Re: [SlimDevices: Audiophiles] Too bad it is just after christmas..

2015-12-30 Thread ralphpnj

Julf wrote: 
> The ultimate vinyl-o-phile record player, for the truly hipster
> audiophile. We all know steam gives more solid bass. 
> 
> 'steam powered record player'
> (http://www.asciimation.co.nz/gallery2/main.php?g2_view=core.DownloadItem&g2_itemId=877).

While the bass may be solid the highs are very sibilant with lots of
hiss.



Living Rm: Transporter-SimAudio pre/power amps-Vandersteen 3A Sign. &
sub
Home Theater: Touch-Marantz HTR-Energy Veritas 2.1 & Linn sub
Computer Rm: Touch-Headroom Desktop w/DAC-Aragon amp-Energy Veritas 2.1
& Energy sub
Bedroom: Touch-HR Desktop w/DAC-Audio Refinement amp-Energy Veritas 2.0
Guest Rm: Duet-Sony soundbar
Garage: SB3-JVC compact system
Controls: iPeng; SB Controller; Moose & Muso
Server: SBS on dedicated windows 7 computer w/2 Drobos
'Last.fm' (http://www.last.fm/user/jazzfann/)

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Re: [SlimDevices: Audiophiles] Squeezebox Touch + Toolbox 3 + EDO = XRUN Buffer issue

2015-12-30 Thread darrenyeats

sckramer wrote: 
> 
> I suggest the usb output only if you have an *asynchronous* usb DAC,
> else use the coax. This varies of course, you should try each.
> 
Yes, it depends on the DAC.



Check it, add to it! http://www.dr.loudness-war.info/

SB Touch

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[SlimDevices: Audiophiles] Too bad it is just after christmas..

2015-12-30 Thread Julf

The ultimate vinyl-o-phile record player, for the truly hipster
audiophile. We all know steam gives more solid bass. 

'steam powered record player'
(http://www.asciimation.co.nz/gallery2/main.php?g2_view=core.DownloadItem&g2_itemId=877).



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953

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Re: [SlimDevices: Audiophiles] MUSINGS: The Wisdom of Simplicity? Another take on recent Stereophile "As We See It".

2015-12-30 Thread ralphpnj

arnyk wrote: 
> It appears that the articles contents were thoroughly misrepresented by
> Mr. Atkinson for fun and profit.

Gee, what a surprise! To paraphrase Claude Rains (as Captain Louis
Renault): I'm shocked to find lying going on in these magazines!



Living Rm: Transporter-SimAudio pre/power amps-Vandersteen 3A Sign. &
sub
Home Theater: Touch-Marantz HTR-Energy Veritas 2.1 & Linn sub
Computer Rm: Touch-Headroom Desktop w/DAC-Aragon amp-Energy Veritas 2.1
& Energy sub
Bedroom: Touch-HR Desktop w/DAC-Audio Refinement amp-Energy Veritas 2.0
Guest Rm: Duet-Sony soundbar
Garage: SB3-JVC compact system
Controls: iPeng; SB Controller; Moose & Muso
Server: SBS on dedicated windows 7 computer w/2 Drobos
'Last.fm' (http://www.last.fm/user/jazzfann/)

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Re: [SlimDevices: Audiophiles] MUSINGS: The Wisdom of Simplicity? Another take on recent Stereophile "As We See It".

2015-12-30 Thread arnyk

ralphpnj wrote: 
> Nicely done, Archimago. I can never manage to keep my tone even remotely
> civil when discussing anything written in one of the high end audio
> magazines.
> 
> I also found this "As We See It" column from November 2015 to be equally
> funny:
> http://www.stereophile.com/content/we-dont-get-no-respect#PtOAgYWHfZzYmCm6.97
> 
> Classic straw-man argument.

For example:

Atkinson's misrepresentation:

http://www.stereophile.com/content/simple-everything-appears-simple#qTOJfKoF1IRTqTmK.99

"Harper was referring to a 2007 paper by E. Brad Meyer and David R.
Moran that "proved" that there was no sonic advantage to high-resolution
audio formats (footnote 3)
Read more at
http://www.stereophile.com/content/simple-everything-appears-simple#qTOJfKoF1IRTqTmK.99

Actual article abstract:

"Claims both published and anecdotal are regularly made for audibly
superior sound quality for two-channel audio encoded with longer word
lengths and/or at higher sampling rates than the 16-bit/44.1-kHz CD
standard. The authors report on a series of double-blind tests comparing
the analog output of high-resolution players playing high-resolution
recordings with the same signal passed through a 16-bit/44.1-kHz
“bottleneck.” The tests were conducted for over a year using different
systems and a variety of subjects. The systems included expensive
professional monitors and one high-end system with electrostatic
loudspeakers and expensive components and cables. The subjects included
professional recording engineers, students in a university recording
program, and dedicated audiophiles. The test results show that the
CD-quality A/D/A loop was undetectable at normal-to-loud listening
levels, by any of the subjects, on any of the playback systems. The
noise of the CD-quality loop was audible only at very elevated levels."

Actual article conclusion:

"We have analyzed all of the test data by type of music
and specific program; type of high-resolution technology;
age of recording; and listener age, gender, experience, and
hearing bandwidth. None of these variables have shown
any correlation with the results, or any difference between
the answers and coin-flip results

The previous work cited, some of it at the very beginning
of the CD era and some more recent, pointed toward
our result. With the momentum of widespread “high-rez”
anecdotes over the last decade, culminating in the Stuart
assertions, we felt the need to go further and perform a
thorough, straightforward double-blind level-matched listening
test to determine whether 16/44.1 technology would
audibly degrade the sound of the best high-resolution discs
we could find. We used a large and varied sample of
serious listeners; we conducted our tests using several different
types of high-quality playback systems and rooms;
and we took as much time as we felt necessary to establish
the transparency of the CD standard.

Now, it is very difficult to use negative results to prove
the inaudibility of any given phenomenon or process.
There is always the remote possibility that a different system
or more finely attuned pair of ears would reveal a
difference. But we have gathered enough data, using sufficiently
varied and capable systems and listeners, to state
that the burden of proof has now shifted. Further claims
that careful 16/44.1 encoding audibly degrades highresolution
signals must be supported by properly controlled
double-blind tests."

It appears that the articles contents were thoroughly misrepresented by
Mr. Atkinson for fun and profit.



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Re: [SlimDevices: Audiophiles] MUSINGS: The Wisdom of Simplicity? Another take on recent Stereophile "As We See It".

2015-12-30 Thread Julf

cliveb wrote: 
> As usual, generally insightful comments from Archimago. I do however
> have one minor nit to pick...
> 
> I suspect your definitions of tier1 and tier2 would encourage the
> continued use of excessive dynamic range compression for tier1.
> Meanwhile, if a mastering with natural dynamics is made for tier2, why
> shouldn't it also be made available at 16/44?
> The average Joe is going to buy the cheapest version, regardless of
> mastering quality. So if we had a "tier1.5", (where the tier2 mastering
> is used but downsampled to 16/44, and priced the same as tier1), with
> luck it might actually help in some small way to drive hypercompression
> out of the marketplace.

You have to remember that there is (often) a reason producers and
artists use "excessive" compression (and often it is an "artistic
choice") - both the artists/producers and the average Joe actually
prefer the compressed sound. Yes, it might be because by now, it is what
they are used to, but it is still their preference.



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953

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Re: [SlimDevices: Audiophiles] MUSINGS: The Wisdom of Simplicity? Another take on recent Stereophile "As We See It".

2015-12-30 Thread cliveb

As usual, generally insightful comments from Archimago. I do however
have one minor nit to pick...

I suspect your definitions of tier1 and tier2 would encourage the
continued use of excessive dynamic range compression for tier1.
Meanwhile, if a mastering with natural dynamics is made for tier2, why
shouldn't it also be made available at 16/44?
The average Joe is going to buy the cheapest version, regardless of
mastering quality. So if we had a "tier1.5", (where the tier2 mastering
is used but downsampled to 16/44, and priced the same as tier1), with
luck it might actually help in some small way to drive hypercompression
out of the marketplace.



Transporter -> ATC SCM100A

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