AW: AW: (313) Birthday greetings

[Katrin Richter]

Hey Alex and everyone,

I will report duely!!! I was there the last two years, it was one of the
most mindblowing experiences in my life which made me a true follower of the
Oirish scene! I love them. And their harwses!

Check www.deafireland.com

I posted this a while ago - and no one reacted on it, serious!!! I thought
there was some politics, and I am glad to hear it's not. So everyone must
have been sound asleep on that particular date!

Peace
Kat



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 21. Oktober 2004 12:02
An: 313@hyperreal.org
Betreff: Re: AW: (313) Birthday greetings

>Happy bday to you all cosmic brothers and sisters

Hey, Happy birthday Kat! Enjoy your day.

Ahhh, the cosmic love.

>Will be off to DEAF in Irland tonight

O. Send us a report! I read something in the Guardian at the weekend
about the DEAF, tried to find it on the site to post here, but couldn't
find it
Looks like a great event.

Alex


_

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AW: (313) Birthday greetings

[Katrin Richter]

It's my birthday today as welll How crazy is that?! Am 29 now.

Happy bday to you all cosmic brothers and sisters

Will be off to DEAF in Irland tonight, checking out Blake Baxter, the
legend... I love his old stuff he did on tresor in 1992 If any of you
shiney happy people go there, please hit me back asap

Peace
Kat




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 21. Oktober 2004 11:47
An: 313@hyperreal.org
Betreff: (313) Birthday greetings

Well, I'm off topic, but I'm past the point of caring.

Many Happy Returns to:

My Mate Bez (Last night) p.s. I met Bez's dad last night and he is the
world over 50's bog snorkelling champ. Beat that.

Greg Earle (today!)

Robin Pinning (tomorrow)

Me (tomorrow)

Danny Webb (25th) Danny's a lurker.

That is all.

Bye

AW: (313) If

[Katrin Richter]

Hey 313, wazzup...?

Mark, where did you get the "city in the clouds" quote from? Would be
interesting to know as "city in the clouds" could be a poetic translation
for the German word "Wolkenkuckucksheim" - "clouds cuckoo's home": Someone
living there is something like a loopy lunatic. Wondr if this is what Oswald
tried to insinuate?

However, trying to find a quote of Oswald stating that, I stumbled across
this article about Berlin in 1998 which might be a good read furthering
Berlin as being a creative antipode to Detroit.

http://homestudio.thing.net/revue/content/eshun.htm (english) - it's about
Basic Channel, Chain Reaction and Porter Ricks.

And this page is about Berlin, Manchester and Detroit -
http://www.circonium.de/index.html  (english) - creative hubs that clearly
influence each other, no city, idea or person is isolated! It's all
intertwined!

Peace
Kat



-Ursprüngliche Nachricht-
Von: marc christensen [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 22. September 2004 07:04
An: Martin Dust; 313@Hyperreal.Org
Betreff: Re: (313) If

Why has no one mentioned Inkster?  Or Belleville itself?  Or Ann
Arbor?  They're cities too!

Sorry, alex has been such a cheeky devil in this thread, I wanted in
on the game too.

-m

PS my vote's for whatever special "city in the clouds" that Moritz
Von Oswald clearly lives in.  I assume (perhaps incorrectly) that
this means Berlin.  Every time I hear a Basic Channel / Maurizio /
3MB / Quadrant, I think I've been transported into a Mills set.


At 3:51 PM +0100 9/21/04, Martin Dust wrote:
>If Detroit is the First City of Techno, which IYHO is the Second...
>
>Cheers
>Martin

AW: (313) If

[Katrin Richter]

Maybe this has been posted before... but in any case, it ties in nicely with
the "If" dicussion as it evaluates the role of delelict industry as a factor
for the emergence of Techno - in Berlin!!!


Peace from Dortmund - highly industrial, derelict but no Techno anywhere
Kat





 ---
-

SHRINKING CITIES MUSIC ///
Live Acts, lectures, discussion groups, films, parties

Thursday, September 23 - Saturday, September 25
Palast der Republik, Schlossplatz, 10187 Berlin
In the framework of the project "Volkspalast" (Aug. 20 - Nov. 9, 2004).
In cooperation with the WMF, visuals by Pfandfinderei, supported by the
British Council, Berlin, De:Bug, Geier-Tronic.

Music ///
Th, Sept. 23, from 10 p.m.
Messer für Frau Müller live (What's So Funny About, Solnze Rec. / St.
Petersburg)
Errors live (Glasgow)
Freeform live (Warp, Nonplace / Brighton),
Dave Haslam (Haçienda / Manchester),
triPhaze + Rev. Benn Schipper (Privatelektro / Leipzig),
Oleg Kostrov (Messer für Frau Müller / St. Petersburg)

Fr, Sept. 24, from 10 p.m.
Clueso live (Four Music / Erfurt)
Tim Wright live (Novamute / Glasgow)
808 State DJ-Team (Circus Rec. / Manchester)
EU/2h Company (Chebu Rec. / St. Petersburg)
Rec de Weirl (Lanetic / Leipzig)
Miss Mira (Lanetic / Leipzig)

Sa, Sept. 25, from 10 p.m.
Richard H. Kirk live (Cabaret Voltaire, Mute / Sheffield)
FSK live (Disko B / FFM)
Derrick May (Transmat / Detroit) TBC!
Dex (Underground Resistance, Detroit)
Franki Juncaj (Motech / Detroit)
AN 2 (Was Not Was, Izhevsk/St. Petersburg)
Lowtec (Playhouse, r.a.n.d. Muzik, Leipzig)

Lectures, Discussion Groups, Films /// Th, Sept. 23 and Sa, Sept. 25
In shrinking cities like Detroit (USA), Manchester, Liverpool, Sheffield
(UK), and Izhevsk (RUS), significant music cultures (Punk, House,
Hip-Hop,
Techno, and Electro) arose precisely in the times of urban crisis. They
have sometimes had a significant influence on the cities' development.
Shrinking Cities Music acoustically and theoretically addresses the
question how music production developed and established itself in
shrinking cities. Are shrinking cities especially productive sites for
music? How is the city reflected and thematized in music production?
Shrinking Cities Music comprises discussion groups, live performances,
and
parties.

Further information: http://www.shrinkingcities.com/music.html

Th, Sept. 23, 7-10 p.m.
Panel 1 /// "Appropriating the City in the Post-Socialist Upheaval"
(Ger.)
With Steffen Kache (Distillery, Leipzig), Ralf Donis (Ilses Erika,
Leipzig), Oleg Bogdanov (Light Music, St. Petersburg). Moderation: Jörg
Augsburg (POP UP, Leipzig).

Panel 2 /// "Reinventing the City through Music" (Eng.)
With Dave Haslam (DJ and author, Manchester), Drew Hemment (Future
Sonic,
Manchester), Jayne Casey (afoundation, Liverpool), Klaus Overmeyer
(landscape architect, Berlin). Moderation: Philipp Oswalt
(architect/journalist, Berlin).

Film Lounge ///
"Made in Sheffield", Director: Eve Wood, USA 2004
"Strange Früt", Detroit Culture Part 1, Rock Apocrypha, Destroy all
Monsters USA 1998 and other films, all orig. vers.

Sa, Sept. 25, 4-9 p.m.
Panel 1 /// "The City as Originator (Independent Mainstream)" (Eng.)
With Jeff Mills (DJ, Detroit/Berlin), Dimitri Hegemann (Tresor, Berlin),
Thomas Meinecke (journalist/musician, Eurasburg). Moderation: Alexis
Waltz
(music journalist, Berlin).

Panel 2 /// "Black Brand? (Image of Techno)" (Eng.)
With Nelson George (culture critic, New York), Justin Hoffmann
(curator/musician, Wolfsburg), Diedrich Diederichsen (pop theoretician,
Berlin). Moderation: Markus Müller (author/curator, Münster).

Film lounge ///
"Modulations", Director: Iara Lee, USA 2003
"The Last Angel of History", Director: John Akomfrah, Black Audio Film
Collective GB/D 1995


Admission /// to lectures/discussion/film lounge: 5 Euro per day
Admission to the music program (from 10 p.m.): Th: 8 Euro, Fr: 10 Euro,
Sa: 12 Euro
Advance ticket sales: Ticket Office HAU 2 daily Noon-19 p.m., Tel. 25 90
04 27, or Ticket Office Palast der Republik, Schlossplatz, daily 3-6
p.m.,
Tel. 030-20 91 46 80, and at all ticket outlets.

Music concept: Alexandra Dröner, Johanna Grabsch, Katrin Hallenberger;
Theory/Film Lounge concept: Doreen Mende, Philipp Oswalt; Production
manager: Andreas Sachwitz.

Press contact: Astrid Herbold, Shrinking Cities Project,
Eisenacherstraße
74, D-10823 Berlin, Phone +49 (0)30 81 82 19 06,
[EMAIL PROTECTED]

Shrinking Cities is a project of the Kulturstiftung des Bundes [Federal
Cultural Foundation] in cooperation with the Museum of Contemporary Art
Leipzig, the Bauhaus Dessau Foundation and the magazine archplus.



-Ursprüngliche Nachricht-
Von: Stewart Caig [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 21. September 2004 17:39
An: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Betreff: Re: (313) If

> >us the whole
> >warehouse/summer of love/rave/acid house/Orbital parties call it what you
> >like scene blo

AW: (313) Kenny Larkin/Dark Comedy album

[Katrin Richter]

New Kenny Larkin album! For your interest... the official press release!

DARK COMEDY-MUSIC SAVES MY SOUL

SELF-OBSESSION, it's the 21st century epidemic. M-m-my generation has become
the me-me-me generation and reality has become a TV show which turns our
next door neighbours into stars that flicker and die in the blink of an eye.
It's Warhol's fifteen minutes reductio ad absurdum, Alice navel-gazing
through the looking glass. And while our cathode ray icons relentlessly
chant "mirror, mirror on the wall ..." the myth of Narcissus -  condemned to
waste away adoring his own image -  seems entirely apposite.

Earlier this year was perfect timing then for Detroit techno legend Kenny
Larkin to deliver his long-awaited new album. After all, it's was roughly
seven years since his last release. The Narcissist - 11 carefully considered
electronic gems guaranteed to provide an antidote to the superficial whirl.
>From the swooning synthetics of Fake French to the seductive, undulating
groove of In The Meantime, it reflects both where he's been and where he's
coming from now.

Larkin returns with his second release for 2004, under his alter self, Dark
Comedy with, quite arguably, his most impressive, and important release to
date.

Titled, Funk Faker: Music Saves My Soul, Larkin wastes no time in
establishing himself as one of Detroit's most intriguing and multi-faceted
talents. Exploring the full range of his musical persona, Larkin pushes
himself to tap into a soulful side of him that although present in his
earlier releases, finds itself deeply entrenched in, and modeled after
African American music from years' past. He unapologetically leaves no
ambiguity about his intentions. Which, is to remind others how and why soul
music, in it's many shapes, sizes, and guises, undeniably taps the most
primal emotional and moral attributes that makes a human, a human being.

This is electronic black music in it's rawest, purest form. Stripped of
slick, modern day production techniques, polished vocals, and mechanically
quantized melodies, Larkin instead focuses on funky, laid back organ solo's,
James Brown-esque horn stabs,  bluesy guitar riffs reminiscent of John Lee
Hooker, and Larkin's self narrative, comical, blues-style vocals. Larkin
thrusts himself into a genre not yet discovered by his electronic
contemporaries from Detroit, or quite arguably anyone for that matter, by
mixing blues, funk, jazz, house, and a pinch of techno.

 Funk Faker: Music Saves My Soul 's aim is not to be dissected, and
analyzed, it's purpose is to be felt. Larkin's unique interpretation of the
many black genres of music, that inspired him as a child, leaves the
listener with only one option...tap your feet, and move your ass. Witness
why African American music, in any form, continues to influence almost every
genre of music today.

Dark Comedy- Funk Faker: Music Saves My Soul will be released on Poussez in
November.




-Ursprüngliche Nachricht-
Von: Greg Earle [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 16. September 2004 23:42
An: 313@hyperreal.org
Betreff: (313) Down-on-his-luck Techno artist forced to shill for
Afro-American product

"HOLLYWOOD, CA (AP/313) -

  FOR IMMEDIATE RELEASE

  PHOTO CAPTION

  Former world-famous Techno DJ & Producer Kenny Larkin is shown here in
  this photograph, dated September 14th 2004, shilling for Afro-American
  product ``Black Again''.  ``After I moved to Los Angeles, I started
  losing my Blackness," Mr. Larkin stated.  ``I started dancing off-beat,
  like White people.  I needed to get my groove back.  I started using
  ``Black Again'' and was so impressed with the product that I am now
  a spokesman''.  Mr. Larkin would not comment when asked if his Techno
  fortunes were at such a low ebb that he was forced to shill for the
  product to support himself."

http://mine-mine.mine.nu/DarkComedian.jpg

AW: (313) Wighnomy Bros

[Katrin Richter]

Robag also releases as Beefcake



-Ursprüngliche Nachricht-
Von: Simon Hindle [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 14. September 2004 00:40
An: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]; 313@hyperreal.org; [EMAIL PROTECTED];
[EMAIL PROTECTED]
Betreff: RE: (313) Wighnomy Bros

Yeah, Robag is one of the brothers; the other one is Soren Bodner,
though I don't know much about him or his solo releases (if there are
any).

>>> <[EMAIL PROTECTED]> 14/09/2004 3:30:17 am >>>
i'm quite certain rhobag is one of the whigomy bros.



On Wed, 8 Sep 2004, John Osselaer wrote:

> True! This Robag Wruhme guy certainly got my attention as well.
During my
> last 'hunting trip' at the Kompakt store in Cologne I found a number
of his
> releases and they are really good. Still need to check most of the
Wighnomy
> Bros material though.
>
>
> John
> ---
> http://www.technotourist.org
> [EMAIL PROTECTED]
>
> -Original Message-
> From: Simon Hindle [mailto:[EMAIL PROTECTED]
> Sent: woensdag 8 september 2004 1:08
> To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; [EMAIL PROTECTED]

> Cc: 313@hyperreal.org
> Subject: (313) Wighnomy Bros
>
> I just want to second this claim on the wighnomy bros' awesomeness -
> practically everything they're touching at the moment is gold. Also
Robag
> Wruhme (who I suspect is most definitely the business part of the
> brothers) is similarly aflame. Check their limited edition WB
releases on
> their own label, which feature a novelty bootleg on one side (so far
Born
> Slippy, Hide U by Kosheen and a Busta Rhymes vocal have been given
the WB
> treatment) and a quality click-tech cut on the flip.
>
> Robag's Wuzzelbud 'KK' album is solid, as is his Kopfnikker EP (both
on
> Musik Krause) and also check out his remix of P.Lauer's "Free Entry
For
> Girls" on Punkt. There's also a live set of the Wighnomy Bros at
Sputnik
> doing the rounds on soulseek and that's just wild.
>
> They're blowing up bigtime at the moment and their remixes are all
over the
> place right now - they're in serious danger of displacing Akufen at
the top
> of my list of 'Producers Madonna will get to do her next album for
her'
>
> >>> "Carlos de Brito" <[EMAIL PROTECTED]> 8/09/2004 7:23:25 am
>>>
>
> oh and...: did i already mention that wighnomy bros. are doing it
every
> time, with every release? check' em out, they are incredible. imho,
actually
> the best minimal/maximal/micro/macro-house/techno-producers
> around...:)!
> www.wighnomy-brothers.de
>
> #euphoric mode off#
>
> c.
>
>
>
>
>

(313) DEAF in October - anyone going?!

[Katrin Richter]

Hey 313 list!
I dunno if anyone here (except Eamonn :)) went to the previous two issues of
Dublin Electronic Arts Festival, but it's highly recommended for anyone in
Europe to attend this event as it's really worth it. I went both times and
was amazed. I checked Ryanair, and people from all over Europe can afford
swing their Detroit loving booties to Brussels and catch a flight for as
little as one cent if they book today (flying out on Oct 20 and returning
Oct 26). Maybe we could even organise sharing a car to get to Charleroi. And
we should definitely get together for a drink if anyone of you guys heads
there.
This year's edition will see Juan Atkins, Blake Baxter, Robert Hood, DJ
Bone, Riley Reinhold, Ron's Mobile Disco, The Horrorist, The Producer, Manu
le Malin, Simon Conwy, Invisible Agent, David Donahoe, Visitor aka Mark
Broom & Dave Hill, Fatima Yamaha aka Comtron/Seymore Bits, Ivar Tonso,
Donnacha Costello, Rob Rowland, Five Green Circle, Americhord, ACU, Ikeaboy,
Chymera, Paradox, Naphta and many many more. Robert Moog's film will be
shown, and there will be panels and open lap top conventions etc. Plus
Dublin is a great place to go and I am looking well forward to harrrveh a
pinth of guinessh with myh harrrwses! Check www.deafireland.com.
So who is there and up for it?!
Peace
Kat

(313) Theo Parrish in Offenbach near Frankfurt this Friday

[Katrin Richter]

Freitag, 27.08.2004
AEROBIC
@ Robert-Johnson, Offenbach bei Frankfurt

Theo Parrish
Ata
Gerd Janson

Eintritt 10 €

Es gibt nicht viele Typen vom Schlage eines Theo Parrish. Missionar,
beseelter DJ, Ausnahmeproduzent und man with a vision in einem, fällt es
schwer, passende Vergleiche für ihn zu finden. In Chicago aufgewachsen,
begann er sich schon sehr früh für Musik zu interessieren und der holy ghost
of house music veranlasste ihn schon im zarten Alter von 13 Jahren erste
Tracks zu produzieren. Eben so, wie es sich für echte amerikanische Deejays
gehört. Neben seinem Onkel und Jazzmusiker Dexter Sims, beeinflusste ihn
dabei vor allem die erste Welle Chicagoer Radiojocks und House-DJs wie Ron
Hardy, Larry Heard, Lil' Louis, Farley Jackmaster Funk und Frankie Knuckles.
Die Quersumme daraus ergibt dann auch ein typisches Parrish DJ-Set. Jack
Trax aus Chicago treffen auf Techno aus Detroit und vintage Disco.
Angereichert wird das ganze Menü durch manisches Schuften am Equalizer.
Entertainment galore. Seit seinem Umzug nach Detroit 1994, hat er nicht nur
für Daniel Bells 7th City Distribution gearbeitet, auf Elevate und bei
Busenfreund und Zechkumpan Kenny Dixon Jr. veröffentlicht, sondern auch sein
eigens Label Sound Signature an den Start gebracht. Das wurde schnell zu
einer der verlässlichsten Adressen in Sachen House aus Detroit, trägt
tatsächlich ein ganz eigenes Soundprofil und wird von nicht wenigen Menschen
mit fast schon religiösem Eifer gesammelt. Gleiches gilt für Parrishs Ugly
Edits Serie, die Songs und Tracks aus seinen DJ-Sets in den ach so beliebten
und rohen Parrishfassungen zugänglich macht. Was soll man noch groß sagen?
Das hier ist der ganz heiße Scheiß.

Mixtape:
http://www.deephousepage.com/TheoParrishMethodsofMovement1.ram
http://www.deephousepage.com/TheoParrishMethodsofMovement2.ram

www.soundsignature.info



ROBERT-JOHNSON-NEWSLETTER 25.08.2004 -- RAMONA[NL]Robert-Johnson[NL]Nordring
131[NL]63067 Offenbach am Main[NL][NL]T +49 (0) 69 821 213[NL]F +49 (0) 69
800 431 [EMAIL PROTECTED]

AW: (313) Which Techno Track - Grex MFX8

[Katrin Richter]

Hey Peepz,

Check the page. Ben Long (Space DJz) invested some money too:

http://www.grexultra.com/erol.html

Peace
Kat



-Ursprüngliche Nachricht-
Von: Martin Dust [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 18. August 2004 12:01
An: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Betreff: Re: (313) Which Techno Track

What we talking about AK-47?

Chris McCormack is on fire at the moment - he's got a blistering track
called Skyline coming out on Flux - proper jacking belter.

The MFX unit is out, Claude and James Ruskin are doing stuff with it at
the moment...

Martin

On 18 Aug 2004, at 10:39, [EMAIL PROTECTED] wrote:

>
>> it's t
>> opening track of that Paula Temple Live At Supercollider mix that was
>> up on Little Detroit ... er, ah ... oh dear
>
> had a dig around on Little Detroit to see Greg but couldn't find the
> mix,
> maybe Martin still has it?
> Looks like the evil imperialists win again. Oh well.
>
> Speaking of Paula Temple, that posh mixer box she had, has it been
> released
> yet does any know?
> also can anyone remember the link for it?
>
> Ta
>
> Alex
> _
>
> - End of message text 
>
> This e-mail is sent by the above named in their
> individual, non-business capacity and is not on
> behalf of PricewaterhouseCoopers.
>
> PricewaterhouseCoopers may monitor outgoing and incoming
> e-mails and other telecommunications on its e-mail and
> telecommunications systems. By replying to this e-mail you
> give your consent to such monitoring
>
>
>
>

AW: (313) you listen to techno?

[Katrin Richter]

I work for a Techno magazine and get raised eyebrows for not wanting to
listen to the commercial radio my co workers are all "okay with it".
That's really bad methinks but for that kind of "elitist thinking" I get
even more raised eyebrows. I feel quite misunderstood.



-Ursprüngliche Nachricht-
Von: Sean Creen [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 15. Juni 2004 14:50
An: [EMAIL PROTECTED]; 313@hyperreal.org
Betreff: RE: (313) you listen to techno?

My co-workers don't seem too phased by my techno listening habits - its when
I take off my headphones to talk to people and Whitehouse or Merzbow is
blaring out that I get a few raised eyebrows :))

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 15 June 2004 13:25
To: 313@hyperreal.org
Subject: (313) you listen to techno?



  ...just started working with my current employer about a month ago.  desk
job, cubicle, plenty o' coffee.  anyway, there's a fairly relaxed policy
towards music in cubicles.  as a result, i spend most of my 8hrs. with great
house and techno pumpin' out of my little PC speakers.  naturally, this
being suburban america, i am the only commuter listening to the music of
this list for about 60 miles in all directions.
   i get my fair share of raised eyebrows and cheeky comments from
co-workers that are not familiar with my "weird bass music".  i'm all alone
in a sea of alarmist talk radio, and toby keith anthems.  i'm just curious
if any other list-members are immersed in a similar environment.

cheers,
lrh

AW: (313) om 2004 june 18-24 full details

[Katrin Richter]

Hey Neil,

I love the Om concept and would love to go there (and help as a volunteer).
Don't let the city kid get on your nerves :)! He might be heading to some
hippie do like Glastonbury in the UK and then tell his yuppie mate how
wicked it was to camp in the Somerset fields shouting bollox! Off his 'ead
on shrooms.

Peace
Kat



-Ursprüngliche Nachricht-
Von: Neil Wiernik [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 11. Juni 2004 17:59
An: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Betreff: Re: (313) om 2004 june 18-24 full details


what ever man I didnt write this sorry om isnt cool enough for you but I
have to sayt as far as candidian promoters go these people are solid
people Ive played for them 3 years in arow now and not one time have I had
a problem and when I did the clonk stage fro them 3 years ago they
supported the project well beyond what they needed to...
I didnt see people sticking up thier snotty techno noses in past years
when I had them book todd sines, kerri o, machine, kero (hows playing this
year also) and so on... so get a life and grow up


On Fri, 11 Jun 2004 [EMAIL PROTECTED] wrote:

>
>
>
>
> >entwined amidst the magical Canadian wilderness.
>
> sorry but who the hell talks like this anymore?
> all seems a bit too "Baggins" don't it?
>
> MEK
>
>
>
>
>   Neil Wiernik
>   <[EMAIL PROTECTED]To:   313@hyperreal.org
>   g>   cc:
>Subject:  (313) om 2004
june 18-24 full details
>   06/11/04 07:57 AM
>
>
>
>
>
>
>
>
> OM Summer Solstice Festival 2004, June 18-21, Ontario, CANADA
>
> The OM Summer Solstice Festival is an annually anticipated gathering of
> global and local networks in rural Ontario, Canada. It is the opportunity
> to unite as one movement in celebration of music, art, activism and
> forward thinking.
>
> Its a place to create and inspire, a space to educate and empower and most
> importantly, a chance to unite and celebrate the strength of our
> community. We invite you to join us for 4 days together under the sun and
> stars while the midsummer night and longest day of the year converge.
>
> This year, OM will include diverse sights and sounds. Eight sound villages
> will feature a cross-section of live musical and visual performances, djs,
> and workshops - all presented in a comprehensive edutainment environment.
> In addition to the creativity YOU bring, we will host inspiring talks, art
> installations, theme villages, a healing annex, a freeskool, a film
> festival, an art gallery, and a free community kitchen all entwined amidst
> the magical Canadian wilderness.
>
> The OM Festival was born 7 years ago and as each year passes, it continues
> to organically develop into a thriving and radiant entity of free
> expression.
>
> Spread the sound
>
> Yes! Om has a NEW location for this year! One we have never used before.
> The amazing site features lots of shade for camping, a spectacular pine
> forest, gently rolling green hills and open fields, and of course, water
> for swimming.
>
> We realize many of you want to know where Om is. However, we will not be
> disclosing the location of Om until closer to the solstice.
>
> The location of the festival is accessible by foot, bike, BUS or car. It
> is located in the Ottawa Valley corridor conveniently between Toronto
> Ottawa and Montreal. It is a 3.5 hour drive from Toronto. 2.5 hours from
> Ottawa and 4 hours from Montreal. For planning sake, aim in the direction
> of Bancroft, Ontario, and imagine a 30 minute to 40 minute drive along
> back roads from there. keep checking www.omfestival.ca for the location
> details closer to the festival date.
>
> In the sprit of the non-spectator, participant economy that we try to
> cultivate at OM, while attempting to build some sort of year round
> sustainable member based community, weve really tried to keep prices fair
> this year, by offering the following annual membership options:
>
> OMERS - $90 advance
> These are Memberships for general participants of the festival.
>
> VILLAGERS - $80 (limited supply - SOLD OUT!)
> To encourage community involvement, these Memberships are reserved for
> those groups who organize and participate as part of a Theme Village.
> These Memberships are in limited supply. **Unfortunately the deadline for
> Theme Villages has passed for 2004. Hope to hear from you next year!**
>
> OMIES - $30 (limited supply - SOLD OUT!)
> To further encourage community involvement, these Memberships are reserved
> for those participants who wish to take on volunteer shifts at this years
> festival. We offer these Memberships in exchange for 8 hours of work (2 4
> hour shifts). These Memberships are also in limited supply. **The deadline
> to register was June 3 and we have filled all volunteer positions. For
> more information on volunteer memberships click here and look under
> participate > volunt

AW: (313) no (ellen) alliens in nyc

[Katrin Richter]

Hey Resistance,

all Ellen did was trying to enter through Canada. I phoned Bpitch to ask for
the details. If she would have tried to enter from Germany, apparantly, her
visa would be okay. Does anyone know why the US is so restrictive with
people coming from just across the boarder Shema to see that the bookers
cannot react to the quick changes of law and order and custums. It's totally
random and no one knows what's going on.

Peace
Kat



-Ursprüngliche Nachricht-
Von: Carissa Tintinalli [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 18. Mai 2004 01:54
An: 313@hyperreal.org
Betreff: Re: (313) no (ellen) alliens in nyc

P.S. Also no CLaude Young.

>>From his post on DetroitLuv.com:

"There was a misunderstanding with the booking for movement / demf. I am
only playing at the 7th City event, it is my label after all and the main
reason i decided to come home in the first place. Movement will be
spectacular and i will be there in the streets (probably with Shake & Dan
having a good time and visiting friends and family). but the festival
doesn't need me to be there to happen. Im only involved in my labels event
due to time constraints on my schedule in the USA. I fully support the
Movement festival 100%. So check it out if you can and ill see you down town
for a beer and a chat, 4 SURE!!! C out.."

(link:
http://www.detroitluv.com/index.php?board=31;action=display;threadid=14685;s
tart=90)

_

AW: (313) Workout Tracks

[Katrin Richter]

I don't work out. I go in clubs and dance. Which makes me get drenched in
sweat. I tried to go to a gym but it bored me to death.
Even with a music playing device I could not entrance myself to the degree I
didn't know how I got there. So I started doing sports outdoors. With real
people.




-Ursprüngliche Nachricht-
Von: Marc Langsman [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 14. Mai 2004 18:37
An: doris; Thorin Teague
Cc: 313@hyperreal.org
Betreff: Re: (313) Workout Tracks

It'd have to be some Funk/Deeon - Shake what yo mama gave ya !

I have to confess I have actually listened to ghetto in a gym before - makes
the whole experience a lot more amusing :)

peace,
marc

- Original Message -
From: "doris" <[EMAIL PROTECTED]>
To: "Thorin Teague" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Friday, May 14, 2004 5:35 PM
Subject: Re: (313) Workout Tracks


> carl craig's 'the workout' - duh =P
>
>
> On Fri, 14 May 2004, Thorin Teague wrote:
>
> > Dunno if this ground has already been covered, but I'm curious to know
who
> > likes what tracks/artists for working out? Do you like the more
loud/banging
> > stuff, or more subdued music? I can go either way.
> >
> > I find myself listening to:
> >
> > Dale Lawrence, Plastikman, Green Velvet, Jay Denham, Dopplereffekt, Daft
> > Punk, Suburban Knight, Mad Mike, Rob Hood (c. 1994-1996), and who knows
what
> > else.
> >
> > I generally look to go into sort of a trance (pardon the expression, I'm
in
> > no way referencing euro-cheesehead techno), not unlike what Mr. Cox is
> > describing here.
> >
> > Thomas D. Cox, Jr. writes:
> >
> > > ive been listening to that CD when im working out, it can get
> > > really intense, i close my eyes and when im done, im drenched in
> > > sweat and cant remember how the time went by. its also good for
> >
> >
> >

AW: (313) Laurent Garnier

[Katrin Richter]

Here's bits of the Laurent Garnier newsletter in case someone is interested
in Laurent's hot picks..

"Check the website You will find a long long long playlist with 40
dancefloor tracks of BRYAN ZENTZ, FABRICE LIG, FUNK D VOID, JORIS VOORN or
VINCE WATSON... And always the selection of electronic albums and other cool
stuff... 2 months without playlist, Laurent was late... So... Enjoy !
www.laurentgarnier.com"



-Ursprüngliche Nachricht-
Von: Robert Taylor [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 27. April 2004 17:53
An: Kent williams; 313 list
Betreff: RE: (313) My take on Laurent Garnier

I was at the gig Martin was at and he was quite disappointing - He played a
'party' section as if he was a at a student's union. He played Out Of Space,
which was welcome last year at Sonar, but when he drops it in set after set,
the novelty wears off a bit. He played an inexusable half hour of execrable
nuskoolbreaks.  He also played some excellent stuff but he certainly seemed
a shadow of his former self -  every set was full of surprises in the old
days and he did seemed to be treading water on this occasion - last year's
Sonar set was one of my favourite clubbing experiences ever, so I am not
'hating' him, just demonstrating why Martin made those comments about him

-Original Message-
From: Kent williams [mailto:[EMAIL PROTECTED]
Sent: Tuesday, April 27, 2004 2:45 PM
To: 313 list
Subject: (313) My take on Laurent Garnier


After all the hooting and hollering, I think a couple of things need
to be said:

1. Laurent is one of the O.G. Technotourists, who started coming to Detroit
to hang out and play years and years ago. He is every bit the fan as you or
I. He LOVES Detroit -- the music and the city and the people.

2. While he's not the only producer in France, or the first, he is one of
France's true pioneers in Dance music, and is a hero to French kids. France
is in its own way as insular and conservative as the US, and Laurent
introduced
and championed US house and techno to an audience that isn't always
receptive
to new music from elsewhere. His infectious enthusiasm for the music, and
his skills in reading and motivating a crowd, allows him to lead and educate
an audience.

If you don't like him, or were underwhelmed when you saw him, that's fine..
It's horses for courses.  I only like some of what he's done as a producer.
But I will always have huge respect for what he's accomplished


#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent
those of Channel Four Television Corporation unless specifically stated.
This email
and any files transmitted are confidential and intended solely for the use
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individual or entity to which they are addressed. If you have received this
email in
error, please notify [EMAIL PROTECTED]

Thank You.

#

(313) 313ers going to Clone party tomorrow in Cologne?

[Katrin Richter]

Heya ho!

Just wondering if any one is in Cologne tomorrow - expecting to see you
Arne, Mr Formic and the Substance lot!!!? Not sure if I can make it, but it
would be good to see D.I.E. - they completely trashed their equipment at
Dedbeat, I heard!

Peace
Kat




-Ursprüngliche Nachricht-
Von: Southern Outpost [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 29. April 2004 18:45
An: 313@hyperreal.org
Betreff: (313) 313'ers going to Clone party tonight in Amsterdam?

Heya all,
Any 313 peepz in Holland heading to the Clone Records party tonight
in Amsterdam? If so, it would be good to meet up! Otto, Wibo

Peace,
Patrick.
--
--
Southern Outpost - Sydney.
Distribution: Submerge, Detroit
http://www.southernoutpost.com
Infiltrating your sound systems.
--

AW: (313) jeff mills

[Katrin Richter]

Does "the real" Mills know :)?



-Ursprüngliche Nachricht-
Von: robin [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 22. April 2004 16:44
An: [EMAIL PROTECTED]
Cc: Neil Tomlinson; [EMAIL PROTECTED]; 313@hyperreal.org
Betreff: Re: (313) jeff mills


and did he know his name was rhyming slang? lol

robin...


[EMAIL PROTECTED] wrote:
> yeah I reckon we should all sign it and say how much we appreciate his
contribution to electronic
> music :)
>
>   -Original Message-
>   From: Neil Tomlinson [mailto:[EMAIL PROTECTED]
>   Sent: Thu 22/04/2004 15:22
>   To: [EMAIL PROTECTED]; 313@hyperreal.org
>   Cc:
>   Subject: RE: (313) jeff mills
>
>
>
>   Guestbook is very funny
>
>
>
>   -Original Message-
>   From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>   Sent: 22 April 2004 14:36
>   To: 313@hyperreal.org
>   Subject: (313) jeff mills
>
>
>   http://www.jeffmills.co.uk/
>
>   : )
>   _
>
>   - End of message text 
>
>   This e-mail is sent by the above named in their
>   individual, non-business capacity and is not on
>   behalf of PricewaterhouseCoopers.
>
>   PricewaterhouseCoopers may monitor outgoing and incoming
>   e-mails and other telecommunications on its e-mail and
>   telecommunications systems. By replying to this e-mail you
>   give your consent to such monitoring
>
>
>
>

AW: (313) the future (a different approach)

[Katrin Richter]

I am really exited about the fact that anything is possible. I am my own
future.



-Ursprüngliche Nachricht-
Von: Ronny Pries [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 21. April 2004 14:02
An: 313
Betreff: Re: (313) the future (a different approach)

since this thread seems to be related to the things we know for a long
time, i'd be interested in your 2 latest discoveries of which you think
they are new (you didn't know them before). may it be websites,
movements, phenomenas or a band you just discovered, whatever. i'm
pretty sure there are things to discover others didn't know before but
are worth beeing checked out. i'm curious about the results.

ronny

AW: (313) the future

[Katrin Richter]

I agree. I prefer art that is self explanatory and appeals to the
onlooker/listener without needing a theory to support it.



-Ursprüngliche Nachricht-
Von: Dennis DeSantis [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 21. April 2004 13:24
An: ha
Cc: 313@hyperreal.org
Betreff: Re: (313) the future

ha wrote:

>  maybe it
> wouldn't be very entertaining and maybe you wouldn't even have to actually
> see / hear it to get the idea

To get the idea of the concept, maybe.  But to get the idea of the
artistic experience?  Absurd.

THIS is the sort of reductio ad absurdum situation that purely
conceptual "art" can lead to.  If the entire weight of the art can be
summarized in the writings about the art, then where's the art?

If the real meat of your work is in your program
notes/explanations/justifications, then why call yourself a
composer/painter/sculptor?

That particular breed of artist is worth absolutely nothing to me.

--
Dennis DeSantis
www.dennisdesantis.com

AW: (313) Future

[Katrin Richter]

I think space has become a dated concept as people realise that not even the
present is really enjoyable. Wars, poverty, debts, pollution... Why being
exited about the future? It might suck even more...

Maybe it's time for some Post-Futurism. Or maybe not... this is what I found
about Futurism as an art form:


Futurism was an international art movement founded in Italy in 1909. It was
(and is) a refreshing contrast to the weepy sentimentalism of Romanticism.
The Futurists loved speed, noise, machines, pollution, and cities; they
embraced the exciting new world that was then upon them rather than
hypocritically enjoying the modern world's comforts while loudly denouncing
the forces that made them possible. Fearing and attacking technology has
become almost second nature to many people today; the Futurist manifestos
show us an alternative philosophy. Too bad they were all Fascists.
http://www.unknown.nu/futurism/
Manifesto of Futurism
1. We intend to sing the love of danger, the habit of energy and
fearlessness.
2. Courage, audacity, and revolt will be essential elements of our poetry.
3. Up to now literature has exalted a pensive immobility, ecstasy, and
sleep. We intend to exalt aggresive action, a feverish insomnia, the racer's
stride, the mortal leap, the punch and the slap.
4. We affirm that the world's magnificence has been enriched by a new
beauty: the beauty of speed. A racing car whose hood is adorned with great
pipes, like serpents of explosive breath-a roaring car that seems to ride on
grapeshot is more beautiful than the Victory of Samothrace.
5. We want to hymn the man at the wheel, who hurls the lance of his spirit
across the Earth, along the circle of its orbit.
6. The poet must spend himself with ardor, splendor, and generosity, to
swell the enthusiastic fervor of the primordial elements.
7. Except in struggle, there is no more beauty. No work without an
aggressive character can be a masterpiece. Poetry must be conceived as a
violent attack on unknown forces, to reduce and prostrate them before man.
8. We stand on the last promontory of the centuries!... Why should we look
back, when what we want is to break down the mysterious doors of the
Impossible? Time and Space died yesterday. We already live in the absolute,
because we have created eternal, omnipresent speed.
9. We will glorify war-the world's only hygiene-militarism, patriotism, the
destructive gesture of freedom-bringers, beautiful ideas worth dying for,
and scorn for woman.
10. We will destroy the museums, libraries, academies of every kind, will
fight moralism, feminism, every opportunistic or utilitarian cowardice.
11. We will sing of great crowds excited by work, by pleasure, and by riot;
we will sing of the multicolored, polyphonic tides of revolution in the
modern capitals; we will sing of the vibrant nightly fervor of arsenals and
shipyards blazing with violent electric moons; greedy railway stations that
devour smoke-plumed serpents; factories hung on clouds by the crooked lines
of their smoke; bridges that stride the rivers like giant gymnasts, flashing
in the sun with a glitter of knives; adventurous steamers that sniff the
horizon; deep-chested locomotives whose wheels paw the tracks like the
hooves of enormous steel horses bridled by tubing; and the sleek flight of
planes whose propellers chatter in the wind like banners and seem to cheer
like an enthusiastic crowd.
http://www.unknown.nu/futurism/manifesto.html



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 21. April 2004 10:50
An: 313@hyperreal.org
Betreff: (313) the future

whatever happened to the future?
did it become an outdated concept?

as I sat watching Matthew Herbert and his bag of crisps band last night, I
realised I was watching a 50 year old (at least) show.

then, I thought, all the bands I've seen lately have harked to the past,
really heavily. All the records I buy are obsessed with the past, or are
old.

even techno isn't futuristic any more. Jeff Mills scores films from the
'20's, Red Planet titles are all about native american indian issues,
instead of "sex in zero gravity" or "journey to the martian polar
cap".. There's no "time, space, transmat" business anymore. I mean,
even the word "transmat" was made up wasn't it? No one does that any more,
there's no dreamers left, just flippin' historians.

so why? is it too scary to contemplate any more?

AW: (313) Loveparade 2004?

[Katrin Richter]

To your information: The Love Parade is a parade which is only during the
day from 2 to ten pm. You are probably talking about all the other events
that take place during the whole weekend in numerous clubs around Berlin




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Montag, 19. April 2004 20:40
An: Blackman, Ryan (UKEKT)
Cc: Robert Taylor; Jari Tolkkinen; 313@hyperreal.org
Betreff: RE: (313) Loveparade 2004?

but are the promarily dace events?

we can debate the meanng of 'festival' all day to no avail.

i was mearly pointing out the some of hat people call 'festivals' are just
big night long events- hardly the same a full weekend offered up by love
parade or movement

On Mon, 19 Apr 2004, Blackman, Ryan (UKEKT) wrote:

> I don't know about that - take Glastonbury Festival, or Reading, Isle Of
> Wight, all the Virgin rubbish they do here too - none of those are free,
but
> they're definately festivals.
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 16 April 2004 6:04
> To: Robert Taylor
> Cc: Jari Tolkkinen; 313@hyperreal.org
> Subject: RE: (313) Loveparade 2004?
>
>
> my point was- aren't awakenings just giant raves where you pay ticket and
> walk through security and have you 10-12 hours of technoy goodness and go
> home?
>
> as opposed to festivals like love parade and movement that arr free and
> open to the public. they take place in a public space as opposed to a
> 'venue' and encompass a whole weekends worth of happenings as opposed to
> just one long night out.
>
> On Fri, 16 Apr 2004, Robert Taylor wrote:
>
> > Eryes. That's what festivals are, Yussel!
> >
> > -Original Message-
> > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> > Sent: Thursday, April 15, 2004 5:31 PM
> > To: Robert Taylor
> > Cc: Jari Tolkkinen; 313@hyperreal.org
> > Subject: RE: (313) Loveparade 2004?
> >
> >
> > am i wrong, or arent' these more just giant parties?
> >
> >
> >
> >
> >
> > On Thu, 15 Apr 2004, Robert Taylor wrote:
> >
> > > I can think of two off the top of my head.
> > >
> > > Primavera: http://www.primaverasound.com/
> > > "  !!! (SMOG) 12TWELVE 24 GRANA A TOUCH OF CLASS (DJ'S) ALEXANDER
> ROBOTNICK ASCII.DISKO ATOM RHUMBA B. FLEISCHMANN BENJAMIN BIOLAY BLACK
> STROBE CASIOTONE FOR THE PAINFULLY ALONE CHICKS ON SPEED AND THE NO HEADS
> CHUCHO COLDER CRISTIAN VOGEL (DJ) DAVID HOLMES (DJ) DAYNA KURTZ DEVENDRA
> BANHART DIZZEE RASCAL DJ/RUPTURE DOMINIQUE A EDISON WOODS ELBOW
ELECTRELANE
> EROL ALKAN (DJ) FANNYPACK FERENC FERNANDO ALFARO & NACHO VEGAS FRANZ
> FERDINAND FUNK D'VOID (DJ) GINFERNO HUMBERT HUMBERT JAMES CHANCE & THE
> CONTORTIONS JAMES MURPHY (DJ) JASON FORREST/ DONNA SUMMER JULIE DELPY
JULIE
> DOIRON KID 606 LA BUENA VIDA LAS PERRAS DEL INFIERNO LIARS LLOYD COLE
LLUÍS
> LLACH LOVE OF LESBIAN LUKE SLATER (DJ) MARCO PASSARANI (DJ) MATMOS MICHAEL
> GIRA MISS KITTIN (DJ) MUDHONEY NINA NASTASIA NUMBERS PAT MacDONALD PIXIES
PJ
> HARVEY PLAID PREFUSE 73 PRETTY GIRLS MAKE GRAVES PRIMAL SCREAM REFREE
RHYTHM
> & SOUND featuring Paul St. Hilaire RUPER ORDORIKA SCISSOR SISTERS SUN KIL
> MOON TÉLÉFAX TECHNASIA (DJ) THE BUG THE DIVINE COMEDY THE FALL THE GLIMMER
> TWINS DJ'S THE HIDDEN CAMERAS THE LADYBUG TRANSISTOR THE MODERNIST THE
> RAVEONETTES THE RUSSIAN FUTURISTS VERACRUZ WILCO WILLARD GRANT CONSPIRACY
> XIU XIU"
> > >
> > > Awakenings: http://www.awakenings.nl/
> > >
> > >  LIVE:
> > > Alexander Kowalski
> > > Carlos Rios & Vincent de Wit
> > > Jacek Sienkiewics
> > > Joris Voorn
> > > Luciano
> > > Regis & James Ruskin
> > >
> > > DJ'S:
> > > Acid Maria & Electric Indigo
> > > Adam Beyer
> > > Bart Skils
> > > Cari Lekebusch
> > > Cristian Varela & Marco Bailey
> > > Chris Liebing
> > > Estroe & Shinedoe
> > > Gayle San
> > > Heiko Laux
> > > Herr ARTer & Terry Toner
> > > Koze
> > > Lars Klein & Jan Liefhebber
> > > Lucca
> > > Marco Remus
> > > Lauhaus & Melon
> > > Michel de Hey
> > > Miss Djax
> > > Misstress Barbara
> > > Monica Electronica
> > > Oscar Mulero
> > > PET Duo
> > > Petar Dundov & Steve Rachmad
> > > Phonopunk
> > > Ricardo Villalobos
> > > Rumenige & Loktibrada
> > > Steve Bug
> > > Tobi Neumann
> > > Vin-iLL
> > > Wighnomy Brothers
> > >
> > > I Love Techno:
> > >
> > >
> > >
> > > -Original Message-
> > > From: Jari Tolkkinen [mailto:[EMAIL PROTECTED]
> > > Sent: Thursday, April 15, 2004 9:53 AM
> > > To: 313@hyperreal.org
> > > Subject: (313) Loveparade 2004?
> > >
> > >
> > >
> > > I read from the local newspaper that this years Loveparade will be
> > > cancelled. Does anybody here on the list have more information about
> this?
> > >
> > > Any other festivals besides LP and Sonar that are taking place in
Europe
> > > this summer?
> > >
> > > Cheers,
> > >
> > > --
> > > Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net
> > > --
> > >
> > >
>

AW: (313) Loveparade 2004?

[Katrin Richter]

Make sure you check out SOMA and NOMAD in Cologne; this year's Soma is with
The KLF!


S.O.M.A.-Festival 2004
Jugendpark Köln

06. bis 08. August 2004

c/o pop Auftaktwochenende

Das Trüffelschwein unter den Festivals: Gentleman, DJ Koze, Brothers
Keepers, Seeed, 2raumwohnung oder die Saian Supah Crew hatte das
S.O.M.A.-Festival schon vor ihrer Zeit im Line-Up. Vom 6. bis 8. August 2004
verwandelt sich der Kölner Jugendpark am Rhein wieder in einen kulturellen
Kosmos, dessen stilübergreifende Vielfalt und liebevolle Gestaltung einmalig
in der deutschen Festivalkultur ist.

Und: Das siebte S.O.M.A.-Festival ist die Auftaktveranstaltung der ersten
c/o pop in Köln. Als Dachmarke präsentiert c/o pop um den alten
Popkomm-Termin vom 6. bis  22. August elektronische Musik und ihre
multimedialen Geschwister.

Mit rund 15.000 Besuchern an den drei S.O.M.A.-Tagen 2003 hat sich gezeigt,
dass der Umzug von der Peripherie (Wasserburg Geretzhoven) in die Stadt
(Kölner Jugendpark) ein richtiger und von Erfolg gekrönter Schritt war. Das
multistilistische Festival hat sich schon immer durch eine hohe Affinität zu
den Szenen aus der elektronischen Musik, HipHop und Reggae ausgezeichnet.
Diese Einigkeit der Unterschiede entfaltet sich in 2004 erneut.

Die Main Stage steht am Freitag im Zeichen von Helden aus der elektronischen
Popmusik. Die legendären britischen Rave-Pioniere The KLF sind bereits
bestätigt! Am Samstag kommen Freunde von HipHop, Reggae und World Music auf
ihre Kosten. In diesem Jahr arbeitet das S.O.M.A. mit dem Musikmagazin Intro
zusammen, dessen Veranstaltungsreihe Intro Intim am dritten Festivaltag die
Hauptbühne mitgestaltet - u. a. mit der Berliner Band Mia. Erstmals wird es
auch große Locations für die Clubnächte geben, für die sich bereits
internationale Stars der DJ-Kultur angekündigt haben. Dabei sind Miss Kittin
(Mute) und  Peter Kruder (KRUDER&DORFMEISTER). Und für die große Open Air
Party am Sonntag haben NRWs erfolgreichste Technoveranstalter Pollerwiesen
die Frankfurter Playhouse-DJs Ata, Heiko MSO, Roman Flügel eingeladen.

Theatergruppen, bildende Künstler, Comedians und Artisten geben sich im
Artist Garden und bei der Circus-Night-Show die Ehre. Auf insgesamt sechs
Areas wird das S.O.M.A.-Festival so zum Treffpunkt für ein aufgeschlossenes
Publikum aus verschiedensten Kulturen.

Am 6. August 2004 steigt das international bekannte und lieb gewonnene
Kölner Sommer-Highlight zum siebten Mal und eröffnet die c/o pop mit einem
hochkarätigen Programm, das in Kürze komplett bekannt gegeben wird.

Website: http://www.soma-festival.de 



-Ursprüngliche Nachricht-
Von: /0 [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 15. April 2004 21:02
An: [EMAIL PROTECTED]; Jari Tolkkinen
Cc: 313@hyperreal.org
Betreff: Re: (313) Loveparade 2004?

there is also the battery park cologne festival, organized by dr walker of
air liquide, although I think thats in october

www.battery-park-cologne.com




- Original Message -
From: <[EMAIL PROTECTED]>
To: "Jari Tolkkinen" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Thursday, April 15, 2004 1:27 PM
Subject: Re: (313) Loveparade 2004?


> There's the Streetparade in Switzerland that's supposedly really good.
>
> There's also some sort of something in Southern Germany at the end of
> June.
>
>
>
>
> On Thu, 15 Apr 2004, Jari Tolkkinen wrote:
>
> >
> > I read from the local newspaper that this years Loveparade will be
> > cancelled. Does anybody here on the list have more information about
this?
> >
> > Any other festivals besides LP and Sonar that are taking place in Europe
> > this summer?
> >
> > Cheers,
> >
> > --
> > Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net
> > --
> >
> >

AW: (313) Oliverwho

[Katrin Richter]

Check

http://www.theoliverwhofactory.com/




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 16. April 2004 13:01
An: 313@hyperreal.org
Betreff: Re: (313) Oliverwho


Jochem>picked up that oliverwho yesterday, U dont know...first release on
the label mad chaisse inc

what sort of thing is it? techno record??
any clips anywhere?

btw, I still need to try and find one of those soloaction things Marsel
posted about a few weeks ago - has anyone seen that anywhere?

>these are great times for 313, too much good new sh*t coming out

I agree.

Alex
*off t'record shop*
_

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AW: (313) Derrick May pre-Movement interview at Technotourist.org

[Katrin Richter]

Raveline is gonna feature a one-page special but it is in German



-Ursprüngliche Nachricht-
Von: David Gillies [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 16. April 2004 02:37
An: 313@hyperreal.org
Betreff: Re: (313) Derrick May pre-Movement interview at Technotourist.org

Cyclone Wehner wrote:
> I did wonder why last year there was nothing in Jockey Slut or Straight No
> Chaser or Wire (unless I missed it?). Good journalists seek out a story,
and

Straight No Chaser had a small article with a little picture. Pretty
sure there was a mention before the festival as well.

AW: (313) Detroit schools to cut 3,200 jobs

[Katrin Richter]

I don't think it's boring and I would love to have the sentence Martin lined
out explained as well... Give us some insight, Diana!


-Ursprüngliche Nachricht-
Von: Martin Dust [mailto:[EMAIL PROTECTED]
Gesendet: Montag, 5. April 2004 14:47
An: 313@hyperreal.org
Betreff: Re: (313) Detroit schools to cut 3,200 jobs

Maybe, it's just the whole way language is used - long weekend talking about
such stuff but I won't bore you with it :/

> When a child comes from a low socio-economic household
> you're dealing with a lot of diff't cards both
> academically for a child and also in terms of school
> financial support.

Can you explain what you mean here? Off list if you like...

Martin


5/4/04 11:33 AM diana [EMAIL PROTECTED]

>
> I think the part of the sentance that really matters
> is that most families come from below poverty level.
> There's many schools across the country (in very rural
> parts) where the kids are white and the same thing
> occurs.
> When a child comes from a low socioeconomic household
> you're dealing with a lot of diff't cards both
> academically for a child and also in terms of school
> financial support.
> The other deadly combo is the no child left behind
> act, with kids from a low SES and the shortage of
> teachers. How can you keep a school academically
> afloat when you can't attend to each child's needs.
> Think about the kids who have learning disorders..even
> the ADHD ones.Those kids NEED extra support in a
> classroom.
> The US government encourages people like me (who are
> about to graduate) to teach in schools like the ones
> in detroit. They give tax breaks and forgive large
> portions of student loand,but how are we supposed to
> be motivated to go in to them when it's like this?
>
> welp...*sigh*back to the music
> d
> np:Bill Withers, Lovely Day
> --- Martin Dust <[EMAIL PROTECTED]> wrote:
>> I wonder if they would have mentioned such stats if
>> the 90% had been WASP,
>> this sh*t really gets my goat...
>>
>>
>> 5/4/04 10:07 AM
>>
> [EMAIL PROTECTED]@blueyonder.co.uk
>>
>>> yep true and sad
>>>
>>> -Original Message-
>>> From: Katrin Richter [mailto:[EMAIL PROTECTED]
>>> Sent: Mon 05/04/2004 10:56
>>> To: [EMAIL PROTECTED];
>> 313@hyperreal.org
>>> Cc:
>>> Subject: AW: (313) Detroit schools to cut 3,200
>> jobs
>>>
>>>
>>>
>>> Well, I guess this says it all:
>>>
>>> "Ninety percent of the remaining students are
>> African-American, with more than
>>> 7 out of 10 students coming from families living
>> below the official poverty
>>> level."
>>>
>>>
>>> -Urspr?ngliche Nachricht-
>>> Von: [EMAIL PROTECTED]
>> [mailto:[EMAIL PROTECTED]
>>> Gesendet: Montag, 5. April 2004 11:37
>>> An: Katrin Richter; 313@hyperreal.org
>>> Betreff: RE: (313) Detroit schools to cut 3,200
>> jobs
>>>
>>> so the simple thing is to invest :)
>>>
>>> I know we all have a soft spot for Detroit and so
>> I am be a little biased here
>>> but is it me
>>> or is detroit picked on?  I think they should if
>> they ae doing cut backs, use
>>> the money to invest in the city
>>> not make matters worse..
>>>
>>>-Original Message-
>>>From: Katrin Richter
>> [mailto:[EMAIL PROTECTED]
>>>Sent: Mon 05/04/2004 09:49
>>>To: 313@hyperreal.org
>>>Cc:
>>>Subject: (313) Detroit schools to cut 3,200
>> jobs
>>>
>>>
>>>
>>>I guess this is on topic as school was the
>> only place to hook up for
>>>Derrick, Kevin and Juan as there was
>> nowhere else to go
>>>
>>>Detroit schools to cut 3,200 jobs
>>>By Jerry Isaacs
>>>3 April 2004
>>>Use this version to print | Send this link
>> by email | Email the author
>>>Detroit Public Schools officials announced
>> Thursday the district would
>>> lay
>>>off 3,200 school employees, including 900
>> teachers, by July 1. The job
>>> cuts,
>>>which amount to 13 percent of the
>> workforce, are in response to a
>>> budget
>>>shortfall of $78 million last year and a
>> projected deficit of $91
>>> million in
>>>2005, officials say.
>>>The cuts in the 

AW: (313) Detroit schools to cut 3,200 jobs

[Katrin Richter]

Well, I guess this says it all:

"Ninety percent of the remaining students are African-American, with more than 
7 out of 10 students coming from families living below the official poverty 
level."


-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Montag, 5. April 2004 11:37
An: Katrin Richter; 313@hyperreal.org
Betreff: RE: (313) Detroit schools to cut 3,200 jobs

so the simple thing is to invest :)

I know we all have a soft spot for Detroit and so I am be a little biased here 
but is it me
or is detroit picked on?  I think they should if they ae doing cut backs, use 
the money to invest in the city
not make matters worse..

-Original Message-
From: Katrin Richter [mailto:[EMAIL PROTECTED]
Sent: Mon 05/04/2004 09:49
To: 313@hyperreal.org
Cc:
Subject: (313) Detroit schools to cut 3,200 jobs
   
   

I guess this is on topic as school was the only place to hook up for
Derrick, Kevin and Juan as there was nowhere else to go
   
Detroit schools to cut 3,200 jobs
By Jerry Isaacs
3 April 2004
Use this version to print | Send this link by email | Email the author
Detroit Public Schools officials announced Thursday the district would 
lay
off 3,200 school employees, including 900 teachers, by July 1. The job 
cuts,
which amount to 13 percent of the workforce, are in response to a budget
shortfall of $78 million last year and a projected deficit of $91 
million in
2005, officials say.
The cuts in the $1.5 billion budget follow an announcement last month 
that
an additional 450 administrators could lose their jobs. The district, 
which
already faces chronic overcrowding in the classrooms, also plans to 
shut at
least three schools, in addition to the 16 closed or consolidated last 
year.
The budget for supplies and purchased services will be cut by more than
one-third to save $50 million, with funding for playground improvements
slashed from $1 million to $250,000.
The layoffs will wreak havoc, particularly for teachers who are already
short-handed and stretched to the limit. "You could see a gym teacher 
who is
certified in kindergarten through six grade become a homeroom teacher, 
or an
instrumental teacher might have to go back to the classroom," district
spokesman Mario Morrow said.
Kenneth Burnley, CEO of the Detroit Public Schools, said he also plans 
to
renegotiate the district's contract with the Detroit Federation of 
Teachers
in order reduce or eliminate 3-4 percent annual raises that teachers are
due.
The 151,000-student school district-the largest in the state-has been 
hit
hard by federal and state budget cuts, the ongoing loss of manufacturing
jobs and tax revenue in Michigan, rising fuel costs and a decline in
enrollment. Over the last eight years nearly 30,000 students have
transferred to charter, private and suburban schools. Ninety percent of 
the
remaining students are African-American, with more than 7 out of 10 
students
coming from families living below the official poverty level.
Facing a $1 billion state deficit, Michigan's Democratic governor 
Jennifer
Granholm and the state legislature are cutting per-pupil grants for K-12
education by $55 per student and revising the formula for counting 
pupils in
schools, in order to slash another $43 million from state spending for
schools. In the proposed state budget, Detroit could also lose another 
$15
million it has been receiving since the state took over the district in
1999. On Wednesday the state senate also rejected a plan that would have
given extra money to districts with declining enrollments.
Because of stagnating or falling revenue school districts throughout
Michigan are facing budget cuts and layoffs. According to Tom White,
executive director of the Michigan School Business officials, 90 
percent of
state districts are planning to lay off staff or not fill open 
positions.
"It's like getting squeezed by a python," he said, the "pressure just is
increasing as time goes by. It is going to get ugly and I don't hear a 
great
deal of concern being raised in [the state capital] Lansing."
Like other districts nationwide, Detroit schools are also threatened by 
the
provisions of the Bush administration's 2001 federal education plan, the
so-called No Child Left Behind Act, which removes federal funds if 
districts
fail to achieve specific academic goals. One quarter of the district's
schools have already been warned they must overh

(313) Detroit schools to cut 3,200 jobs

[Katrin Richter]

I guess this is on topic as school was the only place to hook up for
Derrick, Kevin and Juan as there was nowhere else to go

Detroit schools to cut 3,200 jobs
By Jerry Isaacs
3 April 2004
Use this version to print | Send this link by email | Email the author
Detroit Public Schools officials announced Thursday the district would lay
off 3,200 school employees, including 900 teachers, by July 1. The job cuts,
which amount to 13 percent of the workforce, are in response to a budget
shortfall of $78 million last year and a projected deficit of $91 million in
2005, officials say.
The cuts in the $1.5 billion budget follow an announcement last month that
an additional 450 administrators could lose their jobs. The district, which
already faces chronic overcrowding in the classrooms, also plans to shut at
least three schools, in addition to the 16 closed or consolidated last year.
The budget for supplies and purchased services will be cut by more than
one-third to save $50 million, with funding for playground improvements
slashed from $1 million to $250,000.
The layoffs will wreak havoc, particularly for teachers who are already
short-handed and stretched to the limit. "You could see a gym teacher who is
certified in kindergarten through six grade become a homeroom teacher, or an
instrumental teacher might have to go back to the classroom," district
spokesman Mario Morrow said.
Kenneth Burnley, CEO of the Detroit Public Schools, said he also plans to
renegotiate the district's contract with the Detroit Federation of Teachers
in order reduce or eliminate 3-4 percent annual raises that teachers are
due.
The 151,000-student school district-the largest in the state-has been hit
hard by federal and state budget cuts, the ongoing loss of manufacturing
jobs and tax revenue in Michigan, rising fuel costs and a decline in
enrollment. Over the last eight years nearly 30,000 students have
transferred to charter, private and suburban schools. Ninety percent of the
remaining students are African-American, with more than 7 out of 10 students
coming from families living below the official poverty level.
Facing a $1 billion state deficit, Michigan's Democratic governor Jennifer
Granholm and the state legislature are cutting per-pupil grants for K-12
education by $55 per student and revising the formula for counting pupils in
schools, in order to slash another $43 million from state spending for
schools. In the proposed state budget, Detroit could also lose another $15
million it has been receiving since the state took over the district in
1999. On Wednesday the state senate also rejected a plan that would have
given extra money to districts with declining enrollments.
Because of stagnating or falling revenue school districts throughout
Michigan are facing budget cuts and layoffs. According to Tom White,
executive director of the Michigan School Business officials, 90 percent of
state districts are planning to lay off staff or not fill open positions.
"It's like getting squeezed by a python," he said, the "pressure just is
increasing as time goes by. It is going to get ugly and I don't hear a great
deal of concern being raised in [the state capital] Lansing."
Like other districts nationwide, Detroit schools are also threatened by the
provisions of the Bush administration's 2001 federal education plan, the
so-called No Child Left Behind Act, which removes federal funds if districts
fail to achieve specific academic goals. One quarter of the district's
schools have already been warned they must overhaul their operations because
of "chronic failure." The school district received a federal reading grant
of nearly $6.5 million in August but continued funding hinges on
1st-through-8th and 10th-graders passing tests at the end of the school
year. The budget cutbacks announced Thursday all but ensure future failures,
guaranteeing even more devastating budget cuts.
"We don't need any more cuts," said Mary, a longtime Detroit school bus
driver. "What is going to happen to the kids with special needs, the
disabled and impaired students? We heard they plan to take away the bus
attendants that help us in the busses with handicapped students. This is
outrageous.
"The conditions are already unbearable in the schools. Buildings are falling
apart, there is no toilet paper or soap in the bathrooms, the classrooms are
overcrowded and the teachers are spending money out of their own pockets for
supplies. These budget cuts are taking the future away from our kids. With
the casinos downtown making millions and CEOs are raking it in how can they
say there is no money for schools?
"You know the economy is way down when you start taking away from schools
that are already hurting. How can you talk about 'No Child Left Behind' when
you are laying off teachers?"
See Also:
Detroit school employees march against layoffs
[22 February 2002]
Detroit school restructuring plan attacks workers and students
[17 April 2001]
http://www.wsws.org/articles/2004/apr2004/d

AW: (313) Dutch stage @ Movement

[Katrin Richter]

I love Kevin Saunderson 3 Down production called Deep Trip in which they try
to capture the Ecstasy euphoria of UK hardcore Does anyone know this
record?

Detroitcore you know the score!


-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 1. April 2004 23:54
An: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Betreff: Re: (313) Dutch stage @ Movement

man- lets hope so. all this detroit techno is gettin a bit dull ;)

On Thu, 1 Apr 2004 [EMAIL PROTECTED] wrote:

>
>
>
>
> yeah so get out your kangol hats, white gloves, smiley shirts, stick a
> whistle in your gob, maybe a bit of the ol' vicks in dust mask - grab a
> blow stick and go
>
> I'm sure every single one of these artists is going to playing from their
> DJ cases labeled "91-95 'ardkore - DO NOT OPEN UNTIL MOVEMENT 04"
>
> check your head
> MEK
>
>
>
>   [EMAIL PROTECTED]
>   et   To:   kj at
technotourist dot org <[EMAIL PROTECTED]>
>cc:   313 Mailinglist
List <313@hyperreal.org>
>   04/01/04 03:16 PMSubject:  Re: (313) Dutch
stage @ Movement
>
>
>
>
>
>
> so from what i'm gathering, we gonna be gettin some old-school euro rave
> techno. not sure how i feel about that just yet...
>
>
>
>
> On Thu, 1 Apr 2004, kj at technotourist dot org wrote:
>
> >
> > > someone please break down who these people are.
> >
> > Yes please someone!
> >
> > I give it a shot, dutchies correct me if i am wrong:
> >
> > Aardvarck: Rusty techno producer from Amsterdam. Used to do stuff for
> > Djax a lng time ago. Does stuff for Delsin, Music for Speaker,
> > Signum and Relaxo Abstracto. I also part of Rednose District i think.
> >
> > Benny Rodrigues: Techno DJ from Rotterdam or The Hague i think...
> >
> > Dame: Dunno who this is, someone told me today that she is a she...
> >
> > Dimitri: Used to be one of Holland's hottest DJ's, could play amazing
> > sets during his High Tech Soul Movement nights in Amsterdam. Apparently
> > Derrick May wanted him on this stage.
> >
> > Estroe. Amsterdam based DJ who plays techno...
> >
> > Joachim: Headhoncho of this stage, he came up with this idea
> >
> > Ramon: Don't have a clue who this is...
> >
> > Remy: Like Dimitri, he also used to be one of hollands hottest and
> > hippest dj's. Plays banging techno with long drumrolls (when i hear
> > him).
> >
> > Rockid:  erm... no clue here...
> >
> > Duplex: The unsung hero's of dutch techno!
> >
> > Joris Voorn: Upcoming producer from holland, released records on
> > Keynote & Sino. Future releases on Kanzeleramt i think and possibly
> > Transmat.
> >
> > Legowelt: Electro & Italo hero's!
> >
> > Leroy: Never heard him but i think he plays nu-soul, stuff. heard some
> > good stories about him.
> >
> > Miss Monica: Boring techno dj who used to DJ in the same time as
> > Dimitri & Remy... don't have a clue why they booked her...
> >
> > Paco & Frederick: Cheesy progressive house act, much played by people
> > like John Digweed (yes i am embarrassed that i actually know this)
> >
> > Rednose Distrikt: Nu-soul act based around Aardvarck and some one else,
> > i think that marsel knows more details.
> >
> > Steve Rachmad: He ain't playing at movement i think
> >
> > T!M: One of the owners of the Bootleg DJ Cafe in Rotterdam, runs
> > grammar records also has some records out on Raygun, used to be part of
> > Misja & Tim and responsible for the first x-trax releases.
> >
> > KJ
> >
> >
>
>
>
>

(313) new theo parrish/rotating assembly album

[Katrin Richter]

I have no idea if this has been posted before, but I just found this on the
www.grooveattack.de website

17/Mar/2004
Theo Parrish

Sound Signature hardly needs introduction. Started out in 1996 by Theo
Parrish, it has always been an outlet for his own music as well as for his
friends, like Rick Wilhite, Marcellus Pittman & Moodymann (3 Chairs). After
the release of "Parallel Dimensions" a few years ago as well as a label
compilation, the forthcoming album Theo Parrish pres. Rotating Assembly
"Natural Aspirations" is the 3rd full length on the label.

Rotating Assembly is a new band put together by Theo Parrish. This loose
Detroit outfit evolves around 21 people, who exchange talents and energy.
All tracks are written and produced and masterminded by Theo Parrish, who
has given them his (sound) signature sound - a true Sound Signature release.

Artists included in the band are: Genevieve (known for vocals with
Recloose), Maat Lo (aka Billy Lo), Marcellus Pittman, Rick Wilhite (3
Chairs), Warren Harris (recorded with Dan Curtin), Andres. Also newcomers
such as Karen Bosco (most vocals) John Dougalas (trumpet), King Sunshine &
Trent Mitchell (double bass) put in incredible effort to make this release a
top Sound Signature title.

>From the laidback vocal tune "Naturally" to the instrumental emotions of
"Melt" it's all there to make this album an allround one. From strength to
strength, Theo Parrish takes it to the next level, once again.

The CD album will be accompanied by a limited 3x12" pack with full artwork
sleeves. The first 12" comes with an exclusive instrumental mix of "Melt".

AW: (313) Fw: Detroit Grand Pubahs New Album

[Katrin Richter]

It DOES look like Fred Come TO BedOr Fred Don't Have Sex With Your Ex!

http://images.google.de/imgres?imgurl=www.hitbit.de/covers/1818.jpg&imgrefurl=http://www.hitbit.de/kat/I:1818/C:c9a9d0821d7a33f&h=250&w=300&sz=18&tbnid=bGsPysjV3q8J:&tbnh=92&tbnw=110&prev=/images%3Fq%3DE-Rotic%2B%2BFred%26hl%3Dde%26lr%3D%26ie%3DUTF-8%26oe%3DUTF-8

Does anyone remember that video by E-Rotic (just googled the name) with the 
jumping titties? Seems to have inspired Paris The Black Fu - the cover is based 
on his doodles






-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 10. März 2004 17:34
An: Katrin Richter; Tom Magic Feet; 313 mailing list
Betreff: RE: (313) Fw: Detroit Grand Pubahs New Album

that I don't know but I love the album cover, just seen it! ha ha wicked!

    -Original Message-
From: Katrin Richter [mailto:[EMAIL PROTECTED]
Sent: Wed 10/03/2004 16:30
To: Tom Magic Feet; 313 mailing list
Cc:
Subject: AW: (313) Fw: Detroit Grand Pubahs New Album
   
   

Hey, does anyone know why Andy Toth (Dr Toefinger) left the band The
label says (jokingly) he ended up in the loony bin.. but I find this
incredibly hard to believe.
   
   
   
   
   
   
   
   
-Ursprngliche Nachricht-
Von: Tom Magic Feet [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 10. Mrz 2004 17:19
An: 313 mailing list
Betreff: (313) Fw: Detroit Grand Pubahs New Album
   
ARTIST: DETROIT GRAND PUBAHS
TITLE: GALACTIC ASS CREATURES FROM URANUS
LABEL: POKER FLAT
FORMAT: 2 x CD / 2 x 12"
CAT. NO.: PFRCD11 / PFRLP11
RELEASE DATE: 26th APRIL 2004
   
The seminal electro-funk outfit from Detroit returns with a second 
album.
'Galactic Ass Creatures From Uranus' spans a full variety of minimal 
techno,
dirty P-Funk, raw hip-smart booty beats and downbeat electronic grooves 
-
all spiced-up with a healthy portion of humour, cartoon sexuality and 
the
search for the perfect booty. As ever the vocoder-pitched vocals by 
Paris
The Black Fu and the other odd characters mark their distinctive 
signature
sound.
   
Founded in 1998, the Pubahs group around producer and vocalist Paris The
Black Fu and his forked personalities. Their first single, 'Sandwiches',
became a huge worldwide club hit overnight and made it into the 
Billboard
dance charts as well as in the UK Top20 sales charts. The album 'Funk 
All
Y'all' was released in 2001 on the now defunct Jive Electro imprint. 
Since
then, the Pubahs completed a world tour and started working on 
'Galactic Ass
Creatures From Uranus'.
   
Again the new album is brimful of straight forward booty tracks, raw 
Funk
and weird skits, but this time relaxed downbeat electronic grooves 
enrich
the Pubah's sound cosmos and make the 'Galactic Ass Creatures >From 
Uranus' a
state of the art electronic album whilst of course being great fun to 
listen
to.
   
Smoothly starting with 'Landing in Detroit', the second track 'God
Impostors' makes a pure funk statement, before the emotional Electro 
track
'Surrender' leads over to 'Big Onion'. 'If you like the way I drop my 
funk:
just shake it!' Next up is the darker side of the album with 
'Definition of
Sick' and 'Dead Presidents', before the epic 'Tig O' Bake Fitties' lays 
out
a downtempo funk ode to natural body parts. The beautifully gentle 
lounger
'Bite The Pillow Talk' lets you take breath for some more punchy booty 
beats
on 'Freak' and 'Weed in the Kitchen'. 'The Clapper' picks up on the 
sleeve
design and reports from another alien intrusion in that typical Detroit
Grand Pubahs style. After already introducing Dick Cannon ('Bite the 
Pillow
Talk', 'Training With Dick Cannon') Bill Crosby ('Weed In The Kitchen') 
and
Dirty Elvis DePorno ('Freak') amongst Paris The Black Fu we also meet 
Nurse
Hurse again, a character that was initially involved on the debut album.
Finally, the hypnotising 'Novacane' sets a speech by Malcolm X to music.
   
The first 12" outtake (The Clapper feat. Jesper Dahlback remix, pfr38) 
from
the album has already stirred quite a buzz and made it into many club 
charts
including the official German Dance charts. The next single 'Big Onion'
(feat. Joakim remix, 

AW: (313) Fw: Detroit Grand Pubahs New Album

[Katrin Richter]

Hey, does anyone know why Andy Toth (Dr Toefinger) left the band The
label says (jokingly) he ended up in the loony bin.. but I find this
incredibly hard to believe.








-Ursprüngliche Nachricht-
Von: Tom Magic Feet [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 10. März 2004 17:19
An: 313 mailing list
Betreff: (313) Fw: Detroit Grand Pubahs New Album

ARTIST: DETROIT GRAND PUBAHS
TITLE: GALACTIC ASS CREATURES FROM URANUS
LABEL: POKER FLAT
FORMAT: 2 x CD / 2 x 12"
CAT. NO.: PFRCD11 / PFRLP11
RELEASE DATE: 26th APRIL 2004

The seminal electro-funk outfit from Detroit returns with a second album.
'Galactic Ass Creatures From Uranus' spans a full variety of minimal techno,
dirty P-Funk, raw hip-smart booty beats and downbeat electronic grooves -
all spiced-up with a healthy portion of humour, cartoon sexuality and the
search for the perfect booty. As ever the vocoder-pitched vocals by Paris
The Black Fu and the other odd characters mark their distinctive signature
sound.

Founded in 1998, the Pubahs group around producer and vocalist Paris The
Black Fu and his forked personalities. Their first single, 'Sandwiches',
became a huge worldwide club hit overnight and made it into the Billboard
dance charts as well as in the UK Top20 sales charts. The album 'Funk All
Y'all' was released in 2001 on the now defunct Jive Electro imprint. Since
then, the Pubahs completed a world tour and started working on 'Galactic Ass
Creatures From Uranus'.

Again the new album is brimful of straight forward booty tracks, raw Funk
and weird skits, but this time relaxed downbeat electronic grooves enrich
the Pubah's sound cosmos and make the 'Galactic Ass Creatures From Uranus' a
state of the art electronic album whilst of course being great fun to listen
to.

Smoothly starting with 'Landing in Detroit', the second track 'God
Impostors' makes a pure funk statement, before the emotional Electro track
'Surrender' leads over to 'Big Onion'. 'If you like the way I drop my funk:
just shake it!' Next up is the darker side of the album with 'Definition of
Sick' and 'Dead Presidents', before the epic 'Tig O' Bake Fitties' lays out
a downtempo funk ode to natural body parts. The beautifully gentle lounger
'Bite The Pillow Talk' lets you take breath for some more punchy booty beats
on 'Freak' and 'Weed in the Kitchen'. 'The Clapper' picks up on the sleeve
design and reports from another alien intrusion in that typical Detroit
Grand Pubahs style. After already introducing Dick Cannon ('Bite the Pillow
Talk', 'Training With Dick Cannon') Bill Crosby ('Weed In The Kitchen') and
Dirty Elvis DePorno ('Freak') amongst Paris The Black Fu we also meet Nurse
Hurse again, a character that was initially involved on the debut album.
Finally, the hypnotising 'Novacane' sets a speech by Malcolm X to music.

The first 12" outtake (The Clapper feat. Jesper Dahlback remix, pfr38) from
the album has already stirred quite a buzz and made it into many club charts
including the official German Dance charts. The next single 'Big Onion'
(feat. Joakim remix, pfr43) will be released in March and will come with a
video. The most prominent guest musicians involved in the album are Scott
Sumner (engineering) and Randall G. Lynch (guitar) who are regular studio
musicians for George Clinton.

The album release will be supported by an extended European tour starting in
late February in Dublin. Paris The Black Fu is also organising a Funk Stage
on the 10 Days Off festival in Belgium in July.

CD Tracklisting

1. Landing In Detroit
2. God Impostors
3. Surrender (The Bedroom Edit)
4. Big Onion
5. P. Sully (Skit)
6. Definition Of Sick
7. Dead Presidents
8. Tig O' Bake Fitties
9. Bite The Pillow Talk
10. Training With Dick Cannon
11. Freak
12. The Clapper
13. Weed In The Kitchen
14. Nurse Hurse Jack Move
15. Novacane
16. Butt Dream

www.pokerflat-recordings.com

AW: (313) Techno's Voice

[Katrin Richter]

Weird, it's always on the radio here (which is probably why I so strongly
dislike it - they never leave you alone to let you discover music, it's just
pushed onto you whether you're in the mood for some Babybabybaby business or
not) and it has this breakdown after the second chorus because then she
decides to take affirmative action and phone the guy (something a girl
wouldn't do, normally, but hey, it's kinda crazehhh)

Blurb! This so gets me ranting.



-Ursprüngliche Nachricht-
Von: Andrew [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 10. März 2004 15:21
An: 313@hyperreal.org
Betreff: RE: (313) Techno's Voice

Katrin said:
Hehe I got that text (it's the original text as
sung/pouted/shallalalalad in the song by Alicia Keys) from a lyric page.
It's that bad. But it's perfect to transport that cheeseyness into video
format without putting any effort in it which makes it perfectly
marketable... Never seen the video though, haven't got a television.


Damn! I've just been hearing the radio version, it must be edited! I just
hear it kick stright into the first verse, man it's an amazing song. I just
love that down-scale, the hook, her voice, and the weird twinkly pianos used
in it (big up Kanye). It's just come on the radio too!

Total video tangent there anyway, sorry!

Respect,

Andrew

AW: (313) Techno's Voice

[Katrin Richter]

Hehe I got that text (it's the original text as
sung/pouted/shallalalalad in the song by Alicia Keys) from a lyric page.
It's that bad. But it's perfect to transport that cheeseyness into video
format without putting any effort in it which makes it perfectly
marketable... Never seen the video though, haven't got a television.

I would love to see some Drexciyan dance party video scene, but I don't know
if any video could really manage to capture the party that goes on in my
head

Has anyone seen the cover art work of the detroit Grand Pubahs new album on
Poker Flat? It's called "Galactic Ass Creatures from Uranus" and had
two-legged ladies bottoms that look a bit like retun of the Tripods and
shoot lasers out of their eyed sexual organs perched between the legs... the
grafix remind me very badly of "Fred Come To Bed" and ", these totallly
senseless Eurotrash Dance videos from the early Nineties - dunno if anyone
saw those, but they were bd! Good enbough reason to get rid of the telly
(UK slang, sorry)...






-Ursprüngliche Nachricht-
Von: Andrew [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 10. März 2004 14:49
An: 313@hyperreal.org
Betreff: RE: (313) Techno's Voice


Katrin said:
 breakin' up, hold up... Can you hear me now? Yeah. So what day did you say?
Oh yeah. Thursday's perfect, man.
--

Oh no, is that the video!? Man, I hate it when videos try and be a movie!
And yes, that sequence is cheesy as hell! I haven't seen or heard it but it
really annoys me when artists try to make the video more than it is AND
FAIL! (Thriller is the classic example of the approach working.) Hip-hop/R&B
videos are a massive culprit, I remember that Fugees vid for 'Ready or Not'
when they're in helicopters, and flying around an sh*t! A cool thing about
techno is that it never went down that path, although a truly visual
representation of techno is probably waiting to happen - I always pictured
the coolest scenes from Drexciya making it into videos, kind of a window
into that world, an underwater dance party... and I guess it's people like
Jeff who are leading the charge with his DVD.

Andrew


-Ursprüngliche Nachricht-
Von: Andrew [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 10. März 2004 13:49
An: 313@hyperreal.org
Betreff: (313) Techno's Voice (WAS - RE: (313) what's your favorite
track/album right now?)

So anyway, back to the discussion - does anyone think there is common ground
in the feelings evoked by what I call 'soul' music and techno? There are
obviously excellent examples of this in techno (the Relics EP by Abacus
immediately springs to mind). Without degenrating into the old soul vs.
machine 'debate', is there more to the fact that these separate styles
exist, in that they express different emotions or feelings? A lot of techno
is basically saying 'Come the f*ck on!', and all the better for it. Is it
merely the distinction between lyric-laden music and 'tracks'?

I guess what's on my mind is - what the f*ck is techno music SAYING??

Hope this is a suitable question,

Andrew


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 10 March 2004 12:31
To: Andrew; 313 Detroit
Subject: RE: (313) what's your favorite track/album right now?

AW: (313) Techno's Voice

[Katrin Richter]

"Let yourself go!" it says to me (sometimes). Sometimes it whispers "why so
much melancholy?" when being confronted with the mere beauty of a bassline
or string laden arrangements... "Remember these moments when not much more
mattered than a pounding beat"...

But most of the times it's not saying anything... nothing like
"By-be bayy-be bay-bee - it's getting kinda
crayyzee" - never heard that one before... I don't like pap. I don't
like gossip. I don't like stuff like this (spoken with this kinda cutesy
kinda stupid television voice):

Well I'm a have to just gon head and call this boy.
Hello?
Can I speak to...to Michael? Oh, hey how you doin'? > So how did she get
his phone no. if she doesn't even know his name
Uh, I feel kinna silly doin this but, uh,
this is the waitress from the coffee house on 39th from
   > so she is a waitress then, huh?
You know the one with the braids?
Yeah. Well I see you on Wednesdays all the time.
You come in every Wednesday on your lunch break, I think.
And you always order the special...with the hot chocolate.
My manager be trippin and stuff talkin 'bout we gotta use water, but...
I always use some milk and cream for you, cause...
I think you kinna sweet. (laughs)
Anyway, you always got on some fly blue suit
and your cufflinks is shining all bright.
So what you do?
Oh word?
Yeah that's interestin'...
Look man, I mean, I don't wanna waste your time but...
I know girls don't usually do this, > OUCH!
Who says this??
but I was wonderin' if maybe we could get together
outside the restaurant one day?
You know 'cause I do look a lot different outside my work clothes and...
I mean we could just go across the street to the park, right here...
Wait, hold up, my... my cell phone's breakin' up, hold up...
Can you hear me now?
Yeah. So what day did you say?
Oh yeah. Thursday's perfect, man.


I guess I am just thinking too much about meaning to accept this as
something valid.






-Ursprüngliche Nachricht-
Von: Andrew [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 10. März 2004 13:49
An: 313@hyperreal.org
Betreff: (313) Techno's Voice (WAS - RE: (313) what's your favorite
track/album right now?)

So anyway, back to the discussion - does anyone think there is common ground
in the feelings evoked by what I call 'soul' music and techno? There are
obviously excellent examples of this in techno (the Relics EP by Abacus
immediately springs to mind). Without degenrating into the old soul vs.
machine 'debate', is there more to the fact that these separate styles
exist, in that they express different emotions or feelings? A lot of techno
is basically saying 'Come the f*ck on!', and all the better for it. Is it
merely the distinction between lyric-laden music and 'tracks'?

I guess what's on my mind is - what the f*ck is techno music SAYING??

Hope this is a suitable question,

Andrew


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 10 March 2004 12:31
To: Andrew; 313 Detroit
Subject: RE: (313) what's your favorite track/album right now?

AW: (313) what's your favorite track/album right now?

[Katrin Richter]

I s not agree. I think it's cheesy and cheap If Techno would ever
evoke these feelings in me, I would not like it.



-Ursprüngliche Nachricht-
Von: Andrew [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 10. März 2004 12:01
An: 'Cyclone Wehner'; '313 Detroit'
Betreff: RE: (313) what's your favorite track/album right now?

YOU DON'T KNOW MY NAME IS THE BEST SONG I'VE HEARD IN AGES!

My god what a heartbreaker! Techno has a hard time inspiring the same
emotions, generally speaking of course...there's such _ambition_ in a song
like 'You Don't Know My Name', it's soaring, beautiful, and melancholy.

-Original Message-
From: Cyclone Wehner [mailto:[EMAIL PROTECTED]
Sent: 10 March 2004 00:29
To: 313 Detroit
Subject: Re: (313) what's your favorite track/album right now?


Well every time I mention a hip-hop/R&B CD here Carl Craig ends up charting
it or playing it, so... ;) I think that 'chipmunk' thing came from RZA
distorting samples, I like it, but there's none of that on West productions
like You Don't Know My Name by A Keys (a Theo Parrish fave incidentally) or
Encore by Jay-Z, etc. The album is superb.

> i gotta debate you there.
> i haven't heard the whole album but..
> kayne west is responsible for the whole chipmunk sample crazy- easily
> the worst thing to EVER happen to pop music.
>
> now if anyone doesn't mind- i could easily start a thread regardi
> hip=hip that i've recently discovered. stuff that probably has more in
> common with carl craig than public enemy
>
> anyone?
>
>
>
> On Tue, 9 Mar 2004, Cyclone Wehner wrote:
>
>> It's not techno/house but I am totally enamoured with the Kanye West
>> album The College Dropout - esp Never Let Me Down and Jesus Walks.
>> The production is excellent - he's developed the Blueprint template -
>> and the lyrics insightful, astute and candid.
>>
>> > as far as techno, i'm pretty into the new Damon Wild doublepack on
>> > Kanzleramt. especially "mr mean" and "halflife." the combo of
>> > "tough" stompy drums and totally wussed out synths is, in general,
>> > pretty unbeatable, imo.
>> >
>> > as far as rock music, i'd always have to go with Lungfish and the
>> > Lungfish side-project The Pupils on Dischord. if you want to give
>> > them a shot, i think i'd recommend starting with Lungfish's "Sound
>> > in Time," completely amazing start to finish.
>> >
>> > not that i necessarily think you've never heard these records, but
>> > those are the things i'm into right now.
>> >
>> > also, i'd agree with Chad about Stars of the Lid. droning, largely
>> > guitar based, i think, ambient. and the show they played in urbana
>> > last year was one of the best i've seen. which i think is saying a
>> > lot, considering i'm an impatient guy and it was an ambient show.
>> >
>> > eric
>> >
>> > On Tue, 9 Mar 2004, synthetic tom wrote:
>> >
>> >> sorry to re-post this question, but i'm craving some new music
>> >> that i've never heard of before, and there's no better place to
>> >> ask than here.
>> >>
>> >> as for me, i've recently discovered DeepChord and Docile
>> >> Recordings and i'm loving them both.  buy on sight as far as i'm
>> >> concerned.
>> >>
>> >> playing right now: Drexciya "Digital Tsunami"
>> >>
>> >> later y'alls
>> >>
>> >> t
>> >>
>> >
>>

313@hyperreal.org

[Katrin Richter]

At least you don't wear G strings with your balls dangling out



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 16:45
An: 313@hyperreal.org
Betreff: Re: (313) kdj on m&g


>Well.. not that fast. MG005 has been repressed and is available in every
>shop I know.

oh, ha ha ha! oh well, thought I was being cl.

never mind, I do this alot. (stupid things)

: )

alex



_

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give your consent to such monitoring

AW: AW: (313) Stuff & Clowns

[Katrin Richter]

Who says it's a she???



-Ursprüngliche Nachricht-
Von: Martin [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 14:53
An: [EMAIL PROTECTED]; Katrin Richter; 313@hyperreal.org
Betreff: Re: AW: (313) Stuff & Clowns

Who's Public? I have I met her?


3/3/04 1:57 PM [EMAIL PROTECTED]@blueyonder.co.uk

> naa your right, I did try it and I failed miserably..also my wife was
not
> amused :(
>
> -Original Message-----
> From: Katrin Richter [mailto:[EMAIL PROTECTED]
> Sent: Wed 03/03/2004 13:50
> To: [EMAIL PROTECTED]; 313@hyperreal.org
> Cc:
> Subject: AW: AW: (313) Stuff & Clowns
>
>
>
> Neither does coming in public
>
>
>
> -Ursprüngliche Nachricht-
> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Gesendet: Mittwoch, 3. März 2004 14:49
> An: Katrin Richter; Martin; 313@hyperreal.org
> Betreff: RE: AW: (313) Stuff & Clowns
>
> "I am more into "come as you are""
>
> yeah true but nude doesn't go down that well here Katrin :0)
>
>-Original Message-
>From: Katrin Richter [mailto:[EMAIL PROTECTED]
>Sent: Wed 03/03/2004 13:42
>To: Martin; 313@hyperreal.org
>Cc:
>Subject: AW: AW: (313) Stuff & Clowns
>
>
>
>Maybe it's a very narrow minded thing to impose your taste on
others,
> but
>then I must admit that I never really liked Crasher Kids.. but
then,
> when I
>think back how much celebration and dressing up already mattered in
the
>early days of techno and house, it was very much a question of
taste to
>dress up and making the party something special by performing etc
(ask
> DJ
>Rush for exaple how had his own group called KneDeep back in
Chicago).
>
>    I am more into "come as you are".
>
>
>
>
>
>-Ursprngliche Nachricht-
>Von: Martin [mailto:[EMAIL PROTECTED]
>Gesendet: Mittwoch, 3. Mrz 2004 14:32
>An: Katrin Richter; 313@hyperreal.org
>Betreff: Re: AW: (313) Stuff & Clowns
>
>More a matter of taste darling :)
>
>
>
>3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
>
>> Martin,
>>
>> I am just realising how restricting your dress cope is in my eyes. I wish
>> there were jugglers in Germany... or people with face paint... here, the
>> crowd's just boring, boring, boring
>>
>> Peace
>> Kat
>>
>>
>>
>> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
>> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>>
>>
>>
>
>
>
>
>

AW: AW: (313) Stuff & Clowns

[Katrin Richter]

Neither does coming in public



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 14:49
An: Katrin Richter; Martin; 313@hyperreal.org
Betreff: RE: AW: (313) Stuff & Clowns

"I am more into "come as you are""

yeah true but nude doesn't go down that well here Katrin :0)

-Original Message-
From: Katrin Richter [mailto:[EMAIL PROTECTED]
Sent: Wed 03/03/2004 13:42
To: Martin; 313@hyperreal.org
Cc:
Subject: AW: AW: (313) Stuff & Clowns
   
   

Maybe it's a very narrow minded thing to impose your taste on others, 
but
then I must admit that I never really liked Crasher Kids.. but then, 
when I
think back how much celebration and dressing up already mattered in the
early days of techno and house, it was very much a question of taste to
dress up and making the party something special by performing etc (ask 
DJ
Rush for exaple how had his own group called KneDeep back in Chicago).
   
I am more into "come as you are".
   
   
   
   
   
-Ursprngliche Nachricht-
Von: Martin [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. Mrz 2004 14:32
An: Katrin Richter; 313@hyperreal.org
Betreff: Re: AW: (313) Stuff & Clowns
   
More a matter of taste darling :)
   
   
   
3/3/04 1:34 PM Katrin [EMAIL PROTECTED]
   
> Martin,
>
> I am just realising how restricting your dress cope is in my eyes. I 
wish
> there were jugglers in Germany... or people with face paint... here, 
the
> crowd's just boring, boring, boring
>
> Peace
> Kat
>
>
>
> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>
>
>
   
   

AW: AW: (313) Stuff & Clowns

[Katrin Richter]

Maybe it's a very narrow minded thing to impose your taste on others, but
then I must admit that I never really liked Crasher Kids.. but then, when I
think back how much celebration and dressing up already mattered in the
early days of techno and house, it was very much a question of taste to
dress up and making the party something special by performing etc (ask DJ
Rush for exaple how had his own group called KneDeep back in Chicago).

I am more into "come as you are".





-Ursprüngliche Nachricht-
Von: Martin [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 3. März 2004 14:32
An: Katrin Richter; 313@hyperreal.org
Betreff: Re: AW: (313) Stuff & Clowns

More a matter of taste darling :)



3/3/04 1:34 PM Katrin [EMAIL PROTECTED]

> Martin,
>
> I am just realising how restricting your dress cope is in my eyes. I wish
> there were jugglers in Germany... or people with face paint... here, the
> crowd's just boring, boring, boring
>
> Peace
> Kat
>
>
>
> Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
> percussionists! Shirter Techno People, No Dad House or Son's of Pikey
>
>
>

AW: (313) Stuff & Clowns

[Katrin Richter]

Martin,

I am just realising how restricting your dress cope is in my eyes. I wish
there were jugglers in Germany... or people with face paint... here, the
crowd's just boring, boring, boring

Peace
Kat



Dresscode: No jugglers, No Clowns, No Face paint, No Moustaches, No
percussionists! Shirter Techno People, No Dad House or Son's of Pikey

(313) From Berlin with love!

[Katrin Richter]

Everyone is leaving the sinking ship and is moving to Berlin - last one was
A Guy Called Gerald (Voodoo Ray)...

Welcome to the old Europe, everyone :)

Peace
Kat



 Original Message -
From: <[EMAIL PROTECTED]>
To: 
Sent: Saturday, February 07, 2004 12:07 AM
Subject: Leaving Home


> Leaving Home:
> a going-away party for Alan D. Oldham.
> Making the move to Chicago and Berlin
>
> DJs
>
> DJ T-1000 (aka The Last DJ On Earth)
> Orlando Voorn (aka Fix aka Basic Bastard; Amsterdam)
> Shake (a true Detroit original)
> Twonz (Detroit's best-loved resident)
>
> Date: Thurs., Feb 26th 2004
> Place: Carbon
> 11474 Jos. Campau
> between Caniff and Davison
> Hamtramck
> Time: 8 pm-2 am
> Donation: $7
>
> Forward to whoever you think is interested; bring all your friends
>
> It's all love, baby
>
> www.alanoldham.com
> www.puresonikrecords.net
>
> PS: The Pure Sonik Sessions begin in Chicago: April 2004
>

(313) Blacktronica

[Katrin Richter]

Taken from: http://www.absorb.org/articles/blacktronica/index.html



from coltrane to carl craig because there is more to black music
than hip-hop and r'n'b

"blacktronica is not a club, it's a movement," asserts charlie dark, retired
b-boy, former member of attica blues, nowadays gone solo producer and
remixer - and, one of the leading forces behind the london-based,
genre-bending blacktronica movement.
he continues: "this movement is born out of frustration, really." bitterly
he recounts his own major label experience with attica blues: "a lot of
black musicians in the uk are constrained by the music industry to make
music only made to sound like what is popular in america: hip-hop, r'n'b,
and so on. carbon-copied music."
mass appeal black music truly has been in a way hijacked in the 21st
century. you turn on the tv: what do you see? mtv clowns, corporate culture,
brainwashed propaganda. musicians that claim to speak for all of us but
actually only blabber for themselves, on how much money or how big dicks
they say they have. we need other places to turn to find innovation.
blacktronica provides an oasis. "from coltrane to carl craig because there
is more to black music than hip-hop and r'n'b," as it says on the flyer,
this is a place for us to listen rather than stand amazed by gold chains and
sports cars.
so, around two years ago, he and other people around the world, caught in
pockets of non-compromise and dissent toward the major label hegemony,
decided pursuing a whole new thing. blacktronica has been running for a year
and a half, with a bi-monthly workshop and club at the london's ica, a
compilation album in the making, and an impressive fanzine in the
back-catalogue.
charlie dark describes the movement very much as a groundwork for creating a
forum to teach people where the music comes from, the roots. there are plans
for visiting community centres and doing workshops. "electronic music is
often created through isolation, through grassroots culture, but there are
lots of other factors behind the music, societal forces. the idea with
blacktronica is to inspire and teach people to innovate."
not dismissing the amazing productions in the american hip-hop mainstream,
such as neptunes and others, charlie dark focuses his criticism at the
british music industry. there are too few people interested in music left
within the british music industry, he points out. in america, there still
are people understanding the music, not the money, left in the industry. and
there are specialised major label subdivisions. in the uk, the music is
forced to go underground. a lot of things are happening at the moment: uk
garage is going darkside again, with sparse 8 bar music, new technological
gadgets, mp3 mixtapes spread through fibre-optics.

black secret technology

technology that gives us new possibilities to intercept the industry. at the
same time, things are still hard if you're left struggling on your own.
"london is like a sponge that sucks up culture from around the world and
regurgitates it in its own way, but at the same time it's really slow,
because of the lack of infrastructure. that's why we have to create our own
infrastructure," he concludes.
so blacktronica was born, to ignite innovation and divulge what's happening
in the global electronic underground. down here you're inclined to hear
anything, as long as it's (somewhat) black. ragga-fuelled technological
beats next to 30th century hip-hop next to rubber dang disco. with monster
tracks such as cousin cockroachs' seminal 'this ain't tom & jerry', seiji's
anthem 'loose lips', and the offerings of former attica blues man tony
nwachukwu on the genre boundary-pushing 'won / too' ep and his recent
release as the wach, blacktronica is truly holding the fort when it comes to
musical originality.
"the way different types of music are perceived makes a lot of difference to
what gets recognised," charlie dark explains. young people today can't
connect to techno, because it's something from the past, and very much
because of the media definition of it; a field full of kids with raver masks
on and a beat 100 miles an hour dancing crazy. "but then you play them carl
craig," dark continues, "and something is changed." connotations of music
are rarely corresponding to the real thing. in a similar way, black dance
music might be perceived by outside onlookers, even readers of this webzine,
as one-dimensional, in certain ways less innovative as the musical auteurs
of "intelligent dance music", which of course is complete bollocks.
blacktronica is here to help change all this.
http://www.blacktronica.com | jonas andersson

AW: (313) Derrick May

[Katrin Richter]

I think thoughts shared via internet sound harsher than discussing it with a
smile in your face



-Ursprüngliche Nachricht-
Von: Brendan Nelson [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 4. Februar 2004 17:41
An: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Betreff: RE: (313) Derrick May

I think that would be a bit drastic! The 313 list isn't
*all* vitriol and player-hating after all... :)

It's a funny thing about the internet that it seems to
bring out some serious bitterness and bile in a lot of
people, and that applies to forums and mailing lists
everywhere, not just 313. In fact 313 is nothing like as
bad as some other forums/lists I can think of, where
anyone who opens their mouth is instantly subjected to
a barrage of personal abuse.

Brendan

> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> Sent: 04 February 2004 16:36
> To: [EMAIL PROTECTED]
> Cc: 313@hyperreal.org
> Subject: RE: (313) Derrick May
>
>
>
>
>
>
> I wish Derrick would just chime in for once and shut them all
> up - I've
> seen Juan Atkins do it.
> I suppose he can't be bothered but just for the sake of this
> damn list.
> Maybe they all wish the 313list would go away.
>
> MEK
>
>
>
>
>   "Ronny Pries"
>
>   <[EMAIL PROTECTED]>To:
> <313@hyperreal.org>
>
>cc:
>
>   02/03/04 04:28 PMSubject:  RE:
> (313) Derrick May
>   Please respond to
>
>   rp
>
>
>
>
>
>
>
>
>
> *wink* :)
>
> > Anyone bored of this derrick may topic yet...apart from
> Derrick May ??
>
>
>
>
>

AW: (313) Matthew Dear / Spectral

[Katrin Richter]

The Isolee remix is my favourite.



-Ursprüngliche Nachricht-
Von: jason kenjar [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 16:51
An: 313@hyperreal.org
Betreff: (313) Matthew Dear / Spectral

Totally disagree with JT on this.  Dear's Leave Luck to Heaven LP (Spectral)
is fantastic stuff.

Upon listening to it, I find it to sound very orchestrated. It seems like
every little sound  on that record is carefully thought out. The voices in
those tracks are amazing too, they work really well with his very abstract
beats. much love to that album.  I will stand up for it. My needle hits the
paper everytime this wax is  at bat.

While on the subject of spectral sounds, dont overlook Isolee's rmx of
Daylight  on that label. fasten seatbelt before listening.



On Tue, 3 Feb 2004, J. T. wrote:

not only is there no real new generation of black techno, but i mean matthew
dear...who cares if he's popular, does it really have any soul or connection
to the character of classic detroit techno? not that i can hear...just
happens to be from detroit..
__
Vorras Messaging Software - http://www.vorras.com/

AW: AW: (313) Derrick May quote and the Death of Techno

[Katrin Richter]

I think the oringinal people from Detroit put a different kind of soul into
their music, it's not about "some new depression" and not about crying. It's
about enjoying life and the celebration of that joy.

It's just a different soul they put into their music, neither of the souls
is worth more or less

I can feel that pure enjoyment and hope is a feeling in Techno that has
passed a long time ago. Nothing has changed, Detroit is still depressing,
America is depressing for many a black man, and I can feel that a lot of
hearts sunk over the developments in the last year.







-Ursprüngliche Nachricht-
Von: Derek Plaslaiko. [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 15:40
An: J. T.
Cc: [EMAIL PROTECTED]; 313@hyperreal.org
Betreff: RE: AW: (313) Derrick May quote and the Death of Techno


On Tue, 3 Feb 2004, J. T. wrote:

> not only is there no real new generation of black techno, but i mean
matthew
> dear...who cares if he's popular, does it really have any soul or
connection
> to the character of classic detroit techno? not that i can hear...just
> happens to be from detroit..


does it have any SOUL, you ask??? have you listened to his music, or just
tracked through it because it was a detroit artist, and since it didnt
sound like "no UFOs" or "strings of life" or "jaguar"  you decided it was
not worthy of being catagorized as a detroit record?

god, do i get tired of this generalization. why, OH WHY does everything
have to sound like a modern day submerge record to be labeled "detroit
techno" anymore? dont people realize that most of the records that defined
(notice the past tense, that most cant seem to let go of) detroit techno,
were produced 12-21 years ago, and there shouldve been TONS of
evolution in that time period?

perfect example: shake. shakes been around from the get go, but has
continuously evolved. shakes records sound like shake records. not because
of similar sounds used, but because he has a specific style.. a certain
brand of soul. are you going to tell me that the only reason shakes music
has soul, is because hes black and from detroit??? in my opinion, those 2
factors are secondary factors. shakes music has soul, because shake has
soul.


the fact that matthew is white has nothing to do with the soul of his
music. if you think that, then you better be thinking the same about joy
division, liquid liquid, francois k, or recloose, even.


everything matthew has produced has come straight from his soul. alot of
it is downright moving too. listen to "some new depression" from the
ghostly 'Idol Tryouts' comp. first time i heard that track in its
entirety, it nearly brought me to tears... the same way derrick mays
"icon" does to me.


i hope that one day people will understand these points better.


derek.

AW: (313) Derrick May quote and the Death of Techno

[Katrin Richter]

I guess you're right. I can understand their disappointment.



-Ursprüngliche Nachricht-
Von: Greg Earle [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 13:09
An: 313@hyperreal.org
Betreff: Re: (313) Derrick May quote and the Death of Techno

I'm going to risk a major firestorm by venturing that when Derrick said

> "... because I think this may be the last chance that we may be able
> to do
> it through Techno music.  I don't know if there's going to be a next
> generation of young musicians coming through to follow up in our
> footsteps."

he really meant "I don't know if there's going to be a next generation
of
young BLACK Detroit musicians coming through to follow up in our
footsteps."

I've had discussions on several disparate occasions with Black Detroit
artists (Rob Hood, Kenny Larkin, Bone, etc.) and they all bemoaned to me
the fact that there seemed to be no young Black cats coming up through
the ranks - that all the young brothers were just interested in Hip-Hop
now,
and didn't care about Techno.  They all understood why things were the
way they were, but it made them sad nevertheless.

Obviously I don't live in Detroit so I don't know all the current
players
on the scene, but off the top of my head I couldn't think of anyone
younger than, say, Sean Deason (chime in Sean!) or Kenny Dixon Jr. (or
our own Jwan, if we stretch Detroit over to Pittsburgh :-) ).

(One thing that triggered my thinking of this line of reasoning was
listening
  to Kenny's old Dark Comedy track "Without A Sound (Silent Mix)" from
"Corbomite
  Maneuver".  [EMAIL PROTECTED] what a sublime track.  It's going on my Wedding
music list.)

- Greg

AW: AW: AW: (313) primate/primevil/et. al

[Katrin Richter]

Yeah, it's especially strange to see this when you know that they haven't
paid their artists who are still waiting for their acetates... Stuff like
this breaks a small label owner's neck.

Oh well, business innit.





-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 12:52
An: 313@hyperreal.org
Betreff: Re: AW: AW: (313) primate/primevil/et. al


>I think it's got something to do with a problematic ego which makes you
buy
>a grand Lotus car when your company goes down the drain...

teehee, now I see where you got the grand player bit!
_

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AW: AW: (313) primate/primevil/et. al

[Katrin Richter]

Yo, you might be right... but then, who am I to judge. Sorry for the wanker
bit

On a personal level, the guy I met from Integrale was quite alright, a bit
freaky. He used to go out with that girl I know rather well and it was
interesting to see them interact cos she's nice.

I think it's got something to do with a problematic ego which makes you buy
a grand Lotus car when your company goes down the drain...



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 12:42
An: 313@hyperreal.org
Betreff: Re: AW: (313) primate/primevil/et. al


>When I went to Sonar this Summer, the Integrale guys were still as hyper
and
>-ed up as one would expect from some wanker grand players from the UK.

easy tiger!!

see, that's kind of what I view the rest of the world thinks of alot of Uk
peeps -
"wanker grand players", maybe thats why peeps dont want to buy uk dance
mags too?


_

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give your consent to such monitoring

AW: (313) primate/primevil/et. al

[Katrin Richter]

When I went to Sonar this Summer, the Integrale guys were still as hyper and
-ed up as one would expect from some wanker grand players from the UK.

No-one ever mentioned it but they went down shortly after that.

I guess as an artist, you're trying to keep it quiet as long as possible not
to scare potential clients off as Karl probably still waits for his money or
vinyl - like many others... I know that all the Pure Platic guys were really
affected.








-Ursprüngliche Nachricht-
Von: Tom Magic Feet [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 11:44
An: 313 mailing list
Betreff: Re: (313) primate/primevil/et. al

Really? Are you sure? I saw Karl/Regis in the summer and he told me he was
withdrawing from the company, but I don't remember him saying anything about
it going out of business? I am SO out of touch... Hmm, I know someone I can
ask.

TMF


> Integrale went bust before Primate...
>
> No, the statement I sent out is from an ex-Prime man, I guess what he says
> is the truth - they moved to Chris Liebing. Maybe all the Integrale Labels
> moved to Just Music.
>
>
>
> -Ursprüngliche Nachricht-
> Von: Tom Magic Feet [mailto:[EMAIL PROTECTED]
> Gesendet: Dienstag, 3. Februar 2004 10:43
> An: 313 mailing list
> Betreff: Re: (313) primate/primevil/et. al
>
> Actually, I hear the labels have moved to Steve Glencross's Just Music for
> distribution? Or was it Integrale Musique? Not sure, but either way I
think
> they live on.
>
> > Prime Distribution definitely went bust last year, and as Prime and
> Primevil
> > were their in-house labels I assume they've also bitten the dust...
> >
> >
>

AW: (313) Derrick May quote and the Death of Techno

[Katrin Richter]

Mmmmh, don't know what this has got to do with it. Discuss.



-Ursprüngliche Nachricht-
Von: Robert Taylor [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 11:28
An: Katrin Richter; [EMAIL PROTECTED]; 313@hyperreal.org
Betreff: RE: (313) Derrick May quote and the Death of Techno

Only if you have a vagina! ;-)

-Original Message-
From: Katrin Richter [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 03, 2004 10:23 AM
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: AW: (313) Derrick May quote and the Death of Techno


I am really shocked how quick you guys judge and condemn. I mean, talk to
the guy yourself if you're burning to have your questions answered. He
replies to every email you send him.

Peace
Kat




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 11:15
An: 313@hyperreal.org
Betreff: Re: (313) Derrick May quote and the Death of Techno


Yussel wrote>
>i've often assumed that derrick doesn't pay much attention to the newer
>generation (he'll claim that no one young ever approaches him- and maybe
>that's true), but its ridiculous to proclaim techno dead, simply because
>his particular style (and fame?) is dwindling.
>This has been a watershed year for techno artists and records and albums..
>i won't even start naming names, but we all know its there.
>Matthew Dear gets coverage in Rolling Stone and Entertainment Weekly, the
>kid lives an 8 minute drive from Bellvue and Derrick says there's no new
>generation!?
>Maybe he honestly doesn't feel the new stuff. Or maybe he's honestly just
>not aware of it. Or maybe he's being cranky.
>I seriously think I need to send Derrick a care package of new releases.
>Shall we compile a 313-list new techno artists CD for him?

This is a great post. and maybe someone should send him some stuff. I
always wonder if derrick does check all the new records. I too can't work
out whether he's feeling the new stuff or not. From the c**p rent-a-quote
comments he comes out with, I really can't believe he does. Like you said
though, he might just not be feeling it at all.

It has been a great year for techno, but I tell you what, I know for a fact
that 2004 will see better music coming from techno people. honestly. some
of the stuff I'm hearing on cd-r's is just head and shoulders above what
came out last year, really really strong quality stuff.

here's a weird one though. Alot of stuff I've heard that will be out in
2004, blows away anything derrick put out on transmat lately - head and
shoulders above it. so maybe that makes me think he isn't looking properly.

I wish he wasn't so f**king arrogant though, he comes across as a right
twat. I kind of thought that after john osselars interview too. a shame, as
he's someone I've always held up as a bit of a hero, and someone I always
will.

so, anyway, back to the point

I'm gonna send him a cd.

alex

_

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AW: (313) Derrick May quote and the Death of Techno

[Katrin Richter]

I am really shocked how quick you guys judge and condemn. I mean, talk to
the guy yourself if you're burning to have your questions answered. He
replies to every email you send him.

Peace
Kat




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 11:15
An: 313@hyperreal.org
Betreff: Re: (313) Derrick May quote and the Death of Techno


Yussel wrote>
>i've often assumed that derrick doesn't pay much attention to the newer
>generation (he'll claim that no one young ever approaches him- and maybe
>that's true), but its ridiculous to proclaim techno dead, simply because
>his particular style (and fame?) is dwindling.
>This has been a watershed year for techno artists and records and albums.
>i won't even start naming names, but we all know its there.
>Matthew Dear gets coverage in Rolling Stone and Entertainment Weekly, the
>kid lives an 8 minute drive from Bellvue and Derrick says there's no new
>generation!?
>Maybe he honestly doesn't feel the new stuff. Or maybe he's honestly just
>not aware of it. Or maybe he's being cranky.
>I seriously think I need to send Derrick a care package of new releases.
>Shall we compile a 313-list new techno artists CD for him?

This is a great post. and maybe someone should send him some stuff. I
always wonder if derrick does check all the new records. I too can't work
out whether he's feeling the new stuff or not. From the c**p rent-a-quote
comments he comes out with, I really can't believe he does. Like you said
though, he might just not be feeling it at all.

It has been a great year for techno, but I tell you what, I know for a fact
that 2004 will see better music coming from techno people. honestly. some
of the stuff I'm hearing on cd-r's is just head and shoulders above what
came out last year, really really strong quality stuff.

here's a weird one though. Alot of stuff I've heard that will be out in
2004, blows away anything derrick put out on transmat lately - head and
shoulders above it. so maybe that makes me think he isn't looking properly.

I wish he wasn't so f**king arrogant though, he comes across as a right
twat. I kind of thought that after john osselars interview too. a shame, as
he's someone I've always held up as a bit of a hero, and someone I always
will.

so, anyway, back to the point

I'm gonna send him a cd.

alex

_

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e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
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AW: (313) primate/primevil/et. al

[Katrin Richter]

Integrale went bust before Primate...

No, the statement I sent out is from an ex-Prime man, I guess what he says
is the truth - they moved to Chris Liebing. Maybe all the Integrale Labels
moved to Just Music.



-Ursprüngliche Nachricht-
Von: Tom Magic Feet [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 10:43
An: 313 mailing list
Betreff: Re: (313) primate/primevil/et. al

Actually, I hear the labels have moved to Steve Glencross's Just Music for
distribution? Or was it Integrale Musique? Not sure, but either way I think
they live on.

> Prime Distribution definitely went bust last year, and as Prime and
Primevil
> were their in-house labels I assume they've also bitten the dust...
>
>

AW: (313) Derrick May - "The Bush Administration Are the Biggest War Criminals of the 21st Century"

[Katrin Richter]

Hey, seems like you've made some really bad experiences with women. I am
lucky that I have always found a large group of relaxed, musically verses
girls around me that are neither interested in bitching nor in being
humiliating. Maybe you just hang out with the wrong crowd. Sounds like their
male counterparts are pretty dumb too.




-Ursprüngliche Nachricht-
Von: Cyclone Wehner [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 3. Februar 2004 08:12
An: 313 Detroit
Betreff: Re: (313) Derrick May - "The Bush Administration Are the Biggest
War Criminals of the 21st Century"

The problem is that "intrinsically knowledgable chicks" are occasionally
conniving each other's downfall. It's nice - and powerful - to be the only
woman in a male dominated arena and so when Ms Thing sees another girl, she
is gon' stop at nothing to mark out her territory, humilate you in front of
male colleagues, and just be as un-co-operative as she can.
I'd prefer the odd light sexist comment (which is rare) from a male to
another woman's brutal machinations. I call it B***h on B***h crime what
women do to each other.


--
>From: [EMAIL PROTECTED]
>To: Brendan Nelson <[EMAIL PROTECTED]>
>Subject: Re: RE: (313) Derrick May - "The Bush Administration Are the
Biggest
War Criminals of the 21st Century"
>Date: Tue, 3 Feb 2004 2:41 AM
>

> "forced" ?  LOL!  I don't think this phenomenon is unique to music  ;)
>
> "intrinsically knowledgable chicks" need more care and feeding than
> armpieces (this is bound to happen if one has a brain *and* uses it) so if
> a guy isn't interested in that part of a woman, an armpiece will do just
> fine. that's how it's been explained to me, anyways.
>
> I saw lots of ladies at Movement '03 and they weren't all ornament looking
> - mostly 'real' looking and having lots of fun with the music - with or
> without the guys!
>
> lisa
>
> - Original Message -
> From: Brendan Nelson <[EMAIL PROTECTED]>
> Date: Monday, February 2, 2004 9:47 am
> Subject: RE: (313) Derrick May - "The Bush Administration Are the Biggest
> War Criminals of the 21st Century"
>
>> Ah, but I'd say there's an extent to which a lot of these males
>> are kind of forced into a situation like that - you could spend
>> *years* looking around for someone whose mindset and interests are
>> very compatible with your own, but because most people fall more
>> into the "ornament" category, that's who you're most likely to end
>> up with.
>>
>> Given the choice, I think most techno-geek sort of blokes would go
>> for an "intrinsically knowledgable 'chick'" over an "ornament" any
>> day!
>> Brendan
>>
>> > -Original Message-
>> > From: Katrin Richter [EMAIL PROTECTED]
>> > Sent: 02 February 2004 14:43
>> > To: Cyclone Wehner; 313@hyperreal.org
>> > Subject: AW: (313) Derrick May - "The Bush Administration Are the
>> > Biggest War Criminals of the 21st Century"
>> >
>> >
>> > Sometimes I am shocked that some really intelligent males who
>> > love to share
>> > their music with others choose these girls that are not into
>> > the music at
>> > all (but are really good looking)... some people just aren't
>> > into soul mates
>> > methinks But then, music isn't everything.
>> >
>> >
>> >
>> >
>> > -Ursprüngliche Nachricht-
>> > Von: Cyclone Wehner [EMAIL PROTECTED]
>> > Gesendet: Montag, 2. Februar 2004 15:13
>> > An: 313 Detroit
>> > Betreff: Re: (313) Derrick May - "The Bush Administration Are
>> > the Biggest
>> > War Criminals of the 21st Century"
>> >
>> >
>> > Hey, that's me, but I'm dieting. ;)
>> > But 80 percent of the male trainspotters *I know* go out with
>> > ornaments, not
>> > "intrinsically knowledgeable 'chicks", usually 21 years old,
>> > then they get
>> > frustrated that they don't have someone who gets their music. ;)
>> > It takes hours and money and effort to be the perfect female
>> specimen,> doesn't leave much time for music. ;
>> >
>> > --
>> > >From: [EMAIL PROTECTED]
>> > >To: 313@hyperreal.org
>> > >Subject: RE: (313) Derrick May - "The Bush Administration
>> > Are the Biggest
>> > War
>> > Criminals of th

AW: (313) primate/primevil/et. al

[Katrin Richter]

They have packed in, but are still around. This is the info I have been
given:

"Well, as you probably know, Prime is not operating anymore but if you need
any information on Prime's artists then please contact Ernest at
[EMAIL PROTECTED] He is starting up Primate and Primevil again and is
working with all the old artists like Chris Liebing, Christian Smith and
Marco Bailey."

Basically Chris Liebing set up a new distribution in Germany with a
subsidiary in the UK.

Hope this helps.

Kat





-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Montag, 2. Februar 2004 22:16
An: 313@hyperreal.org
Betreff: (313) primate/primevil/et. al

does anyone know their current situation. i heard about bankruptcy (?) but
then seem to recall someone saying that the're still operating. anyone?

AW: (313) Derrick May - "The Bush Administration Are the Biggest War Criminals of the 21st Century"

[Katrin Richter]

Sometimes I am shocked that some really intelligent males who love to share
their music with others choose these girls that are not into the music at
all (but are really good looking)... some people just aren't into soul mates
methinks But then, music isn't everything.




-Ursprüngliche Nachricht-
Von: Cyclone Wehner [mailto:[EMAIL PROTECTED]
Gesendet: Montag, 2. Februar 2004 15:13
An: 313 Detroit
Betreff: Re: (313) Derrick May - "The Bush Administration Are the Biggest
War Criminals of the 21st Century"


Hey, that's me, but I'm dieting. ;)
But 80 percent of the male trainspotters *I know* go out with ornaments, not
"intrinsically knowledgeable 'chicks", usually 21 years old, then they get
frustrated that they don't have someone who gets their music. ;)
It takes hours and money and effort to be the perfect female specimen,
doesn't leave much time for music. ;

--
>From: [EMAIL PROTECTED]
>To: 313@hyperreal.org
>Subject: RE: (313) Derrick May - "The Bush Administration Are the Biggest
War
Criminals of the 21st Century"
>Date: Tue, 3 Feb 2004 1:26 AM
>

>
> D.May Quote from Robert>"I always prefer to play to a chick who's
> intrinsically knowledgeable about life, than a >shirtless, sweaty guy
who'd
> dance to anything that has a beat."
>
> Q. Who pays D.May's wages?
>
> is it
>
> a) intrinsically knowledgeable 'chick'?
> or
> b) sweaty guy who dances to anything with a beat?
>
> ha, I'd rather deliver the post to "intrinsically knowledgeable 'chick's"
> too, but theres only fat sweaty accountants here. oh well.
>
> p.s. any "intrinsically knowledgeable 'chick's" with a large transmat
> collection and ticket stubs for d.mays last gigs, drop me a line, I'd like
> to buy you dinner.
> _
>
> - End of message text 
>
> This e-mail is sent by the above named in their
> individual, non-business capacity and is not on
> behalf of PricewaterhouseCoopers.
>
> PricewaterhouseCoopers may monitor outgoing and incoming
> e-mails and other telecommunications on its e-mail and
> telecommunications systems. By replying to this e-mail you
> give your consent to such monitoring
>
>
>

AW: (313) german to english translation please?

[Katrin Richter]

D5 means Dimension 5, as it did in the past on previous releases on Delsin
records, and now he returns with a new EP for the English imprint. Starting
"Controlled Forces" with a deep, grooving track full of tension created by
lush and harmonic pads, sitting on a simple groove and swooshing freestyle
noises that sound like a string banged on metal. In addition, there is a
synthesizer solo that's really bursting with life
Anyway,  my native English speakers, I have to leave the office now, so I
couldn't finish the translation, but the overall cconcensus is: it's an
excellent piece of vinyl...



> -Original Message-
> From: john harvey [mailto:[EMAIL PROTECTED]
> Sent: 20 January 2004 3:18
> To: 313
> Subject: (313) german to english translation please?
>
>
> hello,
>
> can any german list members please translate the following review for me?
:-
>
> D5 - Formation One (Digital Soul Records) Dimension 5 heisst das,
jedenfalls
> früher, und er hat schon auf Delsin releast, jetzt kommt er mit einer
neuen
> EP für das englische Label und beginnt auf "Controlled Force" mit einem
deep
> groovenden Track, der von der Spannung zwischen den harmonisch warmen Pads
> auf einem einfachen Groove und den zerrend-freestylenden Geräuschen lebt,
> die wie das Schlagen einer Seite auf Metall klingt. Ach, ein
Synthesizersolo
> das wirklich lebt. "Oscillator" führt uns zurück in die Zeit als ein
> einziger Sound so perfekt war, dass es drumherum eigentlich nur noch wenig
> brauchte, denn allein er fasziniert schon so, dass selbst die schönsten
> Strings, den Track nur noch verzieren. Ein extrem deepes Stück Detroit.
Der
> Titeltrack slammt etwas straighter mit trockenerem Beat aber bleibt ebenso
> in dieser wunderbaren Welt der Einheit von Synthesizersounds und Beats,
die
> hier mit Harmoniewechseln noch einen Hauch Oldschool zur peitschenden 808
> Snare bekommen. Brilliante Platte. http://www.digital-soul.co.uk bleed
*
>
> many thanks,
>
> john harvey
>
>
>
>
>

**
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AW: AW: (313) websites (not warp!, or axis!)

[Katrin Richter]

Same here :)

What do you think about Sub Static?

http://www.sub-static.de




-Ursprüngliche Nachricht-
Von: Carlos de Brito [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 16. Januar 2004 12:14
An: 'Katrin Richter'; [EMAIL PROTECTED]; 313@hyperreal.org
Betreff: AW: AW: (313) websites (not warp!, or axis!)

love that!

check also wb001 and wb002 boots,

http://www.discogs.com/artist/W-B-

and the snippets for new robag wruhme here:

http://www.milnormodern.com/html/rel002.html


german cream of the crop.

[no, I don't know them, just a fan...:)]

c.


-Ursprüngliche Nachricht-----
Von: Katrin Richter [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 16. Januar 2004 10:50
An: [EMAIL PROTECTED]; 313@hyperreal.org
Betreff: WG: AW: (313) websites (not warp!, or axis!)

Do you know this one:

http://www.musikkrause.de/

Just as nice - from the same guy as Wighnomy Brothers - his single
project's
called Robag Wruhme...




-Ursprüngliche Nachricht-
Von: Jason Brunton [mailto:]
Gesendet: Samstag, 17. Januar 2004 10:38
An: Katrin Richter
Betreff: Re: AW: (313) websites (not warp!, or axis!)

thanks for that link Katrin- hadn't heard of them before but I really
like Souphiction stuff so I'll order some for our store

cheers

Jason



On 16 Jan 2004, at 09:26, Katrin Richter wrote:

> http://www.freude-am-tanzen.com/
>
> One of the coolest minimal house labels in Germany (utterly danceable)
>
>
>
>
>
> -Ursprüngliche Nachricht-
> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Gesendet: Donnerstag, 15. Januar 2004 14:47
> An: 313@hyperreal.org
> Betreff: (313) websites (not warp!, or axis!)
>
> Hi,
>
> Kind of after some help here. If anyone could be so kind.
>
> What do you look for in a website from a techno label?
>
> are there any particular techno labels that have a really good site do
> you
> think?
>
> What makes it really good - any particular features?
>
> Thanks
>
> Alex
>
> *cheeky market research man*
>

WG: AW: (313) websites (not warp!, or axis!)

[Katrin Richter]

Do you know this one:

http://www.musikkrause.de/

Just as nice - from the same guy as Wighnomy Brothers - his single project's
called Robag Wruhme...




-Ursprüngliche Nachricht-
Von: Jason Brunton [mailto:]
Gesendet: Samstag, 17. Januar 2004 10:38
An: Katrin Richter
Betreff: Re: AW: (313) websites (not warp!, or axis!)

thanks for that link Katrin- hadn't heard of them before but I really
like Souphiction stuff so I'll order some for our store

cheers

Jason



On 16 Jan 2004, at 09:26, Katrin Richter wrote:

> http://www.freude-am-tanzen.com/
>
> One of the coolest minimal house labels in Germany (utterly danceable)
>
>
>
>
>
> -Ursprüngliche Nachricht-
> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Gesendet: Donnerstag, 15. Januar 2004 14:47
> An: 313@hyperreal.org
> Betreff: (313) websites (not warp!, or axis!)
>
> Hi,
>
> Kind of after some help here. If anyone could be so kind.
>
> What do you look for in a website from a techno label?
>
> are there any particular techno labels that have a really good site do
> you
> think?
>
> What makes it really good - any particular features?
>
> Thanks
>
> Alex
>
> *cheeky market research man*
>

AW: (313) websites (not warp!, or axis!)

[Katrin Richter]

http://www.freude-am-tanzen.com/

One of the coolest minimal house labels in Germany (utterly danceable)





-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 15. Januar 2004 14:47
An: 313@hyperreal.org
Betreff: (313) websites (not warp!, or axis!)

Hi,

Kind of after some help here. If anyone could be so kind.

What do you look for in a website from a techno label?

are there any particular techno labels that have a really good site do you
think?

What makes it really good - any particular features?

Thanks

Alex

*cheeky market research man*


_

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(313) Jeff "Milestone" Mills

[Katrin Richter]

When I met Jeff, he was a very nice caring person who was deeply concerned
about the direction Techno was taking in Germany (!). He felt that he and
Dimitri Hegemann from Tresor did a bad job back in the early Nineties
because he pleaded guilty for conditioning people to consume Techno in dark
boxes full of fog and strobes and didn't consider making it nicer for girls
(which is, in his opinion, the reason why there are not so many girls
embracing Techno)...

We had a really long discussion and he admitted that he sometimes feels
really removed from his audience. He said he'd never consume drugs because
he would hate to put his company - and the people working for him - at
risk...

I don't think he is greedy... I think he is striving to be a real "artist",
sound- and concept-wise, that is accepted by "educated" people. This is, in
my opinion, the reason, why he tries to employ these pseudo-intellectual,
pseudo-philosophical thoughts on his sleeves written in bad English (which
of course, are more expensive to make). Although he has done Metropolis and
a lot of groundbreaking other projects, he is not really really accepted in
the realms of high art, especially not in North America where a Techno
artist would never reach the status of social acceptance he longs for. In
Europe and Japan, people roll out the red carpet... here, he is the person
who single-handedly established Techno in Berlin (well, at least that's what
Dimi and Jeff both want to believe - themselves - and which is impossible to
prove or disprove).

I guess the things I just mentioned are integral parts of his personality
and that might explain why he tries to make his label a sought-after
commodity rather than being down with the locals. Drug-mongering simple
minds are just not his thang as he was working hard enough to transcend this
stage of low human existance and I think he likes to see himself as a man of
class and style - certainly the way he dresses and the hotels he chooses.

Okay, that was the psychological analysis from da Kat :) who sat on the mat
and is a big fan of Jeff as a human. I wouldn't buy See The Light but I
certainly would buy the flip flips in his shop (and even the Axis beach
towel) if I had the money spare.

I love supporting people...




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 15. Januar 2004 16:03
An: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Betreff: Re: (313) axis




>But what if he and others in his position could take it further than that!

>Galvanize this community through festivals (lukewarm overall), seminars,
>clubs (gasp!), and the development of new players in the game.


Uh, yeah - he does all of this. It's called Musik und Machine.
http://www.musikundmaschine.com/index_flash.html

not many other individual artists have done this so I think Jeff is
actually on the forefront of doing exactly what you're asking him to do.


MEK

AW: (313) electro.techno.bbeat.house mix

[Katrin Richter]

Go to www.hurlbotics.com and then click on Music. It does open then.



-Ursprüngliche Nachricht-
Von: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 15. Januar 2004 14:02
An: Robert Taylor; Brendan Nelson; James Hurlbut; [EMAIL PROTECTED] Org
Betreff: RE: (313) electro.techno.bbeat.house mix

So it's not working?! I was looking forward to that in a couple of hours :-(

>-Original Message-
>From: Robert Taylor [mailto:[EMAIL PROTECTED]
>Sent: Thursday, January 15, 2004 1:00 PM
>To: Brendan Nelson; James Hurlbut; [EMAIL PROTECTED] Org
>Subject: RE: (313) electro.techno.bbeat.house mix
>
>
>I couldn't access it either
>
>-Original Message-
>From: Brendan Nelson [mailto:[EMAIL PROTECTED]
>Sent: Thursday, January 15, 2004 12:56 PM
>To: James Hurlbut; [EMAIL PROTECTED] Org
>Subject: RE: (313) electro.techno.bbeat.house mix
>
>
>I'm getting a 404 on this URL - is it just me? I'm pretty
>intrigued by the tracklist so am keen to give it a listen!
>
>> -Original Message-
>> From: James Hurlbut [mailto:[EMAIL PROTECTED]
>> Sent: 15 January 2004 06:54
>> To: [EMAIL PROTECTED] Org
>> Subject: (313) electro.techno.bbeat.house mix
>>
>>
>> Laptop mix for your listening enjoyment.
>>
>> http://www.hurlbotics.com/mixitup.mp3
>>
>> Tracklisting
>>
>> Dynamix II - Pledge Your Allegiance To Electro Funk
>> EDMX - Triple XXX
>> Mr De - Lola Falana
>> DJ Funk - House the Groove
>> Mathias Shaffhauser - Loom Service
>> Liz Torres - Music
>> Digital Soul - Splinterfaction
>> Alex Attias and Ed Motta - Sus 4 Jam
>> Dan Curtin - Spaceman (mettle remix)
>> Morgan Geist - Bassfly
>> John Arnold - Rough
>> Steve Bug - Sensual
>> Carl Craig - Jam The Box
>> Gary Martin - In Rhythm
>> Jay Denham - Pride
>> Dietrich Schoenemann - 19 Bullets
>> Studio 1 Silver
>> Todd Terry - The Native Dance
>> P'Taah - Uriel Bridge
>> Dave Pike - Bronx Blue
>> Ewan Jansen - Red Ember
>> Dub Taylor - I Can't
>> Dan Curtin - I'll take you there
>>
>> 40 min.
>>
>>
>>
>
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>##
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>
>Any views or opinions are solely those of the author and do not
>necessarily represent
>those of Channel Four Television Corporation unless specifically
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AW: (313) melodic techno

[Katrin Richter]

Check the new 'Raiders of the lost ARP' album on Nature. Very gentle.




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 13. Januar 2004 18:39
An: 313@hyperreal.org
Betreff: (313) melodic techno

melodic techno

I know someone asked the other day "where is all the
melodic techno now?"

well it just occurred to me that something I recorded this
past week would probably qualify as melodic something,
maybe electro more than techno?  I don't know what you all
consider to be the differences between the two.

anyways, please listen and enjoy the following:

www.emmrecords.com/~fux/fuxz__rehashed_melod33z.mp3

alternately, you can surf to
www.emmrecords.com/~fux/web.php and download this audio
plus anything else I'm currenly playing with...

since none of its done, I encourage criticism and comments

thanks,

-Joe
/0
[EMAIL PROTECTED]
[EMAIL PROTECTED]

AW: (313) Techno clubs in Sydney

[Katrin Richter]

What about the Chinese Laundry and Dendy?

Or the Tailor On Central Vdoo they still exist? There are wicked Techno
nights every now and then



-Ursprüngliche Nachricht-
Von: Quest Pond [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 13. Januar 2004 11:13
An: [EMAIL PROTECTED]; 313@hyperreal.org
Betreff: RE: (313) Techno clubs in Sydney

HAHA- Welcome to sydney- Yes Home is a complete joke for sure.

Anyway forget techno clubs as they dont exist here, but i can say Madd
Racket parties are okay for house type music with some detroit flavour
sometimes, still i havent been to one for over a year as i've been in the
UK.

I think Simon's Hindle (list member) pub night on Saturday that Sofie, Simon
and I played at would be one of the only techno gigs in town. This is sort
of monthly though and not a club night.

Other then that you might get the occasional one off parties. Like the ones
My friends and I put on, Deepspace. Or maybe an international every now and
again maybe one every 2 months. These are usually the same names eg.
Herbert,Mills,May,Godfather, Garnier, Mills, May  etc, only big 'been here'
before 'sure bet' type things.

Most people wont turn out on mass for local dj's so international nights are
the only alternative. Except for deepspace parties :).

The only reguar weekly techno gig 'technical' which closed last week.

How long are they around for? Check here for events listings, but i think
its pretty shaky at the moment except for big day out and aphex twin.

Sydney is Generally pretty conservative in its music tastes and house music
rules here. There is an underground movement here but its small at the
moment.

http://www.inthemix.com.au/whatson/?city=1

Regards,

Quest Pond
www.deepspace.net.au

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Tuesday, 13 January 2004 9:25 AM
To: 313@hyperreal.org
Subject: (313) Techno clubs in Sydney





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A couple of friends are currently in Sydney & are in need of some guidance
(urgently !)

They got guest-listed for Home & said it was like being back at Camden
Palace with Darren Emerson playing cheesy anthems from 95 !

Can anyone recommend any good techno nights going on out there at the mo?

Thanks,
G.

AW: (313) attending music festivals?

[Katrin Richter]

There is the Dublin Electronic Arts Festival (absolutely ace) and the very
nice and intimous Musik&Maschine in Berlin (founded by Dimitri
Hegemann/Tresor) and Jeff Mills.

www.deafireland.com

www.musikundmaschine.com





-Ursprüngliche Nachricht-

Von: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 9. Januar 2004 21:44
An: 313@hyperreal.org
Betreff: (313) attending music festivals?




Not counting Movement - anyone considering going to either WMC or Sonar?

I'm trying to find other music festivals that have more than just a stage
and performances

panels, conferences, etc. is what I'm looking for
but also performances too

MEK