(313) well since everybody's posting mixes...
here's my latest, for those of you who might not have already seen it on my blog: http://files.deejaycountzer0.com/count_zero_sechsundsechzigteknomix_05-23-2008_256kbps_tracklist_in_lyrics_field.mp3 artist - title - label - release date 1 babak shayan - one in a million (rene breitbarth ambient remix) - shayan germany (05-20-2008) 2 bvdub - remembering to forget - 3rd Wave Music (03-15-2008) 3 peret mako - scenic route - future classic (04-30-2008) 4 dske - natsukimari - wc recordings (05-05-2008) 5 dave aju - rubber oatmeal - mutek records (05-06-2008) 6 husley & gunz - wet yourself (inxec remix) - kismet (05-06-2008) 7 mihalis safris - interamerica - trapez (04-28-2008) 8 stefano valentino - nutella & ketchup - rejoy records (04-17-2008) 9 pure science - humanoid entity - p.s. communications (04-23-2008) 10 in flagranti - additional alpha blocker - speak recordings (10-08-2007) 11 tj kong and nuno dos santos - dropout - compost (04-18-2008) 12 greg parker - gim mick - plastic city (05-20-2008) 13 paul kalkbrenner - ick muss aus dit milieu heraus - bpitch control (05-24-2007) it's not really very "detroit", but judging from the response to atomly's recent mix, some of you might like it. i plan on doing a more upbeat summer vibe thang this weekend, too, so look for that next week. peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) well, it LOOKS interesting...
robin wrote: >> >> If you were Kraftwerk. Wich interface you would prefer to use on >> stage? Tenori-on or The Rectable? :-P > > ...or something from Jazzmutant? > > The least visual of these three options though. I saw Bjork earlier on in the year and her band were using the Jazzmutant, the Reactable and the Tenori-On. The Jazzmutant was used in just about every song except bar one where it was just a piano (or was it a harpsicord?). The Reactable was used in probably half the songs. Like theREALmxyzptlk said, the palette seemed a bit limited. It looked pretty cool and the crowd seemed to react pretty well to it. And the Tenori-On got used once, perhaps twice. It looked cute but that seemed to be about it. The nice thing about the Bjork show was that there were quite a few projectors giving almost as much airtime to the synths as they were to Bjork herself. It was a very gear-nerd friendly show. -- dave.
Re: (313) well, it LOOKS interesting...
anyone remember air hockey tables? from the first time I saw this table I thought the merging of the two would be interesting and fun to watch/listen MEK "Arturo Lopez" <[EMAIL PROTECTED]> wrote on 04/01/2008 12:59:31 PM: > I guess instead of some drunk fool accidentally bumping the tables and > skipping the record now we'll get some drunk fool knocking the blocks > over : ) > > Would be very interesting if the blocks were each custom and could be > write-only to a certain set of sounds or a particular instrument. > Would make quite a fun little scene with bringing the right set of > blocks to a party and trading them.hmm. > > Also, infinitely better than staring at the back of someone's laptop > up on stage. That little glowing mac apple really gets old, hehe. > > -Arturo
(313) well, it LOOKS interesting...
I guess instead of some drunk fool accidentally bumping the tables and skipping the record now we'll get some drunk fool knocking the blocks over : ) Would be very interesting if the blocks were each custom and could be write-only to a certain set of sounds or a particular instrument. Would make quite a fun little scene with bringing the right set of blocks to a party and trading them.hmm. Also, infinitely better than staring at the back of someone's laptop up on stage. That little glowing mac apple really gets old, hehe. -Arturo
Re: (313) well, it LOOKS interesting...
[EMAIL PROTECTED] wrote: Tenori-on it's much easier for the audience to see the connection of what you're doing to the music no need for overhead projection more visual display options smaller - hand held puts you back in front of the audience instead of looking down at a panel overcomes that laptop head down not looking at audience situation and who doesn't like a Light Bright? I'd like to hear how flexible that sound palette is; what I've heard is nice, but seems pretty limited. That may be because nobody has opened one up properly in my hearing.
Re: (313) well, it LOOKS interesting...
He he... I think Tenori-on would be the best choice for Kraftwerk too. But i think Rectable is a fantastic interface. You make music using blocks, it kinda transposes de limits of the physical and the abstract when it comes to synth sounds. On 01/04/2008, at 11:49, [EMAIL PROTECTED] wrote: Tenori-on it's much easier for the audience to see the connection of what you're doing to the music no need for overhead projection more visual display options smaller - hand held puts you back in front of the audience instead of looking down at a panel overcomes that laptop head down not looking at audience situation and who doesn't like a Light Bright? MEK Kowalsky <[EMAIL PROTECTED]> wrote on 04/01/2008 09:43:19 AM: But it's still a damn awesome sound interface. And it has a strong techno vocation, i guess. If you were Kraftwerk. Wich interface you would prefer to use on stage? Tenori-on or The Rectable? :-P On 01/04/2008, at 11:09, [EMAIL PROTECTED] wrote: that's been floating around for a while now pretty sure it's been discussed here MEK theREALmxyzptlk <[EMAIL PROTECTED]> wrote on 04/01/2008 05:03:50 AM: ...I figure it will generate an argument. ;-) http://theworld.org/taxonomy_by_date/2/20080331
Re: (313) well, it LOOKS interesting...
On 1 Apr 2008, at 16:00, robin wrote: If you were Kraftwerk. They'd go for the one with the least bodily movement I reckon. m
Re: (313) well, it LOOKS interesting...
If you were Kraftwerk. Wich interface you would prefer to use on stage? Tenori-on or The Rectable? :-P ...or something from Jazzmutant? The least visual of these three options though. robin...
Re: (313) well, it LOOKS interesting...
arrgh! you sucked me into the discussion. ;-) MEK
Re: (313) well, it LOOKS interesting...
Tenori-on it's much easier for the audience to see the connection of what you're doing to the music no need for overhead projection more visual display options smaller - hand held puts you back in front of the audience instead of looking down at a panel overcomes that laptop head down not looking at audience situation and who doesn't like a Light Bright? MEK Kowalsky <[EMAIL PROTECTED]> wrote on 04/01/2008 09:43:19 AM: > But it's still a damn awesome sound interface. And it has a strong > techno vocation, i guess. > If you were Kraftwerk. Wich interface you would prefer to use on > stage? Tenori-on or The Rectable? :-P > > On 01/04/2008, at 11:09, [EMAIL PROTECTED] wrote: > > that's been floating around for a while now > > > > pretty sure it's been discussed here > > > > MEK > > > > theREALmxyzptlk <[EMAIL PROTECTED]> wrote on 04/01/2008 > > 05:03:50 > > AM: > > > >> ...I figure it will generate an argument. ;-) > >> > >> http://theworld.org/taxonomy_by_date/2/20080331 > > > > >
Re: (313) well, it LOOKS interesting...
But it's still a damn awesome sound interface. And it has a strong techno vocation, i guess. If you were Kraftwerk. Wich interface you would prefer to use on stage? Tenori-on or The Rectable? :-P On 01/04/2008, at 11:09, [EMAIL PROTECTED] wrote: that's been floating around for a while now pretty sure it's been discussed here MEK theREALmxyzptlk <[EMAIL PROTECTED]> wrote on 04/01/2008 05:03:50 AM: ...I figure it will generate an argument. ;-) http://theworld.org/taxonomy_by_date/2/20080331
Re: (313) well, it LOOKS interesting...
that's been floating around for a while now pretty sure it's been discussed here MEK theREALmxyzptlk <[EMAIL PROTECTED]> wrote on 04/01/2008 05:03:50 AM: > ...I figure it will generate an argument. ;-) > > http://theworld.org/taxonomy_by_date/2/20080331
(313) well, it LOOKS interesting...
...I figure it will generate an argument. ;-) http://theworld.org/taxonomy_by_date/2/20080331
Re: (313) well well, prescription re-issues?? and new still music...
[EMAIL PROTECTED] wrote: hey James. Yeah good news indeed. Hmm, I think I have virtually all the good early ones already tho. bah. anybody know of any ron trent mixes online? hmm, I do remember seeing one once. Maybe it was on that groovetech site though. did you try and search the dhp archives? my mate saw him dj in new york. said he was good. i've seen him a couple of times. like his productions he seems to have two styles. that smooth kinda broken sophisto-house (new genre! :) ) style which i kinda like but only for short bursts, after which i get bored and the deep dubbed out kinda style of house/techno which i love. we had him booked for our club three times back in the day. he didnt turn up once. little tossbag. blew out a whole tour once... apparently he's scared of flying or something. why take the gig then? damn weirdo donut head. oh dear anyway, i'm looking forward to these re-issues me...it's one area of music for some reason i missed out on at the time... robin...
Re: (313) well well, prescription re-issues?? and new still music...
hey James. Yeah good news indeed. Hmm, I think I have virtually all the good early ones already tho. bah. >anybody know of any ron trent mixes online? hmm, I do remember seeing one once. Maybe it was on that groovetech site though. did you try and search the dhp archives? my mate saw him dj in new york. said he was good. we had him booked for our club three times back in the day. he didnt turn up once. little tossbag. blew out a whole tour once... apparently he's scared of flying or something. why take the gig then? damn weirdo donut head. anyway, nice music ronald. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) well well, prescription re-issues?? and new still music...
this is great news, or maybe not - my retirement fund consists of my
collection of early chicago and new york tracks. but there are plenty of
prescription tracks i don't own. plus, my copy of konfusion kidzz
'remeber/on my mind' is such a poor pressing that it's unplayable, the
needle won't stay in the groove - big, big pops everywhere
anybody know of any ton trent mixes online?
The prescription site says: "Prescription Store almost here...classic
re-stocks, mp3's, and more."
james
www.jbucknell.com
[EMAIL PROTECTED]
com
To
04/03/05 05:03 AM 313@hyperreal.org
cc
Subject
(313) well well, prescription
re-issues?? and new still music...
Took this from the Still Music mailout:
"The new Still Music 12" has landed! Thanks to everybody that supported the
Godson Soul Edge EP 2, you made it a very special release once again!
Tons of news here at Still Music, so here are a few in no particular order:
Ron Trent asked us to manage and organize the reissue of the Prescription
Record's classics!! We are also proud to announce that we will manage Ron's
new imprint (still unnamed)! More to come in the next few months
We now have a ton of new releases scheduled. Our new website will be up
shortly so you will be soon able to hear what's up and coming at Still
Music... we've been busy..."
new still music has a ron trent remix too btw!
alex
_
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to this e-mail you give your consent to such monitoring.
ForwardSourceID:NT0001AC6A
RE: (313) well well, prescription re-issues?? and new still music ...
actually, got to say that Ron Trent's mix is not the best track on the 12", don't get me wrong, it's good (though not his best by any means), but 'Happiness For All' is a really wonderful peice of music with that particularly unique feel that Patchworks seem to be able to conjure. Check it! - these guys are bloody good At 1:14 pm -0500 3/3/05, Stoddard, Kamal wrote: > Ron Trent asked us to manage and organize the reissue of the Prescription Record's classics!! Oh man Oh man... Oh man. I been waiting for this for a lng time. I think I'm more excited by this than the planet e's. oh man... Oh man I'm still stuck on godson Oh man !!! Kamal K. Stoddard Turner Broadcasting Systems
RE: (313) well well, prescription re-issues?? and new still music ...
> Ron Trent asked us to manage and organize the reissue of the > Prescription Record's classics!! Oh man Oh man... Oh man. I been waiting for this for a lng time. I think I'm more excited by this than the planet e's. oh man... Oh man I'm still stuck on godson Oh man !!! Kamal K. Stoddard Turner Broadcasting Systems
Re: (313) well well, prescription re-issues?? and new still music...
!! i want the joshua reissue now! and romanthony and and cvo and and -Original Message- From: [EMAIL PROTECTED] Sent: Mar 3, 2005 1:03 PM To: 313@hyperreal.org Subject: (313) well well, prescription re-issues?? and new still music... Took this from the Still Music mailout: "The new Still Music 12" has landed! Thanks to everybody that supported the Godson Soul Edge EP 2, you made it a very special release once again! Tons of news here at Still Music, so here are a few in no particular order: Ron Trent asked us to manage and organize the reissue of the Prescription Record's classics!! We are also proud to announce that we will manage Ron's new imprint (still unnamed)! More to come in the next few months We now have a ton of new releases scheduled. Our new website will be up shortly so you will be soon able to hear what's up and coming at Still Music... we've been busy..." new still music has a ron trent remix too btw! alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) well well, prescription re-issues?? and new still music...
Took this from the Still Music mailout: "The new Still Music 12" has landed! Thanks to everybody that supported the Godson Soul Edge EP 2, you made it a very special release once again! Tons of news here at Still Music, so here are a few in no particular order: Ron Trent asked us to manage and organize the reissue of the Prescription Record's classics!! We are also proud to announce that we will manage Ron's new imprint (still unnamed)! More to come in the next few months We now have a ton of new releases scheduled. Our new website will be up shortly so you will be soon able to hear what's up and coming at Still Music... we've been busy..." new still music has a ron trent remix too btw! alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) well, this will get you into a Toyota Scion...
I keep seeing the stone throwing scene from Monty Python's "The Life of
Brian" ...
diana potts
<[EMAIL PROTECTED]To: 313@hyperreal.org
o.com> cc:
Subject: Re: (313) well, this
will get you into a Toyota Scion...
07/10/03 11:25 PM
yeah, he may have won it, but will he get it? doesn't
she *still* owe people money from those years? she
better start do using those god connections.
if this world was more comically ran it would read he
got the money and marvin would have to dance in the
middle of hart plaza in a large foam costume in the
shape of those stickers reading "i support carl craig"
...perhaps tap shoes too...no?
;)
d
--- Matthew MacQueen <[EMAIL PROTECTED]>
wrote:
> Jury rules fired DEMF director is owed $13,533 in
> compensation
>
>
http://www.freep.com/news/latestnews/pm15325_20030710.htm
>
> Carl Craig, fired as creative director of the
> Detroit Electronic Music
> Festival in 2001, is entitled to $13,533 in
> compensation, a Wayne County
> Circuit Court jury ruled Thursday. Craig had sought
> $44,533 from
> festival producer Carol Marvin and her company, Pop
> Culture Media.
>
>
__
Do you Yahoo!?
SBC Yahoo! DSL - Now only $29.95 per month!
http://sbc.yahoo.com
Re: (313) well, this will get you into a Toyota Scion...
yeah, he may have won it, but will he get it? doesn't she *still* owe people money from those years? she better start do using those god connections. if this world was more comically ran it would read he got the money and marvin would have to dance in the middle of hart plaza in a large foam costume in the shape of those stickers reading "i support carl craig" ...perhaps tap shoes too...no? ;) d --- Matthew MacQueen <[EMAIL PROTECTED]> wrote: > Jury rules fired DEMF director is owed $13,533 in > compensation > > http://www.freep.com/news/latestnews/pm15325_20030710.htm > > Carl Craig, fired as creative director of the > Detroit Electronic Music > Festival in 2001, is entitled to $13,533 in > compensation, a Wayne County > Circuit Court jury ruled Thursday. Craig had sought > $44,533 from > festival producer Carol Marvin and her company, Pop > Culture Media. > > __ Do you Yahoo!? SBC Yahoo! DSL - Now only $29.95 per month! http://sbc.yahoo.com
(313) well, this will get you into a Toyota Scion...
Jury rules fired DEMF director is owed $13,533 in compensation http://www.freep.com/news/latestnews/pm15325_20030710.htm Carl Craig, fired as creative director of the Detroit Electronic Music Festival in 2001, is entitled to $13,533 in compensation, a Wayne County Circuit Court jury ruled Thursday. Craig had sought $44,533 from festival producer Carol Marvin and her company, Pop Culture Media.
[313] well written RIAA piece by society's child (OT, sort of)
http://www.janisian.com/article-internet_debacle.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] well
[EMAIL PROTECTED] wrote: > hey now! > > we all know prog rock was the true root of detroit techno! yeah! "strings of life" was just a big king crimson rip-off, man! glyn
Re: [313] Re: [[313] well]
> My point being, its a descriptive word. okay then, define "progressive" and explain how that definition relates to the music you call "progressive techno." chris
Trolling (Was: Re: [313] well)
On Thu, 14 Dec 2000, Jayson B. wrote: > That past email was simply to see how many of you would explode when you saw > the prog in front of techno. > > Wasn't meant to offend or spam anyone. > > But simply for the sake of arguement, what's so bad about the word > progressive? Nothing wrong with that word. It's just that I've gone through about 700 unread 313-mails, and I would like to comment on _pointless_ mailing to this list. These matters have been discussed in the list several times before (and I think this mail comes in a bit late), but I think it's appropriate to remind people occasionally, especially when new people are joining the list. It seems that somedays people just have too much time on their hands, and those people enjoy stirring things up a bit and then watching other people, as on this list, to waste their time in pointless conversations and arguments like "my music is better than yours". These people are called trolls. They appear with different names, email addresses etc. and when kicked off the list they may reappear after a while under a new address. They are very subtle in their actions, they have at least a partial knowledge of 313-related music (and _unrelated_ as well) and with that they attack the thing we love. Common trolling mail could be something like "DJ/producer X's latest work sucks because X has HIV and it has sprouted into AIDS. I know this to be true because X didn't appear to play in the event Y, and my cousin works in a hospital where X gets the treatment for the disease, and one day he came to me and said 'look where that music, raves and drugs gets you into!' and explained the whole situation." The best solution for trolls is to ignore them. They live with the attention they and their mails get. It's the same thing as it is with spamming: when you get a spam with lines reading something like "to be removed from this list send email to [EMAIL PROTECTED]" To mail to that address is the _last_ thing you want to do because once they recieve a reply from you the spammers will know that there's an active email account, "let's keep on spamming there!!" So, before making a possibly angry, hasty reply, sit back, take a deep breath, read the recieved mail once again and then decide whether to respond at all. My point was _not_ to name Jayson B. as a troll, but I'm simply sick and tired of pointless discussion. I know, I know, procmail or any other good mail sorting program is a decent solution, but I don't like the idea of modifying it's settings every other day. Now, please read the lines of the mail I replied to, and perhaps couple more of other "the X is Y'r than Z" -mails that have been clogging my 313-folder. Do I make any sense? I'm not trying to offend anyone, but if you feel like I have, please, let's continue the discussion privately. J Jussi Lehtonen [EMAIL PROTECTED] www.netppl.fi/~sandman "Do not allow yourself to be programmed. For once, in your life, take control. Take control." - UR
Re: [[313] well]
True art is, has and always will be progressive just as the real art within the 'Techno' is , has and will always be... so, this means that techno will always be innovative no matter? even though the implication of naming a genre in itself defines it, it will always be innovative? needing to utilize the the word definately implies the lack of it... so does this mean that hard techno is indeed soft? that darkstep isn't really that dark? That acid house doesn't use a 303? My point being, its a descriptive word. _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
Re: [313] well
> And 'progressive rock' was so immensely silly and annoying that > forevermore the term will be deprecated. hey now! we all know prog rock was the true root of detroit techno! not to mention, it RULES!
Re: [[313] well]
True art is, has and always will be progressive just as the real art within the 'Techno' is , has and will always be... needing to utilize the the word definately implies the lack of it... "Jayson B." <[EMAIL PROTECTED]> wrote: That past email was simply to see how many of you would explode when you saw the prog in front of techno. Wasn't meant to offend or spam anyone. But simply for the sake of arguement, what's so bad about the word progressive? _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get your own FREE, personal Netscape WebMail account today at http://home.netscape.com/webmail
Re: [313] well
On Thu, 14 Dec 2000, Jayson B. wrote: > > But simply for the sake of arguement, what's so bad about the word > progressive? It's a word like 'Intelligent' that is often used to describe music which is anything but. And 'progressive rock' was so immensely silly and annoying that forevermore the term will be deprecated.
