[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-25 Thread Phil Leigh

325xi Wrote: 
> I recall some recent thread discussing Altmann's devices and lack of any
> meaningful technical information about them on his sites. I just can't
> allow to myself to invest another $1K into some "back box" not analysed
> and not discussed from technical perspective.

I agree and thought long and hard about it too. In the end it came down
to the fact that Altmann offers a FULL refund if not happy with the
improvement - so I took a punt.
I suspect that if you took these little boxes to pieces there'd just be
a handful of CMOS logic chips in there - but frankly I don't care coz it
seems to work to me...


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-25 Thread 325xi

Phil Leigh Wrote: 
> The Altmann boxes make a big difference for me - you should try them
> (sb-JISCO-UPCI-Dac de Jour...)
I recall some recent thread discussing Altmann's devices and lack of
any meaningful technical information about them on his sites. I just
can't allow to myself to invest another $1K into some "back box" not
analysed and not discussed from technical perspective.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-24 Thread Phil Leigh

325xi Wrote: 
> Altmann's boxes are said to do wonders to both sound and jitter :) ,
> although I have no idea how much hype in it...  http://www.jitter.de/

The Altmann boxes make a big difference for me - you should try them
(sb-JISCO-UPCI-Dac de Jour...)


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-24 Thread philodox

Cool, thanks for the explination. Dan also mentioned that my DA10 has
the RAM buffer as well... which I was unaware of. ;)


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-23 Thread reeve_mike

philodox Wrote: 
> I actually sent the Brochure and Manual for the Digital Lens to Dan
> Lavry for his opinion... and lets just say he doesn't have a high
> opinion of what they are trying to sell.  I'll take a look at that
> link, thanks. :)

It depends on how you look at the Digital Lens: As a 1990s device it
was relevant in its time,
but today the word length extension etc. is long subsumed by the
functionality built into current SRC chips etc.
and the quality of source clocks & clock recovery, in terms of both
error & jitter, has improved greatly since its introduction. 

However, as a way (when it is suitably modified) of syncing any
arbitrary source (that does not have a word-clock input)
to a word clock (without modifying the source itself) the Digital Lens
is a useful platform
- thus during my progression from SLIMP3 though SB1 & SB2 to a SB3 I
have not had to modify
each of the four above to sync them to my dcs Purcell-Elgar-Verona
stack,
I have simply been able to plug each successive generation of SB into
my modified Digital Lens ...


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-23 Thread philodox

I actually sent the Brochure and Manual for the Digital Lens to Dan
Lavry for his opinion... and lets just say he doesn't have a high
opinion of what they are trying to sell.  I'll take a look at that
link, thanks. :)


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-23 Thread 325xi

philodox Wrote: 
> That Genesis Digital Lens sounds like a really cool piece of kit.  I
> just read a few reviews on it... too bad it was discontinued in 2003. 
> Any ideas if there are other similar devices out there made by other
> manufacturers?
Altmann's boxes are said to do wonders to both sound and jitter :) ,
although I have no idea how much hype in it...  http://www.jitter.de/


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-20 Thread reeve_mike

CarlOtto Wrote: 
>  I think (my opinion, but I fully accept others having other views) SACD
> is only marginally better than an upsampled CD.

I agree that what you say is often the case, however, I find some of
the 'pure' DSD releases from Telarc really something special ...


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-20 Thread Wombat

CarlOtto Wrote: 
> YHaven't got around to testing it properly though since I think (my
> opinion, but I fully accept others having other views) SACD is only
> marginally better than an upsampled CD.

You are not alone with this opinion. You don´t even have to upsample.
Sadly the CD layers or CD-Release regulary is mastered worse or
clipping. Is this by accident? Don´t think so!


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-20 Thread CarlOtto

reeve_mike Wrote: 
> Hi
> 
> I have close to 500 SACDs so I am keeping mine  :-)
> 
> Mike

You could of course rip them as wellbut it would take a serious
amount of disk space.

I've been thinking of simply feeding the Purcell (via the FireWire) the
output from a SACD, then lifting that signal off the (single or dual)
AES-EBU output from the Purcell (there is no copy protection in that
format) - and feeding it into a professional sound card and simply
record it. Haven't got around to testing it properly though since I
think (my opinion, but I fully accept others having other views) SACD
is only marginally better than an upsampled CD.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-19 Thread philodox

That Genesis Digital Lens sounds like a really cool piece of kit.  I
just read a few reviews on it... too bad it was discontinued in 2003. 
Any ideas if there are other similar devices out there made by other
manufacturers?


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-19 Thread reeve_mike

Hi

CarlOtto Wrote: 
> 
> What I wonder here is - how did you get the wordclock sorted (is
> someone doing this as an add-on?) and since I assume you could not get
> balanced (AES-EBU) output from the SB3 - don't you then get a slightly
> better sound via the Verdi connected with XLR to the DAC?
> 

The set up is:
- SB to a Genesis Digital Lens
- I modded the Digital Lens to have a word clock input
[actually a superclock, i.e. 256x]
- one of the word clocks from the Verona is upped to a super clock
using the Apogee Big Ben and fed the Digital Lens
- output of Digital Lens to Purcell
[what's frustrating is that the Purcell only has one AES input]

CarlOtto Wrote: 
> I have had thoughts of selling the Verdi

I have close to 500 SACDs so I am keeping mine  :-)

Mike


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-18 Thread CarlOtto

reeve_mike Wrote: 
> 
> 
> I have two sources: a SB & a dcs Verdi.
> 
> For CD replay these feed a dcs Elgar+ via a dcs Purcell upsampler.
> 
> The whole replay chain is synch'ed via a dcs Verona clock
> (the SB path is modified to include a word clock input).
> 
> If I have ripped a CD I play it via the SB;
> not the Verdi, why would I ...?

That is interesting - I have a very similar setup but I gave up on the
Squeezebox used for transporting sound in any form, too many shortages
(audiophile-wise).

The things I really wanted to have were:
1) A word clock input on the SB
2) Balanced digital output
And since I couldn't see myself hacking into the SB, I went for another
solution:

I got a professional sound card for PC with all the above included and
I run a media PC (a silent build thing) with SoftSqueeze feeding the
dCS system through the digital out from the soundcard.

SoftSqueeze is then synchronized to a SB3 so I actually use the SB as a
display and control unit.

It works well, but with some minor irritating things like a very small
gap between tracks due to the synch solution used.

What I wonder here is - how did you get the wordclock sorted (is
someone doing this as an add-on?) and since I assume you could not get
balanced (AES-EBU) output from the SB3 - don't you then get a slightly
better sound via the Verdi connected with XLR to the DAC?

Quality-wise, I must say though that I just about never use the Verdi.
Not even very often for SACD's since I feel that the quality from Red
Book in the Slimserver-dCS system is so good, it's hardly worth the
extra hassle for a minor increase (SACD).

I have had thoughts of selling the Verdi - but then again, I'm probably
not there yet. It feels strange to take the step to absolutely no
CD-player.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread opaqueice

Phil Leigh Wrote: 
> Yep - they are all square waves - with different m/s ratios but
> certainly all square waves...

OK, so that accounts for the confusion before.  In any case the
particular "square wave" you would get from SPDIF encoding a pure sine
wave at 1 kHz will have a bump in its spectrum at 1kHz, because it's
close to being exactly periodic with that frequency, and via correlated
jitter that can affect what you hear.

ekzdude Wrote: 
> 
> I just wanted to point out that square waves, although they have a
> nominal frequency, are really composed of an infinite number of
> sinusoidal signals.
> 

Yeah, that's true.  You can write my kind of square wave (meaning like
the top image here http://en.wikipedia.org/wiki/Biphase_Mark_Code) as

sq(t) = Sum[ (1/n) * sin(n t) ], where the sum is taken over odd
integers n from 1 to infinity.  If you truncate the sum because your
scope can't resolve arbitrarily high frequencies, you get the kind of
trace you're seeing there.  And as you can see, the fundamental is the
largest component, but all overtones are there too, just with less and
less power as you go up.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread ezkcdude

I just wanted to point out that square waves, although they have a
nominal frequency, are really composed of an infinite number of
sinusoidal signals. The edge of a "theoretical" square wave is an
impulse with infinite frequency (i.e. vanishingly small period). I've
attached a pic I took with my scope last weekend of a 24.576 MHz clock
(crystal oscillator). Notice that even though my scope has 100 MHz
bandwidth, it can't reproduce the edges. However, the fundamental
frequency is obviously there.


+---+
|Filename: scope.jpg|
|Download: http://forums.slimdevices.com/attachment.php?attachmentid=1419|
+---+

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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread Phil Leigh

Yep - they are all square waves - with different m/s ratios but
certainly all square waves...


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread philodox

Loftprojection - Thanks for the support. :)

I do hope that I can get my Squeezebox up to the level of my Eastsound
with some of the mods that I have planned. [Considering thise - battery
PSU; disconnect analog stage; maybe BNC connection]  Not so that it can
replace my Eastsound [I want a CD player as well], but so that it can
become my main transport.  Once I get it to this point I plan on
ripping much more of my music and maybe getting one of those Nokia
tablets to use as a fancy remote. :D


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread opaqueice

ModelCitizen Wrote: 
> This is very interesting.
> Can you confirm that my understanding of what you have said is correct?
> You are saying that the SB analogue outs are less likely to be prone to
> jitter than the digital outs coupled to an external DAC (even a
> Benchmark Dac 1 for instance)?
> MC

Yes, that's what I'm saying, and I think it's true to within my
(limited) understanding of this.  

Benchmark claims to be able to eliminate jitter via buffering and
re-clocking, but it's not clear to me that this is possible and/or
won't introduce other errors.  Note that if that claim is true, all
error-free (that is, decent) transports feeding a DAC 1 should be
indentical, period.  

In any case, you should have less jitter at the input to the SB
internal DAC than at the input to any external DAC.  Of course that
doesn't mean it will sound better, which is subjective and depends on
lots of things besides jitter.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread opaqueice

a question about terminology - do you guys call all of these square
waves, or only the top one?  I would say only the top one, but maybe
there's a different terminology in different fields:

http://en.wikipedia.org/wiki/Biphase_Mark_Code

By the way, that shows nicely how the clock and data are encoded in
SPDIF.  The bottom signal is the one that actually gets sent down the
line (ideally).  

To see something perhaps closer to what really gets received by the
DAC, see Figure 6 here:

http://www.stereophile.com/reference/1093jitter/index1.html

so you can see why there is jitter...


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread Phil Leigh

I think we are in danger of violently agreeing!

the "rounding" does introduce uncertainty in the timing - so that's
"jitter"...

and yes what we need is an I2S feed from the SB into the DAC (or a
master clock approach like dCS).

I guess I'm in the minority in preferring the digital out of an SB2/3
to a spinning transport. The differences are MIGHTY small and "better"
is a tough concept to pin down - everyone's mileage varies. Also, I'm
not listening to the native SPDIF but a reclocked, decorrelated
version.

What I think is undeniable is the the SB is a more reliable/consistent
transport - its bitstream from a given flac is ALWAYS the same...CDP's
just aren't like that.

Does anyone remember those early CDP's with error counters on them ? -
I think meridian made one, and maybe Townsend? anyway, I notice they
stopped making those pretty quickly...

CD's do get damaged (even new ones can misread) and if it's a CD-ROM
the computer will complain bitterly and the software won't work.
However, red book will usually keep on playing it (albeit withi the
wrong bits!). Also, lasers get worse with age and eventually fail...

I know we are talking about jitter etc, but my view is that the SB is a
more reliable/robust transport and for that I am grateful. As for sound
quality - who knows?

Personally I need the SPDIF to drive my TACT (it has no dacs/adcs). The
RC has about a hundred times more impact on my enjoyment of the sound
than the minor impacts of a little more/less jitter.

And yes - if an audiophile SB with great PSU, DAC and the ability to do
RC at least as good as the TACT were to come out I'd buy one instantly -
almost regardless of price (!). But the RC capability would be mandatory
otherwise I wouldn't bother.

Actually, that would be a great product: one box, TACT or Lyngdorf or
similar RC + SB + super DAC + suitable PSU's. The thing is no CDP could
stand against that combo on subjective sound quality grounds without
RC...and if it was all in one box/circuit,  the jitter problem could be
made to go away...

...and we could get back to just using the box for pure enjoyment of
the music and exploring the backwaters of our collections (eyes mist
over, reaches for the whisky bottle, ice clinks into glass, Roy
Buchanan starts to play...)


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread ModelCitizen

opaqueice Wrote: 
> 
> See above.  About data rates, I totally agree - the problem is that
> this digital audio standard sucks.  There is a far better way to do
> things - transmit all the data first, asynchronously with error
> checking, to a big buffer sitting next to the DAC, and only then decode
> using one dedicated clock.  That would essentially eliminate jitter
> (except that introduced by the original digitization of course).  In
> fact, the SB comes pretty close to doing that, at least until you hook
> it up to an external DAC.
This is very interesting.
Can you confirm that my understanding of what you have said is correct?
You are saying that the SB analogue outs are less likely to be prone to
jitter than the digital outs coupled to an external DAC (even a
Benchmark Dac 1 for instance)?
MC


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread Robin Bowes
Phil Leigh wrote:
> Robin - are you saying that you don't think jitter exists (in which
> case, what does a jitter meter measure?) or that it does exist, but the
> presence of jitter on the digital stream doesn't affect the performance
> of the DAC?

Neither.

In fact, quite the opposite!

R.

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Re: [SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread Pat Farrell
opaqueice wrote:
> I totally agree - the problem is that
> this digital audio standard sucks.  There is a far better way to do
> things - 

No argument here.
The standard sucks. RedBook was designed without an expectations
that microcontrollers and microprocessors would exist. Let
alone that the entire 700 MB of data could fit easily
into flash memory.

But I see no probability that it will ever be fixed.
The technology manufacturers take the failure of SACD and DVD-A
as meaning that there is no future in better sound quality.
And the mass acceptance of MP3, XM, Sirrius, etc. confirm that
quality does not matter.

Back to the topic, my SB2 to a Benchmark DAC-1 sounds great.
I don't have a SB3 to compare it to. I used to have
fairly high end CD players and the SB2/Benchmark sounds better
and is imcomparably more convienent. I listen to more music.
And that is all that matters.

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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread opaqueice

pfarrell Wrote: 
> 
> Most of the understandable discussions of jitter talk about the
> timing of the signal being wrong, not the rounding of the edges
> of the signal.
> 
Yes, but I think the reason there are timing errors is that the edges
are not precisely well defined, due to rounding etc.  So if you try to
use them as a clock, your clock will have timing errors.

> 
> For signal transmission, minor artifacts of rounding on
> the edges of the square waves are ignored.
> 

Probably you're thinking of asynchronous data transmission, where it
only matters that you get the bits correct.  Here, you have to get the
bits correct from an isynchronous signal AND decode them at the right
time.

> 
> And audio frequences are very modest,
> RedBook audio is defined as 16 bit stereo at 44.1k
> = 176,400 bytes/second
>   = 172 Kbytes/second
> 
> Digital signal rates in the gigahertz range are used all the time,
> Megahertz is how you measure an original IBM PC. Red Book
> audio is nothing. More than ten years ago, all the 'high end'
> cd players did 16 times oversampling, which still has
> the data rate at about 2 megabits/second.
> 
> If there is a problem, it isn't caused by rounding of
> the square waves used for signaling.
> 

See above.  About data rates, I totally agree - the problem is that
this digital audio standard sucks.  There is a far better way to do
things - transmit all the data first, asynchronously with error
checking, to a big buffer sitting next to the DAC, and only then decode
using one dedicated clock.  That would essentially eliminate jitter
(except that introduced by the original digitization of course).  In
fact, the SB comes pretty close to doing that, at least until you hook
it up to an external DAC.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread Loftprojection

I've been reading this thread with great interest because I don't own a
SB yet but I'm very interested by it.

Anyway, in my opinion, I think the most relevant piece of information
here is what Philodox posted.  He has a real life experience where his
Eastsound CDP used as a transport into a DAC actually sounds better
than his SB3 into the same DAC.  Did he do a blind test, I don't know,
but I guess we can trust that he did a "relatively objective" test
since he owns both piece of equipment.

To me, it would be really interesting if more people would post the
real tests they did to verify is the SB3 digital out produces or not
equal, higher or lower sound quality then high end CDP used as
transports. 

The original poster was asking about a SB3 into a high end DAC versus a
high end CDP, that would be not an objective test because the DAC in the
CDP can be of lower or higher quality then the DAC used with the SB. 
However a high end CDP as transport into the same DAC used with the SB3
digital out produces a real "objective" test, like what Philodox did.  

Up to now, most of the "relatively objective" tests (magazine articles
and forum threads) that I've read were pointing to the same conclusion
as what Philodox said.  Using a high end CDP as transport into a high
end DAC and high end downstream system produces a "slightly" better
sound quality then using the SB3 as transport.  Is the SB3 an
incredible bargain transport, sure.  Is the SB3 an incredible high end
transport, not quite it seems.


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Re: [SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread Pat Farrell
opaqueice wrote:
> As I understand it, that rounding is the cause of jitter.  A (basic)
> DAC uses rising or falling edges as a clock, but since as you say those
> edges aren't very well defined that introduces errors.  If the DAC used
> its own clock, since that will not be exactly in sync with the
> transport's clock it will either fall behind or get ahead, causing
> errors eventually as it starts to read the wrong bit.  Same problem
> with a buffer, unless it's really really big I guess...

Most of the understandable discussions of jitter talk about the
timing of the signal being wrong, not the rounding of the edges
of the signal.

For signal transmission, minor artifacts of rounding on
the edges of the square waves are ignored.

And audio frequences are very modest,
RedBook audio is defined as 16 bit stereo at 44.1k
= 176,400 bytes/second
= 172 Kbytes/second

Digital signal rates in the gigahertz range are used all the time,
Megahertz is how you measure an original IBM PC. Red Book
audio is nothing. More than ten years ago, all the 'high end'
cd players did 16 times oversampling, which still has
the data rate at about 2 megabits/second.

If there is a problem, it isn't caused by rounding of
the square waves used for signaling.




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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread ezkcdude

The DAC chip itself is not the main cause of jitter. The main cause of
jitter is from the transport (or SB3 in this case) and the SPDIF
receiver. That is why  there are quite a few folks who bypass the
receiver by using separate clock signals. There's a thread about this
over in the DIY section, started by John Swenson. He built his own DAC
and taps the I2S signal directly from the SB3. It's a great idea, but
of course, you need a lot of DIY know-how. There are other ways to cut
down jitter, such as asynchronous re-sampling, but that involves some
digital manipulation of the original signal. For that reason, a bunch
of folks are opposed to that (not me).


-- 
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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread opaqueice

CardinalFang Wrote: 
> 
> What is the process by which a modern DAC samples the input? Does it go
> by voltage measurements at fixed intervals or is there an inbuilt
> "clocking" mechanism that causes the buffering of bits? Of course I
> shouldn't be so lazy and should go find out for myself!
> Paul

As I understand it, that rounding is the cause of jitter.  A (basic)
DAC uses rising or falling edges as a clock, but since as you say those
edges aren't very well defined that introduces errors.  If the DAC used
its own clock, since that will not be exactly in sync with the
transport's clock it will either fall behind or get ahead, causing
errors eventually as it starts to read the wrong bit.  Same problem
with a buffer, unless it's really really big I guess...


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread opaqueice

Phil Leigh Wrote: 
> 
> These changes to the timing of the transitions may be random, periodic
> (eg related to an AC frequency elsewhere in the circuit such as the
> mains) or correlated to the music because of the DAC analogue stage
> impacting something in the clocking/clock recovery chain via the PSU
> rails for example.
> 

Apparently there is another mechanism besides the one you mention here
by which jitter can be correlated to the music, and that is what I've
been trying (and evidently totally failing!) to describe.

It's that the isynchronous digital voltage signal itself contains some
frequency components which are related to the spectrum of the original
analogue signal that was digitized.  Given that some jitter is
"correlated", meaning the timing errors you mentioned are not random
but instead are influenced by the digital signal itself, this means
some of the jitter spectrum will be correlated to the original music
(and some won't).


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread CardinalFang

Phil Leigh Wrote: 
> erm, guys...
> 
> a perfect square wave can by definition only have 2 DC values with an
> instantaneous transition between them (of course this is not possible
> in the real world but we can get pretty close to perfect) with a
> (variable or fixed) mark/space ratio determining the
> periodicity/instant of the transition.

I have never looked at the output from a transport or the SB on a
scope, but the last time a looked at a digital signal, it was far from
square. The leading and trailing edges were rounded and suffered from
digital noise, so detecting the actual point at which  a signal changes
state was almost abitrary. Now this was from looking at TTL, so I'm
assuming that it is different for a digital output - or is it? 

What is the process by which a modern DAC samples the input? Does it go
by voltage measurements at fixed intervals or is there an inbuilt
"clocking" mechanism that causes the buffering of bits? Of course I
shouldn't be so lazy and should go find out for myself!

Paul


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread Phil Leigh

erm, guys...

a perfect square wave can by definition only have 2 DC values with an
instantaneous transition between them (of course this is not possible
in the real world but we can get pretty close to perfect) with a
(variable or fixed) mark/space ratio determining the
periodicity/instant of the transition.

Jitter does not change the 2 DC values - it changes the apparent exact
moment in time when the transition takes place. Even if the DC values
did change slightly because of poor PSU regulation/decoupling, they'd
still represent a (logical) zero or one to the recipient, unless they
went wildy out of tolerance.


These changes to the timing of the transitions may be random, periodic
(eg related to an AC frequency elsewhere in the circuit such as the
mains) or correlated to the music because of the DAC analogue stage
impacting something in the clocking/clock recovery chain via the PSU
rails for example.

Anything in the DAC chain that can alter the analogue output AND that
relies on knowing exactly when the transition is supposed to take place
is thus in jeopardy from jitter.

Jitter can be introduced by any transport - this can be removed - maybe
completely - or at least ameliorated just before or just inside the DAC.
However, lots of CD's are in fact created from jittery digital
masters/multi-tracks - and this can't be removed at home!. Thankfully
this problem has more or less gone nowadays...

There is another corruption mechanism (not jitter) that intermittantly
mangles the square wave so that it is harder to detect the transition
point in the receiver - or even that a transition has occurred. The
resultant bitstream has unrecoverable (but possibly interpolatable)
errors - this is the damaged cellphone/sat TV/CD dropout syndrome...



Robin - are you saying that you don't think jitter exists (in which
case, what does a jitter meter measure?) or that it does exist, but the
presence of jitter on the digital stream doesn't affect the performance
of the DAC?


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread opaqueice

OK, I will take this point by point...

Robin Bowes Wrote: 
> 
> I'm afraid you are wrong in so many ways.
> 

If so, I'm happy to learn something.

> 
> A digital signal does not have periodicity - it is just a stream of
> bits. It is sent over analogue transmission paths as a square wave.
> 
In this case it *is* periodic, as you can see from my example of the
digitized sine wave.  I think perhaps there is a confusion about the
term square wave - to me that means simply a signal which oscillates
from one level to the other, with sharp transitions, and with a fixed
exact periodicity.  That of course contains zero information - at best
it corresponds to one particular stream of bits.  A general digital
signal oscillates back anf forth, but it is something like
0111000101010011 or whatever, and is square only in the sense that the
voltage takes two values only. 

> 
> The receiver of the signal decodes the square-wave signal and also
> extracts the timing information from the same signal.
> 
> As Pat as already pointed out, jitter is caused by errors in detecting
> the transition between 1 and 0 in the square wave in the analogue
> domain, which causes timing errors. So, the space between samples
> varies
> from the "standard" (for 44.1kHz sample rate)1/1,411,200 of a second.
> This means that the analogue signal reconstituted from the digital
> signal has different frequency content than the original input signal.
> R.

Yes, that is the basic point about jitter.  What I thought we were
discussing is HOW the analogue signal you end up with differs from the
original.  In other words, what is the spectrum of the "noise" - the
extra stuff which has been added by jitter?  Your original claim
(perhaps I misunderstood you) was that that spectrum is determined by
the original music.  It turns out that claim is partly correct, as I
was trying to explain.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread opaqueice

pfarrell Wrote: 
> 
> This is flat not true. It is not like a square wave, it is a square
> wave. And there is no tone to it, you don't listen to the digital
> signal
> you listen to the analog signal after it has been processed by the
> DAC.
> 

It is *not* a square wave, because not all the bits are the same, or
01010101..., or whatever.  It's square only in the sense that it has
two possible voltage levels (ideally).  Its spectrum (by which I mean
its Fourier transform) is not simply the spectrum of a simple square
wave (whose spectral composition is (1/n)sin(n), for n odd), but should
be closer to that than to the spectrum of a sine wave (which is simply a
spike at one frequency).  However, there will be a spike at 1 KHz in
this case, which was the point.  

Nobody is suggesting you "listen" to this - perhaps you should go back
and read the discussion before this and see why the topic of the
spectrum of the digital signal is interesting.  It's because the jitter
spectrum can be correlated with the digital signal spectrum, and you
(might) hear the jitter spectrum after D->A.  There's an excellent
picture illustrating how this can happen in the the reference I gave a
few posts back.


> 
> I see no grounding for this claim at all in this piece.
> 
> I don't know why you are using the "word" (if it is even a word)
> anharmonic, when the signals you are describing are harmonics or
> beats.
> They are present in any signal. Look up the phrases
> "harmonic distortion" and "intermodulation distortion"
> 

I'm not sure what claim you're referring to.  The point here is that
some of the frequencies present in this spectrum are unrelated to the
harmonic content of the original 1 kHz sine wave, for example the peak
at 100 Hz which is present in my example above.  By "anharmonic" (which
by the way is a commonly used term, in physics at least) I mean "not an
integer multiple of the dominant tone" in the music, 1 kHz in this
case.  These anharmonic frequency components arise for example from
beating between the original frequency in the music and the
quantization frequency (44100), and according to several authors are
what makes jitter so unpleasant to listen to.  Contrary to your
assertion, such effects would _not_ normally be present in an analogue
signal, because there is no such other frequency for the signal to beat
against.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread Robin Bowes
opaqueice wrote:
> OK, in case anyone cares, here's a (hopefully correct) explanation of
> how some components of jitter can be correlated with the frequency
> components of the analogue audio signal.

[snip]

I'm afraid you are wrong in so many ways.

A digital signal does not have periodicity - it is just a stream of
bits. It is sent over analogue transmission paths as a square wave.

The receiver of the signal decodes the square-wave signal and also
extracts the timing information from the same signal.

As Pat as already pointed out, jitter is caused by errors in detecting
the transition between 1 and 0 in the square wave in the analogue
domain, which causes timing errors. So, the space between samples varies
from the "standard" (for 44.1kHz sample rate)1/1,411,200 of a second.
This means that the analogue signal reconstituted from the digital
signal has different frequency content than the original input signal.

R.

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Re: [SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread Pat Farrell
opaqueice wrote:
> OK, in case anyone cares, here's a (hopefully correct) explanation of
> how some components of jitter can be correlated with the frequency
> components of the analogue audio signal.

I for one would love a correct explaination about jitter and how it is a
problem. From what I can tell, it is mostly a 'problem' that is solved
by high priced audiophile products.

> [Snip]
> just like the sine wave, but its spectrum will be something complicated
> with lots of harmonic overtones and a huge peak at 44000 Hz (and
> probably 16*44000 too), because it's very far from a pure tone (it's
> something more like a square wave). 

This is flat not true. It is not like a square wave, it is a square
wave. And there is no tone to it, you don't listen to the digital signal
you listen to the analog signal after it has been processed by the DAC.

Jitter, if it is a problem, is related to the edges of the square wave
not being at the right place in time, causing the signal to be
mis-interpreted.

> from remembering about beating frequencies.  So you now have lots of
> anharmonic frequency components (100 Hz, 900 Hz, 1100 Hz, etc) in there
> as well (and you'll still have a peak at 1 kHz, but probably smaller),
> and apparently that's the really nasty sounding part.  

I see no grounding for this claim at all in this piece.

I don't know why you are using the "word" (if it is even a word)
anharmonic, when the signals you are describing are harmonics or beats.
They are present in any signal. Look up the phrases
"harmonic distortion" and "intermodulation distortion"

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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-14 Thread opaqueice

OK, in case anyone cares, here's a (hopefully correct) explanation of
how some components of jitter can be correlated with the frequency
components of the analogue audio signal.

Suppose you digitize a 1 kHz sine wave with 16 bit at 44000 Hz (I know
the CD standard is 44.1 kHz; more on that in a second).  That means
every 1/44000 of a second, you measure the level, turn it into a
sequence of 16 bits, and send it out.  After 44 such sequences you're
back to where you started in the sine wave, since 44 * 1 kHz = 44000
Hz.  So the digital signal will have an exact periodicity of 1 kHz,
just like the sine wave, but its spectrum will be something complicated
with lots of harmonic overtones and a huge peak at 44000 Hz (and
probably 16*44000 too), because it's very far from a pure tone (it's
something more like a square wave). 

However in real life (where the numbers are less carefully chosen) the
situation is actually more complicated.  Suppose you have that same 1
kHz sine wave, but the sample frequency is 44100 Hz rather than 44000. 
Then the (exact) periodicity of the digital signal is actually 100 Hz,
not 1 kHz.  You can see why that is if you think about it a bit, or
from remembering about beating frequencies.  So you now have lots of
anharmonic frequency components (100 Hz, 900 Hz, 1100 Hz, etc) in there
as well (and you'll still have a peak at 1 kHz, but probably smaller),
and apparently that's the really nasty sounding part.  

So far I haven't mentioned jitter per se; the last piece to this is
that apparently some of the jitter is correlated with the digital
signal spectrum, and so that will pick up all this junk and pass it one
into the analogue domain after D/A conversion, making your ears hurt.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-13 Thread Phil Leigh

I think you'll find that its the correlated jitter that is the problem -
in the same way that level-related noise pumping is really annoying with
DBX companding, whereas Dolby (B) is just dull...(sorry -  best analogy
I could come up with).

The uncorrelated (to the music) jitter is less intrusive - hence the
"jitter scrambling" techniques of Altmann et al...

Now this could all be hokum...but I'd swear that it makes a positive
difference in my system.

I don't have access to any high-end CDP's anymore (sold them all!) so
it's hard for me to compare, but I am 110% positive that the SB2 (& 3)
is a better transport than all of the ones I've owned/tried in the
including some pretty funky esoterica!

BUT - and its a big but - this was all tested over several months with
the Altmann JISCO & UPCI in the chain (SB-TACT-"altmann boxes"-DAC) vs
CDP-"altmann boxes"-DAC - nothing else was changed in the system
although lots of CDP's (Linn, Naim, Chord, Meridian) and a few DACS
were tried (dCS, Chord, MF etc)

Also the differences (as a transport) were very small - maybe
non-existant in some cases.

As I'd already bought the altmann boxes, I never tested what happend if
I pulled them out of the chain. It's possible that these little boxes
were eliminating the differences in the transports?


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-13 Thread opaqueice

OK, I had a chance to check on this a little more, and there apparently
_is_ an effect where the jitter spectrum can have a peak correlated to
the analogue signal frequency.  Apparently this happens mostly when the
jitter is due to bandwidth limitations in the transmission line, and
will be in addition to many other non-harmonic frequencies which are
correlated with such things as the 44.1 kHz digital frequency etc.  

I guess this is due to the fact that, for example, a 1 kHz pure sine
wave encodes into a digital sequence which itself has some periodicity
at 1 kHz.  I couldn't tell how important that is for music, but
everything I read seemed to agree that the worst (for audio) type of
jitter are the components which are not harmonically related to the
signal.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-13 Thread opaqueice

Phil Leigh Wrote: 
> Can I suggest that you/we read up on correlated vs. uncorrelated jitter
> as they are different beasts...
> 

>From what I understand, the word "correlated" refers in this context to
any non-random effect on the jitter spectrum, for example an effect
which is correlated with the signal itself.  However the signal in
question here is the digital signal, not the analogue one, and hence
the spectrum of correlated jitter (at least in the discussions I've
seen of it) has nothing to do with the music.  See for example the
third page of this:

http://www.analogzone.com/tmt_0516.pdf

Again, I suppose it is logically possible for the analogue part of the
audio chain to interfere with the digital part and induce jitter
correlated with the music, but I have not seen that mentioned anywhere.

By the way "uncorrelated" here means random (somewhat loosely defined),
for example gaussian thermal noise or power supply interference.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-13 Thread philodox

Phil Leigh Wrote: 
> Philodox - what I am saying is that bass solidity (well defined, easy to
> listen to) is easily damaged by jitter. One of the most commonly heard
> improvements is "better" bass when jitter is significantly  reduced.Oh, I see 
> what you are saying now.  I thought you were implying that my
Eastsound was *more* jittery and was causing the bass become more
defined. :D

I would expect the same.  I mean, as long as the CD player reads the
disc properly it has the same data as my FLAC files.  At that point all
that matters is getting that data to my DAC so that it can work it's
magic.  Apparently my Eastsound does a better job of this than my
Squeezebox.

Trust me, I was surprised to hear a difference as well.  I was not
going into this thinking the Squeezebox would be bested as a transport.
;)


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread Phil Leigh

Can I suggest that you/we read up on correlated vs. uncorrelated jitter
as they are different beasts...


Philodox - what I am saying is that bass solidity (well defined, easy
to listen to) is easily damaged by jitter. One of the most commonly
heard improvements is "better" bass when jitter is significantly 
reduced.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread opaqueice

Robin Bowes Wrote: 
> opaqueice wrote:
> > Robin Bowes Wrote: 
> >> Please read up on what jitter is and how it can and does have a
> >> spectrum
> >> related to the music.
> >>
> > 
> > I have read quite a lot, and I think I have a decent understanding
> of
> > jitter.  Nothing I have read has indicated that the jitter spectrum
> > should be harmonically related to the original analogue signal.  On
> the
> > contrary, many people mention specifically that it is not, and cite
> that
> > as the reason jitter sounds so bad.  Here's an excellent example:
> > 
> >> These sidebands around the signal being decoded aren't harmonically
> >> related to the signal, making them particularly unpleasant.
> > 
> > from http://www.stereophile.com/reference/1093jitter/ .  I recommend
> > you take a look at figure 4 of that reference, and then explain to
> me
> > how the spectrum of that noise has anything whatsoever to do with
> the
> > harmonic content of the music.
> 
> Please read what I actually wrote.
> 

Well, actually I did read what you wrote, and just did again...  and
again, I ask you - why would jitter "have a spectrum related to the
music" as you claim?  Maybe this exchange would be more interesting if
you would actually back up what you're claiming.

I'm not saying this can't happen, and I'm certainly not an expert on
this, but I've never read anything which says this - in fact just the
contrary.  Furthermore it makes little sense logically, unless perhaps
there is some effect where the analogue part of the audio path induces
jitter in the digital signal.

reeve_mike Wrote: 
> 
> The above statement refers specifically to the numbers in the example
> given in the text.
> 
> If one chose the right numbers one could make them related, see the
> formula in Footnote 5 of the article.
> 
Of course they could be related coincidentally, but it would be just
that - coincidence.  It's as someone said earlier, like claiming
getting a book wet would obscure only the R's and no other letters... 
I agree about subjectivity, but I think one can learn a lot examining
possible causes for what people hear.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread Robin Bowes
opaqueice wrote:
> Robin Bowes Wrote: 
>> Please read up on what jitter is and how it can and does have a
>> spectrum
>> related to the music.
>>
> 
> I have read quite a lot, and I think I have a decent understanding of
> jitter.  Nothing I have read has indicated that the jitter spectrum
> should be harmonically related to the original analogue signal.  On the
> contrary, many people mention specifically that it is not, and cite that
> as the reason jitter sounds so bad.  Here's an excellent example:
> 
>> These sidebands around the signal being decoded aren't harmonically
>> related to the signal, making them particularly unpleasant.
> 
> from http://www.stereophile.com/reference/1093jitter/ .  I recommend
> you take a look at figure 4 of that reference, and then explain to me
> how the spectrum of that noise has anything whatsoever to do with the
> harmonic content of the music.

Please read what I actually wrote.

>> The file won't get corrupted in transfer - or at least, if it does,
>> you'll know about it. That's what the error correction is for.
>>
>>
> 
> Files of course _do_ get corrupted in transfer occasionally.  However,
> if you refuse to discuss this analogy there are many others - for
> example the distortion you hear over a digital cell phone, or the image
> distortion you sometimes see on TV from a bad digital satellite feed, or
> take your pick.

 Again, please read what I actually wrote.

The effect of jitter is much more subtle than any of the other examples
you give.

R.

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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread philodox

opaqueice Wrote: 
> I'm afraid you fall into Phil's category 1, hence helping prove his
> point ;-).I can turn that around pretty easily.  People who can't accept that 
> high
end transports make a difference... don't own them. :popaqueice Wrote: 
> But seriously, and I ask this in a spirit of friendly skepticism, how
> can digital errors (either jitter or missed bits) change something like
> bass detail?  The bits themselves have essentially nothing to do with
> bass, until they get decoded through a very complex process in the DAC.No 
> idea, but it is a common observation.  When I first got a high end CD
player I didn't even have a decent amp yet... hooked it up to an all in
one portable DAC/Amp that I had and there was a huge difference over my
AV320 which was outputting WAV files.  I don't bother trying to figure
out why I hear what I hear.  I trust my ears. :)opaqueice Wrote: 
> To make an analogy, since you're a network engineer isn't it kind of
> like saying when you send a jpeg file over a wireless net versus wired
> the reds in the image are more washed out and less saturated, but the
> greens and blues are fine?
> 
> EDIT - to make my analogy a bit better, suppose one of the files was
> corrupted slightly, but the image was still viewable...Ummm... sorry, that 
> analogy seems to make sense on the surface, but
these are two completely different things.

What people seem to forget is that regardless of the DATA you are
starting with, the method by which your transport 'transports' the data
to your DAC is the important part... as long as it does its job in first
retrieving the data. [Which any decent player will]


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread reeve_mike

opaqueice Wrote: 
> 
> "These sidebands around the signal being decoded aren't harmonically
> related to the signal, making them particularly unpleasant."
> 

The above statement refers specifically to the numbers in the example
given in the text.

If one chose the right numbers one could make them related, see the
formula in Footnote 5 of the article.

However, I agree that it is hard to believe that specific frequencies
will be systematically affected at all times for any music in a
particular system ...

BTW take a look at the dcs AES paper on the subjective effects of high
sample rates and bit depths, can time smear really explain the
perceived bass benefits of increased sample rates ...?

At the end of the day, audio, like anything else involving the senses,
is too subjective for absolute statements  :-O

But, as a scientist, it's fun trying to find explanations ...  :-)


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread opaqueice

Robin Bowes Wrote: 
> 
> Please read up on what jitter is and how it can and does have a
> spectrum
> related to the music.
> 

I have read quite a lot, and I think I have a decent understanding of
jitter.  Nothing I have read has indicated that the jitter spectrum
should be harmonically related to the original analogue signal.  On the
contrary, many people mention specifically that it is not, and cite that
as the reason jitter sounds so bad.  Here's an excellent example:

> 
> These sidebands around the signal being decoded aren't harmonically
> related to the signal, making them particularly unpleasant.

from http://www.stereophile.com/reference/1093jitter/ .  I recommend
you take a look at figure 4 of that reference, and then explain to me
how the spectrum of that noise has anything whatsoever to do with the
harmonic content of the music.

> 
> 
> The file won't get corrupted in transfer - or at least, if it does,
> you'll know about it. That's what the error correction is for.
> 
> 

Files of course _do_ get corrupted in transfer occasionally.  However,
if you refuse to discuss this analogy there are many others - for
example the distortion you hear over a digital cell phone, or the image
distortion you sometimes see on TV from a bad digital satellite feed, or
take your pick.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread reeve_mike

Robin Bowes Wrote: 
> 
> Please read up on what jitter is and how it can and does have a
> spectrum
> related to the music.
> 

To follow Robin's advice, here is a much quoted good place to start:
http://www.stereophile.com/reference/1093jitter/index.html

And note the distinction between on the one hand the causes of jitter
and on the other hand the impact of the jitter on the audio signal ...

Mike


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread Phil Leigh

All I was saying is that bass "solidity" (timing?) is affected by jitter
(IMHO).

I think we humans are quite sensitive to timing errors in lower
frequencies - it's just a theory, nothing more.

There is an audible difference in correlated vs. uncorrelated
jitter...


IME jitter is responsible for most (maybe all?) of the core problems
with digital reproduction. I've tried higher sampling rates/bit depths
extensively in studio conditions and whilst there are improvements to
be had IMHO they are NOT critical.

I'm not convinced we really understand the science behind all of 
this...however, jitter is definitely audible to me.

It manifests itself to me as indistinct bass and vague treble and I get
a headache after 30 mins or so...
ymmv.

In my system I can listen for 12 hours+ with NO stress. It is not the
best system in the world (by any measure) but it does some things OK.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread Robin Bowes
opaqueice wrote:
> Robin Bowes Wrote: 
>> It's the timing information that is the issue. This has been covered on
>> these formums many times. 
>>
> 
> There are (at least) two problems which could occur; one is timing
> (jitter) and the other is simply bad bits.  I think it's impossible for
> bad bits to have an effect like changing the bass.  But even for jitter,
> it seems rather unlikely, since the spurious sounds introduced by jitter
> will have a spectrum which has absolutely nothing to do with the music. 
> They are due to reflections in the cable, interference from the power
> supply, maybe your neighbor running his dishwasher - but it's nothing
> at all to do with the frequency spectrum of the music itself (unlike
> analogue, where there are many frequency dependent effects).

Please read up on what jitter is and how it can and does have a spectrum
related to the music.

>> No, it's not the same at all.
>>
>> Network transmission has error correction. The data is wrapped up in
>> various layers of protocols.
>>
>> With digital audio, the bits simply transmitted over an analogue
>> medium.
>> There are all sorts of ways the signal can degrade in transmission and
>> hence the musical information represented by the signal can be
>> affected.
>>
>> R.
> 
> I agree, it's not a very good analogy - so suppose instead the file
> gets corrupted in transfer, then the same question.


The file won't get corrupted in transfer - or at least, if it does,
you'll know about it. That's what the error correction is for.

You don't have that luxury in digital audio.

R.

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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread opaqueice

Robin Bowes Wrote: 
> 
> It's the timing information that is the issue. This has been covered on
> these formums many times. 
> 

There are (at least) two problems which could occur; one is timing
(jitter) and the other is simply bad bits.  I think it's impossible for
bad bits to have an effect like changing the bass.  But even for jitter,
it seems rather unlikely, since the spurious sounds introduced by jitter
will have a spectrum which has absolutely nothing to do with the music. 
They are due to reflections in the cable, interference from the power
supply, maybe your neighbor running his dishwasher - but it's nothing
at all to do with the frequency spectrum of the music itself (unlike
analogue, where there are many frequency dependent effects).


> 
> 
> No, it's not the same at all.
> 
> Network transmission has error correction. The data is wrapped up in
> various layers of protocols.
> 
> With digital audio, the bits simply transmitted over an analogue
> medium.
> There are all sorts of ways the signal can degrade in transmission and
> hence the musical information represented by the signal can be
> affected.
> 
> R.

I agree, it's not a very good analogy - so suppose instead the file
gets corrupted in transfer, then the same question.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread azinck3

Robin Bowes Wrote: 
> 
> No, it's not the same at all.
> 
> Network transmission has error correction. The data is wrapped up in
> various layers of protocols.
> 
> With digital audio, the bits simply transmitted over an analogue
> medium.
> There are all sorts of ways the signal can degrade in transmission and
> hence the musical information represented by the signal can be
> affected.
> 
> R.

I think his point is just that, if an error were to happen, it wouldn't
make sense for it to only happen to certain colors.  Every bit is
equally open to corruption.  It would be like drenching a book in water
and giving to someone, only to have them complain that all the R's were
missing.

That being said, I could buy that perhaps the corruption could cause a
lack of "bass solidity".  Going back to the JPEG example, the
corruption might exist throughout the entire photo but be *easier to
see* in areas that are solid black, but less noticeable in more "busy"
sections of the image.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread Robin Bowes
opaqueice wrote:
> philodox Wrote: 
>> I use both my Squeezebox 3 and my Eastsound CD-E5 as transports to my
>> Lavry Black DA10.  The Eastsound is noticably better as a transport.  
> 
> I'm afraid you fall into Phil's category 1, hence helping prove his
> point ;-).  
> 
> But seriously, and I ask this in a spirit of friendly skepticism, how
> can digital errors (either jitter or missed bits) change something like
> bass detail?  The bits themselves have essentially nothing to do with
> bass, until they get decoded through a very complex process in the DAC.

It's the timing information that is the issue. This has been covered on
these formums many times.

> To make an analogy, since you're a network engineer isn't it kind of
> like saying when you send a jpeg file over a wireless net versus wired
> the reds in the image are more washed out and less saturated, but the
> greens and blues are fine?


No, it's not the same at all.

Network transmission has error correction. The data is wrapped up in
various layers of protocols.

With digital audio, the bits simply transmitted over an analogue medium.
There are all sorts of ways the signal can degrade in transmission and
hence the musical information represented by the signal can be affected.

R.

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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread opaqueice

Phil Leigh Wrote: 
> 
> I'm wondering if Philodox is hearing jitter...bass "solidity" is one of
> the victims of jitter IMHO...

Can you eleborate on that?  I've heard a few examples of
(intentionally) jittered sound files (with MUCH more jitter added than
the SB or any decent source should), and they sounded pretty bad, but I
didn't notice that the bass was particularly affected.  More like some
extra non-harmonic frequencies in there; really unpleasant to listen
to.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread Phil Leigh

flac jacket - very funny (ROTFLMHO)

I too can hear NO difference between coax (expensive Kimber Silver one)
and toslink (middling quality) in my particular system - but I'm happy
to believe that others will hear differences in their systems.

I'm wondering if Philodox is hearing jitter...bass "solidity" is one of
the victims of jitter IMHO...I do think there is mileage in trying to
get rid of jitter on the SPDIF/toslink i/f.
My argument was about the transport of the "bitstream" to the output of
the SB..not about what happens next.

As a case in point (and with due deference to Sean!) I do think that
the sound can be "improved" by removing jitter  just before (or within)
the DAC.

Phil
(kevlar upgraded to chain mail - old technology, but good reviews (5
maces) in "What Armour")


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread reeve_mike

Phil Leigh Wrote: 
> 
> Until you try and turn them into sound, bits are indeed bits... There
> are many reasons why an accurate rip to HD will give a reliably (ie
> repeatably) accurate rendition of the right bits in the right order -
> and why even the BEST CDP in the world (whatever that is) will sometime
> misread bits from a spinning disc...
> 

No Kevlar jacket required for the above, it's a fact!

[Although some of the latest CDPs which use ROM drives
and do multiple reads will be less prone to occasionally delivering bad
data ...]

I have two sources: a SB & a dcs Verdi.

For CD replay these feed a dcs Elgar+ via a dcs Purcell upsampler.

The whole replay chain is synch'ed via a dcs Verona clock
(the SB path is modified to include a word clock input).

If I have ripped a CD I play it via the SB;
not the Verdi, why would I ...?


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread opaqueice

philodox Wrote: 
> I use both my Squeezebox 3 and my Eastsound CD-E5 as transports to my
> Lavry Black DA10.  The Eastsound is noticably better as a transport.  

I'm afraid you fall into Phil's category 1, hence helping prove his
point ;-).  

But seriously, and I ask this in a spirit of friendly skepticism, how
can digital errors (either jitter or missed bits) change something like
bass detail?  The bits themselves have essentially nothing to do with
bass, until they get decoded through a very complex process in the DAC.


To make an analogy, since you're a network engineer isn't it kind of
like saying when you send a jpeg file over a wireless net versus wired
the reds in the image are more washed out and less saturated, but the
greens and blues are fine?


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread opaqueice

Phil Leigh Wrote: 
> 
> 
> The only people who don't accept that an accurate rip+HD will
> outperform a high-end CDP as a digital transport are:
> 
> 1) people who (currently) own high-end CDP's
> 2) hi-fi reviewers
> 3) buffoons who know nothing about how computers work. (Pat, this isn't
> a reference to you!)
> 
> Phil (kevlar jacket enabled)

While I too salute your bravery, in this particular forum I'm not sure
you'll really need the flac jacket... 

on the issue of digital transports, an experiment anyone with an
external DAC can do easily is compare Toslink to coax.  Many DACS have
an input selector switch, so try comparing (say) a cheap plastic
Toslink cable to high quality coax.  I've tried that, and I didn't hear
any difference in my system.  This is relevant because Toslink should
(at least according to some DSP engineers) induce lots of jitter
relative to coax - probably much more of a difference than between two
good-quality digital transports such as SB and CD player.  Apparently
in my case it wasn't enough to make an audible difference.  

And of course (here I go again!) please do this blind if you think you
can hear a subtle difference...


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread philodox

Phil Leigh Wrote: 
> The only people who don't accept that an accurate rip+HD will outperform
> a high-end CDP as a digital transport are:
> 
> 1) people who (currently) own high-end CDP's
> 2) hi-fi reviewers
> 3) buffoons who know nothing about how computers work.I use both my 
> Squeezebox 3 and my Eastsound CD-E5 as transports to my
Lavry Black DA10.  The Eastsound is noticably better as a transport.  I
am also a network administrator, and I know about all of the little
audiophile tricks to get good sound out of a computer system.  With the
squeezebox being electrically seperate from the computer you would
assume that it should be just as good.  Whatever the reason, this is
not the case.  Bass is much better defined on the Eastsound and there
is more clarity overall.

Now, I still use my Squeezebox a lot of the time as it is one hell of a
fun toy... but until I address these issues I will be sticking with my
Eastsound for critical listening.  Perhaps a battery PSU for the
Squeezebox will even out the playing field. ;)


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread radish

I tip my hat to Phil and his brave display of logic :)


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread Phil Leigh

Until you try and turn them into sound, bits are indeed bits...and one
day someone will devise an experiment to prove this. There are many
reasons why an accurate rip to HD will give a reliably (ie repeatably)
accurate rendition of the right bits in the right order - and why even
the BEST CDP in the world (whatever that is) will sometime misread bits
from a spinning disc...

In the world of SPDIF/Toslink, even with the correct bits, what matters
is jitter messing up the "timing of the bits" and of course the
filtering and final analogue stage of the DAC. The clocking and cabling
play a part in all of this, as does PSU noise and interference.

caution - sweeping generalization alert :o)

The only people who don't accept that an accurate rip+HD will
outperform a high-end CDP as a digital transport are:

1) people who (currently) own high-end CDP's
2) hi-fi reviewers
3) buffoons who know nothing about how computers work.

Phil (kevlar jacket enabled)


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread Patrick Dixon

opaqueice Wrote: 
> 
> If you were using the CD player as a digital transport (i.e. sending
> its digital out into the same DAC as the SB) I think the SB will
> probably win or tieThat's not my experience - good though the SB3 is, it just 
> isn't as good
as the best transports.

In theory, the SB should be capable of being at least as good as any
CDP.  But in practice, it's generally down to the detail and quality of
the actual implementation (in both cases).


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www.at-tunes.co.uk

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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread opaqueice

Mike Anderson Wrote: 
> For sound quality, how would you compare the SB3 running into a high end
> DAC with a high end CD player?
> 
> I'm having a debate with someone who thinks you simply can't beat a top
> quality CD player, no matter how good your DAC is.
> 
> I'm not an engineer, but I can't imagine why this would be the case,
> assuming you've got error-free rips of your CDs.
> 
> Can any engineers or technophiles address this issue?
> 
> thanks

There are two things at play there - jitter and the quality of the DAC
(either external or internal).  

If you were using the CD player as a digital transport (i.e. sending
its digital out into the same DAC as the SB) I think the SB will
probably win or tie, as its jitter is supposed to be (and has been
measured to be) very low.  Of course jitter can't really be quantified
with one number (it has a spectrum), but I think the SB jitter is so
low it's below the quantization error inherent in 16 bit audio, and
hence should be totally inaudible.  One caveat is that this applies to
jitter measured at the SB digital out, but additional jitter will be
induced by the connection to the DAC.  

Some external DACs (Benchmark for example) claim to be able to
eliminate jitter entirely via rebufferring. I'm not sure this is really
possible, but if true it would make essentially all digital sources
sound exactly the same.  

On the other hand if you compare the analogue outs of the CD to the SB
with or without external DAC, there are now more variables in play -
the relative quality of the DACs, etc.  Furthermore some high-end CD
players have fancy systems for reducing jitter in the internal
connections (for example using the same clock for both the buffer
output and the DAC).  In any case I suspect the most important factor
here is the quality of the analogue output stage of the DAC, rather
than jitter.

As an aside, I think the differences involved here are far, far less
important than those due to speakers and room acoustics.


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