Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread NewBuyer

Phil Leigh;434022 Wrote: 
> No they don't!.
> ...I agree that 200w is preferable to 20w in all cases...

I've been confused about that principle lately.  For instance, Elias
Gwinn at Benchmark Media Systems Inc. says -"Avoid using amplifiers that
are too powerful for your system! You'll get best results when using
75-95% of the amps total power."-

So for generally low-level listeners having speakers/systems where 20w
would nearly always cover the transient peaks - perhaps 20w would
sometimes be preferable to 200w?


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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread DCtoDaylight

pfarrell;434520 Wrote: 
> Maggies, Quads, etc. don't take much wattage, but they need a lot of 
> current.

I must admit, I've never looked that closely at the fundamentals of the
design approaches, but I would have thought that planar magnetic
speakers, like the Maggies, would require lots of current, but planar
electrostatics, like the Quads would prefer lots of voltage 
Certainly, that was one of the arguments for the dedicated tube amps
offered by Acoustat, and others.  

Dave


-- 
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Audiophile wish list: Zero Distortion, Infinite Signal to Noise Ratio,
and a Bandwidth from DC to Daylight

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread Pat Farrell
ghostrider wrote:
> pfarrell;434438 Wrote: 
>> Powered speakers are the solution, but audiophiles love their big iron.
> 
> There's no replacement for displacement!

Actually, in racing, the comment is "you can't replace cubic inches, 
expect with cubic dollars"

And things like Formula 1 cars with 1000 HP out of 3 liters are proof 
that enough cubic dollars can really replace it.

Maggies, Quads, etc. don't take much wattage, but they need a lot of 
current.

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread ghostrider

pfarrell;434438 Wrote: 
> Powered speakers are the solution, but audiophiles love their big iron.
> 
> -- 
> Pat Farrell
> http://www.pfarrell.com/

There's no replacement for displacement!


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Re: [SlimDevices: Audiophiles] Personal Introductions: Please Make This a Sticky!

2009-06-22 Thread Phoenix

Hi, My name is Phoenix and I've been in the high end audio racket since
the 1970's. My musical tastes run to the soft rock groups of that era
(Buffalo Springfield, Fleetwood Mac, Beatles, Stones, Jackson Brown,
Dylan, Linda Ronstadt, CSNY, Joni Mitcell, as well as classical and in
the last ten years, Jazz.
Over the 30 years I've had this hobby I've owned a number of Classic
components: Large Advents, Bose 901's (the originals and a real
disappointment), Rodgers LS3/5A's, Martin Logan CLS's, and Aerial
Accoustic 10t's (my current speaker. Originally a vinyl freak, I've
owned some true analogue classics as well including the Fidelity
Research FR64s tonearm w' B60 Stabilizer which cost over $1200 in 1979
(ouch), but it's still my current analogue tomearm.  Phone cartridges
included the Classic ADC XSM, The Fidelity Research FR-1 Mk 3f, the
Talisman Virtuoso DTi, and the Cardas Heart Ruby (My Current).
Turntables included the original Accoustic Research turntable (still a
great table for someone who wants a cheap analogue rig which will play
well) and a VPI HW-19 Mk 4 with a 20 lb platter, a speed control and a
Vibraplane.  I also own a number of tube preanps including the Audible
Illusions Mk 3, and the Harmon Kardon Citation I.  My power ams are the
inimitalbe Bel 1001, Mk 5 (two bridged to deliver a rock solit 200 wpc
to anything) with all Nordost SPM cabling.

I got into the Squeezebox because it offered tmy 1000+ albums (cd's)
on a hard drive the size of a small book and playing them back perfectly
to my Benchmark DAC1.  It seems like and is the perfect way to listen to
digital audio whic I believe has caught up with analogue audio.  I also
use a TACT RCS 2.0 to deliver room and speaker correction.  All in all
it sounds great, offers the ultimate in convenience and if I ever decide
to get rid of the analogue side of things, I'm convinced I could live
with a Squuzebox into a Tact into a Benchmark into the Audible Illusion
into the Bel's and the Aerials quite happily.


-- 
Phoenix

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread adamslim

JezA;434423 Wrote: 
> And I have heard a Lowther, as it happens. If you lined up all the
> speakers in the world according to their neutrality, it would definitely
> be near one of the ends. 
> 
> Have you ever heard a Steinway?

I suspect that my Lowthers would give a better simulacrum of a Steinway
than most speakers, tbh, of whatever cost.  And 8W is perfectly enough,
although I am currently giving them a serious workout with a First Watt
F3, fully 15W.  They might not be neutral in terms of frequency
response, but there's a lot more to accuracy than that.


-- 
adamslim

Those are my principles, and if you don't like them... well, I have
others

SB+, dCS Purcell & Elgar, Audion Pre, Welborne DRD 300B SETs, Lowther
Big Fun Horns with PM6As

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread Pat Farrell
JezA wrote:
> pfarrell;434409 Wrote: 
>> JezA wrote:
>>>  If 20w/ch cut the mustard, why do Linn produce amps of many times
>>> that power?
>> to separate fools from their money.
>>
>> Clearly you have never hear a Lowther or Klipshorn
> 
> Is it possible for you to write a post that isn't rude, offensive or
> insulting? 

Pot talking about the kettle?

Big amps cover a long list of sins. But they are not free of sins 
themselves.

Powered speakers are the solution, but audiophiles love their big iron.

-- 
Pat Farrell
http://www.pfarrell.com/

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread JezA

pfarrell;434409 Wrote: 
> JezA wrote:
> >  If 20w/ch cut the mustard, why do Linn produce amps of many times
> > that power?
> 
> to separate fools from their money.
> 
> Clearly you have never hear a Lowther or Klipshorn

Is it possible for you to write a post that isn't rude, offensive or
insulting? Linn customers - Phil for example -  aren't generally fools. 
And I have heard a Lowther, as it happens. If you lined up all the
speakers in the world according to their neutrality, it would definitely
be near one of the ends.


-- 
JezA

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread Phil Leigh

JezA;434405 Wrote: 
> You really think your tweeters can handle 140W?! Brave man!

Sadly from bitter experience I know otherwise... they can be vapourised
in the twinkling of an eye by a full-power transient. This is
particularly a problem in active config because there is no crossover to
protect them.

"Always turn off and leave for 10 minutes before connecting to
pre-amp"... 
"always turn off and leave for 10..."

There are some odd things about Linn...like no o/p protection on my
power amps, so a speaker cable short will destroy the board (£200
replacement).

Over the years I've had 3 new power amp boards and 2 tweeters...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
SB3 (wired) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker & Chord Interconnect cables
Outdoors: Boom

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread Pat Farrell
JezA wrote:
>  If 20w/ch cut the mustard, why do Linn produce amps of many times
> that power?

to separate fools from their money.

Clearly you have never hear a Lowther or Klipshorn

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread JezA

You really think your tweeters can handle 140W?!


-- 
JezA

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread Phil Leigh

JezA;433895 Wrote: 
> After all Phil, you yourself are using a 90w/ch amplifier to drive a
> tweeter!

Actually it's 140 watts into each driver... 
Linn speakers are 4 ohms not 8 :-)

Hence the LK "140".


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
SB3 (wired) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker & Chord Interconnect cables
Outdoors: Boom

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread JezA

There are many, many reasonably designed loudspeakers, including some
very, very well designed ones, for which 20w would be inadequate, even
at quite modest listening levels. Sure, a valve amp like yours will have
a benign overload characteristic so might not sound so offensive when it
runs out of juice, which it surely will, but to constrain yourself to
speakers of above 92db sensitivity, and with probably not much bottom
end, excludes an awful lot of good speakers, and if I had a grand to
spend on the front end of a decent hi-fi, I wouldn't want to limit my
choice so drastically. I do listen to a lot of classical music, which
can have a colossal dynamic range. 

The Transporter showing it's age? Why a display? Why a touch sensitive
knob? Why not a straight media renderer like the DS stuff? Is the DAC
still the best around? I think Linn have moved things on with the design
of their stuff, and I hope other manufacturers, including Logitech, will
respond.


-- 
JezA

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread browellm

JezA;434371 Wrote: 
> Is that one utter or two? Feel free to disagree, or be rude, but I'll
> respect you more if you actually say something interesting or explain
> your otherwise fatuous remark.

You can have as many as you like.  If you don't think 20w can drive a
pair of reasonably designed loudspeakers of say 91-92dB sensitivity
(which isn't even that high), you seriously need to broaden your
horizons, or stop giving out duff info.

Ability to deliver current is generally more important than the watt
rating of an amp, or do you believe the W rating of all those silly
micro systems?

I'd also like to ask you, seeing as I have bitten properly, in what
areas in the TP showing its age?


-- 
browellm

Transporter >> Kondo M7 >>Art Audio Quintet, Border Patrol PS >> Living
Voice IBX/R2

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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread JezA

Is that one utter or two? Feel free to disagree, or be rude, but I'll
respect you more if you actually say something interesting.


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Re: [SlimDevices: Audiophiles] Transporter v Linn Squeeky DS

2009-06-22 Thread browellm

JezA;433895 Wrote: 
> You might get a 20w amplifier to drive a speaker to 'deafening levels'
> but the reason you would be being deafened is that it will be clipping
> transients horrifically on any material with a decent dynamic range
> played back at a decent level. Sure a horn loaded loudspeaker will make
> a lot of noise with a low powered amp, but at the expense of some
> dreadful colourations, not to mention lots of money.  I agree with
> Labarum, a 20w/channel amp in a £1k product is just odd, most modern
> decent speakers just aren't sensitive enough to be driven effectively by
> such a product. I suppose you could listen very near-field though, but
> if it was me I'd be looking for a decent amp, that didn't constrain my
> choice of speakers or playback dynamic range. After all Phil, you
> yourself are using a 90w/ch amplifier to drive a tweeter!

Utter, utter rubbish.


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Transporter >> Kondo M7 >>Art Audio Quintet, Border Patrol PS >> Living
Voice IBX/R2

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Re: [SlimDevices: Audiophiles] Managing Both Lossless and Lossy Files

2009-06-22 Thread aspendl828

I suggest you have a look at Media Monkey.

I use Media Monkey to manage my 68,000 track library of mainly FLAC
files.

Media Monkey will also synch to ipods and many other MP3 players or
external drives. Part of the synch functionality allows you to transcode
on the fly. So, when I synch my ipod all flac files and any MP3's above
256k are converted to 256K VBR.

It's a little slow sometimes because of the transcoding but I have a
fairly substantial set of core albums on the ipod all the time so I'm
just tinkering around the edges and only changing 100 or so tracks each
time.

Anyway, it works well for me


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Re: [SlimDevices: Audiophiles] 24/192 digital output?

2009-06-22 Thread bhaagensen

Al Jones;434274 Wrote: 
> 
> When streaming 24/192 files from a NAS, will the digital outputs on my
> Transporter deliver true 24/192 to its digital outputs?
> 

Short (and true answer) is simply, no. 24/96 is max.

B.


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[SlimDevices: Audiophiles] 24/192 digital output?

2009-06-22 Thread Al Jones

I know that the Transporter can downsample 24/192 for playback at 24/96,
but I would like to feed uncorrupted 24/192 via the Transporter to an
external 24/192 DAC.

When streaming 24/192 files from a NAS, will the digital outputs on my
Transporter deliver true 24/192 to its digital outputs?

Thanks,

Al Jones


-- 
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Re: [SlimDevices: Audiophiles] It ain't what you'd call minimal

2009-06-22 Thread Phil Leigh

Rodney_Gold;434241 Wrote: 
> You cannot extend that logic...regardless of the source , your playback
> can be modified to either be totally accurate and not allow any other
> errors to creep in or to be modified to taste with various components. 

The difficulty is knowing whether or not "totally accurate" has been
achieved. As you rightly say, there is no absolute truth.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
SB3 (wired) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker & Chord Interconnect cables
Outdoors: Boom

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Re: [SlimDevices: Audiophiles] It ain't what you'd call minimal

2009-06-22 Thread Rodney_Gold

You cannot extend that logic...regardless of the source , your playback
can be modified to either be totally accurate and not allow any other
errors to creep in or to be modified to taste with various components.
If one is an audiophile as opposed to a music lover ..one will always
have angst as to whether your playback is "up to snuff". Not every
recording has been treated with distain by engineers. 

However the notion of tone controls to tune to taste is not a bad one ,
provided the tone controls themselves are not more destructive than
their effects...so generally TC in the digital domain would be a
preference. The problem is that tone controls themselves cannot always
do what one wants..for example they cannot really aid imaging or allow
low level decay or indeed add missing info.
Ultimately there is no universal truth in audio reproduction and the
only "real" truth is whether the listener is happy with their system.
Some folk take a total pragmatic approach in that if a cable passes a
signal its good enough and some go to the other extreme in that they
spend fortunes on tweakery of debateable value and "fool" themselves
into hearing major differences (and even if the difference doesnt
actually exist - its a trusim for whomsoever "hears" it)
The reality for both camps is that they both believe their approach is
correct , the former congratulate themselves on getting away cheap and
the latter congratulate themselves on buying what they percieve as a
worthwhile upgrade...I don't see the need for anyone on either side to
be patronising to the other.


-- 
Rodney_Gold

Sb3/Z-sys RDP1/meridian DSP5500's
TP/X-cans v3/Senns 650's
TP/TACT 2.0/SCM 50a's
TP/Meridian DSP5000's
"The nicest thing about smacking your head against the wall is...the
feeling you get when you stop"

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