Re: (313) tonight in detroit: KDJ, Andrés, R E L A X E R - $5

2008-09-07 Thread David Armin-Parcells


just gotta say that in spite of KDJ playing some good funk and rare 
groove until 3 he then put a cd on for 30 mins then Andres came back, 
turned the volume up beyond ear bleeding and proceeded to clear the 
house by 3:45.

good new stuff from Andres coming, but a lousy party...
/0 wrote:

Saturday September 6, 2008

100 Limousines Presents:

SUPERNATURE

A Mahogani Music Showcase Featuring:

KDJ (Mahogani Music, Peacefrog, Planet E, etc.)

Andrés aka DJ Dez (Mahogani Music, Slum Village)

R E L A X E R (Soft-Curls, Disco.Secret)

Elements Gallery 2125 Michigan Ave. Detroit
Five Dollars - Adults Only

*Sound provided by Klipsch Audio Technologies



Re: (313) Richie Hawtin's Traktor setup

2008-09-07 Thread Kowalsky
The mixture of traditional djing and the producer activities points to  
the future, i think. But in one hand we have the hysterical girl talk  
thing, in the other the hospital food richie's stuff. I wanna find a  
compulsive knob twister doing this thing good.
There's a lot of baile funk players here, in brazil, doing nice stuff  
with laptops, midi, mpc and traditional tunes inside an act.


Kw

On Sep 7, 2008, at 11:09 PM, /0 wrote:

within this context, I don't think that things benefit from micro- 
loop sampling, or production decisions made with DJing in mind.  DJ  
sets just don't seem to be the series of little trips that they used  
to be.


maybe I'm just used to it all.


- Original Message - From: "Kowalsky" <[EMAIL PROTECTED]>
To: "[313]" <313@hyperreal.org>
Sent: Sunday, September 07, 2008 9:55 PM
Subject: Re: (313) Richie Hawtin's Traktor setup


Certainly, there's a way out of this so called BS. Wich compulsive
knob twister is doing something creative these days, in this list
opinion?

On Sep 7, 2008, at 10:28 PM, /0 wrote:

its just that they've defeated the song structure through all of   
this micro-DJing BS.


30 seconds into the set, your journey is over.



- Original Message - From: "Kowalsky" <[EMAIL PROTECTED]>
To: "[313]" <313@hyperreal.org>
Sent: Sunday, September 07, 2008 9:23 PM
Subject: Re: (313) Richie Hawtin's Traktor setup


Saw him playing in my city last wednesday. His set was pretty
tasteless, flavourless. My impression was just like that: a bunch of
loops scrambled over and over, with a crescendo to make the crowd
scream from time to time.
It seems that a lot of djs, or producers, are showing up in the stage
the capabilities of digital blending, the knob thrill just for the
sake of it. Well, techno always had a thing about the process, not
focusing on a begining or an end, but this tasteless knob thrill
usually turns into a kid play, something like "i'm having fun playing
with my lego blocks, aren't you?". Well, it's not really that fun  
just
watch someone else playing lego, cause there's no space for you to  
get

in – the expression of the music was suposed to do that, bring the
people into the playing.

Kw

On Sep 5, 2008, at 10:13 AM, Odeluga, Ken wrote:

Whilst admiring how clever he is - and I genuinely think Hawtin
shows a
profound intelligence about how he applies the new opportunities   
which

these latest technologies offer - I found myself drifting.

I think I can only take so much technological advancement at a time.

Then I kind of withdraw, hoping to hear some actual music. Perhaps
something which completes rather than loops over another loop or  
even

four fragments looped at the same time.

The day when these genuinely impressive techniques add up to   
something
equally as genuinely impressive coming out of the speakers will  
be  the
day when many luddites just using one laptop [ha, I'm not even   
going  to

mention the pre-historic relics, like me, who use that black plastic
stuff!) won't be allowed to DJ anymore due to being seen as a comedy
act.

Till then - and it could happen soon: perhaps 3 years? - I think   
there

are few more gigs to come.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, September 05, 2008 12:39 PM
To: 313@hyperreal.org
Subject: RE: (313) Richie Hawtin's Traktor setup


Although i have different midi controllers it's the way i'm  
playing  as

well and exactly due to the same reasons.

---

Interesting little video:

http://www.dailymotion.com/video/x6n4cy_richie-hawtin-traktor-setup_musi
c

m










Re: (313) Richie Hawtin's Traktor setup

2008-09-07 Thread /0
within this context, I don't think that things benefit from micro-loop 
sampling, or production decisions made with DJing in mind.  DJ sets just 
don't seem to be the series of little trips that they used to be.


maybe I'm just used to it all.


- Original Message - 
From: "Kowalsky" <[EMAIL PROTECTED]>

To: "[313]" <313@hyperreal.org>
Sent: Sunday, September 07, 2008 9:55 PM
Subject: Re: (313) Richie Hawtin's Traktor setup


Certainly, there's a way out of this so called BS. Wich compulsive
knob twister is doing something creative these days, in this list
opinion?

On Sep 7, 2008, at 10:28 PM, /0 wrote:

its just that they've defeated the song structure through all of  this 
micro-DJing BS.


30 seconds into the set, your journey is over.



- Original Message - From: "Kowalsky" <[EMAIL PROTECTED]>
To: "[313]" <313@hyperreal.org>
Sent: Sunday, September 07, 2008 9:23 PM
Subject: Re: (313) Richie Hawtin's Traktor setup


Saw him playing in my city last wednesday. His set was pretty
tasteless, flavourless. My impression was just like that: a bunch of
loops scrambled over and over, with a crescendo to make the crowd
scream from time to time.
It seems that a lot of djs, or producers, are showing up in the stage
the capabilities of digital blending, the knob thrill just for the
sake of it. Well, techno always had a thing about the process, not
focusing on a begining or an end, but this tasteless knob thrill
usually turns into a kid play, something like "i'm having fun playing
with my lego blocks, aren't you?". Well, it's not really that fun just
watch someone else playing lego, cause there's no space for you to get
in – the expression of the music was suposed to do that, bring the
people into the playing.

Kw

On Sep 5, 2008, at 10:13 AM, Odeluga, Ken wrote:


Whilst admiring how clever he is - and I genuinely think Hawtin   shows a
profound intelligence about how he applies the new opportunities  which
these latest technologies offer - I found myself drifting.

I think I can only take so much technological advancement at a time.

Then I kind of withdraw, hoping to hear some actual music. Perhaps
something which completes rather than loops over another loop or even
four fragments looped at the same time.

The day when these genuinely impressive techniques add up to  something
equally as genuinely impressive coming out of the speakers will be  the
day when many luddites just using one laptop [ha, I'm not even  going  to
mention the pre-historic relics, like me, who use that black plastic
stuff!) won't be allowed to DJ anymore due to being seen as a comedy
act.

Till then - and it could happen soon: perhaps 3 years? - I think  there
are few more gigs to come.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, September 05, 2008 12:39 PM
To: 313@hyperreal.org
Subject: RE: (313) Richie Hawtin's Traktor setup


Although i have different midi controllers it's the way i'm playing  as
well and exactly due to the same reasons.

---

Interesting little video:

http://www.dailymotion.com/video/x6n4cy_richie-hawtin-traktor-setup_musi
c

m








Re: (313) Richie Hawtin's Traktor setup

2008-09-07 Thread Kowalsky
Certainly, there's a way out of this so called BS. Wich compulsive  
knob twister is doing something creative these days, in this list  
opinion?


On Sep 7, 2008, at 10:28 PM, /0 wrote:

its just that they've defeated the song structure through all of  
this micro-DJing BS.


30 seconds into the set, your journey is over.



- Original Message - From: "Kowalsky" <[EMAIL PROTECTED]>
To: "[313]" <313@hyperreal.org>
Sent: Sunday, September 07, 2008 9:23 PM
Subject: Re: (313) Richie Hawtin's Traktor setup


Saw him playing in my city last wednesday. His set was pretty
tasteless, flavourless. My impression was just like that: a bunch of
loops scrambled over and over, with a crescendo to make the crowd
scream from time to time.
It seems that a lot of djs, or producers, are showing up in the stage
the capabilities of digital blending, the knob thrill just for the
sake of it. Well, techno always had a thing about the process, not
focusing on a begining or an end, but this tasteless knob thrill
usually turns into a kid play, something like "i'm having fun playing
with my lego blocks, aren't you?". Well, it's not really that fun just
watch someone else playing lego, cause there's no space for you to get
in – the expression of the music was suposed to do that, bring the
people into the playing.

Kw

On Sep 5, 2008, at 10:13 AM, Odeluga, Ken wrote:

Whilst admiring how clever he is - and I genuinely think Hawtin   
shows a
profound intelligence about how he applies the new opportunities  
which

these latest technologies offer - I found myself drifting.

I think I can only take so much technological advancement at a time.

Then I kind of withdraw, hoping to hear some actual music. Perhaps
something which completes rather than loops over another loop or even
four fragments looped at the same time.

The day when these genuinely impressive techniques add up to  
something
equally as genuinely impressive coming out of the speakers will be  
the
day when many luddites just using one laptop [ha, I'm not even  
going  to

mention the pre-historic relics, like me, who use that black plastic
stuff!) won't be allowed to DJ anymore due to being seen as a comedy
act.

Till then - and it could happen soon: perhaps 3 years? - I think  
there

are few more gigs to come.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, September 05, 2008 12:39 PM
To: 313@hyperreal.org
Subject: RE: (313) Richie Hawtin's Traktor setup


Although i have different midi controllers it's the way i'm playing  
as

well and exactly due to the same reasons.

---

Interesting little video:

http://www.dailymotion.com/video/x6n4cy_richie-hawtin-traktor-setup_musi
c

m







Re: (313) Richie Hawtin's Traktor setup

2008-09-07 Thread /0
its just that they've defeated the song structure through all of this 
micro-DJing BS.


30 seconds into the set, your journey is over.



- Original Message - 
From: "Kowalsky" <[EMAIL PROTECTED]>

To: "[313]" <313@hyperreal.org>
Sent: Sunday, September 07, 2008 9:23 PM
Subject: Re: (313) Richie Hawtin's Traktor setup


Saw him playing in my city last wednesday. His set was pretty
tasteless, flavourless. My impression was just like that: a bunch of
loops scrambled over and over, with a crescendo to make the crowd
scream from time to time.
It seems that a lot of djs, or producers, are showing up in the stage
the capabilities of digital blending, the knob thrill just for the
sake of it. Well, techno always had a thing about the process, not
focusing on a begining or an end, but this tasteless knob thrill
usually turns into a kid play, something like "i'm having fun playing
with my lego blocks, aren't you?". Well, it's not really that fun just
watch someone else playing lego, cause there's no space for you to get
in – the expression of the music was suposed to do that, bring the
people into the playing.

Kw

On Sep 5, 2008, at 10:13 AM, Odeluga, Ken wrote:


Whilst admiring how clever he is - and I genuinely think Hawtin  shows a
profound intelligence about how he applies the new opportunities which
these latest technologies offer - I found myself drifting.

I think I can only take so much technological advancement at a time.

Then I kind of withdraw, hoping to hear some actual music. Perhaps
something which completes rather than loops over another loop or even
four fragments looped at the same time.

The day when these genuinely impressive techniques add up to something
equally as genuinely impressive coming out of the speakers will be the
day when many luddites just using one laptop [ha, I'm not even going  to
mention the pre-historic relics, like me, who use that black plastic
stuff!) won't be allowed to DJ anymore due to being seen as a comedy
act.

Till then - and it could happen soon: perhaps 3 years? - I think there
are few more gigs to come.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, September 05, 2008 12:39 PM
To: 313@hyperreal.org
Subject: RE: (313) Richie Hawtin's Traktor setup


Although i have different midi controllers it's the way i'm playing as
well and exactly due to the same reasons.

---

Interesting little video:

http://www.dailymotion.com/video/x6n4cy_richie-hawtin-traktor-setup_musi
c

m





Re: (313) Richie Hawtin's Traktor setup

2008-09-07 Thread Kowalsky
Saw him playing in my city last wednesday. His set was pretty  
tasteless, flavourless. My impression was just like that: a bunch of  
loops scrambled over and over, with a crescendo to make the crowd  
scream from time to time.
It seems that a lot of djs, or producers, are showing up in the stage  
the capabilities of digital blending, the knob thrill just for the  
sake of it. Well, techno always had a thing about the process, not  
focusing on a begining or an end, but this tasteless knob thrill  
usually turns into a kid play, something like "i'm having fun playing  
with my lego blocks, aren't you?". Well, it's not really that fun just  
watch someone else playing lego, cause there's no space for you to get  
in – the expression of the music was suposed to do that, bring the  
people into the playing.


Kw

On Sep 5, 2008, at 10:13 AM, Odeluga, Ken wrote:

Whilst admiring how clever he is - and I genuinely think Hawtin  
shows a

profound intelligence about how he applies the new opportunities which
these latest technologies offer - I found myself drifting.

I think I can only take so much technological advancement at a time.

Then I kind of withdraw, hoping to hear some actual music. Perhaps
something which completes rather than loops over another loop or even
four fragments looped at the same time.

The day when these genuinely impressive techniques add up to something
equally as genuinely impressive coming out of the speakers will be the
day when many luddites just using one laptop [ha, I'm not even going  
to

mention the pre-historic relics, like me, who use that black plastic
stuff!) won't be allowed to DJ anymore due to being seen as a comedy
act.

Till then - and it could happen soon: perhaps 3 years? - I think there
are few more gigs to come.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, September 05, 2008 12:39 PM
To: 313@hyperreal.org
Subject: RE: (313) Richie Hawtin's Traktor setup


Although i have different midi controllers it's the way i'm playing as
well and exactly due to the same reasons.

---

Interesting little video:

http://www.dailymotion.com/video/x6n4cy_richie-hawtin-traktor-setup_musi
c

m




Re: (313) Mad Mike interview

2008-09-07 Thread Southern Outpost
Thanks for posting Andy! This is some great stuff.

P.

On Sun, Sep 7, 2008 at 2:56 PM, Andy Mitchell <[EMAIL PROTECTED]> wrote:
> Mad Mike was in New Zealand with UR's DJ Skurge last week to do some
> community work with at risk youth, including a lunchtime show for high
> school kids!
>
> Mike was interviewed on state-owned broadcaster Radio New Zealand National
> by Kim Hill, who's an old school Barbara Walters-kinda journalist. Plenty
> of good talk on Mojo, car racing etc.:
>
> http://podcast.radionz.co.nz/sat/sat-20080906-1010-Playing_Favourites_with_Mad_Mike_Banks-048.mp3
>
> (Note that the handful of musical tracks played during the interview have
> been cut out because they're too cheap to pay the licensing fee for 'em)
>
>



-- 
--
Southern Outpost
Sydney - San Francisco - Berlin
http://www.southernoutpost.com
--


(313) Mad Mike interview

2008-09-07 Thread Andy Mitchell
Mad Mike was in New Zealand with UR's DJ Skurge last week to do some
community work with at risk youth, including a lunchtime show for high
school kids!

Mike was interviewed on state-owned broadcaster Radio New Zealand National
by Kim Hill, who's an old school Barbara Walters-kinda journalist. Plenty
of good talk on Mojo, car racing etc.:

http://podcast.radionz.co.nz/sat/sat-20080906-1010-Playing_Favourites_with_Mad_Mike_Banks-048.mp3

(Note that the handful of musical tracks played during the interview have
been cut out because they're too cheap to pay the licensing fee for 'em)



Re: (313) Carl Craig & Moritz Von Oswald - Recomposed Vol. 3

2008-09-07 Thread kent williams
It hasn't been released, so where are you listening to it?

On Sun, Sep 7, 2008 at 10:41 AM, P.A. Keur <[EMAIL PROTECTED]> wrote:
> I don`t know what the original sounds like since I have never listened
> to Ravel. In my opinion Carl Craig & Moritz Von Oswald - Recomposed
> Vol. 3 is a very poor release. The music simply hurts my ears. It is
> wy below par for Carl as well as Moritz. I was really looking
> forward to this release, but I got very disappointed. Structure
> totally got lost and the samples from the original collide head on
> with the music they have added to it. Not my cuppa tea.
>
> Peter
>


Re: (313) Carl Craig & Moritz Von Oswald - Recomposed Vol. 3

2008-09-07 Thread P.A. Keur
I don`t know what the original sounds like since I have never listened
to Ravel. In my opinion Carl Craig & Moritz Von Oswald - Recomposed
Vol. 3 is a very poor release. The music simply hurts my ears. It is
wy below par for Carl as well as Moritz. I was really looking
forward to this release, but I got very disappointed. Structure
totally got lost and the samples from the original collide head on
with the music they have added to it. Not my cuppa tea.

Peter

On Thu, Sep 4, 2008 at 8:20 PM, kent williams <[EMAIL PROTECTED]> wrote:
> I feel really strange listening to this. I have a half dozen different
> vinyl recordings of Le Sacre (as my composer mother & conductor dad
> called it around the house) at least 3 CDs and a battered cassette of
> my dad conducting it with the Cedar Rapids Symphony.  That was the
> first piece of classical music I really connected to emotionally, and
> I know it like a Public Enemy  fan knows "It Takes a Nation of
> Millions ..."
>
> As a result I can't listen to your version with open ears -- it sounds
> truncated and weird to me. I can't even judge whether your version
> succeeds as a piece of art -- my personal associations with the
> orignal are too strong.
>
> I hope that maybe it will spur a few techno heads to check out the
> original. Now that's what I call OG techno!
>
> On Thu, Sep 4, 2008 at 10:22 AM, Kevin Reynolds
> <[EMAIL PROTECTED]> wrote:
>>
>> I feel that there is a huge connection between western classical music and
>> detroit electronic music, no doubt.  I want to hear more artists finding
>> this link.
>>
>> I plan to release the song on vinyl soon.  You can hear it on my myspace for
>> the time being.
>>
>> www.myspace.com/kevinreynoldsdetroit
>>
>