Re: Fwd: (313) looking for acid (house)[when I hear ACEEEEEEEED!!! all I can say is ACEEEEEEEED!!!]
hmmm the mix seems to be only 11megs, its been corrected >>> "Jared Wilson" <[EMAIL PROTECTED]> 09/16/04 6:59 PM >>> is a good one - http://www.discogs.com/release/239754 is a new one - http://www.feedthemachine.org/getacidhouse[d].mp3 the mix - http://www.feedthemachine.org/the_mix.mp3 LFO - Intro - Tommy Boy Scuba - Lets Go Back (Elements of Jazz Vol. 2) - Kickin Records Teste - The Wipe - Probe DJ Slip - Emerald City - Music Man Something J/ DJ Maxximus - Mercedes Bentley vs . Versace Armani - Warp Ceephax Acid Crew - Part 1 - Breakin' Records Sendex - Just Dance - Bunker ARC000 Khan - Silentmoviesilverscreen - Super 8 B.R. Posse - Dreaming of the Bassline - Rephlex Auto Kinetic/BPMF - The Synapse (Split) EP - Electric Music Foundation AFX - Analogue Bubblebath 4 - Rephlex Fuschimuschi - My Number One/Super Sexy Lady - Rephlex SI Begg - Network Southeast Vol 1 - Under 5's Masami Akita + Russell Haswell - Satanstorn Ade - Warp Bodenstandig 2000 - German Maxi Rave Hits Vol 3 - Rephlex Acid Kings - Acid Kings - Keys of Life Ace of Clubs - Classid Trax - Paperplane DJ Hyperactive - Samoan Acid Stomper - Communique Ace of Clubs - Classid Trax - Paperplane 808 State - Newbuild - Rephlex Todd Osborn & Tadd Mullinix - Whitelabel - TNT #1 Calisto - Get House (Acid House for All) - Definitive Recordings >>> <[EMAIL PROTECTED]> 09/16/04 6:01 PM >>> Acid Kings from Finland - heard/seen their live performance, was rocking! didnt hear anything else new though, but i loved the way Bevery Hills 808303 [I-F's project] been using machines! ../z99 it was 17.09.2004 when u've been going like this:: ~ > There's a thing called "Acid Kings" which has a good take on the more > classic Chicago style of Acid House- also check the Dirty Criminals > album on Giggilo too- a more modern rounded sound with contributions > from Spanky- some pretty warped moments- good stuff though > cheers > Jason > On 16 Sep 2004, at 21:52, [EMAIL PROTECTED] wrote: >> should clarify that - more on the house side as opposed to techno (no >> Hardfloor please) >> >> MEK >> ~
Re: Fwd: (313) looking for acid (house)[when I hear ACEEEEEEEED!!! all I can say is ACEEEEEEEED!!!]
is a good one - http://www.discogs.com/release/239754 is a new one - http://www.feedthemachine.org/getacidhouse[d].mp3 the mix - http://www.feedthemachine.org/the_mix.mp3 LFO - Intro - Tommy Boy Scuba - Lets Go Back (Elements of Jazz Vol. 2) - Kickin Records Teste - The Wipe - Probe DJ Slip - Emerald City - Music Man Something J/ DJ Maxximus - Mercedes Bentley vs . Versace Armani - Warp Ceephax Acid Crew - Part 1 - Breakin' Records Sendex - Just Dance - Bunker ARC000 Khan - Silentmoviesilverscreen - Super 8 B.R. Posse - Dreaming of the Bassline - Rephlex Auto Kinetic/BPMF - The Synapse (Split) EP - Electric Music Foundation AFX - Analogue Bubblebath 4 - Rephlex Fuschimuschi - My Number One/Super Sexy Lady - Rephlex SI Begg - Network Southeast Vol 1 - Under 5's Masami Akita + Russell Haswell - Satanstorn Ade - Warp Bodenstandig 2000 - German Maxi Rave Hits Vol 3 - Rephlex Acid Kings - Acid Kings - Keys of Life Ace of Clubs - Classid Trax - Paperplane DJ Hyperactive - Samoan Acid Stomper - Communique Ace of Clubs - Classid Trax - Paperplane 808 State - Newbuild - Rephlex Todd Osborn & Tadd Mullinix - Whitelabel - TNT #1 Calisto - Get House (Acid House for All) - Definitive Recordings >>> <[EMAIL PROTECTED]> 09/16/04 6:01 PM >>> Acid Kings from Finland - heard/seen their live performance, was rocking! didnt hear anything else new though, but i loved the way Bevery Hills 808303 [I-F's project] been using machines! ../z99 it was 17.09.2004 when u've been going like this:: ~ > There's a thing called "Acid Kings" which has a good take on the more > classic Chicago style of Acid House- also check the Dirty Criminals > album on Giggilo too- a more modern rounded sound with contributions > from Spanky- some pretty warped moments- good stuff though > cheers > Jason > On 16 Sep 2004, at 21:52, [EMAIL PROTECTED] wrote: >> should clarify that - more on the house side as opposed to techno (no >> Hardfloor please) >> >> MEK >> ~
(313) slsk ppl
so i finally got slsk running again, although 99% of my mp3s are lost on my older computer. so yeah,, i know i used to have a bunch of you guys on my list (im "pipecock") so email me your names so i can get back in the swing of things... tom andythepooh.com
Re: Fwd: (313) looking for acid (house)
-- Original Message -- From: "J.T." <[EMAIL PROTECTED]> >i forget if you've maybe already checked it mike, but there's also the sendex stuff on bunker..."do you really just wanna dance?" and "exposure" both have cuts that sound incredibly classic chiespecially "evidence" on exposure is hot as hell...i saw him perform it 6 times in a week and never got sick of it. oh yeah, i forgot all about that. i need to pick up that 12". he posted a low bitrate version of that to the analogue heaven list like a year before it came out, and i was just obsessed with it. great cut. very fingersish, i emailed him to tell him that, then he told me that he was sendex and it all made sense. tom andythepooh.com
Re: Fwd: (313) looking for acid (house)
Acid Kings from Finland - heard/seen their live performance, was rocking! didnt hear anything else new though, but i loved the way Bevery Hills 808303 [I-F's project] been using machines! ../z99 it was 17.09.2004 when u've been going like this:: ~ > There's a thing called "Acid Kings" which has a good take on the more > classic Chicago style of Acid House- also check the Dirty Criminals > album on Giggilo too- a more modern rounded sound with contributions > from Spanky- some pretty warped moments- good stuff though > cheers > Jason > On 16 Sep 2004, at 21:52, [EMAIL PROTECTED] wrote: >> should clarify that - more on the house side as opposed to techno (no >> Hardfloor please) >> >> MEK >> ~
Re: Fwd: (313) looking for acid (house)
i forget if you've maybe already checked it mike, but there's also the sendex stuff on bunker..."do you really just wanna dance?" and "exposure" both have cuts that sound incredibly classic chiespecially "evidence" on exposure is hot as hell...i saw him perform it 6 times in a week and never got sick of it. ah! there's some kinda fingers-y moments on both recs as well. i'm curious about that dirty criminals album... -Original Message- From: Jason Brunton <[EMAIL PROTECTED]> Sent: Sep 16, 2004 2:49 PM To: 313 <313@hyperreal.org> Subject: Fwd: (313) looking for acid (house) There's a thing called "Acid Kings" which has a good take on the more classic Chicago style of Acid House- also check the Dirty Criminals album on Giggilo too- a more modern rounded sound with contributions from Spanky- some pretty warped moments- good stuff though cheers Jason On 16 Sep 2004, at 21:52, [EMAIL PROTECTED] wrote: > should clarify that - more on the house side as opposed to techno (no > Hardfloor please) > > MEK >
Fwd: (313) looking for acid (house)
There's a thing called "Acid Kings" which has a good take on the more classic Chicago style of Acid House- also check the Dirty Criminals album on Giggilo too- a more modern rounded sound with contributions from Spanky- some pretty warped moments- good stuff though cheers Jason On 16 Sep 2004, at 21:52, [EMAIL PROTECTED] wrote: should clarify that - more on the house side as opposed to techno (no Hardfloor please) MEK
(313) Down-on-his-luck Techno artist forced to shill for Afro-American product
"HOLLYWOOD, CA (AP/313) - FOR IMMEDIATE RELEASE PHOTO CAPTION Former world-famous Techno DJ & Producer Kenny Larkin is shown here in this photograph, dated September 14th 2004, shilling for Afro-American product ``Black Again''. ``After I moved to Los Angeles, I started losing my Blackness," Mr. Larkin stated. ``I started dancing off-beat, like White people. I needed to get my groove back. I started using ``Black Again'' and was so impressed with the product that I am now a spokesman''. Mr. Larkin would not comment when asked if his Techno fortunes were at such a low ebb that he was forced to shill for the product to support himself." http://mine-mine.mine.nu/DarkComedian.jpg
Re: (313) looking for acid (house)
At 05:05 PM 9/16/2004, Thomas D. Cox, Jr. wrote: whats wrong with hardfloor? http://www.discogs.com/release/213727 That release is VERY wrong with Hardfloor. You'd think it had promise by the names Hardfloor and Yello, and then it's the cheesiest epic trance you've ever heard. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || [EMAIL PROTECTED]
Re: (313) looking for acid (house)
-- Original Message -- From: [EMAIL PROTECTED] >should clarify that - more on the house side as opposed to techno (no >Hardfloor please) whats wrong with hardfloor? anyway, im sure you checked out that abe duque and blake baxter 12" right? and the recent loosefingers 12" on alleviated? theyre the best stuff ive heard around tom andythepooh.com
(313) looking for acid (house)
should clarify that - more on the house side as opposed to techno (no Hardfloor please) MEK
(313) looking for acid
any suggestions for some newer releases that have the spirit of classic acid or have really taken it to the next level? MEK
Re: (313) DJ Bone List
i'm also very excited about his Axis record. it should be a great fit for him, since the Spectral record has a rather Mills-ish feel to it. it has a very interesting quality to it - sounds almost surgical in precision, but like there's a thick cloth between you and the speakers. it's one of the very best Spectral releases imo. that was a "wild PA", indeed. it sounded like bad beatmatching at points (Traktor?), but the individual sounds still seemed to keep their own space. maybe it was done on purpose? - jobot - Original Message - From: Matt MacQueen <[EMAIL PROTECTED]> Date: Thursday, September 16, 2004 12:21 pm Subject: Re: (313) DJ Bone List > On Sep 16, 2004, at 11:16 AM, jason kenjar wrote: > > > PS> Also REALLY looking forward to the new release by > hieroglyphic > > being on the axis sub-label. Elektrabel. I can only imagine how > great > > it could be. > > cool... has anyone heard this yet? He did a sort of wild PA this > year > at the festival... and I've liked what i've heard.. there's one on > Spectral or Ghostly, forgot which. > > peace > -- > Matt MacQueen > http://SonicSunset.com > >
RE: (313) Last Chance
having probs downloading CLaude's mix :( Gonna check out Miss Bass ..but would prefer Claude's..also on the case with Mr Ho's as well..some nice deep stuff there :) -Original Message- From: ian cheshire [mailto:[EMAIL PROTECTED] Sent: 16 September 2004 20:00 To: Martin Dust; 313 Mailinglist List Subject: RE: (313) Last Chance nice stuff, cheers Martin I'll check em out later.. -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 16 September 2004 10:03 To: 313 Mailinglist List Subject: (313) Last Chance To grab the AGCG mixes on LD - Going up later today: All Exclusives... Claude Young - Detroit Master Mix Oliver Ho - Deep Mix Miss Bass - Stuff your Mother Wouldn't Like Cheers Martin --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.760 / Virus Database: 509 - Release Date: 10/09/04 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.760 / Virus Database: 509 - Release Date: 10/09/04 --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.760 / Virus Database: 509 - Release Date: 10/09/04 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.760 / Virus Database: 509 - Release Date: 10/09/04
RE: (313) Last Chance
nice stuff, cheers Martin I'll check em out later.. -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 16 September 2004 10:03 To: 313 Mailinglist List Subject: (313) Last Chance To grab the AGCG mixes on LD - Going up later today: All Exclusives... Claude Young - Detroit Master Mix Oliver Ho - Deep Mix Miss Bass - Stuff your Mother Wouldn't Like Cheers Martin --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.760 / Virus Database: 509 - Release Date: 10/09/04 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.760 / Virus Database: 509 - Release Date: 10/09/04
(313) Mills: old and new
Old ("new" Wizard mix from 1985-1986 posted on www.DeepHousePage.COM):
http://rose107.biostat.wisc.edu/drived/Thewizard85-86a.mp3
http://rose107.biostat.wisc.edu/drived/Thewizard85-86b.mp3
New (On John Peel yesterday):
rtsp://rmv8.bbc.net.uk/radio1/peel_wed.ra?start="00:57:40"
(Mills starts at 57:40 in from the beginning)
- Greg
(313) Need some help identifying a few tracks. (from Saunderson dj-set).
Hello, I'm new to this list, but a friend of mine told me this would be the place to be, to identify a few tracks I'm very keen on finding. They are from a Kevin Saunderson dj-set (@ Pulse festival... '02 or '03). I put an mp3 with the snippets online which matter. The first one was already identified by someone as 'Dirty - Dirty (e-dancer mix)', but (especially) the second, and the third one I'd really like to know more about, so I can go buy them. Local vinyl store didn't know the tracks either :( Here's the mp3's: www.deflect.org/Snippets.mp3 And for those of you who are interested in the whole interview, I made an mp3 as well: www.deflect.org/SaundersonInterview.mp3 Thanks for any help! Best regards, Oyk-D.Coy.
Re: (313) Yussell officially awarded for the 'International achievment' of talking some nonsense for the 1.000.000th time.
(very) Well put Matt Jason Yussell... this is Josh Glazer, right? You lived in Detroit, moved to LA, work for Urb? Yussell, can we just call you Josh... ? I think Josh Glazer thinks it's his role as a budding (or, do i have to say 'established') writer for Urb that in the true tabloid-y, over-reactive, back-biting biting world of getting a name for yourself as a dance music journalist. Where you think have to piss everyone off for awhile by saying ill-conceived poison so everyone think you have some sack as a writer with your own opinions. In some ways I admire that, but mostly I don't, and I get so tired of seeing it played out. I'd call you a victim of the system... (Urb, enough said?) but that would be letting you off too easy. I'm sorry but i just can't understand throwing dirt down on people like Claude and Juan for some personal decisions they've made in their lives when they've contributed so much great music. On a 313 list no less. Without Juan you wouldn't be writing about techno.. you'd quite possibly have a different career/interests altogether. There are probably some detroit techno artists who probably don't pay their child support, owe some people money for bad deals, and have a substance abuse problem or maybe don't always put on clean socks everyday JUST LIKE THE REST OF THE POPULATION has at some point. Juan's award was for his contributions to MUSIC, right?? If he doesn't most deserve it in techno, WHO DOES in America? I'm not saying let's elect him to office, i'm saying let's recognize his contributions to electronic music. Do you have to try and take that away from him? We all have dirty laundry, i guess you just think it's your job as a journalist to duty-bound diss and publically air other people's on 313.Not every ounce of haytin' that comes through your head needs to flow into your keyboard. Please consider these kind of things before you moan about them on 313. It never ceases to amaze me. I don't ask that you agree with me, I ask that you think before you so rush in to discredit others. -- Matt MacQueen http://SonicSunset.com
Re: (313) DJ Bone List
On Sep 16, 2004, at 11:16 AM, jason kenjar wrote: PS> Also REALLY looking forward to the new release by hieroglyphic being on the axis sub-label. Elektrabel. I can only imagine how great it could be. cool... has anyone heard this yet? He did a sort of wild PA this year at the festival... and I've liked what i've heard.. there's one on Spectral or Ghostly, forgot which. peace -- Matt MacQueen http://SonicSunset.com
Re: (313) Juan Atkins officially awarded for the 'International achievment'
On Sep 16, 2004, at 7:44 AM, [EMAIL PROTECTED] wrote: And, lastly, re Juan. Isn't his job making music? As in it's his full time job? Does anyone talk s**t about what you do in your personal life outside work? In public? No, didn't think so, it's just not relevant is it? And we're not interested in your little hints, we would just like to hear his music thanks. Not what brand of f**king cereal he buys. It's a) none of our business, and b) just not interesting. I'm sure you feel real cool being in the know, but we don't give a f**k. We don't care. Thank you alex. Yussell... this is Josh Glazer, right? You lived in Detroit, moved to LA, work for Urb? Yussell, can we just call you Josh... ? I think Josh Glazer thinks it's his role as a budding (or, do i have to say 'established') writer for Urb that in the true tabloid-y, over-reactive, back-biting biting world of getting a name for yourself as a dance music journalist. Where you think have to piss everyone off for awhile by saying ill-conceived poison so everyone think you have some sack as a writer with your own opinions. In some ways I admire that, but mostly I don't, and I get so tired of seeing it played out. I'd call you a victim of the system... (Urb, enough said?) but that would be letting you off too easy. I'm sorry but i just can't understand throwing dirt down on people like Claude and Juan for some personal decisions they've made in their lives when they've contributed so much great music. On a 313 list no less. Without Juan you wouldn't be writing about techno.. you'd quite possibly have a different career/interests altogether. There are probably some detroit techno artists who probably don't pay their child support, owe some people money for bad deals, and have a substance abuse problem or maybe don't always put on clean socks everyday JUST LIKE THE REST OF THE POPULATION has at some point. Juan's award was for his contributions to MUSIC, right?? If he doesn't most deserve it in techno, WHO DOES in America? I'm not saying let's elect him to office, i'm saying let's recognize his contributions to electronic music. Do you have to try and take that away from him? We all have dirty laundry, i guess you just think it's your job as a journalist to duty-bound diss and publically air other people's on 313. Not every ounce of haytin' that comes through your head needs to flow into your keyboard. Please consider these kind of things before you moan about them on 313. It never ceases to amaze me. I don't ask that you agree with me, I ask that you think before you so rush in to discredit others. -- Matt MacQueen http://SonicSunset.com
Re: (313) DJ Bone List
hello big-mouth Martin ;) and fellow list members- If i can snap up a promo or not, it doesn't really make 'that' big of a deal because he has been releasing on the regular. Im just eager to get his new stuff because everything he makes is pure gold, and I remember the time when it was much harder to get his material. much respect, we cool. -j PS> Also REALLY looking forward to the new release by hieroglyphic being on the axis sub-label. Elektrabel. I can only imagine how great it could be. On Thursday, September 16, 2004, at 09:36 AM, Martin Dust wrote: Nope, Satan rejected my soul, he's met my kind before :) I think it's one of those list where you should ask - but I've no idea how it works, each company has their own policy I guess... Martin On 16 Sep 2004, at 14:59, jason kenjar wrote: damn you DUST! Did you sign a deal with the devil to get in contact with bone? I've been trying to get on his promo list for a while, but I think he forgot to add me. your freind jason
(313) I:Cube in London
Received from Versatile today : 25/09 Here the info : 8pm till 02 am Free b4 9bpm 6£ after The medecine bar 89 great eastern st - shoreditch - London ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail, and any attachments it may have, is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, and any attachments it may have, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** __ This email has been scanned by the MessageLabs Email Security System. __
RE: (313) Fw: Dave Clarke Top Ten...
Kamal, can't believe I just called you Jamal!!! I'm sorry!!! _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Fw: Dave Clarke Top Ten...
sweet. thanks for the info and looking forward to the reviews martin (secretly hating on you though :)) yeh i checked the last stinkworx release on delsin and a couple of the tracks are like that so I'm pretty sure it's down to his production techniques. also checking against the MOS rmx on the new one will say the same thing as they used a significantly beefier kick. doesn't make me like his stuff any less though. I'm a huge fan of his stuff. it just makes me more careful of what I mix it with, as it sometimes can sound like the bottom drops out if you mix out of a track with a tough ass bottom end. MAN! I'm drooling on my keyboard thinking about the bone promo's. Kamal K. Stoddard Turner Broadcasting Systems Entech "Bebop was about change, about evolution. It wasn't about standing still and becoming safe. If anybody wants to keep creating they have to be about change." > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Thursday, September 16, 2004 10:56 AM > To: 313@hyperreal.org > Subject: RE: (313) Fw: Dave Clarke Top Ten... > > > Hey there Jamal. > > Haven't heard the bones, but sure Martin will bring you 'the > word from the > street'. > > I'm not sure if I've heard this particular Omar S, but I'm digging his > other ones for sure. > > >I think the (relatively) new stinkworx on delsin, aedena is > the bomb. very > emotional, moving techno. I do find >however, that the bass > doesn't come > through as deep as I'd like though. I have loads of room to > push the bottom > end >before I feel the bass pushing, and even more before I > redline the > mixer. is that on purpose? > > Re this one, that's pretty interesting you say that, as I was > listening to > another stinkworx track lately on a real nice clear system, > and someone > mentioned the same thing to me too. I'm not sure, but maybe > he kinda makes > 'em like that, and the emphasis is sometimes on other parts > of the track to > make the dancefloor move, particuarly the hook line maybe. > But he's around, > perhaps he'll answer the Q! > > Alex > _ > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring >
RE: (313) Fw: Dave Clarke Top Ten...
Hey there Jamal. Haven't heard the bones, but sure Martin will bring you 'the word from the street'. I'm not sure if I've heard this particular Omar S, but I'm digging his other ones for sure. >I think the (relatively) new stinkworx on delsin, aedena is the bomb. very emotional, moving techno. I do find >however, that the bass doesn't come through as deep as I'd like though. I have loads of room to push the bottom end >before I feel the bass pushing, and even more before I redline the mixer. is that on purpose? Re this one, that's pretty interesting you say that, as I was listening to another stinkworx track lately on a real nice clear system, and someone mentioned the same thing to me too. I'm not sure, but maybe he kinda makes 'em like that, and the emphasis is sometimes on other parts of the track to make the dancefloor move, particuarly the hook line maybe. But he's around, perhaps he'll answer the Q! Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
(313) DJ Bone List
Nope, Satan rejected my soul, he's met my kind before :) I think it's one of those list where you should ask - but I've no idea how it works, each company has their own policy I guess... Martin On 16 Sep 2004, at 14:59, jason kenjar wrote: damn you DUST! Did you sign a deal with the devil to get in contact with bone? I've been trying to get on his promo list for a while, but I think he forgot to add me. your freind jason
Re: (313) Fw: Dave Clarke Top Ten...
I got 3 x 10" and 2 x 12" (all white labels) from SD yesterday - I'll check the details and post up tomorrow, if that helps... Martin
RE: (313) Fw: Dave Clarke Top Ten...
anybody heard the dj bone longevity? is it new? what's it like? I know somebody's heard it. any links? i checked subject detroit's site and bone's site too. no mention of it. on another note. I think the (relatively) new stinkworx on delsin, aedena is the bomb. very emotional, moving techno. I do find however, that the bass doesn't come through as deep as I'd like though. I have loads of room to push the bottom end before I feel the bass pushing, and even more before I redline the mixer. is that on purpose? and on another note. I picked up the oasis one sided joint by omar s. and someone else. it's dope. more techno than most of the other omar stuff and (again) plays from the inside out. anybody know how old this one is? Kamal K. Stoddard Turner Broadcasting Systems Entech "Bebop was about change, about evolution. It wasn't about standing still and becoming safe. If anybody wants to keep creating they have to be about change." > -Original Message- > From: Marsel // Nomorewords.net [mailto:[EMAIL PROTECTED] > Sent: Thursday, September 16, 2004 6:59 AM > To: 313 > Subject: (313) Fw: Dave Clarke Top Ten... > > > > see especially - no 8 > > who? > > -- > Nomorewords.net > Bentinckstraat 66-2 > 1051 GN Amsterdam > The Netherlands > fax +31-20-486-9624 > > - Original Message - > From: "Eva McLaughlin" <[EMAIL PROTECTED]> > Sent: Thursday, September 16, 2004 12:52 PM > Subject: Dave Clarke Top Ten... > > > > 1)Dj Bone "Longevity" (Subject Detroit) > > Unbelievable back to roots emotive 313 techno, this is > outstanding.. no > > really. This makes life as a dj inspiring, exciting. Thank > Mr Bone for > > sharing the faith > > 2)Sterac Electronics "Atlantis EP" (No more words) > > Steve one again delivers the errie electro goods > > 3)Dj Dex "El Camino" (Motech) > > Good quality honest grooves with just the right amount of > introspection > > and darkness > > 4)Heiko Laux "For Girls and Boys" (Kanzleramt) > > Chunky groover that emits good vibes a plenty > > 5)Regis "Experiment Remixes" (Black Code) > > Regis always delivers evil industrialness, must be the one > way system in > > Brum that puts him in such a good mood. > > 6)Buckfunk 3000 "2 much booty" (white) > > Bass buckwild booty, check your bins insurance policy > > 7)Attila Jahanvash "The sound of the Sirens" (Atlas) > > Hypnotic Relief styled sythn droner that will encapsulate a crowd. > > 8)Claude Young Remixes of BFC and Strings (CDR) > > Originally given to me a few years back, now dusted off > again for club > > action > > 9)Manual Tur "Brickster" (CDR) > > 10)Kan Shimoura "Aftermath" (Futago Trax 4 CDR) > > Solid tribal grooves >
Re: (313) Fw: Dave Clarke Top Ten...
i assumed strings as 'strings of life' - a track by derrick may, rhythim is rhythim and bfc as one of the monickers used by carl craig -- Nomorewords.net Bentinckstraat 66-2 1051 GN Amsterdam The Netherlands fax +31-20-486-9624 - Original Message - From: "Stoddard, Kamal" <[EMAIL PROTECTED]> To: "'Marsel // Nomorewords.net'" <[EMAIL PROTECTED]> Cc: "313 List (E-mail)" <313@hyperreal.org> Sent: Thursday, September 16, 2004 3:22 PM Subject: RE: (313) Fw: Dave Clarke Top Ten... so who is BFC and Strings? I feel like I should know but don't. this one's gonna do my head in. argh! Kamal K. Stoddard Turner Broadcasting Systems Entech "Bebop was about change, about evolution. It wasn't about standing still and becoming safe. If anybody wants to keep creating they have to be about change." see especially - no 8 > 8)Claude Young Remixes of BFC and Strings (CDR) > Originally given to me a few years back, now dusted off again for club > action
RE: (313) Fw: Dave Clarke Top Ten...
so who is BFC and Strings? I feel like I should know but don't. this one's gonna do my head in. argh! Kamal K. Stoddard Turner Broadcasting Systems Entech "Bebop was about change, about evolution. It wasn't about standing still and becoming safe. If anybody wants to keep creating they have to be about change." > see especially - no 8 > > > 8)Claude Young Remixes of BFC and Strings (CDR) > > Originally given to me a few years back, now dusted off > again for club > > action
Re: (313) Juan Atkins officially awarded for the 'International achievment'
Yussell I take your point that none of us are "experts on Detroit civics." There are some people on here more than qualify to comment on this, but they're decent people and probably don't believe this is stuff for a public email list. I agree. >some European idiots How do you believe that the 'detroit techno economy' might stand up without the 'european idiots' that run labels, run clubs or just buy records? I think it might be f**ked, don't you? Certainly alot of American people tell me they don't sell hardly any records in America, or never get any decent paid gigs in America. And, lastly, re Juan. Isn't his job making music? As in it's his full time job? Does anyone talk s**t about what you do in your personal life outside work? In public? No, didn't think so, it's just not relevant is it? And we're not interested in your little hints, we would just like to hear his music thanks. Not what brand of f**king cereal he buys. It's a) none of our business, and b) just not interesting. I'm sure you feel real cool being in the know, but we don't give a f**k. We don't care. You stupid American skip-rat idiot. Kindest Regards Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
(313) Fw: Dave Clarke Top Ten...
see especially - no 8 who? -- Nomorewords.net Bentinckstraat 66-2 1051 GN Amsterdam The Netherlands fax +31-20-486-9624 - Original Message - From: "Eva McLaughlin" <[EMAIL PROTECTED]> Sent: Thursday, September 16, 2004 12:52 PM Subject: Dave Clarke Top Ten... 1)Dj Bone "Longevity" (Subject Detroit) Unbelievable back to roots emotive 313 techno, this is outstanding.. no really. This makes life as a dj inspiring, exciting. Thank Mr Bone for sharing the faith 2)Sterac Electronics "Atlantis EP" (No more words) Steve one again delivers the errie electro goods 3)Dj Dex "El Camino" (Motech) Good quality honest grooves with just the right amount of introspection and darkness 4)Heiko Laux "For Girls and Boys" (Kanzleramt) Chunky groover that emits good vibes a plenty 5)Regis "Experiment Remixes" (Black Code) Regis always delivers evil industrialness, must be the one way system in Brum that puts him in such a good mood. 6)Buckfunk 3000 "2 much booty" (white) Bass buckwild booty, check your bins insurance policy 7)Attila Jahanvash "The sound of the Sirens" (Atlas) Hypnotic Relief styled sythn droner that will encapsulate a crowd. 8)Claude Young Remixes of BFC and Strings (CDR) Originally given to me a few years back, now dusted off again for club action 9)Manual Tur "Brickster" (CDR) 10)Kan Shimoura "Aftermath" (Futago Trax 4 CDR) Solid tribal grooves
RE: (313) Juan Atkins officially awarded for the 'International achievment'
Well Martin, there's no explaining to some people (sometimes because they're incapable of listening!) so best let it be, is my feeling. In 20 years time, and beyond, more people will remember Juan Atkins - despite his undoubted faults - than will remember some embittered young man. k > > >On 16 Sep 2004, at 00:25, [EMAIL PROTECTED] wrote: > >> ok- >> >> i was keepin quiet, but this is a f**king travesty. >> >> what has juan done besides make some special records 20 YEARS AGO!!! >> >> derrick and kevin deserve this award, because they've put their time, >> energy and $$$ into making the Detroit festival happen. but no matter >> what >> they do, they'll forever be tied to juan- the man who couldn't even >> make >> his DEMF gig (and hundreds of other gigs) >> >> The man who as recently as this summer blew off throwing the opening >> pitch >> at a tigers game and i believe skipped the Metro times Motor City Music >> Awards after they flew him to Detroit to recieve a lifetime achievement >> award. >> >> Sure, the guy made some influential records. So friggin what. If I were >> Derrick or Kevin, i'd be disgusted, that after all their recent >> efforts, >> they still have to share the spotlight with a person who has done >> nothing >> to benifit the city in the past decade. >> >> All because some European idiots with too much time on thier hands and >> a >> collection of ancient texhno wax felt that made them experts on Detroit >> civics. >> >> friggin shame >> >> > > >
(313) Last Chance
To grab the AGCG mixes on LD - Going up later today: All Exclusives... Claude Young - Detroit Master Mix Oliver Ho - Deep Mix Miss Bass - Stuff your Mother Wouldn't Like Cheers Martin
Re: (313) Juan Atkins officially awarded for the 'International achievment'
Man, your mouth is big enough for two rows of teeth :) Why are you so bitter Yussel? Why all the personal attacks on people? Are you so perfect? Take it easy and stop hating on people - it's not very becoming. This kind of stuff doesn't really get my back up but it's kinda sad that the techno world always has turn in on its own and we wonder where the new people are... You could of course argue that without Juan, they wouldn't have got the award at all - think about it. Easy Now Martin On 16 Sep 2004, at 00:25, [EMAIL PROTECTED] wrote: ok- i was keepin quiet, but this is a f**king travesty. what has juan done besides make some special records 20 YEARS AGO!!! derrick and kevin deserve this award, because they've put their time, energy and $$$ into making the Detroit festival happen. but no matter what they do, they'll forever be tied to juan- the man who couldn't even make his DEMF gig (and hundreds of other gigs) The man who as recently as this summer blew off throwing the opening pitch at a tigers game and i believe skipped the Metro times Motor City Music Awards after they flew him to Detroit to recieve a lifetime achievement award. Sure, the guy made some influential records. So friggin what. If I were Derrick or Kevin, i'd be disgusted, that after all their recent efforts, they still have to share the spotlight with a person who has done nothing to benifit the city in the past decade. All because some European idiots with too much time on thier hands and a collection of ancient texhno wax felt that made them experts on Detroit civics. friggin shame
Re: (313) dub/ska/reggae mix
On Sep 15, 2004, at 3:02 PM, "Scotto" <[EMAIL PROTECTED]> wrote: dub/ska/reggae mix 091004 1 hour 69.5 mb Not to continue the O/T, but how topical - I just came back from seeing the newly-reunited Tack>>head. 14 years apart and you'd swear it hadn't been a day. They were tighter than a preacher's bungholio walking through the Castro. Doug Wimbish did a bass solo at the high-note end of the spectrum that rivaled most guitarists I've ever heard since Hendrix. Amazing stuff. And Keith LeBlanc had a laptop for additional percussion, so I think that should qualify them for Derrick getting them to play at Movement next year :-) And they played "The Message"[EMAIL PROTECTED]@$@@#!!! OMFG ... I can't believe I heard that live. (Doug Wimbish did his best Grandmaster Flash imitation.) - Greg
Re: (313) Juan Atkins officially awarded for the 'Internationalachievment'
dont get me wrong, if the award is for movement, then sure that's reason why kevin and derrick should get it and not juan. reading about the award, it seemed to be a focus on production/artistic output, something more broad than a single event. and juan's absence was presented to em as matter of location. if yussell is so clued in on everything, snidely dropping hints about knowing "the REAL reason", he should have shared that info and enlightened us all, so we understand too. but it seems to me if the focus was the effort and success of movement, the committee wouldn't have adjusted the award, they would have simply explained ala it was re movement 2004, which juan was not a part of. that explanation would have been fine for me, it makes perfect sense, there's no drama or anything there. calling people idiots for not knowing the supposed "real reason", and taking every oppurtunity to condescend to people who happen to really respect and enjoy classic detroit techno (on 313, crazy!), and taking the chance to talk sh!t about juan...ugh...who needs that crap.. -Original Message- From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> Sent: Sep 15, 2004 6:35 PM To: 313@hyperreal.org Subject: Re: (313) Juan Atkins officially awarded for the 'Internationalachievment' -- Original Message -- From: "J.T." <[EMAIL PROTECTED]> >20 years ago? please! >if i read right, the award was for art, not business achievement. neither kevin nor derrick have done anything artistically that can touch juan's recent stuff. as a whole, juan is the best producer of the 3, despite derricks very few special moments. tom andythepooh.com
(313) playlist WNUR Chicago - 15 Sept 2004 - download it
Clinically Inclined 15 September 2004 Fridays 11:00pm - 1:30am, 89.3 FM WNUR Chicago http://SonicSunset.com <--- download this show matt's got the week off, recuperating under cold lake michigan water after buying too many hot records last weekend (so keep your ears wide open for the next few weeks!). dave hits up chicago and new york for some house from the old and middle schools, and arrives at instant insanity from theo parrish. a bliss-out session from connection machine builds into mechanical techno and electro, including dopplereffekt, early synewave (nyc) and neuropolitique. ludovic navarre (st. germain - and in this case, modus vivendi) takes us into the home stretch with a cosmic acid-frosted epic. part 1> tim hecker - ghost writing - haunt me (substractif) fad gadget - 4m [unaltered] (mute) 1982 funkstorung - zeit - musik aus strom ep (musik aus strom) circulation - memory (balance) common factor - into horizons (planet e) virgo four - free yourself (trax) 1986 major problems - overdose (the final trip) (nu groove) theo parrish - instant insanity (sound signature) esem - b4 igo - enveloped (defocus) connection machine - molly is autowarping (planet e) bandulu - phaze in version (infonet) function - montage - substance vol 1 (infrastructure) agent cooper vs. thee come organization - a1 - testcard ep (LL) advent - electric green (internal) part 2> gf - left-right logic - electronic lesson pt 1 (kk) visage - frequency 7 (polydor) 1981 dopplereffekt - rocket scientist - fascist state (dataphysix) megalon - motion (plink plonk) syquest - centecon - freeforms ep (synewave) neuropolitique - menage a trois - nomenclature (new electronica) modus vivendi - modus vivendi [fade in mix] (warp) strand - reel me in - pigeon-toed orange peel (tactile) metro area - atmospherique (environ) dan curtin - maintain - life in the savage garden ep (fragmented) melody boy 2000 - the theme - dumtraxx (dum) ad vanz vs gescom - viral (fat cat) Download past shows as MP3 from http://SonicSunset.com -
(313) fontspotting -- solved
excuse my ignorance. it was P22's Cezanne font. cheers, -m
(313) fontspotting -- more songs about food & revolutionary art
okay, anybody know the name (or a source for) the script font used on carl craig's more songs about food & revolutionary art? i've seen it in several places recently, and it's driving me nuts. cheers in advance, -marc c.
Re: (313) Deep Space Radio 1994
Matt MacQueen <[EMAIL PROTECTED] .com> To Alex Bond <[EMAIL PROTECTED]>, 16/09/04 12:34 AM 313 <313@hyperreal.org> cc Subject Re: (313) Deep Space Radio 1994 On Sep 15, 2004, at 10:16 AM, [EMAIL PROTECTED] wrote: > OK kids, lets have it organised. > > Only post the entire thing or something yes sir! 11.06.1994 - segment A, a first pass Danny Wang - Like Some Dream I can't stop dreaming - look ma no drum machine - (Balihu) Dajae - U Got Me Up - sorry dunno which mix, there were many (Cajual) Fresh Tunes #1 - Do you know what i mean (Fresh Fruit first, then Strictly Rhythm) Cajmere feat. Dajae - Brighter Days - either on Cajual, or Natural ? Black Box - Strike it Up Sade - Pearls - bootleg remix... (has a silver label w/ no info) ? ? - some track that samples "get da hoe" & Chip E's "it's house" ? Cobotron - R9 - Enter (Fantasy) ? house track that samples Farley's 'Love Can't Turn Around' Segment C Rhythim is Rhythim 'The Dance' - - - Chip E "Like This' - - - 36 min Green Velvet 'The Preacher' - Little Louis?/Tyree? Video Clash Little Luois French Kiss - 52 min Cosmic Courier Segment D last two tracks master C&J 'Dub It' Round One 'I'm Your Brother' (Chicago Twisted mix) ForwardSourceID:NT0001322A
Re: (313) Juan Atkins officially awarded for the 'International achievment'
ok- Selon [EMAIL PROTECTED]: i was keepin quiet, but this is a f**king travesty. what has juan done besides make some special records 20 YEARS AGO!!! derrick and kevin deserve this award, because they've put their time, energy and $$$ into making the Detroit festival happen. but no matter what they do, they'll forever be tied to juan- the man who couldn't even make his DEMF gig (and hundreds of other gigs) The man who as recently as this summer blew off throwing the opening pitch at a tigers game and i believe skipped the Metro times Motor City Music Awards after they flew him to Detroit to recieve a lifetime achievement award. Sure, the guy made some influential records. So friggin what. If I were Derrick or Kevin, i'd be disgusted, that after all their recent efforts, they still have to share the spotlight with a person who has done nothing to benifit the city in the past decade. All because some European idiots with too much time on thier hands and a collection of ancient texhno wax felt that made them experts on Detroit civics. friggin shame --- Hi Yussel... First let me say you that if you can keep polited your post, it will be more valuable and respectable. In place of a 'Stupid European', let me explain you why your post is a total non-sense. 1/ Since 20 years now, Techno music is submited to us 'stupid europeans' as a style invented and developped by Mr Juan Atkins, Derrick May and Kevin Saunderson. 2/ Money put into Movement by Derrick May and Kevin Saunderson is not the subject. Not anymore than Juan Atkins is present or not at some partys/events. 3/If you read carefully the letter writing for the guestbook in support to Juan Atkins,you will find the reach point of this support. Juan Atkins was excluded from this 'awards' due to his location. Not due to his participation or not to the Techno music in Detroit or anywhere in the world since twenty years or one year. 4/The recent efforts of Derrick May and Kevin Saunderson are totally respectable and we are (stupid europeans) in admiration on their job to keep Detroit Movement festival alive. Again, it's totally out of the subject. 5/They will be disgusted to share the award with Juan Atkins? Since the begining of Techno Music, they was not 'disgusted' to share the spotlight with the title of 'originators' and this title is certainly a part of their success and the 'international achievment'. Even if it's a minimal part. And again, BIG RESPECT to Juan Atkins, Derrick May and Kevin Saunderson. And I'd like to remember you that 'stupid europeans' have done a lot for Detroit Techno. Do you remember labels like Buzz Records, R&S, Tresor, ... And they continue to do it. Majority of peoples who have signed the guestbook are europeans who keep Detroit techno at a high level in Europe. I don't know where you have finding any informations about our 'too much time in our hands'... But let me say you that it is not your problem. Please put your attention in your own life and not in our own life. Too, we are not only fans of 'ancient techno wax'... And we are not 'experts'... But we are supporters and fans of Detroit Techno and this give us the right to defend something we trust and for what we have passion and love. For your information, it's an american who have writing the letter in support to Juan Atkins. You have the right to don't agree with our action, but again I ask you only one thing. Be polited. 313 list is not a place for war between races or locations where you are from. A last word, I respect deeper all americans and all others on this planet. For me we are all the same, black, white, yellow, pink/green/orange if you want ! But some peoples have what we call the respect and the education some have not
Re: (313) Juan Atkins officially awarded for the 'Internationalachievment'
-- Original Message -- From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> >neither kevin nor derrick have done anything artistically that can >touch juan's recent stuff. as a whole, juan is the best producer >of the 3, despite derricks very few special moments. EEK. i meant "kevin and derrick havent dont anything recently that can touch juan's recent stuff". whew. tom andythepooh.com
FWD: (313) dub/ska/reggae mix
-- Original Message -- From: "Scotto" <[EMAIL PROTECTED]> Date: Wed, 15 Sep 2004 15:02:08 -0400 dub/ska/reggae mix 091004 1 hour 69.5 mb black street fighter (intro) banana walk - dub specialist (coxsone) granny scratch - sound dimension woman of the ghetto - phyillis dillion cool out son - jr. marvin Jordan river - burning spear Dreader mafia - snuffy and wally Running dub - coxsone Chapter one - joe gibs Spawning - coxsone Doctor seaton in the echo chamber - ruple edwards' all stars Buck Rodgers in the black hole - roots relics Africa dub - lee perry Since I dub - aggroustors Cuss cuss - llyod robinson "baby" - heptones real hot - lennie Hilbert tunnel one - tommy mccook green mangos - tommy mccook I trim the barber - king tubby http://www.plaztikjezuz.com/scotto-dub.mp3 enjoy scotto ps. i know its not detroit techno, but i thought, people would enjoy it. -live on coxsone andythepooh.com
Re: (313) Juan Atkins officially awarded for the 'Internationalachievment'
-- Original Message -- From: "J.T." <[EMAIL PROTECTED]> >20 years ago? please! >if i read right, the award was for art, not business achievement. neither kevin nor derrick have done anything artistically that can touch juan's recent stuff. as a whole, juan is the best producer of the 3, despite derricks very few special moments. tom andythepooh.com
(313) reggae/dub/ska mix? repost
wondering of someone could repost the link to this mix - i accidentally deleted it. thanks james www.jbucknell.com
Re: (313) Juan Atkins officially awarded for the 'International achievment'
20 years ago? please! if i read right, the award was for art, not business achievement. or philanthropy or civic duty. mirror mirror...who is the flamebaitiest of them all -Original Message- From: [EMAIL PROTECTED] Sent: Sep 15, 2004 7:25 PM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) Juan Atkins officially awarded for the 'International achievment' ok- i was keepin quiet, but this is a f**king travesty. what has juan done besides make some special records 20 YEARS AGO!!! derrick and kevin deserve this award, because they've put their time, energy and $$$ into making the Detroit festival happen. but no matter what they do, they'll forever be tied to juan- the man who couldn't even make his DEMF gig (and hundreds of other gigs) The man who as recently as this summer blew off throwing the opening pitch at a tigers game and i believe skipped the Metro times Motor City Music Awards after they flew him to Detroit to recieve a lifetime achievement award. Sure, the guy made some influential records. So friggin what. If I were Derrick or Kevin, i'd be disgusted, that after all their recent efforts, they still have to share the spotlight with a person who has done nothing to benifit the city in the past decade. All because some European idiots with too much time on thier hands and a collection of ancient texhno wax felt that made them experts on Detroit civics. friggin shame On Wed, 15 Sep 2004 [EMAIL PROTECTED] wrote: > Yeah! Well done! > > MEK > >
Re: (313) australian delsin comp
Thomas D. Cox, Jr. wrote: -- Original Message -- From: "Marsel // Nomorewords.net" <[EMAIL PROTECTED]> for those interested there's a delsin compilation cd, for the australian market just found a wonderful review http://www.inthemix.com.au/reviews/music/17442/#comments HAHAHAHAHAHAHAHA. getting dissed by morons is even better than getting compliments from people in the know, IMO. The reply back to the review by one of the website regulars was great though: "Your review comes across as somewhat unimformed. You have applied your demonstrably naive ear to brickbat a highly respected stable of producers (Delsin) and seem comfortable demonstrating your ignorance of the music by using such laughingly incorrect terms as "nu-skool breaks " to describe the sound. ITM please next time give someone with broader appreciation of music like calico the opportunity to review music from these producers."
