Juno 106 for sale
Fully functional. Excellent cosmetic condition. Manual & power supply included. Buyer pays shipping from Rochester, NY. US only. Paypal accepted. $800 firm.
Re: (313) list admin test
trance On May 16, 2011, at 9:32 AM, kent williams wrote: > beezlebub > > If you're curious, the EZMLM software on hypereal has been updated, > and I'm checking on the operation of the naughty words filter.
Re: (313) Moscow clubs, contacts?
http://www.shanti.ru On Apr 28, 2011, at 9:28 AM, Matt Chester wrote: > Hi all, > Does anyone here know anything about the scene in Moscow at the > moment? Are there any decent clubs or parties that do good techno, > house or electro? If so does anyone have any contacts they could > share, or know of any local english language (or at least > non-cryllic!) websites that would be a good place to start looking? > > Thanks! > matt > > -- > Matt Chester > 11th Hour Recordings > chesterm...@gmail.com > www.matt-chester.com
Re: (313) funny detroit pic of the day
i was there too and inside the venue when the cops showed up. after
the bust, john and boomer were on their way back to london when they
got puled over by a ohio state trooper and because boomer had/has a
lot of tattoos he was singled out for what these days at airports
would be called "selective secondary screening".
who was the dude at the party with all the old IBM computers that was
supposed to do all the literal "computer music" ambient stuff in the
second room?
On Oct 26, 2009, at 11:01 PM, Mike Brown wrote:
As one of the people who was putting on that event/debacle ('Voodoo'
in Sept.
1994), I'm really interested in hearing Acquaviva's story.
At the make-up party the following summer ('Fantastic Voyage'),
Acquaviva tore
it *up*.
A long time ago, I wrote this about Voodoo:
Security arrived on the scene and found a theatre building had been
transformed into a fantastic performance space, and several dozen
people
milling around waiting for the doors to open. Not knowing what to
do, they
called the venue's management, trying to find someone who could tell
them
whether everything was OK. The only person they could find was equally
uninformed, but pretended to have the authority to disperse the
crowd and
cancel the event.
When the promoters called that person's authority into question and
produced
evidence that the space had been legitimately rented, the dubious
venue
representative felt threatened and had security bring in the local
police. By
coincidence, county sheriff deputies had been responding to a bogus
riot call
at a college in another town. So not only did the police show up,
but a
squadron of officers in full riot gear arrived as well.
In spite of contractual obligations, the venue renter, who was
present the
whole time, caved under the pressure and agreed to let the party be
shut down.
There was nothing we could do. Meanwhile, hundreds of carloads of
people
arriving for the party were told to turn around.
By 1am or so, what was left of Voodoo was moved to a club in Dayton.
It lasted
just long enough for Joey Beltram to spin for a packed house. But
then the
club owner, who had insisted on charging people extra to get in, got
cold feet
and closed down early.
A lawsuit was later filed against the original venue. The matter was
eventually settled out of court. The proceeds, after expenses,
helped defray
the cost of Fantastic Voyage.
On behalf of the Illuminators, I apologize to anyone who came out
for Voodoo
and felt they wasted their time and money. There is nothing worse
for a
promoter and performers than to have many months of planning and
commitments
of time & money turned upside-down by losing the space at the last
moment. We
hope we made it up to everyone with the amazing event that was
Fantastic
Voyage.
Re: (313) funny detroit pic of the day
heh...i remember back around the same time going with vapourspace to meet up with john for a party they were both playing at in london. it was a rickety old barn and it was probably about 30 degrees out. marks gear, which was about as much as you used to travel with back then was set up in the loft part, which we expected to collapse any second, or at the very least what passed as the stairs stranding us up top. apparently the farmer wasnt quite aware of what he had agreed to, or was misled as to what would be transpiring and starting about 130am he would come out every 20 minutes or so to pull the plug on the generator. he allegedly appeared with his shotgun at one point. the more i think about it i cant even remember if mark or john even wound up playing or if the party continued. i wonder if those were the same kids? actually, i think the only party i even went to in london that wasnt thoroughly backwoods country was the one you played at in the old whorehouse with all the secret passageways. ahhh...those were the days, eh? next time you talk with acquaviva ask him about riding back with omegaman from the party at antioch college in ohio that the SWAT team showed up at in full-on riot gear before it even started because the university found out what was going on. rumor has it that there might have been a strip search involved ;) On Oct 21, 2009, at 9:02 PM, telepat...@comcast.net wrote: That photo reminds me of the time I was booked to do a gig in London, Ontario. It was an early 1990's ISDN hookup which was supposed to link this auditorium @ the University in London, Ontario with Noam Chomsky in Cambridge and Timothy Leary, Genesis P-Orridge and Ogre from Skinny Puppy in Los Angeles and I was booked to travel to Canada to play the after party. Since I spoke to Tim and Gen and confirmed they were supposed to be involved in this event I committed just before I traveled to the UK to do a bunch of gigs over there. Which meant I couldn't do The Orbit club in Leeds because I agreed to do this gig. Unfortunately, the kids promoting this gig were the most disorganized lot of idiots I've ever encountered. Normally, I would visit John Acquaviva and crash at his house on my travels to and from Detroit but his wife was having their first child that weekend so I flew to Buffalo, NY rented a car at my own expense so there wouldn't be any trouble with work permits since I traveled with a substantial amount of equipment at the time. Then I drove to the hotel and the room wasn't paid for so I had to put my card down for that. Finally got in touch with the promoters and was hanging out in my room with Richie Hawtin's buddy Rob Calisto and the promoters had to spill the beans. The University didn't like what they were doing and they didn't want any rave to happen on campus and they pulled their ISDN connection which were quite expensive to do at the time. So no Noam Chomsky. Because Timothy Leary lived in Beverly Hills he knew some computer whizzes who could link up and transmit to the University auditorium. Genesis P- Orridge lived in Northern California at the time so he didn't make it to LA because the promoters didn't sort that out and I guess Ogre just blew them off. So I traveled all the way there and they got some of the money they guaranteed me delivered to the Hotel which didn't even cover the costs I had laid out. They asked if I would make some sounds in the auditorium that would not be able to be heard but would be transmitted to LA so Timothy Leary could hear it which I agreed to. Now Tim was pretty deaf and wore hearing aids so this whole booking was devolving into idiocy but they guaranteed my fee but they said they couldn't pay me the balance due which was substantial. So I got them all in the station wagon which I rented and explained to them that we were going to go around to all their bank machines and collect what we could. Then they tried to pay me off with magic mushrooms. One of them then made me drive to his brothers, who was a drug dealer and they came up with most of the cash magically! These kids were really arrogant and thought they could pull this whole event off while they were all f*ed up on mushrooms and it was a complete and utter disaster. So I collected most of my fee and called John Acquaviva and went over to his house, chatted, had a nightcap laughing at what a bunch of idiots they were. When I got back home I called up Timothy Leary and we had a funny chat about the whole event. He was completely hammered and hilarious with the students. When the Q&A happened he just nailed them because these kids were all tripping their brains out and couldn't string a coherent sentence together and Tim was merciless on them. He just called them out on their "mindless blabbering" and scared the sh*t out of them. Ahh, memories...
Re: (313) Las Vegas
don¹t forget to check out the hard rock café casino. you can see a pair of turntables, a mixer and flight case used by oakenfold all set in front of a panoramic stadium crowd shot. try not to wet yourself... On 01.10.2004 06:11 , "Joost Ploegmakers" <[EMAIL PROTECTED]> wrote: > I was there years ago, but I remember they booked some big name deejays > regularly at that pyramid thing. Forgot the name. > > Hope that helps a bit. Otherwise, there's always ye good olde google. > > > Joost > > > > On 29-sep-04, at 07:03PM, Jeff Braziunas wrote: > >> >> Basically I'm just looking for some music which isn't the typical rap, >> hip-hop, and top 40 club fare. Other than that I'm not too picky. I >> figure the only way to know if you like an artist is to hear him/her >> in person... >> >> On the road to retirement? Check out MSN Life Events for advice on how >> to get there! >
Re: (313) Helpster
you're all wrong. it was "and this is what the devil does" on the 1st TKK album "I see good spirits, I see bad spirits" on "kooler than jesus" the track is "devil does drugs" On 24.09.2004 05:42 , "Tristan Watkins" <[EMAIL PROTECTED]> wrote: > On Fri Sep 24 10:11 , Martin Dust <[EMAIL PROTECTED]> sent: > >> Anyone know which Thrill Kill Kult contains the vocal "and this is what >> the devil does"? >> > > Memory just kicked in. It's actually on 'Kooler than Jesus', not 'Confessions > of a Knife'. > > http://www.discogs.com/release/141864 > > Tristan (spelled my name right this time too) >
Re: (313) orbital remixed?
I know theres a joey beltram remix of 'chime' and a PWOG remix of 'lush 3' not detroit proper but still close... I stopped paying attention to them after the brown album so I don¹t know about any later stuff. On 05.05.2004 12:09 , "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote: > > > Hi folks. are there any notable orbital trax remixed by detroit producers? > just curious. > > cheers, > lrh > >
Re: (313) 10 years?
I came to 313 early or mid 94 via vrave as well... On 23.04.2004 17:34 , "Greg Earle" <[EMAIL PROTECTED]> wrote: > On Apr 23, 2004, at 18:06:48 +0200, kj wrote: >> Funny, i was just wondering how many of the old list members are still >> on here, I know that the first 3 subscribers are Morgan Geist, Hans >> Veneman and Dave Walker. I know that Hans isn't sunscribed anymore I >> haven't seen Morgan and Dave on here for ages to so I doubt if they are >> still here. >> >> And for a serious [313] trip down on memory lane, take a look at the >> pictures of the first [313] at Science in Detroit: >> >> http://technotourist.org/modules.php? >> set_albumName=album02&op=modload&name=Gallery&file=index&include=view_a >> l >> bum.php >> >> Just wondering now what happened to people like Fixer, Steve Lammers, >> Dustin Hamilton, Nate Deyonker, Mike Taylor etc. I know I forgot >> numerous names here but just some names that popped up after looking at >> the pictures :) > > God, what a fun time that was ... (even though it froze my Angelino > arse beyond belief) > > Anyway ... "I'm not Fixer, but I play him on 313 ... " > > Fixer's in Cork, Ireland these days. Playing on an American Football > team and doing who-knows what else. He was supposed to come over for > an American tour (LA, Detroit) last month but it fell through ... you > can find him on Orkut(.COM), he's in my friends list among others ... > (Dave Walker's also on there, he's in my list as well as Fixer's) > > A trimmed-down Steven Lammers popped up on Friendster recently ... > his name is "Hew-Lit" there. He's on my Friendster friends list too ... > > http://www.friendster.com/user.jsp?id=1537730 > > --- > > On the "Brood X" tip ... I saw these giant Cicadas in southern Borneo > (Kalimantan - Indonesian part) back in January 2002. In this tiny > airport in Pangkalan Bun I saw a bunch of 'em lying around just outside > the waiting area. They were HUGE!!! But what cracked me up was when > one of 'em got inside by mistake ... this Bornean guy walked over to > it, trapped it against the glass and picked it up ... and it SCREAMED! > (About as blood-curdling a scream as a Cicada can muster, I reckon) > Wish I'd taken a picture of the (not-so-)little buggers ... > > - Greg > >
Re: (313) new Mills/let's pray
dear diana, thank you for you recent prayer request. unfortunately, I will be out of the office until sunday. love, peace and chicken grease, jc On 08.04.2004 07:27 , "diana potts" <[EMAIL PROTECTED]> wrote: > *lets pray* > > dear lord, please shelter my inbox today as 313 > continues to discuss jeff mills. In times of chaos, it > is my inbox Lord that needs protection and strength > from the mighty, mighty power of the tongue and > musically drenched geeked minded emails that are about > to deluge it on this glorious day. Dear Lord, please > be on standby in the extreme case that the praise and > dismissal of R.Hawtin and Carl Craig slip from the > fingers of those who cyber surround me at this time. > > *AMEN* > > goodmorning.from this side. > d > NP:Four Tet..and now ODB...Four Tet remix Radiohead > 'if you stop i'll put the killer ants in your pants'
Re: (313) billy corrigan meets nitzer ebb
On 25.03.2004 12:05 , "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote: > >> eh...the remixes of 'fun to be had' and 'getting closer' are much more >> rawer, harder and esential-er than the mayday mix of 'shame' > > tell me more! > > (I don't have these) TI: Fun To Be Had RD: 19th September 1990 CN: Mute MUTE115 / Geffen ? RL: Mute Records (UK) / Geffen Records (US) FM: 7" TL: Fun To Be Had* / Out Of Mind+ FM: 12" TL: Fun To Be Had (Master Mix)** / Getting Closer (Trance Mix)*** / Out Of Mind (Maitresse Mix) FM: L12" TL: Fun To Be Had (Long Mix)* / Getting Closer (Kitchen Mix)*** / Taken From Me (Servant Mix) FM: P12" (Geffen PRO-A1-4169) TL: Fun To Be Had (Allergic Mix)** / Fun To Be Had (Sneeze Mix)** / Fun To Be Had (Rave Mix)** / Fun To Be Had (Rave On Mix)** FM: PCDS (Geffen 4137) TL: Fun To Be Had (Zulu Mix)** / Fun To Be Had (Dust Mix)** / Out Of Mind (7" Version)+ / Fun To Be Had (George Clinton Mix / Long Mix)* / Fun To Be Had (George Clinton Mix / Instrumental Mix)* / Fun To Be Had (George Clinton Mix / Edit Mix)* / Fun To Be Had (George Clinton Mix / Real Short Edit)* FM: CDS TL: Fun To Be Had (7")* / Getting Closer (Trance Mix)*** / Out Of Mind (Spoken Mix) [produced by Flood except +produced by Paul Kendall] *remixed by George Clinton **remixed by Dust Brothers ***remixed by Tony Garcia remixed by Paul Kendall TI: Lightning Man / Getting Closer / Fun To Be Had RD: 1990 CN: Geffen 21602 RL: Geffen Records (US) FM: CDS TL: Lightning Man (The Industry vs. The Ebb Mix)* / Lightning Man (RSW Mix) / Getting Closer (The Pool Mix) / Getting Closer (The Trance Mix)*** / Getting Closer (The Kitchen Mix)*** / Fun To Be Had (Zulu Mix)** / Fun To Be Had (The George Clinton Mix / Long Mix)* [produced by Flood] *remixed by George Clinton **remixed by Dust Brothers ***remixed by Tony Garcia remixed by Paul Kendall *remixed by Daniel Miller TI: Getting Closer RD: 1990 CN: Geffen 21606 RL: Geffen Records (US) FM: 12" TL: Getting Closer (The Trance Mix)* / Getting Closer (The Pool Mix)** / Getting Closer (The Kitchen Mix)* / Getting Closer (The Kitchen Dub)* FM: P12" (Geffen PRO-A-4131) TL: Getting Closer (The Trance Mix)* / Getting Closer (The Stupid Mix)* / Getting Closer (The Kitchen Mix)* / Getting Closer (The Kitchen Dub)* [produced by Flood] *remixed by Tony Garcia **remixed by Paul Kendall
Re: (313) billy corrigan meets nitzer ebb
On 25.03.2004 04:47 , "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote: > >> it >> mentioned a track by the name of 'join in the chant' but didn¹t say if it >> was a cover/remake or not. > > aww, not sure, but if you're not familiar with the nitzer ebb version I can > recommend it! > > also, to keep it OT, Derrick May's mix of Shame is raw, hard and essential > dancefloor bizness. > (thats on novamute I think) > > alex eh...the remixes of 'fun to be had' and 'getting closer' are much more rawer, harder and esential-er than the mayday mix of 'shame' (in my ever so humble opinion) and yeah, I was around for 'join in the chant' its first time on the dance floors... =)
(313) billy corrigan meets nitzer ebb
I was thumbing through mojo magazine tonight and came across a blurb about bon harris from nitzer ebb producing billy corrigan's new solo album. it mentioned a track by the name of 'join in the chant' but didn¹t say if it was a cover/remake or not. anyone heard anything about this?
(313) OT: juno 106 for sale
$400. excellent condition. original power supply and manual. buyer pays shipping from rochester, ny photos available at http://www.frontiernet.net/~jdmorse/juno106
Re: (313) iTMS new music tuesdays
infinity...james ruskin...dave tarrida...pacou...terry lee brown, jr...skinny puppy's entire nettwerk catologue...james cotton...ADNY pretty much all tresor and plastic city stuff. oh, and theres some utah saints if that¹s your thing. brap on... On 09.03.2004 15:48 , "matt kane's brain" <[EMAIL PROTECTED]> wrote: > At 03:35 PM 3/9/2004, jonathan morse wrote: >> today was a good day for techno... > > Care to elaborate? > > > -- > unsigned short int to_yer_mama; > http://www.mkb-dj.org > Matthew Kane : Software Engineer : Zebra Atlantek, Inc. > [EMAIL PROTECTED] || [EMAIL PROTECTED] > >
(313) iTMS new music tuesdays
today was a good day for techno...
Re: (313) Detroit equipment (was do you*)
don't forget about the prophet 5000, the worlds most powerful sequencer =) On 09.03.2004 09:35 , "Peteri, Jochem" <[EMAIL PROTECTED]> wrote: > crackdown and elements, chicken noodle soup, all typical M1/korg digital > string-sounds > > -Original Message- > From: Peteri, Jochem > Sent: dinsdag 9 maart 2004 15:34 > To: 313@hyperreal.org > Subject: RE: (313) Detroit equipment (was do you*) > > > i still use the M1 for all my strings > > weird fx, that thing > > -Original Message- > From: Logic7 [mailto:[EMAIL PROTECTED] > Sent: dinsdag 9 maart 2004 15:32 > To: 313@hyperreal.org > Subject: RE: (313) Detroit equipment (was do you*) > > > I seem to remember Carl using a Korg M1 for some of his early tracks too. > > The Yamaha TX81z and DX100, Roland MT32, Roland vintage dum machines, Roland > D50, JV-990 and JD800 and several others have made the rounds in Detroit. If > memory serves me right, Kenny Larkin used a JV990 on a number of his tracks. > > George Jones - Logic7 > http://allways.nu > http://www.geocities.com/labwerx > > -Original Message- > From: Peteri, Jochem [mailto:[EMAIL PROTECTED] > Sent: Tuesday, March 09, 2004 7:17 AM > To: 313@hyperreal.org > Subject: RE: (313) Detroit equipment (was do you*) > > > yamaha dx100, roland juno106 > > or try an sp1200 and act like theo ; ) > > -Original Message- > From: Quest Pond [mailto:[EMAIL PROTECTED] > Sent: dinsdag 9 maart 2004 15:14 > To: robin; Peteri, Jochem > Cc: 313@hyperreal.org > Subject: (313) Detroit equipment (was do you*) > > > I beg to differ in you saying 727 is OT . I think what you are mentioning is > the true essence of detroit music- Classics like roland 101,303,808, 909 and > 727. > > I noticed on that interview with Carl Craig he talks about his first track > and how he only used alesis mmt8 and prophet 600 to knock it together, i > though this interesting. > > I noticed nice pics of most of this equipment in the submerge museum thingy, > So im taking it this is Detroit related thread. > > Any other Detroit equipment i don't know about? > > Quest Pond > > -Original Message- > From: robin [mailto:[EMAIL PROTECTED] > Sent: Wednesday, 10 March 2004 1:04 AM > To: Peteri, Jochem > Cc: 313@hyperreal.org > Subject: Re: (313) Do You Know Who You Are (was RE: (313) what's your > favorite track/album right now?) > > > > the 727 and the rz1 are both big faves of mine...(then again i just love > any kinda drum machine) > > i guess we're kinda heading off topic now :) > > robin... > > Peteri, Jochem wrote: >> That 727 is classic, it´s one of those machines i´ll always keep hooked up > in the studio. >> >> Another Chicago track I'd suggest as something to "bridge the gap" >> is "Essence Of A Dream" by K-Alexi - very Detroit strings on that >> one, and the TR-727 Latin Module drum machine on there is definitely >> more of a Detroit sound than a Chicago sound. >> >> Brendan >> >> The information contained in this e-mail communication is solely intended > for the person/legal person to whom it has been sent, and as it may contain > information of a personal or confidential nature, it may not be made public > by virtue of law, regulations or agreement. If someone other than the > intended recipient should receive or come into possession of this e-mail > communication, he/she will not be entitled to read, disseminate, disclose or > duplicate it. If you are not the intended recipient, you are requested to > inform the sender of this e-mail message of this immediately, and to destroy > the original e-mail communication. Neither Randstad Holding nv nor its > subsidiaries accept any liability for incorrect and incomplete transmission > or delayed receipt of this e-mail. >> > > > The information contained in this e-mail communication is solely intended > for the person/legal person to whom it has been sent, and as it may contain > information of a personal or confidential nature, it may not be made public > by virtue of law, regulations or agreement. If someone other than the > intended recipient should receive or come into possession of this e-mail > communication, he/she will not be entitled to read, disseminate, disclose or > duplicate it. If you are not the intended recipient, you are requested to > inform the sender of this e-mail message of this immediately, and to destroy > the original e-mail communication. Neither Randstad Holding nv nor its > subsidiaries accept any liability for incorrect and incomplete transmission > or delayed receipt of this e-mail. > --- > Incoming mail is certified Virus Free. > Checked by AVG anti-virus system (http://www.grisoft.com). > Version: 6.0.615 / Virus Database: 394 - Release Date: 3/8/2004 > > --- > Outgoing mail is certified Virus Free. > Checked by AVG anti-virus system (http://www.grisoft.com). > Version: 6.0.615 / Virus Database: 394 - Release Date: 3/8/2004 > > > The information contained in this e-mail communication is
Re: (313) R&S Records mix
how many times? I *almost* switched cellular carriers when i found out that there was a plastic dreams ring tone for the nokias... =) On 03.03.2004 12:50 , "lisa" <[EMAIL PROTECTED]> wrote: > one of the reasons I liked this (other than it's got some fackin' fat > tunes on it) is that it's not made up of what I'd consider obvious stuff > from that era. maybe to people like the ones on this list, we know the > songs, but gosh - how many times do we need to hear Dominator or Plastic > Dreams?! altho', there are some really noyce remixes of those tunes - > hehe. this coming from a person that has most all the R&S comps, most of > the early 12"s, etc. > > ;) > > > Robert Taylor wrote: >> Or Dominator or Horsepower, or even Piano Power? >> >> Not sure if Plastic Dreams would fit into the mix >> >> -Original Message- >> From: jonathan morse [mailto:[EMAIL PROTECTED] >> Sent: Wednesday, March 03, 2004 5:03 PM >> To: Robert Taylor; lisa; Gerald >> Cc: tree wun tree >> Subject: Re: (313) R&S Records mix >> >> >> WHAT?!?!?!? wheres "plastic dreams" ?!?! >> >> >> >> >> >> On 03.03.2004 11:40 , "Robert Taylor" <[EMAIL PROTECTED]> wrote: >> >> >>> Ooh yeah - that Vortex tune was a favourite LSD track when I was a teen - >>> all >>> those early Plus8 tracks were >>> >>> -Original Message- >>> From: lisa [mailto:[EMAIL PROTECTED] >>> Sent: Wednesday, March 03, 2004 4:39 PM >>> To: Gerald >>> Cc: 313@hyperreal.org >>> Subject: Re: (313) R&S Records mix >>> >>> >>> cool stuff - gosh, I'm getting all nostaglic here! >>> >>> nice info on the page too - I didn't realize this: >>> >>> "(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram & >>> Mundo Muzique." >>> >>> that note has me wanting to pull out some old rekkids and read the >>> sleeves to see what I find! >>> >>> lisa :) >>> >>> >>> Gerald wrote: >>> >>>> I've been meaning to do this for a while, and finally got it done. >>>> Recording it wasn't a problem... finding all the info was! >>>> >>>> The mix features early works/appearances by some of today's successful >>>> producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave >>>> Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more... >>>> >>>> For more info, and to download the mp3 - go to the mixes page at >>>> www.gerald-matrix.com >>>> all the records are originally from 1989-92, and it's just over an hour >>>> long. >>>> >>>> here's the tracklist... >>>> >>>> Artist - Title >>>> 1 - Fred 1 - A1 >>>> 2 - Equitek - Stylus Flight >>>> 3 - Source - Eclipse >>>> 4 - Second Phase - Vortex >>>> 5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix] >>>> 6 - Directional Force - Parameter >>>> 7 - Mundo Muzique - Albido >>>> 8 - Tronik House - The Savage & Beyond >>>> 9 - Nexus 21 - Logical Progression >>>> 10- C J Bolland - It's All In The Mind >>>> 11- The Project - Do That Dance >>>> 12- GreyHouse - New Beats The House >>>> 13- Joey Beltram - Energy Flash >>>> 14- DJ Hell - My Definition of House Music >>>> 15- Project 86 - Total Recall >>>> 16- Space Opera - Space 3001 [Out Of Control mix] >>>> 17- Mental Overdrive - 12000 AD [The Warning] >>>> 18- The Aphex Twin - Digeridoo >>>> 19- Ken Ishii - Prodome >>>> >>>> Cheers! >>>> >>>> G >>>> >>>> >>>> -- >>>> www.gerald-matrix.com >>>> >>>> >>>> >>> >>> >>> >>> ## >>> ### >>> Note: >>> >>> Any views or opinions are solely those of the author and do not necessarily >>> represent >>> those of Channel Four Television Corporation unless specifically stated.. >>> This >>> email >>> and any files transmitted are confidential and intended solely for the use >>> of >>> the >>> individual or entity to which they are addressed. If you have received this >>> email in >>> error, please notify [EMAIL PROTECTED] >>> >>> Thank You. >>> >>> ## >>> ### >>> >>> >> >> >> # >> >> Note: >> >> Any views or opinions are solely those of the author and do not necessarily >> represent >> those of Channel Four Television Corporation unless specifically stated. This >> email >> and any files transmitted are confidential and intended solely for the use of >> the >> individual or entity to which they are addressed. If you have received this >> email in >> error, please notify [EMAIL PROTECTED] >> >> Thank You. >> # >> >> >> > > >
Re: (313) R&S Records mix
WHAT?!?!?!? wheres "plastic dreams" ?!?! On 03.03.2004 11:40 , "Robert Taylor" <[EMAIL PROTECTED]> wrote: > Ooh yeah - that Vortex tune was a favourite LSD track when I was a teen - all > those early Plus8 tracks were > > -Original Message- > From: lisa [mailto:[EMAIL PROTECTED] > Sent: Wednesday, March 03, 2004 4:39 PM > To: Gerald > Cc: 313@hyperreal.org > Subject: Re: (313) R&S Records mix > > > cool stuff - gosh, I'm getting all nostaglic here! > > nice info on the page too - I didn't realize this: > > "(Second Phase) is a collaboration between Richie Hawtin, Joey Beltram & > Mundo Muzique." > > that note has me wanting to pull out some old rekkids and read the > sleeves to see what I find! > > lisa :) > > > Gerald wrote: >> I've been meaning to do this for a while, and finally got it done. >> Recording it wasn't a problem... finding all the info was! >> >> The mix features early works/appearances by some of today's successful >> producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave >> Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more... >> >> For more info, and to download the mp3 - go to the mixes page at >> www.gerald-matrix.com >> all the records are originally from 1989-92, and it's just over an hour >> long. >> >> here's the tracklist... >> >> Artist - Title >> 1 - Fred 1 - A1 >> 2 - Equitek - Stylus Flight >> 3 - Source - Eclipse >> 4 - Second Phase - Vortex >> 5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix] >> 6 - Directional Force - Parameter >> 7 - Mundo Muzique - Albido >> 8 - Tronik House - The Savage & Beyond >> 9 - Nexus 21 - Logical Progression >> 10- C J Bolland - It's All In The Mind >> 11- The Project - Do That Dance >> 12- GreyHouse - New Beats The House >> 13- Joey Beltram - Energy Flash >> 14- DJ Hell - My Definition of House Music >> 15- Project 86 - Total Recall >> 16- Space Opera - Space 3001 [Out Of Control mix] >> 17- Mental Overdrive - 12000 AD [The Warning] >> 18- The Aphex Twin - Digeridoo >> 19- Ken Ishii - Prodome >> >> Cheers! >> >> G >> >> >> -- >> www.gerald-matrix.com >> >> >> > > > ## > ### > Note: > > Any views or opinions are solely those of the author and do not necessarily > represent > those of Channel Four Television Corporation unless specifically stated. This > email > and any files transmitted are confidential and intended solely for the use of > the > individual or entity to which they are addressed. If you have received this > email in > error, please notify [EMAIL PROTECTED] > > Thank You. > ## > ### > >
Re: (313) Plastikman Live in Montreal 06.03.04
Ahhh yes...spastik. what a moment in history. hot as fuk, both literally and figuratively. all I gotta say is thank god I was right behind rich and the whole set up with he rest of the gang when the DPD came through with the pepper spray and that there was a rather large garage-type door behind us all leading into the open air =) I still have all sorts of souvenirs and mementos from that night, including a "planet e" squirt gun. and the transcendence parties...just as sick. especially the speedy j live party in 1996. those were the days... On 03.03.2004 02:53 , "Matt MacQueen" <[EMAIL PROTECTED]> wrote: > On Mar 3, 2004, at 12:50 AM, Adam H wrote: >> Spastik(94) and Transcendence(95). The shows were _incredible_ Both >> were "plastikman" tracks live followed by 4-6 hour dj sets. >> >> I wonder if he will play any of the goo*cough* I mean old plastikman >> tracks.. :D > > hi Adam- > I also caught him live for the 1st time in 94 at Spastik in Detroit too > (was it really 10 years ago? holy shi*t), but missed Transcendence, > which may have been even bigger? Pre-mp3, pre-Traktor, pre-Ableton, > it was nearly pre-Clinton for god sake. I gotta give him credit it > was a mindblower of a party, the complete experience. I mean at the > time it was about as literally as 'techno' as you could get in the US, > I still may even have the flyer somewhere (how sad am I). There was a > pile of live gear / rack / PA stuff and then if i recall he played > some records. There really aren't parties like that anymore in the US, > at that scale (and venue and volume) in Detroit, that still have a very > underground feel with that level of talent and almost fetishistic > overwhelmingly huge sound systems. I remember his parents were in the > crowd, and there were some contorting +8 dancers up on speakers peeling > off layers of lycra clothing? (do i have the right party here?? > yikes, it's all a blur, hahh) > > I kept thinking we're all gonna spontaneously combust it was so hot, > packed in, everything was covered in black plastic and dripping in > human perspiration. The sounds themselves felt like they were dripping, > it was intense. I'm sure whatever he'll do now from a performance > standpoint will be completely unique and innovative as that's just his > style, he's not one for nostalgia just for the sake of it. Especially > with the near-freakish control he usually has over every element of the > parties, from technology, audio/visual setups, wanting the latest of > everything, etc. > > I haven't cared for his last couple of albums (or straight > jackhammer-like direction of his DJ sets in recent years) as much as > his earlier more sparse material. The first 2 Plastikman albums (Sheet > One and Musik) I think are still much better than the new ones IMHO.. > but frankly i'm still glad he brought back the whole Plastikman concept > to life. It's interesting and makes you think, whether you love it or > hate it. It probably all depends on if/when you got into his music > and what tracks you got into (or out of) first...But anyone who can > go to this live set will probably be in for the 'total experience' -- > it's no slouchy organization, every detail matters. > > peace > -- > Matt MacQueen > http://SonicSunset.com > >
Re: (313) tresor meets apple
did you get a press release or is checking the iTMS the first thing you do every tuesday as well? =) it will be interesting to see what other labels and artists start distributing through the service, and how long before they start to do so. ive got my fingers crossed for perlon, playhouse and kompakt. > From: Dan Sicko <[EMAIL PROTECTED]> > Date: Tue, 10 Feb 2004 08:04:01 -0500 > To: 313@hyperreal.org > Subject: (313) tresor meets apple > > Looks like their catalog has begun to make it onto the Apple Music > Store! > > -d >
(313) Q's for expats
I am giving strong consideration to relocating overseas due to some recent upheavals in my personal life. im not running away or going on the lam or anything like that, its just that I am once again in a position that something like this would be feasible. I was primarily thinking london or amsterdam but am also considering cologne, berlin or stockholm. I know there are resource sights for wanna-be expats but I was looking for some personal experiences (costs, logistics, employments issues, etc.) feel free to reply privately via email or IM (screen name 'offeweiten') thanks jm
Re: (313) OT Coachella festival
you're right, perhaps "coming out" would have been a better term ;p > From: "Derek Plaslaiko." <[EMAIL PROTECTED]> > Date: Thu, 5 Feb 2004 06:53:30 -0500 (EST) > To: jonathan morse <[EMAIL PROTECTED]> > Cc: 313@hyperreal.org > Subject: Re: (313) OT Coachella festival > > > > On Thu, 5 Feb 2004, jonathan morse wrote: > >> anyone besides me foresee the 2004 techno trend being a return too/embracing >> of our non-techno roots? > > > > > > > > some of us ain't never abandoned them, cap'n! > > > > ;) > > > > derek. > >
Re: (313) OT Coachella festival
I just might have to lift my self imposed ban on travel to california if this VU thing pans out!! then again...i think I'd rather wait for the NYC reunion show... who wouldda' thunk it?!? anyone besides me foresee the 2004 techno trend being a return too/embracing of our non-techno roots? > From: "Derek Plaslaiko." <[EMAIL PROTECTED]> > Date: Thu, 5 Feb 2004 06:22:02 -0500 (EST) > To: [EMAIL PROTECTED] > Cc: [EMAIL PROTECTED], 313@hyperreal.org > Subject: Re: (313) OT Coachella festival > > > > > > > not to mention: > > > Neutral Milk Hotel > Velvet Underground > > > please oh please let this happen! > > > > derek. > > > > > > > On Wed, 4 Feb 2004 [EMAIL PROTECTED] wrote: > >> plus- The Cure >> >> Wilco >> Stereolab >> Dizzee Rascal >> My Morning Jacket >> Flaming Lips >> !!! >> Yeah Yeah Yeahs >> LCD Soundsystem >> The Sleepy Jackson >> Air >> PJ HARVEY >> Sage Francis >> Death Cab For Cutie >> ELECTRIC 6 >> Sparta >> >> On Wed, 4 Feb 2004 [EMAIL PROTECTED] wrote: >> >>> http://www.pitchforkmedia.com/news/04-01/14.shtml >>> >>> Is anyone else as excited to see a reunite of the Pixies!? Kraftwerk and >>> Radiohead! Wow. >>> >>> dns. >>> >>
Re: (313) Marketing Ghostly and Amp Fiddler
I was having the same thought, which is that ghostly is being covered as if they were an indie rock band/label. they kinda have that aura around them anyways... > From: "David Powers" <[EMAIL PROTECTED]> > Date: Tue, 03 Feb 2004 23:19:39 - > To: "Phonopsia" <[EMAIL PROTECTED]>, <[EMAIL PROTECTED]>, > <313@hyperreal.org> > Subject: Re: (313) Marketing Ghostly and Amp Fiddler > > Interesting post. > > Just to put this in perspective, here in Chicago I've never ever seen an Amp > Fiddler record. In contrast, at Gramaphone they get multiple copies of all > the Ghostly stuff and it does seem to be selling pretty well... However I > wasn't really aware that Matthew Dear was being so hyped, I really just > checked out the records because they were in the store, had no idea he got > written up in Rolling Stone or is supposed to be some next big thing. > > I haven't really heard mention of Amp Fiddler outside the 313 list. I did > turn a couple of my hiphop-head friends on to Amp Fiddler however. The thing > is, in the US, the "Urban/R&B" style is really very corporate and Amp Fiddler > probably would have a harder time going over here the way he might be able to > in the UK. The market for more indy urban sounds is rather small, like a > minority of people that might dig on underground hiphop. Amp Fiddler would > need to get played by Clear Channel and the like to have a chance in the US > urban market. Ghostly International, on the other hand, probably will go over > with people that are used to looking a little more out of the mainstream for > their records, which means techno fans but maybe also a bit of indie-rock type > crossover. That is how it appears to may but maybe somebody has a different > take on it??? > > ~Dave > > -- Original Message - > Subject: (313) Marketing Ghostly and Amp Fiddler > Date: Tue, 3 Feb 2004 20:01:27 - > From: "Phonopsia" <[EMAIL PROTECTED]> > To: <[EMAIL PROTECTED]>, <313@hyperreal.org> > > > - Original Message - > From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Tuesday, February 03, 2004 5:28 PM > Subject: RE: AW: (313) Derrick May quote and the Death of Techno > > >> all i know is that amp fiddler's music is not in any way >> groundbreaking but we cant keep a single 12" with his name on it >> in stock. people who are into hiphop and r+b have been buying his >> records as well as all the techno and house heads who have known >> about him for a little while now. > > > It's really interesting to compare that to how the Amp Fiddler album is > being pushed in the UK. Not sure if I've mentioned, but 'Waltz of a Ghetto > Fly' got 4 of 5 stars in the Metro, which is a sort of middle-of-the-road > free paper primarilly for the tube in London. It's generally regarded as > sh*t. Anyway... they've also had large ads for the album in it and at > Stockwell station there's a full-size (five foot tall or so) ad for the > album which I pass every day on the way to and from work. The only thing > I've seen remotely as adventurous as this is an ad for The Rapture's album > (which happened to occupy exactly the same spot). Meanwhile, you see Ghostly > spending (what seems to me to be) quite a bit of money on promotion > stateside (and here but to a comparitively lesser degree), and it's paid off > in terms of journalistic attention, DJ interest and presumably sales judging > by the growth of the label. It'll be interesting to see whether or not Amp > Fiddler blows up here. He's certainly had some really high profile support > so far. > > Obviously it's hard to compare the two that closely, since the Amp Fiddler > stuff will be accessible to a much wider audience, but I'm still interested > to see what happens. > > Tristan > === > http://www.phonopsia.co.uk > [EMAIL PROTECTED] > > >
(313) tune recycler
http://tunerecycler.com/
(313) RIAA v. DJ's
DJs mix CDs attacked in attempt to control copyright Words: Terry Church The Record Industry Association of America (RIAA) has launched a new campaign against DJs in an attempt to control copyright infringement. They have already confiscated $100,000¹s worth of mix CDs from independent record stores across the US. DJ mix CDs, sold in almost every independent record store are on the whole unlicensed and technically illegal to distribute. However, DJs and producers alike often rely upon these illegal mixes in order to gain credibility, and to promote themselves to the general public. The practice is in fact approved of by most producers who see it as fundamental to the survival of the dance scene - even if it is their tracks that are being copied and played without permission. This latest attack by the RIAA is therefore hypocritical they claim that their pursuit of copyright infringement is primarily in the interest of the artist, yet most dance producers actually approve of and rely upon this illegal distribution. The dance scene relies upon these illegal¹ ways tosurvive, and it seems that the only people who actually care about this particular copyright infringement are not the artists themselves but the record companies who are only involved in the dance scene for profit.
Re: (313) Q for US heads, might be OT
when I was a kid I used to see that all the time on records and thought that when someone from a radio station went to a second hand shop to sell them and pocket a few bucks that the clerk was supposed to be not only an upstanding citizen, but a champion for artists rights and refuse to buy them because they were promos but then I became older and jaded and realized that it probably had something to do with tax deductions for promotional expenses. life just isnt the same once the magic and innocence are gone... =) > From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> > Reply-To: <[EMAIL PROTECTED]> > Date: Wed, 21 Jan 2004 12:30:43 -0500 > To: <313@hyperreal.org> > Subject: Re: (313) Q for US heads, might be OT > > -- Original Message -- > From: [EMAIL PROTECTED] > >> this might be off topic, so my apologies. >> >> I was just wondering, say you press a record in the US and > put "Promo Use >> Only, Not for Resale, Radio Use Only etc" does that make you > exempt from >> licensing laws or something? >> >> Or is it that if you get caught you can say "well, we weren't > trying to >> sell it" >> >> The reason I ask is because you see it on most US bootlegs. >> You also see it on a compilation from a well known NYC house > label thats >> been out recently, that I'm almost 99% sure is a bootleg. >> which is extremely cheeky I reckon, considering who the artists > are... > > you mean that ibadan joint? i think ALL their records that sample > stuff or whatever say that. im not sure if that means its a > bootleg or what. people in the UK do that as well though, i can > remember some 97 era congo natty releases that had a non white > label and said "promo use only" on them. i think that means that > you can have the promos out before actually clearing the samples > or whatever. > > tom > > > andythepooh.com > > > >
Re: (313) I'll see you Luke Slater mate!
you can download the morganistic stuff for free from www.irdial.com > From: "Matt Chester" <[EMAIL PROTECTED]> > Organization: 11th Hour Technology > Reply-To: "Matt Chester" <[EMAIL PROTECTED]> > Date: Tue, 13 Jan 2004 15:02:43 - > To: "313 Detroit" <313@hyperreal.org> > Subject: Re: (313) I'll see you Luke Slater mate! > > It's not that rare yet - I see copies in Reckless on Berwick st (london) all > the time - but I agree it's well worth picking up. For what it's worth, I > think he only really went off the rails with his last album - everything up > to and including Wireless and it's associated singles I loved (although the > I was not that impressed with the last PAS album (the one with the cheesy > Booster remix)). > > Without doubt, his two finest moments for me were Inductive Channels as > X-Tront, and Excaliburs Radar as 7th Plain I never managed to track > down the Morganistic stuff, though I've heard it and love it - if anyone > wants to part with a copy of Leaf, let me know! > > > - Original Message - > From: [EMAIL PROTECTED] > To: Ken Odeluga > Cc: 313@hyperreal.org > Sent: Tuesday, January 13, 2004 2:49 PM > Subject: Re: (313) I'll see you Luke Slater mate! > > > > > > > If it is rare then I'm going down to Let it Be records and buy all five > copies they have and jacking the price up to $20.00 a piece when I stick > them on eBay. ;) > > MEK > > > > Ken Odeluga > <[EMAIL PROTECTED]>To: 313@hyperreal.org > cc: > 01/12/04 11:19 PMSubject: Re: (313) I'll see > you Luke Slater mate! > > > > > > > Also check this out, under his own name: > > Love EP, including the seminal 'Lady Stay Dead' track. > > Listen and maybe even buy if you like, here: > > http://www.covert.uk.com/choons.cfm?max=yes&ar=Luke%20Slater%20 > > The damn thing's gotta be pretty rare nowadays, so I'm surprised to see > a copy available quite frankly. There are many alternatives to Luke > Slater ver.04, thankfully. > > k > > Dienstag is der neu Sontag > >
Re: (313) new dbx
ok, at the risk of coming across as jaded...granted these are only 30 sec RA clips and not on a home/club system or pitched up/down but having been around for the DBX "classics" I'd rather listen to those and reminisce then revisit the sound/style ten years later. not that these aren't good tracks or anything but I much rather spend my money on recent dan bell remixes than recent DBX rehashes. anyone else feel this way or is it just me? > From: Samu Eilola <[EMAIL PROTECTED]> > Date: Mon, 12 Jan 2004 10:41:30 +0200 (EET) > To: "J. T." <[EMAIL PROTECTED]> > Cc: 313@hyperreal.org > Subject: Re: (313) new dbx, ur, nsc etc > > > > > > On Sun, 11 Jan 2004, J. T. wrote: > >> re the new dbx, anyone heard it? cant find any samples online yet, but rh >> and clone have it..sounds dope from the description! > > http://www.nuloop.com/Details.php?arti=24322 > > > samu. >
(313) mix CD economics (was j. mills)
heres something I've wondered about. when a dj makes a mix cd such as this and features tracks that he/she made or owns the label they were released on or both does that mean that he/she makes out three ways financially - for doing the mix, for licensing the tracks from the label to the mix and for creating the track that¹s licensed from the label to the mix? > From: "/0" <[EMAIL PROTECTED]> > Date: Mon, 12 Jan 2004 21:57:56 -0500 > To: "ed612313" <[EMAIL PROTECTED]>, "Maxim Sullivan" <[EMAIL PROTECTED]>, > <313@hyperreal.org> > Subject: Re: (313) Jeffty Mills! Exhibitionist Tracklisting > > hahahah the man is pretty shameless about mixing his own stuff lol > > about half the mix is mills productions > > (not that thats a bad thing I guess, just a lot of one style)
Re: (313) Djax (was: I'll see you Luke Slater mate!)
the claude young "concentration factor" ep is probably one of my all time favourite detroit tracks from that period. the mike dearborn releases on djax are his best work too in my ever so humble opinion as for luke slater, I lost interest after his remix of ken ishii's 'extra' or whatever the track was... > From: Matt MacQueen <[EMAIL PROTECTED]> > Date: Mon, 12 Jan 2004 20:48:26 -0600 > To: kj at technotourist dot org <[EMAIL PROTECTED]> > Cc: 313 <313@hyperreal.org> > Subject: Re: (313) Djax (was: I'll see you Luke Slater mate!) > > On Jan 12, 2004, at 5:21 PM, kj at technotourist dot org wrote: > >> don't forget his Celemtime stuff on Djax, dark hard techno. Great >> stuff! > > which were his best Clementime ones to look out for on DJAX again? > There were a few if I recall. DJAX was so prolific I could never keep > up. There were plenty of dodgy releases in there too.. like any label > with that many records I suppose. > > What about this thread: best Chicago Jackkers on DJAX... seems like > they raided the city for a few years there, I guess this was also the > era when Relief was flooding that jackin trax sound too).. anyway Djax > had (numerous) releases by Paul Johnson, DJ Rush, GU, Mike Dearborn, > remixes of Mike Dunn and Armando.. > > a few of my favorites: > DJ Skull - Stomping Grounds > Mike Dearborn - Moments > Ron Trent - Altered States EP (nice Carl Craig remix too) > > peace > -- > Matt MacQueen > http://SonicSunset.com >
Re: (313) New Order video @ Paradise Garage
> > That video--along with original cuts for The Perfect Kiss, True Faith, Blue > Monday 88, Touched By The Hand of God, Bizarre Love Triangle, and one other (I > think) are on a VHS tape called Substance.Came out at the same time > as the double album in 87. I believe the Confusion vid also appears on > Neworderstory, the Canadian version from 93, but I could be mistaken. Lots of > very cool stuff on the Canadian version, actually. new order trivia: the video for 'touched by the hand of god' was never aired in america because of fears that we wouldn¹t get the joke over here...
Re: (313) re: soulseek for mac was michael mayer mixing was re: fabric live thread
SoulseekX http://www.versiontracker.com > From: Jason Brunton <[EMAIL PROTECTED]> > Date: Thu, 8 Jan 2004 09:51:36 + > To: "Robert Taylor" <[EMAIL PROTECTED]> > Cc: 313 <313@hyperreal.org> > Subject: Re: (313) re: michael mayer mixing was re: fabric live thread > > If its that good I'll eat them with a side order of humble pie and a > sprinkling of humour and humility! Unfortunately I'm on a Mac and > don't have access to Soulseek! Obsessed is a truly timeless piece of > music though- looking forward to the new album later this year!!! > > cheers > > Jason > On 7 Jan 2004, at 09:49, Robert Taylor wrote: > >> The mix you speak of with Air Liquide on is Mayer Live at Family Park, >> which was downloaded from Soulseek (also has UR's Illumination on it) >> - there is another one we've been listening to from Soulseeek but I >> forget it's title apart from the fact that it has B12's Obsessed on >> it, which is enough to recommend it in my ears. Download them now and >> eat your words Jason! >> >
Re: (313) absolut threetracks
forgot to ask if anyone knew that these tracks were an absolut ad campaign (not that there's anything wrong with that...) > From: jonathan morse <[EMAIL PROTECTED]> > Date: Fri, 05 Dec 2003 09:42:44 -0500 > To: <313@hyperreal.org> > Subject: (313) absolut threetracks > > "first art, then fashion, now music. hear the sound of absolut" > > > > http://www.absolut.com > > > >
(313) absolut threetracks
"first art, then fashion, now music. hear the sound of absolut" http://www.absolut.com
Re: (313) hot lizard - the theme - carl craig mix
his remix of tori amos is my personal favourite, but we know my tastes, right? =) > From: "Derek Plaslaiko." <[EMAIL PROTECTED]> > Date: Thu, 4 Dec 2003 11:41:32 -0500 (EST) > To: 313@hyperreal.org > Subject: (313) hot lizard - the theme - carl craig mix > > > > i rememeber when this 12" came out, i was all about the mark broom mix. > the carl mix didnt really do much for me. > > > i just listened to it again, and WOW! i think this might just be one of > the best remixes carl has done. up there with the dave angel "drums suck" > mix! > > > any thoughts? > > > > derek. > >
(313) fast forward mp3's
in case you missed it theres about 10 hours worth of alans fast forward radio show from 1990 - 1992 available for download at www.alanoldham.com even if you're old enough (like myself) to remember these tracks the first time around its still refreshing to hear them, especially again in my case since ive been in virginia the last two years and all my vinyl and cd's are still in new york. grab 'em now while they're still available...
Re: (313) Entire threeonethree.com Collection Available [Limited].
the ryan elliott mix doesn't exist, or at least that¹s what the error message says when I try and download it > From: <[EMAIL PROTECTED]> > Date: Thu, 13 Nov 2003 14:39:23 -0500 > To: 313@hyperreal.org > Subject: Re: RE: (313) Entire threeonethree.com Collection Available > [Limited]. > > ani's right. i downloaded my own mix... and i love it! :-) > > cheers, > lrh > >> >> From: "ani" <[EMAIL PROTECTED]> >> Date: 2003/11/13 Thu PM 12:57:23 EST >> To: "313" <313@hyperreal.org> >> Subject: RE: (313) Entire threeonethree.com Collection Available [Limited]. >> >> you would be a fool to not take the time to download these mixes, they're >> great. >> thanks matt :) >> >> ani >> >> : : -Original Message- >> : : From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >> : : Sent: Thursday, November 13, 2003 9:40 AM >> : : To: 313@hyperreal.org >> : : Subject: (313) Entire threeonethree.com Collection Available [Limited]. >> : : >> : : >> : : The entire set of threeonethree.com exclusive mixes are available once >> : : again, so for anyone that missed out on the first few... get >> : : them now. 128K >> : : mp3, burnable mixes free for download. >> : : >> : : 01 Christian Bloch - Detroit Mix for threeonethree.com >> : : 02 Mike Grant - Live at the Blue Room >> : : 03 Matthew Mangold - You Got the One That Goes Like This? >> : : 04 Lee Herrington - Its Odd >> : : 05 Matthew Mangold - Second Derivative Test >> : : 06 Greg Mudge - Untitled Mix for threeonethree.com >> : : 07 Kage - Nature of Textures >> : : 08 Ryan Elliott - 29for313 >> : : 09 Element.8 - Live at the Nefarious Booth; Movement 2003 >> : : 10 Mike Perry - Dried Shoes >> : : 11 A.Garcia - Untitled Mix for threeonethree.com >> : : 12 Jason Patrack - The Steamy Affair >> : : >> : : They will eventually all go back to RealAudio archives to make >> : : room for the >> : : next wave of mixes by: >> : : >> : : Anthony 'Shake' Shakir >> : : Clark Warner >> : : Colin Zyskowski (LIVE) >> : : Derek Plaslaiko >> : : MD! >> : : RMB3 (LIVE) >> : : Ryski >> : : >> : : >> : : >> : : Matthew >> : : >> : : >> : : mail2web - Check your email from the web at >> : : http://mail2web.com/ . >> : : >> : : >> : : >> : : >> >> >> >
Re: (313) GPO & Acid House Connection
altered states did 'move your body' and Im pretty sure altern8 had a track with a similar vocal bit. > From: Matt MacQueen <[EMAIL PROTECTED]> > Date: Thu, 9 Oct 2003 18:22:44 -0500 > To: Placid <[EMAIL PROTECTED]> > Cc: <313@hyperreal.org> > Subject: Re: (313) GPO & Acid House Connection > > On Thursday, October 9, 2003, at 04:43 PM, Placid wrote: >> >> Ride the rhythm, 4 - play gotto be free, garden of eden, ecstacy club, >> adrenalin mod, 808 state were british acid that had it goin' on. > > YES! Now we are talking.808 state: Deepville, Flow Coma for > example, never get sick of those. Jesus loves the Acid (Acid Chant)... > totally freaky track and hammered by Derrick out an the M.I. too. > Speaking of, Adrenalin m.o.d what happened to Darren Mohammed (sp?) > Wasn't there a Derrick May connection or collaboration back then too? > memory... foggy... > > also who did that track "move my body".. I think it was at the tail end > of Ronny Pries excellent 'back in the days' mix,,, not really acid per > se, but I totally remember that eerie sample burned into my brain from > mixes around that era. More info? ... is that hard to find? > > And anyone interested in this era needs to check Placid's page of great > mixes: > http://www.acid-house.net/mixesframe.html > Any chance you can post a tracklist on your site for Ronny's Time Warp > mix? I think i know most but there's a couple i've got to track down. > > peace > Matt MacQueen >
Re: (313) Paging Metroplex Records
yeah...genesis p orridge actually invented acid house, err...well, at least he claims he did. no really, I swear. it says so right on his 'jack the tab' compilation. ok...ill stop now. =) > From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> > Reply-To: <[EMAIL PROTECTED]> > Date: Thu, 9 Oct 2003 13:40:22 -0400 > To: <313@hyperreal.org> > Subject: RE: (313) Paging Metroplex Records > > -- Original Message -- > From: [EMAIL PROTECTED] > >> Just before everyone marches out of the saloon, could I possibly >> steer the debate onto a less contentious area? >> >> There's a lot of mentioning of band names that I don't know, I've >> heard a track by Genesis P Orridge (pretty tasty IMO) that he did > for >> one of the Sabres Of Paradise compilations a few years back now >> (Septic Cuts IIRC) but don't know who Psychic TV and Coil are. >> Basically, who are all these people/bands and how do they fit > into >> the techno firmament? >> >> Anyone care to enlighten me? > > wow. theres lots to learn. genesis p orrige was in throbbing > gristle, the band that basically "invented" industrial music. PTV > was a later project that was more acid house oriented, though not > exclusively. coil is peter christopherson (also of throbbing > gristle fame) and john balance. those guys are nuts, their records > were very influential to me when i was like 15. without all that > kind of stuff, id have never been able to get into techno house > and jungle. theres so much more to say about these cats but i have > to run to work. > > tom > > > andythepooh.com > > > >
Re: (313) was groovetech now itunes
I was thinking along that lines too, but in this case apple and their itunes music store are still a middle man in as much as a record label or distributor is a middle man. the artist who sells their wares through iTMS still only recieves a cut of the .99 cents per track just as they only receive a cut of the selling price regradless if its wholesale or retail from a 'hard copy' release. I would guess that the day isnt too far off when you see artists/labels selling their output direct to consumers online using a similar business plan, especially given the advent of technologies like final scratch. yes, there is somethng to be said for a slab of vinyl but the overheads and prfofit margins for establishing and operating a direct-dowload label would have to be better than for a traditional label I would think, even if only slightly, which still puts more money in the pocket of the artist/label owner. personally, I know I much prefer being able to listen to the tracks on line from a 12" or LP and purchase only the ones I want at a buck a pop (see the poker flat web site) vice dropping $10 - $20 bucks for the actual release in a retail outlet for the other tracks I didn¹t want > From: Lester Kenyatta Spence <[EMAIL PROTECTED]> > Date: Tue, 23 Sep 2003 09:32:15 -0400 (EDT) > To: 313@hyperreal.org > Subject: (313) was groovetech now itunes > > i think that dance music would be the perfect money maker for itunes. as > dj'ing moves away from vinyl, even those who are ideologically predisposed > to pay loot for tracks will find it a time-suck to continually buy tracks > then transform them to mp3. at a buck a pop, who'd fight it? > > lks > >
Re: (313) Is this not the coolest mix?
take a gander at the ~rktic directory and youll find some other nice mixes. tracklistings too... > From: Matt MacQueen <[EMAIL PROTECTED]> > Date: Wed, 10 Sep 2003 17:56:11 -0500 > To: Kent williams <[EMAIL PROTECTED]> > Cc: 313 list <313@hyperreal.org> > Subject: Re: (313) Is this not the coolest mix? > >> The Ronny Pries "Back In the Days Mix" -- finally there's something I >> can >> play for people and say 'this is why I like techno.' >> >> http://www.anodized.com/~rktic/rp-back_in_the_days.mp3 >> http://www.anodized.com/~rktic/rp-back_in_the_days_playlist.txt > > thanks for posting this Kent, it's amazing... finally had some time to > let it play all the way through. > Woo! I was sweating just listening to it, imagine hearing that on > a giant system in a blacked-out warehouse... wow > > peace > Matt MacQueen >
Re: (313) Goodlife trivia
the carl craig mix? On 12/3/02 6:08 AM, "Jongsma, K.J." <[EMAIL PROTECTED]> wrote: > Hi, > > I have heard a lot of DJ's (mostly Detroit) who played this really great > remix from Goodlife. This remix has a break where everything stops except > for the chorus going something like 'Let me take you to place i know you > wanna go, it's Go-go-go-go' and then the piano and beats kick off, anyone > know who did this mix, must have it! > > > [EMAIL PROTECTED] > > > -- > DISCLAIMER > > De gemeente Almelo aanvaardt voor haar medewerkers geen enkele > aansprakelijkheid voor eventueel onjuist, onrechtmatig of > ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). > > Dit e-mail bericht is door de gemeente Almelo gecontroleerd op > de aanwezigheid van eventuele virussen. Wij kunnen echter geen > garantie afgeven dat al onze e-mail berichten volledig virus > vrij zijn. Het is daarom verstandig uw binnenkomende e-mail > berichten zelf op de mogelijke aanwezigheid van virussen > te controleren. > -- >
Re: (313) rhythm tracks?
psychic warriors of gaia "psychic rhythms vol. 1"
Re: (313) OT - classical music mp3s
beethovens 9th stretched to 24hrs http://www.notam02.no/9/index.html
Re: (313) Hip Hop and Techno (was 8-Mile)
two words: ninja tunes On 11/12/02 12:33 PM, "Tristan Watkins" <[EMAIL PROTECTED]> wrote: > - Original Message - > From: "Sean Creen" <[EMAIL PROTECTED]> > To: "Tristan Watkins" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; "DJ > Entropy" <[EMAIL PROTECTED]> > Cc: <313@hyperreal.org> > Sent: Tuesday, November 12, 2002 4:22 PM > Subject: RE: (313) Hip Hop and Techno (was 8-Mile) > > >> >>> While I can see that many techno converts have come from a hip hop >>> background, I'd be inclined to side with Cyclone that especially today, >> it's >>> not terribly in-favor in the hip hop world. Even in the past this is > true. >> >> I know plenty of current hip hop fans who are also massively into techno. >> Its certainly not true to say that hating techno is an ingrained part of > the >> culture, as was suggested in the original post. >> Also, we need to be clear here on whether were talking about B-boys or > Puff >> Daddy fans... > > I don't know. I've always seen the world of underground hip hop as being > pretty receptive to incorporating or listening to other styles, but what > percentage of the hip hop world is listenening to or participating in > underground hip hop? I don't mean De La Soul, but the band that presses 1000 > copies of their own record. If this was the culture Eminem came from, it's > not the culture he helps define today. So yeah, I'm seeing mainstrem hip hop > (which doesn't need to be defined by Puff Daddy) this way, but it's just a > generalization. I know many exceptions, but I think the rule holds true. Hip > hop is a big world. > > Tristan > = > Text/Mixes: http://phonopsia.tripod.com > Music: http://www.mp313.com > Contact: [EMAIL PROTECTED] > > New Mix in mp3, 'Live in Iowa City' available for > a short time from http://phonopsia.isoprax.com > > >
(313) john tejada drum 'n' bass mix
ive been subbed on and off for the last year so I don¹t know if its been brought up or not but john tejada has been producing some great drum and bass tracks, mainly with the phunkateck collective out of san francisco. the november mix for violent recordings is by him and available at http://www.violencerecordings.com/viomixtejadanov.mp3 anyone who cant spot the samples in the first track should be immediately unsubbed ;p
Re: [313] Speaking of Soulful...
i made the trek from rochester to chicago to meet up with john and rich for that party. DBX wasnt there. farley, hardfloor and paul johnson were the main room with john, rich and nigel richards in the back and some drum and bass dj's in the connecting passageway. i think there were a couple of wanky trance types also. anyways...i wasnt terribly impressed by farley that night (or paul johnson for that matter but i was expecting not to be) but then again it was a young, uneducated crowd On Saturday, August 10, 2002, at 03:31 PM, FC3 Richards wrote: Farley only does radio shows any more, and when he does those is quite rare. Last time he spun outside of a studio has at the Live on the Decks party 2 years ago...I think it was #3. DBX was there too...And I was long gone from the midwest. I managed to download the Farley Mix from WBMX off the Deephouse pages and converted it to CD audio and burned it to a CD...it is really good. He takes that track "Washing Machine" and mixes it with I have a Dream, the MLK speech...good stuff! Jeff -Original Message- From: Tristan Watkins [mailto:[EMAIL PROTECTED] Sent: Friday, August 09, 2002 9:12 AM To: 313@hyperreal.org Subject: [313] Speaking of Soulful... I have never seen Farley 'Jackmaster' Funk play. He, Claude Young and Rob Hood are at the top of my list of DJs I need to see, but haven't. I'm gonna be in Chicago from probably the 5th or 6th - 9th of September before I move to London, so my question is whether he ever plays in Chicago anymore, and if he plays in Europe with any regularity. For that matter, what does he do these day? Does he produce or DJ much at all? Tristan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] NEW ID (was:What's going on in Detroit tonight?)
"love on a real train" On Saturday, July 27, 2002, at 12:09 PM, <[EMAIL PROTECTED]> wrote: i can help you on both counts: opening (and closing track): global communication - maiden voyage ...and it is very similar to an old Tangerine Dream track. i dont know the name of it, but if you watch Risky Buisiness, its in there. ;) smash em: chicks on speed - fashion (roman flugal rmx) derek. On Thu, 25 Jul 2002, scotto wrote: I have heard rich play this track twice now it has a vocal line in which sounds like it is saying "smash'em... oh smash'em" repeat. it's in the pemf set he did and he played it on monday it's twords the end of the pemf set. scotto - Original Message - From: <[EMAIL PROTECTED]> To: "scotto" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Wednesday, July 24, 2002 12:27 PM Subject: Re: [313] ID (was:What's going on in Detroit tonight?) I was told the first track he played was Global Communication At least, I think that was the first track. Kinda ambient. No actual beat. That was right when I walked in from the backroom. On Wed, 24 Jul 2002, scotto wrote: does anyone know the first track rich played it remined me of king crimson or yes. and mike played bc 09 he mixed it with a track with a really cool conga line in anyone remember? anyone get one of the new cd's rich is handing out? I'm curious we left at 3:30 how late did he play? for the record, it was great. rich tried jacking the sound up really really loud but one of the speakers started to clip. :) yea he was really_testing_that system.(lol) it's hard to hear the clipping in the dj booth he spun a nice set and it was a reasonable volume. I didnt catch much of kevin saunderson because rich did a good enough job to keep me where I was :) yea I'm glad they used the house system because I forgot my ear plugs(again.. doh!). but the crowd, heat and "rain" from the ceiling (moisture condensing the a/c falling with each bass beat) pushed me out from time to time. kevin had a really nice set. played tons of tracks i reconised with a smile. I dont think he's put his full faith in to final scratch (yet!), he still had a very large create with him. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Yussel & Plaslaiko's B-day on the CHEAP
i lost that punks email address so someone tell plaslaiko i say happy bday... On Monday, July 8, 2002, at 11:22 AM, <[EMAIL PROTECTED]> wrote: Just want to let everyone know that there will be some sort of discount at the door for me and derek's b-day party tonight at the works. not sure what it'll be, but when you arrive, say your there for the party. hope to see everyone tonight josh - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] nice electro / greets
On Thursday, June 6, 2002, at 11:25 PM, John Kohlstrand wrote: No, I don't know Mark Gage, but I hear through the grapevine that his neighborhood is trendier than mine. the south wedge? dont believe the hype ;p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] nice electro / greets
rochester, ny? i grew up/lived there until about 9 months back. file under 'small world'... On Friday, June 7, 2002, at 03:46 PM, Matthew MacQueen wrote: I was really plugged in eight years ago. I was a card-carrying member of the Midnight Funk Association as a tyke. At my height, I had accompanied Morgan Geist to one of the Packard parties (before he got famous) and I had blabbed an awful lot on mw-raves. Welcome back John! didn't we call you "Ironman"? ha ha You may or may not remember me, I think we even swapped some old retro techno tapes when you lived in Ohio. live from the way back machine, Matt MacQueen cheers - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] final scratch ==>> Very Appealing for these reasons ==>>
oh yeah...and i recommended the book to hawtin a while back =) On Wednesday, June 5, 2002, at 03:42 PM, jonathan morse wrote: yeah...it is/was available for free download through the web site for his 'cryptonomicon' book, which was much better IMESHO (im kinda prejudiced though given my occupation...) On Wednesday, June 5, 2002, at 03:34 PM, Giles Dickerson wrote: Has anyone read the Neil Stephenson book "In The Beginning Was The Command Line"? - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 -- From: Eric Scuccimarra Sent: Wednesday, June 5, 2002 4:24 PM To: Grammenos, Peter; Giles Dickerson; 313@Hyperreal.Org (E-mail) Subject: RE: [313] final scratch ==>> Very Appealing for these reasons ==>> When they were shipping it out on their laptops they were sending the laptops with a dual boot of Windows and BeOS, I think. Be has been out of business for a while, I thought, but apparently you can still get the OS. I was not aware that it ran on Linux, though. At 04:19 PM 6/5/2002 -0400, Grammenos, Peter wrote: I took a look at the website earlier, it can be installed on LINUX. PC only though... -p -Original Message- From: Giles Dickerson [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 05, 2002 4:12 PM To: 313@Hyperreal.Org (E-mail); Eric Scuccimarra Subject: RE: [313] final scratch ==>> Very Appealing for these reasons ==>> So what type of system do you need for final scratch? - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 -- From: Eric Scuccimarra Sent: Wednesday, June 5, 2002 4:05 PM To: Giles Dickerson; 313@Hyperreal.Org (E-mail) Subject: Re: [313] final scratch ==>> Very Appealing for these reasons ==>> I think that the reason it's only written for BeOS, not Mac or Windows, is because of the audio latency. The last I heard they had it down to like 5 ms or something. If anyone has ever seen BeOS in action it's pretty impressive. There's no way a Mac or a Windows machine could handle audio latency that low. And 5 ms still isn't all that great for DJ uses, at least in my opinion. At 03:58 PM 6/5/2002 -0400, Giles Dickerson wrote: 1. I had spine surgery 1 year ago for an injury I incurred most probably from carrying my records to my radio show and DJ gigs. It caused me three years of unbearable pain (anyone who knew me then can attest to this by the shear number of pills I was taking) and my limp. I ended up in the emergency room in New York and then on Morphine for a week and into neurosurgery. I would like to avid another back injury and therefore not carrying my records to gigs is very appealing. 2. My record bag can only hold 40 - 60 records, and is limiting as I'm sure you all know. You know that moment where you still have apile of records you HAVE to bring with you to this gig but there's just no room! With a big selection of my records on a laptop I can have a few hundred tracks with me. 3. With my music in a laptop or hard drive in my carry-on bag I never have to worry about flying / losing / breaking my records in airports / baggage claims. Ever know anyone that's had a crate of their favorite records ripped off? Don't answer that. All this adds up to me wanting a MAC version. I'll keep buying vinyl, I love listening to it at home and almost all the music I own in on wax, but come on, get that heavy record bag off my shoulder and I'm a happy camper. - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 -> To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] final scratch ==>> Very Appealing for these reasons ==>>
yeah...it is/was available for free download through the web site for his 'cryptonomicon' book, which was much better IMESHO (im kinda prejudiced though given my occupation...) On Wednesday, June 5, 2002, at 03:34 PM, Giles Dickerson wrote: Has anyone read the Neil Stephenson book "In The Beginning Was The Command Line"? - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 -- From: Eric Scuccimarra Sent: Wednesday, June 5, 2002 4:24 PM To: Grammenos, Peter; Giles Dickerson; 313@Hyperreal.Org (E-mail) Subject: RE: [313] final scratch ==>> Very Appealing for these reasons ==>> When they were shipping it out on their laptops they were sending the laptops with a dual boot of Windows and BeOS, I think. Be has been out of business for a while, I thought, but apparently you can still get the OS. I was not aware that it ran on Linux, though. At 04:19 PM 6/5/2002 -0400, Grammenos, Peter wrote: I took a look at the website earlier, it can be installed on LINUX. PC only though... -p -Original Message- From: Giles Dickerson [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 05, 2002 4:12 PM To: 313@Hyperreal.Org (E-mail); Eric Scuccimarra Subject: RE: [313] final scratch ==>> Very Appealing for these reasons ==>> So what type of system do you need for final scratch? - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 -- From: Eric Scuccimarra Sent: Wednesday, June 5, 2002 4:05 PM To: Giles Dickerson; 313@Hyperreal.Org (E-mail) Subject: Re: [313] final scratch ==>> Very Appealing for these reasons ==>> I think that the reason it's only written for BeOS, not Mac or Windows, is because of the audio latency. The last I heard they had it down to like 5 ms or something. If anyone has ever seen BeOS in action it's pretty impressive. There's no way a Mac or a Windows machine could handle audio latency that low. And 5 ms still isn't all that great for DJ uses, at least in my opinion. At 03:58 PM 6/5/2002 -0400, Giles Dickerson wrote: 1. I had spine surgery 1 year ago for an injury I incurred most probably from carrying my records to my radio show and DJ gigs. It caused me three years of unbearable pain (anyone who knew me then can attest to this by the shear number of pills I was taking) and my limp. I ended up in the emergency room in New York and then on Morphine for a week and into neurosurgery. I would like to avid another back injury and therefore not carrying my records to gigs is very appealing. 2. My record bag can only hold 40 - 60 records, and is limiting as I'm sure you all know. You know that moment where you still have apile of records you HAVE to bring with you to this gig but there's just no room! With a big selection of my records on a laptop I can have a few hundred tracks with me. 3. With my music in a laptop or hard drive in my carry-on bag I never have to worry about flying / losing / breaking my records in airports / baggage claims. Ever know anyone that's had a crate of their favorite records ripped off? Don't answer that. All this adds up to me wanting a MAC version. I'll keep buying vinyl, I love listening to it at home and almost all the music I own in on wax, but come on, get that heavy record bag off my shoulder and I'm a happy camper. - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 -> To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] An amazing twisted melodic tune I heard...
On Thursday, May 9, 2002, at 08:59 AM, Steve Robertson wrote: it had a kind of disocrdian sound fnord? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: I have one thing to say....maybe two.
its pretty well accepted in the world of psychology/psychoanalysis that those who persecute or put down others in this manner usually are doing so out of a deep rooted self-loathing based on the realization and subsequent repression of the true nature of their own character. this is most notable in homophobic personalities and one cant help but point out what this implies about eminem. =) On Saturday, May 4, 2002, at 10:56 AM, sean deason wrote: one more thing that strikes me as funny is how "purists" tend to fling the terms "nerds" and "geeks" around so freely. Dude, are there no mirrors in your freakin house?! reality check: you are a card carrying member of an internet newsgroup/chat group devoted to knowing and sharing every little insignificant, most minute, detail of a music genre very few have even heard of! Living in glass houses with pockets full of stones are we? :^) sean "so mean he once shot a man just for snoring" deason bonus!! heres my current top 10 list. dont say I never gave you nothin' artist | title | label 1. Model 600 | update | Metroplex 2. UR | 3000 | UR 3. E Dancer | Loop Me Again | KMS 4. ElectroFunk | Superugly | ElectroFunk 5. Rolando | Birth of 3000 | LosHermanos 6. InnerCity | Big Fun remixes | KMS 7. Kenneth Graham | Carrier Wave | Spectral 8. Detroit Beat Down | Compilation | Beat Down Productions 9. Dream Sequence III feat. Blake Baxter | Deep in Da Groove remixes | Tresor 10. Osborne | Bout Ready to Jak | Ghostly International Mxyzptlk wrote: At 09:21 AM 5/4/2002, you wrote: hm detroit relevance...let me think...if only the director were from Detroit or something. (to make matters worse/risking the ire of the 'purists', I would ask:) How many of you would 'fess up to being/have been comic book fanciers/collectors/followers? I ask because I have a feeling there's more overlap than some may anticipate; music geeks are geeks looking for an obsession (from personal experience anyway). I know when I was young I had hefty bags upon bags full of comix...early Marvel (Spiderman, Daredevil, FF, X-Men, Dr. Strange, Avengers, etc., etc) and D.C. I used to spend my weekly allowance on them. My guess is that many of you know the origin of my email "handle" from other sources than Saturday morning cartoons of yore. It's pretty amazing how many former comic book junkies populate email music lists. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] jak party, sunday may 25
if this is true it would only be fitting for him to start his set with "eruption" ;p On Friday, May 3, 2002, at 11:44 AM, Rob Theakston wrote: don't bet on it. rumor has it rich booked the sound system from Van Halen's "Diver Down" tour from '82. look for wall to wall stacks and maybe david lee roth as a roadie. -Original Message- From: :P [mailto:[EMAIL PROTECTED] Sent: Friday, May 03, 2002 12:41 PM To: Bill Van Loo; 313@hyperreal.org Subject: Re: [313] jak party, sunday may 25 nice!, they just posted that today cuz I checked last night and it wasnt there. its going to be tough to decide between acquaviva at motor and hawtin atthe jak party. I'll go to jak if someone can assure me the sound system will be toned down a bit from the jack party last year and the control party from whenever that was (cant remember) my ears cant take another excessive party like that. -Joe fux www.emmrecords.com/teh_fux - Original Message - From: "Bill Van Loo" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, May 03, 2002 9:11 AM Subject: [313] jak party, sunday may 25 also: http://m-nus.com/calendar/ The technotourists are going to get tired from typing in all this afterparty biz pretty soonit's starting to get fast & furious! bvl -- http://www.chromedecay.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] playlist WNUR chicago 19 april 2002
whats this 'shinichi atobe'? ive been out of the loop for a while... On Wednesday, April 24, 2002, at 06:59 PM, Matthew MacQueen wrote: clinically inclined 19 april 2002 fridays 11 pm - 12:30 am CDT www.wnur.org / 89.3 fm in chicago selections: dave siska macho cat garage - rubber run - the muffler strut (down low) matthew herbert - 5 days - other mistakes (soundslike) chateau flight - rituel - puzzle lp (versatile) shinichi atobe - the red line (chain reaction) yagya - snowflake 4 - rhythm of snow lp (force inc) farben - so much love - don't fight phrases ep (klang) niels jensen - from coast... - from coast to coast ep (axodya) smyglyssna - om partikular - plug research and development (plug research) reload - peschi - a collection of short stories (infonet) front 242 - art and strategy - geography lp (wax trax) '82 fumiya tanaka - drive #2 - unknown possibility vol 2 (torema) damon wild - travel - color theory lp (music man) john f - stone cold (exhibit) jeff mills - detached - lifelike (axis) fumiya tanaka - drive #2 - unknown possibility vol 2 (torema) o'hare - movin on (sterac rmx) (aspro) casino classix - ringer (ifach) kit clayton - the angular adventures of kit clayton (parallel) planetary assault systems - manipulator - archive (peacefrog) heiko laux - mainplateau ep (i220) 2000 and one - sunk ice (100% pure) plaid - unreleased ? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Hawtin vs. Sven
that would be the 'cycloops'... On Tuesday, April 16, 2002, at 02:49 PM, Grammenos, Peter wrote: Started off with loopy bangy stuff from both but then rich dropped this version of sharivari that I've never heard before and the deepness began! Best set I've seen rich spin in a couple of years, had the crowd going, and if it was his goal to win over nyc he's done so ;) He also worked a track from octave one for about 15 minutes, working it through a sampler of sorts, making loop points on the fly. He spun till about 4 or so them safety scissors played till about 5, one of the most eclectic sets I've ever heard. -Pete - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] intergral pictures?
they were up at www.phyrl.com, which aint quite what it used ot be ;p On Wednesday, April 3, 2002, at 05:57 PM, The Deliverator wrote: I didn't have any glow sticks with me at the party :-) I'm more than a little old for them anyway. jim - Original Message - From: "Bulger, Tim" <[EMAIL PROTECTED]> To: "'The Deliverator'" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, April 03, 2002 4:59 PM Subject: RE: [313] intergral pictures? No glow sticks allowed! -Original Message- From: The Deliverator [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 03, 2002 11:45 AM To: 313@hyperreal.org Subject: [313] intergral pictures? About a year ago someone posted a link that had pictures from the plus 8 party 'integral' in pittsburgh. I want to show a friend of mine the pics but can't find the page. Any help appreciated. jim - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF or what?
i think the police dashboard video from some of tim allens detroit roadside sobriety tests on large screen would be a fine addition to these stellar offerings ... On Tuesday, February 12, 2002, at 03:34 PM, joshtwentythree wrote: Well actually, there are going to be a lot of really exciting things going on at the DEMF this year...first off, there will be a group of "greeters" at the main gate they are a group of highly trained howler monkeys with a penchant for throwing poop...they will be wearing t-shirts that say "demf posse in da hiz-ouse muthafuckas" so you can easily spot them, they will have great goodies to hand out, such as throwing poop at you, and stuff with poop on it...also maybe some things they were gnawing on...some of the top performers will be regular detroit favorites such as Lisa Lashes, Judge Jules, Paul Oakenfold and a performance by 313 favorite, Moby...also a special rare performance by dubiously named "godfather of detroit techno"...Cat Stevens!...the master of ceremony this year will be none other then the lovable scamp carrot top, and a special speaker...TV's Bob Saget!!! he will be regaling the crowd with anecdotes of his early years growing up in the ghettos of detroit...also, a new addition this year will be that, instead of buying overpriced food from vendors, they will actually be able to just knock you down, take your wallet and smear some sort of food substance on your face while asking "you like that bitch!"...so as you can see the demf as a lot to offer this year. josh23 --- Dan Sicko <[EMAIL PROTECTED]> wrote: I don't think anyone on the list knows anything ... anybody tried emailing [EMAIL PROTECTED] ? -d At 6:35 PM -0500 2/12/2002, Chana Goodman wrote: WE WANT TO KNOW, WE WANT TO KNOW!!! [fists pounding] _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Send FREE Valentine eCards with Yahoo! Greetings! http://greetings.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FW: What's in a name?
On Monday, February 4, 2002, at 04:27 AM, Gwendal Cobert wrote: I don't really see how could a guy with such ideas fit in the Gigolos stable ? Gwendal you must not have the chris korda and the church of euthanasia release then... ;p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Dr Rockit
i retract my last post. there are no dr. rockit tracks on the 'theory of evolution' comp though there are a couple wishmountain tracks which are indeed by matthew herbert. jagermeister is bad. carry on... jm ps. hey petty officer...arent you not supposed to subscribe to mails list via a military server? ;p On Saturday, February 2, 2002, at 09:23 PM, jonathan morse wrote: theres some dr. rockit tracks on an evolution comp i have. dont know if theyre unreleased or not. theres some wishmountian tracks too but i forget if thats herbert or global communications. id give the tracks but it aint with me. probably isnt too hard to find... On Sunday, February 3, 2002, at 12:32 AM, Dan Sicko wrote: There's 5 on Clear alone ... only one of those on CD I think. Another one is a limited edition 7" ... At 6:16 PM -0800 2/2/02, FC3 Richards wrote: How many Dr Rokit releases are there??? I believe I have number 5, but am not sure, and how hard are the others to get ahold of? jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Dr Rockit
theres some dr. rockit tracks on an evolution comp i have. dont know if theyre unreleased or not. theres some wishmountian tracks too but i forget if thats herbert or global communications. id give the tracks but it aint with me. probably isnt too hard to find... On Sunday, February 3, 2002, at 12:32 AM, Dan Sicko wrote: There's 5 on Clear alone ... only one of those on CD I think. Another one is a limited edition 7" ... At 6:16 PM -0800 2/2/02, FC3 Richards wrote: How many Dr Rokit releases are there??? I believe I have number 5, but am not sure, and how hard are the others to get ahold of? jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] about the members
28 y.o. from rochester, ny but stuck in pensacola, florida until july or so DoD employee first trip to detroit was w/ mark gage for 'spastik' in 1994. been back a few times a year since and lived there briefly in 1996 "naturally progressed" into detroit techno via similar musical tastes/interests growing up (had an older cousin who was a new waver so ive been hip to the music scene since a kid) 2500 or so records that im as many miles from plus about another 1000 cd's which i have a handful of with me computer: titanium g4 laptop been on the list ca. 1995 On Thursday, January 31, 2002, at 05:17 PM, Kevin Conrad wrote: 25 yrs. old Born in Rochester, NY - Moved to suburban Detroit about a year and a half ago. Electrical Engineer for GM I have turntables, but don't use them as much since I started writing my own stuff. It's now a passionate hobby of mine. Joined the list a bit after I moved here, I mostly lurk. I've met some really cool people through it though. Kevin www.mp313.com --- "T.J.Johnson" <[EMAIL PROTECTED]> wrote: Ok, you guys might think this is dumb, but I was thinking it would be cool if we all had a better idea who we were talking to. What do you guys do for a living? How many of you are producers/DJs? Is music a hobby or your job? Me: 27 yo I design automobile axles for Visteon (Tier 1 supplier). I live in the detroit metro area. I go to school for engineering at Lawrence Tech during the night. I produce techno tracks as a hobby and DJ them too (sometimes). Your turn... ;) TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Great stuff seeking new owners in Yahoo! Auctions! http://auctions.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Remote Agency And Force Inc. Announces Algorithm Composure Tour
ok...im bored so ill go first. de9:ce? On Monday, January 28, 2002, at 07:18 PM, Phonopsia wrote: Has anyone heard this yet? Sounds interesting. Tristan -- http://www.mp313.com <- Music http://www.metrotechno.net <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email <- AOL Instant Messenger - Original Message - From: "Naeema Rehmani" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, January 28, 2002 3:25 PM Subject: [313] The Remote Agency And Force Inc. Announces Algorithm Composure Tour The Remote Agency And Force Inc. Announces Algorithm Composure Tour Composure features music from the entire current catalog of Force Lab 12" singles: Chris McCormack, Auch, G (aka G Man), Sutekh, Donnacha Costello, Safety Scissors, Jasper, kid606, Twerk, Farben, Matmos, Vita (aka Mikael Stavöstrand), AtomT, Rechenzentrum, The Posterboys Of The Apocalypse, alva.noto, Geoff White, Kit Clayton, Lowfour (aka Andreas Tilliander) and Veer. Algorithm will be on tour in support of Composure, and a variety of new projects on his Revolver Canada Imprint. April - USA May - Europe June- Asia COMPOSURE OFFICIAL RELEASE PARTIES Montreal Feb 15th @ Laika : 6-9pm Toronto Feb 28th @ Mission (Element Bar) : 10-3am LABEL: FORCE LAB RELEASE DATE: February 2002 TITLE: Force Lab Edition - Composure, Mixed By ALGORITHM Also features previously unreleased material from: Electric Birds, OZY, Rabbits, Yagya and Bizz Circuits. With over 12 years of DJing under his belt, Algorithm is undisputedly one of Canada's techno pioneers and easily one of the most skilled DJ's in N. America. His passion for emerging new sounds in electronic music have kept him a gem of the underground scene, though he can be found performing at some of the world's leading events and clubs. The Force Lab imprint has been the 12" home for both Mille Plateaux and Force Inc. artists to experiment in sounds that could work on the dance floor...through this combination, we feel one of the most innovative mix CD's has emerged. Algorithm takes the mix CD to new levels with Composure, layering and remixing over 300 loops from the catalog and re-processing them with his signature mixing style. Composure takes you to the point where over 7 different tracks are working seamlessly together! Beyond the typical click-techno and into something totally new, Composure set's a new standard for today's technology driven mix CD. Project Synopsis : Force Lab Edition - Composure Composure was designed in a multithread process with a variety of media. The original mixes were composed on Technics 1200's from the vinyl catalog releases. Unreleased material was taken from .wav files and then integrated into the mix. Each track was then discreetly edited into single instruments and loops of various lengths. Then, complimentary versions of loops were resaved with different EQ settings, transitions and effects. Each artist was initially remixed with their own material and then recombined with other artists. Over 300 loops and individual instruments were cut out of the bed mixes and recomposed. At times, 8 different Force Lab artists are layered and combined. For the final process of Composure, multiple variations of combined loops and instruments of various tracks were macrocomposed into primary sequences, continually bounced to larger macrosequences, until the end result emerged as the full length CD. For more info, please see: Composure Preview: http://www.force-lab.com/flab/ Composure For Sale: http://shop.force-inc.com Algorithm Info: http://www.remoteagency.com Algorithm Info: http://www.techno.ca/revolver For bookings and tour inquiries, please feel free to contact us or submit a booking request online at www.remoteagency.com/bookings.htm Kind Regards, The Remote Agency 1 514 739 3154 Montreal 1 905 542 9263 Toronto [EMAIL PROTECTED] www.remoteagency.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] atlanta list members?
email me privately. danke. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] the promised land?
i thought this was amusing... The score In the early 90s, Decca Aitkenhead fell in love with club culture - and ecstasy - while a student in Manchester. Ten years on, she wanted to know if that heady mix was still to be found - and if so, where. So along with her husband Paul she set off around the world with one aim: to find the perfect E. In the first of two exclusive extracts from her new book, they travel from the mean streets of Detroit to the hippy haven of San Francisco the book excerpt is at http://books.guardian.co.uk/extracts/story/0,6761,629037,00.html
[313] test
blah blah blah blah blah - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Apollo and Early 90s UK techno
there was a person here in rochester in the early 90's named tim prezzano who had 3 ep's out on GPR under the name nev. last i knew he was in nyc. his www.nevsound.com website is still up but looks like it hasnt been updated in a few years. there was a feature and unreleased track of his on 'trance atlantic express' along with the same from carl craig, kenny larkin, aux88, juan atkins, eddie fowlkes, mark gage, dan curtin, himadri, jamie hodge, plastikman and fred gianelli among others. the same people who put that comp out also had a series titled 'trance europe express' and the first 2 volumes were all old UK techno. mostly ambient and proto-trance type stuff. > From: "Phonopsia" <[EMAIL PROTECTED]> > Date: Wed, 29 Aug 2001 21:34:17 -0400 > To: "Mike Taylor" <[EMAIL PROTECTED]> > Cc: "313" <313@hyperreal.org> > Subject: [313] Apollo and Early 90s UK techno > > - Original Message - > From: "Mike Taylor" <[EMAIL PROTECTED]> > To: <[EMAIL PROTECTED]> > Cc: <313@hyperreal.org> > Sent: Wednesday, August 29, 2001 1:35 PM > Subject: Re: [313] ambient techno > > >> Hello, >> >> I should also have said that I am looking for recommendation for specific >> releases. I know about Fax and Warp, I need details about which >> releases/artists to look for. I have a general idea about who was big in > the >> early 90's and what to look for. What I am interested in is specifics > about >> the more obscure labels/releases and artists from that period. >> >> Also, did Apollo ever put out any compilations CD's? > > Apollo definitely had a compilation. Not sure what it was called. My > favorite Apollo release was a CD called Manna from a 3-piece band, with some > live instrumentation, but still very electronic at heart. As previously > mentioned, Sun Electric, Thomas Fehlmann, The Orb's first three albums and > all the AI series on Warp are essential. > > In terms of the UK, you should definitely seek out GPR, and especially the > sub-label Input-Neuron Musique. The first three releases were: > > 1. Morganistic, by Luke Slater is an excellent harder techno 8-track LP. > 2. Roupe - Strom, is a phenomenal work for the time, exceedingly dense and > varied, with a melodic sensibility I know you'll love. > 3. Russ Gabriel - Voltage Control, very Detroit, and not a lot of powerful > beats, but as smooth as you'd expect from him. Some of his best work. > > The GPR output itself is too vast to focus on, but Beaumont Hannant and Luke > Slater were the hilights for me. Luke Slater had an EP called Big ??? > which was three tracks. I tired of his albums on GPR over time though. I'd > say listen first. The Big track is amazing though. Hunt it down for > that one song. There was also a 2x CD compilation which would serve as a > good starting point, called Equanimity. There's a great Roupe song, in a > time signature that feels like 9/4 to me??? Also early stuff from Fumiya > Tanaka and some other good stuff from Russ Gabriel and Cherry Bomb. Cherry > Bomb's first album, Electronic For Dogs is quite nice too. Roupe also had > later material on other labels you should track down. He's a genius. > > Someone mentioned The Higher Intelligence Agency - good call. Beyond Records > had a lot of good ambience and dub, some of which did not stand the test of > time so well. A lot of it was released domestically on Waveform. Their best > release got Mixmaster Morris' "best of" one year, Another Fine Day's "Life > Before Land". I still listen to this regularly. On that note, The > Irresistible Force's first album, "Global Chillage" is must-have ambience. > And while we're on the topic of Rising High, the first Wagon Christ, "Phat > Lab Nightmare" was rather twisted, before Luke Vibert went into beats more. > He also did an incredible remix of MLO's Wimborne available on a compilation > somewhere, I think it was Chilled to Death 3000 or something. :) MLO's IO > soundtrack is beautiful beatless ambience. Perfect music to sleep to, in the > same category as the calmer moments of Selected Ambient Works Vol. 2 and far > better than the FAX stuff IMO. A lot of that fell into the "music for the > extremely patient" category for me. > > We can't forget The Sabres of Paradise and Nightmares on Wax when talking > Warp. It's not as "electronica" as the rest, but classic material. Haunted > Dancehall and Smoker's Delight are timeless. I assume you already have B12 > covered. That's the most purely Detroit stuff on Warp, except Drexiya and > Ultradyne of course. Black Dog's Music For Adverts and Short Films is as > good an electronic music *album* as has been made and Bytes is also > essential, before the Plaid/Black Dog split. > > The Plaid EP on Clear is some of their best work. Angry Dolphin is a > timeless song. All the early releases on Clear are worth your time, > particularly The Jedi Knights. The Jake Slazinger (AKA Mike Paradinas) was > his best material if you ask me, but I can do without it today. Tusken > Raiders (also
Re: [313] live sets (was "new topic")
live sets: plastikman @ spastik (wonder if rich and matthew still have those silver parkas) speedy j @ minimal (toronto 1996) kooky scientist @ plus8 10yr theorem @ consumed and epok > From: Brian Dillard <[EMAIL PROTECTED]> > Date: Wed, 29 Aug 2001 12:36:21 -0700 > To: "'T Mind'" <[EMAIL PROTECTED]>, [EMAIL PROTECTED], > 313@hyperreal.org > Subject: RE: [313] live sets (was "new topic") > > i have to say: > > 1) carl craig's innerzone live debut at st. andrews in 97 or 98 (can't > remember which), when a room full of candy ravers (incl. myself at the time) > kind of half-swayed, half-danced around for at least a half an hour wating > for the beats to drop before splitting into two contingents, one of which > stopped swaying but stayed around for the rest of the decidedly > non-dancefloor set, the other of which promptly went looking for dj dan or > whomever it was playing upstairs. > > 2) stewart walker, chicago, 2000. one set of "stabiles" material for the > head. one set of live techno for the feet. > > 3) inner city live at DEMF 2001 - "we need some / we need some / we need > some luh-hove!" paris still has it > > brian > > -Original Message- > From: T Mind [mailto:[EMAIL PROTECTED] > Sent: Wednesday, August 29, 2001 12:22 PM > To: [EMAIL PROTECTED]; 313@hyperreal.org > Subject: Re: [313] new topic > > > Thanks dan to your quick response. > > I would have to say: > > 1.Ur with 1992 /With Jeff > 2.Model 500 1996 /Mike Banks,Keith Tucker and Tom Hammilton Aux > 3.Robert Hood > 4.Scan 7 > 5.Adult > 6.Carl Craig > 7.Inner City > 8 Claude Young > 9.Shake demf 2001 > 10.k-1 Optic Nerve > > FEEL FREE TO COMMENT > > > > > > >> From: Dan Sicko <[EMAIL PROTECTED]> >> To: "T Mind" <[EMAIL PROTECTED]>, 313@hyperreal.org >> Subject: Re: [313] new topic >> Date: Wed, 29 Aug 2001 14:43:31 -0400 >> >> How about a top 5? Too hard to distinguish which sets I like better >> than others after that. >> >> 1. underground resistance w/jeff mills (1992) >> 2. aril brikha & time:space >> 3. rob hood >> 4. moodymann (based on the short set he played at All Access this year) >> 5. inner city >> >> I missed the first Model 500 show in 1996 so I can't comment. The >> second one (what year was that again?) wasn't worth mentioning >> unfortunately. >> >> I believe Blake Baxter was the first Detroit artist to play live. >> London in 1988 to kick off the compilation on Virgin. Anyone on the >> list see that one? :) >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> > > > _ > Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ambient techno
some of the early rising high stuff too is really good as is 'colourform' by the higher intelligence agency and the first two 'a.d.' comps or the 'excursions in ambience' series. > From: "Kao Jyan" <[EMAIL PROTECTED]> > Date: Wed, 29 Aug 2001 13:46:39 -0400 > To: "313" <313@hyperreal.org>, "Mike Taylor" <[EMAIL PROTECTED]> > Subject: Re: [313] ambient techno > > I should also have said that I am looking for recommendation for specific >> releases. I know about Fax and Warp, I need details about which >> releases/artists to look for. I have a general idea about who was big in > the >> early 90's and what to look for. What I am interested in is specifics > about >> the more obscure labels/releases and artists from that period. > > all the artifical intelligence on warp series were great, especially Polygon > Window. > all the early aphex stuff in fact (caustic window and the analogue bubble > baths are easy to track down). > bioshere's patashnik (sp?) was really good too if you liked microgravity. > early seefeel stuff is brilliant, and the FFWD album (orb members + robert > fripp) is very cool. > air liquide have got loads of material too which might not be too easy to > find?? but Sonic Weather Machine and Nephology are really cool. > and then there is the Orb and FSOL. > maybe not quite what you're looking for but if you don't have FSOL's album > Lifeforms get it immediately, i still think this is THE most important > (electronic?) album EVER. (i know i'm gonna start an argument with that one > : ). > as far as fax, i would recommend Air and Fish, but i haven't heard a lot > more than that. > > kaojyan > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Is Prince the root of all Techno?
errr...didnt reggae and its dub 'versions' come after the whole rock steady/ska thing? > From: "M. Todd Smith" <[EMAIL PROTECTED]> > Date: Fri, 24 Aug 2001 10:52:05 -0400 > To: "313 List" <313@hyperreal.org> > Subject: Re: [313] Is Prince the root of all Techno? > > Somebody wrote: > ~~ > Well, Back in the day Detroit had a largish punk scene. One of punks primary > influences was Jamaican reggae & dubb. Just had to bring it all back full > circle. > ~~ > > Do you have any evidence of this? Can you support this claim? Are you Iggy > Pop? The only influence Dub and Reggae may have had on punk is the message > they tried to get across. Ska was directly influenced by the rhythms and > sounds of Dub and Reggae as is apparent in the music, however Ska-punk cross > pollination really didn't happen until about '88 when Operation Ivy hit the > scene. Unless you consider The Specials and The English Beat 'punk', I'd > really like to know where you got this idea. > > Cheers > todd > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ANyone know about Finalscratch (maybe OT)
i think someones suffering from what toffler called 'future shock'... =) > From: atomly <[EMAIL PROTECTED]> > Date: Wed, 15 Aug 2001 11:02:56 -0500 > To: 313@hyperreal.org > Subject: Re: [313] ANyone know about Finalscratch (maybe OT) > > Have any of you ever released a record, though? There's something so > visceral about it that uplading an MP3 to a website can't replace. When > I make a track and upload it to my site, that's cool. When I master it, > send it off to have it cut and get back a test pressing, there's just > something amazing about it. > > When you press vinyl, you get a real feeling of acomplishment- you feel > like you actually produced something real. It's like having a craftsman > type job versus working in a service industry. > > In the same way, there's something much more rewarding about finding > Shari Vari in the cut-out bin at a store than there is about downloading > it from some 16 year-old's FTP site. And on top of that there is the > fact that MP3s have no real packaging. > > Sure, it's a bull-shit, old-school elitist attitude, but it does have > some validity to it. About two years ago, I would've been sitting here > arguing for MP3s and the digital revolution, but there's just something > that's not the same about it. > > I also find it ironic that one of the biggest supporters of Finalscratch > is also one of the strictest about the form of his releases... Richie > is a nut about being in control of his stuff (anybody remember the > incident with Free Radio Furthur recording his set?) so it seems kind of > amusing that he would support something like this. > > -- > :: atomly :: > > [EMAIL PROTECTED] | [EMAIL PROTECTED] > http://www.atomly.com/ | 877.741.3571 > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ANyone know about Finalscratch (maybe OT)
perhaps, but i was really referring to established labels (such as transmat,
planet e, plus8/m_nus, moods and grooves, UR, etc to keep it 313 related)
and the artists who release on them that would benefit from this, not your
typical mp3.com artist whose material isnt quite in the same league in terms
of quality or commercial viability.
> From: [EMAIL PROTECTED]
> Date: Wed, 15 Aug 2001 11:09:53 -0400
> To: 313@hyperreal.org
> Subject: Re: [313] ANyone know about Finalscratch (maybe OT)
>
> In theory - you're right. In practice - totally off. MP3.com promised to
> offer something similar to what you speak of ("...think of what it will do
> to artist exposure as well as profit margins..." with "...the
> potential to sell hundreds of thousands or copies of a given track
> worldwide
> in digital format..." ) . Some have made a nice amount of change on MP3.com
> and even got signed to record companies, etc. However, the remainder of
> artists end up buried under the thousands of others. Cost to get started
> with MP3.com is $0, cost to maintain your site and administer on MP3.com is
> $0, and your chances of making a dime on MP3.com is about 0 as well.
>
>
>
>
>
>
> jonathan morse <[EMAIL PROTECTED]> on 08/15/2001 10:40:55 AM
>
> To: <[EMAIL PROTECTED]>, Kevin Conrad <[EMAIL PROTECTED]>,
> <313@hyperreal.org>
> cc:
> Subject: Re: QRe: [313] ANyone know about Finalscratch (maybe OT)
>
>
> indeed...imagine when you can downlaod a track for say $.50 or $1.00
> directly from a labels web site rather than pay $6 - $10 or more for the
> 12"
> which both the distributor and the shop have added their cost to. granted
> it
> puts the middlemen out of business but thats the breaks i guess.
>
> just think of what it will do to artist exposure as well as profit margins.
> the up front cost of maintaining an FTP server is nothing compared to those
> of pressing and distributing vinyl let alone the fact that there's the
> potential to sell hundreds of thousands or copies of a given track
> worldwide
> in digital format rather than tens of thousands on vinyl.
>
>
>
> -
> To unsubscribe, e-mail: [EMAIL PROTECTED]
> For additional commands, e-mail: [EMAIL PROTECTED]
>
-
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Re: QRe: [313] ANyone know about Finalscratch (maybe OT)
indeed...imagine when you can downlaod a track for say $.50 or $1.00 directly from a labels web site rather than pay $6 - $10 or more for the 12" which both the distributor and the shop have added their cost to. granted it puts the middlemen out of business but thats the breaks i guess. just think of what it will do to artist exposure as well as profit margins. the up front cost of maintaining an FTP server is nothing compared to those of pressing and distributing vinyl let alone the fact that there's the potential to sell hundreds of thousands or copies of a given track worldwide in digital format rather than tens of thousands on vinyl. > From: [EMAIL PROTECTED] > Date: Wed, 15 Aug 2001 07:31:40 -0700 > To: Kevin Conrad <[EMAIL PROTECTED]>, 313@hyperreal.org > Subject: Re: QRe: [313] ANyone know about Finalscratch (maybe OT) > > exactly.. you can record to a pristine digital 24/96 environment if > you like, and then play that digital recording out. only > consideration is file size. so technically finalscratch could sound > better than records ever did. > > as for independent labels and distribution, a) this won't happen over > night - vinyl production isn't going anywhere anytime soon, and b) > sooner or later digital music distribution will finally dump its two > left feet and figure out a way a safe and efficient way to work. > seems so ironic that all the hard to find music we buy is almost > exclusively on vinyl, when it started out as a digital master. > artists need to be paid for their work, but in what format we receive > it shouldn't matter. people seem to have gotten used to CDs just > fine... plus, if music got cheaper due to the reduced distribution > costs, there's a very good chance people would buy a lot more of it. > i know personally there's tons of housier records that i ignore every > month because it's just not in the budget. this also has huge > implications for all the tiny, regional labels out there around the > world that very few people get exposed to. > > At 6:53 AM -0700 8/15/01, Kevin Conrad wrote: >> Final Scratch can also play wav files, so someone >> using FS doesn't necessarily have to worry about the >> low quality of MP3's. >> >> Kevin >> >> >> --- "M. Todd Smith" <[EMAIL PROTECTED]> wrote: >>> While I agree with what Lauryn has said for the most >>> part (because we have >>> already seen the effect of Napster on the music >>> industry). We must include >>> one more particularily special point. >>> >>> MP3 Quality at less than a bit rate of 192 sounds >>> shoddy on the extreme low >>> end and extreme high end. MP3 is a compression >>> algorithm which lops off the >>> signal at the extent of the human hearing range (ie >>> 20, 000 Hz but most >>> codecs lop off around 16, 000), and the sub-extent >>> of human hearing (around >>> 20hz but again most codecs lop off around 100Hz). >>> When listening at home >>> this isn't so bad since most in home stereo systems >>> already reduce extreme >>> low-high end by means of a crossover either in the >>> speaker itself or >>> digitally in the amplifier. At the club however the >>> is no roll off, and >>> things like these become more apparent. >>> >>> Worse is the fact that despite our inability to hear >>> these frequencies, we >>> can hear the harmonics that they create with >>> frequencies we do hear. >>> Moreover even without knowledge the producer of the >>> track may have utilized >>> those particular harmonics. With MP3 those will >>> never be heard. >>> >>> I've heard both MP3's and vinyl on the same system, >>> and to be honest unless >>> you have a good soundcheck and all your files are >>> recorded and EQ'ed >>> properly beforehand, your set will sound lackluster. >>> >>> MP3's with a bitrate higher than 192 sound great, >>> the higher the better, but >>> they take up more room. As we progress into a >>> generation where physical >>> memory is no longer an issue I'm sure this will >>> become more viable. >>> >>> Cheers >>> todd >>> - Original Message - >>> From: "miss lauryn g" <[EMAIL PROTECTED]> >>> To: <313@hyperreal.org> >>> Sent: Wednesday, August 15, 2001 9:10 AM >>> Subject: Re: [313] ANyone know about Finalscratch >>> (maybe OT) >>> >>> i think the idea of this technology is fantastic. >>> however, what i am wondering is what this is going to do to the >>> independent record label industry. use of mp3s right now doesn't currently >>> affect them as much as it does the major record labels. but what this is >>> going to do is discourage buying vinyl. (at least that is how i >>> see it.) all you have to do is basically find a track online or find a >>> friend with that record and rip an mp3. it's going to cause a lot of producers >>> to not make any money. i wonder how much people are going to start >>> fighting within the dance music community after this becomes readily >>> available. i personally think that final scratch is going to
Re: [313] New Hip Hop + New Soul?
i second the roots manuva recommendation. make sure to get the "8pt agenda" 12" from herbaliser (feat. latryx) also on ninja tune. hell, just get the whole zen cuts 10th anniversary box set... saul williams is pretty dope too. > From: "Rob Theakston" <[EMAIL PROTECTED]> > Date: Wed, 8 Aug 2001 12:33:31 -0400 > To: "Holly MacDonald-Korth" <[EMAIL PROTECTED]>, "'marsel'" > <[EMAIL PROTECTED]>, <313@hyperreal.org> > Subject: RE: [313] New Hip Hop + New Soul? > > nope. jay dee is from slum village, part of a production group called the > Ummah which was behind some of the beats for Tribe Called Quest, PhatKat and > a few other artists. he's done a hella lot of work in the past two years > aside from Slum Village, and most everything is beautfiul, sparse hip hop. > > on the new hip hop soul tip, i can not BELIEVE no one mentioned ROOTS > MANUVA. do not walk...run to your nearest shop and pick up his new LP, "run > come save me" on big dada/ninja tune. simply amazing hip hop. > also, check his first album "Brand New Second Hand" which had tracks > produced by West London beat guru IG Culture. > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] neil landstrumm
ok...arguably not 313-related but neil landstrumm will be playing live in buffalo, ny on 22 september. this is something he does not do terribly often. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] test
blah blah blah blah rave till dawn blah blah blah blah - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] how was technomoto fest?
didnt claude younge always do that trick? > From: "Christian Bloch" <[EMAIL PROTECTED]> > Date: Tue, 31 Jul 2001 09:44:46 -0700 > To: <313@hyperreal.org> > Subject: Re: [313] how was technomoto fest? > > doesn't look as cool though (the whole upside down in a vice thing adds to > the cheap party trick value ;) > _ > ?christian bl;och,>...fr%o3m tha/ d > -- > > - Original Message - > From: "Sean Deason" <[EMAIL PROTECTED]> > To: "'Christian Bloch'" <[EMAIL PROTECTED]>; <313@hyperreal.org> > Sent: Tuesday, July 31, 2001 6:32 AM > Subject: RE: [313] how was technomoto fest? > > >> hmm sounds very similar to the effect I get when I push that one > button >> on my Numark TT-1's. you know. the "reverse" button. take *THAT* Technics! >> :^) >> >> -Original Message- >> From: Christian Bloch [mailto:[EMAIL PROTECTED] >> Sent: Tuesday, July 31, 2001 12:12 PM >> To: 313@hyperreal.org >> Subject: Re: [313] how was technomoto fest? >> >> >> it's cool because it's a cheap party trick (gotta love those) using a home >> made cheap party trick device... besides that it was cool because the > people >> there was right in front of me, and it was cool because they thought it > was >> cool... >> _ >> ?christian bl;och,>...fr%o3m tha/ d >> -- >> >> - Original Message - >> From: "Jayson B." <[EMAIL PROTECTED]> >> To: <313@hyperreal.org> >> Sent: Monday, July 30, 2001 9:17 PM >> Subject: Re: [313] how was technomoto fest? >> >> >>> Voila! Instant backwards > track. >>> >>> >>> >>> ok, so why is this so cool again? >>> >>> >>> _ >>> Get your FREE download of MSN Explorer at > http://explorer.msn.com/intl.asp >>> >>> >>> - >>> To unsubscribe, e-mail: [EMAIL PROTECTED] >>> For additional commands, e-mail: [EMAIL PROTECTED] >>> >> >> >> NetZero Platinum >> Sign Up Today - Only $9.95 per month! >> http://my.netzero.net/s/signup?r=platinum&refcd=PT97 >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] > > > NetZero Platinum > Sign Up Today - Only $9.95 per month! > http://my.netzero.net/s/signup?r=platinum&refcd=PT97 > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Master of Minimalism on thursday
reiley -- >From: "M. Todd Smith" <[EMAIL PROTECTED]> >To: "313" <313@hyperreal.org> >Subject: Re: [313] The Master of Minimalism on thursday >Date: 25. Jul.200119:57 > > terry > > - Original Message - > From: "Jayson B." <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Wednesday, July 25, 2001 7:17 PM > Subject: [313] The Master of Minimalism on thursday > > >> Who's going to See terry at the DIA Thursday? you should. He's > essentially >> one of the inventers of TRUE post modern minimilast music. History > lesson. >> >> _ >> Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Drexciya discography
i dont remember if there are or arent releases on SID (and if there are i dont have 'em) but there is the 'deep sea dweller' and 'molecular enhancement' 12"s both released on shockwave -- >From: Southern Outpost <[EMAIL PROTECTED]> >To: Sho Kuwamoto <[EMAIL PROTECTED]>, "'313@hyperreal.org'" <313@hyperreal.org> >Subject: RE: [313] Drexciya discography >Date: 20. Jul.200120:48 > > Yes, there's a SID release... will post the info when I find it > amongst my mess of records. > > Peace, > Patrick. > > At 5:39 PM -0700 20/7/01, Sho Kuwamoto wrote: >>Isn't there also an S.I.D. release? >> >>-Sho >> >>> -Original Message- >>> From: graham [tan] wilson [mailto:[EMAIL PROTECTED] >>> Sent: Friday, July 20, 2001 5:37 PM >>> To: 313@hyperreal.org >>> Subject: Re: [313] Drexciya discography >>> >>> >>> : Not sure how complete this is but try here: >>> : >>> : http://www.discogs.com/artist/Drexciya >>> >>> it's missing The Journey Home on Warp >>> >>> Black Sea >>> Darthouven Fish Men >>> Hydro Theory >>> Journey Home >>> >>> tan... >>> -- >>> graham [tan] wilson - pick up the flow >>> [EMAIL PROTECTED] >>> http://fnord.fishwerx.org/tan >>> >>> >>> - >>> To unsubscribe, e-mail: [EMAIL PROTECTED] >>> For additional commands, e-mail: [EMAIL PROTECTED] >>> >> >>- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] > > -- > +---+ > | Southern Outpost | > | Distributed worldwide via Twilight 76 | > | http://www.southernoutpost.com| > | p:+61 412 313 151 f:+612 8704 8481| > +---+ > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] chicago events
where's the best spot to find out about them? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] fanboy track ID
im pretty sure its still a promo. christian smith played it for me about a month ago. i forget the title. hysterical track. -- >From: "myster" <[EMAIL PROTECTED]> >To: <313@hyperreal.org> >Subject: Re: [313] fanboy track ID >Date: 09. Jul.200120:20 > > Is this new? I can't seem to find it listed on any of the online record > shops. It will get a wide release you would think. Does anyone know the > full title? > "Green Velvet - la la land" maybe > - Original Message - > From: "Joel Fernandez" <[EMAIL PROTECTED]> > To: "Gil" <[EMAIL PROTECTED]>; "313 List" <313@hyperreal.org> > Sent: Monday, July 09, 2001 1:28 PM > Subject: Re: [313] fanboy track ID > > >> Green Velvet >> >> - Original Message - >> From: Gil <[EMAIL PROTECTED]> >> To: 313 List <313@hyperreal.org> >> Sent: Monday, July 09, 2001 1:24 PM >> Subject: [313] fanboy track ID >> >> >> > >> > Not like it's anything I'd ever spin, but I need to know. >> > >> > Richie spun this track friday night in DC, and now I hear it's on the >> > Adam Beyer set on groovetech at 3 mins 30 seconds >> > >> > I'm going down to la la land >> > I hope to see you see you soon in la la land >> > >> > I want those little pills, ..., the thrills, ..., that kill a >> > million brain cells. <--catchy chorus >> > >> > Now I need to know, who's gonna give me a ride to the aftershow >> > I hope i have enough change so i can make my brain rearrange. >> > >> > >> > thnx :) >> > >> > >> > - >> > To unsubscribe, e-mail: [EMAIL PROTECTED] >> > For additional commands, e-mail: [EMAIL PROTECTED] >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mathew Herbert Remixes
> At 02:10 PM 7/3/2001, you wrote: >>If any of you have the oppurtunity, check out the "Leave Me Now" remixes >>on K7!. The recloose mix is wicked. >>john >> speaking of herbert mp3's if someone wants to send me one of 'going round' that would be way cool since napster isnt cooperating. maybe send an email first so i dont get bombed with a gazillion files. cheers! ;p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Groovetech and the 2001 DEMF
ive been told by someone who would know that yahoo will be broadcasting the festival this year. -- >From: tim maughan <[EMAIL PROTECTED]> >To: DJ DMT <[EMAIL PROTECTED]>, diana potts <[EMAIL PROTECTED]>, enlighten <313@hyperreal.org>, <[EMAIL PROTECTED]> >Subject: Re: [313] Groovetech and the 2001 DEMF >Date: 24. May.200107:31 > > ok as someone thats gonna be stuck in (admittedly very sunny) england this > weekend, are we saying that NOWHERE is webcasting anything from DEMF? > > please don't let it be soi was all prepared to drag laptop and speakers > out to the garden for our bar-b-q > > > > > on 24/5/01 11:37 am, DJ DMT at [EMAIL PROTECTED] wrote: > >> It would be the biggest shame not broadcasting/archiving the DEMF this year >> ! >> If I sign anything concerning my speculated thoughts about this years DEMF >> festival it would be about this. >> (all that money and no broadcast ???) >> >> I listened to a lot of the DEMF 2000 archives at Groovetech until yesterday >> >> And will never forget the following moments : >> >> Last record of DEGO ! >> Derrick may in the mix at 13 minutes (wow anybody know that record with the >> sax!) >> Shake with the Nick Straker band - a little bit of Jazz !! >> Hannah (fine tunes all the way) >> Theo Parrish (I can take it no no no !) >> >> If checked the DEMF 2001 site and although they've been sponsered by some >> radio stations >> I haven't seen any scheduled broadcasts anywhere. >> >> Anyway they you wanne show the world what detroit 2001 is all about then >> they should broadcast or archive the hole damn thingy. >> >> Dj DMT >> (who's now! very jealous about those damn Technotourists ): >> >> - Original Message - >> From: "diana potts" <[EMAIL PROTECTED]> >> To: "enlighten" <313@hyperreal.org> >> Sent: Wednesday, May 23, 2001 7:14 PM >> Subject: Re: [313] Groovetech and the 2001 DEMF >> >> >>> >>> so then who is doing the broadcasting? if any? >>> >> [EMAIL PROTECTED] >> >> >> _ >> Do You Yahoo!? >> Get your free @yahoo.com address at http://mail.yahoo.com >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] press pass problems with PCM
i cant help but wonder if the people from spin or rolling stone or any other 'mainstream' publication that will play into carol marvin/PCM/ford and not be sympathetic to carl are experiencing these same difficulties... -- >From: "kenneth taylor" <[EMAIL PROTECTED]> >To: [EMAIL PROTECTED], 313@hyperreal.org >Subject: [313] press pass problems with PCM >Date: 23. May.200119:06 > > Oh my god. I thought I was the only one having problems. First the press > conference, then the press kit, then the preregistry, then the passes. Man, > it's frustrating. > > ken > _ > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Recent Carlos Souffront Interview
h...never knew he works at zingermans in ann arbor. we had lunch for the entire office (rochester, ny) air mailed in from there a few weeks back. yum. good eats. -- >From: "Phonopsia" <[EMAIL PROTECTED]> >To: "313" <313@hyperreal.org> >Subject: [313] Recent Carlos Souffront Interview >Date: 19. May.200111:51 > > Not sure if this was posted here or not already. > > http://www.freep.com/entertainment/music/dj11_20010511.htm > > Of particular interest is his take on being a DJ at the bottom of the > article. > > Tristan > -- > http://ampcast.com/phonopsia <- Music > http://phonopsia.tripod.com <- Mixes, pics, thought, travelogue & info > http://www.metatrackstudios.com > [EMAIL PROTECTED] <- email > <- AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re:
i forget where the name comes from but it refers to bottom of the sea, which is where you will be residing after you and/and your vessel sink -- >From: >Date: 17. May.200112:06 > > Does anybody know any info about " Davy Jones Locker" > ? > I know Drexciya´s track with this name and other of > System 7 > Who is Davy Jones Locker ? > Thanks in advance > > Mario Atienza > > ___ > Do You Yahoo!? > Yahoo! Messenger: Comunicación instantánea gratis con tu gente - > http://messenger.yahoo.es > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] whoa, for you NY "313'ers...
speaking of nyc 313'ers...i have to be in the city from may 28 (no comment please) through june 15 compliments of morgan stanley. who's all around in those parts and wants to meet up? ill definitely be at treatment (below) for those weeks im in town since its a good friend of mine that does the night. -- >From: "darw_n" <[EMAIL PROTECTED]> >To: <313@hyperreal.org> >Subject: [313] whoa, for you NY "313'ers... >Date: 09. May.200123:07 > > I just got this from another list, and nearly crapped myself... > > quoting: > > "If anyone is up for a monday night trek to NYC, here > are some more REAL techno options > > May 14 - Suburban Knight, Nigel Richards and > (hopefully) Samuel L. Session > That's actually my b-day party > > May 30 - Ben Sims and Christian Smith > June 4 - Marco Carola for 5 hrs > June 11 - Advent - LIVE, Gaetano Parisio and Funk > D'Void > June 18 - Misstress Barbara > July 2 - Claude Young > July 9 - Adam Beyer > > FREE" > > End quote > > > darw_n... > > ... :i: explore. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Global Underground series - Ghetto Tech mixes
disco d is sick! especially when hes throwing down M6 or dbx tracks... -- >From: FC3 Richards <[EMAIL PROTECTED]> >To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]> >Subject: RE: [313] Global Underground series - Ghetto Tech mixes >Date: 09. May.200119:08 > > those are real mixes...i know that the Godfathers "Da Bomb" series isn't > faked... > >> -Original Message- >> From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED] >> Sent: Wednesday, May 09, 2001 9:04 AM >> To: 313@hyperreal.org >> Subject: RE: [313] Global Underground series - Ghetto Tech mixes >> >> I doubt it. You'd really be surprised at how quickly most ghetto tech dj's >> switch records. I used to go check out Gary Chandler when he used to spin >> at The Warehouse (now Club 2000) and he would drop records at a rate of >> about 1 a minute. >> >> >> >> >> >> Jamil Ali <[EMAIL PROTECTED]> on 05/09/2001 11:34:01 AM >> >> To: "'313@hyperreal.org'" <313@hyperreal.org> >> cc: >> Subject: RE: [313] Global Underground series >> >> >> On the subject of 'fake' mixes. are those DJ Assault mixes on the >> submerge site done in pro-tools too? Cause there's quite a lot of tracks >> on >> them >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> >> >> >> >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] WEMF?
rob, bill and diana?!? Neksis Chill Tent Czech (Canada - Futuristic Funk Records, DAMN!) Rob Theakston (USA - Ear3, Planet E) William Van Loo (USA - Chromedecay.org) Echo (Canada - DAMN!) Trademark (Canada - Neksis, Enjoy) Steven Roy (Canada - Thinkbox, Neksis, CJAM) Infidebula (Canada) Prine (Canada - Neksis) DJ Ben Wu (USA - GreyTech, Neksis) Prine.Nebula (Canada) LeFreak (Canada - Discotoast.com) Simply Curt (Canada - Restructured Records) Christopher Bissonnette (Canada - Thinkbox) PHILOPOLISP (USA) Ben (Neksis) DJ El-ae (Neksis) Diana Potts (USA) Logic 7 (USA - Labwerx, Solid House, Planet Raver) OBSOLETE (USA - FTM Records - Live PA) Kyle Jay (USA) Chris McNamara (Canada - Thinkbox) Mantra (Canada - T.H.E.M.) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] on planet e - Roy Ayers and Dego - think about a change
>> yes much of detroit's music IS >> politically oriented, but what tracks can you name that are totally > parallel >> to the nature of the discussion? i can't name any. >> > > BUSH - FORD - OIL - quick xamples - here we go: > > planet e - 2000black - dego - 4hero - > > "loveless" - with Ursula Rucker - great track about the killing of mother > earth > > or think about Detroits Marvin Gaye "what´s going on ? " > > in > > m > LVPLTZ2098 UR: acid rain I, II and III (though only II directly addresses the topic)
old school sample ID
"i know you gonna want be but when you want me it might be a different story" for the life of me i cant remember the original. its been used by altern8 and (for 313 content) claude young on the 'dub street posse' ep its driving me loony(er)...
Re: [313] Re: ezmlm response/gear talk/no UFO'rds
> Again we return to the eternal question of how much focus > is enough focus. ugh...enough talk about ford already. ;p
Re: [313] Magda mix
its an old wolfgang voight track and was on one of the kreisel 7"s that came out each week of 1999 -- >From: "Andrew James Hegler" <[EMAIL PROTECTED]> >To: 313@hyperreal.org >Subject: [313] Magda mix >Date: 10. Apr.200119:49 > > I have a 6 track magda mix on cd, no title. A friend burned it for me but I > don't believe it was titled when he bought it. Each of the six tracks is > comprised of multiple songs. There's a song on the third track at about 11 > minutes, with a sample that repeats "how's that?". Anyone know this track? Or > even better, does anyone have a tracklisting for this mix? The third track > which includes the track that I am curious about begins with XZX by ADULT. > There are a lot of tracks on that mix with some pretty smooth percussion. > > Thanks, > Andy > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
OT help request [for detroit residents]
im a financial advisor with morgan stanley (no, this isnt a solicitation) and my sales assistant is from detroit. were trying to get some of her high school yearbook pictures as part of a larger 'prank' and am hoping someone can help me out here. she went to school in utica and graduated in '94 or '95 email me privately if you can help or can hook me up with someone who can. danke.
a proper DEMF closing
ok...so maybe this is so painfully obvious it was never thought of but : kraftwerk and george clinton not to start a bitch fest about who is and isnt participating but what gives with no matthew herbert or the voight brothers (or the whole kompakt crew for that matter)?!?
Re: [313] DEMF no Ritchie Hawtin!!
ok 313'ers...place yer bets now!!! which will compose the larger group - those pissed that he closed last year or those pissed he ain't gonna be there this year? ballots to be distributed at hart plaza. proxy statements for those unable to attend will be posted to the list. =) >> > > > I can't believe this hasn't been brought up yet!!! >> > > > Jeff Mills rules (don't get me wrong) but Ritchie >> > > > and Larkin were the heart of the party last year, in >> > > > my opinion! What is the group consensus? >> > > > >> > > > >> > > > http://www.mp3.com/wraith313 >> > > > for tasty tracks!
