(313) hydrogen economy playlist from last week (1/15)
artist . song . album or LABEL
dieb . schwei . unit-injector drive
butane . why don't you just fart in the microphone . finger control
alice mackay and benfay . lighthouse . THINNER
dwight ashley . art of standing . four
emanuela de angelis . mw vibes . turning back ain't no way forward
smash tv . what about me? . electrified
mr. fingers . can you feel it? . warp 10+1
rhythim is rhythim . the beginning (limitless mix) . TRANSMAT
son rev . {whole mix} . friday 13th session
monobox . molecular reconstruction (dr. frankufen akenstein mix) .
LOGISTIC
orbital . chime (live style mix) . rest and play
jeff mills . man made . the tomorrow time forgot
adam jay . west nihilism . west nihilism
it looks short but it has a mix from an internet listener! if you want
to submit anything for on-air play, please email me offlist and we will
work out something.
you can listen in at http://dirty.org/~mkb/media/h2e20050115.mp3
catch the hydrogen economy every saturday night (well, not tonight
because of the massive snowstorm) at midnight eastern US time on WRIU
90.3 FM in Rhode Island. you can also listen online at www.wriu.org.
--
matt kane's brain
http://hydrogenproject.com
aim -> mkbatwerk || mkbwriu
[EMAIL PROTECTED]
Re: (313) Infiniti Collaborations
> I think that Juan and Terrence worked together for the Mind & Body=20 > album. He is not credited but i am sure they worked together already=20 > for some records... i think :) > > KJ > *** > > Yeah, I heard this too ... can't remember where now, which sort of > diminishes how true it might be, but it sounded convincing at the time. > k not sure about "mind & body", but i'm just listening to "Infiniti - Skynet" on which Terrence is credited on 'electric circus', 'thought process' & 'walking on water'. has Terrence released anything lately? nath
(313) New Burial Mix
After the great pointer that boomkat has the Analord stuff up to listen to I poked around on their site and came across this (and I don't recall it being mentioned here before: http://www.boomkat.com/item.cfm?id=16103 "It's finally here!!! Basic Channel heads Mark Ernestus and Moritz von Oswald keep the burial mix series going with its most ambitious release to date - a collection of seven 7" singles featuring vocal contributions from Basic Channel collaborators old and new. "See Mi Yah" is a classic collection of one rhythm tracks, typical format and production approach in Reggae, featuring ten vocal versions and four instrumentals of the See Mi Yah rhythm (3 of them only available on this 7" collection and not on the forthcoming cd album), strictly roots!"
Re[2]: (313) What you do at the Weekend?
Finishing up a couple tracks for a (maybe) EP. I also have a matte painting I need to work on. And laundry. You guys and your "parties" . . . -- Brian "balistic" Prince http://www.bprince.com - art and techno
Re: (313) NYC record shops
i like Other Music a lot. not huge, but they've got a quality selection. don't know the exact address, but it's on 4th Street between broadway and lafayette. Dance Tracks at 3rd St and Ave A has some goodies now and then also, but i haven't checked it out in a while. - Original Message - From: Andrew James Hegler <[EMAIL PROTECTED]> Date: Friday, January 21, 2005 7:29 pm Subject: (313) NYC record shops > Hey all, > A friend of mine is in NYC for the weekend, and said he'd pick some > records > up for me. Any suggestions as to some cool shops downtown? An > address > would be extremely helpful as well. > Thanks > -Andy > >
(313) NYC record shops
Hey all, A friend of mine is in NYC for the weekend, and said he'd pick some records up for me. Any suggestions as to some cool shops downtown? An address would be extremely helpful as well. Thanks -Andy
(313) something to think about
found an interesting interview with Brian Eno and found this part of particular interest: MUSICIAN: Why are the ideas of newness and innovation so valued in art? ENO: They're overvalued really. Or, I should say that they're valued to the point where they become a target for people to aim at and that's a self-defeating proposal. It's like calling someone up and saying, "Look, next Friday we're going to get together and have a really interesting conversation. Really brilliant now, we're going to think some really new things!" Then you call a few days later and say, "Don't forget Friday, this conversation is going to be really interesting." You build this up and by the time Friday comes of course you're tongue tied because you daren't say anything that's clumsy or familiar. You daren't do any of the things that are likely to open you up into a new area. New ideas are nearly always slight shifts of things that are already very familiar to you. MUSICIAN: Then the reverence for originality is the very thing that prohibits its surfacing too frequently? ENO: Definitely. One of the things that's interesting about nearly all ethnic music is that it doesn't have that idea. In reggae you hear the same riffs year after year in a shifting context. The idea there is to use a thing for as long as it still means something. The idea in the fine art culture is to drop something as soon as you can no longer claim it as only yours. As soon as other people are onto it you have to drop it and go elsewhere--and that's such a stupidly childish attitude. MEK
