Re: (313) Hawtin interviews Skrillex.

[Emile Facey]

This part is quite funny:



so i’m gunna take it back a bit. how old were you in 1993?

i was born in ‘88 so just a couple years old, man.

that was the first big surge of interest in electronic music – moby,  
prodigy, these big parties in san francisco and la. do you remember  
that?






On 1 Apr 2012, at 14:32, Ken Odeluga wrote:


Jeez. I started to actually read that.

Then I flushed.

Happy Sunday to all.

Ken
--Original Message--
From: Patrick Wacher
To: 313@hyperreal.org
Subject: (313) Hawtin interviews Skrillex.
Sent: 1 Apr 2012 06:25

My head just exploded…


http://www.teshno.com/2012/03/richie-hawtin-interviews-skrillex.html


Peace,
Patrick.



Sent from my BlackBerry® wireless device

Re: (313) Drexciya re-issue/compilation available now.

[Emile Facey]

First impressions of this are that it's definitely sounding pretty  
different from the original releases, I think AT has done a nice job  
and it's a good thing he didn't try to recreate the original sound.  
The mastering is a lot more clear and crisp, and a lot less distorted  
than on the originals. You can hear a lot more detail in certain  
tracks. Ron Murphy definitely played his part in turning these tracks  
into dancefloor destroyers. For a fan it definitely has to be heard,  
just because you can really hear a distinctly different take on the  
music you thought you knew so well.


Anyone else got it yet?



On 14 Dec 2011, at 18:08, Patrick Wacher wrote:


No argument from me :)

On Wed, Dec 14, 2011 at 7:08 AM, Fred Heutte  
 wrote:

I'll tell you what, not that this is news to anyone, but Ron Murphy
was a wizard.  I give you Exhibit A: Wavejumper.

fh

-

Great point about the mastering perhaps giving a more consistent
quality, Emile...

I hadn't been so interested in actually listening to the comp,  
since I

know it all already, until you guys reminded me about the
remastering...It'll be interesting to hear how esp. certain tracks
might sound better/different -- Wavejumper & The Countdown Has Begun
come to mind off the top of my head, the 909 in the originals is so
punchy and I think that record is kinda crusty, in a good way and  
in a

bad way...

I think some stuff could really benefit in some ways but maybe  
others

might lose some specialness, even if they sound technically better,
I'm pretty curious now...Especially I think where Ron Murphy was
involved, it'll be interesting to hear the difference because it's
bound to be pretty different...Everything he mastered (like
Wavejumper/UR-030) had his touch, a bit of wildness that fit the  
music

so well..On the other hand, it wasn't always a 100% success...;)

jt

On Wed, Dec 7, 2011 at 5:29 AM, Emile Facey   
wrote:
As Marsel says, it'll depend on what Alden Tyrell has done in  
his mastering
process, and if it's to your taste. Mastering techniques have  
definitely
come a long way since some of this stuff was released originally  
but not
everyone will agree that they've got better. He's normally a  
really good

engineer though and the clips sound great to me.

One thing that might be interesting is that remastering  
everything in one
session from the original tapes might give the tracks a more  
consistent
sound. I don't know for sure but I'd imagine that because a lot  
of them were
released on different labels, most of these 12"s were mastered  
by different
engineers at different cutting sessions and that as a result all  
the records

sound a bit different, well at least to my ears, they do.

07 UNKNOWN JOURNEY is definitely something I've never heard  
before or seen

on any original releases.




On 7 Dec 2011, at 09:48, Marsel van der Wielen wrote:



well, mastering is meant to have it sound better :-)

but it's always personal judgement if it does of course
and can depend on which system the music is played after (home  
headphones

vs 100k stadium)



Op 7-12-2011 10:45, Placid schreef:



all re-mastered -



 A quick question.  Does remastering actually man its going to  
sound
better.  What if the technique they use isn't as good as it  
originally

was

Going back to a post a few months back on how the trax stuff  
had been
remastered to sound great on big sound systems but lacked mids  
and hi end

clarity

here - http://www.offmodern.com/2011/06/revisionist-house/

just thinking...

Re: (313) Drexciya re-issue/compilation available now.

[Emile Facey]

Ordered it from Juno so we'll soon see! :)

jt - I know what you mean about some of the original mastering, it's  
going to be interesting.




On 8 Dec 2011, at 00:01, Jeff Davis wrote:

As long as Alden doesn't remaster it all Black box / Italo style,  
it should be good


On Dec 7, 2011 3:43 PM, "JT Stewart"  wrote:
Great point about the mastering perhaps giving a more consistent
quality, Emile...

I hadn't been so interested in actually listening to the comp, since I
know it all already, until you guys reminded me about the
remastering...It'll be interesting to hear how esp. certain tracks
might sound better/different -- Wavejumper & The Countdown Has Begun
come to mind off the top of my head, the 909 in the originals is so
punchy and I think that record is kinda crusty, in a good way and in a
bad way...

I think some stuff could really benefit in some ways but maybe others
might lose some specialness, even if they sound technically better,
I'm pretty curious now...Especially I think where Ron Murphy was
involved, it'll be interesting to hear the difference because it's
bound to be pretty different...Everything he mastered (like
Wavejumper/UR-030) had his touch, a bit of wildness that fit the music
so well..On the other hand, it wasn't always a 100% success...;)

jt

On Wed, Dec 7, 2011 at 5:29 AM, Emile Facey  wrote:
> As Marsel says, it'll depend on what Alden Tyrell has done in his  
mastering
> process, and if it's to your taste. Mastering techniques have  
definitely
> come a long way since some of this stuff was released originally  
but not
> everyone will agree that they've got better. He's normally a  
really good

> engineer though and the clips sound great to me.
>
> One thing that might be interesting is that remastering  
everything in one
> session from the original tapes might give the tracks a more  
consistent
> sound. I don't know for sure but I'd imagine that because a lot  
of them were
> released on different labels, most of these 12"s were mastered by  
different
> engineers at different cutting sessions and that as a result all  
the records

> sound a bit different, well at least to my ears, they do.
>
> 07 UNKNOWN JOURNEY is definitely something I've never heard  
before or seen

> on any original releases.
>
>
>
>
> On 7 Dec 2011, at 09:48, Marsel van der Wielen wrote:
>
>>
>> well, mastering is meant to have it sound better :-)
>>
>> but it's always personal judgement if it does of course
>> and can depend on which system the music is played after (home  
headphones

>> vs 100k stadium)
>>
>>
>>
>> Op 7-12-2011 10:45, Placid schreef:
>>>>
>>>>
>>>> all re-mastered -
>>>
>>>
>>>  A quick question.  Does remastering actually man its going to  
sound
>>> better.  What if the technique they use isn't as good as it  
originally

>>> was
>>>
>>> Going back to a post a few months back on how the trax stuff  
had been
>>> remastered to sound great on big sound systems but lacked mids  
and hi end

>>> clarity
>>>
>>> here - http://www.offmodern.com/2011/06/revisionist-house/
>>>
>>> just thinking...
>>>
>>>
>

Re: (313) Drexciya re-issue/compilation available now.

[Emile Facey]

As Marsel says, it'll depend on what Alden Tyrell has done in his  
mastering process, and if it's to your taste. Mastering techniques  
have definitely come a long way since some of this stuff was released  
originally but not everyone will agree that they've got better. He's  
normally a really good engineer though and the clips sound great to me.


One thing that might be interesting is that remastering everything in  
one session from the original tapes might give the tracks a more  
consistent sound. I don't know for sure but I'd imagine that because  
a lot of them were released on different labels, most of these 12"s  
were mastered by different engineers at different cutting sessions  
and that as a result all the records sound a bit different, well at  
least to my ears, they do.


07 UNKNOWN JOURNEY is definitely something I've never heard before or  
seen on any original releases.




On 7 Dec 2011, at 09:48, Marsel van der Wielen wrote:



well, mastering is meant to have it sound better :-)

but it's always personal judgement if it does of course
and can depend on which system the music is played after (home  
headphones vs 100k stadium)




Op 7-12-2011 10:45, Placid schreef:


all re-mastered -


 A quick question.  Does remastering actually man its going to  
sound better.  What if the technique they use isn't as good as it  
originally was


Going back to a post a few months back on how the trax stuff had  
been remastered to sound great on big sound systems but lacked  
mids and hi end clarity


here - http://www.offmodern.com/2011/06/revisionist-house/

just thinking...

Re: (313) Drexciya re-issue/compilation available now.

[Emile Facey]

I believe there is one unreleased track on this comp though, right?


On 7 Dec 2011, at 09:40, Marsel van der Wielen wrote:



yeah compilations of released stuff
and/but still unclear if there also will be unreleased stuff

all re-mastered -
that will be 4xcd, and 4x 2xlp

Op 7-12-2011 10:37, Placid schreef:
just to get it straight, these arent represses are they..more of a  
compilation of tracks from various eps and lps


I tohught at one point they were going to just repress them as  
they appeared originally...



On 7 Dec 2011, at 09:35, Emile Facey wrote:


There's a double vinyl pack coming too.


On 7 Dec 2011, at 06:06, Wibo Lammerts wrote:


indeed very well done.

2011/12/7 Marsel van der Wielen:

1st cd out of 4 (!)
A very nice job done by Clone!


- Reply message -
Van: "Patrick Wacher"
Aan:<313@hyperreal.org>
Onderwerp: (313) Drexciya re-issue/compilation available now.
Datum: di, dec. 6, 2011 22:47


Just saw on Clone's site that the Drexciya re-issue CD is now
available: http://clone.nl/item21961.html

Remastered from the original tapes by Alden Tyrell (AFAIK)

Tracklisting

   01 Welcome To Drexciya
   02 Wavejumper
   03 Lardossen Funk
   04 Bubble Metropolis
   05 Hydro Theory
   06 Beyond The Abyss
   07 Unknown Journey
   08 Aquarazorda
   09 Rubick's Cube
   10 Sea Quake
   11 Take Your Mind
   12 Darthouven Fish Men
   13 Dehydration


Peace,
Patrick.



--
http://soundcloud.com/w1b0 |
http://network.technobass.net/profile/w1b0 | http://twitter.com/ 
w1b0

--

Re: (313) Drexciya re-issue/compilation available now.

[Emile Facey]

There's a double vinyl pack coming too.


On 7 Dec 2011, at 06:06, Wibo Lammerts wrote:


indeed very well done.

2011/12/7 Marsel van der Wielen :

1st cd out of 4 (!)
A very nice job done by Clone!


- Reply message -
Van: "Patrick Wacher" 
Aan: <313@hyperreal.org>
Onderwerp: (313) Drexciya re-issue/compilation available now.
Datum: di, dec. 6, 2011 22:47


Just saw on Clone's site that the Drexciya re-issue CD is now
available: http://clone.nl/item21961.html

Remastered from the original tapes by Alden Tyrell (AFAIK)

Tracklisting

   01 Welcome To Drexciya
   02 Wavejumper
   03 Lardossen Funk
   04 Bubble Metropolis
   05 Hydro Theory
   06 Beyond The Abyss
   07 Unknown Journey
   08 Aquarazorda
   09 Rubick's Cube
   10 Sea Quake
   11 Take Your Mind
   12 Darthouven Fish Men
   13 Dehydration


Peace,
Patrick.




--
http://soundcloud.com/w1b0 |
http://network.technobass.net/profile/w1b0 | http://twitter.com/w1b0
--

Re: (313) ERP - Vext

[Emile Facey]

Never heard this one either. Is it true that the A side is a longer  
mix of Spice Tea? If so you know what the A side sounds like already ;)


e


On 2 Jun 2011, at 22:25, Placid wrote:


hi 313

http://www.discogs.com/Convextion-Untitled/release/1033454

Does anyone have one of these for sale or swap..., or even a  
soundfile so i can have a listen to it...


Got nearly all the erp / convextion / time light curve stuff and am  
intrigued by this release...


p

Re: (313) Kraftwerk bootleg?

[Emile Facey]

Looks like you did. Strange that discogs still credits and links to  
EMI despite it being a bootleg, is this the standard rule with Discogs?



On 3 Mar 2008, at 03:39, Thor Teague wrote:


Did I buy a Kraftwerk bootleg and not realize it?

http://www.discogs.com/release/79678

I have the yellow and blue vinyl. I had no idea this was a bootleg?
Did I miss a thread again?

Re: (313) and my next question is......

[Emile Facey]

To get the most coverage I'd do both. Different people prefer  
different sites.


You might also want to do a virb.com account as this is getting more  
popular. It's basically a more stylish MySpace.


Good luck



On 13 Feb 2008, at 11:51, [EMAIL PROTECTED] wrote:


i use myspace all the time to listen to both new artists and
ones i already know. its becoming the number 1 music vector
for me when i am at work.

(i only use facebook for my old friends back in the uk and
indonesia)

regarding club nights, i don't know about the rest of the
world, but tons of italian club nights have a myspace page,
and so did we when we ran the Switch nights,
so i say go for it

fab
- Original Message -
Da : "Toby Frith" <[EMAIL PROTECTED]>
A : "Odeluga, Ken" <[EMAIL PROTECTED]>, "313 Org"
<313@hyperreal.org>
Oggetto : RE: (313) and my next question is..
Data : Wed, 13 Feb 2008 11:10:16 -


Although the format is clumsy and frustrating, I like
Myspace as well. It's also good if you "subscribe" to an
artist, you get updates on any new music they may put up.
It's better for more obscure ambient/iDm/experimental
stuff IMHO though.



-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: 13 February 2008 11:06
To: 313 Org
Subject: RE: (313) and my next question is..


I'm (almost) as bad as Rob in this respect! :)

- but who cares?


Just go with what you're comfortable with innit Francis
 Good luck


-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 12 February 2008 18:40
To: Jochem Peteri; 313 Org
Subject: RE: (313) and my next question is..


I don't use either of them to find new music - it's far
too time-consuming and I'm far too lazy.



Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
 VT Library Users' Guide

-Original Message-
From: Jochem Peteri [mailto:[EMAIL PROTECTED]
Sent: 12 February 2008 18:31
To: 313 Org
Subject: Re: (313) and my next question is..

Facebook is way too spammy for my liking, myspace is
definately my weapon of choice. But im a band, not a
night. ehm. right. myspace. nice and easy : )

On Feb 12, 2008 7:27 PM, [EMAIL PROTECTED]
<[EMAIL PROTECTED]> wrote:

mainly directed at UK 313ers I think as the answer may
be different elsewhere but until we go global ( ;-) I

guess I'm interested on the situation here on home soil:


MySpace vs. Facebook

I've been wanting to do a MySpace page for our night for
ages as, although we have our own site, it seemed like
that was the way many  people communicated.  I didn't
want to start it until I was good and  ready as I was
afraid I couldn't handle the probable time drain

otherwise.  In the meantime, in common with many people
I've spoken to, I accidentally joined Facebook when I
received one of their "such-and-such says you're their
friend, just click on this link to confirm it or they'll
know you didn't and weep for a yearooops you just

joined Facebook (sinister laugh)" mails. Since then I've

been seduced and enjoy being on it, putting photos up,


seeing what friends are up to etc (though it takes a
good deal of time).  But I still thought the right way
forward was to have a  Facebook page for me and a
MySpace page for our night.  So recently I  joined up

under a pseudonym so I could start a group.  I then spoke
to


various friends who I thought were well into it and said

"give me some


pointers on how best to do this thing".  To my surprise

I received the


reply "oh MySpace is over now, nobody uses it anymore,

just do it on Facebook".  This is fine for me if true as
I've become confident with Facebook (I'll do us a group
there anyway as it's a doddle) where I'm scared of
MySpace.  My impression was MySpace was still used by
creative types (for example I thought a band would still
have a MySpace rather than Facebook page) but this lot I
asked are well into spending time on these things and I
know were big on MySpace but now aren't.  What do people
think? >



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and any files transmitted are confidential and intended
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Re: (313) OT -- something actually new, I think

[Emile Facey]

On 9 Nov 2007, at 07:54, fab. wrote:


sounds like moody garage for heartbroken croydon chavs to me.


If the kids around here were listening to anything as cool as Burial  
I'd be very happy, it's mostly really bad chart R&B.

Re: (313) OT -- something actually new, I think

[Emile Facey]

I think you're being a bit hard on yourself here Kent, Burial is just  
as popular with dubstep/garage heads here as it is with people who  
don't follow the scene from what I can tell, as Toby pointed out the  
album helped Burial cross over.



On 8 Nov 2007, at 15:57, kent williams wrote:


Interesting to watch a discussion like this blow up.  I see everyone's
points in the whole matter.  I think I would react differently if I'd
grown up in the UK and heard more of the good and the bad, and been
exposed to the culture surrounding various genres, I'd hear the music
differently.

The context in the US is different.  Unless you spend a lot of time
watching the UK scene, you only hear what bubbles to the top of the
pile. What I find interesting is how many Indie rock types in the US
picked up on Burial.  Probably looks like poor misguided Yanks getting
it wrong again to people in the UK.  OTOH to us, it looks like you
drive on the wrong side of the road and add an extra syllable to
aluminum to sound posh.

Re: (313) OT -- something actually new, I think

[Emile Facey]

There's nothing like Burial to divide a group, people seem to  
absolutely love it or just don' get it at all. Personally I'm with  
Martin all the way here, give me some Scorn any day, Mick Harris has  
been doing it since '91.



On 8 Nov 2007, at 11:51, Martin Dust wrote:



On 8 Nov 2007, at 11:24, Odeluga, Ken wrote:


But what about the 'garagey' trimmings of the latest Burial offering
then ...?



Not feeling it at all Ken and it's not getting much play in the  
studio at all, to my ears,  it just sounds really old and a step  
backwards into a sound that Dubstep was trying to move away from  
but it seems to have fallen into a trap of it's own making.


I much prefer Scorn over Burial...

m

Re: (313) UR Live in the UK- Report

[Emile Facey]

Sounds cool, could you tell who else was on stage?


On 29 Oct 2007, at 10:10, Paul Kendrick wrote:



Went to see UR / IF2 live last Thur night and thought the show was
really good. They came on just past midnight and played for about 1  
hour
20 mins I think, 5 people on stage including Banks all of them had  
there

faces covered- which still makes me laugh. Banks seemed to be having a
keyboard problem and  later on I found out that he did as ones of the
hired keyboards didn't work, but it sounded fine to me.
From memory they played Chaos & Order, Cargo Cult, Crackzilla,  
Attack Of

The Sonic Samurai, The Final Frontier - which merged with Kraftwerk
numbers and then adonis no way back then back into The Final Frontier,
Maroon, Kill My Radio Station and then I Am UR..

It was fun.

(313) [spamish] out now: Plant43 on Ai

[Emile Facey]

Hi all

sorry for the slightly spammy nature of the post but I thought I'd  
let you know that my first full 12" EP is now in shops on Ai records.  
Here's the bumf :)


ARTIST: PLANT43
TITLE: GREY SKY CRACKS
DISTRIBUTOR: SRD
RELEASE DATE: 1/OCTOBER/07.
CAT NO: Ai018EP

TRACKLISTING:

A1/ BRONFRAITH
A2/ GREY SKY CRACKS
B1/ BRISTLE WHITE TREES
B2/ GAS FRAME CANAL

Listen at:
http://www.airecords.com
http://www.myspace.com/plant43

Extremely limited number of 150 special fluro orange clear vinyl.  
There are some left to order direct from this link:

http://www.airecords.com/specials/F_greysky.html

Buy from:
http://www.smallfish.co.uk/shop/release/?cat=AI018EP
http://www.piccadillyrecords.com/ver2/ 
search1.php&new=1&search=Plant+43

http://www.clone.nl/shop.html?find=plant43&reset=1
http://www.juno.co.uk/products/284144-01.htm
http://www.forcedexposure.com/new/2007oct1.html
http://www.normanrecords.com/records/93877

Download from:
http://www.bleep.com/?bleep=AI018EP
http://www.beatport.com

Cheers

Emile

Re: (313) Re: Dubstep Geneology

[Emile Facey]

Those are half of the appeal of a Grain record aren't they. I like  
the 'testing your mobile phone' one :))


On 11 Oct 2007, at 13:19, Guilherme Menegon Arantes wrote:


He has to do those "prank call" tunes again. That one in the 10" that
came with his first Grain (me thinks) that he pretends his dog can  
play

the piano is so funny... Au auauauau!

Re: (313) Re: Dubstep Geneology

[Emile Facey]

I wish he would do some more Grain tracks, they were the *hi*.

E
On 11 Oct 2007, at 12:35, Guilherme Menegon Arantes wrote:


On Wed, Oct 10, 2007 at 02:39:13PM -0400, Thomas D. Cox, Jr. wrote:

On 10/10/07, Guilherme Menegon Arantes <[EMAIL PROTECTED]> wrote:

John Kennedy might have made so much money from selling the shop  
(and

the Big Apple label stock) that he has been travelling the world
(mostly South America) for a couple of years. The two last  
carnivals he

stayed with me in SP before going to Rio (and he promissed to do it
again next year). Nice bloke and one of my best friends from the UK.


didnt he also own the rights to daniel bedingfield's "gotta get thru
this" when it was a white label coming out of big apple, long before
it was a pop hit?



No, the rights are Arthur's (aka Grain) who produced it. Arthur's  
studio

used to be on top of Big Apple shop and I think he co-run the label.
Actually Arthur lives at John's house in Croydon nowadays...

G


--

Guilherme Menegon Arantes, PhD   São Paulo, Brasil
__

Re: (313) Re: Dubstep Geneology

[Emile Facey]

Yep, "gotta get thru this" was a big apple production I think. How  
many weeks was that at number 1?




On 10 Oct 2007, at 19:39, Thomas D. Cox, Jr. wrote:


On 10/10/07, Guilherme Menegon Arantes <[EMAIL PROTECTED]> wrote:


John Kennedy might have made so much money from selling the shop (and
the Big Apple label stock) that he has been travelling the world
(mostly South America) for a couple of years. The two last  
carnivals he

stayed with me in SP before going to Rio (and he promissed to do it
again next year). Nice bloke and one of my best friends from the UK.


didnt he also own the rights to daniel bedingfield's "gotta get thru
this" when it was a white label coming out of big apple, long before
it was a pop hit?

tom

Re: (313) garage... ? Re: (313) Re: Dubstep Geneology

[Emile Facey]

http://en.wikipedia.org/wiki/UK_garage

On 10 Oct 2007, at 16:06, Gil Yaker wrote:



Although I've always been just fine with all the microgenres of  
house, techno, and IDM, this seems like a great opportunity to ask  
my remaining

genre question:

What the heck is garage in a non-American context? It seems that it  
refers to half a dozen pretty different styles. And again as an  
American, I feel that all your UK cultural context is lost on me.  
So what is it, in musical terms?



-Gil





__ 
__

Yahoo! oneSearch: Finally, mobile search
that gives answers, not web links.
http://mobile.yahoo.com/mobileweb/onesearch?refer=1ONXIC

Re: (313) Re: Dubstep Geneology

[Emile Facey]

From a grandads (not sure if I count at only 35) point of view, the  
Dubstep sound kind of passed me by because I couldn't hear a massive  
amount of originality in there. Don't get me wrong, I like some of it  
a lot but it got hyped up as 'the new sound' a few years ago. Kind of  
reminds me of getting into drum and bass when it started and thinking  
it was a totally original sound, nowadays I still love the early D&B  
but I realise how massively influenced it was by Detroit techno.


Still, it's nice to know that some of the local youth (I live in  
Croydon) are indoors making tracks instead of out muggin' old ladies ;)


E


On 10 Oct 2007, at 12:01, Robert Taylor wrote:


Tony Thorpe's making dubstep now


Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
 VT Library Users' Guide

-Original Message-
From: Mann, Ravinder [mailto:[EMAIL PROTECTED]
Sent: 10 October 2007 11:48
To: Martin Dust
Cc: 313 List
Subject: RE: (313) Re: Dubstep Geneology

Haha big up all Granddads in the House . .

Id be interested in any old timers take on Dubstep production, how far
back would the influences go ? Would they include Detriot strings ?
Would they include 80's northern bass  ? i.e. waiting for Pauls  
material

to drop, any clues Martin ?

Rav

-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 10 October 2007 11:22
To: Mann, Ravinder
Cc: 313 List
Subject: Re: (313) Re: Dubstep Geneology



On 10 Oct 2007, at 11:11, Mann, Ravinder wrote:


Seen lots of discussions about the Dubstep to UK garage/2 step
link. But
I always link Dubstep with Sheffields bleep'n'bass from the late 80's
and the 90's Berlin dub sound. But then again im 41 not 21 : )


True enough Rav, but you'll get the thousand yard stare if you
mention it, granddad :)

The biggest influence of Dubstep is EL-B, he produced some of the
darkest UK garage for a long time.

m


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(313) New E.R.P. on Clone

[Emile Facey]

http://www.clone.nl/item8842.html

Vox Automaton it's definitely my fave track from E.R.P. I can't wait  
to have it on vinyl!


Emile

Re: (313) Bleep43 - Fri 21/9 w/ Surgeon, Legowelt, NWAQ and more.

[Emile Facey]

Thanks Jeff


On 14 Sep 2007, at 17:07, theREALmxyzptlk wrote:


Correction - B1.
Nice combo of atmospherics with an electro tinge.

j


theREALmxyzptlk wrote:

Emile Facey wrote:

Whos Planet 43 then Paul? ;)

Those are some nice tracks on that new Ai, Emile.
B2 is my fave.

Re: (313) Bleep43 - Fri 21/9 w/ Surgeon, Legowelt, NWAQ and more.

[Emile Facey]

Whos Planet 43 then Paul? ;)

Looking forward to seeing you there mate.

E


On 14 Sep 2007, at 15:29, Paul Kendrick wrote:


In fact its planet 43's live set that I really want to hear..

-Original Message-
From: Paul Kendrick [mailto:[EMAIL PROTECTED]
Sent: 14 September 2007 15:20
To: Toby Frith; 313@hyperreal.org
Subject: RE: (313) Bleep43 - Fri 21/9 w/ Surgeon, Legowelt, NWAQ  
and more.


Bring it on, im also looking forward to this.



-Original Message-
From: Toby Frith [mailto:[EMAIL PROTECTED]
Sent: 14 September 2007 15:17
To: 313@hyperreal.org
Subject: (313) Bleep43 - Fri 21/9 w/ Surgeon, Legowelt, NWAQ and more.


Gentle reminder for any London-based 313'ers next week. We're all  
looking forward to this one a lot.


Bleep43 5th Birthday

Friday 21st September @ Corsica Studios, Elephant Road, London

SURGEON
LEGOWELT (live)
NEWWORLDAQUARIUM
JONNY MCINTOSH
PLANT43 (live)
JO JOHNSON (live)
BLEEP43 DJs

10 - 6 am

£12 tickets available from Phonica, SOTU, Vinyl Junkies, paypal via  
[EMAIL PROTECTED] or at WGT


http://www.wegottickets.com/event/19882


Facebook link
http://www.facebook.com/event.php?eid=17554878936


http://www.bleep43.com

For all the latest news and comment visit www.telegraph.co.uk.   
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Re: (313) New Dopplereffekt LP lands

[Emile Facey - Plant43]

The clips sound amazing. I can't wait to hear the rest.



On 10 Jun 2007, at 10:28, robin wrote:




http://www.juno.co.uk/ppps/products/ 
270619-01.htm&highlight=dopplereffekt


Not many beats on there.


robin...

Re: (313) Clarence G

[Emile Facey - Plant43]

Wow $305 already! Who is Gerald Stinson? :/



on 20/4/07 10:44 am, David Beattie at [EMAIL PROTECTED] wrote:

> I felt sure that when Placid opened it to offers here
> first that Rob would have secured it with his offer of
> "a couple of quid"
> 
> Will be interesting indeed to see the real price
> 
> Cheers
> BT
> --- robin <[EMAIL PROTECTED]> wrote:
> 
>> 
>> I see our very own Placid has his Clarence G 12 for
>> sale on eBay at 
>> the moment.
>> 
>> Will be interesting to see the real price this
>> fetches given the
>> farce that ensued last time this a copy of this 12
>> came up for sale.
>> 
>> 
>> robin...
>> 
> 

Re: (313) London SPAM: Ultradyne and B12 Friday, Lory D and Errorsmith Saturday

[Emile Facey - Plant43]

Just get my tx for Plex, can't wait for Ultradyne! :))


on 19/4/07 5:01 pm, fab. at [EMAIL PROTECTED] wrote:

> sorry,
> he did not release on ACV, but that was the time-frame and scene SNS was
> part of
> 
> f.
> - Original Message -
> From: "fab." <[EMAIL PROTECTED]>
> To: "313 Mailinglist List" <313@hyperreal.org>
> Sent: Thursday, April 19, 2007 5:58 PM
> Subject: Re: (313) London SPAM: Ultradyne and B12 Friday, Lory D and
> Errorsmith Saturday
> 
> 
>> yes, he IS the man.
>> he had a seminal label called Sounds Never Seen and also a small imprint
>> called Elektronische Outboarding Cast on which he released a killer
>> electro 12".
>> IIRC correctly ha also released material on the now legendary roman label
>> ACV (Robert Armani released on ACV as well...).
>> 
>> He is seen somewhat as a god here in rome, since the heydays of the roman
>> rave scene back in the day.
>> 
>> The Rephlex release is a collection of his best releases on SNS as well as
>> 2 original tracks i think.
>> 
>> He has started playing live again after a break and he has returned to
>> form - expect dirty techno, electro and chicago inspired sound.
>> 
>> fab.
>> 
>> - Original Message -
>> From: "Klaas-Jan Jongsma" <[EMAIL PROTECTED]>
>> To: "313 Mailinglist List" <313@hyperreal.org>
>> Sent: Thursday, April 19, 2007 5:31 PM
>> Subject: Re: (313) London SPAM: Ultradyne and B12 Friday, Lory D and
>> Errorsmith Saturday
>> 
>> 
>>> Lory D is the man ;) He created some really cool acid-techno. He was
>>> closely involved with that early italian experimental techno sound  like
>>> the releases on Plasmek and Final Frontier. I don't recall him  ever
>>> releasing on those labels but just mentioning them here as audio
>>> reference ;)
>>> 
>>> If i call correctly rephlex re-released some of his earlier material  a
>>> couple of years back.
>>> 
>>> 
>>> 
>>> On 19-apr-2007, at 12:35, Robert Taylor wrote:
>>> 
 I'm really not sure - never heard any Ultradyne, Manasyt or  Posthuman
 and never heard any Lory D, so it's all very exciting.
 Think I may plump for the Saturday as it's closer
>>> 
>>> 
>> 
>> 
> 

Re: (313) new & old chit

[Emile Facey - Plant43]

on 4/4/07 3:47 pm, J.T. at [EMAIL PROTECTED] wrote:

> also the e.r.p. dLVEXT2 will be re-pressed this summer with new mastering
WOOHOO!! :)

Re: (313) Pretty much what I played at Süd on Saturday

[Emile Facey - Plant43]

Nice one Tristan, it was a a great set so I'm looking forward to hearing it
again. What was the Kit Clayton track? I need it now :)

E


on 5/4/07 4:00 pm, Tristan Watkins at [EMAIL PROTECTED] wrote:

> - Original Message -
> From: "Odeluga, Ken" <[EMAIL PROTECTED]>
> To: "313" <313@hyperreal.org>
> Sent: Thursday, April 05, 2007 3:53 PM
> Subject: [SPAM-LOW] RE: (313) Pretty much what I played at Süd on Saturday
> 
> 
>> Then towards the end we got the more recognisable BC/CR/BC+CR-influenced
>> titles and also a couple of Convextions too (not in the set you posted I
>> think T?) mixed in a way which I have to take my hat off to you again for,
>> because I hadn't heard the ones you chose in the way you obviously have -
>> so far I still can't see myself mixing anything from that LP in fact, much
>> as I practically adore it.
>> 
> 
> Thanks again Ken! As you say, not in the recorded set. As it turns out that
> was the first time I'd mixed anything from the Convextion album, so if it
> worked in that context it was more chance than intuition or special hearing.
> :) I actually don't recall which tracks I played. Anwyay... you have Nick to
> thank for that via the gifted extra 15 minutes of set I hadn't expected to
> be doing.
> 
> Tristan
> ===
> [EMAIL PROTECTED]
> http://www.phonopsia.co.uk
> 

Re: (313) 31st March ( This Coming Saturday ) S üdElectronic's 10th Record Release Party With Cassy , Portable Aka Body Code+++++ Many More

[Emile Facey - Plant43]

And me. Haven't seen Tristan play out for ages, can't wait.




on 27/3/07 2:55 pm, Odeluga, Ken at [EMAIL PROTECTED] wrote:

> You'll also see me Fab, can't believe I've not met you yet (or least not been
> aware of it!)
> 
> 
> -Original Message-
> From: fab. [mailto:[EMAIL PROTECTED]
> Sent: 27 March 2007 14:54
> To: 313@hyperreal.org
> Subject: Re: (313) 31st March ( This Coming Saturday ) SüdElectronic's 10th
> Record Release Party With Cassy , Portable Aka Body Code+ Many More
> 
> see you there lakuti!!
> (and you too Tristan!! )
> 
> fab.
> - Original Message -
> From: <[EMAIL PROTECTED]>
> To: <313@hyperreal.org>
> Sent: Tuesday, March 27, 2007 3:47 PM
> Subject: (313) 31st March ( This Coming Saturday ) SüdElectronic's 10th
> Record Release Party With Cassy , Portable Aka Body Code+ Many More
> 
> 
> Hi Folks
> 
> A quick reminder about our 10th release party this coming saturday
> 
> 31st March Süd Electronic's 10th Record Release Party With Cassy ,
> Portable Aka Body Code + Many More
> 
> We are still taking names for the £8 list . We will be doing so until
> 4 pm on saturday the 31st , so please make
> sure the names are in before then as we will not be on the computer
> after that cut off period . Otherwise it's £10 on the door .
> 
> Room 1
> Cassy (Panorama Bar , Hardwax , Ostgut Ton , Perlon , Playhouse , Peace
> Frog )
> Portable Aka Body Code - Live ( Spectral , Süd , Scape , Background ,
> Karat , Context )
> Lakuti ( Süd )
> Marco Shuttle ( Süd )
> Nick Craddock (Süd)
> 
> Room 2
> Nick Craddock (Süd)
> Stefano ( Serialism )
> Phonopsia  (www.phonopsia.co.uk )
> 
> Visuals By Brittski & Squint
> http://www.britthatzius.co.uk/
> 
> Date : 31st March 2007
> Venue : The Rhythm Factory  16 - 18 Whitechapel  Road , London E1 1EW
> Nearest Tube ; Aldgate east ( The exit nearest to the whitechapel gallery )
> There is a bus stop a few seconds from the venue too & liverpool
> station is not too far from the venue .
> 
> Click on the link below for a map
> http://www.multimap.com/map/browse.cgi?lat=51.5167&lon=-0.0676&scale=1&ico
> n=x
> Time : 10 pm - 6am
> Door Charge ; £10 /£8 to mailinglist subscribers
> Subscribe by emailing
> [EMAIL PROTECTED]
> infoline : 07727685791
> 
> For more info on the artists
> Cassy
> http://www.cassybritton.com/
> http://www.residentadvisor.net/feature-read.aspx?id=800
> 
> Portable / Body Code
> http://www.myspace.com/bodycodemusic
> 
> It would be great if you can all make it .
> lerato & alan
> 

Re: (313) New ERP on Frantic Flowers

[Emile Facey - Plant43]

Some of my absolute fave tracks from the live set, can't wait to have them
on vinyl!

Emile


on 15/3/07 10:11 am, Aidan O'Doherty at [EMAIL PROTECTED] wrote:

> oh happy days, was wondering when franctic flowers would deliver.
> seems an age since last realease.
> 
> On 15/03/07, Tristan Watkins <[EMAIL PROTECTED]> wrote:
>> It's dropped, at least at Juno. Y'all will recognise some of this from his
>> live PAs.
>> 
>> Anyone know when the Theo Parrish album is due?
>> 
>> Tristan
>> ===
>> [EMAIL PROTECTED]
>> http://www.phonopsia.co.uk
>> 
>> 

Re: (313) techno slump

[Emile Facey - Plant43]

> that is acctually one of my all time favorite records!!!

Totally, the remastered version is one of the best albums I've ever heard.


> 
> On Wed, 6 Sep 2006, Odeluga, Ken wrote:
>> 
>> 4. 'Tago Mago' - Can. Why not?
>> 
>> 
> 
> 
> www.phoniq.net
> releases available on:
> www.noisefactoryrecords.com
> publication:
> www.vagueterrain.net
> 
> 

Re: (313) Blade Runner sampling

[Emile Facey - Plant43]

Someone should write a book on the influence on Blade Runner on electronic
music!


on 25/8/06 10:53 am, Robert Taylor at [EMAIL PROTECTED] wrote:

> THX1138
> And I've heard loads of Star Trek samples - esp the doors to the bridge
> of the Enterprise opening and closing
> 
> -Original Message-
> From: Paul Kendrick [mailto:[EMAIL PROTECTED]
> Sent: 25 August 2006 08:50
> To: Robert Taylor; Simon Hindle; 313@hyperreal.org
> Subject: RE: (313) Blade Runner sampling
> 
> There's a George Lucas movie that was sampled tones as well.
> XXsomething like that.
> 
> -Original Message-
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 25 August 2006 10:49
> To: Simon Hindle; 313@hyperreal.org
> Subject: RE: (313) Blade Runner sampling
> 
> 
> Hahahahahhahaha - it's got to be the most sampled film of all time -
> soundtrack AND dialogue
> 
> -Original Message-
> From: Simon Hindle [mailto:[EMAIL PROTECTED]
> Sent: 25 August 2006 06:42
> To: 313@hyperreal.org
> Subject: (313) Blade Runner sampling
> 
> Anyway, are there any other tracks which sample from the soundtrack? Are
> any of them any good?
> 
> 
> 
> #
> Note:
> 
> Any views or opinions are solely those of the author and do not
> necessarily represent
> those of Channel Four Television Corporation unless specifically stated.
> This email 
> and any files transmitted are confidential and intended solely for the
> use of the 
> individual or entity to which they are addressed. If you have received
> this email in 
> error, please notify [EMAIL PROTECTED]
> 
> Thank You.
> 
> #
> 
> 
> ##
> ###
> Note:
> 
> Any views or opinions are solely those of the author and do not necessarily
> represent 
> those of Channel Four Television Corporation unless specifically stated. This
> email 
> and any files transmitted are confidential and intended solely for the use of
> the 
> individual or entity to which they are addressed. If you have received this
> email in 
> error, please notify [EMAIL PROTECTED]
> 
> Thank You.
> ##
> ###
> 
> 

Re: (313) New planet: UB313

[Emile Facey - Plant43]

LOL! Scanner has was commissioned by the BBC to write some new tracks to go
with the new planets that they played on Radio4 last night. They really
should have got a Detroit artist/s to do the one for UB313.


on 17/8/06 12:08 pm, Odeluga, Ken at [EMAIL PROTECTED] wrote:

> There is a connection. You end up looking that way by dancing to hard to
> KMS tracks!
> 
> 
> -Original Message-
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 17 August 2006 13:07
> To: Odeluga, Ken; robin; 313 Org
> Subject: RE: (313) New planet: UB313
> 
> It's nicknamed Xena though after that lady on the telly with the big
> thighs 
> 
> -Original Message-
> From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
> Sent: 17 August 2006 11:05
> To: robin; 313 Org
> Subject: RE: (313) New planet: UB313
> 
> Yeah very tastefully named! (OK, so it's a coincidence, but a good one
> and so appropriate too!)
> 
> 
> -Original Message-
> From: robin [mailto:[EMAIL PROTECTED]
> Sent: 17 August 2006 12:04
> To: 313 Org
> Subject: (313) New planet: UB313
> 
> 
> 
> http://news.bbc.co.uk/1/hi/sci/tech/4795755.stm
> 
> cool!
> 
> robin...
> 
> 
> 
> #
> Note:
> 
> Any views or opinions are solely those of the author and do not
> necessarily represent
> those of Channel Four Television Corporation unless specifically stated.
> This email 
> and any files transmitted are confidential and intended solely for the
> use of the 
> individual or entity to which they are addressed. If you have received
> this email in 
> error, please notify [EMAIL PROTECTED]
> 
> Thank You.
> 
> #
> 
> 

Re: (313) Congrats for Alex Bond's baby!!

[Emile Facey - Plant43]

Congratulations Alex! :)



on 17/7/06 11:41 pm, Svagr, Jodie at [EMAIL PROTECTED] wrote:

> Congrats Alex!!
> 
> Thats ace.  Millie is a beautiful name. Raise her to dance and love the tunes!
> 
> All the best,
> Jodie
> 
> 
> 
> robin wrote:
>> Speaking of new releases...
>> 
>> Congratulations to our very own Alex Bond and his partner Rebecca on the
>> birth of their daughter Millie last week (mother and daughter healthy
>> and at home now).
>> 
>> :)
>> 
>> robin...
>> 
> 
> 
> 
> 

Re: (313) microsound/electroacoustic/techno goings-on in asia

[Emile Facey - Plant43]

Sounds like a great trip, have you thought about myspace?


on 4/7/06 3:05 am, /0 at [EMAIL PROTECTED] wrote:

> sub to the microsound list, which is run by hyperreal I believe
> 
> and maybe max/msp, at cycling74.com
> 
> - Original Message -
> From: "Damian Stewart" <[EMAIL PROTECTED]>
> To: <313@hyperreal.org>
> Sent: Monday, July 03, 2006 9:52 PM
> Subject: (313) microsound/electroacoustic/techno goings-on in asia
> 
> 
>> hey
>> 
>> i'm off on my OE next year, and i'm intending on taking my laptop and mic
>> and writing music in all of the places i end up in - which at the moment
>> will be places that lie in a largely circuitous overland route between
>> indonesia and germany, including indonesia, malaysia, vietnam, china,
>> tibet, mongolia, turkey, bulgaria, romania, serbia, croatia, slovenia;
>> possibly india and through iran, or possibly parts of russia and
>> kazakhstan/ uzbekistan/ turkmenistan. no final dates or decisions yet..
>> 
>> now, it would be awesome to be able to hook up with the local
>> ea/microsound/electronica/techno scene everywhere i go - assuming there is
>> an ea/microsound/electronica/techno scene there of course. so, does anyone
>> have any advice on how/where to make contact with these types of people
>> before i get there? i'll be backpacking so it would be unspeakably amazing
>> to be able to couchsurf as well...
>> 
>> cheers
>> damian
>> -- 
>> f r e y
>> live music with computers
>> http://www.frey.co.nz
>> 
> 
> 

Re: (313) UR Party London

[Emile Facey - Plant43]

Can't wait for this, nice one Outlet! :)


on 3/7/06 12:12 pm, Robert Taylor at [EMAIL PROTECTED] wrote:

> Looking forward to this bigtime!
> Fair play Paul/Stewart/Haze - a bit of a coup innit?
> 
> -Original Message-
> From: Paul Kendrick [mailto:[EMAIL PROTECTED]
> Sent: 03 July 2006 10:06
> To: 313@hyperreal.org
> Subject: (313) UR Party London
> 
> Underground Resistance & The Outlet Collective present...
> 
> 'INTERSTELLAR FUGITIVES 2: THE MOVIE' - European Premier
> 
> 
> - Exhibition : The Artwork of UR's Abdul Haqq -
> 
> - Underground Resistance DJ Assault Squad -
> 
> 
> Special Guest:
> MATT CHESTER (11th HOUR RECORDINGS / FLASHPOINT)
> - DEBUT LIVE PERFORMANCE -
> 
> Outlet Collective DJ Crew
> 
> 
> Friday 11th August 2006 - The Coronet Theatre, London, SE1 - Doors 9.30pm.
> Advance Tickets: £12 (+ booking fee) via www.ticketweb.co.uk or from Smallfish
> / Phonica / Sounds Of The Universe Further info: www.outletcollective.org /
> [EMAIL PROTECTED] / 07967 332 964 or visit
> www.undergroundresistance.com
> 
> Synonymous with the progression and preservation of Detroit's Techno heritage,
> Underground Resistance's operations continue to resonate heavily throughout
> modern dance music.
> 
> Hot on the heels of the full release of their long awaited new LP, the richly
> diverse yet startlingly intent 'Interstellar Fugitives 2: Destruction Of
> Order', Underground Resistance are set to return to London for a fully-fledged
> UR party.  Whilst being a rarity in itself, this particular event will not
> only see UR unleashing their finely honed blend of electronic warfare - music
> which to this day has them widely regarded as one of the most formidable
> forces to surface during the last 3 decades of electronic music - but maybe
> more intriguingly, exploring their increasingly eye-opening visual identity.
> 
> We are also going to show, if all goes to plan, a Time Line live set (1 hour
> long) and a Mike Banks interview after the movies been on
> 
> Should be good 
> 
> -Original Message-
> From: Dave Barnett [mailto:[EMAIL PROTECTED]
> Sent: 01 July 2006 15:20
> To: 313@hyperreal.org
> Subject: (313) Re: Blue Potential
> 
> 
> I purchased Blue Potential CD/DVD a couple of weeks ago, I also recently
> picked up the UR/galaxy 2 galaxy compilation. both the jeff mills
> project and the UR comp have restored my faith that there is still good
> techno being made.
> (Even though a lot of the tracks on the UR comp go back to the early
> 90's! it is still better than most of the rubbish passing itself of as
> techno these days).
> 
> i know its preaching to the converted here on 313 but if you haven't
> seen the dvd or heard the cd check it out.
> 
> looking forward to jeff's next dvd project. It would be cool if the UR
> guys could release a live dvd of Galaxy 2 galaxy project.
> 
> dave
> 
> 
> ##
> ###
> Note:
> 
> Any views or opinions are solely those of the author and do not necessarily
> represent 
> those of Channel Four Television Corporation unless specifically stated. This
> email 
> and any files transmitted are confidential and intended solely for the use of
> the 
> individual or entity to which they are addressed. If you have received this
> email in 
> error, please notify [EMAIL PROTECTED]
> 
> Thank You.
> ##
> ###
> 
> 

Re: (313) new ERP on ai

[Emile Facey - Plant43]

Don't forget Ken, you got the very limited yellow vinyl only available in
two shops in London. The regular black vinyl version wasn't released until
about three or four weeks later ;)

Also loving the EP, particularly the second Ito track and the third ERP
track.


on 27/6/06 7:09 am, Odeluga, Ken at [EMAIL PROTECTED] wrote:

> Jeez J.T., keep up! ;-)
> 
> This thing's been out for a month!
> 
> (And yes both sides are excellent Old school analogue lushness with some
> splintering shards of modernism, if you listen closely enough, B/W
> new-school software driven darkness and tightness with soul. Love it.)
> 
> 
> -Original Message-
> From: J.T. [mailto:[EMAIL PROTECTED]
> Sent: 26 June 2006 18:36
> To: 313@hyperreal.org
> Subject: (313) new ERP on ai
> 
> just a heads-up/plug that there is a new ERP (convextion) split 12" with
> Mariel Ito (aka Maetrik, also from dallas) out on AI now...3 tracks from
> each, gus' tracks include a model 500-ish techno cut, a fast one that
> rides the line between electro and dnb, and a pretty n delicate dubby
> electro one...all tracks he dug up from 7+ years ago, i'm pumped to see
> them on vinyl! erik's (mariel's) tracks are more typical AI style but
> nice i think as well. hope some of you dig it and pick it up gus need
> chiken and new midi cowboy boots
> 
> 

Re: (313) DEMF On Radio 1

[Emile Facey - Plant43]

on 7/6/06 9:09 am, john arnold at [EMAIL PROTECTED] wrote:

>> Fergie (Sat night): DJ set from either Magda or Rob Hood

Wow, if anyone from BBC is reading - PLAY THE ROB HOOD MIX PLEASE!! :)

Re: (313) More New Electro

[Emile Facey - Plant43]

Didn't notice that Tristan although some of it certainly sounds farmiliar,
maybe that's why. I think I might have that J Majik record somewhere so I'll
check it out.

on 2/6/06 1:14 am, Tristan Watkins at [EMAIL PROTECTED] wrote:

>> -Original Message-
>> From: Emile Facey - Plant43 [mailto:[EMAIL PROTECTED]
>> Sent: 01 June 2006 11:05
>> To: [EMAIL PROTECTED]; Tristan Watkins
>> Cc: 313@hyperreal.org
>> Subject: Re: (313) More New Electro
>> 
>> I listened to that in Smallfish on Saturday but wasn't really
>> digging it, must give it another listen. Have you heard the
>> Made album on SCSI? It's nice, dark analogue stuff.
> 
> I just had a listen to the clips of this. The first track sounds like it
> bites this http://www.discogs.com/artist/Innervisions Innervisions (J Majik,
> not to be confused with the new Sonar Kollektiv thing of the same name)
> track heavilly. The beat and tempo are almost identical. In fact, it almost
> sounds like a cover of it. Think I prefer the original, but that Made stuff
> certainly is dark!
> 
> Tristan 
> ===
> http://www.phonopsia.co.uk
> [EMAIL PROTECTED] 

Re: (313) More New Electro

[Emile Facey - Plant43]

I listened to that in Smallfish on Saturday but wasn't really digging it,
must give it another listen. Have you heard the Made album on SCSI? It's
nice, dark analogue stuff.

Emile



on 1/6/06 10:43 am, theREALmxyzptlk at [EMAIL PROTECTED] wrote:

> They have a new full length out (on SCSI) as well, called "A Previous
> Version of Myself". I have it, but haven't played it yet.
> 
> 
> jeff
> 
> 
> Tristan Watkins wrote:
> 
>> This is the new Point B on SCSI. http://www.discogs.com/release/698231
>> It's pretty rare that I buy electro, aside from the occasional bit on
>> AI or Warp. I certainly don't seek it out at any rate, but this 12" is
>> nuts! Dunno if anyone has mentioned this already. If so, apologies.
>> Also, if you get the chance to see him live, as Michael and I did last
>> August, you should do so. Didn't know anything about him then, and
>> didn't realise this 12" was by the same guy until afterwards. The
>> music definitely speaks for itself.
>> 
>> Tristan
>> 
> 
> 
> 
> 

Re: (313) Hierovextion

[Emile Facey - Plant43]

Oh, and there weren't any KFC buckets involved either ;)



on 2/5/06 3:29 pm, Emile Facey - Plant43 at [EMAIL PROTECTED] wrote:

> No time to write a long review right now but they were both great and very
> nice people too. I particularly enjoyed Jerards' set, the electro section
> blew my mind all over the back wall of the club  :)
> 
> 
> on 2/5/06 3:17 pm, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:
> 
>> 
>> 
>> Any Londononnno reviews?
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> --
>> 
>> 
>> 
>> Saturday May 13th -
>> Planet Delsin - Chicago House Special
>> Live: Hieroglyphic Being (Chicago, USA)
>> Deejays: Newworldaquarium & Aroy Dee
>> --
>> http://nomorewords.net
>> http://www.delsin.org
>> http://www.myspace.com/planetdelsin
>> 
>> 
> 
> 
> 

Re: (313) Hierovextion

[Emile Facey - Plant43]

No time to write a long review right now but they were both great and very
nice people too. I particularly enjoyed Jerards' set, the electro section
blew my mind all over the back wall of the club  :)


on 2/5/06 3:17 pm, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:

> 
> 
> Any Londononnno reviews?
> 
> 
> 
> 
> 
> 
> 
> 
> 
> --
> 
> 
> 
> Saturday May 13th -
> Planet Delsin - Chicago House Special
> Live: Hieroglyphic Being (Chicago, USA)
> Deejays: Newworldaquarium & Aroy Dee
> --
> http://nomorewords.net
> http://www.delsin.org
> http://www.myspace.com/planetdelsin
> 
> 

Re: (313) [London] BLEEP43.COM & Ialityhifi present CHANNEL2 withCONVEXTION & HIEROGLYPHIC BEING

[Emile Facey - Plant43]

Don't worry, it'll be getting recorded! :)


on 20/4/06 7:32 pm, fab. at [EMAIL PROTECTED] wrote:

> all i can say is...record, record, record!
> 
> big up
> fab
> - Original Message -
> From: "Emile Facey - Plant43" <[EMAIL PROTECTED]>
> To: "313" <313@hyperreal.org>
> Sent: Thursday, April 20, 2006 7:35 PM
> Subject: (313) [London] BLEEP43.COM & Ialityhifi present CHANNEL2
> withCONVEXTION & HIEROGLYPHIC BEING
> 
> 
>> Hello.
>> 
>> I'd like to remind you about our event on the 30th April.
>> 
>> Bleep43.com is proud to present the debut UK live performance of
>> HIEROGLYPHIC BEING.
>> 
>> We've also managed to persuade CONVEXTION to play live, and he completes
>> the
>> mini tour which Bleep43.com has organised, with his debut London
>> performance
>> at CHANNEL2.
>> 
>> Last but not least MAX DULEY will play another spell-binding late-night
>> set
>> for us.
>> 
>> Please find further details and the flyer here:
>> 
>> http://www.bleep43.com/
>> 
>> ABOUT CONVEXTION:
>> 
>> Dallas-based Gerard Hanson's relatively infrequent 12s as Convextion, ERP,
>> I/O and Syne Language are nowadays near-legendary and not easy to find
>> following the inclusion of his debut disc as Convextion: 'Convextion' on
>> several mix CDs by Derrick May and Juan Atkins in the mid-to-late '90s.
>> 
>> In a similar way, Gerard himself has assumed the status of one of techno's
>> demi-mythical icons due to the scarcity of his live appearances over the
>> years and his almost total public silence, which has allowed his
>> deceptively
>> simple, yet highly refined and always sweetly emotional productions to
>> speak
>> for themselves.
>> 
>> Before I say anything else which you might already know, I'll simply add
>> that within the global techno community, witnessing a live performance by
>> Convextion, has long been one of the holy grails of techno devotees.
>> 
>> I hope those of you who can join us, will not miss this special, exclusive
>> and probably seldom to be repeated (if ever) performance by the techno
>> musician's archetypal musician.
>> 
>> 
>> ABOUT HIEROGLYPHIC BEING:
>> 
>> Jamal Moss is one of the prime candidates to pick up the baton from
>> Chicago's early house pioneers, in the spirit of house and techno as an
>> expressly electronic, highly-advanced, hedonistic, wild and slightly
>> dangerous-seeming music - which is what it was, back in the day.
>> 
>> In Jamal's prolific productions as Hieroglyphic Being, The Sun God, and
>> I.B.M, it still is.
>> 
>> Allied to his dozens of releases on such labels as Axis/6277, Spectral,
>> Klang Electronic and, as a member of Dirty Criminals on International
>> Deejay
>> Gigolos, Jamal has built up a following for some exciting, vibrant, edgy
>> but
>> also potentially deeply transporting, live performances.
>> 
>> These rely exclusively on the use of the same hardware which you will hear
>> on his recordings. Many who hear Jamal Moss' records with their apparently
>> rough production values, strident and hallucinogenic atmospheres, and
>> unmistakably jacking rhythms are impressed, but not everyone.
>> 
>> I feel that it's in his live performances, in which those elements,
>> together
>> with his palpable spirit of innovation (which is what techno was meant to
>> be
>> about in many respects) will often make the most sense.
>> 
>> Please join us in this opportunity to witness the Hieroglyphic Being at
>> first hand, to enjoy what you're already a fan of, or learn what you've
>> been
>> missing.
>> 
>> ABOUT MAX DULEY:
>> 
>> Although still relatively young, it's fair to say that Max Duley is a
>> burgeoning one-man, UK techno cult. The beguiling intrigue of his
>> productions from the earliest (in 1998) to the latest, means that that his
>> discography is already relatively long. Through his ARC and ARCart
>> vehicles,
>> his records have raised the bar in the farther reaches of UK electronic
>> dance music by the spiritual but also scientific ideas which his music
>> appears to mediate. It's really little surprise that he has in the last
>> few
>> years performed at the few clubs which really matter in European techno.
>> 
>> Don't miss this chance to hear Max Duley play one of his never-predictable
>> sets, in his authentic late-night and 

(313) [London] BLEEP43.COM & Ialityhifi present CHANNEL2 with CONVEXTION & HIEROGLYPHIC BEING

[Emile Facey - Plant43]

Hello. 

I'd like to remind you about our event on the 30th April.

Bleep43.com is proud to present the debut UK live performance of
HIEROGLYPHIC BEING.

We've also managed to persuade CONVEXTION to play live, and he completes the
mini tour which Bleep43.com has organised, with his debut London performance
at CHANNEL2.

Last but not least MAX DULEY will play another spell-binding late-night set
for us. 

Please find further details and the flyer here:

http://www.bleep43.com/

ABOUT CONVEXTION: 

Dallas-based Gerard Hanson's relatively infrequent 12s as Convextion, ERP,
I/O and Syne Language are nowadays near-legendary and not easy to find
following the inclusion of his debut disc as Convextion: 'Convextion' on
several mix CDs by Derrick May and Juan Atkins in the mid-to-late '90s.

In a similar way, Gerard himself has assumed the status of one of techno's
demi-mythical icons due to the scarcity of his live appearances over the
years and his almost total public silence, which has allowed his deceptively
simple, yet highly refined and always sweetly emotional productions to speak
for themselves. 

Before I say anything else which you might already know, I'll simply add
that within the global techno community, witnessing a live performance by
Convextion, has long been one of the holy grails of techno devotees.

I hope those of you who can join us, will not miss this special, exclusive
and probably seldom to be repeated (if ever) performance by the techno
musician's archetypal musician.


ABOUT HIEROGLYPHIC BEING:

Jamal Moss is one of the prime candidates to pick up the baton from
Chicago's early house pioneers, in the spirit of house and techno as an
expressly electronic, highly-advanced, hedonistic, wild and slightly
dangerous-seeming music - which is what it was, back in the day.

In Jamal's prolific productions as Hieroglyphic Being, The Sun God, and
I.B.M, it still is.

Allied to his dozens of releases on such labels as Axis/6277, Spectral,
Klang Electronic and, as a member of Dirty Criminals on International Deejay
Gigolos, Jamal has built up a following for some exciting, vibrant, edgy but
also potentially deeply transporting, live performances.

These rely exclusively on the use of the same hardware which you will hear
on his recordings. Many who hear Jamal Moss' records with their apparently
rough production values, strident and hallucinogenic atmospheres, and
unmistakably jacking rhythms are impressed, but not everyone.

I feel that it's in his live performances, in which those elements, together
with his palpable spirit of innovation (which is what techno was meant to be
about in many respects) will often make the most sense.

Please join us in this opportunity to witness the Hieroglyphic Being at
first hand, to enjoy what you're already a fan of, or learn what you've been
missing. 

ABOUT MAX DULEY: 

Although still relatively young, it's fair to say that Max Duley is a
burgeoning one-man, UK techno cult. The beguiling intrigue of his
productions from the earliest (in 1998) to the latest, means that that his
discography is already relatively long. Through his ARC and ARCart vehicles,
his records have raised the bar in the farther reaches of UK electronic
dance music by the spiritual but also scientific ideas which his music
appears to mediate. It's really little surprise that he has in the last few
years performed at the few clubs which really matter in European techno.

Don't miss this chance to hear Max Duley play one of his never-predictable
sets, in his authentic late-night and unfettered element.


ABOUT BLEEP43.COM 

Please visit the web site, or ask a friend who's been to one of the events
which we've been organising for the last 5 years.

ABOUT IALITY HIFI SOUND SYSTEM

Bleep43 is pleased that our first joint event is with our friends Iality
Hifi. They will be hosting a room of heavy, dubby but eclectic and always
expertly bound together sounds.

For this event Iality have managed to secure one of the most respected dub
MCs in the UK in Jonah Dan.

Find out more about Iality here:

http://www.ialityhifi.co.uk/


I'm looking forward to seeing anyone who's into our kind of electronic music
and is in London on Sunday 30th April, at this special gathering for which
we've pulled out all the stops to create a night worth remembering.

Thanks, 

Ken Odeluga, Emile Facey, Toby Frith, Anya Stang & Jo Johnson @ Bleep43.com

*** 

LINKS: 

Convextion: 

http://downlowmusic.org

Hieroglyphic Being:

http://www.mathematicsrecordings.com

http://www.ghostly.com/1.0/artists/hiero/index.shtml

Max Duley: 

http://www.ARCart.org


Music is an open sky.

http://bleep43.com 

Re: (313) photek

[Emile Facey - Plant43]

> if it was 1996 id be so happy to be seeing photek it
> would be silly. in 06, i just dont care.

Know exactly how you feel, what the hell happened Rupert?

Re: (313) Photek (was - it's a rave in hart plaza)

[Emile Facey - Plant43]

Don't get me started! ;) Looking forward to hearing what he gets up to at
the festival.


on 18/4/06 10:57 am, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:

> 
> yeah, definitely
> 
> kinda like Source Direct's Snake Style, to name another tune
> :-)
> 
> - Original Message -
> From: "Emile Facey - Plant43" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>; "313" <313@hyperreal.org>
> Sent: Tuesday, April 18, 2006 11:56 AM
> Subject: Re: (313) Photek (was - it's a rave in hart plaza)
> 
> 
>> on 18/4/06 10:47 am, [EMAIL PROTECTED] at [EMAIL PROTECTED]
>> wrote:
>> 
>>> Hidden Camera is the bomb!!
>> Totally! :) I love that record. This is also the *hit:
>> 
>> http://www.discogs.com/release/11795
>> 
>> 
>> 
> 
> 
> 

Re: (313) Photek (was - it's a rave in hart plaza)

[Emile Facey - Plant43]

on 18/4/06 10:47 am, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:

> Hidden Camera is the bomb!!
Totally! :) I love that record. This is also the *hit:

http://www.discogs.com/release/11795

Re: (313) it's a rave in hart plaza

[Emile Facey - Plant43]

As far as I'm aware Photek has never played live but I've not been following
him lately. Can't say a agree re. Solaris Ian, this was when I stopped
listening to him! ;) Personally I prefer the genius of his earlier stuff,
particularly this:

http://www.discogs.com/release/309






on 18/4/06 9:36 am, Ian Cheshire at [EMAIL PROTECTED] wrote:

> its nice to see Photek on there, I hope he is live as he has to be one of
> the best producers out there, his album Solaris is a gem..
> 
>> 
>> 
>> 
>> 
>> Yep, I realize that.  That's why I'm waiting to find out what tomorrow
>> brings ;-)
>> 
>> MEK
>> 
>> 
>> 
>> /0
>> <[EMAIL PROTECTED]
>> mi.net>To
>> [EMAIL PROTECTED]
>> 04/17/06 02:24 PM  cc
>> 313@hyperreal.org
>> Subject
>> Re: (313) it's a rave in hart plaza
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> this IS a business venture.
>> 
>> todays names bring people out, tomorrows names bring them back
>> 
>> 
>> -Joe
>> 
>>  [EMAIL PROTECTED] wrote:
>>> 
>>> 
>>> 
>>> 
>>> I'd rather it not happen at all instead of going this way (Derrick
>> Carter,
>>> Donald Glaude, Planet of Drums, Josh Wink, Doc Martin, the overload of
>>> minimal, etc.)
>>> What I've noticed in all the previous incarnations, from DEMF (original)
>> to
>>> Movement to Fuse-In, the music was progressive - as in future moving -
>>> forward thinking.
>>> The line-up for Pax's version of DEMF is mostly artists of today - right
>>> this split second - not the stuff that will be in a year or two.
>>> The rest of the line-up can't be announced too soon.
>>> 
>>> MEK
>>> 
>>> 
>>> 
>>> Fred Heutte <[EMAIL PROTECTED]> wrote on 04/14/2006 09:27:52 PM:
>>> 
 The festival has always had its ups and downs.  I'm just glad
 it's happening after all.  Another year, another totally off the hook
 drama :)
 
 Fred
 
>> 
>> 
>> 
>> 
> 

Re: (313) The roving London report (because someone on this listmust pretend like they go out somewhere) pt. 1

[Emile Facey - Plant43]

>>> but you would think something would be
>>> communicated to these guys when they get booked for a set there, such as
>>> "don't play crap, foo".
>> I know it might be hard to get your head around it but the problem might
>> be
>> that Colin and Steve both LIKE the stuff that Colin is playing these days!
> 
> Does not compute.

LOL :) Looking forward to the next instalment of Lost in Space.

Re: (313) The roving London report (because someone on this list must pretend like they go out somewhere) pt. 1

[Emile Facey - Plant43]

on 10/4/06 10:54 am, Tristan Watkins at [EMAIL PROTECTED] wrote:

> but you would think something would be
> communicated to these guys when they get booked for a set there, such as
> "don't play crap, foo".
I know it might be hard to get your head around it but the problem might be
that Colin and Steve both LIKE the stuff that Colin is playing these days!

Re: (313) Ai 2006

[Emile Facey - Plant43]

> I am curious to see the picture disc. Anyone has a link to a photo or
> something?

http://www.airecords.com/ai015_web.jpg


on 20/3/06 10:23 am, Odeluga, Ken at [EMAIL PROTECTED] wrote:

> 
> 
> -Original Message-
> From: Kowalsky [mailto:[EMAIL PROTECTED]
> Sent: 20 March 2006 00:17
> To: [313]
> Subject: Re: (313) Ai 2006
> 
> i've listened the tracks in the bleep site. Some are good tracks, i
> agree.
> But i cannot agree with the words on the CD cover: "quality
> electronic music".
> But i don't agree with tha so called label idm as well.
> ...
> I am curious to see the picture disc. Anyone has a link to a photo or
> something?
> 
> Kw
> 
> ***
> 
> You're entitled to your own opinion of course Kowalsky, but if as you
> say 'some are good tracks' how can you disagree with the (so-called)
> title 'Quality Electronic Music'?!?
> 
> By the way, I say so-called title, because apparently 'Quality
> Electronic Music' is not the official title.
> 
> http://www.discogs.com/release/637836
> 
> Ah, well, whatever, I agree with the title/not title myself, although I
> think the comp highlights only one side of Ai.
> 
> Ken
> 
> 
> 
> On 17/03/2006, at 09:08, [EMAIL PROTECTED] wrote:
> 
>> Anyone pining for the glory days of Warp (when Detroit, techno and
>> what branched off into idm were still bubbling in a less segregated
>> stew) would do well to spend some time with the new Ai compilation.
>> The label has issued some nice things over the past several years,
>> but this one is especially solid.
>> Those initials make sense.
>> 
>> jeff
>> 
> 
> 

Re: (313) Ai 2006

[Emile Facey - Plant43]

Yeah, I've never seen a picture disc that looked like that before, has
anyone else on this list?

on 17/3/06 1:51 pm, [EMAIL PROTECTED] at [EMAIL PROTECTED]
wrote:

> Yeah and just check out that vinyl! - not only is it a really tasty looking
> picture disc it has the unique-in-my-experience feature of being a practical
> picture disc; where normally it's hard to see where tracks start and finish
> on these on this one each track is a different colour or pattern!
> 
>> -Original Message-
>> From: [EMAIL PROTECTED]
>> [mailto:[EMAIL PROTECTED]
>> Sent: 17 March 2006 12:09
>> 
>> Anyone pining for the glory days of Warp (when Detroit,
>> techno and what branched off into idm were still bubbling in
>> a less segregated stew) would do well to spend some time with
>> the new Ai compilation. The label has issued some nice things
>> over the past several years, but this one is especially solid.
> 
> 
> 

Re: (313) Convextion, Heiroglyphic Being

[Emile Facey - Plant43]

Don't worry, I know quite a few big fans of Convextion who'll be there and
we'll be making a lot of noise!


on 9/3/06 11:01 pm, J.T. at [EMAIL PROTECTED] wrote:

> hope convextion goes appreciated as well! it's his first european gig, make
> him feel welcome! or else!
> 
> 
>> you guys are gonna dig this, Jamal live is the real deal chicago
>> descendant of that original, raw, comp-u-jack sound.
> 
> 
> 

Re: (313) London March 11th - Outlet Collective present-

[Emile Facey - Plant43]

There might be something here:

http://www.continual.org/



on 2/3/06 9:53 am, [EMAIL PROTECTED] at [EMAIL PROTECTED]
wrote:

> So any pointers to where one can hear some of the recommended Nick Wilson
> material then?
> 
> 
> 

Re: (313) London March 11th - Outlet Collective present-

[Emile Facey - Plant43]

> Had me dancing 
> thrice as idiotic as usual.

Wish I'd been there to see that! :)

Re: (313) RE: Derrick May - nice mix online

[Emile Facey - Plant43]

If it's the one with the James Brown at the start that was on the first DEMF
video archive it's amazing. As far as I'm concerned one of the best set
openings ever. Is that footage still available anywhere?



on 24/2/06 10:31 am, Dan Bean at [EMAIL PROTECTED] wrote:

>> Is it the one with James brown at the beginning?
> 
> I don't know actually, it was recommended to me by a friend, but I haven't had
> a chance to listen to it yet. It's supposed to be pretty good though.
> 
>> Thanks for the tip
>> 
>> -Original Message-
>> From: Dan Bean [mailto:[EMAIL PROTECTED]
>> Sent: 24 February 2006 09:52
>> To: 313@hyperreal.org
>> Subject: RE: (313) RE: Derrick May - nice mix online
>> 
>> 
>> There's a mix on Samurai FM by Derrick, it's a tape of his closing set
>> from the one of the first DEMFs.
>> 
>> You wrote:
>>> I had a bit of a google yesterday. I've tried and failed to find mixes
>> 
>>> by D=3D M online before but this one looks to be a bit of a gem. I =
>> don't
>> 
>>> think I've=3D  seen it posted to the list before, but apologies if =
>> this=20
>>> is old news. I ca=3D nt get streaming audio at work but had a little=20
>>> listen last night and the s=3D nippets I heard sounded very nice.=3D20
>>> =20
>>> www.betalounge.com=3D20
>>> =20
>>> Got to "past shows" and search the archive for "derrick may".=3D20
>>> =20
>>> Mark
>>> =20
>>> -Original Message-
>>> From: /0 [mailto:[EMAIL PROTECTED]
>>> Sent: 23 February 2006 13:28
>>> To: Hardie, Nick
>>> Cc: Mark Pays; Robert Taylor
>>> Subject: RE: (313) RE: Derrick May
>>> =20
>>> yes except it was like 45 minutes, and it was speedy j live  :)
>>> =20
>>>  "Hardie wrote:=3D20
 So you don't ever recall standing about for 30 minutes waiting for=20
 a=3D20  beat ;-) =3D20
 That was Juan
 =3D20
 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 23 February 2006 09:56
 To: Mark Pays; Hardie, Nick; 313@hyperreal.org
 Subject: RE: (313) RE: Derrick May
 =3D20
 I was there - don't remember Atkins playing there though - I've
>> always th=3D
>>> ought I'd never heard him DJ - obviously he must have been very=20
>>> unmemorable!
 Twas a great night - The Advent were due to play too, but because=20
 the sh*=3D
>>> tty venue double booked with another event, the night was condensed=20
>>> from 2 =3D to 1 room and The Advent lost their slot.=3D20
 =3D20
 -Original Message-
 From: Mark Pays [mailto:[EMAIL PROTECTED]
 Sent: 21 February 2006 14:44
 To: Hardie, Nick; 313@hyperreal.org
 Subject: RE: (313) RE: Derrick May
 =3D20
 Yeah that's right. I'd forgotten about that bit. Weren't the two=20
 clubs se=3D
>>> parated by a bit of scaffolding and some large curtains? Not exactly=20
>>> sound =3D proofing!=3D20
 =3D20
 Those were the days.
 =3D20
 -Original Message-
 From: Hardie, Nick [mailto:[EMAIL PROTECTED]
 Sent: 21 February 2006 14:23
 To: Mark Pays; 313@hyperreal.org
 Subject: RE: (313) RE: Derrick May
 =3D20
 And if memory serves me right, it was made all the more impressive=20
 by hav=3D
>>> ing to play over some awful UK garage coming from the club next door.
 =3D20
 -Original Message-
 From: Mark Pays [mailto:[EMAIL PROTECTED]
 Sent: 21 February 2006 13:57
 To: 313@hyperreal.org
 Subject: RE: (313) RE: Derrick May
 =3D20
 I've only seen DM play once but it was a belter. It showed me what=20
 it mea=3D
>>> ns to be a truly professional DJ. I've often thought of sharing it=20
>>> with the=3D  list. The evening went something like this.
 =3D20
 It was an event called Hybrid sometime around '96  in a London=20
 warehouse =3D
>>> type venue just south of the river. The line-up was mouth watering - =20
>>> Juan =3D Atkins, Joey Beltram and Derrick May in that order.
 =3D20
 It started Badly. After the warm-up came Juan. He played a bad set=20
 that g=3D
>>> ot worse. He looked like he'd rather be anywhere but behind the decks.
>> 
>>> He s=3D tarted getting booed. So he responded by playing 25 minutes of =
>> 
>>> beatless amb=3D ient nonsense mixed badly with a beatless mix of =
>> strings
>> 
>>> of life. Someone s=3D tarted throwing empty plastic water bottles at =
>> the
>> 
>>> stage and off he went. R=3D ubbish. Started to think I'd wasted my=20
>>> money.
 =3D20
 On came Beltram. As ever, he started with Energy Flash and then=20
 dropped a=3D
>>> classic set of his own stuff interlaced with plenty of dark Chicago=20
>>> jackin=3D g grooves and a load of the Robert Armani catalogue. The =
>> place
>> 
>>> came to life=3D . Then the power went. The music stopped for about an=20
>>> hour. Everyone waited=3D  it out though. When the power came back DM=20
>>> came on.
 =3D20
 I can only think that DM felt he had to make up for what went=20
 before. Jua=3D
>>> n was an embarra

Re: (313) Sunshine in Croydon

[Emile Facey - Plant43]

Having lived in the grimness that is Croydon for a long time I can see how
you might be inspired when it DOES actually get sunny :)

Nice track T.


on 23/2/06 3:09 pm, Stewart Caig at [EMAIL PROTECTED] wrote:

>> Hey Tristan,
>> 
>> I liked it a lot.  I've never been to croydon, but it seems aptly named,
>> in that it really is a sunshine-y track!
>> 
>> Jamil
> 
> Although the sun doesnt actually shine in Croydon!
> 
> Great track though, I agree with that.
> 
> 

(313) Mills Blue Potential at Lost

[Emile Facey - Plant43]

Looks like Mr. Mills is going to show a film of the Orchestre National de
Montpellier show at Lost. I've heard a recording of it and wasn't sure that
it worked but it'll be interesting to see how they present this in a club
environment.

UPDATE - LOST SATURDAY 25TH FEBRUARY
EXCLUSIVE SCREENING  - BLUE POTENTIAL - JEFF MILLS

We are pleased to announce that the evening will open in the Purple
with an exclusive screening of an exciting new project -  BLUE
POTENTIAL, featuring Jeff Mills and the Orchestre National de
Montpellier!!!
  MORE INFO TO FOLLOW




LOST
in association with AXIS RECORDS present 10 Years of 'The Bells'

Saturday 25th February 2006
@ The Bridge, Weston St . SE1
10pm - 6am

featuring.
JEFF MILLS (axis,u.s. exclusive uk date)  dj  + 'Bells' dvd project
JUAN ATKINS (metroplex, detroit, exclusive uk date)
STEVE BICKNELL
KIM BILIR
JUERGEN JUNKER
+

Re: (313) Dynamix II

[Emile Facey - Bleep43]

Great set, especially at about 30mins.

Thanks


on 14/12/04 8:38 am, Klaas-Jan Jongsma at [EMAIL PROTECTED] wrote:

> 
> On Tuesday, December 14, 2004, at 00:27AM, Greg Earle
> <[EMAIL PROTECTED]> wrote:
> 
>> Here's a direct link to the RealAudio stream for those of you
>> who hate using Web browser plug-ins:
>> 
>> rtsp://streams.vpro.nl/pac01/20280239/surestream.rm?title=Dynamix II
>> live  Rebelbass 11-12-2004
>> 
>> Goddamn I love Dynamix II.
>> 
>> Ob313: They even mention Detroit in a few tracks  :)
> 
> That is "Pledge your aliance to the electrofunk", i love that track!
> 
> 
> 
> kj at technotourist dot org
> 

Re: (313) Electro Wax

[Emile Facey (Plant43)]

Not sure how 313 style it is but it's well worth checking out...


on 22/8/04 1:44 pm, Emile Facey (Plant43) at [EMAIL PROTECTED] wrote:

> Scape One - Future Sound of Bognor (IWARI)
> 
> 
> 
> 
> on 22/8/04 3:27 am, jason kenjar at [EMAIL PROTECTED] wrote:
> 
>> Hey, whats up people?
>> 
>> This list gets quiet on the weekend, good time to start a new
>> discussion.
>> 
>> Any newer 313 style electro going around that I should listen to? Let
>> me know if there are links where I can listen to samples.
>> 
>> peace
>> 
>> 
> 
> 

Re: (313) Electro Wax

[Emile Facey (Plant43)]

Scape One - Future Sound of Bognor (IWARI)




on 22/8/04 3:27 am, jason kenjar at [EMAIL PROTECTED] wrote:

> Hey, whats up people?
> 
> This list gets quiet on the weekend, good time to start a new
> discussion.
> 
> Any newer 313 style electro going around that I should listen to? Let
> me know if there are links where I can listen to samples.
> 
> peace
> 
> 

Re: (313) Bladerunner was Re: (313) Techno Films

[Emile Facey (Plant43)]

That's a pretty good list and includes pretty much every Blade Runner sample
that I know except - Scape One - Not Human. Which uses 'my mother, I'll tell
you about my mother' and I'm pretty sure Photek used a SFX on his stuff too.


on 16/8/04 12:47 pm, Robert Taylor at [EMAIL PROTECTED] wrote:

> Here's a list of samples used:
> http://www.sloth.org/samples-bin/samples/source?exact=Blade+Runner - though
> not particularly exhaustive technowise - it seems lots of rock and hiphop acts
> love it too.
> -Original Message-
> From: Andrew Duke Cognition Audioworks
> [mailto:[EMAIL PROTECTED]
> Sent: Monday, August 16, 2004 10:45 AM
> To: Ken Odeluga
> Cc: Anya K Stang; 313@hyperreal.org
> Subject: (313) Bladerunner was Re: (313) Techno Films
> 
> 
> 
> 
> Ken Odeluga wrote:
> 
>> Actually, I wonder what dialogue or sound effect from Blade runner have been
>> sampled? Although it's my favourite 'techno' film (poss my favourite film
>> ever too in fact) I don't seem to recall any bits of it on records. Just a
>> thought ...
>> 
>> 
>> 
>>> -Original Message-
>>> From: Robert Taylor [mailto:[EMAIL PROTECTED]
>>> Sent: Monday, August 16, 2004 12:30 PM
>>> To: Anya K Stang; 313@hyperreal.org
>>> Subject: RE: (313) Techno Films
>>> 
>>> 
>>> Blade Runner is so techno - such a rich source of samples - is
>>> there any dialogue or sound effect that hasn't been used on a
>>> techno record?
>>> 
>>> -Original Message-
>>> From: Anya K Stang [mailto:[EMAIL PROTECTED]
>>> Sent: Monday, August 16, 2004 10:23 AM
>>> To: 313@hyperreal.org
>>> Subject: RE: (313) Techno Films
>>> 
>>> 
>>> Blade Runner will always be "my" ultimate Techno film.
>>> Metropolis comes a pretty close second, then Solaris and 2001.
>>> 
>>> 
>>> 
> Blade Runner is definitely my favorite film, of any category.  So many
> levels
> to it, and it was what got me into Philip K Dick's writings as well as the
> art of sound design and scoring for visual media such as films.  The
> film has
> extra resonace because it was also the favorite film of my best friend of
> 29 years, Jason Trenholm, who died on January 1st of this year; I can
> still vividly remember the first time we watched it together.  I must
> see this film about 5 or 6 times a year and enjoy it thoroughly each and
> every time.  Luckily, it is on cable TV about once a month so it is easy
> to see often.  re: samples:  googling comes up with a site that says
> that is has been sampled by 85 groups in114 songs using 219 different
> samples. Take care. Andrew

Re: (313) anthony rother

[Emile Facey (Plant43)]

His new album is not my thing at all but I wouldn't agree that he's been
tapped out for a long time. His 'Hacker' album (2002) has some great moments
and pretty original ones too, the production is also great. The title track
of this album is where he first started experimenting with vocals and I
thought it worked really well, a brave move.

If you listen to say, 'Red light District' through to 'Hacker' I think
there's a huge progression in song writing and sound production.



on 23/7/04 1:12 am, [EMAIL PROTECTED] at
[EMAIL PROTECTED] wrote:

> IMO, Rother has been recycling the same ideas over and over. I've been
> listening to samples of his music online for a few hours now and it all
> sounds the same.
> The man is tapped out of ideas. If he was a beer keg he'd be all foam now.

Re: (313) Bad Day

[Emile Facey (Plant43)]

If I'm feeling tired but I have loads to do I always stick on Jeff MIlls
'Live at the Liquid Rooms' - better than a pot of strong coffee for
increasing your work rate! :)



on 13/7/04 5:26 pm, Matthew Mangold at [EMAIL PROTECTED] wrote:

> Not 313, but on a bad day, DJ DBs 'Acid Resistant' usually puts a huge sm:)e
> on my face.
> 
> Matthew
> 
> http://threeonethree.com
> longlivedetroitunderground
> 
> 
> 
> -Original Message-
> From: Gretchen Anderson [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, July 13, 2004 12:21 PM
> To: 313@hyperreal.org
> Subject: RE: (313) Bad Day
> 
> It's grey in SF today. But titonton duvante live at club rex is getting
> me through the morning.
> 
> osunlade - offering is another good mood adjuster.
> 
> 
> 
> -Original Message-
> From: Martin Dust [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, July 13, 2004 9:07 AM
> To: 313@hyperreal.org
> Subject: (313) Bad Day
> 
> Tell you what, I'm having a bad day - but D Wynn's - Souls In Motion
> mix is powering me through, top summer funk. What mix always cheers you
> up?
> 
> Martin
> 
> 
> 
> 
> 

Re: (313) Gerald Donald

[Emile Facey (Plant43)]

Thanks for the info all, I got it in the end! ;)

Looking forward to the new dopplereffekt!





on 25/6/04 3:44 pm, Martin Dust at [EMAIL PROTECTED] wrote:

> 25/6/04 1:32 PM Ken [EMAIL PROTECTED]
> 
>> Of course if you know the answer or have a view feel free to pipe in! :-)
>> 
>> Is Greg Wilson into anything Drexciyan? I mean, I don't know the guy, but I
>> know of a man who does!
> 
> Not sure, it may be a bit late from Greg's taste but why not ask him
> yourself, I'm a bit busy ordering Roy Rogers' Chicken and keeping info to
> meself:
> 
> Greg Wilson = [EMAIL PROTECTED]
> 
> He's playing in Newcastle tonight if anyone's interested...
> 
> Martin
> 
> 

(313) Gerald Donald

[Emile Facey (Plant43)]

As a fan of all things Drexcyen I often wonder what this guy is doing now.
Anyone out there got any info?

E 

Re: (313) Re: Koobla / Vinyl Junkies

[Emile Facey (Plant43)]

It's strange as I always found Koobla had a really good vibe. They also had
a very large electro back catalogue where I picked up loads of things that I
couldn't find anywhere else in London. Last time I was in there I got
'Transllusion - L.I.F.E' and 'Shifted Phases - the cosmic memoirs...'.

They were also really helpful when we were selling tickets for Mike Grant at
Bleep43.

Know I'll miss 'em...

Re: (313) digital producers

[Emile Facey (Plant43)]

What this seems to be boiling down to is that the more animated and into
your music you are when giving a performance to a dance floor the better?



on 11/5/04 3:05 pm, robin at [EMAIL PROTECTED] wrote:

> 
> 
> Emile Facey (Plant43) wrote:
>> I'm just reading yesterdays thread and (looking back at Alex's original
>> review) wondering why it is that the same comments haven't been levelled at
>> Scion? It sounds like they used pretty much the same set up?
>> 
>> When I saw Scion in London I didn't hear the old 'he's reading his
>> email/playing minesweeper' comments once. I think it's got something to do
>> with how animated the artist is behind the laptop. Scion were standing and
>> one of them actually moved quite a bit.
>> 
> 
> Scion were only slightly more animated than CI but did use hardware
> controllers to control parameters in Live. Their starting material (BC)
> may have been more suited to the task at hand tho. They've clearly been
> doing the live performance thing with laptops longer than Claro
> Intelecto have i think.
> 
> robin...
> 
> 

Re: (313) digital producers

[Emile Facey (Plant43)]

I'm just reading yesterdays thread and (looking back at Alex's original
review) wondering why it is that the same comments haven't been levelled at
Scion? It sounds like they used pretty much the same set up?

When I saw Scion in London I didn't hear the old 'he's reading his
email/playing minesweeper' comments once. I think it's got something to do
with how animated the artist is behind the laptop. Scion were standing and
one of them actually moved quite a bit.



on 11/5/04 1:53 pm, Odeluga, Ken at [EMAIL PROTECTED] wrote:

> Right on the button Robin. Just what I need to read. Cheers!
> 
> Ken
> 
> -Original Message-
> From: robin [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, May 11, 2004 1:48 PM
> To: 313
> Subject: (313) digital producers
> 
> 
> 
> 
> 
> ok to follow on the discussion on digital production we had yesterday i
> stumbled across these links on NI's site:
> 
> Detroit special 
> 
> http://www.nativeinstruments.de/index.php?ur_us
> 
> 
> Surgeon 
> 
> http://www.nativeinstruments.de/page.php?l_src=ur_us
>  _us> &tsr_id=4920&id=surgeon_us
> 
> John Tejada 
> 
> http://www.nativeinstruments.de/page.php?l_src=ur_us
>  interview_us> &tsr_id=14840&id=tejadainterview_us
> 
> 

(313) Rolando interview at bleep43.com

[Emile Facey (Plant43)]

Many thanks to Dan Bean who's allowed us to publish his interview with
Rolando at:

http://www.bleep43.com

I was accused of being a 'lurker' at the 313 party last night so I thought
it was about time I posted something ;)

Was a great party, thanks to all involved.

Emile

Re: (313) Bjork Recommendations...

[Emile Facey (Plant43)]

I think you're being a little harsh Ken! I never used to like her voice but
got given a copy of Homogenic a few years ago and, after a lot of listening,
really grew to like her. Not only has can she sing but she's a pretty
amazing song writer. She is also one of the only people about who puts
producers like Mark Bell and Matmos in the charts, not a bad thing in my
book.

As far as I'm concerned Guy-Manuel should have played the track regardless.

E 



on 8/9/03 10:15 am, Odeluga, Ken at [EMAIL PROTECTED] wrote:

> A few years ago I was at a gig by Daft Punk's Guy-Manuel de Homem-Christo
> (excellent, excellent dj who deliberately keeps a low profile, a lot of
> people don't even know he's also a member of that group). He was playing a
> beautiful (and wide-ranging) set and the knowledgeable crowd was being very
> appreciative. Then suddenly, the first finger-nails
> scratching-down-a-blackboard-black-board-like screeches of Bjork pierced out
> of the speakers as he decided to push the boundaries even further. I winced.
> As I glanced around, I noticed many people doing similar things, some people
> started to leave the floor. With consumate skill though, Guy picked up the
> sentiment in a flash and the track never materialized. Moral of the story:
> be as wide ranging and as experimental as you like, but pls don't inflict
> lack of talent masquerading as something else on to people who have a
> slightly more discerning ear than the average, as it just won't work!
> 
> k
> 
>> -Original Message-
>> From: Cobert, Gwendal [mailto:[EMAIL PROTECTED]
>> Sent: Monday, September 08, 2003 9:52 AM
>> To: [EMAIL PROTECTED] Org
>> Subject: RE: (313) Bjork Recommendations...
>> 
>> 
>> Actually, I'm another one who's got trouble with Bjork ...
>> This being said, I still have respect for her because of her
>> ability to bring together people from all scenes, graphically and
>> musically - look at the remixes mentioned, it almost reads like a
>> who's who of electronic music !
>> Gwendal
>> 
>>> -Original Message-
>>> From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
>>> Sent: Monday, September 08, 2003 10:45 AM
>>> To: [EMAIL PROTECTED] Org
>>> Subject: RE: (313) Bjork Recommendations...
>>> 
>>> 
>>> OK, I'll come clean - it's me. I'm the only person on this
>>> list who can't
>>> stand Bjork. Imo she's not original in any way: Bowie, Bush,
>>> Joplin, Nico et
>>> al
>>> all did what Bjork does first and a lot better + unlike Bjork, they
>>> could/can sing. People taking her songs and marrying them up
>>> to structures
>>> with a more dance floor-orientated sensibility, doesn't
>>> disguse the fact
>>> that they're bloody awful compositions in the first place.
>>> Therefore, my
>>> Bjork recommendation would be to listen to
>>> something else. My (not so) humble opinion.
>>> 
>>> k
>>> 
>> 
> 

Re: (313) brinkmann [jeff mills at lost yesterday + free mix]

[Emile Facey (Plant43)]

Cheers Ken, I'll look out for Sandeep, does he have a website?


on 29/8/03 12:04 pm, Odeluga, Ken at [EMAIL PROTECTED] wrote:

> Yeah the cd that came with the first pressing of 'Tina' has the video for
> Tina on it. I'll lend it to you mate. Those vids are made by a bloke called
> Sandeep who is brilliant.
> 
>> -----Original Message-
>> From: Emile Facey (Bleep43) [mailto:[EMAIL PROTECTED]
>> Sent: Friday, August 29, 2003 11:57 AM
>> To: Odeluga, Ken; Mark S. Krüx; 313@hyperreal.org
>> Subject: Re: (313) brinkmann [jeff mills at lost yesterday + free mix]
>> 
>> 
>> on 29/8/03 11:39 am, Odeluga, Ken at [EMAIL PROTECTED] wrote:
>> 
>>> Plus check
>>> out his videos
>> The CD of the Soul Center album has the video for 'a good one'
>> which I would
>> recommend, always puts me in a good mood (great track too). Are there other
>> Brinkmann videos I should know about?
>> 
>> 
>> 
>> 
> 

Re: (313) jeff mills at lost yesterday + free mix

[Emile Facey (Plant43)]

In Losts defense I've got to say that I think it's cool that they did
something different from the norm. I wasn't there so I can't judge for sure
but I think you're being a little harsh.



on 26/8/03 1:08 pm, Robert Taylor at [EMAIL PROTECTED] wrote:

> I don't understand why you felt cheated.
> They only showed the DVD twice for about 10 minutes at a time - Mills mixed
> into and out of the DVD segments live. The publicity claimed that Mills would
> be previewing his DVD and that's exactly what he what he was doing - he wasn't
> cheating. Only the DVD segments were pre-recorded - the rest was Mills mixing
> live, though it wasn't the most inspiring of sets
> 
> -Original Message-
> From: Quest Pond [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, August 26, 2003 11:02 AM
> To: m a t t [d]; 313@hyperreal.org
> Subject: RE: (313) jeff mills at lost yesterday + free mix
> 
> 
> Lost was pretty cool night no doubt, great atmosphere, better venue then
> heaven, except for one thing.  I was dancing around then i saw Jeff on the
> screen, went closer to the front and noticed he was actually wearing a
> different shirt to the video. The music was in time with the video and fader
> movements, so wtf was happening at the decks? Where they even on? Was that
> even Jeff there? At that point i and others felt cheated and just left.
> 
> Now i knew nothing about this DVD thing, but as far as im concerned its just
> cheating and being *^*&^* lazy. Why didn't they just put up a cardboard
> cut-out and play a DAT tape?
> 
> Sorry but pre-recorded just doesn't cut it.
> 
> Quest
> 
>> -Original Message-
>> From: m a t t [d] [mailto:[EMAIL PROTECTED]
>> Sent: 25 August 2003 7:01 PM
>> To: 313@hyperreal.org
>> Subject: (313) jeff mills at lost yesterday + free mix
>> 
>> 
>> last night's Lost was fantastic as ever... john kennedy
>> played one of the
>> best sets I[ve heard him do, including attend 2 :)  just wish
>> he'd played #1
>> I would have exploded.  plaid did a nice set of messed up
>> electronica, but
>> it didn't really move the crowd apart from some amazing
>> techno oriented
>> electronic power funk - if anyone knows what those crazy tunes he was
>> playing are please let me know! :)  steve bicknell played a
>> good set, but
>> mills was the star of the night - another amazing set,
>> including playing
>> exerts from his new dvd showing him mixing, and jeff was
>> mixing live into it
>> and back out again so for a while we were watching the
>> projection of mills
>> mixing up close :)  the crowd were fantatic - really up for
>> it - lots of
>> great dancing at the front.
>> 
>> we took some pix, check
>> 
>> http://hoc.finevinyl.co.uk/lost
>> 
>> some happy faces in there + a couple of jeff mixing.
>> 
>> when we got back we didn't sleep but carried on partying - I
>> played some
>> techno and the mix has come out really well, so please have a
>> listen and
>> give me some feedback - it features some classics and some
>> new stuff, can do
>> a tracklist if anyone wants it.
>> 
>> the mix is at
>> 
>> http://hoc.finevinyl.co.uk/mix-2003-08-26-post_lost_techno_mix.mp3
>> 
>> about 109 meg in size.  the box its hosted on is only 4 mbit, so my
>> appologies if it's a tad slow.
>> 
>> matt :)
>> 
>> .
>> [EMAIL PROTECTED]
>> 
>> 
> 
> ##
> ###
> Note:
> 
> Any views or opinions are solely those of the author and do not necessarily
> represent 
> those of Channel Four Television Corporation unless specifically stated. This
> email 
> and any files transmitted are confidential and intended solely for the use of
> the 
> individual or entity to which they are addressed. If you have received this
> email in 
> error, please notify [EMAIL PROTECTED]
> 
> Thank You.
> ##
> ###
> 
> 

Re: (313) Subject: OT? - jungle/d&b info TEX4 (UK help?)

[Emile Facey (Plant43)]

There was a great party at Fabric in London in I think '98 or '99 (ken?)
Where Metalheadz hosted one room and UR hosted the other. The two fitted
really well together. Doc Scott and Grooverider in one room, Octave One live
and Suburban Knight in the other. Even better, they had 4 hero's Dego in the
bar! If you guys are reading this - DO IT AGAIN PLEASE!!!




on 15/8/03 6:39 pm, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:

> Naturally he was inspired by me playing it at the last bleep ;)
> 
> At 06:25 pm +0100 15/8/03, Bleep43 wrote:
>> Dan Bell dropped that at his recent London gig - fantastic tune.
>> 
>> 
>> - Original Message -
>> From: <[EMAIL PROTECTED]>
>> To: "Matt MacQueen" <[EMAIL PROTECTED]>; "Odeluga, Ken"
>> <[EMAIL PROTECTED]>
>> Cc: "313" <313@hyperreal.org>
>> Sent: Friday, August 15, 2003 6:20 PM
>> Subject: Re: (313) Subject: OT? - jungle/d&b info TEX4 (UK help?)
>> 
>> 
>>> Just remembered another D&B Detroit connection:
>>> 
>>> Carl Craig remixed Jonny L's "This Time" to absolutely awesome effect
>>> - my personal favourite Carl Craig moment.
>>> 
>>> Dan
>>> 
>>> At 11:09 am -0500 15/8/03, Matt MacQueen wrote:
>> Didn't Lemon D also do a track titled simply "Detroit" ?  or maybe I am
>> confusing it with this Jazz Juice thing  sorry don't own either so
>> I can't verify, but I remember hearing it and really hearing the
>> influence/homage of it all... hmm.
> 
> Maybe he did. I know Jonny L *certainly* did have a track called
>> 'Detroit'
 
 yep that's the one, sorry mixed up my "First Name + Initial" DnB
 producers.. my bad.  Great track though  :)
 
 peace,
 Matt MacQueen
>>> 
>>> 
> 
> 

Re: (313) Over-production (WAS - Re: (313) Suburban Knight)

[Emile Facey]

Can someone define what "good" means? I agree that a DJ should play (and be
allowed to play) ANYTHING that they think works in the context of a mix, but
I don't see any point in playing crap just to get a reaction. Isn't it more
of a challenge to play something off the wall and keep people ON the dance
floor?



 

> From: Robert Taylor <[EMAIL PROTECTED]>
> Date: Tue, 4 Feb 2003 14:36:41 -
> To: "'spw'" <[EMAIL PROTECTED]>, 313@hyperreal.org
> Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
> 
> Throw people off the dance floor, you mean?
> Because a crap record is still a crap record no matter how you juxtapose it
> with another one.
> It might be a novelty to hear some ridiculous records mixed together the
> first time round but that soon palls (look at the bootleg craze), so why
> bother? To look clever? To annoy people? Or is this some kind of avant-garde
> dada experiment to challenge our expectations? ;-)
> 
> 
> -Original Message-
> From: spw [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, February 04, 2003 1:42 PM
> To: 313@hyperreal.org
> Subject: Re: (313) Over-production (WAS - Re: (313) Suburban Knight)
> 
> 
> What's the challenge in mixing only "good" records?
> Mix anything that works, if you can be clever and mix a cheesy
> trance track with a techno track why not do it just to throw people
> off?
> 
> 
> on 2/4/03 7:45 AM, Robert Taylor at [EMAIL PROTECTED] wrote:
> 
>> Why would somebody want do that in the first place? ie mix a crap record
>> with a good record.
>> I prefer to hear a good DJ mix a good record with another good record and
>> make them sound even better.
>> Surely that's the whole point of mixing?
>> 
>> -Original Message-
>> From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
>> Sent: Tuesday, February 04, 2003 1:44 PM
>> To: 'spw'; 313@hyperreal.org
>> Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
>> 
>> 
>> a good dj can 
>>> mix a Paul
>>> Okenfold record or some pop dance record with an underground
>>> techno record
>>> and make it sound cool.
>> 
>> No he can't :)
> 
> 
> Any views or opinions are solely those of the author and do not necessarily
> represent those of Channel Four Television Corporation unless specifically
> stated.  This email and any files transmitted are confidential and intended
> solely for the use of the individual or entity to which they are addressed.
> If you have received this email in error, please notify
> [EMAIL PROTECTED]
> 
> 

Re: (313) Exploring Drum and Bass

[Emile Facey]

Yeah, that mix is awesome. It was one of the mixes that made me go out and
buy some decks! But what happened to Bukem? Every mix he committed to CD
after this was a load of *hit. All his Mills/hip-hop style cut up mixing was
traded in for boring, smooth, bland intro mixes, yuk!

 

> From: "Mann, Ravinder   [CCS]" <[EMAIL PROTECTED]>
> Date: Wed, 15 Jan 2003 08:59:23 -
> To: 'FC2 Richards' <[EMAIL PROTECTED]>, "'Jongsma,
> K.J.'"<[EMAIL PROTECTED]>
> Cc: "'313@hyperreal.org'" <313@hyperreal.org>
> Subject: RE: (313) Exploring Drum and Bass
> 
> have to agree with you jeff there. I have that too. A tear jerking darker ie
> sadder section in the middle, ive tried to follow the tracks carefully and im
> think sequence of tracks on the listing doesnt match the sequence of tracks
> recorded but they do contain
> 
> one and only - pfm
> we can change the future - code of practice
> breathless - intense
> 
> rav
> 
> 
>> -Original Message-
>> From: FC2 Richards [SMTP:[EMAIL PROTECTED]
>> Sent: Wednesday, January 15, 2003 3:16 AM
>> To: 'Jongsma, K.J.'
>> Cc: '313@hyperreal.org'
>> Subject: RE: (313) Exploring Drum and Bass
>> 
>> I just picked up the Mixmag Live CD that featured LTJ Bukem, which if you
>> ask me, is the Best D&B mix I have ever heard.  My only problem with it is
>> the fact that they didn't beak the tracks down, so it is only one track
>> front to back...
>> 
>> peace
>> 
>> 
>> Jeff
>> 
>> -Original Message-
>> From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
>> Sent: Monday, January 13, 2003 7:37 PM
>> To: 'Lee Herrington IV'; m a t t [d]
>> Cc: 313
>> Subject: RE: (313) Exploring Drum and Bass
>> 
>> 
>> I lost track on Drum & Bass years ago but there was an era that it produced
>> some amazing records. I forgot most of the titles but i loved almost all the
>> PFM stuff, Certificate 18, Source Direct did some really beautiful things as
>> well! The first Logical Progression from LTJ Bukem is an essential D&B
>> compilation IMHO.
>> 
>> Nowadays most of it is the same as loop techno for me... getting on my
>> nerves :)
>> 
>> 
>> [EMAIL PROTECTED]
>> 
>> 
>> 
>>> i still pop on "paralell universe", [4hero]  from time to
>>> time.  and that
>>> "in order to dance 6" comp on r&s has some great
>>> ,"detroit-inspired" d&b
>>> works...  check out "jazz juice - deroit".
>>> 
>>> peace,
>>> lrh
>>> 
>>> -Original Message-
>>> From: m a t t [d] [mailto:[EMAIL PROTECTED]
>>> Sent: Monday, January 13, 2003 3:48 AM
>>> To: 313@hyperreal.org
>>> Subject: Re: (313) Exploring Drum and Bass
>>> 
>>> 
 of, dare I say it, soulful drum n bass.
>>> 
>>> I've been thinking about this a lot myself lately.  Back in
>>> 95 I read an
>>> interview with Alex Reece who said how much he was inspired
>>> by UR and their
>>> melodies.  Last week I went back to some of my favourite d+b
>>> records from
>>> 94 -99.  While mixing some of my favourite examples of what
>>> would later be
>>> given the kiss of death by the label 'inteligent'.  If you
>>> listen to some of
>>> the early reece, pim, wax doctor, the d+b that was put out on
>>> R&S (esp the
>>> model 500 remixes), hidden agenda, creative source stuff etc
>>> there are IMHO
>>> a lot of at least superficial similarities to the detroit sound -  the
>>> momentum of the beats, the use of strings, new sounds, eq
>>> levels in the
>>> production, use of dissonance, the funk in the spaces between
>>> the beats.
>>> Mixing them to maximise the beat and bass switches and
>>> absolutely minimise
>>> breakdowns I find it quite close in feeling and emotion to
>>> the feeling and
>>> emotion of dancing to a long deep soulful techno mix - with a
>>> big smile on
>>> my face :)
>>> 
>>> It was these tunes that started making me want to find out
>>> more about this
>>> detroit sound I was hearing about.
>>> 
>>> The mix I refer to isn't 100% perfect, but if anyone is
>>> interested I can
>>> host it for others to hear what I'm talking about.
>>> 
>>> Maybe it's just nostalgia (already!) :))  -- has anyone else
>>> experienced or
>>> thought about something similar along these themes?
>>> 
>>> Matt
>>> -
>>> [EMAIL PROTECTED]
>>> 
>> 
>> --
>> DISCLAIMER
>> 
>> De gemeente Almelo aanvaardt voor haar medewerkers geen enkele
>> aansprakelijkheid voor eventueel onjuist, onrechtmatig of
>> ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen).
>> 
>> Dit e-mail bericht is door de gemeente Almelo gecontroleerd op
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>> garantie afgeven dat al onze e-mail berichten volledig virus
>> vrij zijn. Het is daarom verstandig uw binnenkomende e-mail
>> berichten zelf op de mogelijke aanwezigheid van virussen
>> te controleren.
>> --

Re: (313) Los hermanos/trancey/Detroit techno...

[Emile Facey]

Personally I think the re-introduction of melody/harmony/song structure into
techno recently takes much more influence from old disco and house than
trance.

Funny this should come up as recently I suggested that Inspiration on UR was
very trance like with its big lead line. What I wouldn't want to see is a
scene where people are afraid of using these elements because they might be
accused of being 'trancey'. Personally I'd rather listen to Jaguar than
looped bangers any day.

emile

(313) Kevin Saunderson

[Emile Facey]

Does anyone have any info on when Kevin Saunderson might be/is playing in
London (UK) at all? I've only seen him twice (Lost and Fabric) and he
totally blew me away both times.

Emile 

Re: (313) SLICES #3

[Emile Facey]

I know this post is a little old now but I only joined the list today!

Just wanted to say a big thank you to everyone that came down to Slices 3,
to everybody that played for us. It was very cool!! Really good to meet all
you nice people and thanks for all your comments, it makes it all worth it.

I'll be getting pictures up on Bleep43 very soon ( if they come out! )

Cheers

Emile (plant43)