Re: (313) Anyone heard of these guys?
On 5/5/06, Jason Brunton <[EMAIL PROTECTED]> wrote: SMBP - Starfailing (Citymorb) - £7.50 SMBP stands for Sunday Morning Brain Production - the brain child of you can find some other SMBP stuff on archive.org http://www.archive.org/search.php?query=smbp
Re: (313) retroactive 002
> > Thing is, I can't think of many other sites that actually stick to a 30 > > second limit, otherwise I would just assume Juno don't care. > > > > > I might have it wrong then. I hope so, I don't like short clips either. > last.fm have in their FAQ that their licenses only allow them to play 30 seconds of any "on-demand" track
Re: (313) Dopplereffekt promo mix 2001
"puzl" from "sound of machines our parents used" http://www.discogs.com/release/5303 On 9/14/05, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: > Anyone know what that Gescom track that samples Clear is at 13 mins?? > > > > > > > Almost UR free . :-) > > > > > > http://www.discogs.com/release/196646 > > > > > > Pryor, Ryan N wrote: > > > >>Can anyone confirm whether or not this is really Dopplereffekt? I don't > >>believe it. The last fifteen minutes? D&B? I don't recall hearing a > >>single Dataphysix track on their, either. That'd be like a Rolando mix > >>completely void of UR tracks. > >> > >> > >> > >> > > > > > > > > > > > >
Re: (313) Mille Plateaux/ force Inc
This was released post EFA bankrupcy... http://www.audibleoddities.com/twerk/index.php?p=dis&d=co_cnc4 Clicks and Cuts 4 On 7/25/05, Neil Wiernik <[EMAIL PROTECTED]> wrote: > > EFA went > bankrupt a few years ago taking force and M/P with them there were roumers > of both being reestablished but so far all Ive seen was a lot of talk > about it and nothing really happening...
Re: (313) discogs? B.D./A.D.
maybe without discogs i'll stop spending my dinner money on ebay. >anyone have any clue how record labels have been affected by the presence >of discogs? Dunno, but i bet a huge amount of soulseek searches are influenced by discogs searches. wonder what their search stats have been like in this period.
Re: (313) Recording your records - legal question?
On 6/27/05, theREALmxyzptlk <[EMAIL PROTECTED]> wrote: > > what if i have sold/lost/broken the record in question in the > > meantime. will i have to produce some sort of proof / documentation What about if said record isn't commercially available and hasn't been for a long time? That was an "acceptable" argument that was used with old computer games and generally accepted unless the company involved actually wanted to enforce their copyright and actually write a legal letter to those providing the downloads involved like nintendo did. But then it was a bit more of a gray area and people didn't have a bee in their bonnet about it all like the recording industry has. Sometimes, i guess, circulated copies help keep the value of a future pressing up as they don't vanish into obscurity. Plus theres the whole posterity thing. A lot of video game companies accepted that argument. except Nintendo, Capcom and a few of the bigger ones. At least that was my perception of the whole retro game thing.
Re: (313) legit mp3 downloads (artists get PAID)?
kompakt have an mp3 shop http://kompakt-mp3.net/ i've used tresor as well for mp3s http://www.tresorberlin.de/ On 6/22/05, Gil Yaker <[EMAIL PROTECTED]> wrote: > > Hey - > > I was wondering if you guys could help me compile a list of online stores > that sell techno/house/whatever mp3s so the artists actually get paid. > All I can think of now is www.bleep.com . > > A few weeks back, someone pointed to one of the housier labels that lets you > purchase just about all of the back catalog online in mp3 format, but I've > forgotten the website. > > > thanks > > -Gil > > > >
Re: (313) Hello 313, I am....
Introducing: Name: Edward George Age: 25 Place i Live: Nottingham, UK Born: Grimsby UK Into Electronic Music: since i found a rave tape on the school bus when i started at secondary school Into Detroit Music: since buying claude youngs dj kicks cd Webpage: as soon as we changed to a better hosting company... Best Live Act: Signal Fave CLub: Blueprint, Nottingham ;)
Re: (313) quote of the day
On 4/24/05, Anya K Stang <[EMAIL PROTECTED]> wrote: > "CH4, 4:30pm Enterprise: Some Xindi-Reptilians hanging out in Detroit? > Alert Underground Resistance!" > > Spotted in The Guide, entertainment listings supplement of The Guardian > on > Saturday. >From the guide a few weeks ago: Wildlife on One: Techno Wolf David Attenborough narrates the story of an attempt to release captive Mexican wolves into the wild. Using the latest science (and Richie Hawtin)
Re: (313) Ableton control (was RE: (313) Sasha)
http://www.jazzmutant.com/lemur_overview.php "LEMUR is a handy and modular touchpanel based controller designed for audio and multimedia real-time applications. Our technology associates multitouch capabilities with visual display." On Fri, 3 Dec 2004 15:41:35 -, Brendan Nelson <[EMAIL PROTECTED]> wrote: > What I reckon would sort me out is one of those tablet PCs with > the touch screens - particularly the ones that are made with > heavy rubber padding around them to make them robust and resilient. > > That way you could just lay the "screen" part of the laptop flat > out in front of you, and control it by touching the screen. In > Ableton that would work really well, I reckon; just put your finger > on one of the faders, move it up & down, then grab the crossfader > and wiggle it about. Because it doesn't use right mouse buttons I > don't think there'd be any real problems with using it through a > touch-screen interface. > > From the point of view of the audience, it wouldn't be a hell of > a lot different from watching someone work a turntable; one of the > big problems with laptop performances is that the screen is > positioned like a barrier between the artist and the crowd. Lay the > screen out flat in front of the artist and it might as well be a > 1200 for all the audience care. > > The drawback is that you couldn't do more than one thing at once - > if that got sorted, though, and you had the equivalent of four > mouse pointers running at once, that'd be a pretty good way of > controlling Ableton. Chuck away the mouse and all your MIDI > peripherals and just use the screen itself as the "virtual mixer"... > > Brendan > > > -Original Message- > > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > > Sent: 03 December 2004 15:38 > > To: 313@hyperreal.org > > Subject: Re: (313) Sasha > > > > > > >Alex, are you assigning things to laptop keys as well? > > > > I am indeed David. > > > > >Personally, I wish I could just highlight a channel without using the > > mouse, so I could see which effects are on or >off before I > > bring in a new > > clip on the channel. > > > > You can! (I think - if I understand you correctly) > > > > you can assign it to the keys. I have my channels on the > > keyboard on the > > qwerty line... e.g. press Q and the channel is highlighted > > and you can see > > what effects are on or off. > > > > ta > > > > alex > > > > _ > > - End of message text > > > > This e-mail is sent by the above named in > > their individual, non-business capacity and > > is not on behalf of PricewaterhouseCoopers LLP. > > > > PricewaterhouseCoopers LLP may monitor > > outgoing and incoming e-mails and other > > telecommunications on its e-mail and > > telecommunications systems. By replying > > to this e-mail you give your consent to such monitoring. > > > > >
Re: (313) Portable mp3 recorders?
I have an iRIVER i-HP140 which is a 40Gb mp3/wav/wma/ogg jukebox which can record in wav or mp3 from optical / analog inputs I've already used it to record a couple of my mates sets. I love the bloody thing! http://iriver.com/ http://iriver.com/html/product/prpa_product.asp?pidx=43 iriver have loads of new product ranges now so there might be something better now but mine is still available. Ed On Wed, 24 Nov 2004 10:20:53 -0500, Anton Banks (313) <[EMAIL PROTECTED]> wrote: > I'm looking for a portable mp3 recorder to save my sets from an analog (RCA) > mixer output? All the mp3 recorders I've seen so far have only voice and/or > FM record capabilities. The only one I've found that does what I want is > this one by Coby but it's been discontinued. > > http://www.cobyusa.com/product/item.php?item=MPR650&pcat=portaudio&pscat=mp3 > &pscat2= > > Would anyone know of another recorder with these features? Any help would be > greatly appreciated. > > Anton Banks > www.antonbanks.com > >
Re: (313) Ableton Live / Computer Help
you have to click on the little save button hidden in the sample panel with all the buttons which save the warp markers to the asd otherwise i believe it only saves the waveform representation On Fri, 12 Nov 2004 15:42:59 -, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: > On a side note, when I pull in tracks that I've already warped in other sets, > the warp markers don't seem to show up, and I still have to rewarp them. Am I > doing something wrong? Usually the way I do it is copy the .wav and .asd file > into the directory I use for the set, and Ableton shows a symbol that seems > to imply it recognizes the .asd file, but when I pull it in - no warp. > > It's not a big deal but it means I DO have to save the sets with the clips I > plan to use, so that I have a seperate house and techno set right now. > Obviously, it would be much more flexible to start with a blank interface and > pull in any clips I want for a set out of a library of warped clips. I do > something similar to Brendan also, saving keystrokes as well as Midi slider > and knob functions for mixing. > > ~David > > > > -- Original Message - > Subject: RE: (313) Ableton Live / Computer Help > Date: Fri, 12 Nov 2004 14:18:29 - > From: "Brendan Nelson" <[EMAIL PROTECTED]> > To: <[EMAIL PROTECTED]>, <313@hyperreal.org> > > > -Original Message- > > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > > Sent: 12 November 2004 14:10 > > > > So, what would I need to save I guess is my question? > > Apart from when I use it to do re-edits or new tracks, > the only times I save things in Ableton is when I want > to set up a blank screen which has loads of keyboard > and MIDI shortcuts programmed into it. I won't go into > depth about how I've got it set up, but pretty much > every key on the keyboard has some sort of function > (unmute Send 1, play clip B3, etc etc) so that it > can be controlled without using the mouse. But a lot > of the time I just start with a blank screen myself > and just set that stuff up as I go. > > You *can* use it with files you've already marked/warped > up, so no worries there! It *might* be tricky if you > want to mark/warp new files with that demo version, but > if all your tracks are already done then I reckon you'll > be OK. > > Brendan > >
Re: (313) Ableton Live / Computer Help
you might want to record it all to the timeline so that you have the raw stuff for tweaking and rendering later maybe... On Fri, 12 Nov 2004 14:09:45 +, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: > >ermmm NO - because you can't like save - unless you are planning to > >turn up early and beat match and set your settell me if you are > >Alex I'd like to watch > > Yeah, but you can use files that are already marked down right? > > I always start with a blank screen. Only things that are saved are the warp > markers, and occasionally some loops, but I usually do most of the loops on > the fly too. > > And I don't ever save anything, so... > > So, what would I need to save I guess is my question? > > God, I hope I can find something to make it work. Any other ideas? Any > other possible way round it all? > > > > Alex > _ > - End of message text > > This e-mail is sent by the above named in > their individual, non-business capacity and > is not on behalf of PricewaterhouseCoopers LLP. > > PricewaterhouseCoopers LLP may monitor > outgoing and incoming e-mails and other > telecommunications on its e-mail and > telecommunications systems. By replying > to this e-mail you give your consent to such monitoring. > >
Re: (313) Ableton Live / Computer Help
unless of course you have all the .asd files with all the warping set from your previous 'trial' version On Fri, 12 Nov 2004 14:00:52 +, Martin Dust <[EMAIL PROTECTED]> wrote: > ermmm NO - because you can't like save - unless you are planning to > turn up early and beat match and set your settell me if you are > Alex I'd like to watch > > > > > On 12 Nov 2004, at 13:56, [EMAIL PROTECTED] wrote: > > > Hi Folks. > > > > Sorry to ask this here. I honestly don't know who else to ask. And > > you're a > > very knowledgeable bunch. > > > > So, first off a confession. (I don't feel good about this btw, I know > > it's > > wrong) > > > > I have been using a copy of Ableton Live for the past 6 months. Let me > > just > > defend myself. A friend gave me a copy, basically a try before you buy > > type > > deal as I was getting my new computer soon, and didn't want to have to > > buy > > another copy. Obviously I've got right into it. > > > > My new computer has arrived, and I'm keeping it just for music, can't > > put > > it on the internet cos I dont what I'm doing and I'll probably get a > > virus > > or something. > > I'm transferring my 300 odd WAV files over. > > > > I went to the music shop the other day to talk to the guy about buying > > Ableton 4. £269.99! > > > > I don't mind paying it at all, it's just I simply don't have it at the > > minute. I'm going to sell records at the end of the month and put some > > towards it out of my wages. > > > > Basically, I have 2 gigs I'd like to use it for before I get paid. The > > guy > > in the shop gave me a demo disc, and this version allows you to do most > > things, but not save anything. I don't really need to save anything. > > > > Do you think I'll be OK to use the demo version for a gig? > > > > Is that wise do you think? Will it crash or something? Is there any > > other > > way round it?I won't need to save anything for the gig I wouldn't have > > thought would I? I tend to do most things 'on the fly' with it anyway. > > > > What do you think? > > > > Any help and advice would be much appreciated. > > > > Alex > > _ > > - End of message text > > > > This e-mail is sent by the above named in > > their individual, non-business capacity and > > is not on behalf of PricewaterhouseCoopers LLP. > > > > PricewaterhouseCoopers LLP may monitor > > outgoing and incoming e-mails and other > > telecommunications on its e-mail and > > telecommunications systems. By replying > > to this e-mail you give your consent to such monitoring. > > > > > >
Re: (313) moderators: using gmail for 313?
On Mon, 11 Oct 2004 11:52:33 -0400, Thomas D. Cox, Jr. <[EMAIL PROTECTED]> wrote: > whats up with this? i tried to sign up for 313 with gmail but it > didnt work i've been signed up using gmail for ages, it does usually take an unusually long time to get any kind of response when signing up to 313 in my experience... Ed
Re: (313) Techno Films
> Anyway I am wondering if any of you esteemed people would like to suggest > your favourite techno film/s. [Quick break from work] Has anyone mentioned 'Forbidden Planet' yet? [Back to work now]
Re: (313) Bad Day
the fumiya tanaka - mix up 4 - live at club rockets (as well as being in the same series) is a good accompaniment to the "mills/liquid rooms" one and a fave of mine too. On Tue, 13 Jul 2004 17:33:57 +0100, Emile Facey (Plant43) <[EMAIL PROTECTED]> wrote: > If I'm feeling tired but I have loads to do I always stick on Jeff MIlls > 'Live at the Liquid Rooms' - better than a pot of strong coffee for > increasing your work rate! :) > > > > > on 13/7/04 5:26 pm, Matthew Mangold at [EMAIL PROTECTED] wrote: > > > Not 313, but on a bad day, DJ DBs 'Acid Resistant' usually puts a huge sm:)e > > on my face. > > > > Matthew > > > > http://threeonethree.com > > longlivedetroitunderground > > > > > > > > -Original Message- > > From: Gretchen Anderson [mailto:[EMAIL PROTECTED] > > Sent: Tuesday, July 13, 2004 12:21 PM > > To: 313@hyperreal.org > > Subject: RE: (313) Bad Day > > > > It's grey in SF today. But titonton duvante live at club rex is getting > > me through the morning. > > > > osunlade - offering is another good mood adjuster. > > > > > > > > -Original Message- > > From: Martin Dust [mailto:[EMAIL PROTECTED] > > Sent: Tuesday, July 13, 2004 9:07 AM > > To: 313@hyperreal.org > > Subject: (313) Bad Day > > > > Tell you what, I'm having a bad day - but D Wynn's - Souls In Motion > > mix is powering me through, top summer funk. What mix always cheers you > > up? > > > > Martin > > > > > > > > > > > >
Re: (313) Bad Day
Ben Sims - Escapism always used to On Tue, 13 Jul 2004 17:07:17 +0100, Martin Dust <[EMAIL PROTECTED]> wrote: > Tell you what, I'm having a bad day - but D Wynn's - Souls In Motion > mix is powering me through, top summer funk. What mix always cheers you > up? > > Martin > >
Re: (313) [ot] copenhagen this weekend???
Cheers, will check out that shop. Yeah, the design center is on the list of things to do my girlfriend has been drawing up. Ed On Mon, 12 Jul 2004 09:16:21 -0500, Matt MacQueen <[EMAIL PROTECTED]> wrote: > On Jul 12, 2004, at 6:26 AM, Edward George wrote: > > Right, i'm popping over to copenhagen this weekend to visit a relative > > and was wondering if anyone - possibly from copenhagen:) - knew of > > anything interesting (techno related or not) happening anywhere in > > copenhagen this weekend? > > I found a pretty nice record store there called LOUD. Ended up talking > to a guy at the shop there for quite awhile, he runs the Echocord > label, BTW. I'd stop in there and check it out, they have music you > might like if you're on 313... and that's somewhere to start asking. > > For non-techno things (well, sort of techno in that the whole thing > looks and feels like a Kraftwerk video), don't miss the Dansk Design > Center... a mecca for all cool things Danish design style. The > basement has an exhibit of product design innovation for the last > century and many of the items look like they could be featured on album > covers for Doppereffekt or Dynarec LPs... lovable 'high tech' platic > objects and audio/telecom related devices from the past decades. > > Also it's worth taking a short train trip up north along the cost for > the Lousiana Museum of Modern Art, perched right up on the water > overlooking the way to Sweden. Great modern art museum in a gorgeous > natural setting. > > I loved copenhagen. > > peace > -- > Matt MacQueen > http://SonicSunset.com > >
(313) [ot] copenhagen this weekend???
Right, i'm popping over to copenhagen this weekend to visit a relative and was wondering if anyone - possibly from copenhagen:) - knew of anything interesting (techno related or not) happening anywhere in copenhagen this weekend? Cheers Ed
Re: (313) Looking for Mark Turner
I saw him in april at pure-filth in nottingham ... very good. You could try getting in touch with Dom at pure-filth (pure-filth.org) All the Best On Fri, 2 Jul 2004 21:26:19 +0100, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: > Someone just gave me a CD of a set that Mark Turner did in the back > room of The Orbit circa '95. > > It's very good indeed and has inspired me to try and get in touch > with him for radio show purposes. > > If anybody has any contact details or suggestions of how to find him > it would be most appreciated. > > Thanks > > Dan. >
