Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread DeVerm

opaqueice;352725 Wrote: 
> If it takes 10s of seconds for the brain to even respond to the HFS,
> this is something that has little or nothing to do with hearing.

Yes YES now we are on the same line again! True and part of the message
from this study: we can't hear it!

> Precisely what it is I wouldn't want to speculate - but to think it has
> anything particular to do with music appreciation would be completely
> unjustified.  I'd like to see this test repeated with random test-tones
> replacing the HF component.

They do speculate with two scenario's in the "discussion" part of the
paper and fully state it's nothing more than speculations. Also:
replacing the HF component of the song with random HF test tones
(sweeps even) might indeed produce the same results. I would believe
it. I even suspect that the change in brain response is similar to
adding a good drink/smoke to the sound.

> I gave an example - perhaps HF ambient sound was absent in the testing
> room, and so HF sound was present only when they played it, and further
> perhaps that missing HF background somehow makes the subjects nervous. 
> Far-fetched?  Sure - but so are the results.

But how do you explain that when they repeat that test under the same
conditions but with short samples (same song, same HF component) the
results revert back to those from the other/older tests. The conditions
you describe were present in both tests, if present at all. Clearly,
only the sample length and interval time is different! Remember that
both were double-blind tests under professional supervision and thus
accurate.

> HF tones produce all kinds of lower frequency components when played
> over cheap computer speakers.  When I did that test some time ago it
> was easier to hear the 18kHz than the 16, and I'm certain that is not
> because of some weird anomaly in my hearing response

But the average persons hearing response isn't a nice one to start
with, I mean, it's not like some electronic band-pass filter with
smooth 3/6/9 dB cut-offs and linear response in between. Many people
have problems hearing a tone of freq x but no trouble with x + b (a
higher freq. I mean). When I listen to a constant dB level slow sweep
over the entire range, I sense it as going up and down in volume
multiple times. If the dB level goes down, parts become more difficult
to hear, I think that this is normal. Humans ears don't get the quality
control and consistency of some decent type of mics. Also, you need
better PC speakers or a scope connected to check it out;-)

> Very few people I know can hear NTSC TV screens - that goes even for
> kids.  And that's a little below 16kHz.

True, although I think some of them can hear it but don't realize it is
the sound you are talking about. But I was referring to the audiophile
members here and we are not average nor normal... we have golden or at
least silver ears!

> It's certainly not bad news.  I have no problem at all with hi-rez
> formats - if you can do it, why not do it?  And if it focuses attention
> on sound quality that's good in my book.  But I think there are many
> other areas that are far more important and could gain much more from
> this kind of attention (room effects, bass management, DSP, dynamic
> compression, etc.).

Glad to hear it, you had me a bit worried there ;-) But I am sure that
these areas you mention get lots, if not more, attention too. I have
bigger problems with the way most manufacturers of high-end audio kit
operate. An example: I think that the members of this forum cooperating
in a single thread, can come up with specs and even parts to use for a
truly all-out DAC + pre-amp that can be manufactured for a fraction of
the price of most "all-out" DAC's available now, and many still have
serious flaws included with the ridiculous price they charge for it. We
should do that and ask Sean what he thinks about (making) it!

ciao!
Nick.


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Re: [SlimDevices: Audiophiles] Whole house Amp

2008-10-23 Thread DeVerm

JJZolx;352728 Wrote: 
> How do sleep at night knowing there are people in this world listening
> to less than stellar audio systems in their dining rooms and nurseries?

I try not to think about it plus I would want a real powerfull system
in the nursery! ;-) No, but seriously, this is the audiophile forum so
IMO it's a logical place to give negative opinions on amps that can't
be considered audiophile by far when one feels that way about the amp.
When you read back my posts in this thread, I recommended Boom's which
are less than stellar too and even, I almost don't dare to repeat it,
decent active PC speakers. It's not about the absolute quality level
itself, but about the lack of any level of quality requirement and the
way one implements it.

> I think what you're missing (not that anyone can convince you) is that
> many people want neat, unobtrusive, whole house audio systems in their
> homes.  Some nearly invisible ceiling or in-wall speakers and a control
> on the wall.  Not an entire stereo system in every freaking room of the
> house.

To my own surprise I follow you here but only partly :) I would
want neat, unobtrusive systems in most of my house (if I didn't live on
a boat), but I disagree you need "whole-house" amps for that. And I
would have nothing against in-wall speakers as long as they provide
something more than the "Burger King PA sound". And if someone puts a
"van Gogh" on the wall I can even understand it when they don't want a
on-wall or in-wall speaker next to it. I do object to the idea that
pulling speaker wires from the other side of the house into a room,
plus installing in-wall volume controls is less work than finding an AC
outlet or even adding one (and electrical codes do allow that even above
the ceiling) plus finding an invisible spot for SB + active speakers. Or
put a Boom in the bedroom instead and eliminate all work. And there are
really nice and small amps available that one can hide from view in
anything but a prison cell, although I would prefer active speakers and
yes you can buy active in-wall and in-ceiling speakers with remote
volume control too! Much better than that amp and wires and stuff. I
would also end up with several different systems for different rooms
because I would have different sonic requirements for them. I actually
removed all cabin in-wall-volume-controls aboard Jedi. They were really
nice, incl. switches for A/B speakers and even headphone sockets!
Expensive stuff... but they were noisy and some emitted smoke somewhere
down the road... I find it much more unobtrusive to have no such
controls at all but use a wireless remote instead... plus it won't
smoke or add noise! I really don't understand why someone would reject
them and insist on in-wall volume controls instead.

In another forum here I see photo's where people build a SB into the
wall as the only visible evidence that there's an audio-system in the
room. You can see what's playing and use the local IR remote not just
for volume but for selecting music too. Or, if you don't even want to
see that, it's easy to hide a very small SB receiver and some active
(on/in wall/ceiling) speakers and you see nothing and use the SB
controller for everything. I you don't want to carry these with you
around the house, buy a couple extra.

So, yes I prefer non obtrusive systems but no I don't want in-ceiling
speakers nor in-wall volume controls and I consider a SB + active
speakers not more a "entire stereo system in every freaking room" than
I do passive speakers plus in-wall volume controls plus speaker wires
to the other side of the house to a dingelingeling amp. I'll even go
further and claim that the SB + active speakers is a much more neat and
clean and better sounding system with less trouble and less installation
time than the wires and in-wall volume controls and passive speakers
setup. And I don't have to go to a "Pacific Rim Marketing" dealer to
buy the amp because the sales droid that I would meet there is stuff
for nightmares.

You might also have noticed that I like spicy postings but don't worry,
I laugh about myself and my posting too and they are never too hot for
my taste... although I consider editing the "reason for editing" of my
previous post if I figure out how to do that ;-)

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Video equivalent of Transporter

2008-10-23 Thread schiegl

MusicAddict;352474 Wrote: 
> I don't (yet) own one of these, but my guess is that the Popcorn Hour
> A-110 is the closest thing available.
> 
> http://www.popcornhour.com
> 

I agree that the popcorn hour (i own an A-100) is the closest thing you
can buy todoy. The same applies to other sybas-based network players
(iStar, Dune HD/BD whatever, ...)
Although i don't know the venerable slimp3 player i would think video
streamers are in the same age today: working but not near as mature as
those Slim Players (+ Squeezecenter) are nowadays.
What's similar: you can spend quite some time tweaking and expanding
this system as there are a lot of 'addons'
(http://code.google.com/p/moviejukebox/wiki/MovieJukebox) and an acitve
'community' (http://www.networkedmediatank.com/)

Summary: As much as i'd like to see a network video streamer with the
qualities of a transporter i don't think it's prime time(*) for these
devices yet.

kind regards,
Markus

(*) It's not the technical domain only but much more the content
delivery part...


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Re: [SlimDevices: Audiophiles] Whole house Amp

2008-10-23 Thread JJZolx

DeVerm;352723 Wrote: 
> I still get a sick feeling in my stomach when I think of what you're
> gonna build

How do sleep at night knowing there are people in this world listening
to less than stellar audio systems in their dining rooms and
nurseries?

> You now also make it sound like it's harder to find AC outlets around a
> house than it is to find speaker wires in place in a star-configuration
> between a cabinet and every room.

I think what you're missing (not that anyone can convince you) is that
many people want neat, unobtrusive, whole house audio systems in their
homes.  Some nearly invisible ceiling or in-wall speakers and a control
on the wall.  Not an entire stereo system in every freaking room of the
house.


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Jim

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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread opaqueice

By the way, I had a look at the citations to that paper.  There are a
total of 9 references in English which show up on google scholar, of
which some are  loudspeaker manufacturer white-papers, one is a
description of the SACD standard, a few are by authors of the paper,
and only one is a scientific paper by other authors (but at one of the
same universities) - and it has nothing to do with HF sound audibility
(I think the reference is due to some of the EEG techniques used).

This for a paper from 2000.

Now this isn't my field, but a paper with only a few self-cites,
industry whitepapers, and a single more or less peripheral reference
from one's colleagues after 8 years is a failure.  It usually means the
paper is believed to be wrong by everyone else in the field and hence is
ignored.

Oh - and ISI turns up this one as well:

"Signal to noise: calculating the high-resolution-audio reality-to-hype
ratio" which refers to it as well. 

> If the benefits of a migration beyond 16-bit, 44.1-kHz audio are so
> obscure, then why do so many people claim that the new formats sound so
> much better, especially when they're auditioning in nonideal listening
> environments? One pragmatic answer is that brains are fickle organs; if
> someone wants to believe that one thing is better than another, the
> brain happily distorts its sensory inputs to create the desired result.
> If you've just spent tens of thousands of dollars to upgrade your gear
> and music collection, that investment can be a strong perception
> incentive. 

http://www.edn.com/article/CA272755.html
http://www.edn.com/article/CA276213.html


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread opaqueice

DeVerm;352709 Wrote: 
>  But that is just part 3 of this test and you conveniently leave out the
> other 2 major parts so you can say the whole study is similar to
> previous ones? That would not be correct.

But I didn't say it

> "It seems, therefore, that an exposure to FRS shorter than 20 s, as
> recommended by the CCIR and ITU-R, may be insufficient to introduce a
> physiological effect. By the same token, a short exposure to HCS
> following FRS with a short interval of 0.5-1 s may not be enough to
> withdraw physiological effects, if any, induced by the preceding FRS.
> Based on this physiological consideration, we performed our
> psychological experiment with sound materials of longer duration. "

Let's examine that a little.  If in fact this is the correct
explanation, it only adds to the oddness of the result.  If it takes
10s of seconds for the brain to even respond to the HFS, this is
something that has little or nothing to do with hearing.  Precisely
what it is I wouldn't want to speculate - but to think it has anything
particular to do with music appreciation would be completely
unjustified.  I'd like to see this test repeated with random test-tones
replacing the HF component.

> True, but when they make a big point of subject comfort on both EEG and
> PET testing, one can assume they did the same for the subjective part. 

I'm perfectly willing to give them that - that wasn't my point.  My
point is that since this is such a bizarre result, and since they are
really grasping at straws to try to account for it, one has to worry
about all sorts of things that would normally be discarded.  I gave an
example - perhaps HF ambient sound was absent in the testing room, and
so HF sound was present only when they played it, and further perhaps
that missing HF background somehow makes the subjects nervous. 
Far-fetched?  Sure - but so are the results.

> From what I read in this forum, we all are blessed with an above average
> hearing because we could all hear the 18 kHz sample in that on-line
> test! 

I wouldn't count on it.  HF tones produce all kinds of lower frequency
components when played over cheap computer speakers.  When I did that
test some time ago it was easier to hear the 18kHz than the 16, and I'm
certain that is not because of some weird anomaly in my hearing response
(it's due to some weird anomaly in the crappy soundcard and speakers I
was using).

Very few people I know can hear NTSC TV screens - that goes even for
kids.  And that's a little below 16kHz.

> So, in your world, is it bad news for people like Sean with hi-end audio
> kit like the transporter, or just bye bye to SACD/DVD-audio? I hope your
> world has a place for improvement because red book is definitely not the
> best we can do now and certainly not the best for the future.

It's certainly not bad news.  I have no problem at all with hi-rez
formats - if you can do it, why not do it?  And if it focuses attention
on sound quality that's good in my book.  But I think there are many
other areas that are far more important and could gain much more from
this kind of attention (room effects, bass management, DSP, dynamic
compression, etc.).


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Re: [SlimDevices: Audiophiles] Whole house Amp

2008-10-23 Thread DeVerm

xanadu;352214 Wrote: 
> I'm glad that a few people finally got it. Thanks for the input on the
> other amps.
> 
> I do have another listening area for "critical listening". I mentioned
> this in this forum because I thought that some of the brighter members
> would have an opinion on the amp. Instead a few found it necessary to
> point out how antiquated it would be compared to buying 6 separate amps
> and finding power for each amp/receiver throughout the house. Audiophile
> doesn't mean "As complicated as you can make it". 

Well, as you can't let it rest I'll pop up again ;-) If you ask the
readers of this audiophile forum for their opinions, you get them. Much
better than a silent forum like you find with many other manufacturers,
don't you agree?

I was the first replying to your initial post and wrote that I wasn't
hot for that amp and neither for the whole setup you proposed. I did
think you were trolling too, but I said "sorry" after realizing you
weren't. This was back in June and post #9 in this thread. And now you
complain again that I, among others, don't share your view on this amp
and/or setup. When you only want to hear opinions that include "oh and
ah and wow and how wonderful" you should ask the question to the sales
droids that sell the amp and not in this public forum. I still get a
sick feeling in my stomach when I think of what you're gonna build and
it's my right to do so and post about it here because you asked me to
and even if you wouldn't have asked I can still write that without your
approval. If you can't handle critical opinions, you should only ask
people who love either you or what's in your wallet. I have nothing to
gain from whatever you're gonna do so why do you take my honest opinion
so personal? Believe me, it isn't.

You now also make it sound like it's harder to find AC outlets around a
house than it is to find speaker wires in place in a star-configuration
between a cabinet and every room. You also make it sound like streamed
audio (and SB in particular) was developed to put all your six SB's on
a stack in a cabinet and run speaker wires through-out the house
instead of streaming the audio to the room where one wants to listen to
it. Or that people who buy an amplifier or active speakers for every
room where they want to listen to music are stupid because it's obvious
that a 12 channel whickywhack amplifier (that is sold mostly by
discount-mart style shops, security firms and network consultants
(hmmpff) in a small part of the world) is much better. You can suggest
all that but the suggestions are surely wrong. But you can do it your
way, I have no problem with that! Just don't jump on me because I think
differently. And I'm sure the amp will be good enough for your sonic
requirements too...

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread DeVerm

opaqueice;352675 Wrote: 
> No, that's exactly what I said (several times already).  The
> questionnaire/listener response part of this study was more or less
> identical - other than the length of the samples - to those previous
> papers.  Its results contradict those of the previous studies.

Ah, you're talking about just the 3rd (minor) part of this test, the
subjective evaluation part. I really missed that and you could have
guessed because I was writing about the EEG and PET all the time.
Indeed, they used a similar questionnaire and found a difference using
longer samples and intervals than the other ones. But that is just part
3 of this test and you conveniently leave out the other 2 major parts so
you can say the whole study is similar to previous ones? That would not
be correct.

But you also missed a very important part of that subjective testing, I
quoted it before but you probably misread it as being the part you had
in mind. So let's see what happened in this part 3 of the test.

They had found an average 10's of seconds "delay" between starting the
full-spectrum sound and the brain reacting. Same for stopping the sound
or just cutting a component of it: the brain still went on in it's
more-active state for an average 10's of seconds. These findings lead
to this:

"It seems, therefore, that an exposure to FRS shorter than 20 s, as
recommended by the CCIR and ITU-R, may be insufficient to introduce a
physiological effect. By the same token, a short exposure to HCS
following FRS with a short interval of 0.5-1 s may not be enough to
withdraw physiological effects, if any, induced by the preceding FRS.
Based on this physiological consideration, we performed our
psychological experiment with sound materials of longer duration. "

And here we are: the subjects now hit the right targets in a subjective
test too, like you say, contradicting previous tests that used the
CCIR/ITU method of short samples and intervals. And now comes the part
that you missed: They did another subjective test and I quote:

"We also examined the psychological evaluation using the same material
and sound presentation system as was used for the present study, but
followed the presentation method recommended by the CCIR, and confirmed
that the results were in agreement with the studies by Muraoka et al.
(1978) and Plenge et al. (1979)."

And what do we have now? When they use short samples and intervals like
in all those previous tests, we get the same results as they did in
those previous tests! And don't forget: they used double blind
testing here!

So --that-- is the reason I was saying that the results were -not- in
disagreement with the previous tests. They repeated using the same
procedure of those tests and got the same results as those tests. Only
when they changed the test with the longer samples and intervals, they
get different results. They confirmed that this was a result of the
changed durations of samples and intervals.

> That was for the EEG part of the experiment.  As far as I can see they
> never describe the conditions under which the questionairre part was
> conducted.

True, but when they make a big point of subject comfort on both EEG and
PET testing, one can assume they did the same for the subjective part.
It would not be logical to assume that they would radically change
this. They went to great pains to check on comfort, even performing EEG
scans while the subjects went into the "scary" PET scanner and
eliminating the results of one subject whose EEG clearly showed he/she
wasn't in love with the PET scanner or radio-active injection ;-)

Also, we can assume that they did all subjective tests in the same room
with the same conditions in which case they would not have been able to
demonstrate the different outcome with short samples and intervals if
what you say would be true so they eliminated that possibility by doing
both subjective tests.

> All natural sounds have harmonics.  Precisely how much is present will
> be a function of the specific environment.  But just as an example, an
> NTSC TV screen produces a sound around 16kHz (which I can hear, by the
> way) plus harmonics.  Computer monitors also produce HF sounds, as do
> florescent lights, and probably lots of other household electronics.

>From what I read in this forum, we all are blessed with an above
average hearing because we could all hear the 18 kHz sample in that
on-line test! But just to make sure: sounds from TV's, monitors, lights
etc. are not natural sounds, they are all man-made. Also, most of these
are of a stationary nature, like the 16 kHz NTSC we hear (PAL gives
less discomfort btw). Also, the amplitude of these sounds are well
below the dB level of the HF components of music used in the tests. The
graph shows that the average dB level (avg for duration of the song) for
say 20 kHz was -20 dB from the full-spectrum (which was played at 80 dB)
which will be way louder than the emissions from TV's etc.

But for all we know, 

Re: [SlimDevices: Audiophiles] Video equivalent of Transporter

2008-10-23 Thread DCtoDaylight

The Apple TV is another such device...


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread DCtoDaylight

DeVerm;352540 Wrote: 
> I agree with most you write, but your example would loose the "blind"
> part of it as you can see which version has the higher sample-rate.
> Also, for abx you would need three recordings of which two are the
> same... 

Yes, you are correct, there does need to be a little bit of trust... 
You can't go looking at the file size, or bit rate.  It doesn't show on
the screen by default, and you have to promise not to go looking for
it!

FWIW, my mother was part of a double blind medical study, and really
pissed off the organizer, by reading the label that was under the
masking tape!  But if you honestly want to find the truth, you have to
resist temptation!

Of course, comparing digital audio files under an ABX type system is
relatively easy...  Comparing equipment is much tougher!  As I said at
the onset, it's not easy to run this sort of test!

Cheers,   Dave


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread DeVerm

darrenyeats;352654 Wrote: 
> Whoa. Even die-hard red book fans, as you put it, have always known it
> is possibly to hear the difference between red book and hi-rez -under
> certain conditions.-. In this sense this study isn't really news.

Correct, it's 8 year old news. But my question to you is: how can you
stay a die-hard red book fan when, at the same time, you hear (as
opposed to just knowing) that there's something better available?
What's so special about red book that it is protected and cherished
with an almost religious fanaticism? In my view, we can do away with it
any time as soon as we have a better format for all the music I like. I
like flac 24/48 much more.

> The way I see it using "the gamelan music of Bali, which is extremely
> rich in HFCs with a nonstationary structure" is a bit like playing
> silence very loudly. It's trying to prove a point...but not a point I'm
> interested in.

I think you misread that part like they use some obscure instrument
that will influence test results. They don't, see below:

> What about some nice classical piece, aren't there enough instruments of
> sufficient frequency range in there? Picking a genre like classical
> because it has HF content is as far as I'm willing to go. Any more
> picky than that and you're rigging the game so much I don't care about
> the outcome.

Gamelan music is popular in Asia and all the test-subjects were Asian
and listen to that music at home too so it's not a rigged setup. They
use mostly the same instruments that are used in Western classical
music and I have no doubt that a western xylophone, violin or flute has
comparable harmonics than the Asian version even though they look a bit
different. But I knew the red book lovers & guardians were gonna find
new arguments, the crusade is on! ;-)

"A gamelan is a musical ensemble of Indonesia typically featuring a
variety of instruments such as metallophones, xylophones, drums, and
gongs; bamboo flutes, bowed and plucked strings, and vocalists may also
be included."

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread opaqueice

DeVerm;352595 Wrote: 
> Well, it seems that you insist that the methods used were the same as in
> earlier studies so it's no use to keep arguing about this. But, for the
> record, I state that studies by Muraoka et al. (1978) and Plenge et al.
> (1979) did use questionnaires only and not EEG or PET scans of the
> brain. The paper states that also. You disagree?

No, that's exactly what I said (several times already).  The
questionnaire/listener response part of this study was more or less
identical - other than the length of the samples - to those previous
papers.  Its results contradict those of the previous studies.

> (you also never seem to answer the questions I post so it's impossible
> to work down to the core of your disagreement... you evade.)

No, you just don't read my posts.

> You repeat again. Your AFAIK is fake because you know that "independent
> of a subjective evaluation of sound quality" EEG and PET measurements
> are differences too. 

I said "on the question/response part of the study".  There is no point
in continuing this if you don't even read what I write and instead
attack something from your own imagination (as you have done
repeatedly).

> But now you say that they "probably used damped soundbooths" which isn't
> trolling because I know you would never do that... but it feels like it
> is anyway. 

That was for the EEG part of the experiment.  As far as I can see they
never describe the conditions under which the questionairre part was
conducted.

> You also say that normal listening environments have ambient HF but I
> wonder how you know that or what it's source might be. Especially how
> that would be at the dB levels of playing music. The only info I find
> is that HF is present in natural environments like the rainforest, but
> I assume that audiophiles prefer a non-natural environment like a house
> (or boat). 

All natural sounds have harmonics.  Precisely how much is present will
be a function of the specific environment.  But just as an example, an
NTSC TV screen produces a sound around 16kHz (which I can hear, by the
way) plus harmonics.  Computer monitors also produce HF sounds, as do
florescent lights, and probably lots of other household electronics.

> Now the BIG question: do you hear a difference between 44 and 48/96 kHz
> sampled music? Many, many audiophiles do and indeed, releasing these HD
> formats more and more (now 5000 SACD titles and 5000 DVD-audio titles)
> indicate that many prefer it. Why?

There is no evidence for that assertion.  Time and time again
audiophiles have made such claims, only to fail completely when asked
to distinguish blind.  A recent case was the failure of hundreds of
subjects tested over two years to distinguish between 16/44 and SACD. 
That study was much more directly relevant to home audio than this one.
Not one subject succeeded.

> Again you question the established EEG and PET scans.

I'm simply applying precisely the same convoluted logic to the
instruments the experimenters applied to human hearing.

> Like I wrote before, these findings were 8 years ago and we have
> accepted it and moved on to HD, no matter if you believe it or not.

What world are you living in?  In mine, hi-res audio formats are dead
(albeit still twitching occasionally).


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread Themis

Part of this study refers to the redbook upper frequency cut.
Also, as I understand, part of this study refers to the ABX
methodology.

In my opinion, ABX tests and the statistical methodology that
accompanies them are NOT DIRECTLY questioned in this experiment.

Nevertheless, ABX tests are used to try to establish a difference or to
establish the absence of a difference (similitude) among the way two
reproduction machines can reproduce music. So we use sound samples as
means of conducting these tests, then we proceed to the conclusion (are
they similar or not).

We knew _before_ this experiment that :
- Frequency samples cannot be used to distinguish two reproduction
machines using ABX tests.
Explanation: A music message is a sum of primary (for instance:
sinusoidal) sounds. This is similar to the way a D/A conversion works.
One could think that if we can distinguish a difference using two
frequency samples, then we can conclude that we can -logically-
distinguish the resulting (as a sum) music.
In fact, several tests (I participated myself in one of them) proved
that we CANNOT distinguish two frequency-based sound samples reproduced
by two different machines, even if we could distinguish (using the same
ABX tests) these machines using normal (time-based) music samples.
Why ? Simply because a human ear is NOT a linear measurement
instrument. Not really a big discovery, some may say. Exactly:
Oscilloscopes and other measurement instruments are much better than
our ears.
Conclusion: Never use frequency-based (primary) sounds to proceed to
ABX tests: The results are irrelevant, the tests are void.

But we have always thought that:
- Duration samples (complex, but of a small duration) could be used to
distinguish two reproduction machines using ABX tests.
This experiment concludes that duration samples cannot be used to
proceed to ABX tests, because the results _may_be_ irrelevant.
Well what then ? What does it mean -may be- ? They are, or they are not
?
In fact, as ABX tests use mathematical (statistical) methodology, the
range rule apply: the measurement means MUST be absolute. No -maybe- is
accepted, or the methodology is broken. Statistics need facts to work,
not approximations.
So, in fact, as this experiment establishes an approximation (or even
-the not measurable possibility- of an approximation, if you are
optimistic), the samples cannot be used anymore. Simple mathematics.

So what ? No problem: It's enough to use longer, complex samples to
validate the ABX tests, that's all. No problem, as I stated.
On the other hand: any ABX test that doesn't use long, complex samples
is void. We can't manipulate maths as we want, pity. :D


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread darrenyeats

DeVerm;352604 Wrote: 
> The simple fact that it happens remains and is only disputed by die-hard
> red book fans
Whoa. Even die-hard red book fans, as you put it, have always known it
is possibly to hear the difference between red book and hi-rez -under
certain conditions.-. In this sense this study isn't really news. The
way I see it using "the gamelan music of Bali, which is extremely rich
in HFCs with a nonstationary structure" is a bit like playing silence
very loudly. It's trying to prove a point...but not a point I'm
interested in.

What about some nice classical piece, aren't there enough instruments
of sufficient frequency range in there? Picking a genre like that
because it has HF content is as far as I'm willing to go. Any more
picky than that and you're rigging the game so much I don't care about
the outcome. And before you say it Gamelan music isn't a genre (not one
that means anything to me) any more than silence...or square waves for
that matter. :^)
Darren


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Re: [SlimDevices: Audiophiles] Dead end or not...

2008-10-23 Thread DeVerm

seanadams;352328 Wrote: 
> But I give you props for creativity.  :)

But Sean, you could bundle it with an ultra-portable audiophile DAC
with belt-clip, available in 6 colors! Also, you would want to add a
newly developed, environment hardened toslink cable with the same color
selection, plus an add-on for external video so that you can add the
display-glasses as a future option, with Gucchi frame!

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-23 Thread Phil Leigh

OK - I will post some pics tomorrow and try the 12k/48 wave.

Thanks for your feedback. This is looking increasingly like a "bug" in
the ASRC algorithm, at least to me!

Some other fora have implied this might be the result of jitter folding
back into the analogue domain as harmonic distortion... but I'm not
convinced.

I did try a toslink connection between the sb and TACT - no change
whatsoever to the waveforms - so I don't think this is a jitter related
phenomena.
Cheers
Phil


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-23 Thread DeVerm

Phil Leigh;352422 Wrote: 
> 20kHz sine - looks like a perfect sine

hmmm I had hoped it would not. This is evidence that we're not looking
for a frequency related artifact.

> 21Khz sine - Audacity can't go over 20kHz!!!

double hmmm... we really need a > 22.050 kHz sine in 48 kHz sample rate
to check what happens above 44.1 kHz sample-rate. It might just ditch it
for all I know! The other hmmm is that we find more and more bugs, now
it's audacity!

> 10kHz square - as you predicted - one "valley" in the peak/trough of a
> sine

We really need a photo of this, with detail so put the scope's timebase
so that we get only 1 cycle. We must see if there are any comparable
artifacts in that 1 valley.

> 12kHz square - nice 12kHz sine wave!

Theory agrees with measurement, great! ;-) But this is only the sanity
check for the next one: 12 kHz square at 48 kHz sample rate. It should
then look exactly like the 10 kHz square at 44 kHz sample rate!

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-23 Thread DeVerm

Phil Leigh;352432 Wrote: 
> Some more results:
> 
> changing the sampling rate of the generated waveforms from 44.1 to 48
> makes no difference to any results!

Well, then there's something wrong in either the test-setup or the
TACT. I come to that conclusion because at 48 we should have up to 24
kHz frequency response which includes the 23f harmonic of the 1 kHz
square wave. This means that the SB should show an additional
harmonic-top. On the foto's from the 44 sample it was still easy to
count the 11 tops. Can you confirm if you now see 12 or still 11? If
11, there's something wrong with the test.

> I can't go to 96 because the SB3 doesn't support it!

What? you have no transporter yet? ;-)
How about a decent sound-card in the PC?
This test is important because anything lower than 96 will be upsampled
by the TACT as I understand it...


> It looks like a component at roughly double the waveform frequence is
> being superimposed on the ringing harmonics - as you said.

Weird indeed. In analog electronics and at these low frequencies, it is
normally feedback via the power supply. This can be helped by adding
capacitors right at the components power-feed that experience this AM
interference (like at OP-AMPS, easy to filter LF AC component when you
only need DC) but this is all in the digital and software domain. I can
only conclude that it is a flaw in the algorithm used (because it's
still the 2nd harmonic when you change the frequency) and as it is in
by-pass mode, it must be either the up-sampling algorithm or it isn't
really in bypass (like the DSP is still in-line and processing but with
a flat-response algorithm) and the DSP itself is flawed.

I think it really is time for eBay and you can use the recovered funds
for nice sound panels, bass-traps etc. Good WAF !

I scanned the net a bit and am I correct in my finding that the (or one
of the) designers went his own way (in Denmark?) and is now selling a
new product?
(http://www.lyngdorf.com/index.php?option=com_content&task=view&id=19&Itemid=41)

ciao!
Nick.


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread DeVerm

lanierb;352549 Wrote: 
> I'm jumping in late here, but is there a theory about how exactly these
> high frequency harmonics make any difference to a human whose ears
> can't render them?  Clearly you can't feel them either as you can with
> low frequency.  Is there meant to be some other "sense" that picks them
> up?  Sounds crazy to me for this simple reason.
> 
> Edit: OK I just found the other thread where at least one person raised
> the issue already.  Answer: there is no serious explanation, just wild
> speculation.

Exactly, there is no consensus whatsoever on explaining why this
happens. The simple fact that it happens remains and is only disputed
by die-hard red book fans of the Mr. O kind ;-) Another fact is that
one can refuse to believe something forever and one can always find new
objections and reasons for this not-believing-it. Some people still
don't believe that man walked on the moon and no one can convince them
that we did. But luckily, that doesn't stop progress too much so we now
have HD music for sale and can play en enjoy it and send nifty little
robots to Mars etc.

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread DeVerm

opaqueice;352477 Wrote: 
> That's just... wrong.  You're directly contradicting the authors of this
> paper:

Well, it seems that you insist that the methods used were the same as
in earlier studies so it's no use to keep arguing about this. But, for
the record, I state that studies by Muraoka et al. (1978) and Plenge et
al. (1979) did use questionnaires only and not EEG or PET scans of the
brain. The paper states that also. You disagree?
Furthermore: this study used 200s samples (complete song) and 10s
interval. I state (as does the paper) that the studies by Muraoka et
al. (1978) and Plenge et al. (1979) did use 15-20s samples and 0.5s
intervals. You disagree? (you also never seem to answer the questions I
post so it's impossible to work down to the core of your disagreement...
you evade.)

Lastly, they did studies using EEG before (Oohashi et al. 1994) and the
findings are in agreement with that study.

> Those studies (probably among many others) showed that people cannot
> distinguish between sounds including high frequencies and sounds not
> including them.  That *directly contradicts* the findings of this
> study, and the method (on the question/response part of this research)
> was essentially identical AFAIK.  The only significant difference is
> the length of the sample.

You repeat again. Your AFAIK is fake because you know that "independent
of a subjective evaluation of sound quality" EEG and PET measurements
are differences too. I'll quote it here:

"In our EEG and PET experiments, we focused on physiological brain
responses and objectively evaluated the effect of the combination of
audible sounds and inaudible HFCs on brain activity, independent of a
subjective evaluation of sound quality."

You also ignore the third part of the current study where they followed
the same procedure as in the studies by Muraoka et al. (1978) and Plenge
et al. (1979) and found the same results as they did in the 70's.

> *Hypothesis*:  people feel strange in environments (such as the damped
> soundbooths this experiment probably used) with zero HFS present. 
> Adding HFS to music in an otherwise completely silent environment
> "reassures" the brain that all is well, whereas playing only LFS leaves
> this strange feeling.  In a normal living-room type listening
> environment with ambient HFS reproducing the HF content of music would
> have no effect, because the background HFS field would "reassure" the
> brain on its own.
> 
> If that hypothesis is correct - and as far as I know it's consistent
> with their data, even accepted at face value - these findings would
> have no relevance whatsoever for home audio.

You read the paper so you know that they describe the rooms where the
tests were performed incl. the decorations, paintings on the wall and
even the view from the window. But now you say that they "probably used
damped soundbooths" which isn't trolling because I know you would never
do that... but it feels like it is anyway. You also say that normal
listening environments have ambient HF but I wonder how you know that
or what it's source might be. Especially how that would be at the dB
levels of playing music. The only info I find is that HF is present in
natural environments like the rainforest, but I assume that audiophiles
prefer a non-natural environment like a house (or boat). 

> Fact:  neither people's brains nor conscious minds react to HFS alone.
> 
> Claimed fact:  people's brains and responses are different when exposed
> to HFS+LFS versus LFS alone.

It is not claimed anywhere that HF sound changes the brain. But it is
an demonstrated fact that full range music results in a significant
larger brain-response are shown by both EEG and PET scans as compared
to the same music without the HF components. You can't accept that.

But you --can-- accept that listening experience changes when you
consume for example alcohol or have a good(!) smoke. Or that it changes
in the presence of other fans of the song etc. In these cases, do you
think that these factors change your ears? It is established that it
doesn't change your ears but invokes other brain activity which, in
combination with the music you hear, changes your listening experience.
It's no different with this study when you replace the
alcohol/smoke/fans with HF audio components. 

Now the BIG question: do you hear a difference between 44 and 48/96 kHz
sampled music? Many, many audiophiles do and indeed, releasing these HD
formats more and more (now 5000 SACD titles and 5000 DVD-audio titles)
indicate that many prefer it. Why?

> I repeat, how do you establish that the measuring gear you're using
> doesn't exhibit this kind of non-linear response?  You really can't
> until you have a self-consistent theory for where the effect is coming
> from, and so far there isn't one.

Again you question the established EEG and PET scans. I wonder what
you're gonna do if you would need any of these in a hospital? Question
it's linear response with the docto

Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread sebp

Since sound is just air vibrating, I can't see no reason why your whole
body - and not only your eardrums - could not act as a receptor.
I believe skull bone is being used as a resonator for helping
hearing-impaired people.

Ever felt infra-basses in your stomach during a concert?
It's not about hearing low or high frequencies, it's all about feeling
them.


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread lanierb

I'm jumping in late here, but is there a theory about how exactly these
high frequency harmonics make any difference to a human whose ears
can't render them?  Clearly you can't feel them either as you can with
low frequency.  Is there meant to be some other "sense" that picks them
up?  Sounds crazy to me for this simple reason.


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread Phil Leigh

DeVerm;352540 Wrote: 
> I agree with most you write, but your example would loose the "blind"
> part of it as you can see which version has the higher sample-rate.
> Also, for abx you would need three recordings of which two are the
> same... if I understand it all correctly.
> 
> But again, I agree and one could be given 3 black boxes labeled A, B
> and X with only on/off switch and analog output and let you play with
> it for as long as you want. But, two years? after 2 years you would be
> listening to obsolete stuff!
> 
> cheers,
> Nick.

Nah - I'd probably still be listening to "Wish You Were Here" :o)


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ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
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Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread DeVerm

DCtoDaylight;352310 Wrote: 
> Why not?  Two full, album length recordings, each at different sample
> rates.  You are given two years to decide which is better...  I didn't
> say it was easy, what I said was it's possible.  
> 
> I see too many cases of people claiming ABX testing is flawed or can't
> reveal the truth, when in fact, it isn't ABX testing that's at fault,
> but rather it's a specific implementation that's at fault.

I agree with most you write, but your example would loose the "blind"
part of it as you can see which version as the higher sample-rate.
Also, for abx you would need three recordings of which two are the
same... if I understand it all correctly.

But again, I agree and one could be given 3 black boxes labeled A, B
and X with only on/off switch and analog output and let you play with
it for as long as you want. But, two years? after 2 years you would be
listening to obsolete stuff!

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread Themis

sebp;352273 Wrote: 
> Could it be simply possible that Mr Oohashi, for this experiment, asked
> Pioneer to manufacture speakers according to his specs?True. But after this 
> experiment, several manufacturers started producing
super tweeters. It's quite common nowadays speakers (and headphones)
delivering 30-50kHz.


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Re: [SlimDevices: Audiophiles] Hardware Upsamplers

2008-10-23 Thread Phil Leigh

krzys;352531 Wrote: 
> It has Wordclock in! I hacked it to input the clock signal from an
> aftermarket clock installed in one of the DCXes ;-))
> And above that it is easy to resell 
> Chris

Indeed - if only I had a DAC with word clock out! (one day)


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Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
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Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Hardware Upsamplers

2008-10-23 Thread krzys

It has Wordclock in! I hacked it to input the clock signal from an
aftermarket clock installed in one of the DCXes ;-))
And above that it is easy to resell 
Chris


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Re: [SlimDevices: Audiophiles] Hardware Upsamplers

2008-10-23 Thread Phil Leigh

krzys;352524 Wrote: 
> I'm using it only to upsample to 48/24 from the SB to Behringer
> DCxes*because it does it better than the DCXes themselves and it offers
> the choice of three digital inputs 
> http://www.behringer.com/SRC2496/index.cfm?lang=ENG

Well at £89.75+shipping it's certainly cheap enough to try! - thanks
for the tip!
Cheers
Phil


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber & Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Hardware Upsamplers

2008-10-23 Thread krzys

I'm using it only to upsample to 48/24 from the SB to Behringer
DCxes*because it does it better than the DCXes themselves and it offers
the choice of three digital inputs 
http://www.behringer.com/SRC2496/index.cfm?lang=ENG


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Re: [SlimDevices: Audiophiles] Hardware Upsamplers

2008-10-23 Thread Phil Leigh

krzys;352512 Wrote: 
> I think the Behringer SRC can do that for a very low price. 
> Chris

Chris - hmmm - yes I'd forgotten about the Behringer!
Can I just use it to upsample without it doing anything else?


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber & Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Hardware Upsamplers

2008-10-23 Thread krzys

I think the Behringer SRC can do that for a very low price. 
Chris


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-23 Thread opaqueice

DeVerm;352261 Wrote: 
> 
> No, that "disagreed part" you mention was never tested before. The
> subjects still can't hear the HFS part even when it's played together
> with the LFS part... but --their brains react to it--. The scope of
> previous tests never included that possibility and thus did not monitor
> the brains of the subjects. When working from two different scopes like
> that, you can't say that there is disagreement as the first test didn't
> include this part. You can say that the first test missed it.

That's just... wrong.  You're directly contradicting the authors of
this paper:

> 
> -Explanation of the discrepancy between the present and previous
> studies-
> 
> The fact that we used an entire piece of natural music lasting 200 s as
> sound stimuli instead of short fragments of sounds might explain the
> discrepancy between our findings and those of previous studies carried
> out around 1980 to determine the format for digital audio CDs (e.g.,
> Muraoka et al. 1978; Plenge et al. 1979), which concluded that the
> presence of sounds containing a frequency range above 15 kHz was not
> recognized as making a difference in sound quality. 

Those studies (probably among many others) showed that people cannot
distinguish between sounds including high frequencies and sounds not
including them.  That *directly contradicts* the findings of this
study, and the method (on the question part) is essentially identical
AFAIK.  The only significant difference mentioned is the length of the
sample.

Which brings up another problem with this.  If the author's proposed
explanation is correct (that the effects only manifest themselves over
time periods of 10s of seconds), it's perfectly possible that -any-
presence of HFS (regardless of whether it's harmonically related to the
music) could activate these beneficial effects.  In other words... 

*Hypothesis*:  people feel strange in environments (such as the damped
soundbooths this experiment probably used) with zero HFS present. 
Adding HFS to music in an otherwise completely silent environment
"reassures" the brain that all is well, whereas playing only LFS leaves
this strange feeling.  In a normal living-room type listening
environment with ambient HFS no such effect would take place, because
the background would "reassure" the brain anyway.

If that hypothesis is correct - and as far as I know it's consistent
with their data, even accepted at face value - these findings would
have no relevance whatsoever for home audio.

> 
> Nack. Why is this bizarre? 

Fact:  neither people's brains nor conscious minds react to HFS alone.

Claimed fact:  people's brains and responses are different when exposed
to HFS+LFS versus LFS alone.

That's very weird.  

It's the kind of thing that is out there enough that it could have many
potential explanations (for example the one I gave above).  Once you
allow for possibilities like that, everything should be questioned -
for example, I repeat, how do you know that the measuring gear you're
using doesn't exhibit this kind of non-linear response too?


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Re: [SlimDevices: Audiophiles] Video equivalent of Transporter

2008-10-23 Thread MusicAddict

I don't (yet) own one of these, but my guess is that the Popcorn Hour
A-110 is the closest thing available.

http://www.popcornhour.com

Check out the review at
http://reviews.cnet.co.uk/accessories/0,39100116,49298605,00.htm

and the review "The best media streamers" at
http://reviews.cnet.co.uk/accessories/0,39100116,49299176,00.htm.

Enjoy ;-)


-- 
MusicAddict

--
Duet, SB3, DS207 mit SSODS.

Duet:   manchmal etwas hakelig.
DS 207: etwas lahm.
SB3:super.

Insgesamt: ein Traum ;-)

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Re: [SlimDevices: Audiophiles] Hardware Upsamplers

2008-10-23 Thread Phil Leigh

DCtoDaylight;352308 Wrote: 
> It would be interesting to know what chip it uses for the data rate
> conversion.  There are only a handful of devices on the market that do
> this, unless they've taken in inboard on an FPGA, and I would think you
> can draw some broad similarities between products using the same IC's.

That's a good point... I wonder if they will tell me what chip is in
it...?


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber & Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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[SlimDevices: Audiophiles] Video equivalent of Transporter

2008-10-23 Thread pkfox

Hi all, does a video equivalent of a TP / SB exist ? if yes which one is
the best ?


-- 
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CD's -> EAC/Grip -> ReadyNas NV -> CAT5 -> Sonicwall -> TP -> Meridian
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Re: [SlimDevices: Audiophiles] Can THIS be integrated with SlimServer?

2008-10-23 Thread 325xi

pkfox;352393 Wrote: 
> Interesting, have you set it up yet (LinuxMCE) also, how can it possibly
> turn off lights etc... ?

No, I use the Original SlimServer :)
LinuxMCE is very cool open source project, but it does too much things
for my humble needs.

But I do use Z-Wave to setup lights etc in my listening room, and to
cut TV in the next room

You just need these http://www.automatedoutlet.com/home.php?cat=6
modules to control everything. 

For automatic control one would need Windows PC running 24/7, which I
don’t like. 
So this new Vera product does the same and more running in a tiny box. 

SlimServer could easily issue commands to Vera to prepare your house
for listening – simple http requests. And when you're done it
could restore previous state - lights etc. 
It's just a matter of any of developers to get interested in this kind
of integration.


-- 
325xi

( sb3 >> stello da220mkii || simaudio nova cdp ) >> simaudio moon i-5
>> revel performa m20 on *skylan* stands via acoustic zen matrix
reference ii and acoustic zen satori

sb3 >> audioengine 5

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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-23 Thread Phil Leigh

Some more results:

changing the sampling rate of the generated waveforms from 44.1 to 48
makes no difference to any results! I can't go to 96 because the SB3
doesn't support it!

Below roughly 750 Hz the squarewaves coming out of the TACT and SB look
pretty much the same (it's quite hard to tell) but as you go up to 1k,
2h and so on the differences become more obvious and are just like that
photo I posted earlier in the thread.

It looks like a component at roughly double the waveform frequence is
being superimposed on the ringing harmonics - as you said.

Weird!


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber & Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-23 Thread Phil Leigh

DeVerm;352213 Wrote: 
> Same here, sorry Phil. Will start a separate thread next time and stop
> off-topic posts here.
> 
> Actually, I have been thinking about your problem. My observation from
> your photo's is that the tops from the 5th-7th harmonics are clearly
> missing from the square wave. As the fundamental was 1 kHz, this is the
> harmonics at 5, 7 and 9 kHz. I also read that you checked at different
> amplitude levels and frequencies and that the pictures were the same. I
> would propose this:
> 
> 1. check those pictures for the different frequencies again or may be
> you remember this detail clearly still. If that 5th-7th harmonic is
> still the missing, it is not frequency related but algorithm related.
> If it's also the same for lower amplitudes, we can assume that it's a
> core-bug in the algorithm and not just an amplitude-related artifact of
> overflow etc.
> 
> 2. I am still curious on the TACT picture of a pure sine 21 kHz signal
> because it will show what the TACT does with signals at the limits of
> the 44 kHz sample rate. I mean, it will up-sample it, after which it
> isn't close to the limit anymore. The question is if distortion appears
> before, during or after the up-sampling. If we see any distortion here,
> it would point to a bug before or during up-sampling.
> 
> 3. test with a 21 kHz sine but in a 48 kHz sample-rate file. Again for
> 96 kHz rate. Just to make sure it isn't a frequency limit.
> 
> 4. Did you do the 1 kHz squarewave with 48 and 96 kHz files? I assume
> the TACT up-samples to 96 kHz? And I assume it doesn't up-sample if the
> input is 96 kHz already because I wouldn't know how that would be done.
> This will show several things:
> 
> The middle of the squarewave isn't the 5th-7th harmonics anymore
> because we go beyond the 11f harmonic for the higher sample-rates. So,
> if it's still missing the "center" tops instead of the 5th-7th tops,
> the error is independent from input-signal
> 
> If the 5th-7th harmonic is still missing (the flattened part moves left
> of center square-top), we must re-evaluate our thinking ;-)
> 
> A final set of test-signals would be a 10 and a 12 kHz squarewave as 44
> kHz sample-rate. The 10 should show one big valley between two tops and
> the 12 kHz should show... a sine? See if there still is that same
> distortion.
> 
> cheers,
> Nick.


Nick - some results for you to ponder :o)

16-bit wav files, 44.1kHz sampling rate

1) 20kHz sine - looks like a perfect sine
2) 21Khz sine - Audacity can't go over 20kHz!!!
3) 10kHz square - as you predicted - one "valley" in the peak/trough of
a sine
4) 12kHz square - nice 12kHz sine wave!

5) 1500Hz square - very similar to 1k


6) reducing the level of the generated waveforms makes no difference to
their shapes - doesn't seem to be a level-related phenomena

I'm going to try the 48kHz sampling next
Regards
Phil


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber & Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Can THIS be integrated with SlimServer?

2008-10-23 Thread pkfox

325xi;350629 Wrote: 
> Yeah, I intended to post it in General forum, but hit Audiophile by
> mistake :)
> 
> But have you guys heard about how LinuxMCE integrates SlimServer into
> its whole? So this one could be even more elegant. They prepare a IR
> controller linked to that box, which would allow to program AV
> controlling in a way similar to Logitech remotes, but integrated with
> the rest of the home - press one button, and it not just turns on your
> SB, amp, and selects input, but also turns off AC and dim lights. And
> also can reduce TV volume in the next room so it won't disturb
> listening, and turn off TV in kids room so they finally go to bed :)

Interesting, have you set it up yet (LinuxMCE) also, how can it
possibly turn off lights etc... ?


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Re: [SlimDevices: Audiophiles] Dead end or not...

2008-10-23 Thread funkstar

seanadams;352327 Wrote: 
> OP wants a mini-jack with toslink, like apple uses. Interesting mod
> opportunity I guess, but I fail to imagine any general appeal for that
> in a mobile product. This is why it's usually bundled with an SBR.
Ah, yeah that makes sense now. I had no idea apple did this. 

I could understand wanting  (or some sort of digital anyway) from the
bottom connector, but not really from the headphone jack.


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-23 Thread Phil Leigh

DeVerm;352231 Wrote: 
> Another thought:
> 
> Your scope should have a test-square-wave output on the front. It's
> analog and you should calibrate your probes on it using the little
> adjustment-screw (capacitor).
> 
> Also, something that Mr. O observed already
> (http://forums.slimdevices.com/showpost.php?p=348946&postcount=46) but
> I'd like to repeat it here because it's the 2nd more obvious part of
> the distortion:
> 
> 1. phase distortion. When you bring that to the picture, it means that
> the tops are not horizontal anymore. Look at fig. 6.7 here:
> http://www.tpub.com/neets/book23/101a.htm
> You normally get this when passing the signal through a filter and the
> higher the order of the filter, the more tilted it gets. But where's
> the filter in the TACT? (a digital software filter shouldn't do that
> and I'm not familiar enough with DSP's to tell if they cause phase
> distortion like this...)
> 
> 2. AM modulation. The 2 kHz modulation is obvious and this is the 2nd
> harmonic of the fundamental. Measuring at different frequencies will
> show if it's a persistant 2nd harmonic modulation. I have no clue yet
> where this can come from...
> 
> cheers,
> Nick.


Nick - thanks - I will check the scope calibration

Arguably the TACT is one big fliter - but when in bypass mode the
digital filter has its co-effecients set to zero so it should just pass
through..

I'll post some more pictures later
thanks
Phil


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber & Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Dead end or not...

2008-10-23 Thread bhaagensen

funkstar;352278 Wrote: 
> I don't even *understand* this post :)
> 
> What were you expecting, or hoping for, when you took a photo of the
> mini jack?

It's mostly ramblings anyway. I assumed toslink used infrared light or
something like that. But someone told that the light in toslink is
visible, so forget about that. 

And yes, what I was querying about was the possibility of digital out
from the Controller. If not for nothing else than as a fun exercise.

Bjorn


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