Re: [313] Re: The Great White blah...... Regarding Business

2002-03-03 Thread Big Loda . Krhn
You're totally right.  It's not their "fault."  But it doesn't
excuse the fact that they make their decisions on money.  That's what
we're arguing here.  Not whether they make money, but _how_ they make
money.  Pay attention.

-Beau
---

If businesses are not to make decisions based on money, how should they
make decisions?

Businesses that don't make decisions based on money FAIL. Corporations do
nice little "feel good" projects all the time, but they do it beacuse the
good PR will make them money in the end. As I stated, as long as
businesses are making money in an ethical way, nobody has a right to tell
them how to conduct business. There's nothing unethical about pushing
trance because it makes money and ignoring techno because it doesn't make
money. It would be unethical for a business to make decisions with no
regard for money because it puts their employees at risk.

People act as if there's a corporate conspiracy to hold Detroit/african
americans/techno down. Its simply not true. People who feel this way need
to wake up and realize that most people just don't really care to hear
techno. More than a few Detroiters have made a fairly nice living out of
techno. I'm not going to cry for them because they're not multimillion
dollar techno stars. Being good at what you do, in music or otherwise, has
never guaranteed that sort of sucess.

If you want the businesses to change, you have to change the consumer
first. Businesses react to demand. 

It is completely assinine to expect businesses to make major decisions
without considering the financial aspect of their decisions. How would you
feel is someone told you to plan your life with no regard to money? 



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Re: [313] Re: The Great White blah...... Regarding Business

2002-03-03 Thread Big Loda . Krhn

--- Otto <[EMAIL PROTECTED]> wrote:

> 
> Nope. There's been extensive research on why people start businesses and
> it cinsistently shows that it's for exactly those 'smaller' reasons you
> mentioned: freedom, autonomy, doing what you believe in, etc. Money is
> never the primary reason (bar the odd obvious attempt at a dot.com
> cash-in but even they're a minority). Sure, you need to make enough
> money to survive and maybe grow your business, but the main driver is
> being able to earn a living by doing what you love instead of by doing
> what someone else tells you.

The point I was trying to make is that nobody goes into business thinking
"I want to break even or lose money." And nobody expect them to act that way.

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Re: [313] Re: The Great White blah...... Regarding Business

2002-03-02 Thread Beau Burke
On Sat, 2 Mar 2002, Jayson B. wrote:

> >Anyone that makes techno can just as easily make trance if
> >they so choose. If you choose your integrity over money that's you're
> >choice. It's not the businessman's fault that the result of your choice
> >does not sell.

You're totally right.  It's not their "fault."  But it doesn't
excuse the fact that they make their decisions on money.  That's what
we're arguing here.  Not whether they make money, but _how_ they make
money.  Pay attention.

-Beau

...834U.8U5K3..http://www.0x00
..hyperreal.org/~beau..[+3!*..0x00
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RE: [313] Re: The Great White blah...... Regarding Business

2002-03-02 Thread Jayson B.



Ask Mike Banks how he feels about the 'Jaguar' trancified rip-off act that
Sony perpetrated undermining his record sales



which, once again, doesn't invalidate  jeff's point, it only reinforces it:  
it was UR's choice NOT to go with sony, and not to sign the deal to make it 
big (sony's decision to steal the track is a totally separate arguement).





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RE: [313] Re: The Great White blah...... Regarding Business

2002-03-02 Thread Jayson B.



History is full of starving artists.




which was their choice, which validates jeff's comment.

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Re: [313] Re: The Great White blah...... Regarding Business

2002-03-02 Thread jkessler
I could see why the person who e-mailed you might have thought that. The 
title of the article is "Underground Resistance", but apparently it's actually 
about an artist named "Kosheen".

Still, I think it's kind of tacky to name the article that.

Peep it:

http://industryclick.com/magazinearticle.asp?magazineid=48&releaseid=9
927&magazinearticleid=142314&siteid=15

-J

on 3/2/02 12:46 AM, laura gavoor at [EMAIL PROTECTED] wrote:

> Someone emailed me today and another told me that they heard there 
is a new 
> group on the cover of the new Remix magazine called Underground 
Resistance.  
> Can anyone corroborate that as a fact???  Nancy Mitchell??? Any listees 
from 
> Japan???
> 
> If so, than "resistance IS futile"  and we WILL all soon be
assimilated.

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RE: [313] Re: The Great White blah...... Regarding Business

2002-03-02 Thread laura gavoor







History is full of starving artists.


yes, but most of the talented ones have generally been ripped off by the 
greedy




>Anyone that makes techno can just as easily make trance if
>they so choose. If you choose your integrity over money that's you're
>choice. It's not the businessman's fault that the result of your choice
>does not sell.


Ask Mike Banks how he feels about the 'Jaguar' trancified rip-off act that 
Sony perpetrated undermining his record sales



i'm dying to see someone argue with this point.  fantastic shit jeff!



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Re: [313] Re: The Great White blah...... Regarding Business

2002-03-02 Thread laura gavoor







-Comparing Slasha and Dickweeds fame  vs detroit artists. --Well these
people get fame from people who dont know better. Their music is 
disposable.

Who really cares? they wont be remembered for being pioneers.


I have every reason to believe that they most certainly will, music history 
in this country has proven that fact time and time again.  But again, I'll 
reiterate that my issue was never with those individual artists but with the 
propaganda/promotion machine driving that drivel straight to the top of our 
game.


-Cheesy artists making money --Do we really care? Money are power corrupts,
i still go by the old UR moto, remain underground..



-Race/ Culture and who owns music. Hey i don't get this?, no race culture
owns music, music has no colour.


And apparently no one owns their own music or name

Someone emailed me today and another told me that they heard there is a new 
group on the cover of the new Remix magazine called Underground Resistance.  
Can anyone corroborate that as a fact???  Nancy Mitchell??? Any listees from 
Japan???


If so, than "resistance IS futile"  and we WILL all soon be assimilated.






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RE: [313] Re: The Great White blah......

2002-03-02 Thread Grammenos, Peter

Everyone has to take part, every person counts. It's our duty as techno
loving snobs to educate the ones around us. I've been doing it ever since my
pilgrimage to DEMF last year. I was schooled by the music i heard and the
people i met, it inspired me to start producing and to get more involved. I
go out to clubs and talk to people about why techno is so much more
intelligent and funkier than other "club" music. I tell them to read Dan
Sicko's techno rebels because that was the beginning of my foundation. 

Case in point, I work at a wall st firm that is predominantly jewish and had
an office mate that would play alanis morrisette and other crap music.
Gradually I started playing my techno cd's , real audio sets, etc... and
explained to him why techno music is intersting, who founded it, the story
behind the beat. Just recently we each got our own offices and he just today
asked me for some real audio links to my techno music because he had really
taken a liking to it and missed hearing it. I did the same with my
non-techno loving friends, family, etc.. it's baby steps but at least it's
steps. 

I don't claim to be a techno producer [ not yet anyway;) ], in the business,
or whatever other credentials i'm supposed to have to speak intelligbly
about the techno scene but i can say for one thing I've turned an ass load
of people onto techno. How many people have YOU converted? 

All this talk about the great white whatever saddens me, it's as though
people in the industry have given up to this so called "conspiracy theory". 

-Pete



-Original Message-
From: Pond, Quest [mailto:[EMAIL PROTECTED]
Sent: Friday, March 01, 2002 9:12 PM
To: 313@hyperreal.org
Subject: [313] Re: The Great White blah.. Regarding Business


Just wanted to say my bit cause all this talk of business and fame is making
me feel queasy:

-Comparing Slasha and Dickweeds fame  vs detroit artists. --Well these
people get fame from people who dont know better. Their music is disposable.
Who really cares? they wont be remembered for being pioneers.

-Cheesy artists making money --Do we really care? Money are power corrupts,
i still go by the old UR moto, remain underground. Real life experience
fires the artistic flames, this includes living life's high and lows and not
shacked up behind a glass window in a playboy mansion buried in talcum
powder.

-Race/ Culture and who owns music. Hey i don't get this?, no race culture
owns music, music has no colour.

-Business vs Music. Its unfortunate artists have to balance finance and
creative concern. This two attitudes run counteract each other entirely. Its
important music is produced for its own sake not for what you think other
people might want or not for what might sell well. As soon as you give into
these rules you compromise quality.

Quest


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RE: [313] Re: The Great White blah...... Regarding Business

2002-03-02 Thread Bulger, Tim
History is full of starving artists.

-Original Message-
From: Jayson B. [mailto:[EMAIL PROTECTED] 
Sent: Friday, March 01, 2002 5:01 PM
To: 313@hyperreal.org
Subject: Re: [313] Re: The Great White blah.. Regarding Business



>Anyone that makes techno can just as easily make trance if
>they so choose. If you choose your integrity over money that's you're
>choice. It's not the businessman's fault that the result of your choice
>does not sell.




i'm dying to see someone argue with this point.  fantastic shit jeff!



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Re: [313] Re: The Great White blah...... Regarding Business

2002-03-02 Thread Jayson B.



Anyone that makes techno can just as easily make trance if
they so choose. If you choose your integrity over money that's you're
choice. It's not the businessman's fault that the result of your choice
does not sell.





i'm dying to see someone argue with this point.  fantastic shit jeff!



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Re: [313] Re: The Great White blah...... Regarding Business

2002-03-02 Thread Michael D Tyrer
x-l-ent!

- Original Message -
From: "Big Loda . Krhn" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Saturday, March 02, 2002 12:42
Subject: [313] Re: The Great White blah.. Regarding Business


> This entire thread has been great, but I'm really sick of businesspeople
> being stereotyped as greedy, white, racist, homophobic, powermongers
> intent on oppressing all minorities.
>
> People start businesses for one reason - to make money. There's a lot of
> other smaller reasons to start a business; doing something you love, being
> your own boss, ect. But the bottom line is that you start a business to
> make money.
>
> To record execs, artists are no different than toasters and blenders. They
> don't care if you're black, white, hispanic, asian, ect. They don't care
> if you're male or female. They don't care about your plight trying to make
> it in the world. Your sob story means nothing. They care wether you can
> sell records and make them money.
>
> It is not the businessman's fault that techno does not sell very well. Nor
> is it his duty to make it sell well. Businessmen have no obligation to any
> market (scene) other than to provide a wanted product/service and to
> provide that product/service in an ethical way.
>
> In the same way, artists have no obligation to work with businessmen or
> give in to the demands of businessmen. If you don't like how the game is
> played, start your own game. Go it alone and see how well you'll do. It's
> easier now than ever to become successful without utilizing the
> traditional systems in place.
>
> Put yourself in the businessman's shoes. If you have one million dollars
> to develop a product (artist) and you have two choices, one being an
> almost sure money-maker, and one being a real long shot, which do you
> choose? You go with the money-maker every time. If you don't, your
> business does not survive.
>
> Imagine 430-West being presented with the option of putting out a Random
> Noise Generation album, or an The Impaler album. Which one do you think
> they're gonna choose? The money-maker. Sure, The Impaler is a nice guy.
> He's had it rough in the music scene. Nobody has given him much of a
> chance. His music is great (heh, lets pretend here). But the bottom-line
> is you don't invest your hard earned money on something that's probably
> going to fail. That would just be stupid.
>
> Is the race card valid when applied to business? Sure, in some cases, but
> not in the broad case of record industry. They only provide what will
> sell. They have no obligation to do otherwise. If you're going to play the
> race card, you have to attack the reasons why mainstream audiences would
> rather buy whitebred pop than minority produced techno/house/whatever.
> This might include attacking minority individuals that make the rest of
> the race look bad (rappers with their 40s, guns, hoes, ect). Or maybe
> attacking Europeans that claim (and may even believe) they brought
> electronic music to the States. How about replacing affirmative action
> with actual equality? Or taking on the people that could bring forth
> quality schools in urban areas. I'm basically trying to show that the
> problem is much larger than the record industry. It's wrong to expect
> Virgin and Sony Records to mold the majority of people into what a handful
> of people think music listeners should be like. It is simply not their
> obligation to do so.
>
> You cannot blame record execs pushing what sells and then complain
> yourself that you're not making money because you refuse to produce music
> that sells. Anyone that makes techno can just as easily make trance if
> they so choose. If you choose your integrity over money that's you're
> choice. It's not the businessman's fault that the result of your choice
> does not sell.
>
> I have the mindset of an ethical businessman. I don't care who you are or
> what your story is. If I can make money off of you, I'll invest in
> you/your product/your cause/whatever. Your value to me has nothing to do
> with race, gender, or sexual preference. THAT'S equality, and it exists in
> the business world.
>
> =
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