Re: (313) addendum..... Suburban Knight & Dex down at APT Thursday 1/10 (NYC)
UR NYC APT WTF! The easiest code to break! The Detroit Underground surfaces in NYC courtesy Underground Resistance and an array of sonic mercenaries on a monthly mission at APT. UR's producer/DJ/ambassador Nomadico (aka DJ Dex), who has worked with the likes of the UK's Intalex and NYC's own Nublu Orchestra, leads the way partnering up with others from the UR camp and beyond. This Thursday is the kickoff and features James "Suburban Knight" Pennington. Techno, electro, funk, and more, conspire to free your ass so that your mind can follow. http://www.undergroundresistance.com > -Ursprüngliche Nachricht- > Von: "M Ng" <[EMAIL PROTECTED]> > Gesendet: 09.01.08 23:36:21 > An: "313 Mailing List" <313@hyperreal.org> > Betreff: (313) addendum. Suburban Knight & Dex down at APT Thursday 1/10 > (NYC) > > woops here it is. they are playing early from 10.30 too (it's UR's > night so no bad stuff b4 UR djs) > > so there is no excuse.. all you working NY 313ers. > > > > Underground Resistance at APT with resident DJ Dex aka Nomadico and UR > crewmember Suburban Knight > 10p / $10 / (Detroit techno, house, and funk) > > The Detroit Underground surfaces in NYC courtesy of Underground > Resistance and an array of sonic mercenaries on a monthly mission at > APT. UR's producer/DJ/ambassador Nomadico (aka DJ Dex), who has > worked with the likes of the UK's Intalex and NYC's own Nublu > Orchestra, leads the way partnering up with others from the UR > campâtonight's guest Suburban Knight, the long-time UR producer and > Detroit DJâand beyond. Techno, electro, funk, and more conspire to > free your ass so that your mind can follow. > > > > On 1/5/08, M Ng <[EMAIL PROTECTED]> wrote: > > Hey all > > > > Hope to see you there. It'll be fun! > > > > -- Forwarded message -- > > > > Doing a gig at APT Thursday 1/10 with James P. > > http://www.rhythmism.com/forum/showthread.php?t=63657 > > > > Can you share with the 313'ers? > > > -- ** Confidential Records Oranienstraße 38 gardenhouse groundfloor D10999 Berlin Germany fon: +49 - 30 - 67921791 cell: +49 - 173 - 8450161 mail: [EMAIL PROTECTED] web: http://www.myspace.com/confidentialrecords101 us: [EMAIL PROTECTED] *
Re: [Fwd: Re: (313) Digital Djing]
Like I'm going to take time to do that from a tropical beach paradise. No tellings off for anyone who says club PAs need sorting anyway. Or in the UK anyway (if you're coming to the B I think you might like the ones there :-) Original Message: - From: robin [EMAIL PROTECTED] Date: Fri, 4 Jan 2008 14:16:11 + Not that most club PAs are up to much anyway. Anyway, I can feel a telling off from Francis coming so I better shut up :) robin... mail2web LIVE Free email based on Microsoft® Exchange technology - http://link.mail2web.com/LIVE
RE: (313) C2 at Carnegie Hall, well sort of
Aren't most classical musicians just playing covers anyhow? :P Oh, hi... long time reader, first time poster... ;) -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Thursday, 10 January 2008 4:08 p.m. To: 313@hyperreal.org Subject: Re: (313) C2 at Carnegie Hall, well sort of On Jan 9, 2008 10:05 PM, /0 <[EMAIL PROTECTED]> wrote: > orchestral musicians have to eat too there's no possibility that someone so highbrow could possibly like something so lowbrow as techno music. tom
Re: (313) C2 at Carnegie Hall, well sort of
not exactly a twist was it? :P i think c2 translated to orchestra would be tremendous. the string arrangements would translate easily, and imagining the simple basslines and rhythmic melodic bits played by viola and french horn or whatever, hot dang. i never heard jeff mills' orchestra experiment, but i imagine carl's being more striking obviously carl already has respectable experience with live music and adventurous instrumentation with detroit experiment but besides, classical music and techno music are a great match, they're both played by machines (excepting yo yo ma, who is definitely an animal) On Jan 9, 2008 11:16 PM, Frank Glazer <[EMAIL PROTECTED]> wrote: > i think you missed my point, but i'm also beginning to think you're > just a troll.
Re: (313) C2 at Carnegie Hall, well sort of
i think you missed my point, but i'm also beginning to think you're just a troll. On Jan 9, 2008 10:34 PM, /0 <[EMAIL PROTECTED]> wrote: > steve reich =/= techno > > - Original Message - > From: "Frank Glazer" <[EMAIL PROTECTED]> > To: "/0" <[EMAIL PROTECTED]> > > Cc: <313@hyperreal.org> > Sent: Wednesday, January 09, 2008 8:16 PM > Subject: Re: (313) C2 at Carnegie Hall, well sort of > > > >i guess steve reich and philip glass are a similar insult? > > > > On Jan 9, 2008 7:29 PM, /0 <[EMAIL PROTECTED]> wrote: > >> classical musicians covering techno music is an insult to the art of > >> music. > >> if you disagree, you're wrong. > >> > >> - Original Message - > >> From: "Greg Earle" <[EMAIL PROTECTED]> > >> To: <313@hyperreal.org> > >> Sent: Wednesday, January 09, 2008 5:09 PM > >> Subject: (313) C2 at Carnegie Hall, well sort of > >> > >> > >> > >> Attention Classical fans in NYC (that means you Derek): > >> > >> Bach, Berio, ... Carl Craig?!? > >> > >> "CARL CRAIG Technology (adapted by Francesco Tristano Schlimé)" > >> > >> http://www.carnegiehall.org/article/box_office/events/evt_10028.html? > >> selecteddate=02012008 > >> > >> - Greg > >> > >> > > > > > > > > -- > > peace, > > > > frank > > > > dj mix archive: http://www.deejaycountzero.com > > > > -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) C2 at Carnegie Hall, well sort of
swallow the hook, Tom. Worms be damned. - Original Message - From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, January 09, 2008 10:05 PM Subject: Re: (313) C2 at Carnegie Hall, well sort of On Jan 9, 2008 9:55 PM, /0 <[EMAIL PROTECTED]> wrote: I bet the people in the orchestra dont admit to that one while out with their musician friends I wouldnt and you are, of course, the arbiter of taste in the classical world. tom
Re: (313) C2 at Carnegie Hall, well sort of
exactly, monkey boy - Original Message - From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, January 09, 2008 10:08 PM Subject: Re: (313) C2 at Carnegie Hall, well sort of On Jan 9, 2008 10:05 PM, /0 <[EMAIL PROTECTED]> wrote: orchestral musicians have to eat too there's no possibility that someone so highbrow could possibly like something so lowbrow as techno music. tom
Re: (313) C2 at Carnegie Hall, well sort of
steve reich =/= techno - Original Message - From: "Frank Glazer" <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Wednesday, January 09, 2008 8:16 PM Subject: Re: (313) C2 at Carnegie Hall, well sort of i guess steve reich and philip glass are a similar insult? On Jan 9, 2008 7:29 PM, /0 <[EMAIL PROTECTED]> wrote: classical musicians covering techno music is an insult to the art of music. if you disagree, you're wrong. - Original Message - From: "Greg Earle" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, January 09, 2008 5:09 PM Subject: (313) C2 at Carnegie Hall, well sort of Attention Classical fans in NYC (that means you Derek): Bach, Berio, ... Carl Craig?!? "CARL CRAIG Technology (adapted by Francesco Tristano Schlimé)" http://www.carnegiehall.org/article/box_office/events/evt_10028.html? selecteddate=02012008 - Greg -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) C2 at Carnegie Hall, well sort of
On Jan 9, 2008 10:05 PM, /0 <[EMAIL PROTECTED]> wrote: > orchestral musicians have to eat too there's no possibility that someone so highbrow could possibly like something so lowbrow as techno music. tom
Re: (313) C2 at Carnegie Hall, well sort of
orchestral musicians have to eat too - Original Message - From: "DB" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, January 09, 2008 8:18 PM Subject: Re: (313) C2 at Carnegie Hall, well sort of Seeing UR (Mike Banks, Gerald Mitchell, & Santiago Salazar) in Seattle with the Northwest Sinfornia Orchestra at the Red Bull Academy was pretty nice. You say it's wrong but I guess wrong sounded good. Cheers, Dave The Archiver wrote: What about the Blue Potential with Mills? -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 10 January 2008 00:30 To: 313@hyperreal.org Subject: Re: (313) C2 at Carnegie Hall, well sort of classical musicians covering techno music is an insult to the art of music. if you disagree, you're wrong. - Original Message - From: "Greg Earle" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, January 09, 2008 5:09 PM Subject: (313) C2 at Carnegie Hall, well sort of Attention Classical fans in NYC (that means you Derek): Bach, Berio, ... Carl Craig?!? "CARL CRAIG Technology (adapted by Francesco Tristano Schlimé)" http://www.carnegiehall.org/article/box_office/events/evt_10028.html? selecteddate=02012008 - Greg
Re: (313) C2 at Carnegie Hall, well sort of
On Jan 9, 2008 9:55 PM, /0 <[EMAIL PROTECTED]> wrote: > I bet the people in the orchestra dont admit to that one while out with > their musician friends > > I wouldnt and you are, of course, the arbiter of taste in the classical world. tom
Re: (313) C2 at Carnegie Hall, well sort of
I bet the people in the orchestra dont admit to that one while out with their musician friends I wouldnt - Original Message - From: "The Archiver" <[EMAIL PROTECTED]> To: "'/0'" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, January 09, 2008 7:39 PM Subject: RE: (313) C2 at Carnegie Hall, well sort of What about the Blue Potential with Mills? -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 10 January 2008 00:30 To: 313@hyperreal.org Subject: Re: (313) C2 at Carnegie Hall, well sort of classical musicians covering techno music is an insult to the art of music. if you disagree, you're wrong. - Original Message - From: "Greg Earle" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, January 09, 2008 5:09 PM Subject: (313) C2 at Carnegie Hall, well sort of Attention Classical fans in NYC (that means you Derek): Bach, Berio, ... Carl Craig?!? "CARL CRAIG Technology (adapted by Francesco Tristano Schlimé)" http://www.carnegiehall.org/article/box_office/events/evt_10028.html? selecteddate=02012008 - Greg No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.516 / Virus Database: 269.19.0/1216 - Release Date: 09/01/2008 10:16 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.516 / Virus Database: 269.19.0/1216 - Release Date: 09/01/2008 10:16
Re: (313) C2 at Carnegie Hall, well sort of
i guess steve reich and philip glass are a similar insult? On Jan 9, 2008 7:29 PM, /0 <[EMAIL PROTECTED]> wrote: > classical musicians covering techno music is an insult to the art of music. > if you disagree, you're wrong. > > - Original Message - > From: "Greg Earle" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Wednesday, January 09, 2008 5:09 PM > Subject: (313) C2 at Carnegie Hall, well sort of > > > > Attention Classical fans in NYC (that means you Derek): > > Bach, Berio, ... Carl Craig?!? > > "CARL CRAIG Technology (adapted by Francesco Tristano Schlimé)" > > http://www.carnegiehall.org/article/box_office/events/evt_10028.html? > selecteddate=02012008 > > - Greg > > -- peace, frank dj mix archive: http://www.deejaycountzero.com
(313) Ikea in the studio
I've just looked around me and realised Ikea actually forms the crux of my studio furniture, beyond just holding records. Can't knock a desk called "The Jerker" either. Here's some pics. http://www.phonopsia.co.uk/pics/Resized/Ikea001.JPG http://www.phonopsia.co.uk/pics/Resized/Ikea002.JPG http://www.phonopsia.co.uk/pics/Resized/Ikea003.JPG http://www.phonopsia.co.uk/pics/Resized/Ikea004.JPG http://www.phonopsia.co.uk/pics/Resized/Ikea005.JPG I highly recommend against using the Expedit shelves as a computer desk. Most unergonomical, and horrible in most every way. I highly rate The Jerker though. If I had enough room I'd think about getting a second one, since my computer got booted from it via production kit. That would require stupid amounts of space though. Oh, and my Jerker has now been assembled/reassembled four times. Rugged stuff. I reckon the 2x4 Expedit shelves could get through a few iterations as well. It's mostly Allen wrench business. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] > -Original Message- > From: Frank Glazer [mailto:[EMAIL PROTECTED] > Sent: 08 January 2008 00:55 > To: Tristan Watkins > Cc: Michael Bramwell; [EMAIL PROTECTED]; > 313@hyperreal.org > Subject: Re: (313) Re: Shelf system/record storage > > I had a 5x5 bin Expedit in my old apartment, but then I had > to literally destroy it, breaking the thing into pieces > because it wouldn't fit down the stairs. I learned my lesson > and got the same configuration as Tristan, three 2x4 bin > units. I have mine stacked two side by side vertical with > the third perched (only somewhat > precariously) atop them on its side. I live in a relatively > small new york one bedroom with my girlfriend though so we > must go vertical to use every inch of space. I'm pretty > short, but I'm used to a 34" > height table for my DJ gear, so the expedit on its side would > be a little low but serviceable as a "booth". They'd be > especially low for anybody who is tall. > > I did have an incident with the 5x5 when one of the shelves > broke, but that's because somebody got drunk and toppled into > the expedit, using the shelf as a brace. Under normal use > the shelves seem sturdy enough. I would recommend them highly. > > On Jan 7, 2008 10:57 AM, Tristan Watkins > <[EMAIL PROTECTED]> wrote: > > - Original Message - > > From: <[EMAIL PROTECTED]> > > To: "Michael Bramwell" <[EMAIL PROTECTED]> > > Cc: <313@hyperreal.org> > > Sent: Monday, January 07, 2008 3:14 PM > > Subject: (313) Re: Shelf system/record storage > > > > > > > What shelf unit did you have? > > > This is the one I just put up and it seems very solid - > although it > > > does recommend that you only put 28.6 pounds/13 kg per shelf (I'm > > > sure mine is overloaded but I'm going to keep my eye on it) > > > http://www.ikea.com/us/en/catalog/products/60071358 > > > > > > I've got three of the 2x4 cube Expedits laying horizontally, so I > > needn't worry about being crushed, and half the records are on the > > hefty bottom shelf this way. It works for me. They fit > 2x1200+Xone:32 > > nicely on top as well. The third one also wound up forming > a U-shaped > > partition for my studio, which is also part dining room (against my > > will, err, via compromise). ;) > > > > Tristan > > === > > [EMAIL PROTECTED] > > http://www.phonopsia.co.uk > > > > > > > > -- > peace, > > frank > > dj mix archive: http://www.deejaycountzero.com
Re: (313) C2 at Carnegie Hall, well sort of
Seeing UR (Mike Banks, Gerald Mitchell, & Santiago Salazar) in Seattle with the Northwest Sinfornia Orchestra at the Red Bull Academy was pretty nice. You say it's wrong but I guess wrong sounded good. Cheers, Dave The Archiver wrote: What about the Blue Potential with Mills? -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 10 January 2008 00:30 To: 313@hyperreal.org Subject: Re: (313) C2 at Carnegie Hall, well sort of classical musicians covering techno music is an insult to the art of music. if you disagree, you're wrong. - Original Message - From: "Greg Earle" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, January 09, 2008 5:09 PM Subject: (313) C2 at Carnegie Hall, well sort of Attention Classical fans in NYC (that means you Derek): Bach, Berio, ... Carl Craig?!? "CARL CRAIG Technology (adapted by Francesco Tristano Schlimé)" http://www.carnegiehall.org/article/box_office/events/evt_10028.html? selecteddate=02012008 - Greg
RE: (313) C2 at Carnegie Hall, well sort of
What about the Blue Potential with Mills? -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 10 January 2008 00:30 To: 313@hyperreal.org Subject: Re: (313) C2 at Carnegie Hall, well sort of classical musicians covering techno music is an insult to the art of music. if you disagree, you're wrong. - Original Message - From: "Greg Earle" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, January 09, 2008 5:09 PM Subject: (313) C2 at Carnegie Hall, well sort of Attention Classical fans in NYC (that means you Derek): Bach, Berio, ... Carl Craig?!? "CARL CRAIG Technology (adapted by Francesco Tristano Schlimé)" http://www.carnegiehall.org/article/box_office/events/evt_10028.html? selecteddate=02012008 - Greg No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.516 / Virus Database: 269.19.0/1216 - Release Date: 09/01/2008 10:16 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.516 / Virus Database: 269.19.0/1216 - Release Date: 09/01/2008 10:16
Re: (313) C2 at Carnegie Hall, well sort of
classical musicians covering techno music is an insult to the art of music. if you disagree, you're wrong. - Original Message - From: "Greg Earle" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, January 09, 2008 5:09 PM Subject: (313) C2 at Carnegie Hall, well sort of Attention Classical fans in NYC (that means you Derek): Bach, Berio, ... Carl Craig?!? "CARL CRAIG Technology (adapted by Francesco Tristano Schlimé)" http://www.carnegiehall.org/article/box_office/events/evt_10028.html? selecteddate=02012008 - Greg
(313) addendum..... Suburban Knight & Dex down at APT Thursday 1/10 (NYC)
woops here it is. they are playing early from 10.30 too (it's UR's night so no bad stuff b4 UR djs) so there is no excuse.. all you working NY 313ers. Underground Resistance at APT with resident DJ Dex aka Nomadico and UR crewmember Suburban Knight 10p / $10 / (Detroit techno, house, and funk) The Detroit Underground surfaces in NYC courtesy of Underground Resistance and an array of sonic mercenaries on a monthly mission at APT. UR's producer/DJ/ambassador Nomadico (aka DJ Dex), who has worked with the likes of the UK's Intalex and NYC's own Nublu Orchestra, leads the way partnering up with others from the UR camp—tonight's guest Suburban Knight, the long-time UR producer and Detroit DJ—and beyond. Techno, electro, funk, and more conspire to free your ass so that your mind can follow. On 1/5/08, M Ng <[EMAIL PROTECTED]> wrote: > Hey all > > Hope to see you there. It'll be fun! > > -- Forwarded message -- > > Doing a gig at APT Thursday 1/10 with James P. > http://www.rhythmism.com/forum/showthread.php?t=63657 > > Can you share with the 313'ers? >
(313) C2 at Carnegie Hall, well sort of
Attention Classical fans in NYC (that means you Derek): Bach, Berio, ... Carl Craig?!? "CARL CRAIGTechnology (adapted by Francesco Tristano Schlimé)" http://www.carnegiehall.org/article/box_office/events/evt_10028.html? selecteddate=02012008 - Greg
(313) Work With UR Through Alter Ego!
It's that time of the year again! No, that OTHER time of the year! The time when Alter Ego Management (of whom Underground Resistance is our biggest client!) starts searching for interns! Tasks can and will range from booking, to artist relations, to the not so exciting, mundane things like typing, researching and cataloging. We will be interfacing with Submerge (of course!), Indiana University, radio stations, and more. It's an unpaid internship, but college credit CAN be arranged. This is an internship for people interested in the BUSINESS of music, in particular, artist and project management and artist relations. We do not have any music production internships available. The internship is extremely flexible in that the responsibilities and hours can vary from person to person. For instance, if a candidate can write good copy, but cannot travel, then perhaps that person would do only that. The time frame is for four months for anyone looking to receive any sort of college credit as an independent study from January to April. Anyone simply looking for experience can discuss with us the parameters of what he or she is looking to accomplish with the internship and how long that may be. Given the nature of the work, there is a tendency to assume this is casual, "fun" work, and it can be, but schedules and deadlines can be critical to the functioning of the label and there will be some very unglamorous, boring work that still needs to be done as well. There are going to be times when your own creativity and innovation will be critical to getting the job done. This is not a corporate job where you are in a box and expected to only perform a set group of tasks. While some of the tasks can be tailored to your strengths, the real development comes from taking on challenges that you may be unfamiliar with so that you can grow. The position involves being exposed to a number of problems, the successful candidate will be a person who knows how to find solutions. Below is a list of things that may be asked of you. It is not all inclusive and it may include aspects that you will never experience in the course of the internship. Experience is NOT a prerequisite, only a strong desire to work and learn. Making followup or cold calls to venues Reviewing demos Picking up and/or dropping off artists at the airport Collection of artist fees for performances Selling merchandise Arranging for the design and manufacture of merchandise Writing and/or distributing press releases and promotional materials Acting as an artist assistant Arranging interviews, photo shoots Tour management Licensing music to other labels Arranging remixes for artists Assisting in show production and/or booking Researching venues, festivals, labels, travel and more Responding to fan questions and comments Conflict resolution Reading articles, books, blogs, and more Reviewing basic contracts for performance, sales, etc. Given that the position may expose you to sensitive information regarding artists on this label and others, a confidentiality agreement is required. Any written documentation of the internship, including academic, is subject to review before dissemination. Are there perks? Of course! You get access to free music and concerts, meet some of the biggest names in dance and electronic music and more. The internship may very well open up opportunities to work in other fields or in other countries. Or, in the course of the internship, you may be able to create your own paid post internship position with UR, Alter Ego, or another organization. Anything is possible. For more information contact ALTER EGO MANAGEMENT. Please make certain to put "Internship" in the subject line. Thank you! [EMAIL PROTECTED] http://www.myspace.com/alteregomanagement http://www.alteregomgt.com -- ** Confidential Records Oranienstraße 38 gardenhouse groundfloor D10999 Berlin Germany fon: +49 - 30 - 67921791 cell: +49 - 173 - 8450161 mail: [EMAIL PROTECTED] web: http://www.myspace.com/confidentialrecords101 us: [EMAIL PROTECTED] *
(313) Re: Shelf system/record storage
Benoît wrote: >The only thing is that once mounted any >IKEA stuff should stay in that form even while moving it. Unmounting kills ! > another expedit 5x5 owner here. i've moved twice in the past year and a half, and have taken the expedit apart both times. You can easily reassemble the shelves after taking them apart. Just make sure they don't get damaged too much during transport and everything should be ok. jurren _ Express yourself instantly with MSN Messenger! Download today it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/
