Re: [SlimDevices: Audiophiles] Another Open Question To Audiophiles With Studio Experience

2008-08-05 Thread Rodney_Gold

The best test Cd for both hifi and Studio monitors speakers/systems is
this one
Sound Check 2 By Alan Parsons
http://www.interstudio.co.uk/sndchk.htm
Years ago , I listened to a set of Mackie Hr1024's or something like
that (can't remember the exact miodel , but they been around a long
time) and I was pretty much impressed at their value for money and the
bass that came from such small speakers.


-- 
Rodney_Gold

Sb3/Z-sys RDP1/meridian DSP5500's
TP/X-cans v3/Senns 650's
TP/TACT 2.0/SCM 50a's
TP/Meridian DSP5000's
"The nicest thing about smacking your head against the wall is...the
feeling you get when you stop"

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Re: [SlimDevices: Audiophiles] Transporter word-clock function

2008-08-05 Thread cmarin

seanadams;325967 Wrote: 
> "Glass fiber" for a 44.1KHz word clock signal is downright goofy. If it
> doesn't have a BNC output, you should contact Wadia and ask what they
> suggest to convert it to an electrical signal - that's the de facto
> standard.
Sean,

I'll contact Wadia. Thanks for your help.


-- 
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Re: [SlimDevices: Audiophiles] Personal Introductions: Please Make This a Sticky!

2008-08-05 Thread drewe181

howdy, i'm not a cowboy but i do tend to call other people cowboy. the
name on my birth certificate says andrew but call me what you like. i'm
28. i work as a croupier/supervisor at crown casino. i've always been
around music and have picked up a lot of my musical taste from my
father who is also heavily into hifi and music. my lastfm account
reflects his influence as most believe i have the tastes of a fifty
year old man. i'm married with a 16 month old son who already likes to
listen to  music with me and is always trying to plug cables into the
back of my squeezebox. i am currently upgrading my system (slowly). 
At the moment i am running a squeezebox -> moodlab DAC -> burson buffer
-> kingrex t20 + PSU (just upgraded from the Super T) and then out
through some old speakers (pioneer woofers and new vifa tweeters) i
found on the street which will be the next upgrade in about a year or
so.
my wife and i don't share all the same musical tastes so i tend to find
myself listening to less and less punk and hardcore these days. either
i'm growing up into a man or i'm not as angry anymore.
-D


-- 
drewe181

http://www.last.fm/user/drewe181/

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Re: [SlimDevices: Audiophiles] Another Open Question To Audiophiles With Studio Experience

2008-08-05 Thread opaqueice

Eric Seaberg;326491 Wrote: 
> 
> BTW, a GREAT test for listening to speakers when shopping is to play a
> dry (no effects), speaking human voice.  Your brain KNOWS what the
> human voice is supposed to sound like and, when you turn the volume
> DOWN, i.e. 75-80dB SPL, you will hear flaws in the mids and top end if
> there.  Pick a speaker that sounds like the person is standing in front
> of you speaking. 
> 

Very good advice.  I have a high quality recording that includes a wide
variety of sounds:  a piano concerto recorded from the audience
(complete with crinkly candy wrapper), a burble of conversation, nearby
voices, car doors shutting, etc., and I find it extremely useful as a
gauge of speakers.


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Re: [SlimDevices: Audiophiles] Another Non-Slim Question

2008-08-05 Thread SuperQ

I use an M-Audio FastTrack Pro for a couple reasons.  It's moderately
priced, and works well with Linux (standard usb-audio drivers).  Many
other devices require proprietary fancy drivers that don't work at all,
and probably never will work on Linux.

My only complaint is you need to do some minor driver tricks to switch
between 16/44 and higher bit/sample rates.


-- 
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Re: [SlimDevices: Audiophiles] crackles and pops between tracks

2008-08-05 Thread swhite58

I often hear pops and crackles between tracks, but only when I'm playing
a random selection - never any other time.


-- 
swhite58

Clark Connect Linux file server->Various boxes with flashing
lights->SB3->Zhaolu D3 DAC->NAD C320BEE->Polk Monitor 4.5/Sennheiser
headphones

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[SlimDevices: Audiophiles] Another Non-Slim Question

2008-08-05 Thread jonheal

Another one for the engineers out there...

I'm researching which Audio Interface to buy. Remember, this is a
modest, BUDGET studio setup I'm talking about here.

There are a ton of devices in the $150-300 range, and I've been doing
enough reading to be leery of all of them for one reason or another. In
the $500 range, suddenly a couple of clear choices jump out: The Apogee
Duet and the MOTU UltraLite Mk2 (soon to be Mk3).

Anyone have an opinion?


-- 
jonheal

Jon Heal says:
Have a nice day!
http://www.theheals.org/
~~~
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Stratus Bronze (2) | Outlaw Audio LFM-2 (1) | DIY Speaker Cables |
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Re: [SlimDevices: Audiophiles] Another Open Question To Audiophiles With Studio Experience

2008-08-05 Thread jonheal

cliveb;326393 Wrote: 
> The key point here is that you auditioned inexpensive speakers. Of
> course they're not flat or accurate - nowhere near. You need to spend
> *serious* money to even start approaching that goal. And of course even
> the finest speakers in the world are orders of magnitude less flat and
> accurate than a cheap CD player.
> 
> Hardly worth bothering, is it? :-)

Har har!

I guess the point I was trying to make was that the claim that studio
monitors are more "accurate" to me is now total bee-ess. If they're
ACCURATE, they should all sound alike. I mean the waveform passing
through the voice coils is a measurable, definable thing.

But they don't, and that's fine. I guess I didn't really expect them
to.

FWIW, I thought the Yamahas were a little shrill and the Mackies boomy.
The KRKs and M-Audios actually sounded kinda similar -- laid back. I
preferred them. I'll pick between the two of them.


-- 
jonheal

Jon Heal says:
Have a nice day!
http://www.theheals.org/
~~~
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Stratus Bronze (2) | Outlaw Audio LFM-2 (1) | DIY Speaker Cables |
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Re: [SlimDevices: Audiophiles] Open Question to Audiophiles

2008-08-05 Thread Nonreality

Themis;326331 Wrote: 
> Well, I understand your point of view, and I admit that my explanation
> was probably poor, so I'll try to explain better : To have an idea
> about a speaker (or any hifi gear setup, for that matter) I always use
> listening material from the 60-70s because these material are part of
> the music I like, and also because back then (in the 70s) I was used to
> listening to these tapes with excellent amps and speaker (I won't go
> into details). So, after many years of listening, I ended up
> "connecting" the pleasure (on some distinct recordings) of some
> particular music with some distinct particular details. So, if today I
> can find these details (on the same recordings), the emotion is back
> and i appreciate the gear. If I can't, then I don't care about it,
> whatever others may say about accuracy and so on. Mainly speakers (and
> dacs) "color" enough the music to influence my experience. Some tube
> gear too, sometimes.
> 
> Anyway, I've always owned speakers and gear that bring these details to
> me (and I've started listening to CDs vary lately - less than 5 years
> ago), so, as far as recent recordings are concerned, I keep on
> repeating the same scheme. I'm probably naïve, but I don't consider
> myself as an "inexperienced listener".  At least for the recording
> materials I like the most. ;)

Yes I do understand that.  Speakers do color and that's why people seem
to like certain types, brands or styles of speakers.  But just because I
don't like the color or emotion of a certain speaker doesn't mean it's
flawed.  It mainly means it doesn't work with my likes to my ears or my
type of music.  For years JBL's were always the Rock speakers and loved
for that but not for Jazz or classical.  As I've gotten older I do like
certain speakers probably because I'm comfortable and familiar with the
color and sound of them. While I love my B&W's I'm sure there are
others that think they are junk.  So many intangibles make music
reproduction almost impossible to judge on what is best I think.  Oh
btw, rereading my post it sounded way to harsh, I'm sorry about that my
friend.


-- 
Nonreality

-IF THE RULE YOU FOLLOWED BROUGHT YOU TO THIS, OF WHAT USE IS THE RULE.-

HTTP://www.last.fm/user/nonreality

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Re: [SlimDevices: Audiophiles] Another Open Question To Audiophiles With Studio Experience

2008-08-05 Thread Eric Seaberg

The facility I work at, where I am Chf Audio Engineer, has all Genelec
monitors.  A lot of people like them, and just as many don't, which
proves your point Cliveb.  You have to find something you're VERY
comfortable with, and spend a LOT of time tuning your ear/brain
combination.  This can virtually be done with ANY style of
"professional" studio monitor... look at how well the Yamaha NS10s or
Auratone 5Cs have done!!

We chose Genelec S30Ds in three of our main rooms.  They have a ribbon
tweeter, are tri-amped and are very easy to listen to for LONG periods
of time without too much ear fatigue.

Studios and Edit bays all have 1030As.  Our mixes from the S30Ds
translate very well to these 6.5" bi-amped monitors.

Our main video post suite has 1037Bs. Tri-amped and VERY LOUD, but
still not a lot of fatigue after long listening periods.

We're currently building an HDTV Remote Truck, as well as converting
our 4-video edit suites to HD w/ 5.1 monitoring.  They will all have
Genelec systems, as well as Genelecs in the truck, because that's what
our brain is used to.  I know for a fact that a mix I do in the truck
will feel exactly right in any one of the video suites because all
Genelecs 'feel' the same to me.

I do a lot of location recording on my own, and also have Genelecs for
that (1030As and 8020s).  Again, it's what I'm used to when I'm
working.  However, the 5.1 listening/entertainment room in our home has
Tannoy surrounds and sub.  This gives me an 'alternate' listening
experience when I bring work home to 'verify'.

All-in-all, do NOT buy speakers JUST BECAUSE A SALESMAN TOLD YOU
THEY'RE GREAT!!  Make up your own mind based on what feels right to
you.

BTW, a GREAT test for listening to speakers when shopping is to play a
dry (no effects), speaking human voice.  Your brain KNOWS what the
human voice is supposed to sound like and, when you turn the volume
DOWN, i.e. 75-80dB SPL, you will hear flaws in the mids and top end if
there.  Pick a speaker that sounds like the person is standing in front
of you speaking. 

MHO...


-- 
Eric Seaberg

Eric Seaberg - San Diego
A.E.S., S.M.P.T.E., S.P.A.R.S.
[EMAIL PROTECTED]

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Re: [SlimDevices: Audiophiles] Another Open Question To Audiophiles With Studio Experience

2008-08-05 Thread Nonreality

I have a friend that does this same thing and he likes to listen to his
music through decent regular speakers.  He want's to hear what the
average person that will be buying his music is going to hear.  He also
listens in his vehicle  just to get that perspective.  I really don't
think you need any exotic or specialized speakers for your purpose. 
Some that you like the way they sound for your type of music.  Just my
opinion of course.


-- 
Nonreality

-IF THE RULE YOU FOLLOWED BROUGHT YOU TO THIS, OF WHAT USE IS THE RULE.-

HTTP://www.last.fm/user/nonreality

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Re: [SlimDevices: Audiophiles] Transporter listening test

2008-08-05 Thread Nonreality

Very brave taking on the High Priests of Hi Fi.  I especially loved the
guy that said he didn't want any deaf customers anyway.  If you don't
hear what the Priests say that you should hear, this is the response
you get. A lot of high end users get caught up in the religions
mysticism and rites and never do what you two did.  Great job.


-- 
Nonreality

-IF THE RULE YOU FOLLOWED BROUGHT YOU TO THIS, OF WHAT USE IS THE RULE.-

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Re: [SlimDevices: Audiophiles] Another Open Question To Audiophiles With Studio Experience

2008-08-05 Thread cliveb

jonheal;326354 Wrote: 
> So I wandered into Guitar Center to listen to and compare some small,
> relatively inexpensive monitors...
> 
> They all sounded VASTLY different. As different as any bunch of
> similarly-sized hi-fi speakers you might stick together.
> 
> So here's my opinion at this point. There ain't no "flat" speakers.
> There ain't no "accurate" speakers.
The key point here is that you auditioned inexpensive speakers. Of
course they're not flat or accurate - nowhere near. You need to spend
*serious* money to even start approaching that goal. And of course even
the finest speakers in the world are orders of magnitude less flat and
accurate than a cheap CD player.

Hardly worth bothering, is it? :-)


-- 
cliveb

Transporter -> ATC SCM100A

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[SlimDevices: Audiophiles] Another Open Question To Audiophiles With Studio Experience

2008-08-05 Thread jonheal

Well, my last question generated a healthy dose of banter, so I thought
I'd ask another. (Although this is more of a pontification.)

Recently I bought a copy of Propellerhead Reason to see if there's any
chance I can put together some not-completely-sucky music. 

I've also wanted to rig up a modest "studio" in our guestroom to
produce said music. So I wandered into Guitar Center to listen to and
compare some small, relatively inexpensive monitors, namely:

KRK Rocket 5 Gen 2
M-Audio BX5a Deluxe
Mackie MR5
Yamaha HS50M

Now, these are all supposed to be flat, sterile studio monitors.
Theoretically, shouldn't they all sound the same, or at least VERY
similar? But you know what? They all sounded VASTLY different. As
different as any bunch of similarly-sized hi-fi speakers you might
stick together.

So here's my opinion at this point. There ain't no "flat" speakers.
There ain't no "accurate" speakers. You pick the ones that abuse your
particular ears the least and you buy them.


-- 
jonheal

Jon Heal says:
Have a nice day!
http://www.theheals.org/
~~~
SB3 (wired - 6.3.1) | Home-brew PC running XP Pro | DENON DRA-395 | PSB
Stratus Bronze (2) | Outlaw Audio LFM-2 (1) | DIY Speaker Cables |
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Re: [SlimDevices: Audiophiles] Open Question to Audiophiles

2008-08-05 Thread Themis

Nonreality;326145 Wrote: 
> I'm sorry and don't take this wrong, but what a bunch of bull.  Speakers
> can make a huge difference but not in the way you're saying.  It's the
> way the album was mixed that creates the emotional impact not the
> speaker.  Yeah the speaker can have a bit to do with this but not to
> the point that you are saying.  If they did they would not be in
> business.  If this was the case it would not effect every type of music
> either.  It couldn't.  This is the stuff they use to sell speakers to
> the believers.Well, I understand your point of view, and I admit that my 
> explanation
was probably poor, so I'll try to explain better : To have an idea
about a speaker (or any hifi gear setup, for that matter) I always use
listening material from the 70s because these material are part of the
music I like, and also because back then (in the 70s) I was used to
listening to these tapes with excellent amps and speaker (I won't go
into details). So, after many years of listening, I ended up
"connecting" the pleasure (on some distinct recordings) of some
particular music with some distinct particular details. So, if today I
can find these details (on the same recordings), the emotion is back
and i appreciate the gear. If I can't, then I don't care about it,
whatever others may say about accuracy and so on. Mainly speakers (and
dacs) "color" enough the music to influence my experience. Some tube
gear too, sometimes.

Anyway, I've always owned speakers and gear that bring these details to
me (and I've started listening to CDs vary lately - less than 5 years
ago), so, as far as recent recordings are concerned, I keep on
repeating the same scheme. I'm probably naïve, but I don't consider
myself as an "inexperienced listener".  At least for the recording
materials I like the most. ;)


-- 
Themis

SB3 - Denon 3808 - Sonus Faber Grand Piano Domus

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Re: [SlimDevices: Audiophiles] Open Question to Audiophiles

2008-08-05 Thread Rodney_Gold

Nonreality;326145 Wrote: 
> I'm sorry and don't take this wrong, but what a bunch of bull.  Speakers
> can make a huge difference but not in the way you're saying.  It's the
> way the album was mixed that creates the emotional impact not the
> speaker.  Yeah the speaker can have a bit to do with this but not to
> the point that you are saying.  If they did they would not be in
> business.  If this was the case it would not effect every type of music
> either.  It couldn't.  This is the stuff they use to sell speakers to
> the believers.

Speakers play a big part in conveying the emotion 
Part of the emotion an Audiophile feels is the "rightness" of
reproduction he feels, on a technical level,  when music is played.
You have to understand that even small flaws sometimes can't be looked
past by an audiophile , so to say that only the mix is important wont
hold true to them or their expectations of the "musical experience"
that conveys to THEM the emotion


-- 
Rodney_Gold

Sb3/Z-sys RDP1/meridian DSP5500's
TP/X-cans v3/Senns 650's
TP/TACT 2.0/SCM 50a's
TP/Meridian DSP5000's
"The nicest thing about smacking your head against the wall is...the
feeling you get when you stop"

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Re: [SlimDevices: Audiophiles] crackles and pops between tracks

2008-08-05 Thread y360

Since the upgrade to 7.1, some of us get pops on Rhapsody 
http://forums.slimdevices.com/showthread.php?t=50509


-- 
y360

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Re: [SlimDevices: Audiophiles] Does a better CD drive make better sound?

2008-08-05 Thread opaqueice

smarco;326191 Wrote: 
> 
> 1. Is the $3K or $30K CD transporter better than $20 CD drive in
> pulling out the digital data from a CD? 

Not in any sense that matters for the ripping process.

> Is there any $1K CD drive for Hi-Fi ripping? (I mean $1K for the CD
> drive itself not for the automated machine.) 

I'll sell you one :-).  

Seriously, it's totally unnecessary - while a decent drive might save
you some headaches, mine are ordinary and cheap and almost always
succeed in getting perfect rips (so long as the CDs are in good shape).

> 2. Is the loss of data in streaming or storing really significant?
> Yeah... I see some digital cables priced over $1K. If so, the shorter
> paths like the option 2 and 3 are supposed to be better than the option
> 1. Is it true?

There is zero data loss in either, assuming you rip and stream in a
lossless format like FLAC.  That has been verified many times by forum
members.

> 3. What makes the $3K transpoter worth other than the minimized loss (if
> so) in its circutry?

It's not only the sequence of bits which determines sound - it's the 
circuitry which converts that sequence to an analogue voltage, and, for
S/PDIF connections, potentially the jitter in the digital signal.  The
TP also has increased functionality over the SB or Duet (digital
inputs, hi-res format compatibility, etc.).


-- 
opaqueice

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Re: [SlimDevices: Audiophiles] Does a better CD drive make better sound?

2008-08-05 Thread opaqueice

michel;326198 Wrote: 
> To my ears rips at 4x with a Plextor Premium (and to a certain extent
> Premium2) sound better than anything else.
> Be aware that rips with EAC are a lot inferior than those with Easy
> CD-DA (Easy CDDA set to C2 recognition ONLY).
> 
> I did lots os ABx testing. With a Transponder you will hear the
> differences most certainly.

Transponder?

EAC rips can be checked for accuracy.  On undamaged CDs, using very
cheap computer CD drives, I almost always get 100% bit perfect rips.  I
can verify this by comparing the files to an online database, or I could
make two copies and use a bit-compare utility.  

Once the bit-perfect file is on the computer's hard drive there cannot
be any memory of the CD drive that ripped it - the only thing that
matters is the sequence of bits.  So if you really heard differences,
you either made bad rips with EAC (which means you didn't use accurip
to verify them) or you are fooling yourself.


-- 
opaqueice

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Re: [SlimDevices: Audiophiles] Does a better CD drive make better sound?

2008-08-05 Thread cliveb

michel;326198 Wrote: 
> To my ears rips at 4x with a Plextor Premium (and to a certain extent
> Premium2) sound better than anything else.
> Be aware that rips with EAC are a lot inferior than those with Easy
> CD-DA (Easy CDDA set to C2 recognition ONLY).
Are you saying that you're doing your ripping with Easy CDDA on a
Plextor Premium drive?
Why are you not using Plextools, which as far as I am aware is the only
ripping program that can actually make full use of the Premium's
capabilities?


-- 
cliveb

Transporter -> ATC SCM100A

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Re: [SlimDevices: Audiophiles] Does a better CD drive make better sound?

2008-08-05 Thread jeffmeh

smarco;326191 Wrote: 
> 
> 1. Is the $3K or $30K CD transporter better than $20 CD drive in
> pulling out the digital data from a CD? Is there any $1K CD drive for
> Hi-Fi ripping? (I mean $1K for the CD drive itself not for the
> automated machine.) 
> 
> 2. Is the loss of data in streaming or storing really significant?
> Yeah... I see some digital cables priced over $1K. If so, the shorter
> paths like the option 2 and 3 are supposed to be better than the option
> 1. Is it true?
> 
> 3. What makes the $3K transpoter worth other than the minimized loss
> (if so) in its circutry?
> 

1.  No.  If a CD drive gives you a bit-perfect rip, it cannot get any
better than that.  You do need to use ripping software that can do
bit-perfect rips if you want to ensure this (e.g., EAC, Dbpoweramp).

2.  If you store lossless files, then there is no loss in storing.  If
you stream using a network protocol like TCP/IP, as you do with
SqueezeCenter, then there is no loss in streaming to the transport.  In
general, any digital cable that is not broken will get all the bits from
the transport to the DAC.  However, spdif has an inherent weakness in
that the clock signal is embedded in the data, and this can result in
timing variations (jitter), depending upon the specific equipment
involved.  This may or may not be audible, depending upon your
equipment, your listening environment, and your ears.  There are
numerous threads here devoted to explanations of jitter.

3.  A very expensive transport may have better components, better power
supplies, better engineering, or it may just have a higher price.  It
may go to greater lengths to minimize jitter, by using a master/slave
clock, by avoiding spdif altogether, etc.  Whether it is worth the $3k
or $30k is very subjective.  I can think of better ways to spend my
money.  :)

If it is a CD player, and has to read the physical disc every time,
there is always a potential for read errors and data
interpolation/extrapolation, which does constitute data loss.  In this
respect, an accurate rip stored in a lossless format is a better read.


-- 
jeffmeh

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Re: [SlimDevices: Audiophiles] Does a better CD drive make better sound?

2008-08-05 Thread andynormancx

smarco;326191 Wrote: 
> 
> 1. Is the $3K or $30K CD transporter better than $20 CD drive in
> pulling out the digital data from a CD? Is there any $1K CD drive for
> Hi-Fi ripping? (I mean $1K for the CD drive itself not for the
> automated machine.) 
> 
Unlikely. The $20 CD drive has the luxury of being able to use
AccurateRip, so that it can compare what it ripped to what others round
the world ripped for that same CD. That way with the CD drive, as long
as the CD is in the AccurateRip database, you can be sure that it has
ripped the CD 100% accurately.

The CD players don't have that luxury, you can never know how close to
100% accuracy they are getting (or at least not without using
hardware/software to sample the digital output of a range of players).
One thing that you can be sure of is that they won't be managing to
recover 100% of the data on every track they play.

To know that you are ripping 100% accurately, at the moment that means
using EAC + AccurateRip or dBPowerAmp.


-- 
andynormancx

Yes, it will. Yes, all of them. Yes, SoftSqueeze as well. What ?
I SAID ALL OF THEM !

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Re: [SlimDevices: Audiophiles] Does a better CD drive make better sound?

2008-08-05 Thread michel

To my ears rips at 4x with a Plextor Premium (and to a certain extent
Premium2) sound better than anything else.
Be aware that rips with EAC are a lot inferior than those with Easy
CD-DA (Easy CDDA set to C2 recognition ONLY).

I did lots os ABx testing. With a Transponder you will hear the
differences most certainly.


-- 
michel

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[SlimDevices: Audiophiles] Does a better CD drive make better sound?

2008-08-05 Thread smarco

I've read some online articles about this question and also a few
threads in this forum. But, I couldn't get the point. :(  I would
appreciate it if anybody could give me an answer easy to understand.

Let's assume some possible options.

-
1. (a) a decent CD drive of PC - ripping ---> (b) digital data in HDD
---> SB3 or TP digital output (Let's think of only digital output
here.) ---> DAC

2. (a), (b) same
---> MAC mini digital output ---> DAC

3. $100 CD player digital output ---> DAC

4. $3,000 CD transpoter ---> DAC

-


Here are my questions.

1. Is the $3K or $30K CD transporter better than $20 CD drive in
pulling out the digital data from a CD? Is there any $1K CD drive for
Hi-Fi ripping? (I mean $1K for the CD drive itself not for the
automated machine.) 

2. Is the loss of data in streaming or storing really significant?
Yeah... I see some digital cables priced at over $1000. If so, the
shorter paths like the option 2 and 3 are supposed to be better than
the option 1. Is it true?

3. What makes the $3K transpoter worth other than the minimized loss
(if so) in its circutry?


I know my question might sound a little silly and the answer to my
question could be "If you have $10million, just buy the $30K
transporter and $2K IC cable to get 1/10 inch closer to the perfect
world."  But... I'm curious. :)


-- 
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Re: [SlimDevices: Audiophiles] Should I use duet or marantz DAC?

2008-08-05 Thread capitano

Thank you for all the kind answers.
As soon as Duet will arrive I'll try both configurations.


-- 
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Re: [SlimDevices: Audiophiles] Χ Ο Δ Ε (CODE) format

2008-08-05 Thread ralphpnj

Nonreality;326100 Wrote: 
> Is it a pretty bridge? :)

Yes, it's really quite lovely. It's a suspension bridge with large
support beams, cantilevered trusses and extra large arches thus
allowing the bridge to be lifted like a draw bridge or rotated
completely out of the way. I know that such a bridge should not be
possible but AutoCad, Photoshop and other computer aided design tools
were employed during it's construction within the digital domain thus
enabling the proper blending of all the contrasting elements, kind of
like how the XO E System allows an mp3 file to sound better than a CD.
It's all rather technical and well beyond the ability of many people to
understand but, nonetheless, the bridge is still available.


-- 
ralphpnj

Lock, Stock and Two Smoking Barrels -> Snatch -> The Transporter ->
Transporter 2

'Last.fm' (http://www.last.fm/user/jazzfann/)

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