[SlimDevices: Audiophiles] A little light relief...

2008-06-25 Thread radish

I rarely get to see/hear serious audiophile setups but this evening I
was at a party in NYC and the hosts had some pretty serious kit, I
thought you folks might help me identify some of the stuff and give me
an idea of how it ranks? Feel free to flame :) Apparently the man of
the house reviews for one of the audio magazines so I have no idea if
what I saw was his own rig or review gear. 

Anyway...the main stuff appeared to be the Behold range
(http://www.behold.eu/page.php?en10) - specifically the APU768,
BPA768-484-B & CDP. The speakers are a little more mysterious. I should
have taken a photo but felt a little weird doing so, but I'm pretty sure
the name on the front said Spectral Cables. But they seem to only make
cables, not speakers, so I've no idea who made them. They were probably
5-6ft tall, 1ft wide and 2 deep, finished in piano black. There was what
looked like a huge front facing bass port at ear level (basically just a
giant tube with I guess a cone at the back but I could hardly see) and
some smaller ones further down, and a small metal tweeter high up on
top. Any ideas? I'm curious as to what the hell they were. 

As for sound, it was not a good environment for listening, but they
were sure loud! One thing that disappointed me was that with all the
amazing equipment the actual source in use tonight was the line out
jack of a laptop! I need to get a TP into that place...


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Re: [SlimDevices: Audiophiles] dCS Elgar and Verona with SD Transporter

2008-06-25 Thread Ciaran

The first Verdi which upsampled was the Verdi la Scala. When I was in
communication with dCS in England, they also referred to the Verdi
Encore: an upsampling Verdi with digital inputs. At the time I couldn't
see why I would want one and it cost extra, so I didn't follow it up.


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Re: [SlimDevices: Audiophiles] dCS Elgar and Verona with SD Transporter

2008-06-25 Thread Topanga

My setup includes a DCS Verdi transport, Purcell upsampler, Elgar Plus
DAC and a Verona clock. All the units are connected to the Verona clock
and my plan is to connect the TP to the Verona clock, this seems to make
sence. 

Also after talking to the Tech at Audiophile Systems, the distributor
of DCS in the USA, He is using the SPDIF output of his server to the
input of the Purcell to upsample the server to DSD. This is a real plus
to individuals who own the Purcell and older Verdi vs the newer Verdi
with the upsampler built in. The newer Verdi's don't have an input to
upsample.

Rick


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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Phil Leigh

read this:
http://www.wolfsonmicro.com/uploads/documents/ADC_Paper_v1.1.pdf



Clive's point is correct about ADC's running (internally) at high
sampling rates. Prior to the modern ADC chip, an analogue filter is
always used to roll-off extreme high frequencies. This is benign
because it is simple & gently sloped - as per your quote - and
operating at nowhere near the Nyquist frequency for 44.1. It will NOT
alias down into the audio region.

Writing out the data from the ADC at 44.1 or 88.2 or whatever doesn't
"lose" this benefit. Also, by upsampling within the DAC, the same
problem is avoided on replay.

You don't need to store the data in a high res format. 44.1/24 is fine
for holding the audio data IMHO. What matters is what the ADC's and
DAC's do.

I strongly believe this is why cast-iron examples of clear audible
benefits or problems related to sampling frequency >44.1 are few and
far between...

And also why SACD and DCD-A weren't the success they were expected to
be.


YMMV


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT RCS 2.2X with Good Vibrations S/W - MF X-DAC
V3/X-PSU/X-10 buffer (Audiocomm full mods)- Linn 5103 - Linn Aktiv 5.1
system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend
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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Pat Farrell
cliveb wrote:
> Nobody uses analogue filters at 22.05kHz during A/D these days.

Because all those brickwall filters were evil, EVIL.
They completely screwed up the phase down into 10kHz. Maybe way lower.
Too evil to think about using.


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Re: [SlimDevices: Audiophiles] Advice on 24/96 with SB3 Please.

2008-06-25 Thread adamslim

mvalera;314923 Wrote: 
> audible garbage due to the downsampling.

I think the phrase you're looking for is aliasing artefacts ;)


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others

SB+, EAR V20, Living Voice OBX-R2s plus some other stuff
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Re: [SlimDevices: Audiophiles] Advice on 24/96 with SB3 Please.

2008-06-25 Thread mvalera

I've never tried it, but I believe in a conversation I had with Sean he
said there was audible garbage due to the downsampling. 

The downsampling is only there so you can hear... something. Officially
24/96 is NOT supported by the Squeezebox line.

Mike


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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread cliveb

Rodney_Gold;314908 Wrote: 
> Well , to my knowledge it has to be a brickwall filter at 22.5khz , I
> cant see how it can be benign
Nobody uses analogue filters at 22.05kHz during A/D these days. All
ADCs sample at quite high rates precisely so the anti-aliasing filter
can run at high frequencies, well away from the audible range. Then a
digital filter with much better phase accuracy can be used when
downsampling to 44.1kHz.


-- 
cliveb

Transporter -> ATC SCM100A

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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Rodney_Gold

Well , to my knowledge it has to be a brickwall filter at 22.5khz , I
cant see how it can be benign , it surely has to affect frequencies in
the audible spectrum to some extent as per 

ccrma.stanford.edu/courses/192a/Sampling.pdf

Anti-Alias Filters:

In order to prevent aliasing, we must remove any frequencies above half
the sampling rate fromthe signal. This is done by filtering the signal.
Since we want 20 kHz frequencies to be reproduced,we must filter very
sharply above this frequency. Unfortunately, a simple filter cannot
remove frequencies near to the 20 kHz cutoff very well. We must use a
very sharp, complicated filter to remove the unwanted frequencies
without also losing some frequencies inside the audio bandwidth. These
filters are known as “brick-wall” filters because they cut off so
rapidly above their corner frequency. It is not unusual to find 12 pole
filters employed as anti-aliasing filters.

As you might imagine, the design of these critical filters is very
complicated. It is not possible to filter a signal so heavily without
making some changes to the signal which is passed through.

Often, the transient response suffers audibly as the complex filter
responds to the driving signal. These filters are responsible for much
of the criticism of digital audio, especially for the socalled
harshness of early digital recorders. In recent years, the speed of
computer chips has
increased to the point where sophisticated mathematical processes can
be applied to digitized signals which remove the unwanted frequencies
from the signal after it is digitized, reducing the need for sharp
analog filters. These procedures come under the heading of
oversampling, a technique which allows high-speed sampling without
increasing the amount of data to be stored. Even in these systems some
analog filtering is still required, but simple filters with just a few
poles are used, thereby reducing the deleterious effects of brick-wall
filters. And as sample rates extend to 96 kHz and even 192 kHz, the
requirement for analog filters is further relaxed.


-- 
Rodney_Gold

Sb3/Z-sys RDP1/meridian DSP5500's
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TP/TACT 2.0/SCM 50a's
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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Phil Leigh

Rodney_Gold;314884 Wrote: 
> Surely there is also a filter implemented in the AD processor , to cut
> any frequencys above 1/2 the sampling rate?

yes but as this is a (relatively benign) high-order analogue filter
that is merely removing high frequencies prior to the ADC itself, it
isn't going to cause the aliasing-down problem


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT RCS 2.2X with Good Vibrations S/W - MF X-DAC
V3/X-PSU/X-10 buffer (Audiocomm full mods)- Linn 5103 - Linn Aktiv 5.1
system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend
Supertweeters, Kimber & Chord cables

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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Pat Farrell
Pale Blue Ego wrote:
>   Isn't the
> current SB3/SBR limitation only due to CPU or buffer memory limits?

perhaps both, Sean said CPU cycles aren't there. faster/wider takes more
memory and cpu even if the DAC can handle it. Given the tremendous
pressure on keeping prices down, its not at all clear to me that there
is any justification. It adds cost which raise selling price, and there
is no mass market source to use it, so its impossible to argue that the
additional costs will make the unit sell better.

In the Transporter, they have a different market, but the Receiver and
SB are mass market products. Price is king.

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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Rodney_Gold

Surely there is also a filter implemented in the AD processor , to cut
any frequencys above 1/2 the sampling rate?


-- 
Rodney_Gold

Sb3/Z-sys RDP1/meridian DSP5500's
TP/X-cans v3/Senns 650's
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TP/Meridian DSP5000's
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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Pale Blue Ego

adamslim;314776 Wrote: 
> I think it's highly unlikely that it will ever support 24/96.  SD
> designed the TP for audiophiles who wanted that kind of thing - I can't
> even see why they would want to put into their cheapest product.

Because most audio chips already handle 24/96, there's no reason for
Slim mot to feature it in a future low-priced player.  Isn't the
current SB3/SBR limitation only due to CPU or buffer memory limits?


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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Phil Leigh

Rodney_Gold;314859 Wrote: 
> I was under the impression that High sample rate recording is not to
> preserve inaudible sonics , its so that anti aliasing filters are much
> higher up in the freq scale and thus dont impact or lessen the impact
> at audible frequencies?

if you are talking about the DAC filter...true - which is the only
plausible benefit of upsampling - which you can do with a 44.1 file. 
My DAC upsamples internally to 384Khz for this reason.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT RCS 2.2X with Good Vibrations S/W - MF X-DAC
V3/X-PSU/X-10 buffer (Audiocomm full mods)- Linn 5103 - Linn Aktiv 5.1
system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend
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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Rodney_Gold

I was under the impression that High sample rate recording is not to
preserve inaudible sonics , its so that anti aliasing filters are much
higher up in the freq scale and thus dont impact or lessen the impact
at audible frequencies?


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Sb3/Z-sys RDP1/meridian DSP5500's
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TP/Meridian DSP5000's
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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Phil Leigh

pfarrell;314840 Wrote: 
> Phil Leigh wrote:
> > There is little to be recorded at 20khz never mind 24... in the past
> > very very few tape machines (or tapes) could get flat past
> 22khz...and
> > the mics were rolling off there as well. Modern mics and digital
> > recorders can go much higher...
> 
> I'm not sure what you mean by "modern mics". But the classic mics,
> Neumann U87, RCA 44, etc. roll off below 20kHz. If you look at the
> chart
> from any serious mic, the start rolling off in the 15kHz to 18kHz
> range.
> 
> You really don't want to record the white noise of cymbals, which is
> about all that's up there.
> 
> There have been a number of "digital mics" released recently. Too many
> in my view. They just are a regular mic with a ADC in the housing.
> Which
> means you are "stuck" with whatever ADC they put in it at the time.
> I'm
> a lot happier with regular mics, and I can change ADCs whenever I
> want.
> 
> -- 
> Pat Farrell
> http://www.pfarrell.com/
Pat,
I was thinking of some of the large "solid state" diaphragm Beyers
(740) and AKG's - they could get up there on a good day as could most
decent electrets. Valve Neumanns and AKG's probably rolled off at 17/18
or earlier as you say.


Digital mikes! - yeauch!


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT RCS 2.2X with Good Vibrations S/W - MF X-DAC
V3/X-PSU/X-10 buffer (Audiocomm full mods)- Linn 5103 - Linn Aktiv 5.1
system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend
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Re: [SlimDevices: Audiophiles] Shopper connects to Jesus via Denon link cable

2008-06-25 Thread nuhi

Nonreality;314779 Wrote: 
> Are you saying that these reviews are making suckers part with their
> money faster?  You have to be kidding. I would think that anyone that
> was considering getting one is probably looking in a different
> direction.  Oh and I do know some will buy them regardless.
It makes it more visible, that is all they need. Pseudo science will
spread slowly, someone will post on some biased forum that it sounds
better and others will confirm.
(if you want examples I can link it, they are buying expensive USB
cables already)

How many times did you read about funny power cable claims. That didn't
stop me from buying them. Now I regret it after waking up from that
belief but it is too late.
Even back then I knew that there wasn't a scientific explanation (other
than maybe a placebo effect) but that does not matter when you hear the
difference.
Blind tests are the only cure. But it is difficult to do properly and
not everyone allows themselves to think that there is a possibility
that what they hear is not actually happening.


-- 
nuhi

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Re: [SlimDevices: Audiophiles] How to lower output level DAC the audiophile way.

2008-06-25 Thread Amauta

I solved my "problem" with an attenuator made with 2 resistors. I didn't
know that this does not affect the sound. Thank you all for your
thoughts.


-- 
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SlimServer 6.3.1 on Celeron 1400MHz/256MB Clarkconnect headless pc. 2x
SB2.

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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Pat Farrell
Phil Leigh wrote:
> There is little to be recorded at 20khz never mind 24... in the past
> very very few tape machines (or tapes) could get flat past 22khz...and
> the mics were rolling off there as well. Modern mics and digital
> recorders can go much higher...

I'm not sure what you mean by "modern mics". But the classic mics,
Neumann U87, RCA 44, etc. roll off below 20kHz. If you look at the chart
from any serious mic, the start rolling off in the 15kHz to 18kHz range.

You really don't want to record the white noise of cymbals, which is
about all that's up there.

There have been a number of "digital mics" released recently. Too many
in my view. They just are a regular mic with a ADC in the housing. Which
means you are "stuck" with whatever ADC they put in it at the time. I'm
a lot happier with regular mics, and I can change ADCs whenever I want.

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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Phil Leigh

cliveb;314821 Wrote: 
> My point wasn't whether stuff up above 20kHz is audible. Rather it is
> that if you downsample without pre-filtering, then anything that was
> present in the original at a frequency above the Nyquist rate for the
> new sample rate will be aliased down into the audible range. For
> example: if you downsample from 96kHz to 48kHz without filtering, then
> if there was something at 35kHz in the original, it'll end up at 13kHz
> in the downsampled version. Surely nobody would deny that this might be
> audible.
> 
> So the fact that the OP doesn't hear any nasties as a result of the
> SB3's improper downsampling would seem to suggest that there was so
> little content at those high frequencies that it was pointless using
> 96kHz in the first place.
> 
> There seems to be a growing dogma that high sample rates are
> worthwhile. The existence of upsampling converters (eg. from the likes
> of dCS) only serves to reinforce this (probably mistaken) belief. We're
> now at the stage where anyone who wants to claim they are providing high
> quality downloads is almost obliged to make them at least 88.2kHz. All
> this achieves is to double the bandwidth required to download the damn
> things.


Clive - I do understand the Nyquist issue. The thing is there is
unlikely to be much above 20Khz of any significant level (and so even
if it was forced down into the audible range you still wouldn't hear
it) on any recordings - and yes I do think that the value of recording
at  higher sampling frequencies is unproven. 24-bit on the other hand
(or at least 20-bit) should have been mandatory from the outset.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT RCS 2.2X with Good Vibrations S/W - MF X-DAC
V3/X-PSU/X-10 buffer (Audiocomm full mods)- Linn 5103 - Linn Aktiv 5.1
system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend
Supertweeters, Kimber & Chord cables

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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread cliveb

Phil Leigh;314785 Wrote: 
> Modern mics and digital recorders can go much higher...but there's just
> harmonics from cymbals, brass and stuff up there...and we won't hear it
> anyway.
> 
> 48/24 sounds great on the Linn masters. To me they sound no different
> to the 88.2 version.
My point wasn't whether stuff up above 20kHz is audible. Rather it is
that if you downsample without pre-filtering, then anything that was
present in the original at a frequency above the Nyquist rate for the
new sample rate will be aliased down into the audible range. For
example: if you downsample from 96kHz to 48kHz without filtering, then
if there was something at 35kHz in the original, it'll end up at 13kHz
in the downsampled version. Surely nobody would deny that this might be
audible.

So the fact that the OP doesn't hear any nasties as a result of the
SB3's improper downsampling would seem to suggest that there was so
little content at those high frequencies that it was pointless using
96kHz in the first place.

There seems to be a growing dogma that high sample rates are
worthwhile. The existence of upsampling converters (eg. from the likes
of dCS) only serves to reinforce this (probably mistaken) belief. We're
now at the stage where anyone who wants to claim they are providing high
quality downloads is almost obliged to make them at least 88.2kHz. All
this achieves is to double the bandwidth required to download the damn
things.


-- 
cliveb

Transporter -> ATC SCM100A

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Re: [SlimDevices: Audiophiles] Advice on 24/96 with SB3 Please.

2008-06-25 Thread Phil Leigh

slimkid;314810 Wrote: 
> Well, I ... kind of.
> 
> When I was playing with 24/96, it happened that sometimes SB would play
> 96 fine and sometimes it would have loud clicks and cracks (similar to
> what you hear from CD player when CD is damaged or from up sampling DAC
> when fed with the sample rate that is not supported). I could not
> establish a pattern. It happened on a couple of tracks (one of them
> being Stravinsky's 'Solder's Story'), download links published at this
> site a while ago.
> 
> K

Not sure what was going on there!
But the other tracks - how did they sound to you?


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT RCS 2.2X with Good Vibrations S/W - MF X-DAC
V3/X-PSU/X-10 buffer (Audiocomm full mods)- Linn 5103 - Linn Aktiv 5.1
system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend
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Re: [SlimDevices: Audiophiles] Advice on 24/96 with SB3 Please.

2008-06-25 Thread slimkid

Phil Leigh;314807 Wrote: 
> I have yet to hear of anyone who can aurally distinguish between the
> "discard every other sample" method used by the SB and using (say)
> Audacity to downsample with a "proper" algorithm.
> Anyone disagree?

Well, I ... kind of.

When I was playing with 24/96, it happened that sometimes SB would play
96 fine and sometimes it would have loud clicks and cracks (similar to
what you hear from CD player when CD is damaged or from up sampling DAC
when fed with the sample rate that is not supported). I could not
establish a pattern. It happened on a couple of tracks (one of them
being Stravinsky's 'Solder's Story'), download links published at this
site a while ago.

K


-- 
slimkid

Where does the light go when you turn the switch off?

http://www.youtube.com/watch?v=7iAj2aPdQnk
http://www.youtube.com/watch?v=VvMNuuFSvN0
http://www.youtube.com/watch?v=BDRhRv4q_SI
http://youtube.com/watch?v=nlrpe8Ig5m8
http://youtube.com/watch?v=dC9tGlwPln8

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Re: [SlimDevices: Audiophiles] Advice on 24/96 with SB3 Please.

2008-06-25 Thread Phil Leigh

I have yet to hear of anyone who can aurally distinguish between the
"discard every other sample" method used by the SB and using (say)
Audacity to downsample with a "proper" algorithm.
Anyone disagree?


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT RCS 2.2X with Good Vibrations S/W - MF X-DAC
V3/X-PSU/X-10 buffer (Audiocomm full mods)- Linn 5103 - Linn Aktiv 5.1
system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend
Supertweeters, Kimber & Chord cables

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Re: [SlimDevices: Audiophiles] Advice on 24/96 with SB3 Please.

2008-06-25 Thread pieronip

Ha!  What an excellent bit of lateral thinking!  Why didn't I think of
that?

Many thanks.


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pieronip

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Re: [SlimDevices: Audiophiles] Advice on 24/96 with SB3 Please.

2008-06-25 Thread bigfool1956

Given that disc space is cheap, I would opt for keeping the hi-res files
outside your main music library, and using Foobar to perform a once only
downsample as a copy of the original file which you put in your music
library. That way you keep the load on the server to a minimum, with no
on-the-fly conversion to be done.


-- 
bigfool1956

David Ayers
Music is what counts, hifi just helps us enjoy it more

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[SlimDevices: Audiophiles] Advice on 24/96 with SB3 Please.

2008-06-25 Thread pieronip

Hi

Apologies (and let me know) if this is the wrong area for this
question.

I understand the the SB3 does not really handle 24/96 properly but just
drops every second sample at the SB3 to get a somewhat butchered 48 KHz
stream.

I also understand (I think) that for better fidelity one can do proper
downsampling on the server PC, prior to streaming the music, by making
changes to 'convert.conf'.

Is there a definitive guide or can someone give me step-by-step
instruction about how to do this?

Much obliged!


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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread Phil Leigh

cliveb;314781 Wrote: 
> Others have already pointed out the various limitations in sample rate
> support on the SBR.
> 
> But the subtext of the original post is rather more interesting. What's
> being said here is that a system with dCS gear (ie. state of the art)
> does NOT expose the fact that the SB3's downsampling is intrinsically
> flawed. Basically, the SB3 simply throws away every other sample
> without performing the necessary filtering first. This will produce
> aliasing, and if anything is going to make it audble, a dCS setup
> should. And yet the OP says that this sounds great.
> 
> It strikes me this implies that the Linn 24/96 files have little or no
> content above 24kHz in the first place. So why bother doubling the size
> of the files? Linn are not in the habit of specmanship for its own sake.

Indeed your final point is true - they are not into specs.

There is little to be recorded at 20khz never mind 24... in the past
very very few tape machines (or tapes) could get flat past 22khz...and
the mics were rolling off there as well. Modern mics and digital
recorders can go much higher...but there's just harmonics from cymbals,
brass and stuff up there...and we won't hear it anyway.

48/24 sounds great on the Linn masters. To me they sound no different
to the 88.2 version.

I've personally yet to hear any difference between (the same original
master) at 48/24 vs 88.2/24 or 96/24 

I have needle-drops and stereo track masters done myself at 96, 88.2
and 48  (all 24 bit) and i cant distinguish them.
YMMV


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT RCS 2.2X with Good Vibrations S/W - MF X-DAC
V3/X-PSU/X-10 buffer (Audiocomm full mods)- Linn 5103 - Linn Aktiv 5.1
system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend
Supertweeters, Kimber & Chord cables

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Re: [SlimDevices: Audiophiles] How to lower output level DAC the audiophile way.

2008-06-25 Thread pieronip

There is/was a version of the DAC-AH which had an op-amp output stage. 
You can achieve a useful increase in fidelity and a significant
reduction in output level by removing the op-amps amd related power
decoupling components and taking the output directly from the I/V
resistor via high quality capacitors.  I found no bass loss by using
4.7 uF polyprops but a pair of BG NX of larger size would also be a
good solution.

Cheers


-- 
pieronip

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Re: [SlimDevices: Audiophiles] Sometimes I really don't get it!

2008-06-25 Thread cliveb

Phil Leigh;314660 Wrote: 
> PC's use heavy duty switching supplies that are NOT designed for audio
> niceness. They are designed to be cheap and powerful. It is possible
> that your mains filtering is having trouble dealing with this (or it
> could be airborne EMI that your filters wont touch anyway).
Now that the likes of Linn and Naim have joined the computer-based
music scene, it can't be too long before "audiophile" linear PSUs for
computers are brought out (at suitably silly prices, of course).


-- 
cliveb

Transporter -> ATC SCM100A

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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread cliveb

tobyjug;314736 Wrote: 
> Does anyone know if Logitech will be releasing a receiver with up to
> 96khz on the digital output. I have some Linn files that are 24/96 and
> the SB3 is downsampling them to 24/48 which going through the dCS
> Purcell (upsampling to 192) and Delius sound extreamly good. Very
> detailed, warm and very listenable.
Others have already pointed out the various limitations in sample rate
support on the SBR.

But the subtext of the original post is rather more interesting. What's
being said here is that a system with dCS gear (ie. state of the art)
does NOT expose the fact that the SB3's downsampling is intrinsically
flawed. Basically, the SB3 simply throws away every other sample
without performing the necessary filtering first. This will produce
aliasing, and if anything is going to make it audble, a dCS setup
should. And yet the OP says that this sounds great.

It strikes me this implies that the Linn 24/96 files have little or no
content above 24kHz in the first place. So why bother doubling the size
of the files? Linn are not in the habit of specmanship for its own sake.


-- 
cliveb

Transporter -> ATC SCM100A

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Re: [SlimDevices: Audiophiles] Shopper connects to Jesus via Denon link cable

2008-06-25 Thread Nonreality

nuhi;314567 Wrote: 
> I am interested how much did they sell because of this much publicity.
> 
> Audible tests of any cable, be it even analog, showed that there is no
> difference but still people buy them and this one won't be any
> different, you are just making them a favor.
Are you saying that these reviews are making suckers part with their
money faster?  You have to be kidding. I would think that anyone that
was considering getting one is probably looking in a different
direction.  Oh and I do know some will buy them regardless.


-- 
Nonreality

-IF THE RULE YOU FOLLOWED BROUGHT YOU TO THIS, OF WHAT USE IS THE RULE.-

HTTP://www.last.fm/user/nonreality

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Re: [SlimDevices: Audiophiles] Receiver with 96kHz output

2008-06-25 Thread adamslim

tobyjug;314736 Wrote: 
> I know the transporter outputs at 96 but it would be a waste of money
> when I have the dCS kit any I haven't got any where near that kind of
> money.

Wow - the TP is too expensive compared to your dCS kit?  You steal it?
;)

The Receiver is very similar to the SB3; I think it's highly unlikely
that it will ever support 24/96.  SD designed the TP for audiophiles
who wanted that kind of thing - I can't even see why they would want to
put into their cheapest product.

I reckon you might do best to sell the Purcell and buy a TP, slave it
to the Delius.  I've always found that upsampling gives an artificial
kind of air/space/detail, TBH.  YMMV.


-- 
adamslim

Those are my principles, and if you don't like them... well, I have
others

SB+, EAR V20, Living Voice OBX-R2s plus some other stuff
SB3, Charlize, Harbeth HL-P3ES

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