today the first Plastikman live show on 
plastikman.com. The event will take place June 3rd, 2004 in Montreal, 
Canada as the opening event to this year’s Mutek festival (mutek.ca). It 
will be the first live performance of Plastikman material since 1995.


Hawtin describes the show as a rare, one-night performance incorporating 
multiple media with the artist controlling all parameters of the event. 
As with his DJ sets, he will also involve unprecedented new artistic 
technologies — all developed and customised for this show.


The following entities are partners in producing the show:

Mutek — www.mutek.ca 
Derivative Inc. — www.derivativeinc.com 
Crush Inc. — www.crushinc.com 
Ableton, AG — www.ableton.com 
Digidesign — www.digidesign.com 

Turkish video artist Ali Mahmut Demirel, who directed the eye-popping 
video for the ‘Disconnect’ (novamute/Minus) single, as well as new media 
event producer/curator Kevin McHugh have both contributed to Hawtin’s plans.


Previous Plastikman live shows have achieved almost mythic renown. 
Artists, critics, and fans still talk about performances at Glastonbury 
Festival, Tribal Gathering, and underground events in Detroit. In the 
years since, Hawtin has increased his profile as a DJ and producer, 
constantly updating, innovating and pioneering new technologies. The 
current Plastikman album ‘Closer’ is out now on novamute/M-nus.

(313) Further/Plus or Minus/Unrestricted @ Jazid - Sunday 3/7/04

[Ramon Crespo]

DJ's

Domingo Castillo (Restricted/B-Sides/Miami)
Jimmy Toural (Restricted/Miami)
Daniel Mnookin(Amp Prod/Proton Radio /Chicago)
Brian Ffar (Proton Radio/Planet East/Chicago)
Chloe Harris (Restricted/B-Sides/CP 
Recordings/Progressive-Sounds.com/Seattle)

Maya Amack (B-Sides/ProtonRadio/Orlando)
Dennis Rodgers (112 Crew/Arc/NYC)
Tom Budden (Southampton, UK) others TBA

Where: Jazid, 1342 Washington Ave
When: March 7th 2004 (2pm - 7pm)
Details: official restricted management/further/plusorminus party for 
wmc 2004

Contact: [EMAIL PROTECTED]
Price: Free!

www.jazid.net
www.brianffar.com
www.djchloe.com
www.112crew.com
www.protonradio.com
www.progressive-sounds.com
pub62.ezboard.com/bplusorminus

ITS ON LIKE TRON