Re: (313) Shake
-- Original Message -- From: "Chris Anglesey" <[EMAIL PROTECTED]> >I've heard a rumour on the 'techno-grapevine' that Shake is coming to the >UK. >Oop-north to be more precise. Can anyone shed any light on this. Have heard >good things about his dj'ing if youre expecting a technically flawless set, youll be disappointed. if you like eclectic and funky sets mixed up in about as interesting a manner as possible, shake is your man. he's easily in my top 3 deejays ever. i cant say enough good things about him. tom andythepooh.com
Re: (313) You have to hear this
[EMAIL PROTECTED] wrote: this list needs delusional crackpots. I thought YOU were our current resident crackpot Alex? ;-)
(313) Shake
I've heard a rumour on the 'techno-grapevine' that Shake is coming to the UK. Oop-north to be more precise. Can anyone shed any light on this. Have heard good things about his dj'ing Chris
Re: (313) Kenny D Jr
And then he plays a Rhythim Is Rhythim track! MOVE IT. An edit to be precise. Thanks for sharing, Martin! You're more than welcome, I figure I post a bit too much "rubbish" so I best make up for it with some good stuff ;) Martin
Re: (313) Kenny D Jr
He played there in late 97 with Saunderson. I only remember because it was one of the first times I went there. I believe the recording from that evening is also on betalounge.com. Cheers! >From: [EMAIL PROTECTED] >To: Maarten Baute <[EMAIL PROTECTED]> >CC: Martin Dust <[EMAIL PROTECTED]>, 313@hyperreal.org >Subject: Re: (313) Kenny D Jr >Date: Wed, 23 Mar 2005 21:21:18 + (UTC) > >that's odd only because i don't remember kdj ever playing motor. > > > >On Wed, 23 Mar 2005, Maarten Baute wrote: > >>>Couple of mixes here: >>>http://www.djbillywoods.com/mixes.htm >>> >>>2000 would be my pick, proper mental... >> >>The Motor mix is not bad either. At 11 minutes in he plays "the >>balled of >>dorothy parker" by Prince. Now there you have a track! And at 27 >>minutes he >>plays a track he sampled for "forverernevermore", I think... >> >>And then he plays a Rhythim Is Rhythim track! MOVE IT. An edit to >>be >>precise. >> >>Thanks for sharing, Martin! >> >>Cheers, >>Maarten >> >>
Re: (313) Kenny D Jr
sounds like it was a radio rip. the radio "mc" said it was kenny and kevin saunderson hmm wish I woulda been there that night. -Joe - Original Message - From: <[EMAIL PROTECTED]> To: "Maarten Baute" <[EMAIL PROTECTED]> Cc: "Martin Dust" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, March 23, 2005 4:21 PM Subject: Re: (313) Kenny D Jr that's odd only because i don't remember kdj ever playing motor. On Wed, 23 Mar 2005, Maarten Baute wrote: Couple of mixes here: http://www.djbillywoods.com/mixes.htm 2000 would be my pick, proper mental... The Motor mix is not bad either. At 11 minutes in he plays "the balled of dorothy parker" by Prince. Now there you have a track! And at 27 minutes he plays a track he sampled for "forverernevermore", I think... And then he plays a Rhythim Is Rhythim track! MOVE IT. An edit to be precise. Thanks for sharing, Martin! Cheers, Maarten
Re: (313) Kenny D Jr
that's odd only because i don't remember kdj ever playing motor. On Wed, 23 Mar 2005, Maarten Baute wrote: Couple of mixes here: http://www.djbillywoods.com/mixes.htm 2000 would be my pick, proper mental... The Motor mix is not bad either. At 11 minutes in he plays "the balled of dorothy parker" by Prince. Now there you have a track! And at 27 minutes he plays a track he sampled for "forverernevermore", I think... And then he plays a Rhythim Is Rhythim track! MOVE IT. An edit to be precise. Thanks for sharing, Martin! Cheers, Maarten
Re: (313) Kenny D Jr
> Couple of mixes here: > http://www.djbillywoods.com/mixes.htm > > 2000 would be my pick, proper mental... The Motor mix is not bad either. At 11 minutes in he plays "the balled of dorothy parker" by Prince. Now there you have a track! And at 27 minutes he plays a track he sampled for "forverernevermore", I think... And then he plays a Rhythim Is Rhythim track! MOVE IT. An edit to be precise. Thanks for sharing, Martin! Cheers, Maarten
(313) Kenny D Jr
Couple of mixes here: http://www.djbillywoods.com/mixes.htm 2000 would be my pick, proper mental...
RE: (313) Speaking of Moby
they don't appear to be remixes though just had a look at the press release - it name checks detroit and metro area but it looks like they're his own compositions At 4:27 pm + 23/3/05, Robert Taylor wrote: Perhaps these are the tunes on the 10" -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 16:21 To: '313' Subject: (313) Speaking of Moby Does anyone else recall reading a while ago that to combat downloading and piracy of his new album "Hotel" that he was pushing up the release date and releasing it with a bunch of "bonus" tracks? I thought it had list of some VERY tasty remixers (I can't recall precisely who, but why does Matthew Jonson stick in my head?) . . . the list seemed like a who's who of current powerhouses. But the "bonus" disc that I've seen bundled with Hotel is a bunch of ambient tracks done by Moby...no sign of any remixes. Does anyone have a clue what I'm talking about or did I imagine the whole thing? I hit Moby's site, the Mute site, I-tunes, Google, and I still can't put 2 and 2 together to equal 4. Help? Thanks. Leslie # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) New Mercenary mix on DTM
Found here: http://detroittechnomilitia.com/main/index.php?option=com_remository&Itemid=0&func=fileinfo&parent=category&filecatid=30 Tracklisting: (intro) David Donohoe Not Swallow D1 David Donohoe Care of the teeth/ tiny cuts D1 Octave One Eniac ( Techno City) 430West Jeff Mills Move your Body Gigolo Dj3000 Drum - Motech Airport Society Red Eye Beretta Music Misjah A1 October Countdown2000 Plastikman Spastik Plus8 Samuel L Sessions Merengue SLS Ben Sims House1 Primate Endangered Uk Gold Rise Primevil Ben Sims - House2 Primate Endangered Jeff Mills In the Bush Purposemaker Octave One Blackwater 430West Rolando Aguila UR Red Planet Tobacco Ties Red Planet Kraftwerk Numbers WB Speedy J Iee Mitten Menu Novamute Aaron Carl Down Metroplex UR Mirage UR Bryan Never (Zentz) DollHause Electrix Sterac Electronics Keep On Running MusicMan Surgeon Waiting for Me CounterBalance Sterac Electronics Destination Reached MusicMan Alter Ego Rocker - ??? Lee Coombs and the Drumattic Twins Tribal Tension Thrust Deetron Ms. Sauve Intec Barada Bushido Intec Woody McBride I like to Get Down - Communique Cheers, D.
Re: (313) You have to hear this
>seriously speaking, he didnt really annoy me nor did i find he was much of a flamer. i think i heard from someone that he worked in some factory and was exposed to pretty toxic chemicals all day long. seriously tho. no, seriously.
(313) Re:(313) New Daft Punk
[EMAIL PROTECTED] wrote: "tracky how?" It really sounds like an album cobbled together by people who've been busy doing a lot of other things in their lives and booked 2 months of studio time to "bang out some tracks." In the press release for the album, they apparently boast that the album was completed start to finish in less than 3 weeks. I've heard it start to finish on two separate occasions and believe the press release. And this is coming from someone who really liked the first Daft album and most of the 2nd. Andrew For me, the joy found in their other releases has been the exceptional level of craftsmanship in the tunesmithing and the cohesive concept holding the release together. This album feels rushed, uninspired, and really doesn't bring much "new" to the table. There are no moments in it where I found myself grinning like an idiot from the pure joy of their inventiveness. "Technologic" came the closest but I felt someone like the Detroit Grand Pubahs could have done it better. -- Andrew Duke scoring/sound design/source http://andrew-duke.com Cognition Audioworks label [Andrew Duke, Foal, Clinker, Granny'Ark] http://cognitionaudioworks.com -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.308 / Virus Database: 266.8.1 - Release Date: 3/23/2005
Re: RE: (313) save me, I think I'm going over to the darkside...
my dad always says that the music i listen to is "drug music"...maybe i should tell him the truth.. ;) anyway, im out - lory d live tonight at my favourite midweek haunt take care friends fab.
RE: RE: (313) save me, I think I'm going over to the darkside...
Wheny Dad thinks he's being153750L really clever, he also says, 'ooh I know this one. Is it Thud Thud Thud by The Thumps?' -Original Message- From: Stoddard, Kamal [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 16:30 To: Robert Taylor; 313@hyperreal.org Subject: RE: RE: (313) save me, I think I'm going over to the darkside... Real grandad quotes about techno: Sounds like a bunch of nails getting shaken in a can. Dadgum jackhammer music That's the sound of crooked thinkin' right there. Can't nobody think straight with that in their heads. There's my three. Culled from the extensive quote archives of William Stoddard the the third. 1320 memory archive lane, left hemisphere, cortex, language storage unit 06. Kamal K. Stoddard Turner Broadcasting Systems > -Original Message- > From: Robert Taylor [mailto:[EMAIL PROTECTED] > Sent: Wednesday, March 23, 2005 11:21 AM > To: [EMAIL PROTECTED]; Dan Bean > Cc: 313@hyperreal.org; [EMAIL PROTECTED] > Subject: RE: RE: (313) save me, I think I'm going over to the > darkside... > > Real Dad Quotes: > It sounds like a blindman playing cricket in a lighthouse. > It sounds like C3PO falling down a steel spiral staircase. > It sounds like an epileptic in a sauce-pan lid factory > > -Original Message- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] > Sent: 23 March 2005 16:17 > To: Dan Bean > Cc: 313@hyperreal.org; [EMAIL PROTECTED] > Subject: Re: RE: (313) save me, I think I'm going over to the > darkside... > > > > > > > Dad? Is that you? > > > > > > "Dan Bean" > > <[EMAIL PROTECTED] > > o.uk> > To >[EMAIL PROTECTED] > > 03/23/2005 09:55 > cc > AM313@hyperreal.org > > > Subject >Re: RE: (313) save me, > I think I'm >going over to the > darkside... > > > > > > > > > > > > > > > > > > I just dont get all that weird shizzle they make tho, it > aint music to > me. > > there you go, grandad through and through: "kid's of today, > call that music eh, you want some proper music like lonnie > donegan, now there's something you can swing your pants to, > 'course it was fields round here as far as the eye could see > in them days etc etc" > > > ## > ### > Note: > > Any views or opinions are solely those of the author and do > not necessarily represent those of Channel Four Television > Corporation unless specifically stated. This email and any > files transmitted are confidential and intended solely for > the use of the individual or entity to which they are > addressed. If you have received this email in error, please > notify [EMAIL PROTECTED] > > Thank You. > ## > ### > # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) New Daft Punk
"tracky how?" It really sounds like an album cobbled together by people who've been busy doing a lot of other things in their lives and booked 2 months of studio time to "bang out some tracks." For me, the joy found in their other releases has been the exceptional level of craftsmanship in the tunesmithing and the cohesive concept holding the release together. This album feels rushed, uninspired, and really doesn't bring much "new" to the table. There are no moments in it where I found myself grinning like an idiot from the pure joy of their inventiveness. "Technologic" came the closest but I felt someone like the Detroit Grand Pubahs could have done it better.
RE: RE: (313) save me, I think I'm going over to the darkside...
-- Original Message -- From: "Stoddard, Kamal" <[EMAIL PROTECTED]> >Real grandad quotes about techno: my grandfather once said about alex reece's "pulp fiction" on metalheadz: "it feels like youre walking on air". my pap was the man, the only other person with a music obsession like me in my family tom andythepooh.com
RE: RE: (313) save me, I think I'm going over to the darkside...
Real grandad quotes about techno: Sounds like a bunch of nails getting shaken in a can. Dadgum jackhammer music That's the sound of crooked thinkin' right there. Can't nobody think straight with that in their heads. There's my three. Culled from the extensive quote archives of William Stoddard the the third. 1320 memory archive lane, left hemisphere, cortex, language storage unit 06. Kamal K. Stoddard Turner Broadcasting Systems > -Original Message- > From: Robert Taylor [mailto:[EMAIL PROTECTED] > Sent: Wednesday, March 23, 2005 11:21 AM > To: [EMAIL PROTECTED]; Dan Bean > Cc: 313@hyperreal.org; [EMAIL PROTECTED] > Subject: RE: RE: (313) save me, I think I'm going over to the > darkside... > > Real Dad Quotes: > It sounds like a blindman playing cricket in a lighthouse. > It sounds like C3PO falling down a steel spiral staircase. > It sounds like an epileptic in a sauce-pan lid factory > > -Original Message- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] > Sent: 23 March 2005 16:17 > To: Dan Bean > Cc: 313@hyperreal.org; [EMAIL PROTECTED] > Subject: Re: RE: (313) save me, I think I'm going over to the > darkside... > > > > > > > Dad? Is that you? > > > > > > "Dan Bean" > > <[EMAIL PROTECTED] > > o.uk> > To >[EMAIL PROTECTED] > > 03/23/2005 09:55 > cc > AM313@hyperreal.org > > > Subject >Re: RE: (313) save me, > I think I'm >going over to the > darkside... > > > > > > > > > > > > > > > > > > I just dont get all that weird shizzle they make tho, it > aint music to > me. > > there you go, grandad through and through: "kid's of today, > call that music eh, you want some proper music like lonnie > donegan, now there's something you can swing your pants to, > 'course it was fields round here as far as the eye could see > in them days etc etc" > > > ## > ### > Note: > > Any views or opinions are solely those of the author and do > not necessarily represent those of Channel Four Television > Corporation unless specifically stated. This email and any > files transmitted are confidential and intended solely for > the use of the individual or entity to which they are > addressed. If you have received this email in error, please > notify [EMAIL PROTECTED] > > Thank You. > ## > ### >
RE: (313) save me, I think I'm going over to the darkside...
Two Dogs F***ing is an Native American techno producer -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 16:32 Cc: 313@hyperreal.org Subject: Re: (313) save me, I think I'm going over to the darkside... Robert Taylor wrote: > Real Dad Quotes: > It sounds like a blindman playing cricket in a lighthouse. > It sounds like C3PO falling down a steel spiral staircase. > It sounds like an epileptic in a sauce-pan lid factory my partners step-dad used to say of the music i'd play: "sounds like two dogs f**king" nope, i don't know what he means either robin... # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) save me, I think I'm going over to the darkside...
Robert Taylor wrote: Real Dad Quotes: It sounds like a blindman playing cricket in a lighthouse. It sounds like C3PO falling down a steel spiral staircase. It sounds like an epileptic in a sauce-pan lid factory my partners step-dad used to say of the music i'd play: "sounds like two dogs f**king" nope, i don't know what he means either robin...
Re: (313) save me, I think I'm going over to the darkside...
I especially like this one. Maybe someone out there should make a track based on this idea. :) Robert Taylor writes: It sounds like C3PO falling down a steel spiral staircase.
RE: (313) Speaking of Moby
Perhaps these are the tunes on the 10" -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 16:21 To: '313' Subject: (313) Speaking of Moby Does anyone else recall reading a while ago that to combat downloading and piracy of his new album "Hotel" that he was pushing up the release date and releasing it with a bunch of "bonus" tracks? I thought it had list of some VERY tasty remixers (I can't recall precisely who, but why does Matthew Jonson stick in my head?) . . . the list seemed like a who's who of current powerhouses. But the "bonus" disc that I've seen bundled with Hotel is a bunch of ambient tracks done by Moby...no sign of any remixes. Does anyone have a clue what I'm talking about or did I imagine the whole thing? I hit Moby's site, the Mute site, I-tunes, Google, and I still can't put 2 and 2 together to equal 4. Help? Thanks. Leslie # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) Speaking of Moby
Does anyone else recall reading a while ago that to combat downloading and piracy of his new album "Hotel" that he was pushing up the release date and releasing it with a bunch of "bonus" tracks? I thought it had list of some VERY tasty remixers (I can't recall precisely who, but why does Matthew Jonson stick in my head?) . . . the list seemed like a who's who of current powerhouses. But the "bonus" disc that I've seen bundled with Hotel is a bunch of ambient tracks done by Moby...no sign of any remixes. Does anyone have a clue what I'm talking about or did I imagine the whole thing? I hit Moby's site, the Mute site, I-tunes, Google, and I still can't put 2 and 2 together to equal 4. Help? Thanks. Leslie
RE: RE: (313) save me, I think I'm going over to the darkside...
Real Dad Quotes: It sounds like a blindman playing cricket in a lighthouse. It sounds like C3PO falling down a steel spiral staircase. It sounds like an epileptic in a sauce-pan lid factory -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 16:17 To: Dan Bean Cc: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: RE: (313) save me, I think I'm going over to the darkside... Dad? Is that you? "Dan Bean" <[EMAIL PROTECTED] o.uk> To [EMAIL PROTECTED] 03/23/2005 09:55 cc AM313@hyperreal.org Subject Re: RE: (313) save me, I think I'm going over to the darkside... > I just dont get all that weird shizzle they make tho, it aint music to me. there you go, grandad through and through: "kid's of today, call that music eh, you want some proper music like lonnie donegan, now there's something you can swing your pants to, 'course it was fields round here as far as the eye could see in them days etc etc" # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: RE: (313) save me, I think I'm going over to the darkside...
Dad? Is that you? "Dan Bean" <[EMAIL PROTECTED] o.uk> To [EMAIL PROTECTED] 03/23/2005 09:55 cc AM313@hyperreal.org Subject Re: RE: (313) save me, I think I'm going over to the darkside... > I just dont get all that weird shizzle they make tho, it aint music to me. there you go, grandad through and through: "kid's of today, call that music eh, you want some proper music like lonnie donegan, now there's something you can swing your pants to, 'course it was fields round here as far as the eye could see in them days etc etc"
RE: (313) eargasmic 12 - chicago sampler
Didn't dig the clips I heard, waiting to give it a proper listen. Good, but not empty my pockets good. The juan on tresor though... M. Mix is slammin aida. Thanks, there's no better way to audition an LP. Kamal K. Stoddard Turner Broadcasting Systems > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Wednesday, March 23, 2005 9:45 AM > To: 313@hyperreal.org > Subject: (313) eargasmic 12 - chicago sampler > > just bagged one up dans la magasin de record. > > sun god, k-alexi, gene someone (cant remember) and someone else. > > sounds pretty alright, didnt see it mentioned before. worth a look. > new-ish. > > alex
RE: (313) save me, I think I'm going over to the darkside...
> p.s. i have sungod records. I am the future. say what?
RE: (313) Terrence Parker's online mix
http://www.terrenceparker.net/ -Original Message- From: Steve Nails | www.dj-mixes.com [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 16:09 To: 313@hyperreal.org Subject: Re: (313) Terrence Parker's online mix can anyone please tell me, where I can find this mix ? thanks, steve -- Steve Nails www.dj-mixes.com audio engineer, producer, DJ Strøm Recordings | Amsterdam www.stromrecordings.com indeed records | vienna polarized records | NYC -- - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, March 23, 2005 2:45 AM Subject: (313) Terrence Parker's online mix > > > > > rocking this late at work - just me a few other people here right now > > a - great way to cap off the last two days that have been rather > stressful. > > great mix TP! > > MEK > > # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: RE: (313) save me, I think I'm going over to the darkside...
>there you go, grandad through and through: "kid's of today, call that music eh, you want some proper music like >lonnie donegan, now there's something you can swing your pants to, 'course it was fields round here as far as the >eye could see in them days etc etc" ha! tell you what. I could be more futuristic in my little finger than those flippin set square ravers. grandad from the 10th planet. thats me. p.s. i have sungod records. I am the future. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Terrence Parker's online mix
can anyone please tell me, where I can find this mix ? thanks, steve -- Steve Nails www.dj-mixes.com audio engineer, producer, DJ Strøm Recordings | Amsterdam www.stromrecordings.com indeed records | vienna polarized records | NYC -- - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, March 23, 2005 2:45 AM Subject: (313) Terrence Parker's online mix rocking this late at work - just me a few other people here right now a - great way to cap off the last two days that have been rather stressful. great mix TP! MEK
Re: Re: (313) save me, I think I'm going over to the darkside...
>Oi! lay off the Autechre & Skam peeps you sound like a grandad I am a grandad. jeez, I feel like one anyway. and I'm only joking you wallies. cripes. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) save me, I think I'm going over to the darkside...
>i dropped out by the way too much listening to daft computer maths music pickled your brain. the programmers took you over. ha ha ahahhahaa. only kiddin' fab. oh well. come work in mcdonalds for the rest of your life with me! I'm destined for it! it'll be horrible, but at least we'll listen ot some nice music while we're knocking up the mcdoogleburgers to make the kids fat. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: RE: (313) save me, I think I'm going over to the darkside...
> I just dont get all that weird shizzle they make tho, it aint music to me. there you go, grandad through and through: "kid's of today, call that music eh, you want some proper music like lonnie donegan, now there's something you can swing your pants to, 'course it was fields round here as far as the eye could see in them days etc etc"
RE: (313) save me, I think I'm going over to the darkside...
I got in trouble for saying that a couple of years ago, though I was making my point in a twuntish way -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 15:54 Cc: 313@hyperreal.org Subject: Re: (313) save me, I think I'm going over to the darkside... [EMAIL PROTECTED] wrote: >>there's a guy who i work with (and is sat 8 ft to my right) who records >>for Skam. all his stuff is created like that. i kid you not. > > > robin, just lean 8 feet to your right and give him a good poke in the eye > from me will you please? > > flippin wierdos. > > DANCE MUSIC WAS MADE FOR DANCING FOLKS, NOT STANDING AROUND SCRATCHING YOUR > POXY BEARD IT TOOK YOU 6 MONTHS TO GROW. > > I DON'T WANT TO HAVE TO USE A CALCULATOR AND SET SQUARE TO WORK OUT HOW TO > DANCE TO YOUR MUSIC EITHER YOU FREAKS. uh-oh looks like we've set him off. :) and guess whathe has a beard...all is forgiven tho as he brought in his EMS Synthi A (it's an analogue synth in a suitcase) to scare all my other work mates. ...and yeah i agree about the dancing... robin... # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) save me, I think I'm going over to the darkside...
[EMAIL PROTECTED] wrote: there's a guy who i work with (and is sat 8 ft to my right) who records for Skam. all his stuff is created like that. i kid you not. robin, just lean 8 feet to your right and give him a good poke in the eye from me will you please? flippin wierdos. DANCE MUSIC WAS MADE FOR DANCING FOLKS, NOT STANDING AROUND SCRATCHING YOUR POXY BEARD IT TOOK YOU 6 MONTHS TO GROW. I DON'T WANT TO HAVE TO USE A CALCULATOR AND SET SQUARE TO WORK OUT HOW TO DANCE TO YOUR MUSIC EITHER YOU FREAKS. uh-oh looks like we've set him off. :) and guess whathe has a beard...all is forgiven tho as he brought in his EMS Synthi A (it's an analogue synth in a suitcase) to scare all my other work mates. ...and yeah i agree about the dancing... robin...
Re: (313) save me, I think I'm going over to the darkside...
i dropped out by the way - Original Message - From: "robin" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Wednesday, March 23, 2005 4:35 PM Subject: Re: (313) save me, I think I'm going over to the darkside... and way before listening to incunabula people actually listen to this mathematical garbage?? electronic music by numbers. pi equals track one, the hypothaneuse divided by the square root = track 3 of the cd? there's a guy who i work with (and is sat 8 ft to my right) who records for Skam. all his stuff is created like that. i kid you not. some of it sounds kinda interesting but by-and-large i can't see the point. i also can't see the point in his huge poster of rick wakeman either. but maybe there's a clue in there as to why he does all this. i like that autechre lp tho :), the sound quality of the coloured vinyl is a bit wanting however. robin...
(313) [Chicago Spam] Thursday @ Smart Bar
This Thursday! March 24, 2005 Interrupt Media, Covalent, and A Posteriori in conjunction with Flavorpill and Subsystence present: BEYOND THE MACHINE Featuring LIVE performances from: ECHOPLEX (Windsor - Synewave/Soleil) ANDY VAZ (Dusseldorf - Background/Soundvariation) WARMDESK (Chicago - A Touch of Class/Disco Inc) With opening DJ sets from: JOSH WERNER (Antennae Inc) DAVE SISKA (Clinically Inclined) @ SMART BAR 3730 N Clark St Tickets: $7 Doors: 10 PM 21+ -- Upcoming Events: April 5 - CODY HUDSON @ Sonotheque April 29 - SHAKE & TITONTON @ Sonotheque More information: http://www.interrupt-media.com http://www.smartbarchicago.com http://www.subsystence.net
RE: (313) save me, I think I'm going over to the darkside...
>Ahem, I heard Rob Hall and Mr 76 play at the Soundslike Werk party a couple of weeks ago and they were ace, with >only a miminum amount of beardy chinstrokery ahem. since when did you get an american passport? I'm joking you wally. I've heard rob dj quite a few times. he's good. miles is by far and away the best out of them lot though. imo. I just dont get all that weird shizzle they make tho, it aint music to me. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) save me, I think I'm going over to the darkside...
Ahem, I heard Rob Hall and Mr 76 play at the Soundslike Werk party a couple of weeks ago and they were ace, with only a miminum amount of beardy chinstrokery -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 15:39 To: 313@hyperreal.org Subject: Re: (313) save me, I think I'm going over to the darkside... did I tell you I want to a skam party once? never again. I'm sure these kids dont get out much. DANCE MUSIC WAS MADE FOR DANCING FOLKS, NOT STANDING AROUND SCRATCHING YOUR POXY BEARD IT TOOK YOU 6 MONTHS TO GROW. I DON'T WANT TO HAVE TO USE A CALCULATOR AND SET SQUARE TO WORK OUT HOW TO DANCE TO YOUR MUSIC EITHER YOU FREAKS. : p *erm, this isn't really me talking, it's that german imposter* _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) save me, I think I'm going over to the darkside...
>there's a guy who i work with (and is sat 8 ft to my right) who records >for Skam. all his stuff is created like that. i kid you not. robin, just lean 8 feet to your right and give him a good poke in the eye from me will you please? flippin wierdos. did I tell you I want to a skam party once? never again. I'm sure these kids dont get out much. DANCE MUSIC WAS MADE FOR DANCING FOLKS, NOT STANDING AROUND SCRATCHING YOUR POXY BEARD IT TOOK YOU 6 MONTHS TO GROW. I DON'T WANT TO HAVE TO USE A CALCULATOR AND SET SQUARE TO WORK OUT HOW TO DANCE TO YOUR MUSIC EITHER YOU FREAKS. : p *erm, this isn't really me talking, it's that german imposter* _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) save me, I think I'm going over to the darkside...
>I WAS AT UNI >;P ha ha, I always knew it was damn academics 'student' music. heh heh. I was at "the university of life" listening to THE NEW DANCE SOUND OF DETROIT. ho ho ho. look where it got me folks. broke, broken, and breakable. very good. what a path to choose in life. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) save me, I think I'm going over to the darkside...
and way before listening to incunabula people actually listen to this mathematical garbage?? electronic music by numbers. pi equals track one, the hypothaneuse divided by the square root = track 3 of the cd? there's a guy who i work with (and is sat 8 ft to my right) who records for Skam. all his stuff is created like that. i kid you not. some of it sounds kinda interesting but by-and-large i can't see the point. i also can't see the point in his huge poster of rick wakeman either. but maybe there's a clue in there as to why he does all this. i like that autechre lp tho :), the sound quality of the coloured vinyl is a bit wanting however. robin...
Re: (313) save me, I think I'm going over to the darkside...
At 10:19 AM 3/23/2005, [EMAIL PROTECTED] wrote: only kiddin folks. Good, I was about to say that Incunabula is not when Autechre turned to shxt! :) -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) save me, I think I'm going over to the darkside...
I WAS AT UNI ;P - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, March 23, 2005 4:19 PM Subject: Re: (313) save me, I think I'm going over to the darkside... DP is as 313 as you can get mn! ha ha, ok. I say NOO fab : ) and way before listening to incunabula people actually listen to this mathematical garbage?? electronic music by numbers. pi equals track one, the hypothaneuse divided by the square root = track 3 of the cd? hahahahahahahahahahahahahahaha *evil laugh* death to the musical mathematicians. alex only kiddin folks. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) save me, I think I'm going over to the darkside...
>DP is as 313 as you can get mn! ha ha, ok. I say NOO fab : ) >and way before >listening to incunabula people actually listen to this mathematical garbage?? electronic music by numbers. pi equals track one, the hypothaneuse divided by the square root = track 3 of the cd? hahahahahahahahahahahahahahaha *evil laugh* death to the musical mathematicians. alex only kiddin folks. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) save me, I think I'm going over to the darkside...
DP is as 313 as you can get mn! ok, jokes aside, i always thought Homework was some sort of tribute album to Detroit, Chicago and New York...i mean, the references were pretty clear to me, and thats what made it enjoyable. to be honest, i used to listen to it when it had just come out, and this was when i was *just* starting to investigate electronic music, and way before listening to incunabula (which for me was like an epiphany) fab. - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, March 23, 2005 3:42 PM Subject: RE: (313) save me, I think I'm going over to the darkside... *puts on spw hat* right. so talking about theo parrish or italo disco isn't on (innovative, fresh sounding - at respective periods of course), cos it aint techno enough, but talking about a daft electronic disco-pop band is alright? come off it. theres nothing innovative or forward thinking about daft-punk. there isn't supposed to be, that aint the point, so its hardly suitable for here is it? bah. load of tosh. *takes off spw hat* _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) eargasmic 12 - chicago sampler
just bagged one up dans la magasin de record. sun god, k-alexi, gene someone (cant remember) and someone else. sounds pretty alright, didnt see it mentioned before. worth a look. new-ish. alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) save me, I think I'm going over to the darkside...
*puts on spw hat* right. so talking about theo parrish or italo disco isn't on (innovative, fresh sounding - at respective periods of course), cos it aint techno enough, but talking about a daft electronic disco-pop band is alright? come off it. theres nothing innovative or forward thinking about daft-punk. there isn't supposed to be, that aint the point, so its hardly suitable for here is it? bah. load of tosh. *takes off spw hat* _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) save me, I think I'm going over to the darkside...
(sorry for the techish review, but) Agrd that the new Daft Punk is lousy. This album sounds like it's '97/98 and the Daft Punk guys just bought their synths that acknowledged people wanted to hear resonant-filter-based sounds - from the first wave of subtractive analog filters and digitally modeled distortion. The sounds are harsh and digital. Every listen makes me think they're biting off their countrymen, M83... There's a second dimension in that Daft Punk are doing the whole rock-on-synths bit. Besides the fact that they are late to the scene, there's no panache in their execution. Unfortunately I'm tainted - Every time I hear a guitar power chord sound that's pitched up or down only by changing the playback frequency (i.e. no sophisticated modeling, etc), I can't help but remember in 1988/89 downloading tracker songs on the Amiga and listening to demos - these underground tracks were all about the rock-vibe recreated electronically. Sure they hold a special place in my memory, but we're 15 years later. If there was some kind of nostalgic angle to their songs, I might think otherwise. I could rehash why Discovery and Homework are so great and how high they set the bar with those albums, but it's just frustrating. -Gil NB: The track Robot Rock liberally (i.e. the whole damn hook) samples from Breakwater's Release the Beast (1980), check out the original it's pretty cool.
RE: (313) save me, I think I'm going over to the darkside...
There was a fantastic review of DP's new album that went something along the lines of 'Daft Punk say that they recorded it in six weeks. What I wanna know is what the f*** they were doing for the first five weeks' -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 14:29 To: 313 Detroit Subject: Re: (313) save me, I think I'm going over to the darkside... >>I think most people would think of them as house, but these > things are >>fluid. > > i mean "phoenix" and "revolution 909" amongst others are > undoubtedly nothing but techno. sure they have other influences > but theyre as much techno as house. ive heard uncountable techno > deejays drop their early tracks. I think you're absolutely right, but the perception is probably that they're house. > >>This one is v, v, v tracky. > > tracky how? i mean i feel like their first one was pretty tracky > in all but a few tunes. if its anything like their earlier work id > be very happy. Tracky as in more tracks than the songs - and downtempo forays - of Discovery - it could actually be a return to that earlier techno ethos. One of my colleagues said it sounded like Daft Punk 'jammin'. They are probably more DJ oriented than listening oriented than Discovery. They did it in a v short period and it just doesn't work for me, but I am interested in other's opinions. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) save me, I think I'm going over to the darkside...
>>I think most people would think of them as house, but these > things are >>fluid. > > i mean "phoenix" and "revolution 909" amongst others are > undoubtedly nothing but techno. sure they have other influences > but theyre as much techno as house. ive heard uncountable techno > deejays drop their early tracks. I think you're absolutely right, but the perception is probably that they're house. > >>This one is v, v, v tracky. > > tracky how? i mean i feel like their first one was pretty tracky > in all but a few tunes. if its anything like their earlier work id > be very happy. Tracky as in more tracks than the songs - and downtempo forays - of Discovery - it could actually be a return to that earlier techno ethos. One of my colleagues said it sounded like Daft Punk 'jammin'. They are probably more DJ oriented than listening oriented than Discovery. They did it in a v short period and it just doesn't work for me, but I am interested in other's opinions.
RE: (313) Terrence Parker's online mix
> i prefered that last mix that did the rounds (was that on tfunkshun? nick?) Yeah, we were hosting an amazing mix until our site got overloaded with people trying to download the Stacey Pullen set...
Re: (313) Terrence Parker's online mix
>But I'd much rather see a DJ try things at the edges of their skills >and not be perfect me too. seems to be a very detroit thing this kinda style. just thinking shake, jeff mills, terrence parker, claude young etc etc etc.. where as other places, a much different style. errr. anyway, no point to this, just rambling. *ramble ramble* need_to_do_work_cant_be_arsed _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Terrence Parker's online mix
I suppose there are people who have seen TP spin more than I but since we bring him to Iowa City regularly, I've seen him play more than any other DJ. TP could play a nice smooth deep house set, but he never does. When he goes crazy on the kill switch, or rocks doubles to a standstill, he's in the moment with the crowd, and it's perfect. Sometimes when you listen later to the recording, it doesn't sound as good out of context. But I'd much rather see a DJ try things at the edges of their skills and not be perfect, than be perfect and boring. TP uses the tricks to hype people up, and he uses track selection to build a vibe. I've seen him skip records, and drop the beat while juggling, but I've never seen him empty a dancefloor. On Wed, 23 Mar 2005 12:54:48 +, robin <[EMAIL PROTECTED]> wrote: > Robert Taylor wrote: > > There's a fine line between clever and annoying ;) > > > > oh i agree. he pushes it at points in that mix. > > i love it when a dj messes with that line tho. > > claude young does this too. he loses some people on the floor that way > but i like that :). not everyone has to 'get it'. > > robin... >
Re: (313) Hi Tech Soul - The Movie
yes, i use the term "mighty" very,very loosely! ;-) - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, March 23, 2005 11:08 PM Subject: Re: (313) Hi Tech Soul - The Movie for the mighty QPR! ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Hi Tech Soul - The Movie
>for the mighty QPR! ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Terrence Parker's online mix
Robert Taylor wrote: There's a fine line between clever and annoying ;) oh i agree. he pushes it at points in that mix. i love it when a dj messes with that line tho. claude young does this too. he loses some people on the floor that way but i like that :). not everyone has to 'get it'. robin...
RE: (313) Terrence Parker's online mix
There's a fine line between clever and annoying ;) -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 12:49 To: Robert Taylor Cc: 313@hyperreal.org Subject: Re: (313) Terrence Parker's online mix Robert Taylor wrote: > I played it at work and my colleague asked if the record was scratched and > was amazed when I told him that it was done on purpose. > I'm inclined to agree with him - lovely mix but spoilt by overuse of the kill > switch or whatever it's called. > well sometimes on that mix i have to agree (tho i wish i had a mixer where the switches sounded that clean, i digress tho). i prefered that last mix that did the rounds (was that on tfunkshun? nick?) it's the hip-hop approach to the mix i love tho, i can forgive him over-use of the choppy transitions. especially when he flips the rhythm around to get that shuffle beat (i don't know enough about music theory to properly describe this, anyone help me out here? cyborgk?) robin... # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Terrence Parker's online mix
Robert Taylor wrote: I played it at work and my colleague asked if the record was scratched and was amazed when I told him that it was done on purpose. I'm inclined to agree with him - lovely mix but spoilt by overuse of the kill switch or whatever it's called. well sometimes on that mix i have to agree (tho i wish i had a mixer where the switches sounded that clean, i digress tho). i prefered that last mix that did the rounds (was that on tfunkshun? nick?) it's the hip-hop approach to the mix i love tho, i can forgive him over-use of the choppy transitions. especially when he flips the rhythm around to get that shuffle beat (i don't know enough about music theory to properly describe this, anyone help me out here? cyborgk?) robin...
Re: (313) Hi Tech Soul - The Movie
Nathan wrote on Wed, 23 Mar 2005 about following: Another one is Tony Thorpe. But most of you just said 'who' to that, didn't you? well the only Tony Thorpe i've heard of plays football for the mighty QPR! Nobody remembers The Moody Boys anymore! sakke -- A meeting is an event at which the minutes are kept and the hours are lost.
RE: (313) Hi Tech Soul - The Movie
-Original Message- From: Nathan [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 12:29 To: 313 Subject: Re: (313) Hi Tech Soul - The Movie > Another one is Tony Thorpe. But most of you just said 'who' to that, > didn't you? well the only Tony Thorpe i've heard of plays football for the mighty QPR! but i'm guessing that's not who you're talking about? ;-) nath Nah. Plus QPR ain't mighty (anymore!) I mean The Moody Boyz basically linked to KLF/Jimmy Cauty. When I look back on some of the Moody Boyz's track titles like: 'Funky Zulu: (You're So Fresh)' and 'First National Rapper' I sort of know why he's more or less forgotten! ;-) K
Re: (313) Hi Tech Soul - The Movie
i've not heard of this movie. is it like that "universal techno" doco that came out a few years ago with derrick may, mike banks, blake baxter, abdul haqq & others? better/worse/same? anyone know if it's gonna be shown in australia?
Re: (313) You have to hear this
Pascoe Mr S M wrote: An intelligent critique by spw - I'm particularly amused by the way dbx is summarily dismissed because of a handclap. and steve poindexter isn'tfor use of the same RZ1 see what i mean...a troll robin... s. Robert Taylor wrote: An example of SPW's latest drivellings: "Cybotron has always been a little raw for my taste compared to NY electro with better production, vocals, and 808 programming. No UFO's eh... kinda crap to be honest, could have easily come out on Trax. Juan Atkins newer material sound like a Rompler, I was listening to infinity...at least it's not laptop glitch/micro-house *cringe* The same goes for the obscure Chicago classics, Detroit deserves it's props but eh... overated. I'll take that rare Poindexter track on Chicago Underground with top notch production, sparse jacking beats over Yazoo sample Nude Photo. Strings Of Life is kind of abrasive/ annoying and reeks of 1989. The best Innovator comp came out on Network not the sub par matered Transmat version. The best UR involved Jeff Mills and Robert Hood. DBX in my opinion has always been overated with that Casio clap. It's a Chicago rip off. And midwest minimal techno is not much better. With it's pretentious quirky portamneto sound. Techno is all about politics anyway. My .02"
RE: (313) Hi Tech Soul - The Movie
Tony Thorpe was in the Moody Boyz and worked with the KLF -Original Message- From: Nathan [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 12:29 To: 313 Subject: Re: (313) Hi Tech Soul - The Movie > Another one is Tony Thorpe. But most of you just said 'who' to that, > didn't you? well the only Tony Thorpe i've heard of plays football for the mighty QPR! but i'm guessing that's not who you're talking about? ;-) nath # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) You have to hear this
An intelligent critique by spw - I'm particularly amused by the way dbx is summarily dismissed because of a handclap. s. Robert Taylor wrote: An example of SPW's latest drivellings: "Cybotron has always been a little raw for my taste compared to NY electro with better production, vocals, and 808 programming. No UFO's eh... kinda crap to be honest, could have easily come out on Trax. Juan Atkins newer material sound like a Rompler, I was listening to infinity...at least it's not laptop glitch/micro-house *cringe* The same goes for the obscure Chicago classics, Detroit deserves it's props but eh... overated. I'll take that rare Poindexter track on Chicago Underground with top notch production, sparse jacking beats over Yazoo sample Nude Photo. Strings Of Life is kind of abrasive/ annoying and reeks of 1989. The best Innovator comp came out on Network not the sub par matered Transmat version. The best UR involved Jeff Mills and Robert Hood. DBX in my opinion has always been overated with that Casio clap. It's a Chicago rip off. And midwest minimal techno is not much better. With it's pretentious quirky portamneto sound. Techno is all about politics anyway. My .02"
Re: (313) Hi Tech Soul - The Movie
Another one is Tony Thorpe. But most of you just said 'who' to that, didn't you? well the only Tony Thorpe i've heard of plays football for the mighty QPR! but i'm guessing that's not who you're talking about? ;-) nath
RE: (313) Terrence Parker's online mix
I played it at work and my colleague asked if the record was scratched and was amazed when I told him that it was done on purpose. I'm inclined to agree with him - lovely mix but spoilt by overuse of the kill switch or whatever it's called. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 12:09 To: 313@hyperreal.org Subject: Re: (313) Terrence Parker's online mix just had a text from my girlfried that just says "TP rules" :) robin... ps. i burnt that mix for her last nite and put it in her car Nathan wrote: > this is one sweet mix. > > thanks for heads up! > > nath > > # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) You have to hear this
he's just a moderately clever troll. it would be easy to come on here and be spw robin... fab. wrote: seriously speaking, he didnt really annoy me nor did i find he was much of a flamer. i remember him being really passionate the fact that Techno wasn't discussed anymore on this list (this has changed btw..) and that Moodymann, Theo and various styles of house, italo and disco werei thought he had a point there although i must say he wasn't one of the most diplomatic of persons... having said this, i dont really care whether he comes back or not. not trying to start a flame war (and glad that most of my posts seems to go by unnoticed ;) fab. - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, March 23, 2005 12:38 PM Subject: RE: (313) You have to hear this PETITION "Bring back spw" sign below: he was funny. (well, actually he wasn't, but, I dunno, made me giggle anyway) this list needs delusional crackpots. much more fun. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) You have to hear this
seriously speaking, he didnt really annoy me nor did i find he was much of a flamer. i remember him being really passionate the fact that Techno wasn't discussed anymore on this list (this has changed btw..) and that Moodymann, Theo and various styles of house, italo and disco werei thought he had a point there although i must say he wasn't one of the most diplomatic of persons... having said this, i dont really care whether he comes back or not. not trying to start a flame war (and glad that most of my posts seems to go by unnoticed ;) fab. - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, March 23, 2005 12:38 PM Subject: RE: (313) You have to hear this PETITION "Bring back spw" sign below: he was funny. (well, actually he wasn't, but, I dunno, made me giggle anyway) this list needs delusional crackpots. much more fun. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Terrence Parker's online mix
just had a text from my girlfried that just says "TP rules" :) robin... ps. i burnt that mix for her last nite and put it in her car Nathan wrote: this is one sweet mix. thanks for heads up! nath
Re: (313) Terrence Parker's online mix
this is one sweet mix. thanks for heads up! nath
Re: (313) You have to hear this (TOO :)
an audio tour: tokyo's underground airport will be open in the year 2300 http://www.vpro.nl/weblog/news.jsp?news=21713781 click on the audio icon. :) aida > > PETITION > > "Bring back spw" > > sign below: > > he was funny. (well, actually he wasn't, but, I dunno, made me giggle > anyway) > this list needs delusional crackpots. > > much more fun. > _ > - End of message text > > This e-mail is sent by the above named in > their individual, non-business capacity and > is not on behalf of PricewaterhouseCoopers LLP. > > PricewaterhouseCoopers LLP may monitor > outgoing and incoming e-mails and other > telecommunications on its e-mail and > telecommunications systems. By replying > to this e-mail you give your consent to such monitoring. > >
RE: (313) You have to hear this
I could always ask him on the board I got the previous gubbins from -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 11:56 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) You have to hear this ... heh heh. Be careful what you wish for! K -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 11:39 To: 313@hyperreal.org Subject: RE: (313) You have to hear this PETITION "Bring back spw" sign below: he was funny. (well, actually he wasn't, but, I dunno, made me giggle anyway) this list needs delusional crackpots. much more fun. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) You have to hear this
... heh heh. Be careful what you wish for! K -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 11:39 To: 313@hyperreal.org Subject: RE: (313) You have to hear this PETITION "Bring back spw" sign below: he was funny. (well, actually he wasn't, but, I dunno, made me giggle anyway) this list needs delusional crackpots. much more fun. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) You have to hear this
PETITION "Bring back spw" sign below: he was funny. (well, actually he wasn't, but, I dunno, made me giggle anyway) this list needs delusional crackpots. much more fun. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) You have to hear this
Well we can all have some fun with this innit?!? :-) Lemme go first: On 23 Mar 2005, at 10:00, Robert Taylor wrote: > An example of SPW's latest drivellings: > "Cybotron has always been a little raw for my taste compared to NY > electro with better production, vocals, and 808 programming. > No UFO's eh... kinda crap to be honest, could have easily come out on > Trax So forget Strafe's 'Set It Off' and Aleem's, 'Release Yourself' with their scratchy recordings (the Strafe track has barely any bass). Which more or less use the same 808 and /or 909 patterns throughout? What's wrong with sounding like Trax Records? I don't believe Juan Atkins ever pretended he wasn't influenced by the Chicago sound at that time. He just dissociated himself from outright acid. But this is too easy...Plus there's no spew to answer back! K
Re: (313) Hi Tech Soul - The Movie
isnt ritchie from berlin? ;P - Original Message - From: <[EMAIL PROTECTED]> To: "Martin Dust" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org>; "/0" <[EMAIL PROTECTED]>; "robin" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]> Sent: Wednesday, March 23, 2005 12:25 AM Subject: Re: (313) Hi Tech Soul - The Movie NNra..*chocolate biscuits* MEK "Martin Dust" <[EMAIL PROTECTED] com> To "/0" <[EMAIL PROTECTED]>, 03/22/05 05:10 PM <[EMAIL PROTECTED]> cc "robin" Please respond to <[EMAIL PROTECTED]>, "Martin Dust" <313@hyperreal.org> <[EMAIL PROTECTED] Subject com>Re: (313) Hi Tech Soul - The Movie whats the drama. I was going to ask anyways, but since you mentioned it.. -joe Richie failed to pass the doober and all hell broke loose, it wasn't helped by the fact that he accused 3 of the Detroit 5 of eating all the choccy Hobnobs Martin
Re: (313) Mixes That Just Keep Giving
Matt, let me know if you can't find it...i should be able to get my hands on it. you could try checking out archive.org, i remember reading on the netstock site that the sets were going to be archived there. also recommend the SMBP seti have that and the Bern set too. Let me know if ya need them, i can upload them on my website for you. fab. - Original Message - From: "matt kane's brain" <[EMAIL PROTECTED]> To: "Sakari Karipuro" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org> Sent: Tuesday, March 22, 2005 9:45 PM Subject: Re: (313) Mixes That Just Keep Giving I listened to part of the netstock fest this weekend and was very impressed by Tomas Jirku's set. I hope they recorded it! -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) You have to hear this
Crikey, those are big brush strokes he's painting with... On 23 Mar 2005, at 10:00, Robert Taylor wrote: An example of SPW's latest drivellings: "Cybotron has always been a little raw for my taste compared to NY electro with better production, vocals, and 808 programming. No UFO's eh... kinda crap to be honest, could have easily come out on Trax. Juan Atkins newer material sound like a Rompler, I was listening to infinity...at least it's not laptop glitch/micro-house *cringe* The same goes for the obscure Chicago classics, Detroit deserves it's props but eh... overated. I'll take that rare Poindexter track on Chicago Underground with top notch production, sparse jacking beats over Yazoo sample Nude Photo. Strings Of Life is kind of abrasive/ annoying and reeks of 1989. The best Innovator comp came out on Network not the sub par matered Transmat version. The best UR involved Jeff Mills and Robert Hood. DBX in my opinion has always been overated with that Casio clap. It's a Chicago rip off. And midwest minimal techno is not much better. With it's pretentious quirky portamneto sound. Techno is all about politics anyway. Subject: Re: (313) You have to hear this
RE: (313) You have to hear this
An example of SPW's latest drivellings: "Cybotron has always been a little raw for my taste compared to NY electro with better production, vocals, and 808 programming. No UFO's eh... kinda crap to be honest, could have easily come out on Trax. Juan Atkins newer material sound like a Rompler, I was listening to infinity...at least it's not laptop glitch/micro-house *cringe* The same goes for the obscure Chicago classics, Detroit deserves it's props but eh... overated. I'll take that rare Poindexter track on Chicago Underground with top notch production, sparse jacking beats over Yazoo sample Nude Photo. Strings Of Life is kind of abrasive/ annoying and reeks of 1989. The best Innovator comp came out on Network not the sub par matered Transmat version. The best UR involved Jeff Mills and Robert Hood. DBX in my opinion has always been overated with that Casio clap. It's a Chicago rip off. And midwest minimal techno is not much better. With it's pretentious quirky portamneto sound. Techno is all about politics anyway. My .02" -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 01:55 To: David Gillies Cc: Martin Dust; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) You have to hear this hah laugh if you want, but that particular serpant was run off of 313 only to re-appear on another mailing list (not techno related too) that I'm subbed to. he's done his best to make himself unidentifiable, but he posted some pictures and I noticed the share name was spw and called him out on it. still a little flame baiter too argh - Original Message - From: "David Gillies" <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "Martin Dust" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, March 22, 2005 7:25 PM Subject: Re: (313) You have to hear this > Perhaps some sort of stage drama involving spw entitled "Are You Not > Hu-Man?" > > /0 wrote: >> I think there should be a 313 group hug/performance this year >> >> -Joe >> >> - Original Message - From: "Martin Dust" <[EMAIL PROTECTED]> >> To: <[EMAIL PROTECTED]> >> Cc: <313@hyperreal.org> >> Sent: Tuesday, March 22, 2005 6:12 PM >> Subject: Re: (313) You have to hear this >> >> >>> Hehehe, UR are finally outskilled on "number" of players in Techno >>> line-up >>> >>> M >>> let petition to get them at the next year's DEMF/Fuse-in salivating MEK >>> >>> > > # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) save me, I think I'm going over to the darkside...
Rolling and Scratching is one of the bitiest techno trackes I've ever took my shirt off to. -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 01:05 To: 313@hyperreal.org Subject: Re: (313) save me, I think I'm going over to the darkside... -- Original Message -- From: "Cyclone Wehner" <[EMAIL PROTECTED]> >I think most people would think of them as house, but these things are >fluid. i mean "phoenix" and "revolution 909" amongst others are undoubtedly nothing but techno. sure they have other influences but theyre as much techno as house. ive heard uncountable techno deejays drop their early tracks. >This one is v, v, v tracky. tracky how? i mean i feel like their first one was pretty tracky in all but a few tunes. if its anything like their earlier work id be very happy. tom andythepooh.com # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) new Juan on Tresor is SCHWEEEET!
I have made a short minimix from juan's album a while ago. you find it here: http://www.vpro.nl/weblog/audio.jsp?maps=14605939&audionumber=21464021 and here... http://www.vpro.nl/weblog/news.jsp?news=21463395 cheers lady aida > > check the few sound files i could find: > > http://audio.syntaxmusic.com/audio/81341.RAM > http://audio.syntaxmusic.com/audio/81341B1.RAM > http://audio.syntaxmusic.com/audio/81341B2.RAM > http://audio.syntaxmusic.com/audio/81341C1.RAM > http://audio.syntaxmusic.com/audio/81341D1.RAM > http://audio.syntaxmusic.com/audio/81341D2.RAM > > > down low music > http://downlowmusic.org > dLCMLP The Connection Machine PAINLESS OUT NOW > dLVEXT2 E.R.P. 12" FEB > dL SHOP LOWER LEVELS > http://lowrlvlz.gemm.com > > > > __ > Do you Yahoo!? > Yahoo! Small Business - Try our new resources site! > http://smallbusiness.yahoo.com/resources/ >
RE: (313) Hi Tech Soul - The Movie
If they really wanted a big recognisable UK name to be represented on the movie then Dave Clarke would actually have been the better bet maybe. Stu Remember, the title of the film is 'Hi Tech Soul' therefore, rightly or wrongly, some talented people are going to be excluded from that rubric, and on the other hand some people who aren't particularly stand-out, might be included. It makes me realise though that in the UK, we don't really have a direct equivalent of 'Hi-Tech' soul musicians ... I mean, at a stretch you could include UK garage (but would you really want to?!?! ;-) I can think of a few people I'd include. Obviously the most credible would seem to be A Guy Called Gerald. Also perhaps Hope Grant. But such folk are few and far between. Another one is Tony Thorpe. But most of you just said 'who' to that, didn't you? As someone else suggested, perhaps Cox simply knows more influential people! K - Original Message - From: "Erin Bate" <[EMAIL PROTECTED]> Cc: "313" <313@hyperreal.org> Sent: Tuesday, March 22, 2005 5:44 PM Subject: Re: (313) Hi Tech Soul - The Movie > > I know Carl isn't who I personally would pick for this movie, but if you > talk with some of the guys from back in the day, they give alot of > respect to Carl Cox... I am not sure why, because I have never heard > anything from him I was impressed with either..I remember when he was > playing the DEMF...I got a ear full about his influences on Detroit > music...From artists who have been around since the beginning. > ~Erin > > Stewart Caig wrote: > > >I still find Carl Cox an odd choice of UK representation in a film such as > >this, sure he was playing some techno sets back in the day, but he was also > >playing garage, house, jungle, d&b, happy hardcore and just about anything > >else he could get booked for! And his actual music has never really been any > >good. > > > >Stu > > > > > > > > > > > > > > > # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) NO
We're in the shadow of the Pennines and the Peak District so I think hills and valleys is a fair comment... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 March 2005 00:05 To: Philip Cc: 313 Subject: Re: (313) NO maybe they're just calling it as they see it - does manchester have a lot of hills and valleys? i've been led to believe that it has a lot of alcohol and pills. "Philip" <[EMAIL PROTECTED] du.au> To "313" <313@hyperreal.org> 23/03/05 10:05 AM cc Subject (313) NO >Anyone on the list looking forward to the new New Order album?? I am... >It has some of the worst rhyming couplets on it ever...Made me LOL at >least 4 times, proper shocking some of them... So what else is new? don't forget... 'I've lived my life in valleys, I've lived my life on hills' 'I've lived my life on alcohol, I've lived my life on pills' p ForwardSourceID:NT0001BE72
(313) Paging Paging
Would Sean Deason please go to the red telephone please...
Re: (313) Terrence Parker's online mix
This is da bomb. Sounds like TP is channeling Ken Collier again :) I am not a fan of the Bucketheads' Da Bomb (that "these sounds" sample got to be very annoying when the track was at its peak of popularity), but you have to admit, it is just brilliant how he mixed it in, and *then* . . . House Nation! -- fred
Re: (313) new Juan on Tresor is SCHWEEEET!
Damn, sounds like Juan is back in the groove again. -- fred
Re: (313) new Juan on Tresor is SCHWEEEET!
Out Now! Juan Atkins "The Berlin Sessions" 2x12" (Tresor 215LP). - Original Message - From: "J.T." <[EMAIL PROTECTED]> To: "Minto George" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, March 23, 2005 12:12 AM Subject: Re: (313) new Juan on Tresor is SCHWT! > dammmnnn those are hot!! > i didnt even know new stuff was coming on tresor -- i thought just model 500 reissues or something? > so this is a new album? when's it out? whats it called? details! > > -Original Message- > From: Minto George <[EMAIL PROTECTED]> > Sent: Mar 22, 2005 10:45 PM > To: 313@hyperreal.org > Subject: (313) new Juan on Tresor is SCHWT! > > > check the few sound files i could find: > > http://audio.syntaxmusic.com/audio/81341.RAM > http://audio.syntaxmusic.com/audio/81341B1.RAM > http://audio.syntaxmusic.com/audio/81341B2.RAM > http://audio.syntaxmusic.com/audio/81341C1.RAM > http://audio.syntaxmusic.com/audio/81341D1.RAM > http://audio.syntaxmusic.com/audio/81341D2.RAM > > > down low music > http://downlowmusic.org > dLCMLP The Connection Machine PAINLESS OUT NOW > dLVEXT2 E.R.P. 12" FEB > dL SHOP LOWER LEVELS > http://lowrlvlz.gemm.com
Re: (313) new Juan on Tresor is SCHWEEEET!
hey j! yeah you as stoked as i am!? it's out this week called the Berlin Sessions... classic juan! --- "J.T." <[EMAIL PROTECTED]> wrote: > dammmnnn those are hot!! > i didnt even know new stuff was coming on tresor -- > i thought just model 500 reissues or something? > so this is a new album? when's it out? whats it > called? details! > > -Original Message- > From: Minto George <[EMAIL PROTECTED]> > Sent: Mar 22, 2005 10:45 PM > To: 313@hyperreal.org > Subject: (313) new Juan on Tresor is SCHWT! > > > check the few sound files i could find: > > http://audio.syntaxmusic.com/audio/81341.RAM > http://audio.syntaxmusic.com/audio/81341B1.RAM > http://audio.syntaxmusic.com/audio/81341B2.RAM > http://audio.syntaxmusic.com/audio/81341C1.RAM > http://audio.syntaxmusic.com/audio/81341D1.RAM > http://audio.syntaxmusic.com/audio/81341D2.RAM > > > down low music > http://downlowmusic.org > dLCMLP The Connection Machine PAINLESS OUT NOW > dLVEXT2 E.R.P. 12" FEB > dL SHOP LOWER LEVELS > http://lowrlvlz.gemm.com > down low music http://downlowmusic.org dLCMLP The Connection Machine PAINLESS OUT NOW dLVEXT2 E.R.P. 12" FEB dL SHOP LOWER LEVELS http://lowrlvlz.gemm.com __ Do you Yahoo!? Yahoo! Small Business - Try our new resources site! http://smallbusiness.yahoo.com/resources/
Re: (313) new Juan on Tresor is SCHWEEEET!
dammmnnn those are hot!! i didnt even know new stuff was coming on tresor -- i thought just model 500 reissues or something? so this is a new album? when's it out? whats it called? details! -Original Message- From: Minto George <[EMAIL PROTECTED]> Sent: Mar 22, 2005 10:45 PM To: 313@hyperreal.org Subject: (313) new Juan on Tresor is SCHWT! check the few sound files i could find: http://audio.syntaxmusic.com/audio/81341.RAM http://audio.syntaxmusic.com/audio/81341B1.RAM http://audio.syntaxmusic.com/audio/81341B2.RAM http://audio.syntaxmusic.com/audio/81341C1.RAM http://audio.syntaxmusic.com/audio/81341D1.RAM http://audio.syntaxmusic.com/audio/81341D2.RAM down low music http://downlowmusic.org dLCMLP The Connection Machine PAINLESS OUT NOW dLVEXT2 E.R.P. 12" FEB dL SHOP LOWER LEVELS http://lowrlvlz.gemm.com
Re: (313) save me, I think I'm going over to the darkside...
liar! - Original Message - From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, March 22, 2005 10:39 PM Subject: Re: (313) save me, I think I'm going over to the darkside... -- Original Message -- From: "/0" <[EMAIL PROTECTED]> was there another cox that was a resident then? I think there are two (in my mind) maybe dennis cox (or was that the old flint mayor) damnit, I have friday brain on a tuesday! wasnt me ;P tom andythepooh.com
(313) new Juan on Tresor is SCHWEEEET!
check the few sound files i could find: http://audio.syntaxmusic.com/audio/81341.RAM http://audio.syntaxmusic.com/audio/81341B1.RAM http://audio.syntaxmusic.com/audio/81341B2.RAM http://audio.syntaxmusic.com/audio/81341C1.RAM http://audio.syntaxmusic.com/audio/81341D1.RAM http://audio.syntaxmusic.com/audio/81341D2.RAM down low music http://downlowmusic.org dLCMLP The Connection Machine PAINLESS OUT NOW dLVEXT2 E.R.P. 12" FEB dL SHOP LOWER LEVELS http://lowrlvlz.gemm.com __ Do you Yahoo!? Yahoo! Small Business - Try our new resources site! http://smallbusiness.yahoo.com/resources/
Re: (313) save me, I think I'm going over to the darkside...
-- Original Message -- From: "/0" <[EMAIL PROTECTED]> >was there another cox that was a resident then? > >I think there are two (in my mind) > >maybe dennis cox (or was that the old flint mayor) > >damnit, I have friday brain on a tuesday! wasnt me ;P tom andythepooh.com
Re: (313) save me, I think I'm going over to the darkside...
ok musta been him, sorry carl. but wash your fxing shirt, hippy. -joe - Original Message - From: <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "Kent Williams" <[EMAIL PROTECTED]>; "list 313" <313@hyperreal.org> Sent: Tuesday, March 22, 2005 9:19 PM Subject: Re: (313) save me, I think I'm going over to the darkside... ah yes dennis cox was a resident On Tue, 22 Mar 2005, /0 wrote: was there another cox that was a resident then? I think there are two (in my mind) maybe dennis cox (or was that the old flint mayor) damnit, I have friday brain on a tuesday! -Joe - Original Message - From: <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "Kent Williams" <[EMAIL PROTECTED]>; "list 313" <313@hyperreal.org> Sent: Tuesday, March 22, 2005 7:37 PM Subject: Re: (313) save me, I think I'm going over to the darkside... good grief he played 3-4 times over 3 years. On Tue, 22 Mar 2005, /0 wrote: > heh he was advert'd as "former motor resident" on a semi-recentish > flyer I saw for an event > > -Joe > > - Original Message - From: <[EMAIL PROTECTED]> > To: "Kent Williams" <[EMAIL PROTECTED]> > Cc: "list 313" <313@hyperreal.org> > Sent: Tuesday, March 22, 2005 5:00 PM > Subject: Re: (313) save me, I think I'm going over to the darkside... > > > > i popped in on a cox date out here in La a few months back. he was > > still wearing the Motor t-shirt i gave him sometime between '01-'02 > > > > it was not in the best shape. > > > > On Tue, 22 Mar 2005, Kent Williams wrote: > > > > > Moby is not without talent. He is a careerist who likes to make > > > money, and is willing to put out commercial stuff to formula and > > > frankly I don't blame him. He makes a lot of money, without > > > killing or > > > cheating anyone, so he's causing a lot less harm than most rich > > > people. > > > > > > He will occasionally rise above the level of commercial product > > > as the > > > mood strikes him. Maybe if we praise him for those rare > > > rise-abover > > > tracks, instead of always slagging him off as a sell-out, he > > > might do > > > more of them. > > > > > > I do have it on good authority that he is kinda smelly in person, > > > if > > > you want some dirt on him. He showed up at a friend of mine's > > > studio > > > for a photo shoot, and at the photographer's request swapped > > > shirts > > > with my friend. My friend was so grossed out , he threw his shirt > > > away > > > when he got it back. > > > > > > This is why you read 313 list isn't it? > > > > > > On Tue, 22 Mar 2005 13:02:08 GMT, Dan Bean <[EMAIL PROTECTED]> > > > wrote: > > > > Just got sent the new Moby 10".and it's actually OK! > > > > > > > > /ducks/ > > > > > > > > The LP is utter, utter cobblers, without a doubt some of the > > > > worst cash in chart/stadium techno I've heard for a long time, > > > > but the two tracks on the 10" (admittedly after one very quick > > > > listen) sound like quite reasonable minimal techno tracks with a > > > > nod to the 'german' clicky style. > > > > > > > > I suspect that in blind listening conditions many would say: > > > > "OK track, maybe on Perlon?" > > > > > > > > not that I'm trying to justify myself or anything;) > > > > > > > > Is it too late for me, or can I still get help? > > > > > > > > >
Re: (313) Hi Tech Soul - The Movie
On Mar 22, 2005, at 2:44 PM, Martin Dust wrote: the obvious one is hawtin. i guess there's a lot of back drama about that one. Sure, but who'd want to open that wound up again eddie fowlkes, apparently.
Re: (313) save me, I think I'm going over to the darkside...
ah yes dennis cox was a resident On Tue, 22 Mar 2005, /0 wrote: was there another cox that was a resident then? I think there are two (in my mind) maybe dennis cox (or was that the old flint mayor) damnit, I have friday brain on a tuesday! -Joe - Original Message - From: <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "Kent Williams" <[EMAIL PROTECTED]>; "list 313" <313@hyperreal.org> Sent: Tuesday, March 22, 2005 7:37 PM Subject: Re: (313) save me, I think I'm going over to the darkside... good grief he played 3-4 times over 3 years. On Tue, 22 Mar 2005, /0 wrote: > heh he was advert'd as "former motor resident" on a semi-recentish flyer > I saw for an event > > -Joe > > - Original Message - From: <[EMAIL PROTECTED]> > To: "Kent Williams" <[EMAIL PROTECTED]> > Cc: "list 313" <313@hyperreal.org> > Sent: Tuesday, March 22, 2005 5:00 PM > Subject: Re: (313) save me, I think I'm going over to the darkside... > > > > i popped in on a cox date out here in La a few months back. he was > > still wearing the Motor t-shirt i gave him sometime between '01-'02 > > > > it was not in the best shape. > > > > On Tue, 22 Mar 2005, Kent Williams wrote: > > > > > Moby is not without talent. He is a careerist who likes to make > > > money, and is willing to put out commercial stuff to formula and > > > frankly I don't blame him. He makes a lot of money, without killing > > > or > > > cheating anyone, so he's causing a lot less harm than most rich > > > people. > > > > > > He will occasionally rise above the level of commercial product as > > > the > > > mood strikes him. Maybe if we praise him for those rare rise-abover > > > tracks, instead of always slagging him off as a sell-out, he might > > > do > > > more of them. > > > > > > I do have it on good authority that he is kinda smelly in person, if > > > you want some dirt on him. He showed up at a friend of mine's > > > studio > > > for a photo shoot, and at the photographer's request swapped shirts > > > with my friend. My friend was so grossed out , he threw his shirt > > > away > > > when he got it back. > > > > > > This is why you read 313 list isn't it? > > > > > > On Tue, 22 Mar 2005 13:02:08 GMT, Dan Bean <[EMAIL PROTECTED]> > > > wrote: > > > > Just got sent the new Moby 10".and it's actually OK! > > > > > > > > /ducks/ > > > > > > > > The LP is utter, utter cobblers, without a doubt some of the worst > > > > cash in chart/stadium techno I've heard for a long time, but the > > > > two tracks on the 10" (admittedly after one very quick listen) > > > > sound like quite reasonable minimal techno tracks with a nod to > > > > the 'german' clicky style. > > > > > > > > I suspect that in blind listening conditions many would say: "OK > > > > track, maybe on Perlon?" > > > > > > > > not that I'm trying to justify myself or anything;) > > > > > > > > Is it too late for me, or can I still get help? > > > > > > > > >
Re: (313) save me, I think I'm going over to the darkside...
db's acid resistant series is off the mf hook if you never bought it, slap yourself and find a copy -Joe - Original Message - From: <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "'313'" <313@hyperreal.org> Sent: Tuesday, March 22, 2005 7:40 PM Subject: Re: (313) save me, I think I'm going over to the darkside... it looks like db is making drum'n bass action figures http://www.breakbeatscience.com/42485.html?id=kWPNTURY speaking a simplistic rhyming couplets, i have a breakbeat science t-shirt that says 'drum'n bass for a f*&ked place'. it's nice shirt. just a shame that i don't like drum'n bass. i used to go hear db spin a lot in the early/mid 90s. - i was sooo eclectic and open minded back then. james www.jbucknell.com "/0" <[EMAIL PROTECTED] mi.net>To <[EMAIL PROTECTED]>, "'Placid'" 23/03/05 06:14 AM <[EMAIL PROTECTED]>, "'313'" <313@hyperreal.org> cc Subject Re: (313) save me, I think I'm going over to the darkside... ahhh sm:)e whats db up to these days anyways? - Original Message - From: <[EMAIL PROTECTED]> To: "'/0'" <[EMAIL PROTECTED]>; "'Placid'" <[EMAIL PROTECTED]>; "'313'" <313@hyperreal.org> Sent: Tuesday, March 22, 2005 1:44 PM Subject: RE: (313) save me, I think I'm going over to the darkside... Completely agreed...there was a time Stateside where they were one of the few distro/labels that you could consistently find in a variety of retailers CD bins. Them and SMILE filled my head early with their releases. Leslie -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 22, 2005 12:59 PM To: Placid; 313 Subject: Re: (313) save me, I think I'm going over to the darkside... instinct holds a big spot in my heart as a label that *used* to completely own the electronic music universe from my perspective. so many good albums and comps.. dont know wtf happened... - Original Message - From: "Placid" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Tuesday, March 22, 2005 12:53 PM Subject: Re: (313) save me, I think I'm going over to the darkside... his track on the flip side to the original 'go' on instinct is deep.. love that track p Stewart Caig wrote: mood strikes him. Maybe if we praise him for those rare rise-abover tracks, instead of always slagging him off as a sell-out, he might do more of them. I'd like to praise him for that Voodoo Child Horses track he did years ago if I may. Stewart Caig wrote: mood strikes him. Maybe if we praise him for those rare rise-abover tracks, instead of always slagging him off as a sell-out, he might do more of them. I'd like to praise him for that Voodoo Child Horses track he did years ago if I may. ForwardSourceID:NT0001BE1A
Re: (313) save me, I think I'm going over to the darkside...
was there another cox that was a resident then? I think there are two (in my mind) maybe dennis cox (or was that the old flint mayor) damnit, I have friday brain on a tuesday! -Joe - Original Message - From: <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "Kent Williams" <[EMAIL PROTECTED]>; "list 313" <313@hyperreal.org> Sent: Tuesday, March 22, 2005 7:37 PM Subject: Re: (313) save me, I think I'm going over to the darkside... good grief he played 3-4 times over 3 years. On Tue, 22 Mar 2005, /0 wrote: heh he was advert'd as "former motor resident" on a semi-recentish flyer I saw for an event -Joe - Original Message - From: <[EMAIL PROTECTED]> To: "Kent Williams" <[EMAIL PROTECTED]> Cc: "list 313" <313@hyperreal.org> Sent: Tuesday, March 22, 2005 5:00 PM Subject: Re: (313) save me, I think I'm going over to the darkside... i popped in on a cox date out here in La a few months back. he was still wearing the Motor t-shirt i gave him sometime between '01-'02 it was not in the best shape. On Tue, 22 Mar 2005, Kent Williams wrote: > Moby is not without talent. He is a careerist who likes to make > money, and is willing to put out commercial stuff to formula and > frankly I don't blame him. He makes a lot of money, without killing > or > cheating anyone, so he's causing a lot less harm than most rich > people. > > He will occasionally rise above the level of commercial product as > the > mood strikes him. Maybe if we praise him for those rare rise-abover > tracks, instead of always slagging him off as a sell-out, he might do > more of them. > > I do have it on good authority that he is kinda smelly in person, if > you want some dirt on him. He showed up at a friend of mine's studio > for a photo shoot, and at the photographer's request swapped shirts > with my friend. My friend was so grossed out , he threw his shirt > away > when he got it back. > > This is why you read 313 list isn't it? > > On Tue, 22 Mar 2005 13:02:08 GMT, Dan Bean <[EMAIL PROTECTED]> > wrote: > > Just got sent the new Moby 10".and it's actually OK! > > > > /ducks/ > > > > The LP is utter, utter cobblers, without a doubt some of the worst > > cash in chart/stadium techno I've heard for a long time, but the two > > tracks on the 10" (admittedly after one very quick listen) sound > > like quite reasonable minimal techno tracks with a nod to the > > 'german' clicky style. > > > > I suspect that in blind listening conditions many would say: "OK > > track, maybe on Perlon?" > > > > not that I'm trying to justify myself or anything;) > > > > Is it too late for me, or can I still get help? > > >
Re: (313) You have to hear this
hah laugh if you want, but that particular serpant was run off of 313 only to re-appear on another mailing list (not techno related too) that I'm subbed to. he's done his best to make himself unidentifiable, but he posted some pictures and I noticed the share name was spw and called him out on it. still a little flame baiter too argh - Original Message - From: "David Gillies" <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "Martin Dust" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, March 22, 2005 7:25 PM Subject: Re: (313) You have to hear this Perhaps some sort of stage drama involving spw entitled "Are You Not Hu-Man?" /0 wrote: I think there should be a 313 group hug/performance this year -Joe - Original Message - From: "Martin Dust" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Tuesday, March 22, 2005 6:12 PM Subject: Re: (313) You have to hear this Hehehe, UR are finally outskilled on "number" of players in Techno line-up M let petition to get them at the next year's DEMF/Fuse-in salivating MEK
Re: (313) You have to hear this
"D-amn you, you e-motional hu-man's and you're trendy, i-rrational melodic 313 mu-sic." [EMAIL PROTECTED] wrote: LOL! All I can see is him in a robot costume made of cardboard boxes spray painted silver. it'd be like the play at the end of Waiting for Guffman. MEK David Gillies <[EMAIL PROTECTED]> To 03/22/05 06:25 PM /0 <[EMAIL PROTECTED]> cc Martin Dust <[EMAIL PROTECTED]>, [EMAIL PROTECTED], 313@hyperreal.org Subject Re: (313) You have to hear this Perhaps some sort of stage drama involving spw entitled "Are You Not Hu-Man?" /0 wrote: I think there should be a 313 group hug/performance this year -Joe - Original Message - From: "Martin Dust" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Tuesday, March 22, 2005 6:12 PM Subject: Re: (313) You have to hear this Hehehe, UR are finally outskilled on "number" of players in Techno line-up M let petition to get them at the next year's DEMF/Fuse-in salivating MEK
