[SlimDevices: Audiophiles] Re: SB sounding too bright

2007-01-10 Thread Eric Carroll

GaryB;83106 Wrote: 
> A lot of people have noticed that going from the stock switching power
> supply to a linear supply helps smooth out the sound.  ---Gary

Has anyone actually measured this and/or done ABX testing or is this
just subjective assessment? 

I hestitate to ask... but I would have thought Slim Devices (Sean)
assessed this.

Has anyone seen a pronouncement from Sean if a power supply change will
make a measurable change? 

If yes, maybe SD should offer another PS for the SB3 as a seperately
purchasable option (so that people who don't care don't pay the extra
cost of the more expensive linear supply).


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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread Eric Carroll

I plan to move one of my SB3s down to my HT once my Transporter arrives
and feed the Pioneer VSX-49Txi with the digitial output of the SB3.
Why? I have an old Pioneer CD jukebox down there that was the old "data
jail" for the CDs. Its well, pointless now. So in goes the SB3 to
replace it.

Now, the REAL answer is that next year I plan to upgrade the Pioneer to
a Anthem D2 (or next mod). The D2 has the SAME DACs as the Transporter
on the audio side. 

:-)


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[SlimDevices: Audiophiles] Re: Transporter setup with Bryston - Balanced levels

2007-01-10 Thread Eric Carroll

teq;168801 Wrote: 
> I plan to hook up the Transporter with a Krell 400xi through the
> balanced port. According to the Krell's product documentation, the
> Krell has
> - INPUT SENSITIVITY 0.644 Vrms
> - INPUT IMPEDANCE 47 kOhms
> 
> Will this work, or am I in for a problem?
> 

Teq,

Here is what I found out for the Bryston. The Bryston has two gain
settings: 23dB (2V) and 29dB (1V). This is the voltage gain the amp
provides to the input. This translates to a voltage gain factor of 14.1
and 28.1 respectively. So, if the Tp offers 3Vrms balanced at Full Scale
into the Bryston 3B SST and an 8ohm speaker, then the power requirement
is 223 and 888 Watts respectively. Since the 3B SST is a 150Wpc amp, I
will have to use the 2V setting on balanced and will not be able to run
full scale. 

Now, the Tp claims 3Vrms, while the Bryston claims 23dB on 2.6V for
full power output (just a note that if you take 2.6V @ 23dB gain that
is actually 168W but who is counting). So maybe Slim overstated the
balanced output just a bit? Who knows.

To run full scale on the Tp into the Bryston 3B and use full power
without clipping (assuming Tp 3Vrms output) I will need to use the 2V
setting and a 1.2 dB pad (I think). The 10dB XLR pad I was discussing
earlier would be too much. 

Now, in your case,
http://www.krellonline.com/html/m_KAV_p_KAV400xi_spec.html says the
gain on your amp is a massive 35.8dB. So you definately will not be
able to run the SB3 into the Krell and run the volume control to full
scale (0dB) on the SB3. The SB3 6Vpp is right around 2V RMS (2Vrms is
5.7Vpp). So assuming output on the SB3 of 2Vrms, and a 35.8dB gain, you
would have a power requirement of 1900W which far exceeds your 200W
rated power supply. 

So your choices are: 
- run the SB3 low on the volume control to avoid overdriving your amp,
clipping and/or blowing a fuse
- add a 10dB attenuator (pad) in between the SB3 and the Krell input. 

I personaly would prefer to put the pad in and run the volume control
higher. I have seen postings in the forums about suppliers of RCA
inline pads, and I mentioned an balanced pad earlier in this thread.

If I fluffed my math someone will undoubtably correct me and I will be
suitably embarrased but appropriately appreciative.


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[SlimDevices: Audiophiles] Re: Need to brighten sound of new SB3 --> Transporter or DAC?

2007-01-10 Thread dlite

Hi, 

I sell Slim Devices products and the Lavry, Benchmark and Belcanto dacs
here in Australia, out of these what you are describing would be best
rememdied with the benchmark which is has a good level of detail and
clarity, plenty of dynamics and to me a little strong in the higher
frequencies (but your speakers/system may need this to be balanced
overall). The Lavry personally I favor over the Benchmark, it is not as
in your face as the benchmark, I feel it has a more balanced sound in my
system. The Belcanto DAC 3 may also be worth considering, 6moons have a
good review at the moment, but I am yet to here personally in my own
system so will reserve judgement till, then.

The Transporter is a considerable jump up over the SB3 sound
qualitywise but the tonality is similar to the SB3 although I would say
it has moved closer to your preferences. 

Hope this helps.


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[SlimDevices: Audiophiles] Re: Small Amplifier for Minimalist SB Setup

2007-01-10 Thread dayneger

The Trends TA-10 seems like it might be quite interesting. Only costs
about $100 and should have plenty of kick if your speakers are 94db.

This would allow LOTS of beers while enjoying the great music!


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[SlimDevices: Audiophiles] Re: Transporter setup with Bryston - Balanced levels

2007-01-10 Thread Eric Carroll

Wow, I look away for a couple of days and this thread takes off! Thanks
to all the responders.

AndyOz, like you I am currently running a stock SB3 into my Bryston 3B
SST while I (still) wait for my Tp. I have started off using 2V setting
and it seems to work well. I see on the web page for the SB3 that it
claims 6Vpp, but gives no typical line RMS value. I am still searching
the forum.

On the Bryston, you are also correct, the setting difference between 1V
and 2V is 6dB as I figured out after reading the Bryston manual more. So
I will play with the 1V/2V setting and the SB3 Preamp Volume control to
see which works the best.

I plan on moving the SB3 to my home theatre system as soon as the Tp
arrives.


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[SlimDevices: Audiophiles] Need to brighten sound of new SB3 --> Transporter or DAC?

2007-01-10 Thread desertrat58

Sorry for the long post, but it is the synthesis of much perusal of this
forum, along with SB info available on Audio Circle, Head-Fi and Audio
Asylum forums. (My Asylum moniker is "activeM&Kman").

I'm a new SB3 owner, and the WiFi server concept has me sold. With
about 2 weeks of use now, however, I must say I find the sound of the
SB3 to be rolled off at the top end, and to be rather constrained
throughout all frequencies. As I've read the forums, some folks have
had similar opinions, and of course, some have the exact opposite,
saying the SB3 is too bright. What a surprise from audiophiles.

I'll have to admit I have not heard a huge variety of CD players, but
in general I actually like the harder, in your face sound that digital
can provide. I am not a tube-sound guy at all. Rolled off and bloated
is not my cup of tea, but that is sort of how the SB3 sounds to me. My
previous players were both lower end Sony ES units, whose sound I
enjoyed. My vinyl rig sounds brighter than the SB3.

My hearing is very good at upper extremities -- yes, I do hear 20 kHz.
I do not hear much cymbal shimmer or proper crashes with the SB3, and
snare decay is truncated. Saxaphone lacks the proper bite. I also see a
lot of live, electric jazz and rock shows with good seats. My vinyl rig
can reproduce the sound of live music. Even cranking the volume up does
not get the SB3 to come alive (and my system can crank some volume ;^)

My system is also very revealing, from top to bottom. The vinyl rig I
mentioned is a Sota Nova vacuum tt, with a Graham 2.2 arm, and Benz Ace
high output cartridge. My preamp is a Bryston BP25MC with built in MC
and MM phono amp. Balanced cables run to M&K pro studio monitors (~ 350
watts in each) and subwoofer (400 watts), via an M&K crossover/bass
controller. The system plays clean as a whistle even when I crank it to
(way) over 100db in the sweet spot. I moved to the boonies so I can
CRANK my stereo!

My first thought was to swap the SB3 for a Transporter. As I read
opinions of the TP, however, I get the impression it also has a
tube-like character, although much clearer than the SB3. This sure is
not what I am looking for, based on the SB3 sound. I'll admit I didn't
want to spend $2K now, but I'm willing to now that the SB3 has me
hooked on the concept. I do prefer the one-box solution, plus I know
the TP has additional inputs and just darn looks cool, as well.

I've also been reading descriptions of the sounds of DACs, to see what
else I might try. Several solid state units around $1K sound promising.
The pro audio world offers the Benchmark, Lavry DA10 and Apogee MiniDAC,
characterized with revealing pro audio sound. The Channel Islands VDA2
and possibly improved power supply is also in this range, and while the
descriptions I read tend toward the tube-like side, I have a soft-spot
for designer Dusty Vawter as I have old Audio Alchemy (analog) gear
still cruising in my office system.

I still have about 2 weeks to play around with the SB3. I guess I'm
looking for "swap it" or "keep it and get a DAC" advice, and why, based
on the description on the kind of sound I like. Any comments on the
above DACs is appreciated, as well as any other suggestions. FYI,
modding the SB3 or tube DACs are not an option.

Thanks,

desertrat58 from Joshua Tree, California, USA.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread totoro

I'm on 7.0.2.16 now. Sorry, but I don't actually remember what version I
upgraded from. 

The dbpoweramp problem was a little mysterious to me. I used the file
selector, started it up, saw it working ok, and went away. When I came
back and looked at the log file, I found that dbpoweramp had been
unable to open about 10% of the total. These were all fairly recent
rips (since I upgraded). _Some_ of the newer rips were fine. 

The log messages weren't terribly informative, for example:
The file 'F:\iTunes\ITunes Music\Steve Bernstein\Diaspora Blues\04
Commentary 1.m4a' could not be opened.

These files played fine in itunes, on my ipod, and on my sb3. _Some_ of
them could be converted using foobar, some couldn't. I can't really say
what caused this. Perhaps something about the wa y the newer itunes
saved this stuff was incompatible with the alac converter for
dbpoweramp-- I have no real idea why this happened, though, that's
obviously a wild guess.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread SteveEast

totoro;169128 Wrote: 
> DBPoweramp will do it for a whole tree. I recently did it. I _did_ have
> a problem with some files that I ripped after my most recent itunes
> update. Some of these I _was_ able to transcode using foobar's
> converter. Others I had to re-rip. This makes me wonder a bit about
> what exactly went into that last itunes "upgrade".
> 

Michael, can you remember what version of iTunes you upgraded from? And
what are you on now? What was the problem?

I'm on iTunes 7.0.1.8 - I just tried converting a single track from
ALAC-> FLAC with dBpowerAMP and it seems OK.

Steve.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread Robin Bowes
tomjtx wrote:

> Robin,
> Do you have a way to easily convert ALAC to FLAC?

ALAC, I mean, alas no.

You may be able to do it with Foobar2000, but I suspect you're on a Mac.

dbPoweramp can do it, but again, that's Pc-based.

http://www.hydrogenaudio.org/forums/lofiversion/index.php/t49757.html

http://www.hydrogenaudio.org/forums/lofiversion/index.php/t45497.html

Max seems to be able to do it:

http://sbooth.org/Max/

Do you have OS-X Tiger (10.4) ?

HTH,

R.

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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread totoro

tomjtx;169120 Wrote: 
> Robin,
> Do you have a way to easily convert ALAC to FLAC?
> 
> I am very much plug and play re computers and I only know how to push
> the button the software tells me to push.
> 
> I would like to try FLAC and I think it could be a good idea to have my
> files backed up to FLAC even if I continue to use Itunes.
> 
> Tom

DBPoweramp will do it for a whole tree. I recently did it. I _did_ have
a problem with some files that I ripped after my most recent itunes
update. Some of these I _was_ able to transcode using foobar's
converter. Others I had to re-rip. This makes me wonder a bit about
what exactly went into that last itunes "upgrade".

This brings me to my biggest worry about a closed proprietary format.
There is _nothing_ to prevent the owner of such a format from making
changes to it at any time. This could include adding drm, making it
impossible to convert, _whatever they want_. FLAC is open source, so
even if the guy who wrote it decided to do something like this (afaik
_extremely_ unlikely), there is nothing to stop anyone interested from
forking at that point.

This is a pretty major big deal for me. Maybe not for you, but it _is_,
at some level, a technical difference.

Please note that noone here has advocated trusting M$, either. And
lafayette, for someone who claims to love logic, you do seem to be
prone to spout off on technical subjects of which you know essentially
nothing (such as networking). Asserting what you want to be true merely
because you believe it is hardly the mark of a logician.

Also- you might want to note that the subject of logic is taught at the
higher levels in philosophy, math, and computer science departments,
_not_ law school (unless proof theory, constructive type theory,
recursion theory, etc have suddenly become hot topics in law schools).
Your constant harping on your profession basically amounts to a pretty
feeble argument by authority (your own).

-Michael


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread tomjtx

Robin Bowes;169007 Wrote: 
> geraint smith wrote:
> 
> > If only FLAC worked with iTunes (or vice versa), or else that there
> > were another music ripping/tagging/labelling all-in-one product for
> Mac
> > OSX that was as easy, and worked as well as, iTunes. But it doesn't,
> and
> > there isn't - or if there is one,  I'd very much like to know about
> it
> > (although only if it reads tags attached by iTunes. The thought of
> > doing all that again...ugh!). So Aiff it is, then. The only
> practical
> > thing against Aiff (apart from the space it takes on your disc,
> which
> > is not much against it given how cheap disc space is now) is that
> > programmes for PCs don't seem to like it much. There there, very
> sad,
> > never mind. But tagging is not an issue with Aiff. You can - and I
> do,
> > using iTunes - tag Aiff as easily, comprehensively and well as one
> can
> > tag FLAC, and a darned site better than one can tag WAV.
> 
> So, would you be interested in a script that converts your AIFF files
> to
> FLAC, including all tags?
> 
> Also, if you're tied to formats supported by iTunes then ALAC will
> take
> up less space than AIFF and support the same tags.
> 
> R.

Robin,
Do you have a way to easily convert ALAC to FLAC?

I am very much plug and play re computers and I only know how to push
the button the software tells me to push.

I would like to try FLAC and I think it could be a good idea to have my
files backed up to FLAC even if I continue to use Itunes.

Tom


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread P Floding

Robin Bowes;169102 Wrote: 
> Nothing further to add, m'lud.
> R.

Careful!
Anything you say can and most probably will be used against you! ;-D

P.S: What other merits are there to compare between two lossless
formats than the "other" aspects? That sort of goes without saying..
For long term storage non-proprietary is always superior. (Gee, how
well those old Word documents work today...)


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread Robin Bowes
lafayette wrote:
> Perhaps it is simply your manner or the way I interpreted an abrasive
>  and/or curt post.

My reply was indeed terse, but your initial "challenge" was hardly
neutral: "Pray, do expound upon..." - a little condescending, don't you
think?

Having said that, I do seem to rub you up the wrong way - this isn't the
first time you've reacted this way.

> Having said that, I am an attorney, and as open source matters to 
> you, logic matters to me.

Ok, if you want to be like that about it ...

> You did not state an opinion.  You stated something as a matter of 
> fact.

In my original post I actually presented two facts "expounding" why I
believe FLAC to be superior to both ALAC and AIFF:

1. FLAC is open source, not proprietary

2. FLAC takes up less space than AIFF,

These are incontrovertible facts, presented in support of my opinion.

> As a matter of fact, in terms of audio, the two formats are 
> equivalent.

But of course. They are both lossless, so the decoded audio will be the
same from both formats. However, note that you have inserted a
qualifying clause here: "in terms of audio".

If you look back, your original question was:

> Pray, do expound upon how FLAC is superior to Apple Lossless (which 
> is not lossy)?  Or AIFF, which is not lossy and uncompressed, for 
> that matter?

Note that you make no mention of audio in either of those questions.
Hence my reply took other factors into consideration. Also note that you
didn't say "which is the best: FLAC, ALAC, or AIFF"; had you done so, my
reply would have been different still. I may have listed the benefits of
all three formats and presented a discourse as to their relative merits.
I may then have summarised by suggesting that the "best" format depends
on the purpose for which it is to be used.

> No one is forcing you to use an Apple codec.  You want open source? 
> Then how about turning to Microsoft?  Apple Lossless is perfect for 
> audio, just as much as FLAC, and it is convenient for Apple users. 
> Incidentally, Apple users comprise 3% or so of the market.  I don't 
> think you need to feel threatened by them.

I'm perfectly happy in my choice of audio formats, and I'm perfectly
happy that Mac users may choose Apple formats as they are more
convenient to work with on the Mac platform.

Nothing further to add, m'lud.

R.

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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread DeWayne

What a debate.  I didn't think my question would draw so much interest. 
I too run my 2805 in pure direct but with the option of the sub on. 
>From the posts that may or may not envoke some digital conversion.  

I will get behind there and hook up some good RCA interconects and see
what I think.  Before I was going on the notion that the $800 Denon
would have a better quality DAC but then the $250 SB3 has less devices
to control so the money may go more into the DAC.

There is no doubt the SB3 is an incrediable device that makes listening
to music so convenient along with great sound.  As I have read in other
posts if they find a way for Joe public to easily plug this thing in
and easily rip his CD's to a hard drive home CD players will become
extinct.

Thanks for the comments!
DeWayne


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread lafayette

Perhaps it is simply your manner or the way I interpreted an abrasive
and/or curt post.  

Having said that, I am an attorney, and as open source matters to you,
logic matters to me.

You did not state an opinion.  You stated something as a matter of
fact.  As a matter of fact, in terms of audio, the two formats are
equivalent.  No one is forcing you to use an Apple codec.  You want
open source?  Then how about turning to Microsoft?  Apple Lossless is
perfect for audio, just as much as FLAC, and it is convenient for Apple
users.  Incidentally, Apple users comprise 3% or so of the market.  I
don't think you need to feel threatened by them.

Robin Bowes;168969 Wrote: 
> lafayette wrote:[color=blue]
> 
> 
> 
> Yet again, you manage to find offence where there is (or should be)
> none.
> 
> You ask a question, I answer it with my opinion.
> 
> I'm not upset - just stating my opinion.
> 
> It's not nonsense - it's my opinion.
> 
> In my world, open source is important, so the fact that flac is open
> source is also important, and that makes it superior to other lossless
> formats.
> 
> Keeping this vaguely on topic (Slim Devices) don't lose sight of the
> fact that Slim Devices' products support flac natively, which makes
> flac
> a more suitable choice.
> 
> I can perfectly understand that if you're a Mac/iTunes user that flac
> is
> not so attractive as the support is not as good as for Apple's formats
> (so I am led to believe).
> 
> You are free to prefer any format you like, and for any reason. But
> please don't come whining on here when other people state their views
> and opinions that disagree with yours. Now *that* upsets me.
> 
> R.


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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread ceejay

Mark Lanctot;169067 Wrote: 
> Ceejay: I'm curious how you know this.
> 
> I'm not at all suggesting you're wrong, but I'd like to know how to
> determine this myself.  If you look at all the manufacturer literature,
> they'd have you believe every one of them with a bypass mode is pure
> analog bypass.  Yet the volume control always works in this mode, but
> most of these volume controls are encoders rather than potentiometers. 
> I'm not fully versed in electronics but I don't know how an encoder
> could be used in a fully-analog circuit for volume control.

Well, "know" is a strong word... I've not examined the circuits. But I
did search the internet extensively and found some statements that
seemed to be credible which stated this.  Interestingly in relation to
your earlier post about 2.1 vs 2.0 ... there was an additional claim
that in analog mode the processor actually switches to an analog method
for filtering and driving the subwoofer, so you could get 2.1.

There is of course a lingering doubt in my mind, which is perhaps one
reason why I've ditched the Denon 2805 as an amplifier for my
Transporter and gone for entirely separate 2ch/5.1ch setups!!

The only thing I can assert confidently is the entirely subjective
judgement that my SB2 sounded better driving the Denon in analog mode,
which I think was the original question!!!

As for the volume control, its surely not hard to construct an analog
electronic volume control which is driven by a digital control source
(I'm fairly sure I remember designing such a thing myself in the very
distant past!)(remember that its only the actual signal path that has
to be analog)

Ceejay


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[SlimDevices: Audiophiles] Re: Burwen Bobcat

2007-01-10 Thread AlanE

Talking of enhancing sound has anybody tried DVD2ONE to enhance CDs?


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Re: [SlimDevices: Audiophiles] Re: Burwen Bobcat

2007-01-10 Thread Phil Meyer
>"Enhances" usually means it messed with the sound and it's no longer
>pure.  Also, Media Player is not esoteric enough for us audiophile...
>c'mon!

Yes, I wouldn't go near it with a barge pole.  My FLAC files don't need any 
enhancement.  However, my mate thinks mp3's at 128kbp sound great...

Phil
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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread Mark Lanctot

ceejay;169028 Wrote: 
> I have a Denon 2805.  In "Direct" or "pure Direct" mode, it really is
> Analog all the way through (does NOT do A-D-A conversion), although it
> does go digital in Stereo mode.

Ceejay: I'm curious how you know this.

I'm not at all suggesting you're wrong, but I'd like to know how to
determine this myself.  If you look at all the manufacturer literature,
they'd have you believe every one of them with a bypass mode is pure
analog bypass.  Yet the volume control always works in this mode, but
most of these volume controls are encoders rather than potentiometers. 
I'm not fully versed in electronics but I don't know how an encoder
could be used in a fully-analog circuit for volume control.


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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread Mark Lanctot

Mike Meyer;169047 Wrote: 
> So with analog, what comes out of my 5.1 speakers?  Just 2.1?

Not even.  If you use direct or bypass, bass management is disabled,
you get 2.0.

With Stereo mode, you do have bass management, so 2.1, but you also get
the extra A-D conversion.  This isn't strictly "2.1", nor are the other
modes, the ".1" channel is separated from the L/R channels using a
synthesized filter algorithm in the DSP.

With all the other modes, you always get A-D conversion but, depending
on the setting, 4.1 (Dolby Pro-Logic), 5.1 (Dolby Pro-Logic II, various
manufacturer-specific DSP modes), 6.1 (Dolby Pro-Logic IIx with one SB
speaker set, DTS:Neo 6, Circle Surround II) or 7.1 (Logic7, Dolby
Pro-Logic IIx).

'Course none of this is truly discrete, it's matrixed from a 2-channel
source if you're using an SB.  That said, Dolby Pro-Logic II/IIx and
Logic7 are very, very good implementations.  They do not sound
artificial, gimmicky or contrived at all.  Dolby is especially strong
in this area.  Full Logic7 first appeared in the high-end Lexicon
pre/pros, hardly cheap equipment.


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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread Mike Meyer

I remember reading a previous post of yours, Mark, and it dealt with
Dolby Pro Logic IIx.  At that time I tried the analog output from my
SB2 to my Pioneer and I preferred the digital with the Dolby Pro Logic
IIx.  I'm not sure what the Slimserver version was at that time but I
think it's time to try analog again with my SB3 this time.

So with analog, what comes out of my 5.1 speakers?  Just 2.1?  I wonder
if I'm just a person that likes the 'surround sound'.  I'll give it
another go.


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[SlimDevices: Audiophiles] Re: splitting the rca outputs of the sb

2007-01-10 Thread konut

I run the SB3 to a Creek remote passive attenuator and split the output
to powered monitors and a powered sub. Sounds great!


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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread Mark Lanctot

I'll give my impressions using receivers - I started out with a Denon
1602, then an 1803 (for 6-channel).  I didn't have a Squeezebox back
then or very good speakers until the last few months with the 1803. 
The sound was good but when I compared it to an all-analog setup
attached to the speakers I realized it was slightly
cold/analytical/bright.

When it came time to go to 7-channel, I got a Marantz 7400, replaced in
about a year with the 8400.  I've used a Squeezebox 2, Squeezebox v3 and
now a Transporter with the 8400.  The Marantz units are better for music
in my opinion.  They are quite a bit warmer and sound richer.  When I
first tried the comparison between the analog and digital, digital was
definitely brighter, almost "crystalline" if you will.  Analog was
much, much warmer, in fact downright muddy in the vocals.  So I used
digital.

However in the last few months of Squeezebox v3 ownership I tried out
analog again and I can't explain why, but the difference between analog
and digital was not nearly as pronounced - I preferred analog.  This is
a head-scratcher that started with SlimServer 6.5.0 and its associated
firmware.  I was not the only one who experienced a sound quality
increase and there was a thread on it but no one could explain why.

So it's best to experiment with your equipment and see what you like
best.  Also don't be afraid to revisit your findings at a later date!


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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread ceejay

I have a Denon 2805.  In "Direct" or "pure Direct" mode, it really is
Analog all the way through (does NOT do A-D-A conversion), although it
does go digital in Stereo mode.

Personally I found it sounded significantly better using analog out
from the SB (I was using an SB2), even using not-terribly-expensive 
cable, ie I preferred the SB's DAC to the Denon.  YMMV.

YMMV
Ceejay


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[SlimDevices: Audiophiles] Re: splitting the rca outputs of the sb

2007-01-10 Thread jeffluckett

chiefersone;168919 Wrote: 
> Has anybody used a standard splitter for the rca out cables/jacks
> without loss of sound quality?  
> I have a stereo system downstairs with a rca cable running there that I
> want tyo connect so I can listen to sb down there too.

I am using the optical out on my SB to receiver in my primary listening
location.  Then I've split the RCA outputs to go to another (fairly
decent) Alpine receiver in the other room and a sony boom-box in my
workshop in the basement.

Since the two receivers on the split RCA are more for "ambient
listening" I've never noticed any loss in audio quality at those two
listening locations.

Works fine for me. Whole-house synchronized audio from one SB :).


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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread regalma1

DeWayne, interesting Wiki. Based on that and other posts here someone
using an AVR would be mostly wasting their money buying a Transporter,
since the internal DAC and preamp should be bypassed anyway. I have
tried doing an A-B between the analog and digital outputs of my SB2
into my Harmon Kardon 7200 AVR. Truthfully, the difference was very
small, to the point where it might have been imagined. I tended to
favor the analog outputs. But as most of us are too aware of, small
differences are probably overwhelmed by our psychological reactions. I
was thinking seriously about buying an external DAC for my SB2. Maybe
that would be a waste of money. I'll have to repeat my comparisons
first. I've come up with some good recordings to do that with since
then.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread Robin Bowes
geraint smith wrote:

> If only FLAC worked with iTunes (or vice versa), or else that there
> were another music ripping/tagging/labelling all-in-one product for Mac
> OSX that was as easy, and worked as well as, iTunes. But it doesn't, and
> there isn't - or if there is one,  I'd very much like to know about it
> (although only if it reads tags attached by iTunes. The thought of
> doing all that again...ugh!). So Aiff it is, then. The only practical
> thing against Aiff (apart from the space it takes on your disc, which
> is not much against it given how cheap disc space is now) is that
> programmes for PCs don't seem to like it much. There there, very sad,
> never mind. But tagging is not an issue with Aiff. You can - and I do,
> using iTunes - tag Aiff as easily, comprehensively and well as one can
> tag FLAC, and a darned site better than one can tag WAV.

So, would you be interested in a script that converts your AIFF files to
FLAC, including all tags?

Also, if you're tied to formats supported by iTunes then ALAC will take
up less space than AIFF and support the same tags.

R.

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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread geraint smith

CardinalFang;168872 Wrote: 
> Apologies for jumping into your discussion, but how does that affect
> audio quality? It's more of a personal issue whether you care or not
> about open source vs proprietary and it doesn't make either technically
> "superior" to the other. They are both lossless and take up less file
> space. I like choice too, but I'm not a zealot either way. I've never
> used FLAC because the tools take too long to use, if it were as slick
> as iTunes, I might switch, but then I like the to being able to use
> iTunes for playback on a PC as well.
> 
> 
> 
> That is a good reason, but so does Apple Lossless and with disk space
> so cheap, it's probably the tagging aspect that is more relevant. 

Quite - save that tagging not an issue either. Aiff tags as well as
FLAC.

> 
> 
> Is that another Apple convergence device? It cooks your brain and pokes
> tinsel in your eyes at the same time when you are calling home at
> Christmas? :-)

Aaargh! Don't! Jobs has ears everywhere! It'll be in production in time
for Q4!

Geraint.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread geraint smith

Robin Bowes;168860 Wrote: 
> lafayette wrote:
> 
> [color=blue]
> > One point people seem to be missing is this: Apple has moved forward
> > with 802.11n.  All these problems with Squeezebox/Transporter
> > drop-outs?  History.
> 
> Nope. The microwave/phone/xmas tree will still affect the signal.
> 
> R.

Just think, folks, now this new improved flavour brings you drop outs
at five times the speed. Unless, of course, you plug your Squeezebox
into your Airport Express, when you will get none at all (saving the
cordless phone next door, your honour).


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread geraint smith

Pat Farrell;168809 Wrote: 
> tomjtx wrote:
> > benthos;168790 Wrote: 
> >> That's where you and I part paths: it's about my property, not
> Apple's,
> >> or anyone else's.
> 
> > I completely agree with you that it's my property once I buy it.
> This
> > whole DRM thing should be a major consumer
> > concern...but most people seem to be unaware of the
> > limitations DRM puts on our purchase.
> 
> Sadly, this thread is going off topic. And it gets complicated
> quickly.
> IANAL...
> 
> The legal terms on a CD are not what people think.
> You do not own the CD's music. You only own the right to listen to it.
> 
> Buying a CD gives you only limited rights to use the music, you can
> not,
> for example, put the wave files up on the internet.
> 
> Sony, last year put out a number of CDs with DRM on them, which is
> fairly bad, but much worse was that Sony put them out without labeling
> that the CDs were not really CDs, per the RedBook spec.
> 
> Video licensing is even less well understood that music, as bandwidth
> to
> share videos has not been around and commonplace as long as bandwidth
> to
> share music.
> 
> It is correct that today, neither Microsoft nor Apple include DRM in
> their mainline products. But Microsoft's Play-for-sure was a DRM.
> And Apple is in bed with Disney, a major creator  of movies. So
> one should be careful extrapolating from today's Apple and Microsoft
> products.
> 
> It is impossible to tell, but if the Sony CD DRM had not been badly
> implemented, and had not been labeled a "rootkit" by folks strongly
> against all DRM, perhaps all CDs sold today would have the same sorts
> of
> protection as Sony tried to sell.
> 
> Be careful with broad statements about "its my property" because the
> law
> is not as clear or settled as people think.
> 
> It is possible that Apple and/or Microsoft will add DRM to their
> formats. It is not possible that FLAC will ever add it, as the goal of
> FLAC precludes it. Just as there is nothing to prevent someone from
> making a package that has better compression than FLAC and calls it
> something like AlmostFree lossless audio codec.
> 
> 
> -- 
> Pat
> http://www.pfarrell.com/music/slimserver/slimsoftware.html

If only FLAC worked with iTunes (or vice versa), or else that there
were another music ripping/tagging/labelling all-in-one product for Mac
OSX that was as easy, and worked as well as, iTunes. But it doesn't, and
there isn't - or if there is one,  I'd very much like to know about it
(although only if it reads tags attached by iTunes. The thought of
doing all that again...ugh!). So Aiff it is, then. The only practical
thing against Aiff (apart from the space it takes on your disc, which
is not much against it given how cheap disc space is now) is that
programmes for PCs don't seem to like it much. There there, very sad,
never mind. But tagging is not an issue with Aiff. You can - and I do,
using iTunes - tag Aiff as easily, comprehensively and well as one can
tag FLAC, and a darned site better than one can tag WAV.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread Robin Bowes
lafayette wrote:
> Why on earth do people get upset about this stuff?
> 
> This is nonsense.  The formats are perfectly equivalent when it comes
> to audio output. If you are not an Apple user and do not want ALAC,
> well, that's your business.  But puffing up your chest about being
> somehow superior is just, well, hot air.
> 
> Sorry for being curt but these responses have been rude.



Yet again, you manage to find offence where there is (or should be) none.

You ask a question, I answer it with my opinion.

I'm not upset - just stating my opinion.

It's not nonsense - it's my opinion.

In my world, open source is important, so the fact that flac is open
source is also important, and that makes it superior to other lossless
formats.

Keeping this vaguely on topic (Slim Devices) don't lose sight of the
fact that Slim Devices' products support flac natively, which makes flac
a more suitable choice.

I can perfectly understand that if you're a Mac/iTunes user that flac is
not so attractive as the support is not as good as for Apple's formats
(so I am led to believe).

You are free to prefer any format you like, and for any reason. But
please don't come whining on here when other people state their views
and opinions that disagree with yours. Now *that* upsets me.

R.

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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread lafayette

Why on earth do people get upset about this stuff?

This is nonsense.  The formats are perfectly equivalent when it comes
to audio output. If you are not an Apple user and do not want ALAC,
well, that's your business.  But puffing up your chest about being
somehow superior is just, well, hot air.

Sorry for being curt but these responses have been rude.

Robin Bowes;168923 Wrote: 
> CardinalFang wrote:
> > Robin Bowes;168892 Wrote: 
> >> Audio quality should be identical, given that all file formats
> under
> >> discussion here are lossless.
> >> R.
> > 
> > Exaxctly. They are audio file formats and the only way to judge
> > superiority is on their performance in that role. 
> 
> No, that is *your* way to judge superiority.
> 
> > 
> > Judgement based on Open Source vs Proprietary is irrelevant in
> deciding
> > the superior format, it's just a personal view of philisophical 
> > approach to the formats. I like Open Source because of the community
> > aspects and I also like proprietary because it is designed for one
> > product - the one I own. But they are my personal reasons and not
> due
> > to measurable technical superiority.
> 
> You seem to have unilaterally decided to define "superior" as
> "technically superior".
> 
> It is only my opinion that an open source format is preferable to a
> closed, proprietary format - others may (at it would seem, do)
> disagree,
> but you cannot exclude this fact from consideration when debating
> which
> format is superior.
> 
> R.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread CardinalFang

Robin Bowes;168923 Wrote: 
> 
> You seem to have unilaterally decided to define "superior" as
> "technically superior".
> R.
Perhaps I did, but it's the most meaningful way to compare audio
formats within the context of the original discussion which was about
FLAC being "genuinely" lossless. 

Anyway, the orginal discussion was also based on a misunderstanding, so
let's let it rest eh?


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Re: [SlimDevices: Audiophiles] splitting the rca outputs of the sb

2007-01-10 Thread Pat Farrell
chiefersone wrote:
> Has anybody used a standard splitter for the rca out cables/jacks
> without loss of sound quality?  
> I have a stereo system downstairs with a rca cable running there that I
> want tyo connect so I can listen to sb down there too.

In general, you can drive two sources with one output from most line
level gear, including a squeezebox or transporter to two amps.
But the specifics vary a lot, too much to make generalizations on.

If you have a preamp or integrated amp upstairs, it is better to run
the squeezebox output to it, and then pull a feed from the tape out or
monitor jacks to feed the downstairs system.

Again in general, you can try it and decide if you like it.
The worst you can do is blow up two amplifiers and a squeezebox.
er, no, the worse you can do is that and set your house on fire.
But problems are unlikely.

YMMV, etc.

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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread Robin Bowes
tomjtx wrote:
> Thanks , Robin for reiterating that ALAC should be auditorily 
> indistinguishable from FLAC. There seems to be some misconception
> about that.

I suspect there is often confusion between ALAC (lossless) and AAC (lossy).

It seems that many more people have heard of AAC than ALAC.

R.

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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread Robin Bowes
CardinalFang wrote:
> Robin Bowes;168892 Wrote: 
>> Audio quality should be identical, given that all file formats under
>> discussion here are lossless.
>> R.
> 
> Exaxctly. They are audio file formats and the only way to judge
> superiority is on their performance in that role. 

No, that is *your* way to judge superiority.

> 
> Judgement based on Open Source vs Proprietary is irrelevant in deciding
> the superior format, it's just a personal view of philisophical 
> approach to the formats. I like Open Source because of the community
> aspects and I also like proprietary because it is designed for one
> product - the one I own. But they are my personal reasons and not due
> to measurable technical superiority.

You seem to have unilaterally decided to define "superior" as
"technically superior".

It is only my opinion that an open source format is preferable to a
closed, proprietary format - others may (at it would seem, do) disagree,
but you cannot exclude this fact from consideration when debating which
format is superior.

R.

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[SlimDevices: Audiophiles] splitting the rca outputs of the sb

2007-01-10 Thread chiefersone

Has anybody used a standard splitter for the rca out cables/jacks
without loss of sound quality?  
I have a stereo system downstairs with a rca cable running there that I
want tyo connect so I can listen to sb down there too.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread CardinalFang

Robin Bowes;168892 Wrote: 
> 
> Audio quality should be identical, given that all file formats under
> discussion here are lossless.
> R.

Exaxctly. They are audio file formats and the only way to judge
superiority is on their performance in that role. 

Judgement based on Open Source vs Proprietary is irrelevant in deciding
the superior format, it's just a personal view of philisophical 
approach to the formats. I like Open Source because of the community
aspects and I also like proprietary because it is designed for one
product - the one I own. But they are my personal reasons and not due
to measurable technical superiority.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread tomjtx

Robin Bowes;168892 Wrote: 
> CardinalFang wrote:
> > Robin Bowes;168860 Wrote: 
> >> 1. FLAC is open source, not proprietary
> >
> > Apologies for jumping into your discussion, but how does that affect
> > audio quality?
> 
> Who said anything about audio quality?
> 
> The original question was:
> 
> > Pray, do expound upon how FLAC is superior to Apple Lossless (which
> is
> > not lossy)?  Or AIFF, which is not lossy and uncompressed, for that
> > matter?
> 
> Audio quality should be identical, given that all file formats under
> discussion here are lossless.
> 
> R.

Someone earlier on the tread implied that ALAC  isn't really lossless.
I think the audio quality comment was in reference to that.
Thanks , Robin for reiterating that ALAC should be auditorily
indistinguishable
from FLAC. There seems to be some misconception about that.

I am sometimes tempted to convert to FLAC but I am so used to itunes I
hesitate.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread Robin Bowes
CardinalFang wrote:
> Robin Bowes;168860 Wrote: 
>> 1. FLAC is open source, not proprietary
>
> Apologies for jumping into your discussion, but how does that affect
> audio quality?

Who said anything about audio quality?

The original question was:

> Pray, do expound upon how FLAC is superior to Apple Lossless (which is
> not lossy)?  Or AIFF, which is not lossy and uncompressed, for that
> matter?

Audio quality should be identical, given that all file formats under
discussion here are lossless.

R.

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[SlimDevices: Audiophiles] Re: Transporter setup with Bryston - Balanced levels

2007-01-10 Thread Skunk

Skunk;168874 Wrote: 
> Isn't this an integrated amp? If so you just use the volume control on
> the Krell, unless I'm missing something.

OK so I'm an idiot. The volume control of the Krell would have nothing
to do with it's input sensitivity. Sorry for that.

I understand what you're saying now, but I read the Stereophile review*
(measurements anyway) and didn't see the low input sensitivity
mentioned. This seems like it would be a bigger deal than was made of
it. 

* http://www.stereophile.com/integratedamps/205krell/index4.html


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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread Mark Lanctot

Since this question gets asked so often, I've made a wiki page here:

http://wiki.slimdevices.com/index.cgi?AVReceivers


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[SlimDevices: Audiophiles] Re: Transporter setup with Bryston - Balanced levels

2007-01-10 Thread Skunk

teq;168801 Wrote: 
> 
> I plan to hook up the Transporter with a Krell 400xi through the
> balanced port. According to the Krell's product documentation, the
> Krell has
> - INPUT SENSITIVITY 0.644 Vrms
> - INPUT IMPEDANCE 47 kOhms
> 

Isn't this an integrated amp? If so you just use the volume control on
the Krell, unless I'm missing something.


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread CardinalFang

Robin Bowes;168860 Wrote: 
> 
> 1. FLAC is open source, not proprietary
> 

Apologies for jumping into your discussion, but how does that affect
audio quality? It's more of a personal issue whether you care or not
about open source vs proprietary and it doesn't make either technically
"superior" to the other. They are both lossless and take up less file
space. I like choice too, but I'm not a zealot either way. I've never
used FLAC because the tools take too long to use, if it were as slick
as iTunes, I might switch, but then I like the to being able to use
iTunes for playback on a PC as well.

Robin Bowes;168860 Wrote: 
> 
> 2. FLAC itakes up less space than AIFF,
> 

That is a good reason, but so does Apple Lossless and with disk space
so cheap, it's probably the tagging aspect that is more relevant.

Robin Bowes;168860 Wrote: 
> Nope. The microwave/phone/xmas tree will still affect the signal.
> R.

Is that another Apple convergence device? It cooks your brain and pokes
tinsel in your eyes at the same time when you are calling home at
Christmas? :-)


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[SlimDevices: Audiophiles] Re: Digital or Analog output?

2007-01-10 Thread Mark Lanctot

A/V receivers don't usually have a true analog bypass, so you may find
that analog is worse.

This isn't because the SB3 DAC is worse than the DAC in your receiver,
it's that most A/V receivers work with all audio streams in the digital
domain.  The DSP in your receiver implements things like bass
management, tone control, speaker level and of course DSP effects like
"Jazz", "Hall", "Virtual" or Dolby Pro-Logic IIx and DTS:Neo 6 and it
can only work with digital streams.  Even "Stereo" mode uses the DSP. 
Therefore the analog stream gets converted to digital using an ADC
(analog-to-digital converter), the DSP works with it, then it gets
converted back to analog again in the DAC.

This extra conversion step usually makes the sound warmer but often so
warm as to be muffled in comparison to the digital stream, which
doesn't need this extra conversion step.

You can minimize this effect using "direct" or "bypass" mode, but it's
possible the DSP isn't bypassed even then since you still have things
like volume control which is often handled by the DSP.

Still, it's worth a try.  You may like it.  Digital is sometimes too
bright in A/V receivers, and I found the Denon receivers I had were on
the bright side.


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[SlimDevices: Audiophiles] Digital or Analog output?

2007-01-10 Thread DeWayne

I have a SB3 connected to a Denon 2805 reciever with high quality fiber.
My thinking was the Denon would have a better DAC then the SB but maybe
this isn't the case.  

I know I need to try connecting it through the analog connections and
test it for myself but I was wondering what thoughts others had on this
type of setup with a mid level reciever.
Thank You!


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread Robin Bowes
lafayette wrote:
> Pray, do expound upon how FLAC is superior to Apple Lossless (which is
> not lossy)?  Or AIFF, which is not lossy and uncompressed, for that
> matter?

1. FLAC is open source, not proprietary

2. FLAC itakes up less space than AIFF,


> One point people seem to be missing is this: Apple has moved forward
> with 802.11n.  All these problems with Squeezebox/Transporter
> drop-outs?  History.

Nope. The microwave/phone/xmas tree will still affect the signal.

R.

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[SlimDevices: Audiophiles] Re: Small Amplifier for Minimalist SB Setup

2007-01-10 Thread soupdragon

for a stylish and minimalist setup have a look at eclipse-td system
probably the 508pa would be the best !

have a look !

Liam


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[SlimDevices: Audiophiles] Re: AppleTV

2007-01-10 Thread CardinalFang

ezkcdude;168698 Wrote: 
> I think both the TV and iPhone miss the mark. There are numerous
> solutions that do what the AppleTV does, and the iPhone is way too
> expensive for what it does. Although, I agree with the above poster
> that a nice SlimServer skin would make it more appealing, in that it
> could be used as a Wi-Fi remote.

I think it is too expensive for the iPod user market, most have Nanos
or shuffles, but it is not expensive compared to Smartphones, such as
Trios, SonyEricssons, Nokias and others that cost in the region of
$500. What is scary though is that you have to sign up for a 2 year
contract to get that price and there is no mention of monthly charges
as yet. It gives you an idea of what it would cost without contract. In
the UK we're used to getting handsets for free or under £100 with a
year's contract.

So the question is - will an iPod user shell out for the phone and
ditch the handset and iPod they currently own, or will business users
switch? The business users may well want to stick with exchange-based
devices from Microsoft, or encrypted devices like the Blackberry.

The real big plus point is it now means that the other manufacturers
have got to smarten up their act and produce handsets that are easy to
use to compete.

I think the AppleTV will be a big success, £199 in the UK compares very
favourably with SB3, especially if you already have a TV and I would
imagine leaves Roku and Sonus wondering what to do next. We may scoff
at proprietary file formats and closed nature of the beast, but
consumers simply don't care - the many millions of downloads on iTunes
testify to that.

I will probably buy one because the interface is far better for my
family to use, the SB is so geeky in comparison - they have used both
and never come back to the SB. The SB survives because of audio
quality, but I may well ditch it if the AppleTV sounds as good through
my DAC. I rip all my CDs to Apple Lossless anyway so that my kids can
use iTunes on their PCs, so it would just make life a lot easier for
all of us.


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[SlimDevices: Audiophiles] Re: Transporter setup with Bryston - Balanced levels

2007-01-10 Thread cliveb

teq;168801 Wrote: 
> I plan to hook up the Transporter with a Krell 400xi through the
> balanced port. According to the Krell's product documentation, the
> Krell has
> - INPUT SENSITIVITY 0.644 Vrms
> - INPUT IMPEDANCE 47 kOhms
> 
That input sensitivity is quite high. The Transporter at full volume
puts out about 3V RMS on the balanced outputs. So you'll probably need
to organise some sort of passive attenuation, otherwise you'll have to
set the Transporter's volume control down quite a long way. (And there
is the danger that if for any reason it goes to 100%, you'll be
overdriving the Krell's input). The input impedance of the Krell is
sufficiently high that a simple passive voltage divider should work
fine.


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Performers -> dozens of mixers and effects -> clipped/hypercompressed
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