Re: [SlimDevices: Audiophiles] Q:BEST classical music review site

2007-03-15 Thread gordon

Sorry, here's the correct link to Alex Ross's blog:

http://www.therestisnoise.com/


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Re: [SlimDevices: Audiophiles] Q:BEST classical music review site

2007-03-15 Thread gordon

I find the New Yorker's classical music reviewer, Alex Ross, to be quite
interesting and knowledgable. He's had a big influence on my CD
collection and listening habits. Here's the New Yorker's web site:

http://www.newyorker.com/arts

He also has a blog that is quite interesting:

http://www.therestisnoise.com/2004/05/what_is_this.html

-Gordon


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Re: [SlimDevices: Audiophiles] Transporter and Nuforce monobloks

2007-03-15 Thread Highlander

Anyone using a tubed amplifier with their Transporter?


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread GaryB

opaqueice;188187 Wrote: 
> With some experience it starts to get easier to know when you can trust
> your perception and when not.

Gee, you mean you don't always need A/B testing???

You're starting to sound just like me 8-} . . . 

Maybe now you'll believing me . . .

---Gary


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Re: [SlimDevices: Audiophiles] FLAC -> WAV or ALAC on iTunes. (With some AIFF thrown in.)

2007-03-15 Thread P Floding

kphinney;188206 Wrote: 
> Perhaps the Mac does something bad, but with Apple's anal attention to
> detail I thought that their proprietary ALAC would sound at least as
> good as WAV.  Especially when using their own software.  I'll post when
> I get a chance to stream to the SB3.  I'm hoping that ALAC and WAV sound
> the same since "Apple Lossless" appears to save 1/2 the space.
> 
> The player program I used was iTunes and the transcoders are iTunes,
> xACT, and Max.

If it's lossless you don't have to "hope" anything.
Just transcode from WAV to ALAC and back to WAV and compare the source
WAV and the resulting WAV. They should be identical.


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Re: [SlimDevices: Audiophiles] Transporter review at Audioholics

2007-03-15 Thread azinck3

sonofcolin;188186 Wrote: 
> What I love about this review is that in the summary every category gets
> 5/5 except one (7 categories) and then at the end the value (taking into
> account all the previous scores) is 3.5? Someone can't do math!

While those scales are all a bit arbitrary, I think it's perfectly
understandable...and I wonder if this might be a case of a bit of
cross-pond misunderstanding.  When the reviewer speaks of "value" here
it's what the Brits call "value for money" -- and this reviewer seems
to think that the transporter's price is not especially low.  It's hard
to really evaluate value, though, when there are no direct competitors
(except perhaps the sb3 itself).


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Re: [SlimDevices: Audiophiles] FLAC -> WAV or ALAC on iTunes. (With some AIFF thrown in.)

2007-03-15 Thread kphinney

P Floding;188201 Wrote: 
> OK
> Perhaps the MAC does something bad when decoding ALAC?
> I know nothing about MACs, but since you don't mention any spcific
> application I assume you are using something that comes with the
> computer?

Perhaps the Mac does something bad, but with Apple's anal attention to
detail I thought that their proprietary ALAC would sound at least as
good as WAV.  Especially when using their own software.  I'll post when
I get a chance to stream to the SB3.  I'm hoping that ALAC and WAV sound
the same since "Apple Lossless" appears to save 1/2 the space.

The player program I used was iTunes and the transcoders are iTunes,
xACT, and Max.


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Re: [SlimDevices: Audiophiles] FLAC -> WAV or ALAC on iTunes. (With some AIFF thrown in.)

2007-03-15 Thread P Floding

kphinney;188196 Wrote: 
> I know it was a long post and it may seem hidden in the text but I did
> state "WAV sounded a lot better than ALAC using only headphones out
> from my Mac. "  Perhaps if you quantify what context you feel would be
> useful I could attempt a more well rounded answer.
> 
> 
> Right.  Thanks for reaffirming that.
> 
> 
> 
> I feel that I am misunderstanding your question.  I mentioned that I am
> not using the SB at this time, but I'll be sure to look into it when I
> can access it.  In the meantime if anyone could field my hypothetical
> question I'd appreciate it:
> 
> Best Regards.


OK
Perhaps the MAC does something bad when decoding ALAC?
I know nothing about MACs, but since you don't mention any spcific
application I assume you are using something that comes with the
computer?


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Re: [SlimDevices: Audiophiles] Linn Records Studio Masters on Tp & SB3

2007-03-15 Thread Digital Audiophile

Josh Coalson;187979 Wrote: 
> I *hope* that's not the reason Linn went with WMAL instead of FLAC!  are
> the tracks DRMed?
> 
> anyway I am considering using one of the reserved codes (there are 3
> left) in the frame header for 88.2KHz and letting it be in the subset. 
> as far as FLAC is concerned the sample rate makes no difference to
> anything, it's just a number.  the constrained set is mainly a
> concession to hardware makers to not have to support every oddball rate
> to be subset compliant.  also in 1999, I didn't really know how things
> would shake out with regards to what rates would be common.
> 
> Josh

Tracks are not DRM'd.


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Re: [SlimDevices: Audiophiles] Audioengine 5 thread

2007-03-15 Thread 325xi

moshulu;188151 Wrote: 
> Funny - this very evening I set up a pair of Audioengine 5s.  So I can't
> help responding, even though I cannot provide the desired comparison. 
> My new speakers are installed in a tiny kitchen, on top of the
> refigerator.  They are driven by a Zune - Microsoft's Ipod clone.  I
> like the sound very much, and the esthetics/workmanship are very high. 
> Overall, they exceed my expectations, especially considering the price
> (alas, the same in euros as the US price in dollars).  I only wish the
> power switch was in the front.  The USB charging port is a nice
> feature. 
> 
> I sometimes listen to the Zune through Grado SR125 headphones, so I
> think that I understand the limitations of the MP3 player and format. 
> Given this, I would say that the AE5s are very nice bookshelf
> amplifier-speakers, but by no stretch of the imagination do they
> qualify as audiophile grade.
> 
> Just for yuks, I set the AE5s up in the living room first, next to the
> Klipsch RF5s which are driven by my home-built 300B single-ended
> monblocks.  These are tricked out with lots of "boutique" components
> (Black Gates, Jensens, etc.) and get their inputs from an SB3 via a
> battery-powered Monica2 DAC.  I played the same tunes through the
> SB3/Flac and the Zune/MP3.  Well...let's just say that the Audioengines
> are going to remain on kitchen duty.
> 
> moshulu

I thought you might want to make a closer comparison by connecting SB3
and DAC to AE5 and listen to the same flacs...


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Re: [SlimDevices: Audiophiles] FLAC -> WAV or ALAC on iTunes. (With some AIFF thrown in.)

2007-03-15 Thread kphinney

P Floding;188195 Wrote: 
> You say WAV sounds better, but fail to mention on what system and any
> other context that might be useful to know.

I know it was a long post and it may seem hidden in the text but I did
state "WAV sounded a lot better than ALAC using only headphones out
from my Mac. "  Perhaps if you quantify what context you feel would be
useful I could attempt a more well rounded answer.

P Floding;188195 Wrote: 
> 
> Unless SB3 handles ALAC natively it will be translated to WAV (I
> believe) by SS before being sent to the SB.
Right.  Thanks for reaffirming that.

P Floding;188195 Wrote: 
> 
> Have you checked that you don't inadvertently convert any of the
> formats to compressed (on SlimServer)?

I feel that I am misunderstanding your question.  I mentioned that I am
not using the SB at this time, but I'll be sure to look into it when I
can access it.  In the meantime if anyone could field my hypothetical
question I'd appreciate it:
kphinney;188191 Wrote: 
> Why does WAV sound more crisp when compared to ALAC when played on the
> Mac?  When I stream ALAC or WAV to my SB3 will I hear a difference
> since the SS encodes as WAV for the SB?
> 
Best Regards.


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Re: [SlimDevices: Audiophiles] FLAC -> WAV or ALAC on iTunes. (With some AIFF thrown in.)

2007-03-15 Thread P Floding

kphinney;188191 Wrote: 
> This may be a bit longwinded:
> I've read a good portion of the posts regarding FLAC / WAV, etc.
> quality, but I feel this may be of particular interest to Mac/iTunes
> users, given the transcoding and playing software.
> 
> After reading the posts I took the general consensus of users and stuck
> with ALAC as a Mac acceptable FLAC alternative.  I also learned that SS
> streams WAV to the SB3 (please correct me if I'm mistaken).
> 
> I'm knee deep in re-ripping my CD collection directly into iTunes as
> ALAC (Apple Lossless) and converting my FLAC files into ALAC using Max.
> My FLAC collection is +200GB so it could be daunting if I had to type a
> lot of file names.  This evening I found a FLAC compilation that
> wouldn't transfer tags over to ALAC (who knows how it was originally
> ripped), so out of laziness I converted it to WAV using xACT and then
> ALAC using iTunes.
> iTunes doesn't automatically delete the old file so I was left with a
> .m4a (ALAC) and a .WAV.  Well, I listened to them both and was a bit
> put off by the big difference: WAV sounded a lot better than ALAC using
> only headphones out from my Mac.  ALAC doesn't seem all that "Lossless"
> - even my wife could hear the difference.
> 
> Naturally, the ALAC is much smaller at 29MB vs. the WAV at 44MB.  The
> original FLAC was also the smaller 29MB.  
> 
> So then I did some other conversions:
> FLAC -> AIFF  (44.6MB)
> FLAC -> WAV  (44.6MB)
> FLAC -> ALAC (29.4MB)
> FLAC -> ALAC ->WAV  (44.6MB)
> FLAC -> AIFF -> ALAC  (29.4MB)
> FLAC -> WAV -> ALAC  (29.4MB)
> FLAC -> WAV -> ALAC -> MP3 @192 (6.1MB)
> 
> Perhaps I've been listening to long and have developed my own bias, but
> it seems to me that the WAV files sound better, regardless of whether
> they came directly from FLAC (26MB) or from FLAC (26MB) to ALAC (26MB)
> to WAV (44MB).
> 
> To sum it up:  xACT and Max work very well for re-encoding your FLAC on
> a Mac.  WAV is almost twice as large and sounds noticeably better.
> 
> My questions:  Why does WAV sound more crisp when compared to ALAC? 
> When I stream ALAC or WAV to my SB3 will I hear a difference since the
> SS encodes as WAV for the SB?
> 
> Extra info:  I can't use the SB3 for a comparison until tomorrow -
> in-laws are in town.  I rarely use my Mac as a sound source.  I have a
> lot of disk space but of course I'd like to save as much as I can.

You say WAV sounds better, but fail to mention on what system and any
other context that might be useful to know.

Unless SB3 handles ALAC natively it will be translated to WAV (I
believe) by SS before being sent to the SB.

Have you checked that you don't inadvertently convert any of the
formats to compressed (on SlimServer)?


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[SlimDevices: Audiophiles] FLAC -> WAV or ALAC on iTunes. (With some AIFF thrown in.)

2007-03-15 Thread kphinney

This may be a bit longwinded:
I've read a good portion of the posts regarding FLAC / WAV, etc.
quality, but I feel this may be of particular interest to Mac/iTunes
users, given the transcoding and playing software.

After reading the posts I took the general consensus of users and stuck
with ALAC as a Mac acceptable FLAC alternative.  I also learned that SS
streams WAV to the SB3 (please correct me if I'm mistaken).

I'm knee deep in re-ripping my CD collection directly into iTunes as
ALAC (Apple Lossless) and converting my FLAC files into ALAC using Max.
My FLAC collection is +200GB so it could be daunting if I had to type a
lot of file names.  This evening I found a FLAC compilation that
wouldn't transfer tags over to ALAC (who knows how it was originally
ripped), so out of laziness I converted it to WAV using xACT and then
ALAC using iTunes.
iTunes doesn't automatically delete the old file so I was left with a
.m4a (ALAC) and a .WAV.  Well, I listened to them both and was a bit
put off by the big difference: WAV sounded a lot better than ALAC using
only headphones out from my Mac.  ALAC doesn't seem all that "Lossless"
- even my wife could hear the difference.

Naturally, the ALAC is much smaller at 29MB vs. the WAV at 44MB.  The
original FLAC was also the smaller 29MB.  

So then I did some other conversions:
FLAC -> AIFF  (44.6MB)
FLAC -> WAV  (44.6MB)
FLAC -> ALAC (29.4MB)
FLAC -> ALAC ->WAV  (44.6MB)
FLAC -> AIFF -> ALAC  (29.4MB)
FLAC -> WAV -> ALAC  (29.4MB)
FLAC -> WAV -> ALAC -> MP3 @192 (6.1MB)

Perhaps I've been listening to long and have developed my own bias, but
it seems to me that the WAV files sound better, regardless of whether
they came directly from FLAC (26MB) or from FLAC (26MB) to ALAC (26MB)
to WAV (44MB).

To sum it up:  xACT and Max work very well for re-encoding your FLAC on
a Mac.  WAV is almost twice as large and sounds noticeably better.

My questions:  Why does WAV sound more crisp when compared to ALAC? 
When I stream ALAC or WAV to my SB3 will I hear a difference since the
SS encodes as WAV for the SB?

Extra info:  I can't use the SB3 for a comparison until tomorrow -
in-laws are in town.  I rarely use my Mac as a sound source.  I have a
lot of disk space but of course I'd like to save as much as I can.


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread azinck3

ErikM;188184 Wrote: 
> Wow! So if I hear a difference its not real? You mean I did hear a
> difference, but really I just thought I heard it, so all these years
> when I bought better speakers, and electronics,which I thought sounded
> better I wasn't really hearing better sound I just thought I was? WOW,
> you mean that those first generation CD players which I thought sounded
> like S--T really sounded great. Boy do I feel stupid. I think I'll dump
> my Proac speakers for a Bose Wave radio

You're the one who brought up the comparison to "flat earth theory".

This isn't about CD players.  This isn't about saying that there's no
difference between anything.  We're talking about whether or not
burn-in makes a difference in cables/electronics.

So here's the deal: no one can force anyone to believe something. 
There are some here who claim to be able to hear certain differences. 
Others of us (myself included) have been unable to hear such
differences.

So that leaves us to assess the facts to evaluate the claims being
made.  Outside of anecdotal claims of being able to hear differences
the facts are decidedly *against* those who claim to be able to hear
the supposed effects of burn-in (yet there are a host of psychological
theories that would explain what burn-in advocates are hearing).  So
for those of us who remain skeptics, understand where we're coming
from.  For me, the existence of burn-in effects is about as likely as
the existence of UFOs from outer space.  Possible?  maybe, but highly
unlikely, and ultimately unproven despite many claims of sightings.

And let's be clear:  there are loads of other effects in play.  I'll
wager that moving any piece of furniture in your listening room even an
inch would have more affect on the sound than any possible cable burn-in
could.


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread opaqueice

ErikM;188184 Wrote: 
> Wow! So if I hear a difference its not real? You mean I did hear a
> difference, but really I just thought I heard it, so all these years
> when I bought better speakers, and electronics,which I thought sounded
> better I wasn't really hearing better sound I just thought I was? WOW,
> you mean that those first generation CD players which I thought sounded
> like S--T really sounded great. Boy do I feel stupid. I think I'll dump
> my Proac speakers for a Bose Wave radio

With some experience it starts to get easier to know when you can trust
your perception and when not.  If you're actually interested, try a
computer based ABX program (like foobar2000 with the ABXY plugin), and
see whether you can tell 320 kb/s MP3 from lossless, say.  Once you
start to recognize how often you can be wrong, and how easy it is to
fool yourself into thinking you hear a difference when you don't, you
may become a bit better at judging when to trust yourself.


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Re: [SlimDevices: Audiophiles] Transporter review at Audioholics

2007-03-15 Thread sonofcolin

What I love about this review is that in the summary every category gets
5/5 except one (7 categories) and then at the end the value (taking into
account all the previous scores) is 3.5? Someone can't do math!


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread ErikM

Wow! So if I hear a difference its not real? You mean I did hear a
difference, but really I just thought I heard it, so all these years
when I bought better speakers, and electronics,which I thought sounded
better I wasn't really hearing better sound I just thought I was? WOW,
you mean that those first generation CD players which I thought sounded
like S--T really sounded great. Boy do I feel stupid. I think I'll dump
my Proac speakers for a Bose Wave radio



opaqueice;188148 Wrote: 
> Challenging, yeah - like admitting that something you thought you heard
> might not be real.  Actually, personally I find that pretty easy, but
> evidently there are some people that can't admit it even in the face of
> overwhelming evidence.  Kind of like people that didn't want to admit
> that the earth was round, huh?


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Re: [SlimDevices: Audiophiles] External DAC for SB

2007-03-15 Thread Anne

For Bryston users : Just came over this :
http://www.hometheaterhifi.com/volume_4_3/bryston3b5b.html
this is an old article, but maybe its still true, I dont know. 
Seems that maybe an NOS dac would be the way to go for Bryston users,
or ?


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Re: [SlimDevices: Audiophiles] Transporter review at Audioholics

2007-03-15 Thread johann

tyler_durden;188171 Wrote: 
> Why are all the audio reviewers so far out of touch with technology that
> they use things like apple lossless and windows media lossless files for
> their tests?  99% of the world that isn't magazine reviewers uses flac.

As long as they use lossless formatm why would it matter which one?


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Re: [SlimDevices: Audiophiles] Transporter review at Audioholics

2007-03-15 Thread tyler_durden

Why are all the audio reviewers so far out of touch with technology that
they use things like apple lossless and windows media lossless files for
their tests?  99% of the world that isn't magazine reviewers uses flac.

Methinks they've been polishing their styli too long...

TD


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Re: [SlimDevices: Audiophiles] Transporter review at Audioholics

2007-03-15 Thread johann

Nostromo;188117 Wrote: 
> Anyone here tried to A/B a Squeezebox with a Transporter? I would like
> very much to hear the result.

Yes I did together with a friend.
Both analog there's a huge difference, where the SB sounds very thin
and rolled of in the bass and rolled of but still edgy (in lack of
better word) in the top. Room and space is much better with the
Transporter. To sum it, it's a huge difference.

Pairing the SB with a decent DAC (MF X-DACv3), the difference is not
that big but the Transporter still is better with a smoother top end
and better control.

All IMVHO of course.

Cheers,
/Johan


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Re: [SlimDevices: Audiophiles] Audioengine 5 thread

2007-03-15 Thread moshulu

Funny - this very evening I set up a pair of Audioengine 5s.  So I can't
help responding, even I cannot provide the desired comparison.  My new
speakers are installed in a tiny kitchen, on top of the refigerator. 
They are driven by a Zune - Microsoft's Ipod clone.  I like the sound
very much, and the esthetics/workmanship are very high.  Overall, they
exceed my expectations, especially considering the price (alas, the
same in euros as the US price in dollars).  I only wish the power
switch was in the front.  The USB charging port is a nice feature. 

I sometimes listen to the Zune through Grado SR125 headphones, so I
think that I understand the limitations of the MP3 player and format. 
Given this, I would say that the AE5s are very nice bookshelf
amplifier-speakers, but by no stretch of the imagination do they
qualify as audiophile grade.

Just for yuks, I set the AE5s up in the living room first, next to the
Klipsch RF5s which are driven by my home-built 300B single-ended
monblocks.  These are tricked out with lots of "boutique" components
(Blacks Gates, Jensens, etc.) and get their inputs from an SB3 via a
battery-powered Monica2 DAC.  I played the same tunes through the
SB3/Flac and the Zune/MP3.  Well...let's just say that the Audioengines
are going to remain on kitchen duty.

moshulu


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread opaqueice

ErikM;188131 Wrote: 
> Certainly unhooking and rehooking will slightly clean the connections..
> but that would make things sound better asumming that ones contacts are
> that dirty or corroded. Of course if you did try what I suggest (maybe
> clean the contacts first) and heard a diference what would you do??
> Would you even admit you heard a difference? For some having ones
> beliefs challenged can be , well challenging.

Challenging, yeah - like admitting that something you thought you heard
might not be real.  Actually, personally I find that pretty easy, but
evidently there are some people that can't admit it even in the face of
overwhelming evidence.  Kind of like people that didn't want to admit
that the earth was round, huh?


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Re: [SlimDevices: Audiophiles] Sonos with Transporter

2007-03-15 Thread yooper

I assume you already purchased your XLR cables.  However, if not, two
six foot runs of Canare L-4E6S Star Quad 4 conductor mic cable and
Neutrik XLR connectors for $30.00.  Many colors and lengths to choose
from.

http://www.markertek.com/SearchProduct.asp?item=SC100XXJ&off=120&sort=prod


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Re: [SlimDevices: Audiophiles] Sonos with Transporter

2007-03-15 Thread ErikM

For any cables I'd suggest that you LISTEN to them. If you are in the
USA you can Borrow cables from http://www.fatwyre.com before buying. If
you have a good system the differences will be obvious, but don't
believe me or anyone else, decide with your own ears.


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread P Floding

ErikM;188131 Wrote: 
> Certainly unhooking and rehooking will slightly clean the connections..
> but that would make things sound better asumming that ones contacts are
> that dirty or corroded. Of course if you did try what I suggest (maybe
> clean the contacts first) and heard a diference what would you do??
> Would you even admit you heard a difference? For some having ones
> beliefs challenged can be , well challenging.

I don't belong to those who say cable affecting sound is impossible.
Not even "burn in". But I think it is incorrect to jump to conclusions
as to what exactly has affected the sound. (And I always keep in mind
that it is easy to imagin things. Very easy.)


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread ErikM

Certainly unhooking and rehooking will slightly clean the connections..
but that would make things sound better asumming that ones contacts are
that dirty or corroded. Of course if you did try what I suggest (maybe
clean the contacts first) and heard a diference what would you do??
Would you even admit you heard a difference? For some having ones
beliefs challenged can be , well challenging.


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread tyler_durden

ErikM;188119 Wrote: 
> Here's a simple test that anyone can try. ...snip...
> What you'll most likley hear is that your system now sounds brighter,
> less good, less as it sounded before. This effect will pass in a few
> hours to as much a day, and your system will sound as before. The
> question, if you hear this phenomenon, is why?  I have an idea but
> before I present my conclusions maybe one of those who don't believe
> material changes effect the sonics of audio electronics will have a go.
> Unless one is afraid of finding out the world maybe isn't flat :-)

You oughta quit smoking that stuff; clearly it is NOT good for you.

TD


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread Deaf Cat

ErikM;188119 Wrote: 
> What you'll most likley hear is that your system now sounds brighter,
> less good, less as it sounded before. This effect will pass in a few
> hours to as much a day, and your system will sound as before. The
> question, if you hear this phenomenon, is why?  I have an idea but
> before I present my conclusions maybe one of those who don't believe
> material changes effect the sonics of audio electronics will have a go.
> Unless one is afraid of finding out the world maybe isn't flat :-)

I remember when I first tried the cable I ended up with, plugged it in
and thought ahhh at last a cable that I like in every area of sound
repro.  Then took note of the guy who sent it to me - he advised plug
it in, let it play for a few hours then listen - Why I asked - Just to
let it settle into the system you have, was the reply.

A few hours later, listened again and it was even betterI don't
know how, but I bought it :D and an amazed at how good it sounds each
time it goes on :D, 

.maybe I should get that salesman guy to suggest my car has an
extra 500bhp and pay him £400 :)


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread P Floding

ErikM;188119 Wrote: 
> Here's a simple test that anyone can try. It validates what Hagerman is
> saying, to an extent. Asumming that one has a decent system and can
> hear differences say between speakers ( we can all agree that speakers
> sound different)listen to your system for a few minutes. Then remove
> the interconnect between say amp preamp or better yet the interconnect
> between SB and preamp or CD player and preamp ( you get the idea) now
> take that cable and loosely wrap it around your hand doesn't have to be
> tight just coil it up,say 4"-6" diameter coils. This test assumes that
> the cable in it's normal position is extended to it full lenght between
> components. Now uncoil the cable and put it back on the system, and
> LISTEN. 
> 
> 
> What you'll most likley hear is that your system now sounds brighter,
> less good, less as it sounded before. This effect will pass in a few
> hours to as much a day, and your system will sound as before. The
> question, if you hear this phenomenon, is why?  I have an idea but
> before I present my conclusions maybe one of those who don't believe
> material changes effect the sonics of audio electronics will have a go.
> Unless one is afraid of finding out the world maybe isn't flat :-)

Unfortunately, whenever you remove and reattach cables (interconnect or
power) you affect the surfaces of the connection. Usually you get an
improvement simply by removing and reattaching things. Does your system
sound a bit tired? Try removing and reattaching all cables.


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you ask me.)

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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread opaqueice

ErikM;188119 Wrote: 
> 
> What you'll most likley hear is that your system now sounds brighter,
> less good, less as it sounded before. This effect will pass in a few
> hours to as much a day, and your system will sound as before. The
> question, if you hear this phenomenon, is why?  I have an idea but
> before I present my conclusions maybe one of those who don't believe
> material changes effect the sonics of audio electronics will have a go.
> Unless one is afraid of finding out the world maybe isn't flat :-)

Could you hear this difference in a blind test?  If not, or if you
haven't tried it, it means nothing.  Please don't take that personally
- if I or anyone else tried the same not-blind experiment and heard a
difference, it would also mean nothing.  Expectations are very
powerful.  And incidentally, the experiment you describe here has
nothing to do with what is normally called cable burn-in, where the
cable is left stationary and some electrical signal is sent along it. 
The effect you're talking about, if it existed, could result from
something as simple as improving the electrical contact the cable makes
with the amp from detaching and re-attaching it - nothing to do with
burn-in.

I love this flat-earth thing - it's so deliciously ironic that audio
subjectivists see themselves as the scientific rationalists in this
debate...


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread ErikM

Here's a simple test that anyone can try. It validates what Hagerman is
saying, to an extent. Asumming that one has a decent system and can
hear differences say between speakers ( we can all agree that speakers
sound different)listen to your system for a few minutes. Then remove
the interconnect between say amp preamp or better yet the interconnect
between SB and preamp or CD player and preamp ( you get the idea) now
take that cable and loosely wrap it around your hand doesn't have to be
tight just coil it up,say 4"-6" diameter coils. This test assumes that
the cable in it's normal position is extended to it full lenght between
components. Now uncoil the cable and put it back on the system, and
LISTEN. 


What you'll most likley hear is that your system now sounds brighter,
less good, less as it sounded before. This effect will pass in a few
hours to as much a day, and your system will sound as before. The
question, if you hear this phenomenon, is why?  I have an idea but
before I present my conclusions maybe one of those who don't believe
material changes effect the sonics of audio electronics will have a go.
Unless one is afraid of finding out the world maybe isn't flat :-)


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Re: [SlimDevices: Audiophiles] Transporter review at Audioholics

2007-03-15 Thread Nostromo

> I'd be willing to bet if he A/B'd the Transporter with a Squeezebox that
> "despite numerous attempts" he couldn't tell the difference.

Anyone here tried to A/B a Squeezebox with a Transporter? I would like
very much to hear the result.


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Re: [SlimDevices: Audiophiles] SB2 - Disabling power to analgue sections

2007-03-15 Thread Deaf Cat

Could try the attenuation mute tweek :)

In the Squeezebox settings, under volume, set the attenuation to 63 if
I remember correctly, and see if that makes any difference.

Once muted voices sounded more real to me, but the music seemed to lack
the bite that I like, so I have it at 9.

:)


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[SlimDevices: Audiophiles] SB2 - Disabling power to analgue sections

2007-03-15 Thread plim

There are are few threads on the subject of the SB3 internal power
supplies, but I was wondering if anyone could guide me on how to
disable the power to the analogue sections of the SB2 (two). Basically,
I want the digital coax out and the screen; everything else can be
disabled. I looked at the circuit board and got a bit lost.

I.e., no wireless, headphone and DAC. And perhaps no op-amps?

Would the best be to remove components rather than to cut traces?

Thanks.

5V`2A`--->`Dual`--->`3v3`(IO,`wireless,`logic)
|``Switcher``--->`1v2`(CPU`core)
|
|-->`Linear`reg`--->`3v3`(headphone)
|
|
|-->`Switcher`--->`Multiplier`--->`11VAC`VFD`ef
``|```|
``|```|
``14VDC``|```|->`55VDC`VFD`vdd2
RC`filter<--|
|
|
|>`Linear`reg`--->`9vdc`(op-amps)
|
|>`Linear`reg`--->`5vdc`(DAC)


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread slimkid

hi mmg_fan,

I just noticed you got MG12, rather than MMGs. So, how do you like them
with Yolida? Can you tell there are tubes in the path (as opposed to
some SS amp of the similar level)? Is Yolida capable of driving MGs?

Back to the topic. Can you, with your equipment, tell the difference
between any different brand speaker cables, regardless of broken in or
not?

K


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The sound stage will open up, bass will tighten and the imaging will
improve. DVD performance will also increase substantially.

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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread haunyack

AndyC_772;187999 Wrote: 
> Have you actually read the FAQ? He quite openly admits to having
> absolutely no clue what 'break-in' might actually be doing to the
> cable, or what the effect (if any) is on its measurable parameters.
> Instead he writes a load of fluff like "It is needed to "format" and
> clean up or "wash" the materials in the cable".
> 
> This is not something that would be written by an expert. It's
> meaningless.
> 
> Even if there were some change going on in the cable, who is to say
> it's always advantageous? I'm honestly quite surprised that nobody has
> yet suggested that a cable has a finite life after which it should be
> replaced. The components in your hi-fi - capacitors, especially -
> certainly do have a finite lifetime, during which they're steadily
> degrading.
> 
> Sure, unplug a cable, stick it on some useless gadget for a few hours
> and put it back. You'll have cleaned some oxide or other crud from the
> contacts and given your ears a rest, so I'm not surprised it sounds
> slightly better.

"Unfortunately, because insulation stores and releases energy, it is
also a “dielectric.” In a cable application, all released energy is
distortion. The misnomer “break-in” is often used to describe the
pronounced improvement in performance as the dielectric adapts to a
charged state as the cable is used. Whenever a cable does not have a
charge on it, it is re-adapting to an uncharged state; it is becoming
new again. By maintaining a 72 volt dielectric-bias, far above the
voltage of delicate audio signals, the DBS system provides considerably
better transparency and dynamics than is possible even from a cable in
continuous use. It takes a couple of weeks for the DBS system to reach
maximum performance. Since DBS battery packs are attached when
Kilimanjaro cables are first terminated, Kilimanjaro will be
approaching or at peak performance by the time it is installed in your
system. Since there is no “load” on the two standard hardware-store
batteries, they will last for years. A test button and LED allow for
occasional verification of battery performance."

http://cgi.ebay.com/10-FT-AUDIOQUEST-KILIMANJARO-DBL-BI-WIRE-SPEAKER-CABLE_W0QQitemZ180096477438QQcategoryZ14966QQrdZ1QQcmdZViewItem



All that and more for only $3999.00
Hoo-boy!



.


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Re: [SlimDevices: Audiophiles] Do you use WAV or FLAC ? Pros vs Cons.....Please :-)

2007-03-15 Thread Anne

An answer from a different forum suggested SS just misunderstand
AAC(MP4) and ALAC (Apple Lossless)


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread opaqueice

GaryB;188040 Wrote: 
> TD,
> You do have a way of creating a strawman and then knocking it down.  I
> recommended Hagerman's site because he admits he doesn't know why
> burn-in works scientifically but does offer his own empirical findings.
> He also has built some relatively affordable burn-in accelerators and
> they seem to sell well.  I find this market acceptance an indicator of
> reasonable value given his very low key approach to advertising and his
> willingness to share openly his engineering.
> 

What empirical findings?  I don't see anything on that page other than
some gibberish about materials and a whole bunch of unsubstantiated
claims.  All this from a guy that makes his living *selling a burn-in
product*.  At least the tobacco industry studies showing smoking is
good for you presented some fraudulent pseudo-scientific data - this
guy hasn't even bothered to go that far.

It never ceases to amaze me that some audiophiles regard the opinions
of untrained people, people with a direct financial interest in the
subject, as more credible than those of disinterested professional
scientists that do full-time research on it.  It's as if there's some
vast conspiracy of scientists working feverishly to hide the truth
about great audio, while a few brave Promethean dealers selling $1000
wires forge ahead expanding the frontiers of human knowledge


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread P Floding

tyler_durden;188062 Wrote: 
> What engineering?
> 
> The guy simply recognizes that there are a number if insecure
> in-duh-viduals out there with disposable income to throw away on junk,
> so he provides the junk.
> 
> Here's an old saying that may help you through the rest of your audio
> life: "if there ain't no numbers, there ain't no engineering".
> 
> TD

I don't agree with your portrayal of these kind of people. Some people
simply have a vivid imagination and are able to convince themselves
that their theories are almost certainly true. You most probably find
them amongst the self-taught engineering types. It doesn't make them
devious scammers, even though it might look like that in the eyes of
people with a different disposition.

The problem is that we all need mental models of the world, and
sometimes this model can become all too real. It happens to the
sceptics too.


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Re: [SlimDevices: Audiophiles] Audioengine 5 thread

2007-03-15 Thread P Floding

325xi;188052 Wrote: 
> Audioengine 5 active speakers have been mentioned many times lately, but
> the contexts were so different it's quite difficult to get more less
> clear picture of how good or bad they are for a person used to
> audiophile quality gear.
> 
> If anyone compared, or heard and remembers the impression on how they
> sound comparing to low- or mid- priced audiophile integrated amp with
> *unpowered* bookshelf speakers - please post here.
> 
> I don't think it's fair to compare them to WATT/Puppy speakers driven
> by Lamm monoblocks, therefore I'm looking into comparison with up to
> $1000-1500 amp, and the same price range speakers. Yes, I know it's 10
> times more, but the purpose of this thread is to get the overall
> picture of where Audioengine stands relatively to the real stuff.

One thing to keep in mind is that "how good" something sounds is
correlated to how much clean audio power they can emit and the size of
room used for listening.

My mini Warfdale Diamond 8.1 and a T-Amp sound very good in my small
office, but I'm sure they would sound puny in a larger room.


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread tyler_durden

GaryB;188040 Wrote: 
> TD,
> I recommended Hagerman's site because he admits he doesn't know why
> burn-in works scientifically but does offer his own empirical findings.
> He also has built some relatively affordable burn-in accelerators and
> they seem to sell well.  I find this market acceptance an indicator of
> reasonable value given his very low key approach to advertising and his
> willingness to share openly his engineering.
> ---Gary

What engineering?

The guy simply recognizes that there are a number if insecure
in-duh-viduals out there with disposable income to throw away on junk,
so he provides the junk.

Here's an old saying that may help you through the rest of your audio
life: "if there ain't no numbers, there ain't no engineering".

TD


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread AndyC_772

Thing is, though, he's not just saying "I can't justify the effects of
cable 'burn-in' scientifically, but people claim to be able to hear a
difference, so I believe there is a genuine effect on the properties of
the cable and I have a product which I believe may stimulate and
accelerate the process".

Instead, there's total hogwash about 'formatting' and 'washing'
materials. We are told that a signal of a level which is safe for the
fine wire in a cartridge will somehow succeed in "forming the materials
after a chaotic manufacturing experience" - even if that cable will then
be used to carry mains power.

Even if break-in is indeed a real, physical process which does change
the electrical characteristics of the cable, Hagerman is doing himself
and the industry no favours by promoting his product with such
unscientific babble.


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[SlimDevices: Audiophiles] Audioengine 5 thread

2007-03-15 Thread 325xi

Audioengine 5 active speakers have been mentioned many times lately, but
the contexts were so different it's quite difficult to get more less
clear picture of how good or bad they are for a person used to
audiophile quality gear.

If anyone compared, or heard and remembers the impression on how they
sound comparing to low- or mid- priced audiophile integrated amp with
*unpowered* bookshelf speakers - please post here.

I don't think it's fair to compare them to WATT/Puppy speakers driven
by Lamm monoblocks, therefore I'm looking into comparison with up to
$1000-1500 amp, and the same price range speakers. Yes, I know it's 10
times more, but the purpose of this thread is to get the overall
picture of where Audioengine stands relatively to the real stuff.


-- 
325xi

simaudio nova cdp >> simaudio moon i-5 >> revel performa m20 via
acoustic zen matrix reference ii and acoustic zen satori

-planned additions:... >> deq2496 >> lavry da-10 >>...-

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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread GaryB

tyler_durden;187978 Wrote: 
> The guy is selling a $500 cable break-in device so his opinion is more
> "informed"?  

TD,
You do have a way of creating a strawman and then knocking it down.  I
recommended Hagerman's site because he admits he doesn't know why
burn-in works scientifically but does offer his own empirical findings.
He also has built some relatively affordable burn-in accelerators and
they seem to sell well.  I find this market acceptance an indicator of
reasonable value given his very low key approach to advertising and his
willingness to share openly his engineering.

Hagerman is one of the good guys in audio and offers some of the most
reasonable priced gear to audiophiles out there.  Using his Frykleaner
as an example, he prices it at different levels with different finishes
so its available to a wider audience.  Using the Frykleaner as an
example, one can get it as follows:

--- If you want a fancier case and heavier duty outputs so one can burn
in multiple cables then you have the Frykleaner Gold at $500

--- Or if that's too much one can buy the standard Frykleaner assembled
for $175

--- Or if that's too much one can buy the circuit board and build it
oneself for $39

--- Or if that's too much one can download the sound clip for free 

I think claims that he's milking audiophiles are really missing the
mark.



---Gary


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread tyler_durden

Deaf Cat;188017 Wrote: 
> 
> God knows how it works, I've not got a clue, but would be intrested to
> know how, if it can be explained in terms that I understand - (simple)
> :)

Here how it is explained in terms of what you understand: your
desire/expectation that it will sound better after "burn-in" causes you
to think that it does.

TD


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Re: [SlimDevices: Audiophiles] Little office/bedroom system

2007-03-15 Thread Deaf Cat

Did a little further digging, 
Anybody heard these :
http://www.hhb.co.uk/hhb/uk/products/detail.asp?ID=1897
?


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread Deaf Cat

mmg_fan;187955 Wrote: 
> I'm auditioning some anti-cable interconnects and speaker cables on my
> system (Magnepan MG12's, Jolida hybrid amp) and though a bit bright
> sounding, overall I am quite pleased.
> But the literature accompanying them suggests a minimum of 200 and up
> to 500 hours of 'break-in' time.
> Can someone help or at least offer their opinion?

Do you have shop demo cables, or new out of the box cables to try ?

>From listening to the change in sound that I heard when burning in my
IC, the new and part way burnt in sound, is different to the end, fully
burnt in sound.

So in future I will always try and get hold of a demo cable that has
had plenty of hours use already, let it settle in for an hour or two
(system playing, not listening to it), then sit down, and then decide
if I like it.

The cable I bought needed approx 500hrs burn in, did not believe it to
start with, but it did sound different to the demo cable I had
borrowed.  I seem to remember it went through stages and at one point I
was going to take it back to the shop, as it sounded thin bright and
scritchy.  After a few more days it filled out bass came back, and it
smoothed out lovely :) - To the sound I bought it for.

So I'd say make sure it is fully burnt in before you decide to purchase
it, or not.

God knows how it works, I've not got a clue, but would be intrested to
know how, if it can be explained in terms that I understand - (simple)
:)


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread P Floding

GaryB;187975 Wrote: 
> For another and perhaps better informed opinion, take a look at the
> following FAQ written by Jim Hagerman of Hagtech.  He's a very good
> engineer and makes quality audio products and kits at reasonable
> prices.  The FAQ is here:
> 
> http://www.hagtech.com/burn.html
> 
> And Jim's Frykleaner product for helping accelerate burn in is here:
> 
> http://hagtech.com/frykleaner.html
> 
> I have no connection with Hagerman or Hagtech.
> 
> ---Gary

Unfortunately the "scientific explanation" contained no real science.
Better then to admit to not knowing what is going on.


-- 
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No, I didn't ABX it. And I won't even if you ask me. (Especially not if
you ask me.)

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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread AndyC_772

GaryB;187975 Wrote: 
> For another and perhaps better informed opinion, take a look at the
> following FAQ written by Jim Hagerman of Hagtech.  He's a very good
> engineer and makes quality audio products and kits at reasonable
> prices.  The FAQ is here:
> 

Have you actually read the FAQ? He quite openly admits to having
absolutely no clue what 'break-in' might actually be doing to the
cable, or what the effect (if any) is on its measurable parameters.
Instead he writes a load of fluff like "It is needed to "format" and
clean up or "wash" the materials in the cable".

This is not something that would be written by an expert. It's
meaningless.

Even if there were some change going on in the cable, who is to say
it's always advantageous? I'm honestly quite surprised that nobody has
yet suggested that a cable has a finite life after which it should be
replaced. The components in your hi-fi - capacitors, especially -
certainly do have a finite lifetime, during which they're steadily
degrading.

Sure, unplug a cable, stick it on some useless gadget for a few hours
and put it back. You'll have cleaned some oxide or other crud from the
contacts and given your ears a rest, so I'm not surprised it sounds
slightly better.


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