Re: (313) Moods & Grooves name
I bought this reissue on CD. Almost 2 years ago. This album rocks! Recommended! S. On Nov 21, 2007, at 1:31 PM, [EMAIL PROTECTED] wrote: I just came across a funk 45 by a Detroit group called the Ju-Par Universal Orchestra (on the Ju-Par label) from 1976 their full album is called "Moods & Grooves" probably a coincidence damn funky studio band either way MEK
Re: (313) Amato's Demise
If the distrib fronts money for pressing/promo/whatever and it is not a p&d agreement...unless it is a pathetically bad p&d, which many are. And the label hasn't been doing well enough to pay back the fronted $$. I don't know how else. that's too bad about amato. i'd actually never heard of them though. (underground) record sales have been solid for about 2 years. the sky fell and the decline ended quite awhile ago. sales are generally lower than in the past for established labels, but it's not bad. an upturn would be great. i can almost see it happening. because cd's suck and mp3's suck. generic corporate objects and ethereal digital media must be leaving people a little hungry?! oh well, maybe not > how does a label go about owing a distributor?!?!?! > > tom >
(313) Kraftwerk: We Are the Robots
Kraftwerk: We Are the Robots Thursday 22 November 2007 11:30-12:00 (Radio 4 FM) Marc Riley traces the career of Kraftwerk, whose 1970s electronic music owed more to the experimental German classical compositions of Karlheinz Stockhausen than to any pop tradition. They were part of a new generation of young West Germans, living in the shadow of the Cold War, who identified with the need to recapture a German cultural identity distinct from that of Britain and America.
Re: (313) Amato's Demise
On 21 Nov 2007, at 23:25, Thomas D. Cox, Jr. wrote: On Nov 21, 2007 3:32 PM, Martin Dust <[EMAIL PROTECTED]> wrote: If the label owes Amato money they won't see the stock until the money is paid, however if you don't owe money you can go and collect the stock at your own cost. If it's not collected it either gets sold or pulped. how does a label go about owing a distributor?!?!?! Lots of ways, mastering, promotions, send backs, P and D deals, not selling enough to name but a few... m
Re: (313) Amato's Demise
On Nov 21, 2007 3:32 PM, Martin Dust <[EMAIL PROTECTED]> wrote: > If the label owes Amato money they won't see the stock until the > money is paid, however if you don't owe money you can go and collect > the stock at your own cost. If it's not collected it either gets sold > or pulped. how does a label go about owing a distributor?!?!?! tom
Re: (313) Amato's Demise
Here's another article on Beatportal, for those interested: http://www.beatportal.com/blogs/post/dance-music-needs-your-help/ On Wednesday, November 21, 2007, at 01:25PM, "Martin Dust" <[EMAIL PROTECTED]> wrote: >> >> by the way - anyone answer this question: >> >>> it will be difficult for any of the imprints affiliated with Amato to >> >> >> recover stock held at its warehouse. >> >> >> What happens to the leftover stock usually? Does is >> "disappear" (get sold >> >> >> by former employees)? > > >If the label owes Amato money they won't see the stock until the >money is paid, however if you don't owe money you can go and collect >the stock at your own cost. If it's not collected it either gets sold >or pulped. > >m
(313) Lee Burridge *TONIGHT*
I've got a set by him that I'll be playing on my show tonight- 9:30 to 11:00pm eastern US time. Audio is at www.wesufm.org. -anton the vault www.antonbanks.com
Re: (313) Amato's Demise
by the way - anyone answer this question: it will be difficult for any of the imprints affiliated with Amato to recover stock held at its warehouse. What happens to the leftover stock usually? Does is "disappear" (get sold by former employees)? If the label owes Amato money they won't see the stock until the money is paid, however if you don't owe money you can go and collect the stock at your own cost. If it's not collected it either gets sold or pulped. m
Re: (313) Amato's Demise
excellent analysis - I think the strength is in the collectives and direct business to business (and direct to customer) sales thanks for that by the way - anyone answer this question: >it will be difficult for any of the imprints affiliated with Amato to recover stock held at its warehouse. What happens to the leftover stock usually? Does is "disappear" (get sold by former employees)? MEK robin <[EMAIL PROTECTED]> wrote on 11/21/2007 01:43:54 PM: > > Interesting little blog entry about Amato, mgt. issues rather than > falling sales which is kind of nice to hear, in a way: > > http://testindustries.typepad.com/test/2007/11/the-vinyl-front.html > > > robin...
(313) Amato's Demise
Interesting little blog entry about Amato, mgt. issues rather than falling sales which is kind of nice to hear, in a way: http://testindustries.typepad.com/test/2007/11/the-vinyl-front.html robin...
(313) Moods & Grooves name
I just came across a funk 45 by a Detroit group called the Ju-Par Universal Orchestra (on the Ju-Par label) from 1976 their full album is called "Moods & Grooves" probably a coincidence damn funky studio band either way MEK
RE: (313) My Zoom H4 recorder as terrorist tool (was Re: (313) OT: Portable Recorder (same question as always))
On the other hand Kent, when I recently passed through Newark on my way
back from Colombia - I naturally fully expected to be at worst detained
for a few days, especially because I had this small 'sinister-looking'
('sinister looking' if you're a homeland security automaton, that is)
notebook-sized box, in peculiar brushed gold colour, with a few dials
and many levers. It's a BOSS BR-600, the latest in BOSS's portable
recorder line. When the 'What is that?' question came, I was fully
prepared to have to spark it up and give a little demo. But they just
said 'have a nice day'.
OnT: I don't think much of the recorder for lengthy recordings - the
proprietory file format architecture creates problems in transferring
the data easily. However for 'song-by-song' sessions - meaning shorter
(smaller) individual files I've found it to be fine.
Ken
-Original Message-
From: kent williams [mailto:[EMAIL PROTECTED]
Sent: 20 November 2007 21:07
To: list 313
Subject: (313) My Zoom H4 recorder as terrorist tool (was Re: (313) OT:
Portable Recorder (same question as always))
I was held up for 20 minutes at Berlin Tegel airport for having a Zoom
H4 Handy Recorder in my backpack. Even after turning it on, explaining
it was an audio recorder, they still had to call in 2 levels of
management to decide it was OK to fly with.
I wonder if they changed the design on the H2 because too many people
thought the H4 looked like a Tazer.
