Re: (313) Ultravox
I'd never heard the Ultravox (or poss Midge solo) version of Fade To Grey but I knew Ultravox basically were Visage with the addition of Steve Strange. I now realise I had the lyrics wrong for years - it's not "English someone" but "English summer" - as Midge's enuciation is stronger. ;) Ultravox's Vienna is one of the best records EVER. These new 80s comps (cut and paste 12"/80s into UK Amazon to see tracklist) are so off the hook - beautiful masters, rare songs, etc. Echo & The Bunnymen, Tom Tom Club, Grace Jones, etc, etc, etc. Night Train is Visage very funky with horns and a swing feel, if you can imagine that. There is also a new slick edition of ABC's Lexicon Of Love out with outtakes/live material as well - same series as new versions of Marvin Gaye/Donna Summer albums, etc, from Universal. > That's super cool - will definitely look for the stuff you've mentioned > here! Thanks for posting. > > Over the weekend, I dug up some cassette tapes that were at least 20 > years old - from when I was first in college. Lots of new wave stuff on > there. Ah, memories! Stuff like Icicle Works, Fiction Factory, ABC, > Style Council, Yello, Blancmange, Talk Talk, etc. > > Visage always seemed more danceable than the Ultravox stuff - not that I > don't like guitars and yes you can dance to them :) - but Fade to Grey > was such an amazing tune! I've never heard the version with Midge > singing, at least not that I recall. > > Cheers - > > Lisa > > > Cyclone Wehner wrote: > >> I unearthed an Ultravox 'best of' for very little the other day. This is one >> of the most underrated electronic bands ever... - always found Midge Ure's >> soulful tones very affecting. I was not in favour of their later material - >> too Big Country/Simple Minds like for me - but anything circa Vienna was >> great. The comp I got, The Finest, has Midge's rendition of Fade To Grey >> (live) which is vastly different to the version they did with Steve Strange >> as Visage but kinda cool since Midge possesses a stronger voice, and a very >> soulful one. More guitar oriented, less atmospheric, but edgy and cool. >> Anyone heard it? It's interesting that Visage should retain their cool >> longer than Ultravox, but I think on the whole the Visage material was >> excellent and still sounds compelling. >> >> There's a fantastic new 80s comp series of remastered 12's from the UK which >> has everyone bugging here - it's called 12"/80s. They are onto the 2nd set >> and each set has 3 disks. You get remastered Night Train by Visage, lot of >> divine stuff! >>
Re: (313) Indigestion and some reviews
Seeing as most of you f*ckers never trim your messages, I'm going to inflict a retributive all-in-one response to three digests. That'll learn ya. There's a thing called karma, and it's going to get you. But first, anyone heard a new EP from Chris Lowe of the Pet Shop Boys? I think it's called 'The other guy from the Pet Shop Boys'. Anyway... I have a faint memory of hearing it last weekend and thinking that it sounded like some proper beauty techno. Gonna have to give it another listen. Jamie and Pav were taking the piss - that was actually a Terrace record. You should lay off the sauce.
Re: (313) Jeff Mills & An Orchestra!
Thats the one, that Philip Glass interpretation is amazing !!! Talking about Mills, the same orchestra already did a show with hardcore French Djs Manu le Malin & Torgull . (never heard that one); Mills doesnt do something "New" there, though the "venue" sounds magic eh ! As said before i guess he will do some more experimental stuff... I remember the A2 track of Every dog has its day vol 1 sounding like done only with acoustic instruments. -- Benoît. Jari Tolkkinen a écrit : On Tue, 21 Jun 2005 [EMAIL PROTECTED] wrote: so, whaddya think? Cool! One of my favourite AFX bits is Icct Hedral from the Donkey Rhubarb EP. -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
RE: (313) Meat Beat Manifesto
New album is on Thirsty Ear Blue Series. It's called "In The Center". Very jazz leaning keeping with the Blue Series. Played a couple of tracks off of it last night. They were cutting footage of old jazz films in and David King was amazing on these tracks. Dangers played a bass flute making a low pitched droning underneath the jazz samples. MEK "Blaauw, Martijn de " "Gerald" <[EMAIL PROTECTED]>, <313@hyperreal.org> 06/21/05 04:07 AM cc Subject RE: (313) Meat Beat Manifesto 'Storm the Studio' blew me away!!! What an amazing record this was/is! The fist gig i saw from them at the 'tegentonen' festival in Amsterdam back in '88 or '89...what a surreal experience...never saw something like that. Kinda lost interest in them in the past few years, new album out i believe? -Oorspronkelijk bericht- Van: Gerald [mailto:[EMAIL PROTECTED] Verzonden: dinsdag 21 juni 2005 10:57 Aan: 313@hyperreal.org; [EMAIL PROTECTED] Onderwerp: Re: (313) Meat Beat Manifesto was planning on checking them out thursday. the next night at the same place in Toronto has ESG playing. on a 313 note... MBM was responsible for my first trip to Detroit back in 88 or 89! Cheers! G - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, June 21, 2005 2:06 AM Subject: (313) Meat Beat Manifesto > > > > > Phrooaugh! What a show! If they're on the way to your city do > yourself a favor and go see them. This is my third time and they > never disappoint. > > They pulled out "House of God" even - f'ing fantastic to hear that > live - live acid house they dropped Tino Corp tracks as well > > Dangers & Co. were using the Pioneer DVD controller/turntables cutting > and scratching live video > > their drummer for this tour is David King from the jazz group Happy > Apple/Bad Plus great to see a hometown boy kickin it with the mighty > MBM he pounded out some heavy heavy breaks on the electronic drum kit > > opening band was Dub Trio - definitely check them out if you like your > punk > and dub - think Bad Brains meets Twilight Dub circus > three piece band from Canada via NYC > bass, guitar, and the tightest & heaviest drummer I've seen in a long > while > surrounded by a silly amount of guitar and other efx > > awesome show > > I forget how powerful MBM are live > glad I just was reminded > > "whooo - alright" > > MEK >
Re: (313) Jeff Mills & An Orchestra!
On Tue, 21 Jun 2005 [EMAIL PROTECTED] wrote: so, whaddya think? Cool! One of my favourite AFX bits is Icct Hedral from the Donkey Rhubarb EP. -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
Re: (313) OT Jeff Mills & An Orchestra!
On a related note, I play percussion with a chamber orchestra called Alarm Will Sound (www.alarmwillsound.com) and we're releasing a record next month of Aphex Twin arrangements done entirely on acoustic instruments. There's all sorts of extended techniques at work here, in an attempt to get as close as possible to the original textures of the tracks while keeping the whole thing in the acoustic domain. A little more info is available here: http://www.cantaloupemusic.com/upcoming.html#aphex Admittedly I'm biased, since I'm so close to this project. But I think it IS possible to merge the acoustic and electronic worlds in this way and not end up with something totally ridiculous. But there are all sorts of pitfalls along the way. The precision of machine quantization is really important to electronic music - players can never play that way, nor would you want them to. So finding a way of creating the energy of precision without the actual precision is a really tough task. My $.02, -- Dennis DeSantis www.dennisdesantis.com Mailing List: [EMAIL PROTECTED] matt kane's brain wrote: At 09:50 AM 6/21/2005, Stoddard, Kamal wrote: To bw honest, jeffs stuf isn't really too far off from hearing an orchestra go into one of those totally staccatto songs where the sounds start to bounce and stuff. I could se it, but then again it would probably just sound like an orchestra covering mills. So? Only intellectually exciting due to the novelty of the concept. I couldn't see myself reeling from the impact though. That said, you'd be surprised to hear some of the sounds that classical musicians can come up with given the freedom, and if they really let the musicians play their intruments in non-standard ways to achieve some really techno sounds (sliding a bow lengthwise down a cello, really fast)then we might have a very techno moment my friends. My high school band director was fond of playing pieces like this. He even commissioned a few. We had to do the following: -talk, sing, and breathe through my instrument -Use brake drums, chairs, and sections of railroad for percussion -Disassemble instruments while continuing to play them -walk through the audience (lights off) pointing flashlights at people, yelling "VOODOO" -take chimes (the long metal tubular ones) by hand, smack them with a mallet, then lower them into a bucket of water to lower the pitch -toss rubber chickens around -play a gong with a bow -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
RE: (313) OT Jeff Mills & An Orchestra!
At 09:50 AM 6/21/2005, Stoddard, Kamal wrote: To bw honest, jeffs stuf isn't really too far off from hearing an orchestra go into one of those totally staccatto songs where the sounds start to bounce and stuff. I could se it, but then again it would probably just sound like an orchestra covering mills. So? Only intellectually exciting due to the novelty of the concept. I couldn't see myself reeling from the impact though. That said, you'd be surprised to hear some of the sounds that classical musicians can come up with given the freedom, and if they really let the musicians play their intruments in non-standard ways to achieve some really techno sounds (sliding a bow lengthwise down a cello, really fast)then we might have a very techno moment my friends. My high school band director was fond of playing pieces like this. He even commissioned a few. We had to do the following: -talk, sing, and breathe through my instrument -Use brake drums, chairs, and sections of railroad for percussion -Disassemble instruments while continuing to play them -walk through the audience (lights off) pointing flashlights at people, yelling "VOODOO" -take chimes (the long metal tubular ones) by hand, smack them with a mallet, then lower them into a bucket of water to lower the pitch -toss rubber chickens around -play a gong with a bow -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
RE: (313) Jeff Mills & An Orchestra!
Kamal>then we might have a very techno moment my friends. heh, and thats what we're all about. I look forward to hearing it. hope some of our french comrades go and can give us a report! alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) not sure if this was posted yet on here or not
http://www.freep.com/news/locway/webfire21e_20050621.htm Huge fire in Detroit last night. Kelly
RE: (313) Jeff Mills & An Orchestra!
The London Philharmonic Orchestra Plays Jeff Mills. Well if they can do it with Queen and Oasis, I can't see why not with Mills -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 21 June 2005 13:45 To: 313@hyperreal.org Subject: Re: (313) Jeff Mills & An Orchestra! TOM>actually i feel like jeff mills' stuff (at least the melodic >complex stuff he does) would sound better than most electronic >stuff. i dont wanna hear "the bells" by an orchestra, but maybe >like some of the metropolis stuff or the more experimental melodic >stuff would be pretty awesome. true. just thought, his stuff would deffo have a better chance than most, you're right. man, that loop off cycle 30 with all the violins in it. now, if they could do that. OOooh. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Jeff Mills & An Orchestra!
To bw honest, jeffs stuf isn't really too far off from hearing an orchestra go into one of those totally staccatto songs where the sounds start to bounce and stuff. I could se it, but then again it would probably just sound like an orchestra covering mills. So? Only intellectually exciting due to the novelty of the concept. I couldn't see myself reeling from the impact though. That said, you'd be surprised to hear some of the sounds that classical musicians can come up with given the freedom, and if they really let the musicians play their intruments in non-standard ways to achieve some really techno sounds (sliding a bow lengthwise down a cello, really fast)then we might have a very techno moment my friends. Kamal K. Stoddard Turner Broadcasting Systems > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Tuesday, June 21, 2005 9:45 AM > To: 313@hyperreal.org > Subject: Re: (313) Jeff Mills & An Orchestra! > > TOM>actually i feel like jeff mills' stuff (at least the melodic > >complex stuff he does) would sound better than most > electronic stuff. i > >dont wanna hear "the bells" by an orchestra, but maybe like > some of the > >metropolis stuff or the more experimental melodic stuff > would be pretty > >awesome. > > true. > > just thought, his stuff would deffo have a better chance than > most, you're right. man, that loop off cycle 30 with all the > violins in it. now, if they could do that. OOooh. > _ > - End of message text > > This e-mail is sent by the above named in their individual, > non-business capacity and is not on behalf of > PricewaterhouseCoopers LLP. > > PricewaterhouseCoopers LLP may monitor > outgoing and incoming e-mails and other > telecommunications on its e-mail and > telecommunications systems. By replying > to this e-mail you give your consent to such monitoring. >
Re: (313) Jeff Mills & An Orchestra!
At 09:44 AM 6/21/2005, [EMAIL PROTECTED] wrote: true. just thought, his stuff would deffo have a better chance than most, you're right. man, that loop off cycle 30 with all the violins in it. now, if they could do that. OOooh. as long as the percussion section doesn't suck as much as the one from the band that did "Acid Brass" -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) Jeff Mills & An Orchestra!
TOM>actually i feel like jeff mills' stuff (at least the melodic >complex stuff he does) would sound better than most electronic >stuff. i dont wanna hear "the bells" by an orchestra, but maybe >like some of the metropolis stuff or the more experimental melodic >stuff would be pretty awesome. true. just thought, his stuff would deffo have a better chance than most, you're right. man, that loop off cycle 30 with all the violins in it. now, if they could do that. OOooh. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Jeff Mills & An Orchestra!
-- Original Message -- From: [EMAIL PROTECTED] >me, I think in general, sometimes music of electronic origin comes across >badly when played in a more 'traditional' sense. in ditching the electronic >aspect, you tend to lose alot of what the track is about, as it tends to be >more about actual sounds, and maybe just simple hooks. Most electronic >musicians dont think about writing actual songs as such I dont think. >someone say like, kraftwerk were always more song based, so their stuff >generally sounds good when covered because the songs are strong. but I aint >too sure how jeff mills stuff would fair without all those dope crazy >sounds he uses. they seem to set the atmosphere. actually i feel like jeff mills' stuff (at least the melodic complex stuff he does) would sound better than most electronic stuff. i dont wanna hear "the bells" by an orchestra, but maybe like some of the metropolis stuff or the more experimental melodic stuff would be pretty awesome. tom andythepooh.com
RE: (313) Remaining Meat Beat Manifesto dates
Fxck! Atlanta gets the shaft again. Kamal K. Stoddard Turner Broadcasting Systems > -Original Message- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] > Sent: Tuesday, June 21, 2005 2:14 AM > To: 313@hyperreal.org > Subject: (313) Remaining Meat Beat Manifesto dates > > > > > > > > Milwaukee - Tues. June 21st 2005 > Meat Beat Manifesto - Tues. June 21st 2005 @ The Rave > > Chicago - Wed. June 22nd 2005 > Meat Beat Manifesto - Wed. June 22nd 2005 @ The Metro > > Toronto - Thurs. June 23rd 2005 > Meat Beat Manifesto - Thurs. June 23rd @ Lee's Palace > > Buffalo - Fri. June 24th 2005 > Meat Beat Manifesto - Fri. June 24th 2005 @ Showplace Theatre > > Detroit - Sat. June 25th 2005 > Meat Beat Manifesto - Sat. June 25th 2005 @ Saint Andrews Hall > > Cleveland - Sun. June 26th 2005 > Meat Beat Manifesto - Sun. June 26th 2005 @ House of Blues > > Philadelphia - Mon. June 27th 2005 > Meat Beat Manifesto - Mon. June 27th 2005 @ Trocadero > > Boston - Tues. June 28th 2005 > Meat Beat Manifesto - Tues. June 28th 2005 @ Paradise Rock Club > > Baltimore - Wed. June 29th 2005 > Meat Beat Manifesto - Wed. June 29th 2005 @ Sonar > > New York City - Thurs. June 30th 2005 > Meat Beat Manifesto - Thurs. June 30th 2005 @ Irving Plaza > > International Tour Dates > > > > > Tokyo, Japan - Fri. July 22nd 2005 > Meat Beat Manifesto - Fri. July 22nd 2005 @ Unit > > Osaka, Japan - Sat. July 23rd 2005 > Meat Beat Manifesto - Sat. July 23rd2005 @ Noon >
(313) Jeff Mills & An Orchestra!
saw this: http://technotourist.org/modules.php?op=modload&name=News&file=article&sid=768&mode=thread&order=0 did you talk about it already? (sorry if you did). so, whaddya think? a) interesting progression for further experiments with modern music or b) a right load of twaddle? discuss. me, I think in general, sometimes music of electronic origin comes across badly when played in a more 'traditional' sense. in ditching the electronic aspect, you tend to lose alot of what the track is about, as it tends to be more about actual sounds, and maybe just simple hooks. Most electronic musicians dont think about writing actual songs as such I dont think. someone say like, kraftwerk were always more song based, so their stuff generally sounds good when covered because the songs are strong. but I aint too sure how jeff mills stuff would fair without all those dope crazy sounds he uses. they seem to set the atmosphere. but then I could be talking a load of old rubbish, which to be fair is generally my more usual vibe. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) chill out/attenborough
this is the one you want.. http://www.discogs.com/release/160105 also got released on here http://www.discogs.com/release/147575 love this track p [EMAIL PROTECTED] wrote: I did find this release http://www.discogs.com/release/2428 from same era also with an Attenborough documentary sample, seems he was quite busy :-) There is a lot of pre discogs releases hiding on kiss fm tapes from way back then too if they ever surface... paul thomas had a top chill out show, mixmaster morris too, although I wouldnt know half of the names of artists etc now good luck C Satellite Sernade by The Orb on the Morphology album. I don't know if it's the original version though. ...steve... De Block, Mario wrote: hi all just a question in case someone was deeply into UK chill music around the midst of the nineties: there once was this strange track including Richard Attenborough comment on a river-bound Amazonian creature (don't know what anymore), that intro'ed a chill out track around 94. Alex Patterson used to play it around that time, but I never caught up what or who was behind it. Anyone who does? I know, seems my reaction speed is about ten years too slow but, that's why we speak about 'hard to find' records, right? ;) Mario
Re: (313) chill out/attenborough
I did find this release http://www.discogs.com/release/2428 from same era also with an Attenborough documentary sample, seems he was quite busy :-) There is a lot of pre discogs releases hiding on kiss fm tapes from way back then too if they ever surface... paul thomas had a top chill out show, mixmaster morris too, although I wouldnt know half of the names of artists etc now good luck C > Satellite Sernade by The Orb on the Morphology album. > I don't know if it's the original version though. > > ...steve... > De Block, Mario wrote: > >>hi all >>just a question in case someone was deeply into UK chill music around the midst of the nineties: there once was this strange track including Richard Attenborough comment on a river-bound Amazonian creature (don't know what anymore), that intro'ed a chill out track around 94. Alex Patterson used to play it around that time, but I never caught up what or who was behind it. Anyone who does? I know, seems my reaction speed is about ten years too slow but, that's why we speak about 'hard to find' records, right? ;) >>Mario > >
(313) Cologne/Germany/Berlin
Q: Is it always that hot in cologne? Holy shet. I was there yesterday. IT WAS BOILING. anyway, that music rebel shop was great and the guys were dead friendly. Found some top top pieces for cheap! Just wanted to write to say thanks to all who helped me find record spots in germany, I had an ace time, got loads and loads of records, the flea markets were amazing. So yeah, thanks to all out German friends on the list. I really really appreciate it. I was thinking of you all when I was wondering about about getting records left right and centre and thinking, "cor, this is ace". Sorry to take up bandwith 313. (like I even know what bandwidth is). Danke Schoen (is that how you say it?) Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) Meat Beat Manifesto
'Storm the Studio' blew me away!!! What an amazing record this was/is! The fist gig i saw from them at the 'tegentonen' festival in Amsterdam back in '88 or '89...what a surreal experience...never saw something like that. Kinda lost interest in them in the past few years, new album out i believe? -Oorspronkelijk bericht- Van: Gerald [mailto:[EMAIL PROTECTED] Verzonden: dinsdag 21 juni 2005 10:57 Aan: 313@hyperreal.org; [EMAIL PROTECTED] Onderwerp: Re: (313) Meat Beat Manifesto was planning on checking them out thursday. the next night at the same place in Toronto has ESG playing. on a 313 note... MBM was responsible for my first trip to Detroit back in 88 or 89! Cheers! G - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, June 21, 2005 2:06 AM Subject: (313) Meat Beat Manifesto > > > > > Phrooaugh! What a show! If they're on the way to your city do > yourself a favor and go see them. This is my third time and they > never disappoint. > > They pulled out "House of God" even - f'ing fantastic to hear that > live - live acid house they dropped Tino Corp tracks as well > > Dangers & Co. were using the Pioneer DVD controller/turntables cutting > and scratching live video > > their drummer for this tour is David King from the jazz group Happy > Apple/Bad Plus great to see a hometown boy kickin it with the mighty > MBM he pounded out some heavy heavy breaks on the electronic drum kit > > opening band was Dub Trio - definitely check them out if you like your > punk > and dub - think Bad Brains meets Twilight Dub circus > three piece band from Canada via NYC > bass, guitar, and the tightest & heaviest drummer I've seen in a long > while > surrounded by a silly amount of guitar and other efx > > awesome show > > I forget how powerful MBM are live > glad I just was reminded > > "whooo - alright" > > MEK >
Re: (313) Meat Beat Manifesto
was planning on checking them out thursday. the next night at the same place in Toronto has ESG playing. on a 313 note... MBM was responsible for my first trip to Detroit back in 88 or 89! Cheers! G - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, June 21, 2005 2:06 AM Subject: (313) Meat Beat Manifesto Phrooaugh! What a show! If they're on the way to your city do yourself a favor and go see them. This is my third time and they never disappoint. They pulled out "House of God" even - f'ing fantastic to hear that live - live acid house they dropped Tino Corp tracks as well Dangers & Co. were using the Pioneer DVD controller/turntables cutting and scratching live video their drummer for this tour is David King from the jazz group Happy Apple/Bad Plus great to see a hometown boy kickin it with the mighty MBM he pounded out some heavy heavy breaks on the electronic drum kit opening band was Dub Trio - definitely check them out if you like your punk and dub - think Bad Brains meets Twilight Dub circus three piece band from Canada via NYC bass, guitar, and the tightest & heaviest drummer I've seen in a long while surrounded by a silly amount of guitar and other efx awesome show I forget how powerful MBM are live glad I just was reminded "whooo - alright" MEK
RE: Re[2]: (313) hearing loss, what do you say?
isn't it all a bit too late for you ken? ;) -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Tuesday, 21 June 2005 16:37 To: Melody Ng; [EMAIL PROTECTED]; Brian 'balistic' Prince Cc: 313@hyperreal.org Subject: RE: Re[2]: (313) hearing loss, what do you say? -Original Message- From: Melody Ng [mailto:[EMAIL PROTECTED] Sent: 21 June 2005 03:01 To: [EMAIL PROTECTED]; Brian 'balistic' Prince Cc: 313@hyperreal.org Subject: RE: Re[2]: (313) hearing loss, what do you say? aren't these things digital, and would reduce sound quality? My uncle always complains that his high tech hearing aid is still too "digital" Well that's only if you opt for the compressed bit-rate option. Naturally you'll be able to get uncompressed AIFF (or whatever your preferred codec) hearing aids for up to 192khz ... I personally will be the one over-using the 'Datube' valve-sim VSTi just to give things that extra warmth! (Then again I might just preserve my hearing now and listen to music directly ...) Ken Odeluga Copy Editor, Markets - Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN 020 7842 9297 [EMAIL PROTECTED] -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, 21 June 2005 11:45 To: Brian 'balistic' Prince Cc: 313@hyperreal.org Subject: Re: Re[2]: (313) hearing loss, what do you say? In the future we'll all have ear implants that will allow us to hear music internally - or so my internal voices tell me MEK "Brian 'balistic' Prince" <[EMAIL PROTECTED] To .com> 313@hyperreal.org cc 06/20/05 07:16 PM Subject Re[2]: (313) hearing loss, what do Please respond to you say? "Brian 'balistic' Prince" <[EMAIL PROTECTED] .com> Feh. What kind of techno list is this? Me, I plan on picking up some after-market cochlear implants along with some variable spectrum gigapixel retinas in about 30 years. -bp ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
Re: (313) Hello 313, I am....
Hey, someone else born in Joisey ;) here's mine: --name: Lisa Uber --age: 39 --where I live: Highland Park, NJ --born in: Elmer, New Jersey --into electronic music: Yes! probably started with Pink Floyd. --first 'electronic' record: not sure - used to save my allowance to buy 45's like ymo and p-funk. always loved the synth sounds. --into Detroit Music: Yes! --best live act(s): Sigur Ros, 808 State, Kraftwerk, The Art of Noise, Depeche Mode, (list could go on and on ...) --fave club: always liked the Melody in New Brunswick, and an old space in NYC known as The Building. [EMAIL PROTECTED] wrote: name: Michael Elliot-Knight age: 35 where I live: Saint Paul, MN - Midway! home of Freddie Fresh born in: Lakeood, New Jersey into electronic music: crikey - ah, well since I first heard Pink Floyd, Weather Report, and Mike Oldfield in my brother's record collection. Maybe my first electronic record that I bought was Devo. There was a gap in there somewhere where I hated "synth" music but I soon found New Order. into Detroit Music: Yes I am best live act(s): Kraftwerk, New Order, the whole Detroit fest fave club: well, the Werk parties are pretty damn good - best time I can recall in a while (outside the D fest)
RE: Re[2]: (313) hearing loss, what do you say?
-Original Message- From: Melody Ng [mailto:[EMAIL PROTECTED] Sent: 21 June 2005 03:01 To: [EMAIL PROTECTED]; Brian 'balistic' Prince Cc: 313@hyperreal.org Subject: RE: Re[2]: (313) hearing loss, what do you say? aren't these things digital, and would reduce sound quality? My uncle always complains that his high tech hearing aid is still too "digital" Well that's only if you opt for the compressed bit-rate option. Naturally you'll be able to get uncompressed AIFF (or whatever your preferred codec) hearing aids for up to 192khz ... I personally will be the one over-using the 'Datube' valve-sim VSTi just to give things that extra warmth! (Then again I might just preserve my hearing now and listen to music directly ...) Ken Odeluga Copy Editor, Markets - Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN 020 7842 9297 [EMAIL PROTECTED] -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, 21 June 2005 11:45 To: Brian 'balistic' Prince Cc: 313@hyperreal.org Subject: Re: Re[2]: (313) hearing loss, what do you say? In the future we'll all have ear implants that will allow us to hear music internally - or so my internal voices tell me MEK "Brian 'balistic' Prince" <[EMAIL PROTECTED] To .com> 313@hyperreal.org cc 06/20/05 07:16 PM Subject Re[2]: (313) hearing loss, what do Please respond to you say? "Brian 'balistic' Prince" <[EMAIL PROTECTED] .com> Feh. What kind of techno list is this? Me, I plan on picking up some after-market cochlear implants along with some variable spectrum gigapixel retinas in about 30 years. -bp ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
(313) Remaining Meat Beat Manifesto dates
Milwaukee - Tues. June 21st 2005 Meat Beat Manifesto - Tues. June 21st 2005 @ The Rave Chicago - Wed. June 22nd 2005 Meat Beat Manifesto - Wed. June 22nd 2005 @ The Metro Toronto - Thurs. June 23rd 2005 Meat Beat Manifesto - Thurs. June 23rd @ Lee's Palace Buffalo - Fri. June 24th 2005 Meat Beat Manifesto - Fri. June 24th 2005 @ Showplace Theatre Detroit - Sat. June 25th 2005 Meat Beat Manifesto - Sat. June 25th 2005 @ Saint Andrews Hall Cleveland - Sun. June 26th 2005 Meat Beat Manifesto - Sun. June 26th 2005 @ House of Blues Philadelphia - Mon. June 27th 2005 Meat Beat Manifesto - Mon. June 27th 2005 @ Trocadero Boston - Tues. June 28th 2005 Meat Beat Manifesto - Tues. June 28th 2005 @ Paradise Rock Club Baltimore - Wed. June 29th 2005 Meat Beat Manifesto - Wed. June 29th 2005 @ Sonar New York City - Thurs. June 30th 2005 Meat Beat Manifesto - Thurs. June 30th 2005 @ Irving Plaza International Tour Dates Tokyo, Japan - Fri. July 22nd 2005 Meat Beat Manifesto - Fri. July 22nd 2005 @ Unit Osaka, Japan - Sat. July 23rd 2005 Meat Beat Manifesto - Sat. July 23rd2005 @ Noon
(313) Meat Beat Manifesto
Phrooaugh! What a show! If they're on the way to your city do yourself a favor and go see them. This is my third time and they never disappoint. They pulled out "House of God" even - f'ing fantastic to hear that live - live acid house they dropped Tino Corp tracks as well Dangers & Co. were using the Pioneer DVD controller/turntables cutting and scratching live video their drummer for this tour is David King from the jazz group Happy Apple/Bad Plus great to see a hometown boy kickin it with the mighty MBM he pounded out some heavy heavy breaks on the electronic drum kit opening band was Dub Trio - definitely check them out if you like your punk and dub - think Bad Brains meets Twilight Dub circus three piece band from Canada via NYC bass, guitar, and the tightest & heaviest drummer I've seen in a long while surrounded by a silly amount of guitar and other efx awesome show I forget how powerful MBM are live glad I just was reminded "whooo - alright" MEK
(313) Ultravox
I unearthed an Ultravox 'best of' for very little the other day. This is one of the most underrated electronic bands ever... - always found Midge Ure's soulful tones very affecting. I was not in favour of their later material - too Big Country/Simple Minds like for me - but anything circa Vienna was great. The comp I got, The Finest, has Midge's rendition of Fade To Grey (live) which is vastly different to the version they did with Steve Strange as Visage but kinda cool since Midge possesses a stronger voice, and a very soulful one. More guitar oriented, less atmospheric, but edgy and cool. Anyone heard it? It's interesting that Visage should retain their cool longer than Ultravox, but I think on the whole the Visage material was excellent and still sounds compelling. There's a fantastic new 80s comp series of remastered 12's from the UK which has everyone bugging here - it's called 12"/80s. They are onto the 2nd set and each set has 3 disks. You get remastered Night Train by Visage, lot of divine stuff!
RE: (313) Hello my name is...
name: mislav
live: singapore
born: croatia
age: 29
first detroit techno record: Maurizio - Domina
got into techno: early house/techno parties in Radost FX, Prague while I
lived there ('91-'92).
memorable nights: definitely '93-'95 techno parties on Thursday's in
Aquarius Club, Zagreb, Croatia where this "German Techno' (Tresor Rec.,
Basic Channel, etc)was played. Strangely, most of those guest 'German
Techno DJ's' where black and from Detroit ;-))
i heart techno because: It works for me
Inspired by: seeing very different age groups into the same thing
urgent matter(!): any good shops, clubs in Perth, AU ? ;-))
Will be there this weekend.
On 6/19/05 12:43 PM, "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
wrote:
> name: charlie coke-smyth (born as)
> location: near london
> age: 28
>
> first (good) techno record:
> paul w teebrooke - otherworld002
>
> first detroit techno record:
> the aztec mystic - the aztec mystic (ur)
>
> got into techno music:
> kiss fm - paul thomas chill out zone, colin faver / dale
> london pirate radio / clubs etc
>
> memorable techno parties
> claude young @ eurobeat 2000, 1996/7 / derrick may @ lost 2000?
> full cycle @ lakota, bristol, free parties / outthere technival,
normandy
> france 1996
>
> 313 confessional:
> I *like* hippies
>
> why I like techno:
> drinking cold beer on a sunday reading a digital grafitti comic and
> listening to
> principles & tactics on pure plastic - the joy of future technology .
. .
>
>
RE: Re[2]: (313) hearing loss, what do you say?
aren't these things digital, and would reduce sound quality? My uncle always complains that his high tech hearing aid is still too "digital" -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, 21 June 2005 11:45 To: Brian 'balistic' Prince Cc: 313@hyperreal.org Subject: Re: Re[2]: (313) hearing loss, what do you say? In the future we'll all have ear implants that will allow us to hear music internally - or so my internal voices tell me MEK "Brian 'balistic' Prince" <[EMAIL PROTECTED] To .com> 313@hyperreal.org cc 06/20/05 07:16 PM Subject Re[2]: (313) hearing loss, what do Please respond to you say? "Brian 'balistic' Prince" <[EMAIL PROTECTED] .com> Feh. What kind of techno list is this? Me, I plan on picking up some after-market cochlear implants along with some variable spectrum gigapixel retinas in about 30 years. -bp ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
Re: Re[2]: (313) hearing loss, what do you say?
In the future we'll all have ear implants that will allow us to hear music internally - or so my internal voices tell me MEK "Brian 'balistic' Prince" <[EMAIL PROTECTED] To .com> 313@hyperreal.org cc 06/20/05 07:16 PM Subject Re[2]: (313) hearing loss, what do Please respond to you say? "Brian 'balistic' Prince" <[EMAIL PROTECTED] .com> Feh. What kind of techno list is this? Me, I plan on picking up some after-market cochlear implants along with some variable spectrum gigapixel retinas in about 30 years. -bp
Re[2]: (313) hearing loss, what do you say?
Feh. What kind of techno list is this? Me, I plan on picking up some after-market cochlear implants along with some variable spectrum gigapixel retinas in about 30 years. -bp
