Re: (313) Carl Craig. At Cité de la Musiq ue, Paris, France
Thank you SO much for putting this link up. I flew to Paris to see this concert and it was an absolute pleasure to experience. Thanks again! -Christopher O'Grady Martin Dust wrote: http://www.grandcrew.com/videos/50
RE: (313) Sebastien Leger's Jaguar
Sebastien Leger - Jaguar (Original Mix) is #1 on beatport... *Original Mix" ? UR is not mentioned. The artist field only shows Mr. Leger. *Scratches chin* Looking for last minute shopping deals? Find them fast with Yahoo! Search. http://tools.search.yahoo.com/newsearch/category.php?category=shopping
(313) Dj Bone (Subject Detroit) at Rogue Dublin October 5th
Ghetto Jacking with the legendary Dj Bone (Subject Detroit) and Eamonn Doyle (D1) Rogue 64 Dame Street Dublin 2 Doors 10pm 15 Euros It's no accident that two letters always precede Bone's name whenever he's on the bill. First and foremost, Bone is a DJ---in the truest sense. When he spins, it's as if the turntables and the mixer become a physical extension of his body. He employs every possible technique in the disc jockey arsenal masterfully: blending, scratching, backspinning, no monitors or headphones; unrivaled in his use of the fader switch and he incorporates them all into every set. From his standing room only residency performances to after-hours spots, he rocks every show as if it's his last. What the general public and far too many DJs don't realize is that Bone spins as much for his own enjoyment as he does for the audience. It's a compulsion that only those who live for what they do possess and those who don't can never understand: Bone lives to spin-it's a necessary part of his existence. His dedication to the art of dance music and DJing is so untainted and intense that the tales of his confrontational encounters with flashy booking agents and "big name" djs are already the stuff of legend. No hype or trends, just a relentless drive and passion to take the party to another level. That's why he's one of the few spin masters other DJs hate to follow. Dj Bone will be at Rogue on October 5th supported by D1's Eamonn Doyle for a night of shock and awe on three turntables. Be sure not to miss this rare and exclusive event. http://www.myspace.com/djbone313 http://www.myspace.com/subjectdetroit http://www.myspace.com/ghettojackingcollective http://www.myspace.com/roguedublin
(313) Mix - CounterpoinT @ Ghetto Jacking Rogue Dublin Aug 17th 2007
Mix - CounterpoinT @ Ghetto Jacking Rogue Dublin Aug 17th 2007 http://www.counterpoint.ws/mixes/[EMAIL PROTECTED] in_8-17-2007.mp3 Track List http://www.counterpoint.ws/mixes/[EMAIL PROTECTED] in_8-17-2007.txt 01.) [sonar kollektiv] henrik schwarz, ame & dixon - where we at version 1 02.) [tsuba 012] david k - incoming (motorcitysoul mix) 03.) [joia records] eb wally lopez and rene amesz and peter gerdelblom - strike me down (original mix) 04.) [syst 006-2] robert babicz - warsaw 05.) [bao 002] itamar sagi - dreams theater 06.) [sonar kollektiv] future beat investigators - all I want (original mix) 07.) [amenta 001] 4mal pres square coil - static noise (original mix) 08.) [dpress 023] paper - transmissions 09.) [playhouse cd 022] holger zilske meets dave dk - mono rain 10.) [urbantorque] steve ball - supershining original mix 11.) [laka-tosh] roberto rodriguez - serenade (original mix) 12.) [kanzleramt] peter horrevorts - birth (album mix) 13.) [buzzin fly] rocco - roots 4 acid (original mix) 14.) [playhouse 134] soylent green - la forza del destino (radio slave remix) 15.) [kanzleramt 134] peter horrevorts - vaporize pt. 2 16.) [outside the box] nick hogendoorn and eelke kleijn - naked is not ok 17.) [resopal 031 cd] der dritte raum - cunulonimbus 18.) [urbantorque] steve ball - past present future (original mix) 19.) [vapour] peter gun - damn words (original mix) 20.) [shiznit] burufunk and carbon community - community funk (deadmau5 remix) 21.) [freerange] square one - vesuvius (justin martin's i hope it doesn't blow mix) 22.) [initial cuts 017] siskid - mayfair cottage (original mix) 23.) [defected] ame - rej (a hundred birds beatless mix) 24.) [toolroom] mark knight - susan (original mix) 24.) [soma] slam - azure - part 1 Playing Time 1:35:30 Myspace http://www.myspace.com/xcounterpointx http://www.myspace.com/roguedublin http://www.myspace.com/ghettojackingcollective Podcast http://www.counterpoint.ws/podcast.xml
(313) CounterpoinT - June 2007 Mix - Deeper Thrust
CounterpoinT - June 2007 Mix - Deeper Thrust The Ghetto Jacking Collective - Every Friday @ Rogue in Dublin 01.) [freak n chic] david k - boul de nerf (original mix) 02.) [trapez] salvatore freda and massimo stefanelli - endless ride 03.) [resopal 031 cd] der dritte raum - der kleine korg und das echo 04.) [somewhere in detroit 010] the deacon - fuji 05.) [delsin 057] quince - new era 06.) [kompakt 152] gui boratto - terminal 07.) [crm lost 002] jamie jones - panama city (original mix) 08.) [love minus zero] chaim - it never ends 09.) [harthouse] gui boratto - atol (alex flatner remix) 10.) [gedankensport] evil hinko - gedankenhochsprung 11.) [kanzleramt] peter horrevorts - evolver 12.) [wire 006] joris voorn - mpx309 13.) [mhr 029] matthias tanzmann - nip slip 14.) [cocoon] fvckaponydelic - switch the lights (motorcitysoul remix) 15.) [resopal 036 cd] d. diggler - em pulse (original mix) 16.) [compost] tj kong and nuno santos - the deep end Playing Time - 67:11 http://www.counterpoint.ws/mixes/counterpoint_-_deeper_thrust_-_june_2007.mp 3 http://www.myspace.com/xcounterpointx Counterpoint's Podcast http://www.counterpoint.ws/podcast.xml
RE: (313) counterpoint - shadow passage - april 2007
I really appreciate the kind words. I have had an extremely positive reaction to this mix. I put quite a bit of work into making the play lists for my monthly mixes, pathways for a musical journey. I recently moved to Dublin, Ireland and I started my first residency here last Thursday. The style of music was well received. I have Mays mix all lined up I just have not hit the record button on it yet. There are simply too many good tracks on Beatport these days! Thanks again. Peace & Respect cTp http://www.myspace.com/xcounterpointx -Original Message- From: Nik Stoltzman [mailto:[EMAIL PROTECTED] Sent: Thursday, May 03, 2007 9:40 PM To: 'Christopher O'Grady' Subject: RE: (313) counterpoint - shadow passage - april 2007 Hi there. I haven't seen any replies from people yet, so I wanted to get in touch to voice my thanks for sharing this. I have been listening to it on and off over the last week and have been really digging it. In a way, I am a little surprised because my knee-jerk reaction was 'eugh, trancey' but to be honest, that is a bollocks reaction anyway. I find it ideal for my drive to work, and it also works well in the gym! Bonus! Anyway, top stuff. Cheers, Nik > -Original Message- > From: Christopher O'Grady [mailto:[EMAIL PROTECTED] > Sent: 27 April 2007 02:34 > To: list 313 > Subject: (313) counterpoint - shadow passage - april 2007 > > 01.) [soloaction] shed - egotism (vince watson remix) > > 02.) [o-ton04] len faki - rainbow delta > > 03.) [great stuff 039] Gregor Tresher & Guy Gerber - open the gates > (original mix) > > 04.) [kompakt 152] gui boratto - mr. decay > > 05.) [simple] will saul and tam cooper - sequential circus > > 06.) [urbantorque 033] subsky - something in the sound > > 07.) [virgin] Tracey Thorn - It's All True (Martin Buttrich Remix) > > 08.) [confused 65-6] remo - mizar (audiofly remix) > > 09.) [vendetta] ame - rej (pastaboys club mix) > > 10.) [crm 031] pier bucci - hay consuelo (samim remix) > > 11.) [kompakt 152] gui boratto - chromophobia > > 12.) [immigrant 029] todd_bodine - spring (hand on throat remix) > > 13.) [urbantorque 026] Francois Dubois - blood > > > > > > http://www.counterpoint.ws/mixes/counterpoint_-_shadow_passage_- > _april_2007. > mp3 > > No virus found in this incoming message. > Checked by AVG Free Edition. > Version: 7.5.463 / Virus Database: 269.6.1/777 - Release Date: 26/04/2007 > 15:23 > No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.467 / Virus Database: 269.6.2/787 - Release Date: 03/05/2007 14:11
(313) counterpoint - shadow passage - april 2007
01.) [soloaction] shed - egotism (vince watson remix) 02.) [o-ton04] len faki - rainbow delta 03.) [great stuff 039] Gregor Tresher & Guy Gerber - open the gates (original mix) 04.) [kompakt 152] gui boratto - mr. decay 05.) [simple] will saul and tam cooper - sequential circus 06.) [urbantorque 033] subsky - something in the sound 07.) [virgin] Tracey Thorn - It's All True (Martin Buttrich Remix) 08.) [confused 65-6] remo - mizar (audiofly remix) 09.) [vendetta] ame - rej (pastaboys club mix) 10.) [crm 031] pier bucci - hay consuelo (samim remix) 11.) [kompakt 152] gui boratto - chromophobia 12.) [immigrant 029] todd_bodine - spring (hand on throat remix) 13.) [urbantorque 026] Francois Dubois - blood http://www.counterpoint.ws/mixes/counterpoint_-_shadow_passage_-_april_2007. mp3
RE: (313) Aril Brikha
Tiesto is probably a better example than Derrick May for the point you are trying to make. Aril Brikha is a modest little guy from Sweden. I have this wonderful memory of dancing like a maniac directly in front of his setup at a live performance in Paris. After his set I said "thank you!" and he replied "no, thank you! You really kept my energy going!" (or something to that effect). What's not to respect? I listened to his Kompakt release several times today trying to see why anyone would call it crap; I like it very much actually. But either opinion is subjective. I realized what a waste of energy it was to think of music in terms of love or hate, good or crap. I either like something or I am indifferent. But that takes the fun out of beard stroking techno snobbery. Judging from the responses already I am going to assume that this post is going to spark off a few more interesting responses. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Saturday, April 07, 2007 2:04 PM To: Christopher O'Grady; list 313 Subject: RE: (313) Aril Brikha Well it's true - look what happened to Derrick May. Mindless deference is not good for art Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Christopher O'Grady [mailto:[EMAIL PROTECTED] Sent: 07 April 2007 12:02 To: Robert Taylor; list 313 Subject: RE: (313) Aril Brikha Hilarious! -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Saturday, April 07, 2007 10:02 AM To: Martin Dust; Christopher O'Grady; list 313 Subject: RE: (313) Aril Brikha The quickest way to make an artist disappear up his own arsehole is to treat him with 'respect' Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 07 April 2007 07:37 To: Robert Taylor; Christopher O'Grady; list 313 Subject: Re: (313) Aril Brikha I agree with Rob, the list is pretty balanced I think. m - Original Message ----- From: "Robert Taylor" <[EMAIL PROTECTED]> To: "Christopher O'Grady" <[EMAIL PROTECTED]>; "list 313" <313@hyperreal.org> Sent: Saturday, April 07, 2007 8:58 AM Subject: RE: (313) Aril Brikha "Have a bit of respect" What a load of guff If you think something is crap, you should say so Rob Taylor # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel 4, 124 Horseferry Road, London, SW1P 2TX. VAT no. GB 626475817 # # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel 4, 124 Horseferry Road, London, SW1P 2TX. VAT no. GB 626475817 #
RE: (313) Aril Brikha
Hilarious! -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Saturday, April 07, 2007 10:02 AM To: Martin Dust; Christopher O'Grady; list 313 Subject: RE: (313) Aril Brikha The quickest way to make an artist disappear up his own arsehole is to treat him with 'respect' Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 07 April 2007 07:37 To: Robert Taylor; Christopher O'Grady; list 313 Subject: Re: (313) Aril Brikha I agree with Rob, the list is pretty balanced I think. m - Original Message - From: "Robert Taylor" <[EMAIL PROTECTED]> To: "Christopher O'Grady" <[EMAIL PROTECTED]>; "list 313" <313@hyperreal.org> Sent: Saturday, April 07, 2007 8:58 AM Subject: RE: (313) Aril Brikha "Have a bit of respect" What a load of guff If you think something is crap, you should say so Rob Taylor # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel 4, 124 Horseferry Road, London, SW1P 2TX. VAT no. GB 626475817 #
RE: (313) Aril Brikha
It has been a while since I have been back on the list... I forgot how brutal "313" can be to artists and their releases. I would pay 99 cents to hear 7 mins of the music Aril Brikha snores in his sleep. I have to sort through so much "garbage" music every day. Have a bit of respect... The word of the day is "subjective" -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Friday, April 06, 2007 2:44 AM To: 313@hyperreal.org Subject: Re: (313) Aril Brikha definitely sounds alot better than the kompakt and music man 12"s. not sure that its a complete return to form. though i guess a good way to reduce expectations is to put out two garbage 12"s... tom On 4/5/07, Christopher O'Grady <[EMAIL PROTECTED]> wrote: > I must say that I caught a 3mb per track snippet teaser of that poker flat > release and I must have looped it 10 times today! > > I can't wait for it to be available on beatport!!! > > SOLD! > > cTp > > -Original Message- > From: Maxim Sullivan [mailto:[EMAIL PROTECTED] > Sent: Friday, April 06, 2007 12:18 AM > To: 313@hyperreal.org > Subject: (313) Aril Brikha > > Pleased to say the new one on Poker Flat is a nice return to form. > > http://www.juno.co.uk/products/263307-01.htm > > > Also an album on Peacefrog coming soon apparently. > > Max > [MxM] > www.myspace.com/mxmspace > www.amp-art.com > > > > > >
RE: (313) Aril Brikha
I must say that I caught a 3mb per track snippet teaser of that poker flat release and I must have looped it 10 times today! I can't wait for it to be available on beatport!!! SOLD! cTp -Original Message- From: Maxim Sullivan [mailto:[EMAIL PROTECTED] Sent: Friday, April 06, 2007 12:18 AM To: 313@hyperreal.org Subject: (313) Aril Brikha Pleased to say the new one on Poker Flat is a nice return to form. http://www.juno.co.uk/products/263307-01.htm Also an album on Peacefrog coming soon apparently. Max [MxM] www.myspace.com/mxmspace www.amp-art.com
RE: (313) MIDI controllers for dummies
The auto beat matching in traktor is and will always be crap. Not that I mind... It keeps the 12 year olds frustrated. I have been playing with traktor using my oxygen 8 for about a year now just for kicks. If you take the time to make precise beat grids for tracks then you NEVER have to deal with tempo again. It takes some effort to sit down and make them but I can't imagine trying to get my tempo without a pair of 1200s or CDJs anyways. However... The main problem I am having with traktor and taking the time to set these beat grids is the fact that you cannot write them to the id3 tag of the mp3 itself. It must only be a few kb of information and it seems easy enough to implement. If you ever lose your collection or want to move the tracks to another computer you lose all your hard work making them. Make beat grids... It's an absolute laugh being able to play anything in your crate without the initial beat matching process. Ripped vinyl can be tedious because you have to set anywhere from 3 to 10 grid markers in them. But pretty much everything on beatport is digital and you only need one at the beginning. I am only saying this because it seems like 90% of the people I have talked to who are using traktor have no idea that they exist. Heck... Once NI start including beat grids into ID3 tags I don't see why ALL of the tracks sold on beatport would not have them already. And as long as it's not a proprietary thing I don't see why they would not work with torq and all of the other clones out there. I just moved to Ireland and my decks are still in Paris. *sigh* cTp -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, March 12, 2007 8:25 PM To: kent williams Cc: list 313 Subject: Re: (313) MIDI controllers for dummies >is that the tempo adjust knob is too coarse to lock down two tracks. you could also set the lsb and msb of the control to say lsb=120 msb=130 (depending on what you are spinning) which would give you more control. - Original Message - From: kent williams <[EMAIL PROTECTED]> Date: Monday, March 12, 2007 4:14 pm Subject: Re: (313) MIDI controllers for dummies To: list 313 <313@hyperreal.org> > I have an X-Session controller and it is actually really nice. You > have all the traditional DJ mixer knobs and sliders, plus a few extra > per channel to map to whatever you like in Traktor. > > The only thing about it I can complain about -- and it's more a MIDI > limitation than a limitation of the X-Session -- is that the tempo > adjust knob is too coarse to lock down two tracks. I solved this by > mapping an extra knob for each channel to the fine-adjust tempo knob, > So you get two tracks together with the coarse knob, then use the fine > knob for fine control. > > On 3/12/07, Christopher O'Grady <[EMAIL PROTECTED]> wrote: > > http://www.m-audio.com/products/en_us/XSessionPro-main.html > > > > The M-Audio x-session looks like the best thing on the market and > at a > > reasonable price of 110 or so euros. I have a friend who does > some bar > > djing who just bought it and he is quite happy. He says it feels > solid> enough for the price. If you need more buttons look no > farther than your > > computer keyboard. > > >
RE: (313) MIDI controllers for dummies
http://www.m-audio.com/products/en_us/XSessionPro-main.html The M-Audio x-session looks like the best thing on the market and at a reasonable price of 110 or so euros. I have a friend who does some bar djing who just bought it and he is quite happy. He says it feels solid enough for the price. If you need more buttons look no farther than your computer keyboard. The Allen and Heath Xone 3D would be nice but "if you have to ask how much it is you can't afford it". http://www.allen-heath.com/UK/xone3D.asp M-audio also just came out with this monster but it is 749 euros... http://www.m-audio.com/products/en_us/TorqXponent-main.html My fave on the market is this feena electronics controller http://www.feena-electronics.com/ But it's a small company and they are hard to get. Hope that helps. cTp -Original Message- From: Nik Stoltzman [mailto:[EMAIL PROTECTED] Sent: Monday, March 12, 2007 1:46 PM To: 313@hyperreal.org Subject: (313) MIDI controllers for dummies Can anyone recommend a halway-decent controller for use with Traktor? I have been meaning to get one for years now, but I really have no idea where to start. I suppose I could always buy a keyboard as I could still use the knobs and faders but also noodle around with composing some stuff too. Just curious to hear some recommendations I guess. Sorry for the vagueness. N
RE: (313) MIDI controllers for dummies
http://www.m-audio.com/products/en_us/XSessionPro-main.html The M-Audio x-session looks like the best thing on the market and at a reasonable price of 110 or so euros. I have a friend who does some bar djing who just bought it and he is quite happy. He says it feels solid enough for the price. If you need more buttons look no farther than your computer keyboard. The Allen and Heath Xone 3D would be nice but "if you have to ask how much it is you can't afford it". http://www.allen-heath.com/UK/xone3D.asp M-audio also just came out with this monster but it is 749 euros... http://www.m-audio.com/products/en_us/TorqXponent-main.html My fave on the market is this feena electronics controller http://www.feena-electronics.com/ But it's a small company and they are hard to get. Hope that helps. cTp -Original Message- From: Nik Stoltzman [mailto:[EMAIL PROTECTED] Sent: Monday, March 12, 2007 1:46 PM To: 313@hyperreal.org Subject: (313) MIDI controllers for dummies Can anyone recommend a halway-decent controller for use with Traktor? I have been meaning to get one for years now, but I really have no idea where to start. I suppose I could always buy a keyboard as I could still use the knobs and faders but also noodle around with composing some stuff too. Just curious to hear some recommendations I guess. Sorry for the vagueness. N
RE: (313) TECHNO ARCHITECT MILLS TO OPEN FASHION STORE
Please take photos! And let us know how overpriced yet comfortable the black turtleneck is. Note: Sean Combs "Diddy" makes more money from his clothing line than he does from record sales (not that I know anyone who has bought either). -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Thursday, March 01, 2007 7:33 PM To: 313@hyperreal.org Subject: Re: (313) TECHNO ARCHITECT MILLS TO OPEN FASHION STORE On 3/1/07, David Powers <[EMAIL PROTECTED]> wrote: > Yeah, it's four blocks from my girlfriend's house... I'll check it and > report back after it opens. pick yourself up a black turtleneck or something while youre there! ;) tom
RE: (313) Icon
Correction... I slsked two different copies of that "AAW CD 008 System 7 Derrick May Mysterious Traveller" One has the (montage mix) from the innovator and the other copy has the original 12" version. *sigh* slsk... -Original Message- From: Christopher O'Grady [mailto:[EMAIL PROTECTED] Sent: Thursday, March 01, 2007 8:59 AM To: 'Robert Taylor' Cc: list 313 Subject: RE: (313) Icon Did "he" actually do it? I little bird told me that Carl Craig wrote the song but I took that with a grain of salt. I just never sounded like pure "Derrick May" to me, but it sounded exactly like something Carl Craig would have written. I asked Carl about it and he said he did not remember... Now I find the original "12 version on a system 7 CD as a collab when the vinyl only credits May? Just wondering if anyone had any info as to how Icon came to be and who actually wrote it. Icon is probably one of my top 3 tracks of all time. cTp -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Thursday, March 01, 2007 8:16 AM To: 313@hyperreal.org; Greg Earle Subject: RE: (313) Icon Indeed and is by far the greatest thing he's ever done. It'd be on my Desert Island Discs Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide The "Virtual Sex" version has shuffling percussion throughout, and is 8:52 long. - Greg # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel 4, 124 Horseferry Road, London, SW1P 2TX. VAT no. GB 626475817 #
RE: (313) Icon
Did "he" actually do it? I little bird told me that Carl Craig wrote the song but I took that with a grain of salt. I just never sounded like pure "Derrick May" to me, but it sounded exactly like something Carl Craig would have written. I asked Carl about it and he said he did not remember... Now I find the original "12 version on a system 7 CD as a collab when the vinyl only credits May? Just wondering if anyone had any info as to how Icon came to be and who actually wrote it. Icon is probably one of my top 3 tracks of all time. cTp -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Thursday, March 01, 2007 8:16 AM To: 313@hyperreal.org; Greg Earle Subject: RE: (313) Icon Indeed and is by far the greatest thing he's ever done. It'd be on my Desert Island Discs Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide The "Virtual Sex" version has shuffling percussion throughout, and is 8:52 long. - Greg # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel 4, 124 Horseferry Road, London, SW1P 2TX. VAT no. GB 626475817 #
RE: (313) Icon
http://www.discogs.com/release/45170 I slsked "system 7 and derrick may - mysterious traveller - 04 - icon (montage mix).mp3" and it is exactly the same as the "original version" on the original vinyl release [transmat 021]. http://www.discogs.com/release/2944 That innovator version of icon was really disappointing as was pretty much everything else on there. Derrick May for Noobs I guess... Icon was one of those songs that I must have played a billion times. When my first copy wore out and started skipping at the 30 second mark (as usual) I went out and bought another copy. This CD version saves me the trouble of ripping it myself for FS. -Original Message- From: Matt Kane's Brain [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 28, 2007 5:59 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Icon The Montage Mix on Innovator has no beats, pretty much. This one is the one I have: http://www.discogs.com/release/27136 Things are mislabeled on mine, so the other two versions may have similar mistakes. On Feb 28, 2007, at 12:52, [EMAIL PROTECTED] wrote: > I'm not sure I've ever detected the difference between the "normal" > mix of Icon i.e. where it just says "Icon" and the mix where it > says "Icon : Montage mix". > Are there 2 mixes or just the one? Anyone? > > >> -Original Message- >> From: Jacob Arnold [mailto:[EMAIL PROTECTED] >> Sent: 28 February 2007 14:15 >> >> Does anyone else have the System 7 Mysterious Traveller comp. >> with all of the Derrick May remixes? If so, is the version of >> Icon on there really the Montage Mix? It sounds just like the >> version on my Transmat Icon/Kao-tic Harmony 12-inch repress. >> >> Thanks, >> Jake -- matt kane's brain http://hydrogenproject.com aim -> mkbatwerk [EMAIL PROTECTED]
RE: (313) Claude VonStroke
It used to be interesting to say I am from Detroit as I have floated around Europe for the last 6 odd years. Lately in Ireland the word Detroit from my mouth is followed by "put your hands up!" from theirs, with the obligatory little dance. Ohh... I'm sorry I meant Canada. I am from Canada sorry... A lovely city... cTp -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Saturday, February 24, 2007 7:21 AM To: Odeluga, Ken Cc: list 313 Subject: Re: (313) Claude VonStroke I did the most hilarious interview with Fedde Le Grand and he actually made the record as a tribute to Detroit as the home of house music and the Warehouse. nothing to do with techno. Someone needs to read up on his history. LOL. On 23/02/2007, at 6:28 PM, Odeluga, Ken wrote: > Why do I associate that name with cheese to be avoided at all costs? > This is even whilst knowing I have not heard anything by him? Then > again, I didn't need to hear 'Put Your Hands Up the h*** of > Detroit' > (or whatever it was called) to know it wasn't quite my thing > > Still, I need to break out of my closed mind > > -Original Message- > From: Christopher O'Grady [mailto:[EMAIL PROTECTED] > Sent: 22 February 2007 23:45 > To: list 313 > Subject: RE: (313) Claude VonStroke > > I saw him in Dublin about a few months ago as well and I really > enjoyed > his > set, deep techy and funky. I spent most of the night on the > dancefloor. > No > regrets. Dirtybird 006 Claude Vonstroke - Beware of the bird is a > brilliant > release. But I am a sucker for that sound anyways, especially the > stuff > coming out on Audiomatique right now. > > First I thought he was German and now I find out he is from the > burbs of > Detroit. But I guess Barclay Crenshaw does not exactly roll off the > tongue > like Claude Vonstroke. > > cTp > > > -Original Message- > From: Cyclone Wehner [mailto:[EMAIL PROTECTED] > Sent: Thursday, February 22, 2007 10:43 PM > To: Svagr, Jodie > Cc: Placid; list 313 > Subject: Re: (313) Claude VonStroke > > I looked him up on imdb - he was location manager for Batman & Robin > or something! There's one song on his CD that is Bukem like drum 'n' > bass that I really like. Maybe it's near the end. > > > On 23/02/2007, at 4:37 AM, Svagr, Jodie wrote: > > >> He played in Liverpool about a month ago for a night called Aztec. >> I thought it had an interesting mix of Gettho Tech / Tech House / >> Techno / and even a bit of Motown and Funk Soul. I thought it >> sounded like a good mix of Detroit and San Fran influences. >> >> For those living in Manchester / Liverpool areas, we're doing a >> film showcase in the beginning of April of "Intellect" at The >> Projection Gallery as part of the Global Fusion electronic music >> projects. http://FusionLiverpool.x0.com/Films.html For those who >> don't know about the film, it is brilliantly inspiring, most people >> I know watch it again and again. No matter if you like Claude Von >> Strokes music or not, this movie was an ingenious idea on his part. >> >> >> >> >> >> -Original Message- >> From: Placid [mailto:[EMAIL PROTECTED] >> Sent: 22 February 2007 16:19 >> Cc: list 313 >> Subject: Re: (313) Claude VonStroke >> >> havent liked anything else hes done tho... got to say >> >> JSS wrote: >> >> >>> listened to a mix/set of his a while back >>> wasn't impressed >>> found it very 'tech-house' and deleted it in no time >>> >>> On 2/22/07, Placid <[EMAIL PROTECTED]> wrote: >>> >>> >>>> the whos afraid of detroit does indeed do some dancefloor >>>> damage./. >>>> >>>> nice track.. >>>> >>>> >>>> >>>> dave cronin wrote: >>>> >>>> >>>>> he and Dirtybird definitely have a following here in >>>>> San Francisco with the whole Kontrol scene. >>>>> >>>>> in fact i got in a little discussion with some kid at >>>>> a party who was saying that he was the future of >>>>> techno, to which i responded (in typical axxhole fogey >>>>> fashion) "you mean tech house?" >>>>> >>>>> but i do like his sound and "who's afraid of detroit" >>>>> is pretty a darn good club track. >>>>> >>>>> dunno about best track of 2006, though. >>>>> >>>>> --- Cyclone Wehner <[EMAIL PROTECTED]> >>>>> wrote: >>>>> >>>>> >>>>> >>>>> >>>>>> I just wondered what the vibe is on former Detroiter >>>>>> Claude VonStroke >>>>>> aka Barclay Crenshaw? I know he was involved in >>>>>> Intellect - that doc. >>>>>> His album Beware Of The Bird has been picked up by >>>>>> Ministry Of Sound >>>>>> here. He's also touring. >>>>>> >>>>>> Also some 313 types may like the Spirit Catcher >>>>>> album Night Vision on >>>>>> Ralph Lawson's label - it's the kind of Detroit >>>>>> style tech-house Slam >>>>>> used to do. I don't care at all for the vocal >>>>>> tracks, a bit generic, >>>>>> but tracks like Motown Spring, Roller Coaster, Space >>>>>> Crash, ie the >>>>>> first 3, were very worthwhile. >>>>>> >>>>>> >>>>>> >>>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>> >>>> >>>> >>>> >>>> >>> >>> >>> >> >> >> >> > > >
RE: (313) Claude VonStroke
I saw him in Dublin about a few months ago as well and I really enjoyed his set, deep techy and funky. I spent most of the night on the dancefloor. No regrets. Dirtybird 006 Claude Vonstroke - Beware of the bird is a brilliant release. But I am a sucker for that sound anyways, especially the stuff coming out on Audiomatique right now. First I thought he was German and now I find out he is from the burbs of Detroit. But I guess Barclay Crenshaw does not exactly roll off the tongue like Claude Vonstroke. cTp -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Thursday, February 22, 2007 10:43 PM To: Svagr, Jodie Cc: Placid; list 313 Subject: Re: (313) Claude VonStroke I looked him up on imdb - he was location manager for Batman & Robin or something! There's one song on his CD that is Bukem like drum 'n' bass that I really like. Maybe it's near the end. On 23/02/2007, at 4:37 AM, Svagr, Jodie wrote: > He played in Liverpool about a month ago for a night called Aztec. > I thought it had an interesting mix of Gettho Tech / Tech House / > Techno / and even a bit of Motown and Funk Soul. I thought it > sounded like a good mix of Detroit and San Fran influences. > > For those living in Manchester / Liverpool areas, we're doing a > film showcase in the beginning of April of "Intellect" at The > Projection Gallery as part of the Global Fusion electronic music > projects. http://FusionLiverpool.x0.com/Films.html For those who > don't know about the film, it is brilliantly inspiring, most people > I know watch it again and again. No matter if you like Claude Von > Strokes music or not, this movie was an ingenious idea on his part. > > > > > > -Original Message- > From: Placid [mailto:[EMAIL PROTECTED] > Sent: 22 February 2007 16:19 > Cc: list 313 > Subject: Re: (313) Claude VonStroke > > havent liked anything else hes done tho... got to say > > JSS wrote: > >> listened to a mix/set of his a while back >> wasn't impressed >> found it very 'tech-house' and deleted it in no time >> >> On 2/22/07, Placid <[EMAIL PROTECTED]> wrote: >> >>> the whos afraid of detroit does indeed do some dancefloor damage./. >>> >>> nice track.. >>> >>> >>> >>> dave cronin wrote: >>> he and Dirtybird definitely have a following here in San Francisco with the whole Kontrol scene. in fact i got in a little discussion with some kid at a party who was saying that he was the future of techno, to which i responded (in typical axxhole fogey fashion) "you mean tech house?" but i do like his sound and "who's afraid of detroit" is pretty a darn good club track. dunno about best track of 2006, though. --- Cyclone Wehner <[EMAIL PROTECTED]> wrote: > I just wondered what the vibe is on former Detroiter > Claude VonStroke > aka Barclay Crenshaw? I know he was involved in > Intellect - that doc. > His album Beware Of The Bird has been picked up by > Ministry Of Sound > here. He's also touring. > > Also some 313 types may like the Spirit Catcher > album Night Vision on > Ralph Lawson's label - it's the kind of Detroit > style tech-house Slam > used to do. I don't care at all for the vocal > tracks, a bit generic, > but tracks like Motown Spring, Roller Coaster, Space > Crash, ie the > first 3, were very worthwhile. > > > >>> >>> >>> >>> >> >> > > >
RE: (313) Wow...
Ahh the joys of growing up with channel 62 in Detroit. Thanks for the memories. I found another on youtube with the history of the show. http://www.youtube.com/watch?v=0fdzDKp4EO4&NR cTp -Original Message- From: Nick Hardie [mailto:[EMAIL PROTECTED] Sent: Monday, February 19, 2007 12:42 PM To: 313 Subject: (313) Wow... ...wish TV was still like this... http://www.youtube.com/watch?v=xhE-0IDpkiM Anyone remember the programme? Nick
