Re: (313) myspace (is) 313 (OT)/selling records
If you go to Account Settings, and then go to Music Settings, you can disable people's players from automatically starting. Sometimes it doesn't work, which isn't too surprising since MySpace is kind of ridiculous. Regardless: http://www.myspace.com/kdiddy412 because I know everyone was wondering, "When is Tom Cox's wife who never posts going to give use her MySpace link?" ;-p the unbelievably awful way you get hit by music every time you go to most people's profile,
Re: (313) Ableton DJ Mix
thats why you load stuff up, assign CCs to midi controllers, and turn the monitor off. :) - Original Message - From: "Emiliano Zani" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, July 18, 2006 6:43 AM Subject: Re: (313) Ableton DJ Mix A different experience than spontaneously mixing vinyl for a couple of hours. The main difference being that it took forever,... Yeah right: same for me... Ableton gives me so much (too much?) opportunity that everytime I start mixing with it, I found something new I could do, so I stop mixing and start sampling, ecc ecc... After 3 hours, I haven't mix anything so I say to myself: this would be useful for the next mix... The problem's that the "mix" never comes :-/ Probably I'm still in a baby-staring-at-candies mood: I want to eat the whole thang... Hopefully, I'll grow and make some choices about what I *really* like to do with Live. By now, I'm gonna download and hear what Adam likes to do with it ;) Typically when I mix records, it's all about what happens at that moment, not thinking about things too much, just grab records, put them together however you see fit, and go with it. I know it's really old-fashion, but I still have problems not using records... cds and file names looks exactly all the same, without covers or colors or anything that helps me, and I'm still desperatly trying to organize the in categories, bpms, ecc... But when I look at them, they don't tell me anything. But when you grab some records, look at the colors, the picture, ecc and THEY tell you "play me, it's my time". Probably that's because in my mind, I still "see" a mix like a sequence of black plastic... I have to upgrade ;) Em - Original Message - From: "Adam Smith" <[EMAIL PROTECTED]> To: "313 List" <313@hyperreal.org> Sent: Tuesday, July 18, 2006 3:56 AM Subject: (313) Ableton DJ Mix Hey list, how's it goin? So I put together my first all digital dj mix in Ableton. It turned out pretty well, although I found it to be a different experience than spontaneously mixing vinyl for a couple of hours. The main difference being that it took forever, at least compared to knocking out an hour dj mix with turntables/mixer/records. Another difference was the editing: I found that when I revisited the mix the next day, maybe my mood had changed and I would remove a song, rearrange, try some other tune, etc. Typically when I mix records, it's all about what happens at that moment, not thinking about things too much, just grab records, put them together however you see fit, and go with it. Perhaps I will experience more of that down the road after I get a little faster with Ableton. Anyway, check it out if you're interested, would love any feedback you may have too of course! http://www.abrooklynlife.com/2006/07/ablradio_libert.html#more The entire tracklist is on the page above with link to download mp3 or subscribe to the weekly podcast (although not every week is Detroit related). Mix includes songs by: Raiders of the Lost Arp, $tinkworx, Unit 4, Joe Lewis, Gino Soccio, Mr. Fingers, Phuture, DJ Yoav B, David Bowie, and a handful more. Enjoy! Adam
Re: (313) myspace (is) 313 (OT)
We are here... http://www.myspace.com/dustscience - Original Message - From: "David" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, July 17, 2006 11:23 PM Subject: Re: (313) myspace (is) 313 (OT) http://www.myspace.com/djguylafleur
Re: (313) Ableton DJ Mix
Thanks Lee! On 7/18/06, Lee Herrington <[EMAIL PROTECTED]> wrote: This is a great mix! I like the flow. The old tunes are pretty cool too. It's making my work day a little less loathsome. Cheers, lrh -Original Message- From: Adam Smith [mailto:[EMAIL PROTECTED] Sent: Monday, July 17, 2006 9:56 PM To: 313 List Subject: (313) Ableton DJ Mix Enjoy! Adam
Re: (313) myspace (is) 313 (OT)/selling records
I have tried many times to disable the player so its doesn't load as soon as you go on there but it doesn't want to know..shame as the label I am on seems to have that feature but mine just doesn't want to work :( > It's not crazy, actually. Anyone who is trying to make music needs to > be on myspace, if for no other reason than to prevent someone from > poaching your professional name. > > It is also an excellent way for people to stay informed about artists > they care about -- show announcements, new tunes, etc. The networking > aspect also means that you can potentially get people to listen to > your music, just because you're a friend of a friend of a friend. > Careers have been made on myspace, and while that won't probably > happen to you or me, it's too big to ignore. > > That being said, I hate the way the pages look, how slow the servers > are, the preponderance of kids acting dumb, the unbelievably awful way > you get hit by music every time you go to most people's profile, and > the fact that it's owned by that fascist Rupert Murdoch. > > On 7/17/06, Denise Dalphond <[EMAIL PROTECTED]> wrote: >> It's crazy how many techno folks are on here. >> > > -- www.midnightbeats.de www.reactor-bookings.com www.aonpromotions.com www.kube72.com www.myspace.com/kubeseventy2
RE: (313) myspace (is) 313 (OT)/selling records
I'm hoping my career as a gigolo will soon kick off -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 18 July 2006 15:51 To: list 313 Subject: Re: (313) myspace (is) 313 (OT)/selling records Careers have been made on myspace, and while that won't probably happen to you or me, it's too big to ignore. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) myspace (is) 313 (OT)/selling records
It's not crazy, actually. Anyone who is trying to make music needs to be on myspace, if for no other reason than to prevent someone from poaching your professional name. It is also an excellent way for people to stay informed about artists they care about -- show announcements, new tunes, etc. The networking aspect also means that you can potentially get people to listen to your music, just because you're a friend of a friend of a friend. Careers have been made on myspace, and while that won't probably happen to you or me, it's too big to ignore. That being said, I hate the way the pages look, how slow the servers are, the preponderance of kids acting dumb, the unbelievably awful way you get hit by music every time you go to most people's profile, and the fact that it's owned by that fascist Rupert Murdoch. On 7/17/06, Denise Dalphond <[EMAIL PROTECTED]> wrote: It's crazy how many techno folks are on here.
RE: (313) Ableton DJ Mix
This is a great mix! I like the flow. The old tunes are pretty cool too. It's making my work day a little less loathsome. Cheers, lrh -Original Message- From: Adam Smith [mailto:[EMAIL PROTECTED] Sent: Monday, July 17, 2006 9:56 PM To: 313 List Subject: (313) Ableton DJ Mix Enjoy! Adam
Re: (313) one more 313-myspace question
thanks. how many do i need before i can consider myself ubercoolische? f. np: tyree - kan i git high - Original Message - From: "/0" <[EMAIL PROTECTED]> To: "Luis-Manuel Garcia" <[EMAIL PROTECTED]>; "fab." <[EMAIL PROTECTED]> Cc: "313 Detroit" <313@hyperreal.org> Sent: Tuesday, July 18, 2006 3:55 PM Subject: Re: (313) one more 313-myspace question > "fab." <[EMAIL PROTECTED]> wrote: but im gonna go for the white and try to use it in a "dark" way (don't >ask, as i haven't got a clue on what i mean exactly...) oooh, very conceptually existential... /me awards fab 10 minimal techno points :) -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.1.394 / Virus Database: 268.10.1/390 - Release Date: 17/07/2006
Re: (313) Ableton DJ Mix
A different experience than spontaneously mixing vinyl for a couple of hours. The main difference being that it took forever,... Yeah right: same for me... Ableton gives me so much (too much?) opportunity that everytime I start mixing with it, I found something new I could do, so I stop mixing and start sampling, ecc ecc... After 3 hours, I haven't mix anything so I say to myself: this would be useful for the next mix... The problem's that the "mix" never comes :-/ Probably I'm still in a baby-staring-at-candies mood: I want to eat the whole thang... Hopefully, I'll grow and make some choices about what I *really* like to do with Live. That hasn't gone away yet after using Live for 18 months. Though it sometimes does briefly to get properly stuck into mixing. It's rediculously easy to get into just doing little things for ours though and not get into that mix you want to do :) I find that having my controller setup and everything next to my turntables and using it all the time really helps too (not that I have that at the moment due to a broken audio mixer). I know it's really old-fashion, but I still have problems not using records... cds and file names looks exactly all the same, without covers or colors or anything that helps me, and I'm still desperatly trying to organize the in categories, bpms, ecc... But when I look at them, they don't tell me anything. I think I have enough organisation done to work out where everything is but I don't know anyone who uses the software that doesn't think like the above, myself included :) robin...
Re: (313) HIGH TECH SOUL DVD
Although i havent seen the film its frustrating, especially after seeing the French documentary recently and feeling it was over halfway there barring a few shortcomings that this documentary doesn't seem to have addressed. What we really need is a BBC funded 6 part documentary based on techno rebels with some money behind it! Stu - Original Message - From: "Dan Bean" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, July 18, 2006 1:59 PM Subject: RE: (313) HIGH TECH SOUL DVD Matt has addressed most of the points I would have made in response to Jason's post, but I would add the following: Such a film acts as a cultural ambassador for Detroit, its people and its music. For some people it will be their first exposure to the music, ideas and personalities involved. I find it extremely frustrating that at this important first encounter Detroit is being represented by such a sub-standard effort. Why should we cut the film some slack? The film-makers blew it, and pretending otherwise doesn't help anyone or achieve anything. Dan. P.S. If you want to know about the content, I can be be mostly summarised as badly shot, poorly lit gossip. The interviewer(s) totally failed to reach any depth with the subjects. Sure, hearing about Kevin knocking Derrick out is funny, but it's not really what it's all about is it? Now we're movie critics? Might come as a shocker to some but Scorsese and Stone turned down the opportunity to direct or even fund Hi Tech Soul. Are some of us that self righteous and petty that we must cut down everything that is attempting to make a difference? Outside this list most of the world knows nothing about Detroit, it's influence on Electronica or the people that made it happen. You are going to criticize a documentary calling it shoddy? Really, name one that isn't kind of shoddy (please don't you dare reference a Michael Moore documentary here). If you must wage an attack on what I will call "reference material", then do so because it fails to provide facts or because it is biased. I personally haven't had the opportunity to see it. I personally can't wait. When I do see it I will take it for what it's worth...a low budget film. I will take what I can learn from it and pump it to all these kids that think this music culture is about drugs, fashion and who's been to more parties. So I ask, can anyone that has seen this film tell us about the content? Jason Trolian -Original Message- From: Dan Bean [mailto:[EMAIL PROTECTED] Sent: Tuesday, July 18, 2006 7:03 AM To: 313@hyperreal.org Subject: Re: (313) HIGH TECH SOUL DVD I (and some people on this list) went to see this film in London last year. It was shoddy and amateurish. Maybe they've totally re-shot and re-edited it since then... And for the record, it's not the first film to 'tackle the deep roots of techno music'. You wrote: > HIGH TECH SOUL DVD > > Directed by Gary Bredow, HIGH TECH SOUL is the first film to to tackle > the deep roots of techno music and the city that spawned it: Detroit. > With Juan Atkins, Derrick May, Kevin Saunderson and many more. > > "Bredow's cast of alumni -- the holy trinity of Atkins, May and > Saunderson at the front -- fill out this tale with passion, pride and, > oddly for music of the future, nostalgia too." - Dazed & Confused > > HIGH TECH SOUL is the first documentary to tackle the deep roots of > techno music alongside the cultural history of Detroit, its birthplace. > From the race riots of 1967 to the underground party scene of the > late 1980s, Detroit's economic downturn didn't stop the invention of a > new kind of music that brought international attention to its > producers and their hometown. > > Featuring in-depth interviews with many of the world's best exponents > of the artform, High Tech Soul focuses on the creators of the genre -- > Juan Atkins, Derrick May, and Kevin Saunderson -- and looks at the > relationships and personal struggles behind the music. Artists like > Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of > others explain why techno, with its abrasive tones and resonating > basslines, could not have come from anywhere but Detroit. > > With classic anthems such as Rhythim Is Rhythim's "Strings of Life" > and Inner City's "Good Life," High Tech Soul celebrates the pioneers, > the promoters and the city that spawned a global phenomenon. > > Soundtrack Includes: Aux 88, Cybotron, Inner City, Juan Atkins, > Mayday, Model 500, Plastikman, Rhythim Is Rhythim, and more! > > The film features: Juan Atkins, Derrick May, Kevin Saunderson, Eddie > (Flashin) Fowlkes, Richie Hawtin, Jeff Mills, John Acquaviva, Carl > Cox, Carl Craig, Blake Baxter, Stacey Pullen, Thomas Barnett, Matthew > Dear, Anthony "Shake" Shakir, Keith Tucker, Delano Smith, Mike Archer, > Derrick Thompson, Mike Clark, Alan Oldham, Laura Gavoor, Himawari, > Scan 7, Kenny Larkin, Stacey "Hotwax" Hale, Claus Bachor, Elec
Re: (313) Ableton DJ Mix
Hi Adam, how's it goin? So I put together my first all digital dj mix in Ableton. It turned out pretty well, although I found it to be a different experience than spontaneously mixing vinyl for a couple of hours. The main difference being that it took forever, at least compared to knocking out an hour dj mix with turntables/mixer/records. Another difference was the editing: I found that when I revisited the mix the next day, maybe my mood had changed and I would remove a song, rearrange, try some other tune, etc. Typically when I mix records, it's all about what happens at that moment, not thinking about things too much, just grab records, put them together however you see fit, and go with it. Perhaps I will experience more of that down the road after I get a little faster with Ableton. I've switched to using Live for mixing now. All the mixes I do though I do live and spontaneously like I do with vinyl. It's tempting to do it the editted way but it's about that moment thing with mixing for me (and with vinyl). I do waver from thinking Ableton Live's the only way to mix to wanting to use turntables again. http://www.abrooklynlife.com/2006/07/ablradio_libert.html#more The entire tracklist is on the page above with link to download mp3 or subscribe to the weekly podcast (although not every week is Detroit related). Mix includes songs by: Raiders of the Lost Arp, $tinkworx, Unit 4, Joe Lewis, Gino Soccio, Mr. Fingers, Phuture, DJ Yoav B, David Bowie, and a handful more. Thanks for sharing, I'll dl that now. robin...
Re: (313) one more 313-myspace question
> "fab." <[EMAIL PROTECTED]> wrote: >but im gonna go for the white and try to use it in a "dark" way (don't >ask, >as i haven't got a clue on what i mean exactly...) oooh, very conceptually existential... /me awards fab 10 minimal techno points :)
Re: (313) one more 313-myspace question
On 7/18/06, Luis-Manuel Garcia <[EMAIL PROTECTED]> wrote: OK, so how many of us "techno-ed up" our profiles before posting them to the list? Did anyone frantically delete Madonna from their fav. music section, or erase the desperate-for-romance text in their bio? C'mon, fess up. =] im sure there's plenty of things to laugh about in my music section.. tom
Re: (313) one more 313-myspace question
nah, all i did was remove the pr0n stars from my friends list :P grey is very techno, but im gonna go for the white and try to use it in a "dark" way (don't ask, as i haven't got a clue on what i mean exactly...) f. - Original Message - From: "Luis-Manuel Garcia" <[EMAIL PROTECTED]> Cc: "313 Detroit" <313@hyperreal.org> Sent: Tuesday, July 18, 2006 3:38 PM Subject: (313) one more 313-myspace question OK, so how many of us "techno-ed up" our profiles before posting them to the list? Did anyone frantically delete Madonna from their fav. music section, or erase the desperate-for-romance text in their bio? C'mon, fess up. =] On a related note, what would a techno-ed up myspace profile look like? I'm guessing that a lot of name-checking is involved...maybe a black background...a rant about DEMF in the blog all in good fun... (or at least self-deprecating humour) cheers, LMGM -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.1.394 / Virus Database: 268.10.1/390 - Release Date: 17/07/2006
(313) one more 313-myspace question
OK, so how many of us "techno-ed up" our profiles before posting them to the list? Did anyone frantically delete Madonna from their fav. music section, or erase the desperate-for-romance text in their bio? C'mon, fess up. =] On a related note, what would a techno-ed up myspace profile look like? I'm guessing that a lot of name-checking is involved...maybe a black background...a rant about DEMF in the blog all in good fun... (or at least self-deprecating humour) cheers, LMGM
RE: (313) Acid-house.net
Gordon Bennett. -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: 18 July 2006 14:14 To: Odeluga, Ken; 313 Subject: Re: (313) Acid-house.net i is on myspce http://www.myspace.com/placid_88 ere. P Odeluga, Ken wrote: > Looks good Paul. Well done. > > Nowputitonmyspacetoo! > > Ken > > - Original Message - > From: "Placid" <[EMAIL PROTECTED]> > To: "313" <313@hyperreal.org> > Sent: Monday, July 17, 2006 10:23 PM > Subject: (313) Acid-house.net > > > >> Had a bit of a face lift Dragged the forum into the 00's.. >> >> Http://www.acid-house.net >> >> Come say hello. >> >> Cheers >> >> P >> >> >> >> >> > > >
Re: (313) Acid-house.net
i is on myspce http://www.myspace.com/placid_88 ere. P Odeluga, Ken wrote: Looks good Paul. Well done. Nowputitonmyspacetoo! Ken - Original Message - From: "Placid" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Monday, July 17, 2006 10:23 PM Subject: (313) Acid-house.net Had a bit of a face lift Dragged the forum into the 00's.. Http://www.acid-house.net Come say hello. Cheers P
Re: (313) New Bleep43 Mix
rockin'nice track selection ;) downloading now f. - Original Message - From: "Tristan Watkins" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, July 18, 2006 2:46 PM Subject: (313) New Bleep43 Mix Hey all! I did this mix a few months ago and there's a fair amount of [313]ish stuff in here. It was broadcast on Sunday's Bleep 43 Radio Wireless FM show and is now available for download. Here's the link and Toby's and my tracklists: http://www.bleep43recordings.com/mixes/Show23.MP3 TRISTAN WATKINS GUESTMIX Patchworks - I Guess You Always Knew [Q-Tape] Anton Mitchell - Simple Life [Chicago Underground] Theo Parrish - Reaction to Plastic [Sounds Signature] Stewart Walker - Missing Winter [Tektite/Force Inc] Kenny Larkin - Life Goes On [R&S] Mike Ink - Paroles (Mike Ink Remix 96) [Warp] Infiniti - Walking on Water [Tresor] Gemini - Day Dreaming [Peacefrog] Jacek Sienkiewicz - Secret Life [Recognition] Innervisions Presents Henrik Schwarz/Âme/Dixon Feat. Derrick L. Carter - Where We At (Version 1) [Sonar Kollektiv] Basement Jaxx - Moradi [Atlantic Jaxx] DJ Yoav B - Organ Satta [Delsin] Dan Curtin - Undergroundz [Tuning Spork] Yo La Tengo - Danelectro 2 (Remixed by Nobukazu Takemura) [Matador] -- Fun Fun - Happy Station (Polydor) Todd Terje - Italian Stallion (Full Pup) Quince - Americana (Delsin) Capracara - Flashback 86 (Souljazz) Marcus Mixx - Shake that Thing (Legowelt remix) (Clone) Legowelt - Fitzcarraldo (Bunker) E-Dancer - Feel the Food (Shield) Jeff Mills & The Montpellier Philharmonic Orchestra - Gamma Player (Tresor) Nathan Fake - Superpositions (Border Community) Susumu Yokota - Distant Sounds of Summer (Lo Recordings) Thom Yorke - Black Swan (XL Recordings) Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.1.394 / Virus Database: 268.10.1/390 - Release Date: 17/07/2006
RE: (313) HIGH TECH SOUL DVD
Matt has addressed most of the points I would have made in response to Jason's post, but I would add the following: Such a film acts as a cultural ambassador for Detroit, its people and its music. For some people it will be their first exposure to the music, ideas and personalities involved. I find it extremely frustrating that at this important first encounter Detroit is being represented by such a sub-standard effort. Why should we cut the film some slack? The film-makers blew it, and pretending otherwise doesn't help anyone or achieve anything. Dan. P.S. If you want to know about the content, I can be be mostly summarised as badly shot, poorly lit gossip. The interviewer(s) totally failed to reach any depth with the subjects. Sure, hearing about Kevin knocking Derrick out is funny, but it's not really what it's all about is it? > Now we're movie critics? Might come as a shocker to some but Scorsese and > Stone turned down the opportunity to direct or even fund Hi Tech Soul. > > Are some of us that self righteous and petty that we must cut down > everything that is attempting to make a difference? Outside this list most > of the world knows nothing about Detroit, it's influence on Electronica or > the people that made it happen. You are going to criticize a documentary > calling it shoddy? Really, name one that isn't kind of shoddy (please don't > you dare reference a Michael Moore documentary here). If you must wage an > attack on what I will call "reference material", then do so because it fails > to provide facts or because it is biased. > > I personally haven't had the opportunity to see it. I personally can't > wait. When I do see it I will take it for what it's worth...a low budget > film. I will take what I can learn from it and pump it to all these kids > that think this music culture is about drugs, fashion and who's been to more > parties. > > So I ask, can anyone that has seen this film tell us about the content? > > > Jason Trolian > > > -Original Message- > From: Dan Bean [mailto:[EMAIL PROTECTED] > Sent: Tuesday, July 18, 2006 7:03 AM > To: 313@hyperreal.org > Subject: Re: (313) HIGH TECH SOUL DVD > > I (and some people on this list) went to see this film in London last year. > > It was shoddy and amateurish. > > Maybe they've totally re-shot and re-edited it since then... > > And for the record, it's not the first film to 'tackle the deep roots of > techno music'. > > > > > You wrote: > > HIGH TECH SOUL DVD > > > > Directed by Gary Bredow, HIGH TECH SOUL is the first film to to tackle > > the deep roots of techno music and the city that spawned it: Detroit. > > With Juan Atkins, Derrick May, Kevin Saunderson and many more. > > > > "Bredow's cast of alumni -- the holy trinity of Atkins, May and > > Saunderson at the front -- fill out this tale with passion, pride and, > > oddly for music of the future, nostalgia too." - Dazed & Confused > > > > HIGH TECH SOUL is the first documentary to tackle the deep roots of > > techno music alongside the cultural history of Detroit, its birthplace. > > From the race riots of 1967 to the underground party scene of the > > late 1980s, Detroit's economic downturn didn't stop the invention of a > > new kind of music that brought international attention to its > > producers and their hometown. > > > > Featuring in-depth interviews with many of the world's best exponents > > of the artform, High Tech Soul focuses on the creators of the genre -- > > Juan Atkins, Derrick May, and Kevin Saunderson -- and looks at the > > relationships and personal struggles behind the music. Artists like > > Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of > > others explain why techno, with its abrasive tones and resonating > > basslines, could not have come from anywhere but Detroit. > > > > With classic anthems such as Rhythim Is Rhythim's "Strings of Life" > > and Inner City's "Good Life," High Tech Soul celebrates the pioneers, > > the promoters and the city that spawned a global phenomenon. > > > > Soundtrack Includes: Aux 88, Cybotron, Inner City, Juan Atkins, > > Mayday, Model 500, Plastikman, Rhythim Is Rhythim, and more! > > > > The film features: Juan Atkins, Derrick May, Kevin Saunderson, Eddie > > (Flashin) Fowlkes, Richie Hawtin, Jeff Mills, John Acquaviva, Carl > > Cox, Carl Craig, Blake Baxter, Stacey Pullen, Thomas Barnett, Matthew > > Dear, Anthony "Shake" Shakir, Keith Tucker, Delano Smith, Mike Archer, > > Derrick Thompson, Mike Clark, Alan Oldham, Laura Gavoor, Himawari, > > Scan 7, Kenny Larkin, Stacey "Hotwax" Hale, Claus Bachor, Electrifying > > Mojo, Niko Marks, Barbara Deyo, Dan Sordyl, Sam Valenti, Ron Murphy, > > George Baker, and Kwame Kilpatrick. > > > > > > http://www.hightechsoul.com > > > > > > also look out for > > Submerge: Live In Japan DVD > > > > > > > > > > >
Re: (313) HIGH TECH SOUL DVD
I saw the re-edited version on Sunday, and the director's q+a session afterwards. I didn't see the film last year, when the response from everyone I know was overwhelmingly negative, but I didn't find it a bad film at all. It did have a very rough and ready feel (bad lighting, lots of shaky camera work), but the flow worked quite well (presumably the result of the re-edit). It's defnitely true that it never went into much depth though, and did concentrate almost entirely on the Belleville 3 (plus quite a bit with Eddie Fowlkes). The director was challenged on this afterwards, asked why there was little to no footage with the likes of C2 etc, and his response was that he wanted to highlight the roots of the sound, and that to expand on the second and third generations would take too much time and allow less depth on the subject. I feel it would have been better to include more of the later artists though, particularly since they gave a lot of screen time to Spectral and Plus 8 but almost none to other local labels. Which brings me onto my one real major criticism of the film - I thought the music chosen was really weak. Apart from the obvious backdrops of No Ufo's, Strings of Life and Big Fun, a lot of the scoring was really dull, and all the club footage seemed to be focusing on straight, loopy material, with very little variety. A shame for a project which should be so clearly music led. Overall, it's a nice enough work with plenty of amusing footage, but I don't think it'll hold any surprises for those already into this music (the best new thing I learned from it is that Belleville is the home of the reknowned Strawberry Festival ;-), and perhaps it lacks that extra passion needed to turn new people onto this sound...
Re: (313) Congrats for Alex Bond's baby!!
Yep, congratulations my cosmic friend. What an amazing gift! Let me know how it goes as my wife is 4 months pregnant and this will be our first...gonna need some tips for sure, like how to change a diaper while mixing and that sort of thing ;) I hope everyone is well. Adam On 7/18/06, Emile Facey - Plant43 <[EMAIL PROTECTED]> wrote: Congratulations Alex! :) on 17/7/06 11:41 pm, Svagr, Jodie at [EMAIL PROTECTED] wrote: > Congrats Alex!! > > Thats ace. Millie is a beautiful name. Raise her to dance and love the tunes! > > All the best, > Jodie > > > > robin wrote: >> Speaking of new releases... >> >> Congratulations to our very own Alex Bond and his partner Rebecca on the >> birth of their daughter Millie last week (mother and daughter healthy >> and at home now). >> >> :) >> >> robin... >> > > > >
Re: (313) HIGH TECH SOUL DVD
On 18 Jul 2006, at 14:43, Robert Taylor wrote: If you want to compare and contrast - look at the Sheffield documentary - well made, great interviews, etc etc - everything that Hi Tech Soul wasn't Right, thanks Rob...Although I will say that Sheffield Doc missed out a ton of stuff but it was good to watch and perhaps only need a little more music m
(313) New Bleep43 Mix
Hey all! I did this mix a few months ago and there's a fair amount of [313]ish stuff in here. It was broadcast on Sunday's Bleep 43 Radio Wireless FM show and is now available for download. Here's the link and Toby's and my tracklists: http://www.bleep43recordings.com/mixes/Show23.MP3 TRISTAN WATKINS GUESTMIX Patchworks - I Guess You Always Knew [Q-Tape] Anton Mitchell - Simple Life [Chicago Underground] Theo Parrish - Reaction to Plastic [Sounds Signature] Stewart Walker - Missing Winter [Tektite/Force Inc] Kenny Larkin - Life Goes On [R&S] Mike Ink - Paroles (Mike Ink Remix 96) [Warp] Infiniti - Walking on Water [Tresor] Gemini - Day Dreaming [Peacefrog] Jacek Sienkiewicz - Secret Life [Recognition] Innervisions Presents Henrik Schwarz/Âme/Dixon Feat. Derrick L. Carter - Where We At (Version 1) [Sonar Kollektiv] Basement Jaxx - Moradi [Atlantic Jaxx] DJ Yoav B - Organ Satta [Delsin] Dan Curtin - Undergroundz [Tuning Spork] Yo La Tengo - Danelectro 2 (Remixed by Nobukazu Takemura) [Matador] -- Fun Fun - Happy Station (Polydor) Todd Terje - Italian Stallion (Full Pup) Quince - Americana (Delsin) Capracara - Flashback 86 (Souljazz) Marcus Mixx - Shake that Thing (Legowelt remix) (Clone) Legowelt - Fitzcarraldo (Bunker) E-Dancer - Feel the Food (Shield) Jeff Mills & The Montpellier Philharmonic Orchestra - Gamma Player (Tresor) Nathan Fake - Superpositions (Border Community) Susumu Yokota - Distant Sounds of Summer (Lo Recordings) Thom Yorke - Black Swan (XL Recordings) Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
(313) Re: Sao Paulo / Rio
Hi Otto, Hope it is not too late, but if you are still up to meet fellow 313s in SP, give me a bell, my mob is: 011-92560004. Have you been to the bellow clubs? Dany Bell was supposed to DJ in Lov.e on friday, but I missed it. If you are still in town till next friday (21st), I will DJ at D-Edge (it will be a good chance to listen to 313-related music...) and you can come with me... Let me know. Greetings, G On Fri, Jul 14, 2006 at 12:08:06AM -0300, Otto wrote: > The TT-site may be submerged, but that doesn't mean that technotourists > aren't travelling :) > > I'm finding myself in Sao Paulo for another week (planning to hit D-Egde > and Lov.e this weekend, but other tips are welcome too) and going to be > in Rio for a few days later this month as well. Any 313-ers in the area, > feel free to drop me a line. > > Cheers, > > Otto > PS And to everyone else: hi! It's been too long... -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
RE: (313) HIGH TECH SOUL DVD
If you want to compare and contrast - look at the Sheffield documentary - well made, great interviews, etc etc - everything that Hi Tech Soul wasn't -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 18 July 2006 12:39 To: 313 Detroit Subject: Re: (313) HIGH TECH SOUL DVD Some interesting points and views but I'm still going to get it :) It's a shame if it hasn't worked out as we all could have hoped. I'll tell you what tho, if Dan Sicko ever has a go at doing a documentary I'd edit that for free, they are so hard to edit but I'd put my head on the block, there's a real art to it and how you condense the story of techno down to 1.5hrs would keep me awake at night... Dan, I can't reply to your mail cos for some reason your mail bounces back with a 550 error m # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) HIGH TECH SOUL DVD
Some interesting points and views but I'm still going to get it :) It's a shame if it hasn't worked out as we all could have hoped. I'll tell you what tho, if Dan Sicko ever has a go at doing a documentary I'd edit that for free, they are so hard to edit but I'd put my head on the block, there's a real art to it and how you condense the story of techno down to 1.5hrs would keep me awake at night... Dan, I can't reply to your mail cos for some reason your mail bounces back with a 550 error m
(313) b12 / aardvarck / ..
check here several live sets from last week '5 days off' festival http://3voor12.vpro.nl/3voor12/festivals/artists/index.jsp?portal=2534202&event=29000910
Re: (313) HIGH TECH SOUL DVD
i saw it last week was ok / fun, but didn't bring any new info/insights for me, it is most (too much) concentrated about juan atkins, derrick may and kevin saunderson i think it could had been done better to take the whole UR, mad mike, jeff mills things as well then it had been much more complete imho as the above three is more 'part 1' to me now carl craig and jeff mills more comment from a sideline no robert hood, no burden bros the director (who was also there last week) is from detroit and grew up going out early 90ties - Original Message - From: "Jason Trolian" <[EMAIL PROTECTED]> To: "'Dan Bean'" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, July 18, 2006 2:05 PM Subject: RE: (313) HIGH TECH SOUL DVD Now we're movie critics? Might come as a shocker to some but Scorsese and Stone turned down the opportunity to direct or even fund Hi Tech Soul. Are some of us that self righteous and petty that we must cut down everything that is attempting to make a difference? Outside this list most of the world knows nothing about Detroit, it's influence on Electronica or the people that made it happen. You are going to criticize a documentary calling it shoddy? Really, name one that isn't kind of shoddy (please don't you dare reference a Michael Moore documentary here). If you must wage an attack on what I will call "reference material", then do so because it fails to provide facts or because it is biased. I personally haven't had the opportunity to see it. I personally can't wait. When I do see it I will take it for what it's worth...a low budget film. I will take what I can learn from it and pump it to all these kids that think this music culture is about drugs, fashion and who's been to more parties. So I ask, can anyone that has seen this film tell us about the content? Jason Trolian -Original Message- From: Dan Bean [mailto:[EMAIL PROTECTED] Sent: Tuesday, July 18, 2006 7:03 AM To: 313@hyperreal.org Subject: Re: (313) HIGH TECH SOUL DVD I (and some people on this list) went to see this film in London last year. It was shoddy and amateurish. Maybe they've totally re-shot and re-edited it since then... And for the record, it's not the first film to 'tackle the deep roots of techno music'. You wrote: HIGH TECH SOUL DVD Directed by Gary Bredow, HIGH TECH SOUL is the first film to to tackle the deep roots of techno music and the city that spawned it: Detroit. With Juan Atkins, Derrick May, Kevin Saunderson and many more. "Bredow's cast of alumni -- the holy trinity of Atkins, May and Saunderson at the front -- fill out this tale with passion, pride and, oddly for music of the future, nostalgia too." - Dazed & Confused HIGH TECH SOUL is the first documentary to tackle the deep roots of techno music alongside the cultural history of Detroit, its birthplace. From the race riots of 1967 to the underground party scene of the late 1980s, Detroit's economic downturn didn't stop the invention of a new kind of music that brought international attention to its producers and their hometown. Featuring in-depth interviews with many of the world's best exponents of the artform, High Tech Soul focuses on the creators of the genre -- Juan Atkins, Derrick May, and Kevin Saunderson -- and looks at the relationships and personal struggles behind the music. Artists like Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of others explain why techno, with its abrasive tones and resonating basslines, could not have come from anywhere but Detroit. With classic anthems such as Rhythim Is Rhythim's "Strings of Life" and Inner City's "Good Life," High Tech Soul celebrates the pioneers, the promoters and the city that spawned a global phenomenon. Soundtrack Includes: Aux 88, Cybotron, Inner City, Juan Atkins, Mayday, Model 500, Plastikman, Rhythim Is Rhythim, and more! The film features: Juan Atkins, Derrick May, Kevin Saunderson, Eddie (Flashin) Fowlkes, Richie Hawtin, Jeff Mills, John Acquaviva, Carl Cox, Carl Craig, Blake Baxter, Stacey Pullen, Thomas Barnett, Matthew Dear, Anthony "Shake" Shakir, Keith Tucker, Delano Smith, Mike Archer, Derrick Thompson, Mike Clark, Alan Oldham, Laura Gavoor, Himawari, Scan 7, Kenny Larkin, Stacey "Hotwax" Hale, Claus Bachor, Electrifying Mojo, Niko Marks, Barbara Deyo, Dan Sordyl, Sam Valenti, Ron Murphy, George Baker, and Kwame Kilpatrick. http://www.hightechsoul.com also look out for Submerge: Live In Japan DVD
RE: (313) HIGH TECH SOUL DVD
What the f*** is wrong with criticising a film we've seen? I saw it and am entitled to an opinion. I'm not going to blindly accept whatever I see without criticising it just because of the subject matter - that would be ridiculous. It WAS shoddy - badly put together, badly edited, badly and inconsistently lit. Nothing wrong with pointing this out as it affects one's enjoyment of the film. I don't think the fimmaker knew what he was doing or knew anything about the subject. Just as they were about to explore something interesting (eg the demise of industry in Detroit), it moved onto something else less interesting. The interviews were ineptly handled and the subjects cames across as less articulate than I have seen in other documentaries. There's other things that p***ed me off about the film but that's enough cos otherwise I shall be called the ridiculous word 'hater' Plus points - just seeing our heroes talk about something they clearly love. Er, that's about it. -Original Message- From: Jason Trolian [mailto:[EMAIL PROTECTED] Sent: 18 July 2006 12:05 To: 'Dan Bean'; 313@hyperreal.org Subject: RE: (313) HIGH TECH SOUL DVD Now we're movie critics? Might come as a shocker to some but Scorsese and Stone turned down the opportunity to direct or even fund Hi Tech Soul. Are some of us that self righteous and petty that we must cut down everything that is attempting to make a difference? Outside this list most of the world knows nothing about Detroit, it's influence on Electronica or the people that made it happen. You are going to criticize a documentary calling it shoddy? Really, name one that isn't kind of shoddy (please don't you dare reference a Michael Moore documentary here). If you must wage an attack on what I will call "reference material", then do so because it fails to provide facts or because it is biased. I personally haven't had the opportunity to see it. I personally can't wait. When I do see it I will take it for what it's worth...a low budget film. I will take what I can learn from it and pump it to all these kids that think this music culture is about drugs, fashion and who's been to more parties. So I ask, can anyone that has seen this film tell us about the content? Jason Trolian -Original Message- From: Dan Bean [mailto:[EMAIL PROTECTED] Sent: Tuesday, July 18, 2006 7:03 AM To: 313@hyperreal.org Subject: Re: (313) HIGH TECH SOUL DVD I (and some people on this list) went to see this film in London last year. It was shoddy and amateurish. Maybe they've totally re-shot and re-edited it since then... And for the record, it's not the first film to 'tackle the deep roots of techno music'. You wrote: > HIGH TECH SOUL DVD > > Directed by Gary Bredow, HIGH TECH SOUL is the first film to to tackle > the deep roots of techno music and the city that spawned it: Detroit. > With Juan Atkins, Derrick May, Kevin Saunderson and many more. > > "Bredow's cast of alumni -- the holy trinity of Atkins, May and > Saunderson at the front -- fill out this tale with passion, pride and, > oddly for music of the future, nostalgia too." - Dazed & Confused > > HIGH TECH SOUL is the first documentary to tackle the deep roots of > techno music alongside the cultural history of Detroit, its birthplace. > From the race riots of 1967 to the underground party scene of the > late 1980s, Detroit's economic downturn didn't stop the invention of a > new kind of music that brought international attention to its > producers and their hometown. > > Featuring in-depth interviews with many of the world's best exponents > of the artform, High Tech Soul focuses on the creators of the genre -- > Juan Atkins, Derrick May, and Kevin Saunderson -- and looks at the > relationships and personal struggles behind the music. Artists like > Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of > others explain why techno, with its abrasive tones and resonating > basslines, could not have come from anywhere but Detroit. > > With classic anthems such as Rhythim Is Rhythim's "Strings of Life" > and Inner City's "Good Life," High Tech Soul celebrates the pioneers, > the promoters and the city that spawned a global phenomenon. > > Soundtrack Includes: Aux 88, Cybotron, Inner City, Juan Atkins, > Mayday, Model 500, Plastikman, Rhythim Is Rhythim, and more! > > The film features: Juan Atkins, Derrick May, Kevin Saunderson, Eddie > (Flashin) Fowlkes, Richie Hawtin, Jeff Mills, John Acquaviva, Carl > Cox, Carl Craig, Blake Baxter, Stacey Pullen, Thomas Barnett, Matthew > Dear, Anthony "Shake" Shakir, Keith Tucker, Delano Smith, Mike Archer, > Derrick Thompson, Mike Clark, Alan Oldham, Laura Gavoor, Himawari, > Scan 7, Kenny Larkin, Stacey "Hotwax" Hale, Claus Bachor, Electrifying > Mojo, Niko Marks, Barbara Deyo, Dan Sordyl, Sam Valenti, Ron Murphy, > George Baker, and Kwame Kilpatrick. > > > http://www.hightechsoul.com > > > also look out for > Submerge: Live In J
Re: (313) HIGH TECH SOUL DVD
warning: I have not seen the movie, so I will not address its content. On Jul 18, 2006, at 8:05, Jason Trolian wrote: Now we're movie critics? I don't see a reason why anyone who watches a movie should NOT criticize it. Outside this list most of the world knows nothing about Detroit, it's influence on Electronica or the people that made it happen. You are going to criticize a documentary calling it shoddy? Documentaries can be shoddy, yes. They can present 100% fact and still be boring, trite, childish, sloppy, repetitive, or disorganized. Really, name one that isn't kind of shoddy (please don't you dare reference a Michael Moore documentary here).If you must wage an attack on what I will call "reference material", then do so because it fails to provide facts or because it is biased. I wouldn't call Scratch shoddy in the least. One time I saw a very interesting student documentary on moonshine, right before a meandering and pointless documentary on Marlene Dietrich. Both of these were completely factual! There was no interpretation given of the material, but the simple act of editing a film in a coherent manner makes it watchable or unwatchable. I personally haven't had the opportunity to see it. I personally can't wait. When I do see it I will take it for what it's worth...a low budget film. Low budgets never excuse shoddy workmanship. Pi was done on a low budget. The Stone Reader was done on leftover film and spare time the director had from shooting nature documentaries. Both of these films are incredibly dorky, but they're coherent. I will take what I can learn from it and pump it to all these kids that think this music culture is about drugs, fashion and who's been to more parties. And if the movie is lousy, then it won't help! So I ask, can anyone that has seen this film tell us about the content? Dan just did. -- matt kane's brain http://hydrogenproject.com aim -> mkbatwerk || mkbwriu [EMAIL PROTECTED]
RE: (313) HIGH TECH SOUL DVD
Now we're movie critics? Might come as a shocker to some but Scorsese and Stone turned down the opportunity to direct or even fund Hi Tech Soul. Are some of us that self righteous and petty that we must cut down everything that is attempting to make a difference? Outside this list most of the world knows nothing about Detroit, it's influence on Electronica or the people that made it happen. You are going to criticize a documentary calling it shoddy? Really, name one that isn't kind of shoddy (please don't you dare reference a Michael Moore documentary here). If you must wage an attack on what I will call "reference material", then do so because it fails to provide facts or because it is biased. I personally haven't had the opportunity to see it. I personally can't wait. When I do see it I will take it for what it's worth...a low budget film. I will take what I can learn from it and pump it to all these kids that think this music culture is about drugs, fashion and who's been to more parties. So I ask, can anyone that has seen this film tell us about the content? Jason Trolian -Original Message- From: Dan Bean [mailto:[EMAIL PROTECTED] Sent: Tuesday, July 18, 2006 7:03 AM To: 313@hyperreal.org Subject: Re: (313) HIGH TECH SOUL DVD I (and some people on this list) went to see this film in London last year. It was shoddy and amateurish. Maybe they've totally re-shot and re-edited it since then... And for the record, it's not the first film to 'tackle the deep roots of techno music'. You wrote: > HIGH TECH SOUL DVD > > Directed by Gary Bredow, HIGH TECH SOUL is the first film to to tackle > the deep roots of techno music and the city that spawned it: Detroit. > With Juan Atkins, Derrick May, Kevin Saunderson and many more. > > "Bredow's cast of alumni -- the holy trinity of Atkins, May and > Saunderson at the front -- fill out this tale with passion, pride and, > oddly for music of the future, nostalgia too." - Dazed & Confused > > HIGH TECH SOUL is the first documentary to tackle the deep roots of > techno music alongside the cultural history of Detroit, its birthplace. > From the race riots of 1967 to the underground party scene of the > late 1980s, Detroit's economic downturn didn't stop the invention of a > new kind of music that brought international attention to its > producers and their hometown. > > Featuring in-depth interviews with many of the world's best exponents > of the artform, High Tech Soul focuses on the creators of the genre -- > Juan Atkins, Derrick May, and Kevin Saunderson -- and looks at the > relationships and personal struggles behind the music. Artists like > Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of > others explain why techno, with its abrasive tones and resonating > basslines, could not have come from anywhere but Detroit. > > With classic anthems such as Rhythim Is Rhythim's "Strings of Life" > and Inner City's "Good Life," High Tech Soul celebrates the pioneers, > the promoters and the city that spawned a global phenomenon. > > Soundtrack Includes: Aux 88, Cybotron, Inner City, Juan Atkins, > Mayday, Model 500, Plastikman, Rhythim Is Rhythim, and more! > > The film features: Juan Atkins, Derrick May, Kevin Saunderson, Eddie > (Flashin) Fowlkes, Richie Hawtin, Jeff Mills, John Acquaviva, Carl > Cox, Carl Craig, Blake Baxter, Stacey Pullen, Thomas Barnett, Matthew > Dear, Anthony "Shake" Shakir, Keith Tucker, Delano Smith, Mike Archer, > Derrick Thompson, Mike Clark, Alan Oldham, Laura Gavoor, Himawari, > Scan 7, Kenny Larkin, Stacey "Hotwax" Hale, Claus Bachor, Electrifying > Mojo, Niko Marks, Barbara Deyo, Dan Sordyl, Sam Valenti, Ron Murphy, > George Baker, and Kwame Kilpatrick. > > > http://www.hightechsoul.com > > > also look out for > Submerge: Live In Japan DVD > > >
Re: (313) HIGH TECH SOUL DVD
It was shoddy and amateurish. It what way Dan? Care to go into a bit more detail? Scan 7 look ace and I kinda figured that may just bring a few new people into the music...It surely can't be "that" bad, can it? Maybe they've totally re-shot and re-edited it since then... And for the record, it's not the first film to 'tackle the deep roots of techno music'. Universal Techno, will still take a lot of beating.. m
RE: (313) HIGH TECH SOUL DVD
Apparently it has been re-edited - there was another showing at Cargo at Sunday that some people went to - still not up to scratch though from the reports I've heard. Very disappointing film but I did enjoy Blake Baxter beatboxing :) -Original Message- From: Dan Bean [mailto:[EMAIL PROTECTED] Sent: 18 July 2006 11:03 To: 313@hyperreal.org Subject: Re: (313) HIGH TECH SOUL DVD I (and some people on this list) went to see this film in London last year. It was shoddy and amateurish. Maybe they've totally re-shot and re-edited it since then... And for the record, it's not the first film to 'tackle the deep roots of techno music'. You wrote: > HIGH TECH SOUL DVD > > Directed by Gary Bredow, HIGH TECH SOUL is the first film to to tackle > the deep roots of techno music and the city that spawned it: Detroit. > With Juan Atkins, Derrick May, Kevin Saunderson and many more. > > "Bredow's cast of alumni -- the holy trinity of Atkins, May and > Saunderson at the front -- fill out this tale with passion, pride and, > oddly for music of the future, nostalgia too." - Dazed & Confused > > HIGH TECH SOUL is the first documentary to tackle the deep roots of > techno music alongside the cultural history of Detroit, its birthplace. > From the race riots of 1967 to the underground party scene of the > late 1980s, Detroit's economic downturn didn't stop the invention of a > new kind of music that brought international attention to its > producers and their hometown. > > Featuring in-depth interviews with many of the world's best exponents > of the artform, High Tech Soul focuses on the creators of the genre -- > Juan Atkins, Derrick May, and Kevin Saunderson -- and looks at the > relationships and personal struggles behind the music. Artists like > Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of > others explain why techno, with its abrasive tones and resonating > basslines, could not have come from anywhere but Detroit. > > With classic anthems such as Rhythim Is Rhythim's "Strings of Life" > and Inner City's "Good Life," High Tech Soul celebrates the pioneers, > the promoters and the city that spawned a global phenomenon. > > Soundtrack Includes: Aux 88, Cybotron, Inner City, Juan Atkins, > Mayday, Model 500, Plastikman, Rhythim Is Rhythim, and more! > > The film features: Juan Atkins, Derrick May, Kevin Saunderson, Eddie > (Flashin) Fowlkes, Richie Hawtin, Jeff Mills, John Acquaviva, Carl > Cox, Carl Craig, Blake Baxter, Stacey Pullen, Thomas Barnett, Matthew > Dear, Anthony "Shake" Shakir, Keith Tucker, Delano Smith, Mike Archer, > Derrick Thompson, Mike Clark, Alan Oldham, Laura Gavoor, Himawari, > Scan 7, Kenny Larkin, Stacey "Hotwax" Hale, Claus Bachor, Electrifying > Mojo, Niko Marks, Barbara Deyo, Dan Sordyl, Sam Valenti, Ron Murphy, > George Baker, and Kwame Kilpatrick. > > > http://www.hightechsoul.com > > > also look out for > Submerge: Live In Japan DVD > > > # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) HIGH TECH SOUL DVD
I (and some people on this list) went to see this film in London last year. It was shoddy and amateurish. Maybe they've totally re-shot and re-edited it since then... And for the record, it's not the first film to 'tackle the deep roots of techno music'. You wrote: > HIGH TECH SOUL DVD > > Directed by Gary Bredow, HIGH TECH SOUL is the first film to to tackle > the deep roots of techno music and the city that spawned it: Detroit. > With Juan Atkins, Derrick May, Kevin Saunderson and many more. > > "Bredow's cast of alumni -- the holy trinity of Atkins, May and > Saunderson at the front -- fill out this tale with passion, pride and, > oddly for music of the future, nostalgia too." - Dazed & Confused > > HIGH TECH SOUL is the first documentary to tackle the deep roots of > techno music alongside the cultural history of Detroit, its birthplace. > From the race riots of 1967 to the underground party scene of the late > 1980s, Detroit's economic downturn didn't stop the invention of a new > kind of music that brought international attention to its producers and > their hometown. > > Featuring in-depth interviews with many of the world's best exponents of > the artform, High Tech Soul focuses on the creators of the genre -- Juan > Atkins, Derrick May, and Kevin Saunderson -- and looks at the > relationships and personal struggles behind the music. Artists like > Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of > others explain why techno, with its abrasive tones and resonating > basslines, could not have come from anywhere but Detroit. > > With classic anthems such as Rhythim Is Rhythim's "Strings of Life" and > Inner City's "Good Life," High Tech Soul celebrates the pioneers, the > promoters and the city that spawned a global phenomenon. > > Soundtrack Includes: Aux 88, Cybotron, Inner City, Juan Atkins, Mayday, > Model 500, Plastikman, Rhythim Is Rhythim, and more! > > The film features: Juan Atkins, Derrick May, Kevin Saunderson, Eddie > (Flashin) Fowlkes, Richie Hawtin, Jeff Mills, John Acquaviva, Carl Cox, > Carl Craig, Blake Baxter, Stacey Pullen, Thomas Barnett, Matthew Dear, > Anthony "Shake" Shakir, Keith Tucker, Delano Smith, Mike Archer, Derrick > Thompson, Mike Clark, Alan Oldham, Laura Gavoor, Himawari, Scan 7, Kenny > Larkin, Stacey "Hotwax" Hale, Claus Bachor, Electrifying Mojo, Niko > Marks, Barbara Deyo, Dan Sordyl, Sam Valenti, Ron Murphy, George Baker, > and Kwame Kilpatrick. > > > http://www.hightechsoul.com > > > also look out for > Submerge: Live In Japan DVD > > >
(313) HIGH TECH SOUL DVD
HIGH TECH SOUL DVD Directed by Gary Bredow, HIGH TECH SOUL is the first film to to tackle the deep roots of techno music and the city that spawned it: Detroit. With Juan Atkins, Derrick May, Kevin Saunderson and many more. "Bredow's cast of alumni -- the holy trinity of Atkins, May and Saunderson at the front -- fill out this tale with passion, pride and, oddly for music of the future, nostalgia too." - Dazed & Confused HIGH TECH SOUL is the first documentary to tackle the deep roots of techno music alongside the cultural history of Detroit, its birthplace. From the race riots of 1967 to the underground party scene of the late 1980s, Detroit's economic downturn didn't stop the invention of a new kind of music that brought international attention to its producers and their hometown. Featuring in-depth interviews with many of the world's best exponents of the artform, High Tech Soul focuses on the creators of the genre -- Juan Atkins, Derrick May, and Kevin Saunderson -- and looks at the relationships and personal struggles behind the music. Artists like Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of others explain why techno, with its abrasive tones and resonating basslines, could not have come from anywhere but Detroit. With classic anthems such as Rhythim Is Rhythim's "Strings of Life" and Inner City's "Good Life," High Tech Soul celebrates the pioneers, the promoters and the city that spawned a global phenomenon. Soundtrack Includes: Aux 88, Cybotron, Inner City, Juan Atkins, Mayday, Model 500, Plastikman, Rhythim Is Rhythim, and more! The film features: Juan Atkins, Derrick May, Kevin Saunderson, Eddie (Flashin) Fowlkes, Richie Hawtin, Jeff Mills, John Acquaviva, Carl Cox, Carl Craig, Blake Baxter, Stacey Pullen, Thomas Barnett, Matthew Dear, Anthony "Shake" Shakir, Keith Tucker, Delano Smith, Mike Archer, Derrick Thompson, Mike Clark, Alan Oldham, Laura Gavoor, Himawari, Scan 7, Kenny Larkin, Stacey "Hotwax" Hale, Claus Bachor, Electrifying Mojo, Niko Marks, Barbara Deyo, Dan Sordyl, Sam Valenti, Ron Murphy, George Baker, and Kwame Kilpatrick. http://www.hightechsoul.com also look out for Submerge: Live In Japan DVD
Re: (313) Ableton DJ Mix
A different experience than spontaneously mixing vinyl for a couple of hours. The main difference being that it took forever,... Yeah right: same for me... Ableton gives me so much (too much?) opportunity that everytime I start mixing with it, I found something new I could do, so I stop mixing and start sampling, ecc ecc... After 3 hours, I haven't mix anything so I say to myself: this would be useful for the next mix... The problem's that the "mix" never comes :-/ Probably I'm still in a baby-staring-at-candies mood: I want to eat the whole thang... Hopefully, I'll grow and make some choices about what I *really* like to do with Live. By now, I'm gonna download and hear what Adam likes to do with it ;) Typically when I mix records, it's all about what happens at that moment, not thinking about things too much, just grab records, put them together however you see fit, and go with it. I know it's really old-fashion, but I still have problems not using records... cds and file names looks exactly all the same, without covers or colors or anything that helps me, and I'm still desperatly trying to organize the in categories, bpms, ecc... But when I look at them, they don't tell me anything. But when you grab some records, look at the colors, the picture, ecc and THEY tell you "play me, it's my time". Probably that's because in my mind, I still "see" a mix like a sequence of black plastic... I have to upgrade ;) Em - Original Message - From: "Adam Smith" <[EMAIL PROTECTED]> To: "313 List" <313@hyperreal.org> Sent: Tuesday, July 18, 2006 3:56 AM Subject: (313) Ableton DJ Mix Hey list, how's it goin? So I put together my first all digital dj mix in Ableton. It turned out pretty well, although I found it to be a different experience than spontaneously mixing vinyl for a couple of hours. The main difference being that it took forever, at least compared to knocking out an hour dj mix with turntables/mixer/records. Another difference was the editing: I found that when I revisited the mix the next day, maybe my mood had changed and I would remove a song, rearrange, try some other tune, etc. Typically when I mix records, it's all about what happens at that moment, not thinking about things too much, just grab records, put them together however you see fit, and go with it. Perhaps I will experience more of that down the road after I get a little faster with Ableton. Anyway, check it out if you're interested, would love any feedback you may have too of course! http://www.abrooklynlife.com/2006/07/ablradio_libert.html#more The entire tracklist is on the page above with link to download mp3 or subscribe to the weekly podcast (although not every week is Detroit related). Mix includes songs by: Raiders of the Lost Arp, $tinkworx, Unit 4, Joe Lewis, Gino Soccio, Mr. Fingers, Phuture, DJ Yoav B, David Bowie, and a handful more. Enjoy! Adam
RE: (313) Acid-house.net
Looks good Paul. Well done. Nowputitonmyspacetoo! Ken - Original Message - From: "Placid" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Monday, July 17, 2006 10:23 PM Subject: (313) Acid-house.net > Had a bit of a face lift Dragged the forum into the 00's.. > > Http://www.acid-house.net > > Come say hello. > > Cheers > > P > > > >
Re: (313) myspace (is) 313 (OT)/selling records
http://www.myspace.com/fab137 that's me a Citymorb page should be up soon peace fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] out now: CTM002 SMBP - Stars Falling ep. - Original Message - From: "Denise Dalphond" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, July 18, 2006 4:19 AM Subject: Re: (313) myspace (is) 313 (OT)/selling records http://www.myspace.com/ethnomusicologist It's crazy how many techno folks are on here. Goodnight all, Denise -- Denise MM Dalphond Graduate Assistant Archives of African American Music & Culture Department of Folklore & Ethnomusicology Indiana University [EMAIL PROTECTED] Quoting Dan Bean <[EMAIL PROTECTED]>: http://www.myspace.com/dan_bean re: greatest amounts I've paid for records - more than I'm comfortable admitting in public... On 17 Jul 2006, at 15:19, diana potts wrote: Good day, I just noticed someone had a myspace profile in their email tag. Any other list members up on there? Come on...it's lame and addictive but ya gotta love it. On a music related note. Someone told me this weekend they paid 40$ for a record they'd craved for years. Got me thinking what other prices people have paid for waxed gems. tc, diana http://www.myspace.com/dpotts follow me this:http://www.flickr.com/photos/pottsdia (MSN:rightrounddp::aolIM:pottsdia) __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.1.394 / Virus Database: 268.10.1/390 - Release Date: 17/07/2006
Re: (313) New Releases
On Jul 17, 2006, at 8:54 AM, [EMAIL PROTECTED] wrote: From: robin <[EMAIL PROTECTED]> Date: July 17, 2006 3:37:18 AM PDT To: 313@hyperreal.org Subject: New Releases Speaking of new releases... Congratulations to our very own Alex Bond and his partner Rebecca on the birth of their daughter Millie last week (mother and daughter healthy and at home now). Woo hoo! Thank goodness it wasn't a boy - can you imagine unleashing another Alex Bond Jr. on us :) 3 cheers Alex! Cigars all around ... (chocolates ones please, can't stomach the smell of tobacco versions personally) BTW, this gives me the opportunity to finally say ... We all know the phrase "Techno brings people together" as being that annual adjunct to the festival ... But it's a lot more than that, it's an Ideal for Living too. And on that note, I want to thank all the brilliant (313) Brits I hooked up with on my trip through Manchester and Barcelona last month. Robin Pinning, Bond ... Alex Bond, and Francis ThatAmazingWooffThing took time out of their lives on a worknight to spend nearly 5 hours showing me around central Manchester. I can't thank them enough for taking the time out, I had a wonderful time in a place that's pretty much hallowed ground to me. Top blokes, the lot of you! And similarly, my thanks to everyone who helped make my stay in Barca during Sonar week such a fun time - I'll forget people I'm sure but thanks to Juanjo Ramirez (Our Man in Barca) and Angel Molina; Robert "Ginger Man" Taylor, Toby Frith, Nicole Slavin, Matt 11th Hour Chester and his wife, Patrick and everyone else (see, told you I'd forget people's names - please don't be offended, my Indian name was Memory Like Sieve) I met both in the pubs and on the beach at the M_Nus party. BTW - best t-shirt I saw the whole week: F&*k Berlin Barcelona has a beach And, last but not least - I finally met Tosh!!! :) (I need some of those backstage camera phone shots you took, dude) - Greg
Re: (313) Congrats for Alex Bond's baby!!
Congratulations Alex! :) on 17/7/06 11:41 pm, Svagr, Jodie at [EMAIL PROTECTED] wrote: > Congrats Alex!! > > Thats ace. Millie is a beautiful name. Raise her to dance and love the tunes! > > All the best, > Jodie > > > > robin wrote: >> Speaking of new releases... >> >> Congratulations to our very own Alex Bond and his partner Rebecca on the >> birth of their daughter Millie last week (mother and daughter healthy >> and at home now). >> >> :) >> >> robin... >> > > > >
Re: (313) myspace (is) 313 (OT)/selling records
http://www.myspace.com/ethnomusicologist It's crazy how many techno folks are on here. Goodnight all, Denise -- Denise MM Dalphond Graduate Assistant Archives of African American Music & Culture Department of Folklore & Ethnomusicology Indiana University [EMAIL PROTECTED] Quoting Dan Bean <[EMAIL PROTECTED]>: http://www.myspace.com/dan_bean re: greatest amounts I've paid for records - more than I'm comfortable admitting in public... On 17 Jul 2006, at 15:19, diana potts wrote: Good day, I just noticed someone had a myspace profile in their email tag. Any other list members up on there? Come on...it's lame and addictive but ya gotta love it. On a music related note. Someone told me this weekend they paid 40$ for a record they'd craved for years. Got me thinking what other prices people have paid for waxed gems. tc, diana http://www.myspace.com/dpotts follow me this:http://www.flickr.com/photos/pottsdia (MSN:rightrounddp::aolIM:pottsdia) __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
(313) Ableton DJ Mix
Hey list, how's it goin? So I put together my first all digital dj mix in Ableton. It turned out pretty well, although I found it to be a different experience than spontaneously mixing vinyl for a couple of hours. The main difference being that it took forever, at least compared to knocking out an hour dj mix with turntables/mixer/records. Another difference was the editing: I found that when I revisited the mix the next day, maybe my mood had changed and I would remove a song, rearrange, try some other tune, etc. Typically when I mix records, it's all about what happens at that moment, not thinking about things too much, just grab records, put them together however you see fit, and go with it. Perhaps I will experience more of that down the road after I get a little faster with Ableton. Anyway, check it out if you're interested, would love any feedback you may have too of course! http://www.abrooklynlife.com/2006/07/ablradio_libert.html#more The entire tracklist is on the page above with link to download mp3 or subscribe to the weekly podcast (although not every week is Detroit related). Mix includes songs by: Raiders of the Lost Arp, $tinkworx, Unit 4, Joe Lewis, Gino Soccio, Mr. Fingers, Phuture, DJ Yoav B, David Bowie, and a handful more. Enjoy! Adam
RE: (313) myspace (is) 313 (OT)/selling records
http://www.myspace.com/83461123 Hmm can't seem to sort out the URL for some reason.. oh well I shall now be known as 83461123. Quite a catchy name me thinks.. Oh yeah and many congrats to Alex!! Max Out Mxm -Original Message- From: diana potts [mailto:[EMAIL PROTECTED] Sent: 17 July 2006 15:19 To: 313@hyperreal.org Subject: (313) myspace (is) 313 (OT)/selling records Good day, I just noticed someone had a myspace profile in their email tag. Any other list members up on there? Come on...it's lame and addictive but ya gotta love it. On a music related note. Someone told me this weekend they paid 40$ for a record they'd craved for years. Got me thinking what other prices people have paid for waxed gems. tc, diana http://www.myspace.com/dpotts follow me this:http://www.flickr.com/photos/pottsdia (MSN:rightrounddp::aolIM:pottsdia) __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
