Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-06 Thread opaqueice

seanadams;288401 Wrote: 
> You keep saying "by definition". By definition of what?
> 

Of a properly functioning DAC.

> Audibility is a separate argument we could have... but your statements
> about DACs here are wrong.

I don't agree at all - audibility is -not- a separate argument.  We're
talking about audio DACs intended to be connected to a stereo system
and listened to.  A change in the output at -140dB, while it might be
measurable,  is not relevant.  

In any case there are (relatively inexpensive)  DACs out there which -
at least as far as I can tell from published measurements - are totally
immune to jitter.  Given that that's possible, there is no excuse for a
high-end DAC not to reduce the effects of jitter to the point where
they are inaudible.  A DAC which doesn't do that is not designed
properly.  

So I stand by what I said.


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Re: [SlimDevices: Audiophiles] Been listening to some bookshelf speakers

2008-04-06 Thread SuperQ

I don't know about the Audience 52, but they seems similar to the
Dynaudio BM 5A.  (active studio monitor) I've listened to the BM 5A,
they're amazingly nice.  I've been thinking about trying to find a
dynaudio dealer in San Francisco area to listen to their home audio
stuff.


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[SlimDevices: Audiophiles] Been listening to some bookshelf speakers

2008-04-06 Thread swhite58

I'm in the market for new speakers so on friday I listened to the
following:

Elac BS123
Quad 11L (they didn't have the 12L in stock)
Dynaudio Audience 52
Energy RC-10

I didn't like the Energys much, the Elacs were good, the Quads better,
but the Dynaudios were the clear winner, with a very smmoth, natural
midrange and top end.  I'm interested in hearing the Quad 12L when they
arrive, to see if they are significantly better than the 11L.

Has anyone heard or owned any of these speakers?

Shane


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Re: [SlimDevices: Audiophiles] Linn Klimax DS - Network Music Player

2008-04-06 Thread Kris

Everyone owes it to themself to read this:

http://www.linn.co.uk/files/eaccc978/Linn%20Klimax.pdf

No DAC with a SPDIF interface like your Transporter will touch the DS
:)


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Re: [SlimDevices: Audiophiles] Q: 'Alternative' CD formats..SACD, HDCD, XRCD

2008-04-06 Thread SteveEast

rhizomaticon;288213 Wrote: 
>  FLAC is great, but is actually noticeably inferior to WAV/CD -- the
> tonality of instruments is quite good to my ear, but the soundstage
> shrinks and flattens out.  I think you're loosing too much of the
> higher harmonics/overtones that are nearly imperceptible but still give
> us our spacial cues (think of how you can actually hear objects/space
> when you close your eyes or have the lights out even though they aren't
> emitting sound). 

This is wrong. FLAC is lossless. You're not losing anything from the
original WAV.

Steve.


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-06 Thread seanadams

opaqueice;288377 Wrote: 
> If it's functioning as it's supposed to, yes - by definition.  And there
> are plenty of DACs that do that, according to all evidence.

You keep saying "by definition". By definition of what?

Alls DAC which get their timing from the s/pdif signal are susceptible
to jitter, and it is easily detected at the analog outputs using a
spectrum analyzer. And it it easy to show that different transports can
have different jitter content.

This does not mean these DACs are not functioning as they're supposed
to. If a DAC which implemented word clocking or ASRC were susceptible,
then yes I'd agree they're not functioning as specified. But that's a
small subset of DACs.

Audibility is a separate argument we could have... but your statements
about DACs here are wrong.


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Re: [SlimDevices: Audiophiles] Linn Klimax DS - Network Music Player

2008-04-06 Thread Kris

Andrew B.;287936 Wrote: 
> Unfortunately you listened in two different systems, one of which was
> probably not in your normal listening room. So your review is pretty
> meaningless, sorry
> 
> You can be very very sure that the difference between rooms and
> speakers and amps is greater than the difference between digital source
> components of this level.
> 
> Andrew

What are you talking about Andrew?


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Re: [SlimDevices: Audiophiles] Q: 'Alternative' CD formats..SACD, HDCD, XRCD

2008-04-06 Thread Pat Farrell
rhizomaticon wrote:
> The important thing to remember about SACD is that it is not a PCM
> format like CD or DVD-A or MP3 but completely different.
 >[snip]
>   SACD's approach is called Direct Stream Digital (DSD),
> which samples 1 bit at 2.8 MHz, allowing a far greater approximation of
> an analogue waveform which one could conceptualize as a 0 bit with an
> infinite sample rate (?).  At least that's how I understand it so it
> may very well be wrong.  

You are wrong. DSD is only slightly different than PCM, it too samples 
the waveform, it just does one bit samples at a higher rate.

your 2.something mHz rate is not much different than 24 bit PCM at 96kHz

the arithmetic is simple, 24 * 96,000 == 2304000
or with commas 2,304,000

Sony did nothing outside of what Shannon and Nyquist predicted.


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Re: [SlimDevices: Audiophiles] Q: 'Alternative' CD formats..SACD, HDCD, XRCD

2008-04-06 Thread DCtoDaylight

rhizomaticon;288213 Wrote: 
>  SACD is that it is not a PCM format like CD or DVD-A or MP3 but
> completely different.  All PCM formats I would argue are fundamentally
> flawed in the way they sample the analogue waveform - they literally
> chop it up, and regardless of the bitsize or rate, you are always going
> to get that digital edge and grain with PCM.  SACD's approach is called
> Direct Stream Digital (DSD), which samples 1 bit at 2.8 MHz, allowing a
> far greater approximation of an analogue waveform which one could
> conceptualize as a 0 bit with an infinite sample rate (?).  

Ummm  Sorry, but you're wrong.
DCD chops up the analog waveform, just like PCM, only faster and with
far less precision.  With the correct software, it's possible to
convert back and forth between the two formats.  In fact, most SACD's
are mixed in the PCM format, and then converted to DSD in the final
mastering stages.


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-06 Thread opaqueice

Manelus;288366 Wrote: 
> So any transport feeding same DAC would sound the same?
> Come on!

If it's functioning as it's supposed to, yes - by definition.  And
there are plenty of DACs that do that, according to all evidence.


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-06 Thread Pat Farrell
Manelus wrote:
> So any transport feeding same DAC would sound the same?
> Come on!

Pretty much.
I've never understood why the audiophile magazines drool over 
transports. All they are required to do is deliver a bit stream.

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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-06 Thread Manelus

So any transport feeding same DAC would sound the same?
Come on!


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Re: [SlimDevices: Audiophiles] Q: 'Alternative' CD formats..SACD, HDCD, XRCD

2008-04-06 Thread Pat Farrell
morris_minor wrote:
> rhizomaticon;288213 Wrote: 
>> With this in mind, when it comes to my CD collection I've decided to
>> rip all rock/electrically amplified music as FLAC, with a few
>> exceptions.  Typically, unremastered rock CDs that I've had for years
>> are fine in FLAC.  All jazz and classical goes in as full WAV. 
>>
> Doesn't a decoded FLAC give a perfect bit-for-bit copy of the original?
> What's the advantage of streaming a WAV file over a FLAC file?

I'm not 'rhizomaticon' but yes, FLAC generates bit perfect output.
All that a WAV/PCM file has is twice the size flying over the network.

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Re: [SlimDevices: Audiophiles] Q: 'Alternative' CD formats..SACD, HDCD, XRCD

2008-04-06 Thread morris_minor

rhizomaticon;288213 Wrote: 
> 
> With this in mind, when it comes to my CD collection I've decided to
> rip all rock/electrically amplified music as FLAC, with a few
> exceptions.  Typically, unremastered rock CDs that I've had for years
> are fine in FLAC.  All jazz and classical goes in as full WAV. 
> 
Doesn't a decoded FLAC give a perfect bit-for-bit copy of the original?
What's the advantage of streaming a WAV file over a FLAC file?


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Re: [SlimDevices: Audiophiles] Q: 'Alternative' CD formats..SACD, HDCD, XRCD

2008-04-06 Thread opaqueice

pfarrell;288261 Wrote: 
> 
> Back when SACD and DVD-A were alive, Stereophile did a spectral
> analysis 
> of the music, and most (all?) of the 'high res' recordings had no 
> content above 22kHz or 24 kHz, which implies that they were recorded 
> initially at 44.1 or 48 kHz.
> 
> In practice, all of the steps in the recording chain, from mic to 
> preamp, to 2" tape machines are not designed to deliver much about
> 20-20kHz.
> 
> I too am convinced that Sony's push for SACD was purely for DRM, all
> the 
> claims about DSD being superior just marketing spin.
> 

That's in accord with the results of that recent study Meyers/Moran. 
IIRC there was only a single SACD that had a noise floor below the
redbook threshold, and that was the only one which could be
distinguished from a ADC->DAC processed version at 44.1/16 (and that
one only by cranking the volume on a silent passage and listening to
the noise floor).


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-06 Thread adamslim

As Opaqueice indicated, if a DAC is working (I'd use the phrase "really
good"), it should sort out jitter, and so should be independent of
transport.  In principle, the SB3 should sound the same as the TP.

In practice, I don't quite hold with the 'perfect DAC' position, but
certainly I have struggled to hear much difference between transports
into decent DACs.

The other thing to try is to spend longer listening than just an A/B
swap.  I have often found myself listening much later with better
digital sources, despite not being able to readily pick them apart in
quick A/B tests.


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Those are my principles, and if you don't like them... well, I have
others

SB+, EAR V20, Living Voice OBX-R2s plus some other stuff
SB3, Charlize, Harbeth HL-P3ES

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Re: [SlimDevices: Audiophiles] Q: 'Alternative' CD formats..SACD, HDCD, XRCD

2008-04-06 Thread Pat Farrell
darrenyeats wrote:
> In terms of published evidence I've not read a shred of evidence that
> hi-rez is audibly better than red book as a format, and there is at
> least one study I know of that suggests there is no audible difference.
> That's why I believe hi-rez formats are all about DRM and I don't worry
> about red book when I sit down to play some tunes.

Back when SACD and DVD-A were alive, Stereophile did a spectral analysis 
of the music, and most (all?) of the 'high res' recordings had no 
content above 22kHz or 24 kHz, which implies that they were recorded 
initially at 44.1 or 48 kHz.

In practice, all of the steps in the recording chain, from mic to 
preamp, to 2" tape machines are not designed to deliver much about 20-20kHz.

I too am convinced that Sony's push for SACD was purely for DRM, all the 
claims about DSD being superior just marketing spin.

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Re: [SlimDevices: Audiophiles] Q: 'Alternative' CD formats..SACD, HDCD, XRCD

2008-04-06 Thread darrenyeats

The format discussion is always muddied by the mastering angle, as Pat
said.

Unless you are comparing exactly the same recording in the different
formats, comparisons are not valid. Some SACDs are not encoded from the
same master as their CD equivalents. In other words you can't assume
that, because an SACD sounds better than its CD equivalent, SACD is a
better format.

Whether or not the differences in mastering are intentional (conspiracy
theorists can jump in at this point) Sony and other hi-rez vendors are
rubbing their hands every time mastering differences are assumed to be
format differences.

In terms of published evidence I've not read a shred of evidence that
hi-rez is audibly better than red book as a format, and there is at
least one study I know of that suggests there is no audible difference.
That's why I believe hi-rez formats are all about DRM and I don't worry
about red book when I sit down to play some tunes.
Darren


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Re: [SlimDevices: Audiophiles] Jvc Xrcd

2008-04-06 Thread Wombat

> 
> 
> You mean loss of high frequency content and compression that is 
> unavoidable with any tape machine? Even a 2" machine running at 30IPS?
> 

Most likely. At least the Yim-Hok Man i tried does suffer this way. As
said before i don´t know the Brothers In Arms XRCD and only read some
impressions. Thats why i didn´t buy it.
I say "suffer" cause i don´t like the sound of the processed Yim-Hok.


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-06 Thread Rodney_Gold

My meridians have 2 digital inputs, I just took SPDIF from a SB and from
a TP using the EXACT same cables and synched both players and did both
sighted and blind AB tests on each , no matching required. There was no
discernable difference at all tween either the SB and TP. To further the
test , I used a Theta transport and a Jolida CDP's spdif out and tried
my best to synch a cd and either the SB's or the TP's spdif output and
did the same testing (neither were truly double blind ABX) and did not
notice any difference between em, well nothing I could swear blind to
so to speak.
Right now Im using my Z-sys's digital pre (seamless input switching) to
do the same thing to an audio alchemy dac (yeh its a little dated) and
into my headphone amp and a set of top notch senns.  Im trying my best
to see if there is any difference tween the SB and the TP and so far ,
granted wth ME switching tween the 2, there is nada into another
offboard dac.???
So what does this mean , the only 2 conclusions are that A) there is no
discerbable difference or B) my ears are flucked and I cant hear
well.


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TP/TACT 2.0/SCM 50a's
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Re: [SlimDevices: Audiophiles] Q: 'Alternative' CD formats..SACD, HDCD, XRCD

2008-04-06 Thread rhizomaticon

IMHO SACD is the best sounding format for digital.  I love analog sound
but came late to the game and never accumulated the equipment and LPs
to make it worthwhile.  SACD gets closer than anything to analog as far
as my ears are concerned.  It has incredible detail, tonal accuracy, and
soundstaging combined with utterly liquid effortlessnees that allows you
to listen for hours very carefully without fatigue.  I have a few Mahler
symphonies on SACD if you know what I mean.

The important thing to remember about SACD is that it is not a PCM
format like CD or DVD-A or MP3 but completely different.  All PCM
formats I would argue are fundamentally flawed in the way they sample
the analogue waveform - they literally chop it up, and regardless of
the bitsize or rate, you are always going to get that digital edge and
grain with PCM.  SACD's approach is called Direct Stream Digital (DSD),
which samples 1 bit at 2.8 MHz, allowing a far greater approximation of
an analogue waveform which one could conceptualize as a 0 bit with an
infinite sample rate (?).  At least that's how I understand it so it
may very well be wrong.  Also, most SACDs to have 5.1 mixes so I agree
as someone else said that you are getting an engineer's interpretation
with the mix, but all have 2 channel mixes as well (my preference) that
are usually direct remasterings of original analog masters (in the case
of older recordings).  Love it.

I have done ABCDE... testing with my squeezebox and my Sony SACD
player.  There is some music (Kind of Blue, Dark Side of the Moon,
Sketches of Spain) which I have on both CD and SACD, so I've ripped it
in low bit rate MP3, FLAC, full WAV.  I can then compare those formats
with CD and SACD on the Sony.  MP3 is appallingly bad, completely
uninvolving and just wrong.  I also have some music in WMA when I was
using WM Player, and it's not really much better.  I can't believe
people tolerate it, but I'm sure those little white earbuds have a lot
to do with it.  FLAC is great, but is actually noticeably inferior to
WAV/CD -- the tonality of instruments is quite good to my ear, but the
soundstage shrinks and flattens out.  I think you're loosing too much
of the higher harmonics/overtones that are nearly imperceptible but
still give us our spacial cues (think of how you can actually hear
objects/space when you close your eyes or have the lights out even
though they aren't emitting sound).  WAV/CD is fine but inevitably has
that sheen or edge in the higher frequencies that to my ear is a little
grating and leads to fatigue.  Nevertheless, a very cool thing is that I
cannot hear the difference between the SB3 and the Sony-- or rather, I
can hear a little difference, but each is equally satisfying, like say
a Bordeaux and a Rioja, or perhaps a left vs. right bank Bordeaux. 
SACD is, as I said before, utterly liquid, effortless, and the closest
thing to the real thing I've ever heard (but I've never heard a really
outstanding analog system). 

With this in mind, when it comes to my CD collection I've decided to
rip all rock/electrically amplified music as FLAC, with a few
exceptions.  Typically, unremastered rock CDs that I've had for years
are fine in FLAC.  All jazz and classical goes in as full WAV.  The
only discs I have out for playing in the Sony now are SACDs, again with
some exceptions or if I have something new I want to check out.  I love
the SB3/SqueezeCenter for everyday listening or parties etc., but
ultimately SACD is the most satisfying for sheer listening pleasure. 
Any music I am really serious about I buy on SACD if possible, and if
it's a hybrid CD/SACD disc then I rip it as full WAV too.  I think
we've all had the experience of hearing something so good that you
can't go back.  That's what SACD is for me.

Anyhow, long post, but that's my experience.

Cheers,
B


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Re: [SlimDevices: Audiophiles] Jvc Xrcd

2008-04-06 Thread Pat Farrell
Wombat wrote:
> In the end it only was 16bit at the time it was recorded. So JVC most
> likely did record it to tape and back with some "magic" and gave it a
> different sound.

You mean loss of high frequency content and compression that is 
unavoidable with any tape machine? Even a 2" machine running at 30IPS?

Some folks love the sound that tapes make, but its a distortion. Humans 
like some distortion. op cit: all the tube lovers


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Re: [SlimDevices: Audiophiles] Jvc Xrcd

2008-04-06 Thread Wombat

PhilNYC;288111 Wrote: 
> I agree.  Also, Doug McLeod's "Come to Find" is excellent.  Others I
> highly recommend (purely based on sound quality improvements over
> original CD releases) are:
> 
> Eagles - Hell Freezes Over
> Dire Straits - Brothers in Arms
> Sonny Rollins - Saxophone Collosus
> Sonny Rollins - Way Out West
> Wes Montgomery - Full House
> Jazz at the Pawn Shop (also far superior than the SACD version)
> 
> I don't know if their technical claims hold merit, but the sound
> quality on all of these versions are superb.

Yes, indeed. seems like on older material were a more carefull transfer
to CD can lead to superior quality XRCD has advantages just like MFSL
for example.
It is still debatable if new recordings from the last time are better
the way they are treated by JVC.
I don´t have the Brothers In Arms but many seem to like the original
most.
In the end it only was 16bit at the time it was recorded. So JVC most
likely did record it to tape and back with some "magic" and gave it a
different sound.


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Re: [SlimDevices: Audiophiles] Jvc Xrcd

2008-04-06 Thread DCtoDaylight

Interesting, I hadn't realized that Doug Mcleods discs were also
available on XRCD.  Those would be some that could be used for
comparisons, as they are also available (or at least were available) in
both standard and HDCD releases as well.  In fact there was a small
release of 2 disc sets, one standard and one HDCD specifically so you
could compare the difference (although the cynic in me always wondered
if they didn't doctor one version or the other).


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-06 Thread opaqueice

Manelus;287972 Wrote: 
> TP and Audio Note DAC can't be broken, since they sound great.

If two different digital sources going into the same DAC sound
different, the DAC is broken - by definition.

The function of a DAC is to convert a digital stream into analogue.  If
you feed it the same digital stream and get a different analogue output,
it isn't working.


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-06 Thread Rodney_Gold

So my stuff is low end junk and yours is high , so thats why the
differences in my case werent huge?


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Sb3/Z-sys RDP1/meridian DSP5500's
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TP/TACT 2.0/SCM 50a's
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feeling you get when you stop"

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Re: [SlimDevices: Audiophiles] Jvc Xrcd

2008-04-06 Thread PhilNYC

Gomez;288110 Wrote: 
> You should give Doug Mcloed / You Can't take my Blues (& a few others) a
> spin on Jvc xrcd the sound is simply stunning Through my Tag McLaren
> power Amps & B&w Speakers Amazing just shows what the cd format is
> capable of given a little effort. Sounds a lot better to me than the so
> called super audio cds.

I agree.  Also, Doug McLeod's "Come to Find" is excellent.  Others I
highly recommend (purely based on sound quality improvements over
original CD releases) are:

Eagles - Hell Freezes Over
Dire Straits - Brothers in Arms
Sonny Rollins - Saxophone Collosus
Sonny Rollins - Way Out West
Wes Montgomery - Full House
Jazz at the Pawn Shop (also far supperior than the SACD version)

I don't know if their technical claims hold merit, but the sound
quality on all of these versions are superb.


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Re: [SlimDevices: Audiophiles] Jvc Xrcd

2008-04-06 Thread Gomez

You should give Doug Mcloed / You Can't take my Blues (& a few others) a
spin on Jvc xrcd the sound is simply stunning Through my Tag McLaren
power Amps & B&w Speakers Amazing just shows what the cd format is
capable of given a little effort. Sounds a lot better to me than the so
called super audio cds.


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Re: [SlimDevices: Audiophiles] BBC - higher bit rate

2008-04-06 Thread bpa

They have only recently upgraded to 64kbits from 40kbits/sec.  The
worldwide remit is to provide services accessible to all - so this used
to be interpreted as audio had to be available via dialup. 

The BBC have been doing private trials of multicast and higher rate
streams.  However hints are that any better quality services such as TV
and better quality audio will only be available to BBC license payers -
i.e. UK only.


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Re: [SlimDevices: Audiophiles] BBC - higher bit rate

2008-04-06 Thread rbl

Shame, and a little out of date. Do you knnow if they have any plans for
a higher bit rate? 64Kbit/s is pretty lousy quality!


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-06 Thread amcluesent

>The difference is HUGE.<

Have you tried using Linux rather than Windows to host SqueezeCentre? A
veil may be lifted.


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Re: [SlimDevices: Audiophiles] BBC - higher bit rate

2008-04-06 Thread bpa

No - the BBC have only 64kbit/sec streams on public access.


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[SlimDevices: Audiophiles] BBC - higher bit rate

2008-04-06 Thread rbl

Hi - to get BBC radio 3, 4 I believe you have to use ALienBBC. But this
has a very low bit rate. Is there a way of getting a decent bit rate on
BBC 3, 4?


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Re: [SlimDevices: Audiophiles] Linn Klimax DS - Network Music Player

2008-04-06 Thread harmonic

tomjtx;288021 Wrote: 
> That's quite a feat moving speakers blind. Hope you didn't stub your
> toes.

After the test  i moved the speakers  ; )


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Re: [SlimDevices: Audiophiles] Linn Klimax DS - Network Music Player

2008-04-06 Thread tomjtx

harmonic;288015 Wrote: 
> A long way down the road i actually  have the same oppinion as opp.
> 
> I dont hear major difference between  different  transports  and to
> some degree alos  well designed sources.
> 
> Havever   there issent a rule without and exception and the exception
> is Linn sources.
> 
> Blind or not blind  linn sources are kinda special,  the are extremly
> tunefull and musical above all.
> Blind the are easy picked out   because the play the tune  so its  easy
> to folow  wich make the sonics standout compared to other sources.
> 
> I did the dbt level matched  with a unidisk sc against the sb3 and the
> main thing   i wrote down was that it was extremly  easy to follow the
> diferent tunes in the music  with the linn unidisk.
> Also the unidisk had so much more bass deepth and bass articulation
> that i had to move the speakers 20 cm father from the back walls.

That's quite a feat moving speakers blind. Hope you didn't stub your
toes.


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