[lace] Happy Anniversary

2021-04-13 Thread Tamara P Duvall
This was posted, by Liz S Reynolds (who started the list), on April 12, 2000, 
under the heading: Happy Birthday to us:

"For the record, today is the 5th birthday of the original lace list.
Between lace and lace-chat and the digests, we have 1120 members.
Who'd have thought there were that many lacemakers on the net? I certainly
wouldn't have guessed it back in 1995!

Congratulations to all of us for bringing the old Renaissance art so
successfully into the Information age.

-Liz"

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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Belgian color code

2017-09-18 Thread Tamara P Duvall
That’s, probably, because they're are familiar with the *Danish* colour code, 
which is a simplified version of BCC (no orange, brown, or turquoise). It does 
have the blue for plaits, but plaits are used less in the Danish laces.

Greet, what’s turn-over stitch?
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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

> On Sep 18, 2017, at 12:20 PM, Adele Shaak  wrote:
> 
> Thank you, Greet, for the extended colour code. Most of the lacemakers I know 
> are familiar with the meanings for green, purple, red, and possibly yellow, 
> but most do not know the other ones. 
> 

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Re: [lace] DMC Memory Thread CorrectionI

2016-01-31 Thread Tamara P Duvall
On Jan 31, 2016, at 11:57 AM, Helene Ulrich wrote:

> On further reflections, I am not sure if I am talking about the
> Venetian Stitch or a Princess Stitch.  Since I am not at home I cannot
> check my reference guide to see which stitch I mean.
> 
> It is the stitch where you weave a worker back and forth between to
> passives very close together, similar to making a leaf or tally, but
> with only three threads.

Can't help on the memory thread, never having worked with it. As to the stitch, 
what you describe is called "Venetian Cord" in Bridget Cook's "Practical Skills 
in Bobbin Lace". She has no Princess (stitch or cord), but she does have what 
she calls "Grand Venetian Cord".  For your purpose -- a handle to a basket -- 
this is what I'd recommend.

Instead of a  single "weaver", the Grand Venetian Cord has two, crossing in the 
middle, between the the two "core" passives (each of which can consist of any 
number of threads). It's slightly wider and flatter than the 3-thread one, it's 
easier to maintain the straight lines at the sides, and the Cross in the middle 
adds a nice bit of texture.

It also has a pleasant rhythm in making: *(simultaneously) T one weaver with 
the core thread/s on the right, T the other weaver with the core thread/s on 
the left, C the weavers in the centre* (repeat, * to *). T(T) C; T(T) C. Keep 
pushing the weavers up the core threads, to make sure that the core threads are 
completely covered.
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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] Sari silk yarn question

2016-01-31 Thread Tamara P Duvall
On Jan 31, 2016, at 3:13 PM, Bev Walker wrote:

> Salt sets dyes too, but I prefer to use vinegar.

The rule of thumb I was taught as a child was that vinegar was for animal 
fibers (silk and wool), while salt was for plant ones (cotton and linen)

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Tamara P Duvallhttp://t-n-lace.net/
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[lace] Early lace etc

2016-01-21 Thread Tamara P Duvall
Dear Spiders,

Thank you so much for the warm "welcome back" I received from many of you, both 
in public and in private. This is my third attempt at clawing my way back to 
sanity and lacemaking (one and the same?) and, hopefully, this time it'll work.

And please forgive this wholesale thanks, instead of replying each one of you 
individually; a lot of the extra responsibilities that I had to take on after 
my husband's death aren't going away and, if I'm to have any time left for 
lacemaking, I need to manage it carefully :) 
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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Early Lace Books by Gilian Dye

2016-01-19 Thread Tamara P Duvall
Thanks, everyone, for prompt replies. Especial thanks to Bev Walker, for 
suggesting Barbara Fay; I just got a mailing from her (well...) and had two 
books (not Dye) on my bucket list already. Might as well add the three by Dye. 
-- 
Tamara P Duvall
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Early Lace books by Gillian Dye

2016-01-19 Thread Tamara P Duvall
After a 4 year hiatus, I'm trying to get back to lacemaking, and have a lot of 
catching up to do. Can someone tell me how to obtain Gilian Dye's books on the 
Early Laces (I have the Elizabethan Lace but nothing published since then -- 3? 
4? new books, I hear)? I do not have her e-address to ask directly.

I did try the Archives first, honestly I did. But, when I searched for "Gilian 
Dye's lacemaking books", all I got was a push for a beginner's kit 
(pre-Elizabethan Lace?) and a couple of E-Bay offers.  I'm too 
'puter-illiterate to tighten up my search... Is E-Bay really my only option? 

Yours, with teeth chattering, in a very cold Virginia
-- 
Tamara P Duvall
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] IOLI Bulletin

2015-11-05 Thread Tamara P Duvall
Mine came today (I'm in Virginia). Haven't yet had the time to open it; it's 
been "that kind" of day.

On Nov 5, 2015, at 5:30 PM, Helen Bell wrote:

> I received my Bulletin the same day that my mother did - Monday (might've
> been Saturday).  I'm in WA State and she's in Australia.  
> 
> Hopefully yours has now arrived, Sue.

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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] Lace Identification/Translation of Label - Eastern Europe

2015-10-08 Thread Tamara P Duvall
On Oct 7, 2015, at 4:22 AM, Olga Ieromina wrote:

> 
> СНЕЖИНКА
> 
> SNEGINKA Lace Guild of Vologda named by Labor Medal of Red Flag

Hi Olga,

The name of the factory gets transliterated from the Cyrillic alphabet in 
several ways. The way I remembered was Snezhinka, so that's what I googled, and 
came up with yet another version -- snejinka. Whichever way you spell it, it's 
still a snowflake :)

Anyway... Here's some lace eye-candy, from the factory's  catalogue:
http://snejinka.ru/catalog/kruzhevnye-izdeliya

They make other things too, including snow boots decorated with lace.
http://snejinka.ru/


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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] Re: spiders in lace

2015-08-01 Thread Tamara P Duvall
Not having read Whiting (at the time), I used to spend a lot of time making 
those spiders as flat as possible...

> On 1 Aug 2015, at 16:31, d2one...@comcast.net wrote:
> 
> In researching material for a workshop on torchon spiders for our guild, I 
> came across Gertrude Whiting's directions for "Plain Torchon Spiders".
> "Pins are used in the center of the spider bodies only. These centers should 
> be raised to give an arched effect
> Does anyone try for that raised effect in spider ground nowadays? 

-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] Arachne spider pricking

2013-03-29 Thread Tamara P Duvall
On Mar 29, 2013, at 6:23 PM, C Johnson wrote:

> Hi All,
> 
> I was wondering, perhaps I missed it.  Exactly how wide across is the
> pricking suppose to be so we make the spider and web the correct size?

If you're talking about mine, here's the answer. *If it gets through this time; 
I tried to send it last week, when Janice Blair asked, and no luck.

Top to bottom (right down the middle of the spider) the pricking is 95mm. 
Across, (where the upper of the bottom set of legs is attached), it's 85mm. 
Distance between the pins is ca 3mm. I can't remember what thread I used for it 
-- probably Madeira 50/2, with either some no-brand copper metallic, or else 
Sulky. But, of course, a pattern like that can always be scaled up or down, to 
the thread of choice.

-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] Tamara's Arachne Logo Lace

2013-03-22 Thread Tamara P Duvall
Thanks, Clay! Both for uploading the pics, and for the kind words.

On Mar 22, 2013, at 3:01 PM, Clay Blackwell wrote:

> I have uploaded two pictures to the Flickr site for Tamara.  I created a new 
> set and called it Arachne 20th Anniversary, and it is the first set that 
> appears (as of now).
> 
> http://www.flickr.com/photos/lacemaker/sets
> 
> Nice work, Tamara!!

-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] anniversary logo

2013-03-22 Thread Tamara P Duvall
Scans of the lace and the pricking have gone to Clay Blackwell (thanks, Clay! 
And thanks, Bev, for offering, but Clay offered first ), who said she'd 
upload them to Flickr, so everyone will be able to see them. 

It was *definitely* Lenka's design. I have Jacqui's spider -- she made me a 
brooch with it. I still wear it sometimes, though it gets tedious having to 
explain to everyone "no, I didn't make it; I can't make anything that fie". And 
I printed off Carolina's at the time it was first posted, so I know which one 
is whose. 

Both Jacqui's design and Carolina's use the same concept: a lacy spider, with 
an @ for its belly. Lenka's is the other way around: an @ sign, with a spider 
in the center of the "a". I can't remember whether hers had a "web"; mine does. 
Hers might not have had it, because she was designing for wire, which would 
have held the shape without any help. Mine's made in thread, and needed more 
structure.

-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] anniversary logo

2013-03-22 Thread Tamara P Duvall
Trying again. When I tried yesterday, I was told my message was rejected as 
spam...

On Mar 20, 2013, at 8:55 PM, Liz and Ken Roberts wrote:

> How about commemorative name tags?
> 
> Or maybe someone on the list (with more knowledge and talent than I)would be
> willing to design a small piece of commemorative lace that we could each work
> for ourselves?  

Some 10 years ago, Lenka Suchanek (then a member of Arachne list), designed a 
logo for us -- a drawing of an @ sign, with a spider in its center, to be made 
in lace of one's choice. This being during the time when my lacemaking mind was 
still working fine, I made a pricking using that drawing as my basis, and made 
a lace piece (kinda-sorta Milanese) on the pricking. Since the pricking is 
mine, not Lenka's, I don't think there could be any copyright objection to my 
sharing it with everyone who'd like to use it. 

I'd be happy to make it -- and a photo of the lace -- available, but someone 
else would have to do the uploading. All I'm able to do is e-mail the pricking 
(and not today, either; it has to be clear-copied. These days, it's a major 
project, requiring lots of concentration, and therefore slow) and the photo to 
someone willing to do the posting. There's no way I'd be able to learn how to 
upload to Flicker or wherever we're posting. 

On Mar 22, 2013, at 9:18 AM, Lyn Bailey wrote:

> I think logistically we can do all sorts of things, although it would be nice 
> to have a unifying logo.  Who will come up with this logo?  And if there is 
> more than one suggestion, how will it be chosen, or will we again have a 
> choice.  With all the creative talent on this list, I am sure there are 
> several more than capable of the job.  Evidently there were other logos for 
> Arachne on anniversaries past.  Could someone take a picture of what there 
> was and post it?
> 
> Lyn from Lancaster, Pennsylvania, USA, 

-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] peccadilles

2013-03-18 Thread Tamara P Duvall
On Mar 18, 2013, at 4:26 PM, lynrbai...@desupernet.net wrote:

> [...] am convinced that peccadille is the French for the Spanish piccadillo, 
> which means, in French, a small sin, 
> http://www.larousse.com/en/dictionnaires/francais/peccadille/58870  and   
> http://www.mediadico.com/dictionnaire/francais-anglais/peccadilleAt 
> least, that's what it means now.

Means the same thing in English, too:
http://www.merriam-webster.com/dictionary/peccadillo

Indeed, that was the first interpretation I thought of, not the Piccadilly 
Circus at all. But, once the Piccadilly Circus connection was pointed out, I 
wondered just what sort of "monkey business" (if not, necessarily, a full 
circus) had been going on there, in 16th and early 17th century... :)

Nothing, it appears; there was no Piccadilly Circus till (early) 19th century...
-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] Lace in contemporary fashion

2013-03-18 Thread Tamara P Duvall
On Mar 18, 2013, at 4:22 PM, Leonard Bazar wrote:

> [...]
> http://www.ft.com/cms/s/2/1b3218fe-8717-11e2-bde6-00144feabdc0.html#axzz2NvNh
> cA53 gives an interesting insight into how designers, High Street and couture,
> are using lace now.  [...] It finishes with a glossary of types of lace, 
> useful to us because
> it's how the terms are used by the fashion industry, ie the users, not by us,
> the makers.  As ever, divided by a common language!

The Mountbatten family should *sue* for that "Battenburg" lace. And Cluny 
should invade :)
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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Fwd: [lace] Re: Christmas Ornament

2013-01-27 Thread Tamara P Duvall
Somehow (doubtless through the "magic" of the intertubes) the following
message, although meant for the list, ended up in my inbox only (I think). If
anyone can help Bonnie, please use "reply all" or else write to her directly.

Begin forwarded message:

> From: "Bonnie Berg" 
> Date: January 25, 2013 12:30:01 AM EST
> To: 
> Subject: [lace] Re: Christmas Ornament
>
> I am trying to purchase a Brigette Bellon bobbin lace pattern of 2 shephard,
2 sheep and 2 stars.  By any chance can you tell we what book it is in?
Thank you, Bonnie Berg, Shreveport, La.

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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: working with black thread

2011-06-06 Thread Tamara P Duvall
I use light or medium grey as background for everything -- white, black and 
colour. It provides enough contrast for me (except grey itself, of course), 
being a neutral colour it doesn't interfere with any other, and it doesn't make 
my eyes tired from being "loud" or too "distinct". 

Years ago, I bought two huge rolls of medium grey transparent Contact plastic 
and put that over patterns printed on white paper. Now that its beginning to 
run low and I'm trying to conserve it as much as I can (I've not been able to 
replace it), I laid in a supply of grey printer paper, run my patterns off on 
that and cover them with the -- easily available -- transparent, "no colour", 
Contact plastic.

The colour of the card is, for me, immaterial, since the pattern (printed on  
ordinary weight paper -- cheaper than card) is stuck on top of it, before the 
whole is covered with plastic.  

-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] everybody helped!

2011-05-28 Thread Tamara P Duvall
On May 27, 2011, at 10:09 AM, Jane O'Connor wrote:

> Thanks for the many ideas and books to look into for numbers.
> 
> Lots to choose
> from now and all seem to be perfect.

I'm late to the table, as usual (life interferes) but a few more ideas: Ulrike 
Löhr's: "ABC" (self-published, in 1999) has numbers, placed on a 45deg angle. 
Sally Barry's "Flower Grounds in Point Ground Lace" (self published, 2008) has 
numbers, too, IIRC. I can't seem to lay my hands on the volume to check but, as 
I remember it, the numbers are "reverse", that is empty spaces, set in PG 
Ground. Sally's website:
http://www.gis.net/~scbarry/index.html

And, why not blow my own trumpet, since you only want a 50... I had a pattern 
for a five and a zero -- Russian tape, with raised gimp; individual numbers, 
not "grounded" -- published in the IOLI Bulletin vol. 23 #3 (Spring 2003), when 
IOLI was celebrating its 50th anniversary.
-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Question - bobbin lace pattern for sailboat

2011-05-23 Thread Tamara P Duvall
On May 23, 2011, at 6:26 AM, Chris Brill-Packard wrote:

> Hello Everyone, 
> Does anyone have a bobbin lace pattern of a sailboat ?

In addition to the Kortelahti lace pictures which incorporate sailboats that 
Antje mentioned, there's a small sailboat (as an individual motif) in: 
"Motieven in kleur; 220 patronen in Russiche kant" by Sebastiana van den Herik. 
In the same book, there's also a motif of a full old-fashioned sailing ship 
(3-masts and very pretty). 

Both books (van den Herik's with English translation) are available for loan to 
IOLI members. To join IOLI:
http://www.internationaloldlacers.org/


-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Bulletin

2011-04-12 Thread Tamara P Duvall
On Apr 7, 2011, at 5:28 PM, Janice Blair wrote:

> I was sorry to read a note from the editor, 
> Cindy, that the next Bulletin will have Tamara's last article as Bobbin Lace 
> Editor.  I was surprised to read she has been doing it for seven years.

Time flies, when we're having fun :) 

In my semi-retirement, I hope to be able to still contribute something, every 
now and then, but also to have some time to make lace for myself, or for gifts, 
Christmas exchanges etc. All of which had to be discarded, given the relentless 
deadline drumbeat, not to mention "life". 

And I'd like for all Bulletin subscribers to keep their eyes peeled for a 
*rising* star -- Kim Davis. For several years, Kim's been a part of a little 
group (which includes Devon and Gil Dye, among others) of aficionados of the 
earliest laces (as well as fans of wire lace). She's had a couple of -- 
scattered -- articles in past Bulletins and has one, second in a series, in 
this one. 

My own copy of the Bulletin came this afternoon and I haven't yet had the time 
to do anything more than skim through it for pictures, but her article -- 
translating the old into the new (starting with a piece of an early lace, 
tracing its "family" through different incarnations, reproducing the the 
original, and *then* rendering a single repeat of it, in wire, as a necklace) 
-- looks like a real tour de force.

With Kim on board -- even though she's not taking on the official title of BL 
Editor -- I feel quite comfortable saying: Don't cry for me, Argentina :) 


-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Fiberglass Safety Warning

2011-04-11 Thread Tamara P Duvall
On Apr 8, 2011, at 8:46 PM, Clay Blackwell wrote:

> I was told that Mr. Campbell used wool military blankets that he bought from 
> the military surplus stores, and that the blankets were 100% wool.

I also have a Campbell pillow and, at the time I bought it, I asked what the 
filling was and was told it was wool. And it does handle like wool; I also have 
a wool-fillig block pillow from Germany and a wool-covered roller that I made 
myself, so I know how pins feel going into wool. 

I also know what fiberglass handles like :)  When I was a child, a builder left 
a pile of leftover scraps for a couple of days, in the courtyard of our 
tenement. A whole lot of us kids got to play with the pretty, shiny, "cotton 
wool". We all itched and scratched for days, not to mention that all the myriad 
cuts we had took forever to heal.

-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Fwd: Lace mailing list - LaDearl (Dearl) Kniskern

2011-03-31 Thread Tamara P Duvall
Gentle Spiders,

Apologies for forwarding to both lists, but I know that not everyone who knew 
(or "knew", electronically) Dearl reads the Lace-chat. Dearl was a fellow 
Virginian and we have met -- though only once -- in real life, years ago, 
through Arachne. She didn't post all that often but some of you may remember 
her tag-line: "My idea of housework is to sweep the room with a glance".

I'm including Roy's e-mail address in my forward, in case anyone would like to 
send him a message.

Begin forwarded message:

> From: Roy Kniskern 
> Date: March 31, 2011 9:43:18 AM EDT
> To: t...@rockbridge.net
> Subject: Lace mailing list - LaDearl (Dearl) Kniskern
> 
> Hello Tamara. I'm Roy Kniskern, Dearl's husband in Christiansburg. She has 
> spoken often of you. I know that up to a couple of years ago before she had a 
> small stroke that greatly diminished her vision Dearl was quite active in 
> both the Lace and Lace Chat mailing lists.
> 
> Dearl died very suddenly Saturday evening, March 26. As we were saying our 
> goodbyes to my son, daughter-in-law and granddaughter and giving hugs and 
> kisses and laughing Dearl just dropped to the floor and was gone. Our son is 
> an EMT but couldn't save her in spite of his best efforts. Doctors say it was 
> likely that a clot developed and went to the heart (she'd had an angiogram 
> the preceeding Thursday) and was gone probably before she hit the floor. So 
> typical of her to go down laughing.
> 
> I know she would like the on-line groups to be aware of her passing. She had 
> many friends and acquaintances there. I'd appreciate it if you would pass the 
> information on to them.
> 
> Best regards and thank you,
> 
> Roy Kniskern
> 
> 
> 

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[lace] Re: British symbols in lace for wedding

2011-03-27 Thread Tamara P Duvall
On Mar 27, 2011, at 3:14 AM, Jean Nathan wrote:

> Further to the discussion of which British symbols could be included in a 
> lace design for Kate and Wills' wedding, I've just seen an article which says 
> that they have asked that the four national flowers of the British Isles - 
> rose, thistle, shamrock and daffodil - be featured in the icing design of 
> their wedding cake.

In 1992, Jean Leader (Lace Guild website) wrote  a booklet, called "Thistles, 
roses, daffodils and shamrocks. 4 Bookmarks using Bedfordshire lace techniques. 
The designs have that Art Nouveau-ish, sinuous look to them and the diagrams, 
for all they're in just black on white, are very clear and cover both general 
instructions and problems specific to each design. *Very, very* nice. The 
booklet looks to be self-published, which, presumably, means that it could 
still be available.

Apologies if all of this has been mentioned before. For several weeks, I have 
not had the time to read arachne and am just trying to jump back in now.

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[lace] Re: Clamp bobbin

2010-10-13 Thread Tamara P Duvall
On Oct 13, 2010, at 9:52 AM, Mark, aka Tatman wrote:

> http://www.tat-man.net/bobbinburg/IMG_5848.jpg
> 
> You press down on the spring loaded red part to reveal the hook and clamp it
> on the thread end to finish up that part of the lace.  I haven't had a
> chance to use it.  One of those neat lace gadgets I find interesting and buy
> and then don't use.  H. ;)

I have one of those clamps (though blue, not red), from before Clay's discovery 
of swivel hooks. They hold the short end of the thread well but, because 
they're so short and stubby, they're as much of a nuisance as help.
 
But, seeing this... I have a couple of bobbins where the neck/head broke off 
but I haven't thrown away the body. Double "hmmm"  :)

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[lace] Re: Tying thread on bobbins

2010-10-08 Thread Tamara P Duvall
On Oct 8, 2010, at 4:40 PM, Noelene Lafferty wrote:

> I have some spare bobbins with thread left on them and when using short
> lengths of thread - for example, doing Christmas decorations or the gimp in
> a bookmark, I tie my short length of thread to the existing thread.  I
> especially do this when getting beginners to do the Springett Snake.
> 
> I don't like thread tied to bare bobbins, too much trouble to get the off.

Nothing to add, nothing to take away (as we used to say in Poland). That's what 
I do, too, and for the same reason.

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Re: Subject: Re: [lace] bobbins... and now, teaching?

2010-09-27 Thread Tamara P Duvall
On Sep 27, 2010, at 8:22 PM, Janice Blair wrote:

> The heart bookmark pattern is useable now and available if you email me off 
> list.

Call it "Key To My Heart" :)

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[lace] Thanks, Kim!

2010-09-25 Thread Tamara P Duvall
On Sep 25, 2010, at 10:29 PM, Kim Davis wrote:

> The book mentioned here is by Sandi Woods, not Louise Colgan.  

Thanks a million (or, to be precise, $26.95 +shipping ). The book is listed 
on Holly's site as being by Colgan. It looked somewhat familiar (I have Sandi's 
book, too ) but, since only a part of the cover is pictured and the 
lettering is small, and I didn't remember the title of Sandi's book... I 
figured Colgan went a similar route and designed her own alphabet. After all, 
lots of people have been designing letters; alphabets are always popular.


> The pieces are stunning.  The techniques used are a bit different, there is a 
> lot more
> in and out of pairs.  

Yes and yes and yes, on all counts. That why I love to drool over Sandi's book, 
but will never attempt even a single piece. Colgan's ideas and mine -- put the 
pairs in and let them play; take them out at the end, not in the middle -- are 
much more in harmony :) 

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[lace] Re: Thanks Jeri PS

2010-09-25 Thread Tamara P Duvall
Oh, and Sherry... Since you're so much "into" lace angels, you might be 
interested in another book, also available on Holly's site: 
Angels in Russian Tape Lace, by Hanne Sonne. 
They're all somewhat similar in overall shape, with differences in fillings and 
head-shapes. I haven't seen the book myself but I think all the angels there 
are in white. Vera Cockuyt has been working them in colour and they're 
*stunning*.
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[lace] Re: Thanks Jeri

2010-09-25 Thread Tamara P Duvall
On Sep 25, 2010, at 8:55 PM, Celtic Dream Weaver wrote:

>   for the info on the Milanese books from Holly Van Sciver.

Me, too! I was totally unaware of Colgan's Alphabet Inspirations book. Since 
I'm a great fan of Colgan's Milanese designs and techniques, I've printed out 
Holly's order form and will get it in the mail on Monday (or, maybe, if I'm 
impatient enough, in an e-mail later tonight )


> The angel pattern I was speaking of was just one angel. I saw the picture of 
> it years ago finished.

Sherry, the angel you're talking about is, I think, one of the workshop 
projects. I saw it (at least, I saw *an* angel she had designed) in her 
portfolio this spring, at the Lace At Sweet Briar. Louise did say she was 
planning on publishing a new book but wasn't sure which patterns would be 
included in it. I asked about the possibility of a new book, because she had an 
absolutely *darling* little honeybee, which I "have to" make one day; it's 
absolutely brilliant. She said that one was likely to be included, which made 
me very happy. Don't know what else might be in that book (she also had a 
darling thistle, but that one I got the pattern for in class) or when it's 
likely to be available.

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[lace] Re: Variations

2010-09-20 Thread Tamara P Duvall
On Sep 20, 2010, at 4:06 AM, Alex Stillwell wrote:

>  Learn your standard techniques first then use all the
> judgement you have to adapt them and make your lace as beautiful as it can
> be.

Hear! Hear! I, too, find it's perfectly OK to "break the rules" if you're doing 
it on purpose and *for* a purpose. But first, you need to know what the 
standard is...

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[lace] Re: thread sizes and pricking

2010-09-20 Thread Tamara P Duvall
On Sep 18, 2010, at 1:57 PM, Sue wrote:

> I have just found a nice little motif pattern I want to make for my Mum and 
> the pattern quotes madeira tanne 50 (which is 39 wraps and is 2Z) in Brenda's 
> book. I want to use my gutterman silk which says it is 27 wraps and 3Z).  
> Would it be sensible to print the pattern out slightly bigger for the silk 
> and if so by how much.Time is a little short now for me to have time to 
> make some samples to see which ones best, so I hope you lovely spiders will 
> come to my aid here.

It's probably too late, since I see that you've already copied your pattern @ 
140% but... I have designed  some initials (mostly tape and leaf tallies but 
some very basic fans in the frame as well) and used to work them in Madeira 50. 
Since it's becoming harder and harder for me to make sewings in that size 
thread,  I'm moving to Gutermann's silk myself. And found that it gives me the 
same density and overall look, when the pattern is copied @150%. Yes, it's 
quite a bit bigger than the original...

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[lace] Looking for a lace-reporter in Ohio

2010-09-01 Thread Tamara P Duvall
Gentle Spiders,

So, yesterday afternoon, Devon sent a (private) message:

> I was having one of my long to-do's with Lyn Baily of Lancaster, PA, on the 
> subject of lace in early America, which is, like early America, a pretty 
> unexplored region. [...] Lyn continued to surf the internet and came up with 
> this intriguing hit. There is a person, employed by Arrogant Frenchman 
> Productions http://www.arrogantfrenchman.com/ who is going to impersonate an 
> exiled French lace merchant, who has fled the French Revolution and is going 
> to try to help out people in the colonies by employing them in lacemaking and 
> selling to the gentlefolk. But he has yet to make the latter's acquaintance. 
> This is to happen at Colonial Williamsburg on Oct. 2 and 3, 9-5. I feel 
> certain that there is the germ of an article for the Bulletin in this. I just 
> don't know how to capitalize on it. I don't think I can go to Wiliamsburg. I 
> don't know if he would want to write an article. Any thoughts?
> 
> http://www.pinetreebarn.com/williamsburgfestival/distinguishedguests.html#lacemaker
>  describes the character that is being assumed for this day.
> 
> http://www.flickr.com/photos/arrogantfrenchman/sets/72157603580376569/ 
> actually has pictures of him making bobbin lace and strips of bobbin lace.

Williamsburg is too far for me to make a one day trip and still observe an 
exhibit closely enough to report on, so I passed it on to "Our Woman in 
Williamsburg", Su Carter (BTW, all the people mentioned here -- Devon, Lyn, and 
Su -- are Arachneans; isn't it nice?). Who promptly replied:

> Not here!!! It's in Ohio:
> 
> Pine Tree Barn
> 4374 Shreve Road
> Wooster, Ohio 44691
> 
> Sat Oct. 2 & Sun., Oct 3
> Colonial Williamsburg Festival - Colonial militia living history encampment, 
> the finest in Ohio artists and crafts, music, “proper” food, and 
> presentations on Decorating Williamsburg Style, including floral 
> demonstrations. All licensed Williamsburg products 10% off. Handcrafted 18th 
> c. furniture on sale.[...]
> 
> Sorry, can we find someone in Wooster, Ohio -- I'd love to hear a good report 
> . . .

I'm planning to retire as the BL Editor of the Bulletin as soon as possible, 
but I too would like to see a report of the not-so-arrogant-anymore Frenchman 
pushing lacemaking into America (if no longer The Colonies ), so I took 
myself off to the IOLI Directory. There is an IOLI member in Wooster listed, 
but I don't know her. And my grasp of Ohio's geography is too weak to determine 
whether "Our Woman in Ohio" (Ruth Rocker) is within a reasonable driving 
distance of the event...

Ruth? Or anyone else in Ohio? Any chance someone could go, take some photos and 
write a report for the Bulletin?

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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Working Bobbin Lace PAtterns using Wire

2010-09-01 Thread Tamara P Duvall
On Sep 1, 2010, at 6:28 PM, bertrans1 wrote:

> Des anyone know how to use wire vice thread for use in bobbin lace patterns?
> I asked this once before, but saw no comment regarding the use of wire.
> I am a beginner and would like to learn how to use it.
> Thank you to whoever can provide me with instructions, etc.
> Sallie O.

Several people on the list have made bobbin lace using wire as their "thread" 
and each of us has preferred methods, wire choices/suppliers, bobbins, etc. 
There are even teachers/workshops of that branch of lacemaking.  Perhaps if you 
provided the info that Bev mentioned (You don't say where you are located, or 
if you are a beginner at lacemaking itself, or a beginner at using the 
wire), we might be of more help. 

I have just plowed through 2 weeks of Arachne-lace postings (been busy with 
other things, still am; Arachne-chat will have to wait ) and most of what 
I'd read is a blur but I seem to remember that you mentioned 28 gauge wire. 
That's fairly thick for some of us (I use 32) and you don't even mention what 
kind of wire it is (copper, steel, brass?) you're thinking of using... Or what 
sort of lace patterns...

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[lace] Re: Washington, DC based lace pattern themes/Bethesda

2010-09-01 Thread Tamara P Duvall
On Sep 1, 2010, at 9:18 AM, dmt11h...@aol.com wrote:

> Hmm. Liz, were you looking to make a theme based pattern for Gros Point, or 
> for Bedfordshire, since I know you are teaching both? Perhaps a nice Gros 
> Point  of cherry blossoms and roses on a jabot for a Supreme Court judge. I 
> think  turkeys and bald eagles in Bedfordshire, ala Thomas Lester. 

How about Presidential ivory teeth clamping a twig with cherry blossoms for 
Gros Point and wooden teeth chomping on a turkey for Beds?

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[lace] Re: dentifying a piece of lace

2010-08-15 Thread Tamara P Duvall
On Aug 15, 2010, at 3:33 PM, Lorelei Halley wrote:

> Nathalie
> What Patty said was right.  This is Russian style bobbin tape lace, made by a
> beginner who doesn't have good technique yet.  

Looking at the piece I had an impression that it was lack of *judgement* rather 
than skills, which was at fault. The thread is a little bit too thin/fine for 
the type of lace and 4 passive pairs (two each side of the gimp) aren't, quite, 
enough.  Three passive pairs each side of the gimp, executed in a slightly 
thicker thread, would have resulted in a much nicer lace, even in the hands of 
a beginner (though nothing but experience could have helped the "holly leaves" 
masquerading as leaf tallies). 

And, the too-fine thread might have even been used on purpose. As Lorelei says, 
this kind of lace was done all over the Eastern and Central Europe and, at 
times, the "gauzy" look (to both the "Russian Tape" kind of lace as here, and 
to the Torchon type) was considered to be desirable. It was a bit like the 
"suspension of disbelief" that we're expected to take with us to the theatre, 
to enable us to ignore the men who come and change the scenery. The lace 
technique and style was primitive/coarse but, because it was made in fine 
thread, we were supposed to think it "fine".

Natalie's piece:
http://farm5.static.flickr.com/4093/4889690935_fddc9ecd98_b.jpg
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Re: [lace] RE: fioretombolo

2010-07-05 Thread Tamara P Duvall
On Jul 4, 2010, at 8:43 AM, Shirley wrote:

> http://www.fioretombolo.net
> 
> I just checked this website and under the Italian province of Lombardia, the
> first pattern shown is our "own" Tamara Duvall's Swan.


I haven't moved :) But Milan is in Lombardy, the Swan is in Milanese 
technique...

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[lace] Re: Sunday Edition, CBC One

2010-05-24 Thread Tamara P Duvall
On May 24, 2010, at 8:07 AM, lynrbai...@desupernet.net wrote:

> It begins at the end of minute 28.  Very interesting.  I bought a lace hankie 
> with a handmade lace edging about 3/4 inch wide around it for 12 Euros at 
> Mont Ste. Michel, France.  The lady assured me it was made in France, 
> although there was nothing in writing to that effect.  I wonder where it 
> actually came from.

Might even have been from France :) 

Polish hand-made lace from Bobowa (bobbin) and Koniakow (crochet) can sometimes 
be found at the Warsaw airport and in some "folk" stores aimed, mostly, at 
tourists. But you have to know something about lace, because the shop 
assistants aren't likely to. I bought a really nice, large, lace-ornamented 
tablecloth and a set of 6 napkins to go with it, some 10 years ago. I was told 
that it was "Bobowa lace" by one of the assistants and that it was "Koniakow 
lace" by another. In fact, it was needlelace, probably made in China (but still 
very nice and worth the low price)

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[lace] Re: Sunday Edition, CBC One

2010-05-23 Thread Tamara P Duvall
On May 23, 2010, at 8:03 PM, Adele Shaak wrote:

> Bev wrote:
> 
>> Perhaps they meant making lace by hand commercially. For their living.
> 
> Yes, that's exactly what they meant. And the report may have been advertised 
> as being about "the last place in the world etc., etc., " but the report 
> includes information on the competition the Indians get from the Chinese, so 
> I don't think that somewhat overblown claim was made by the reporter herself.

No, it's unlikely to have been her own claim; probably, that's what she was 
told by the workers. Everyone wants to be "unique" and "exceptional"; if you 
can't be the first, you take pride in being the last :)
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[lace] Re: Looking for a pattern

2010-05-17 Thread Tamara P Duvall
On May 17, 2010, at 12:43 PM, Mark Myers wrote:

> I am looking for a sailboat pattern or maybe a light house pattern. Nothing
> too involved.  Fairly simple.  

To add to all the other suggestions:
There's a sailboat and a 3-mast ship in Motieven in kleur (Motifs in colour) by 
Sebastiana Van den Herik. Russian tape, fairly simple (straightforward and not 
too difficult) and, like all her patterns, very effective.

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[lace] Re: Tatting bikers

2010-05-08 Thread Tamara P Duvall
On May 8, 2010, at 2:10 PM, noekkentved - Arne wrote:

> At least I know a couple of motorcycle owners, who are talking a lot about 
> their bobbin-lace ability (and indeed they are very good as lacers..) - 
> and indeed they have not shown any tatoos.
> Of course it can be different from tatting MC owners :-)

I'm pretty sure that one of the tatting teachers here in US travels on a 
motorcycle, full black leather et al. Can't remember her name, not having much 
connection to the tatting world but remember seeing her at, I think, the 
Hasbrouck Heights IOLI Convention. So, anything is possible and Irene's 
sighting could have been for lace.

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[lace] Re: How do you call?

2010-03-25 Thread Tamara P Duvall

On Mar 24, 2010, at 15:06, Antje González wrote:


I think there are two different things to consider: "honey comb stitch"
(TTC.TTC) and  "honeycomb ground" (the 2nd grid drawn by Jane).


Yes, that's how I always understood it, too. TTCpinTTC is honeycomb 
*stitch* and can be used on any grid.  Honeycomb ground, to me, is the 
one where some of the pins are missing (Jane's 2nd grid)



PS to Antje. I'll get back to you; promise (ha ha ). Just swamped 
with "stuff"...

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[lace] Re: Shredding threads

2010-02-24 Thread Tamara P Duvall

On Feb 24, 2010, at 23:57, Vicki Bradford wrote:

I was also in the Cluny de Brioude class in Montreal. Our class 
materials instructed us to bring a leather piece to work on.


Actually, we were told to bring fake leather ("skin", I think it was 
called), which is what I did bring for myself and a couple of other 
people. Can't remember what it's called here, but it's sold as car-seat 
cover fabric; slick on the right side and bonded knit on the wrong 
side. Similar to, but thicker than, "plastic" tablecloth material.


I now use a piece of real leather, fairly thick and with a deeper cut 
in it -- more of a U than a kidney -- to frame my work. My bobbins are 
neither true Continentals (bulb at the bottom), nor Midlands (which I 
can no longer pick up with any comfort); they're tapered squares, made 
for me by Neil Keats, in Australia. His heads (double, to accomodate 
the hitch, also double) are perfectly balanced and almost never loose a 
hitch, even with silk or metallic threads. I have no problems with 
shredding thread. But then I had no problems with shredding thread even 
when I used faux suede workcloths, either straight and folded or with a 
working hole in the middle. The only thing I avoid in a workcloth is 
pattern; I find it distracting and prefer solid colours. Covercloth 
(the piece I throw over the pilow when I leave it), on the othe other 
hand, I do like to be pretty and have several of those, some very 
bright and fancy.


 I wonder what experience others have had using the plastic green 
'horseshoe' intended to raise threads a bit to avoid catching on 
exposed pins?  I confess I own one but have never used it.


I tried mine for a while -- I'm a sucker for gadgets and can't resist 
buying them. And, once I bought them, I want to at least give them a 
chance of proving their worth -- and it annoyed me. It kept getting in 
the way, I had problems with the bobbins escaping its confines, I had 
problems with moving it in concert with, or independent of, the 
workcloth. It wasn't worth the frustration and I don't even know now 
where it is. Not somewhere I can easiy find it, that's for sure :)


Over time, everyone develops her/his own preferences as to the tools 
used and "tricks" to go with those tools. What works, perfectly, for 
one person may not work at all for someone else. But we don't know what 
works and what doesn't until we try. And Arachne is the best place I 
know of to find out what others think is "perfect". Some of those 
suggestions I have adopted, wholesale. Some, I have adapted to suit me 
better. Some, I have discarded after trying out. There are no "one size 
fits all" answers to *any* problem :)


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[lace] Re: A Challenge: was... Tallies in 17th c lace

2010-02-15 Thread Tamara P Duvall

On Feb 15, 2010, at 22:40, Kim Davis wrote:


I suspect one of the reasons museums in general do
not have images out there is because they don't know exactly what  they
have, and don't want to admit it.


That may be one of the reasons. Another reason could be that they don't 
know how much detail lace-fanatics really require for proper study. I 
saw that aspect of it, when I got into correspondence with a museum in 
Poland. The museum holds a series of miniatures of several figures from 
the Jagiellonian royal "line"  by Cranach. I have a few postcards with 
those figures and, some of the trimmings on their clothes -- the shiny 
ones in particular, but some white veil trimmings as well -- looked 
like they might have been very early bobbin lace, as it was 
transitioning from the passementerie stage. But, of course, by the time 
the miniatures were further miniaturised and then printed on postcards, 
it was really hard to tell what was what. The people at the museum were 
very friendly and obliging and sent me -- for free -- a disc with 
photos of all the miniatures in the series. Very good photos, as such 
:) But, even by isolating and magnifying fragments, the best I could 
determine (before I got into the same situation that the photographer 
of Antonioni's "Blow Up" did) was that it was not bobbin lace.


So I gave up, thanked them most effusively and that was that. But. *Had 
it been* bobbin lace and I wanted to study the design of it, I'd have 
been up the creek, without a paddle. Photos of lace for study purposes 
require very good photography, with multiple, close-up shots of 
different bits, all done at very high resolution . Which might be 
another reason why some museums shy away from posting photos of their 
lace collections.


A while back, there was a bit of a "campaign" to get the Metropolitan 
Museum in New York City to photograph their lace collection and make it 
avilable, on-line, to everyone who wants to study it. Victoria and 
Albert did, why couldn't the Met? I got into a correspondence with Tom 
Campbell (then the curator at the Ratti, now the director of the 
Museum) on the subject and this was, in part, the response I got:


Data entry staff cost a minimum of $25 per hour, for the most 
rudimentary data entry, not to mention proofing and correcting by the 
curators or other specialist staff.  Photographs by our photography 
studio cost about $200 per image, when broken down in terms of staff 
time.


The Museum holds 5000 pieces of lace. More than one photo of each piece 
would really be needed for proper study. And it was more than 2yrs ago; 
I expect that the costs have gone up since. He also suggested 
"substantial donations" were always welcome but, even those could not 
guarantee that they'd be directed at exactly the spot (lace) that I was 
interested in. He also suggested I should come to NYC and do my study 
in person. Since the reason I wanted to study on line was the little 
matter of the cost of getting to NYC and staying there for a week or 
longer, I realised that his idea of "substantial donations" and mine 
were not even in the same ballpark...


Nothing's ever as simple as it appears at the first glance :)
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[lace] Tallies in 17th c lace (was: 17th century Genoese lace on Ebay)

2010-02-14 Thread Tamara P Duvall

On Feb 14, 2010, at 13:09, Nancy Neff wrote:


I didn't think the 17th century lace had leaves??


Yes it did. Leaves -- and other "woven" shapes, like triangles -- 
appear even earlier than 17c, at least in Genoese lace. By early 17c 
they were fairly common. I'm pretty sure that the Parasole pattern 
book, on the Arizona U website, has some patterns with leaves.


But, although some were made the same way we make them now, quite 
often, they were constructed a bit differently.


We now make leaves with just two pairs/4 *threads* -- one thread weaves 
over and under the remaining 3. Many of the early laces used 4 *pairs* 
in the construction of a "leaf", with one pair whole-stitching through 
the remaining 3 (or more, if more pairs needed to travel somewhere 
else), with the shape determined by the number of twists on the weaver 
(between the edge and the central pairs).


Janet Arnold's book -- Patterns of Fashion 4 -- has a photo of lace (in 
possession of the Metropolitan Museum of Art, NYC), dated "c1575-1600", 
which has leaves made in a manner similar to ours, with one thread 
weaving around others. The difference is that the weaver -- coloured 
(purple or gold) is added and removed as needed and it weaves around 
the 4 (rather than 3) basic colour threads, making realy nice, fat, 
"pumpkin seed" tallies.  (p 55. plate 72A)


Rosemary Shepherd's book -- An Early Lace Workbook -- shows both types 
of tallies. A "probably second half of 16th c" piece, on p56, uses two 
pairs, with one thread as weaver. Two more pieces, also second half of 
the 16th c, have both 2-pair leaves and 4-pair triangles (pp 71-74).


So far as I can tell, *the only* progress we have made (technique-wise) 
since the earliest laces, is in the area of half-stitch; I haven't seen 
any motifs made using it (never mind grounds, which are later). But, 
given that we seem to have forgotten, since that time, some other -- 
equally clever -- tricks, the honours are at least even :)


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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Tatra Mountains Museum

2010-02-14 Thread Tamara P Duvall

On Feb 12, 2010, at 16:59, Lorelei Halley wrote:


Devon
No, you aren't having senior moment.  The text does specify bobbin 
lace, but
the two pictures are needlelace.  Only the middle one is bobbin lace.  
Ah
well, we can't expect tourism promoters to be lace experts (but it 
would be

nice).


What's *really* weird is that the school never taught/made needle lace; 
only bobbin. Over the years, it had gone through many changes, expanded 
to other subjects (including embroidery), dropping some others 
(including bobbin lace) but, so far as I know, it never made needle 
lace or, at least, not of the type pictured. So, the question arises: 
just where did they get those pieces?

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[lace] Re: Breaking threads

2010-02-04 Thread Tamara P Duvall

On Feb 4, 2010, at 6:23, Jean Leader wrote:

I know from my teaching that some lacemakers have trouble with some 
threads untwisting and breaking but I've never been able to work out 
why. All I know is that the reels of thread they give up on work 
perfectly for me when I try them out.


Nine times out of ten it may be true and then there comes the Rogue 
Reel (or the Suspect Spool, depending on which side of The Pond you 
have to cope with it) :)


Because I design patterns for publication and because I like to work in 
colour, I often acquire an entire/nearly entire colour range of a given 
thread (something that's currently easy to obtain. Unfortunately, the 
"current" never lasts, so I have lots and lots of thread that's useless 
for my purpose). Of the three drawers-full of Madeira 50/2, one colour 
-- ONE! -- breaks about 5 times as frequently as any other. I'm aware 
of it so even if I forget, the moment it breaks for the first time I'm 
reminded of the minefield and start "treading lightly": I begin to 
treat it with extra-special care and manage to finish the project.  But 
the pain-in-the-neck is real, not imagined and someone coming to that 
thread without the "precondition" I've had is likely to respond by 
throwing her hands up in the air, denouncing the thread and avoiding 
the entire brand in the future.


Actually... I think it's a chemical used to dye the thread. I've had 
'dentical-same problem with the same colour/shade in two other "lines" 
-- one other cotton and one linen.


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[lace] Re: Lace reference in Literature: LONG.......

2010-02-04 Thread Tamara P Duvall

On Feb 4, 2010, at 14:50, Mark, aka Tatman wrote:


Chapter XVI. How from a Brother One Becomes a
Father:
I know nothing about that, but just look at this
wonderful rosette which a slice of wood-cells of the pine presents 
under

the microscope! Compare the most beautiful Mechlin lace
to that if you can! These thinkers forget to love.


==

I assume Victor Hugo would have knowledge of this lace being made in 
that

area of the country or knows that lace is prominent for this time??? 
He seems to be a history/research type of writer from my own
observation.


The time-frame and the "scene" of the Miserables -- written in 1862, 
when Hugo was 60 -- is right after the French Revolution (1815-1835).  
So, what Hugo writes about is not something he's likely to have known 
first hand (even supposing, in the first place, he'd have been 
interested in such detail), though the time lag is not all that great. 
Given that lace is but a minor "frill", barely mentioned here and 
there, I'd not expect him to be all that accurate about it *for the 
time he was writing about*, though it might have been accurate enough 
for when he was writing the book. I've seen such tiny anachronisms slip 
into the writings of most meticulous researchers, down to and including 
historians who slipped into writing fiction (my favourite "eye opener" 
was a prisoner, being interrogated in prison and leaning negligently 
against  a chair-back. In the early Middle Ages).


So, it's (as we say in Polish): "the wisewoman predicted: (it could be) 
this way, or (it could be) that way" :)


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[lace] Re: Breaking threads

2010-02-03 Thread Tamara P Duvall

On Feb 2, 2010, at 4:26, Jane Partridge wrote (in response to Sue):

if it is the thread on the same bobbins each time, next time one 
breaks, instead of joining the already wound thread back in, try 
re-winding it from the spool first?.


Actually, if it's the thread on the same bobbin, you might want to 
check the *bobbin head*. Sometimes, a tiny nick in the head will 
develop which will fray the thread as it's unwound off the neck and 
"fed" into the lace.

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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: lace at the Cleveland Museum of Art-Schiff Collection

2010-02-01 Thread Tamara P Duvall

On Jan 31, 2010, at 16:20, dmt11h...@aol.com wrote:

When I put the link in arachne, it duplicates itself. The first copy 
seems
to have a short underline before and after, which you have to cut off. 
The

second version has a parenthesis which you have to cut off.


The second/duplicate link (in parentheses) in Devon's (and some other 
people's) messages always works for me, without having to do anything 
other than click on it; the ( ) aren't a part of the URL (on my screen, 
they're black, like ordinary text, not blue, like e-sensitive stuff). 
One of those poxy 'puter mysteries :)


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[lace] Re: My lace

2010-01-19 Thread Tamara P Duvall

On Jan 19, 2010, at 12:55, Alice Howell wrote:


What have you been doing?


Once I cleared the post-Christmas debris? Decoding yet another pattern 
from Le Pompe. Book II, for a change :) My life seems to move from one 
IOLI Bulletin deadline to another, with a bit of Free Clinic 
volunteering in between.


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[lace] Re: Christmas bauble cover

2010-01-07 Thread Tamara P Duvall

On Jan 7, 2010, at 15:19, Sue wrote:

I have even been buying up a few baubles in the sales in shops with a 
few left, so I will be using this pattern.

Thank Eve for this lovely pattern.


I'd like to extend my thanks to Eve also; have printed off the pattern 
and hope to make it one day, if I have any time to spare.


Meanwhile... Don't know about UK but, in US, you can sometimes buy 
clear glass (not coloured) baubles. You can pack the curly remnants, 
taken off the bobbins after finishing a project, inside a bauble, for a 
messy but lacy (and somewhat "moderne") "background" to your lace.

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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: IOLI Bulletin - Devon does it again!!!

2010-01-07 Thread Tamara P Duvall

On Jan 7, 2010, at 19:27, Janice Blair wrote:

I got my Winter IOLI Bulletin this afternoon and as this usually is 
the Bulletin that has the details about convention in, I tend to go to 
the center pages.  Not this time.  Devon Thein has written a long, 
long (9 pages) article, several without pictures, that is a 
fascinating read.  DH kept asking me questions and my reply was "I'm 
reading!!"


I usually start "real reading" (as opposed to "flipping through") with 
Devon's contributions. Not this time :) Came back from my stint at the 
Free Clinic so bushed, I didn't think I could give it full justice, 
seing that it was not a litle bon-bon but a boxfull of them. Tomorrow. 
Today, all I was able to notice are the little -- and lovely -- changes 
to the layout and the new "How do I...?" column which, as a dedicated 
"lace techie" (rude mechanical), I find of particular interest. We're 
growing; if not in size, then in poise.


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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Happy New Year and another BL project done!

2010-01-01 Thread Tamara P Duvall

On Jan 1, 2010, at 17:11, Mark, aka Tatman wrote:

To bring in the new year 2010 I finished this morning another UFO 
bobbin

lace project that has been on my pillow since last year


:) I too decided to ring in the New Year with some lacemaking, hoping 
that "start as you mean to go on" will apply. Didn't finish the project 
-- it's got at least another day or two to go, what with all the 
tallies -- but made some visible progress.


Happy New Year everyone!

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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] A Lace Tree

2009-12-08 Thread Tamara P Duvall
 A friend sent this to me and just in time, too. What an excellent 
idea! :)

http://www.flickr.com/photos/woolly_fabulous/3511417616/in/photostream/
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Lexington, Virginia, USA (Formerly of Warsaw, Poland)
 
 


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[lace] Re: Dated Lace on Synagogue Textiles

2009-11-20 Thread Tamara P Duvall

On Nov 20, 2009, at 21:42, Regina Hart wrote:


According to WorldCAT.org,  a couple of US libraries have the book:
http://www.worldcat.org/oclc/57343022&referer=brief_results

Chances are most libraries that have it don't circulate it, but if 
you're

near one, you can visit.


That's what I love the most about Arachne -- the team work. What one 
person doesn't know, another one does and, brick-by-brick, a solid 
"house" of knowledge gets built :) Thanks, Gina. And, to think that I 
almost didn't reply to the original post..

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[lace] Re: Dated Lace on Synagogue Textiles

2009-11-20 Thread Tamara P Duvall

On Nov 20, 2009, at 15:46, deanna7 Cohen wrote:

I found this interesting article on Synagogue textiles that are shown 
in the
State Jewish Museum in Prague.  Does anyone know if any of these 
pieces are
photographed elsewhere.  The pictures in this article are not very 
good and I

haven't been able to find them elsewhere.


 http://www.blen.net/blen_14/140306.htm


At least *some* of the laces from the Blen site had been fairly well 
photographed -- with some even diagrammed for further help in 
understanding -- in the catalogue that the Jewish Museum in Prague 
published in 2004. The Museum held a special exhibition of their laces 
to coincide with the OIDFA Congress in Prague. The English title of the 
catalogue is: Laces from the Collections of the Jewish Museum in Prague 
(no authors listed  on the cover but, in the end-of-the-book info, you 
can see that the text was written by Dana Veselska and the photos are 
credited to Dana Cabanova and Jiri Tatransky), The catalogue's ISBN # 
is: 80-85608-86-3


There were only 1000 copies printed, so I don't know how easy/difficult 
it might be for you to obtain one to even look at; I cannot find it 
listed in the IOLI holdings and, if they don't have it, an ordinary 
library (library loan) is even less likely to.

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[lace] Re: Good news for Brugge!

2009-11-19 Thread Tamara P Duvall

On Nov 18, 2009, at 17:14, Clay Blackwell wrote:

I've put my money with the hungry this season, and to those who "fall 
between the cracks" with health insurance.  But I would surely put 
some money toward saving a monument in the lacemaking world.


Ditto and ditto. Hitting 50 wealthiest Belgians for "big ticket" 
support is great but I'm sure that some grassroot, small donation, 
support could be helpful too, if there's some way of doing that (charge 
my Visa, with the help of the 'puter)

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[lace] Fwd: lace exhibit

2009-10-28 Thread Tamara P Duvall
Arlene used to be on Arachne, years, and years ago. Does't have the 
time anymore, but still makes lace and pays attention to "things lace":



From: Arlene Essex
Date: October 28, 2009 15:15:23 EDT
To: 'Tamara P Duvall' 
Subject: lace exhibit

Hi T – here’s some info about a lace exhibit at the Wadsworth Athenium 
in Hartford, Ct which just opened.  Maybe you can send this out to 
anyone you know who lives in the area and would be interested.  
http://www.wadsworthatheneum.org/visit/

 
 
 
The Allure of Lace
 October 17, 2009- February 28, 2010

 This exhibition draws from the museum's costume and textile 
collections and features individual lace pieces, along with lace 
incorporated into clothing, handkerchiefs, and fans from Europe and 
the Middle East, as well as 20th-century dresses, samples, lace making 
tools and portrait miniatures.
This exhibition is made possible with generous support from The 
Costume & Textile Society of the Wadsworth Atheneum Museum of Art.

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[lace] Re: Book: Neue Weihnachts-Klöppelmuster

2009-10-23 Thread Tamara P Duvall

On Oct 23, 2009, at 7:20, Sister Claire wrote:

I recently received my copy of the Neue Weihnachts-Klöppelmuster by 
Brigitte
Bellon (2009, Barbara Fay Verlag, Gammelby. ISBN 978-3-925184-40-6) 
and I

would like to share my very, very positive impression of it.


I've yet to see a *single* book by Bellon that's not worth at least 
taking a look at; *all* of her books are great. Most of the projects 
are imaginative and charming, but quick to make (few pairs). I don't 
have *every* book she's ever written, but I do have quite a few :)


As for availability... Barbara Fay Verlag usually carries them (and 
some of them have been published by her house). One of my favourite 
books suppliers -- competitive prices and reasonably priced shipping 
(used to be free. Ah, the good old days ).

http://www.barbara-fay.de/j/
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[lace] Re: Flowers and stiffner

2009-10-21 Thread Tamara P Duvall

On Oct 21, 2009, at 12:45, Alice Howell wrote:

If your wire gimp is crinkling, then I suggest that it's too fine a 
wire for the project.  Your wire should bend readily but hold it's 
shape once it is put in place.  In the USA, the craft shops carry a 
package of colored wires for general craft use and this wire works 
very well in lace flowers.  Your craft shops might have a similar 
wire.  I don't know the official gauge of this wire.  A firm colored 
wire can make a nice outside edge of a flower


An excellent source of all kinds/gauges of craft wire (icluding fine 
enough to make lace with), in UK:

http://www.wires.co.uk/

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Re: [lace] Chantilly question

2009-10-12 Thread Tamara P Duvall

On Oct 12, 2009, at 10:10, Sue Babbs wrote:

In geometric Bucks, the pinholes would go on the pre-existing grid and 
it would be all straightforward. In floral Bucks they could be moved 
so that the design flowed well. I don't have enough background 
knowledge of Chantilly to know what should happen. Should I use the 
regular pinholes, or should I use ones placed to look more attractive?


Bucks is the only (to my knowledge) Point Ground lace which makes the 
distinction between "geometric" and "floral". All  other PG laces seem 
to ignore that distinction and use the "stick to the regular ground for 
as long as is feasible/sensible but the *result* is more important than 
the measuring tape". Ie, "looks" trump the "rules".


Most of the pin adjustments I've seen are, usually, very close to the 
motif -- the pins there will skip a ground pin, halve the distance 
between the motif and the next ground pin, alter the angle, etc. -- you 
don't want huge, gaping, holes where a ground pin ought to have been. 
But the overall look is what matters the most.


Actually... This seems to be true not just of PG laces but of every 
kind/technique, with the exception of Torchon (the Queen of Strait 
Jackets )


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[lace] Re: Super-Supreme Jabots

2009-10-08 Thread Tamara P Duvall

On Oct 8, 2009, at 3:48, Betty Rice wrote:


As to the jabots, I firmly believe that a gift to each Justice of the
United States Supreme Court is most appropriate. [...] The robes do  
not belong to the

court, do they?


No, the robes do not belong to the court; they belong to individual  
Justices. Not only that, but, since there's no uniform "prescription"  
as to what a Justice's robe ought to look like, they each have an awful  
lot of leeway. That's why Scalia's robe is so different from anyone  
else's -- he's designed it himself. I'm pretty sure that Justice  
Renquist (previous Chief Justice, before Roberts) designed his own,  
too; IIRC, his wasn't just plain black, but had coloured chevrons on  
it.


This isn't England; our Justices are staunch individuals. And they  
don't wear wigs, either :)


If, BTW, y'all are planning for a spring 2010 delivery (as per  
Aurelia's posting), then Justice Stevens  -- and his signature bowties  
-- is likely to have been retired by then. And be replaced -- my  
fondest hope --  by another "lady Justice". Which would make 3  
recipients likely to ever wear a pretty lace jabot, if offered a gift  
of it.


For the current Supreme Court of the United States (SCOTUS) membership  
and what they look like, see:
http://en.wikipedia.org/wiki/ 
Supreme_Court_of_the_United_States#Current_membership


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[lace] Re: finding books etc in the Archives

2009-10-07 Thread Tamara P Duvall

On Oct 7, 2009, at 16:46, Aurelia Loveman wrote:


"Two-Pair Inventions" --  sounds like J.S. Bach to me.


That was intentional; my son was learning to play Two-*Part* Inventions 
at the time. Seemed like a nice word-play (something I always found 
hard to resist ). Cindy Hutton (of the Norfolk/VA Beach lace group) 
designed the first cover, with the clef, when I donated the first 
version to their Lace Day's goodie bags.


Add a Three-Pair Inventions to it and you no longer have just a 
booklet, but a book. That would be a delight.  Why don't you?


Because my Inventive juices aren't flowing as freely now as they used 
to :)


I started with an experiment, on a small scale, exploring the 
possibilities of how far one could push just two pairs. The thing grew 
and the booklet/monograph that's now at the Arizona U site is almost 
double the original size (including an experiment/reworking of one of 
the small centres in wire, by Paula Harten, then of California). Good 
times... :)


Three pairs don't sing the same siren song of discovery. On the one 
hand, there already exists the distinct lace technique -- 3-Pair 
Fiandra --  the pattern body of which keeps growing, even though the 
number of its teachers is limited. On the other hand...


I suppose I could apply what I've learnt, over the past couple of 
years, about mid-16th c laces (a 3-pr tape or a 3-strand plait, using a 
pair as a "strand, each branching off, in distinct ways and in various 
directions) to a Three-Pair Fantasia and it *would* be richer than a 
2-pair experiment. But... not *sufficiently* richer, to merit the 
effort :)


The thing will have to stay as it is. And, all things considered, it's 
not a bad effort, even if I say so myself. If you don't mind oodles of 
sewings... if you need practice at leaf tallies... if you want a 
Christmas ornament which won't take weeks to make...  You might want to 
give it a try :)


http://www.cs.arizona.edu/patterns/weaving/monographs.html#D
scroll down to "Duvall"

For colour pictures of the snowflakes go to my "website" (URL in the 
signature)


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[lace] Re: finding books etc in the Archives

2009-10-05 Thread Tamara P Duvall

On Oct 5, 2009, at 17:57, Noelene Lafferty wrote:

Thanks for that Tess.   Wouldn't it be nice if there were more lovely 
people

like Alex in this world.


Hey, I'm a nice person, too :) With Tess's kind help/hard work (sine 
qua non) I was able to make my own "booklet" (Two-Pair Inventions 
pamphlet) available for everyone. Only, to find mine, you have to go to 
"Monographs" (rather than "Books") to find it. And, of course, it no 
longer makes any money for The Lace Museum in Sunnyvale...

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[lace] Re: Tenerife Lace books

2009-10-05 Thread Tamara P Duvall

On Oct 5, 2009, at 12:28, bev walker wrote:

Go to www.handweaving.net  where Kris has links to the lace documents 
and sells

the CDs :))
While there why not check out the still small lace gallery? It is a 
subset

of the weaving gallery. It needs more laces :D


Except that... When I tried to submit one of my reconstructions - very 
a propos, being from a book that's available on the main site (Le 
Pompe, Book II) -- I was unable to. When I pursued it, I was told that 
(for once ) it wasn't just the fault of my own lack of 'puter 
literacy but that something was "broken" and would get straightened 
out. By-and-by. It may have been -- the "event" happened about 2 yrs 
ago -- but, by now, I've lost all interest in contributing to it; I'd 
rather make lace than fight with user-unfriendly sites.

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[lace] Re: UK Lace Day-lacemakers at Parham House

2009-10-02 Thread Tamara P Duvall

On Oct 2, 2009, at 9:57, Susan Reishus wrote:


http://en.wikipedia.org/wiki/Rebozo

[...]  I can easily see that a shawl or stole could be of
daily use, and that a more quickly woven stole could be embellished 
with
bobbin lace, and faster than making one of solid lace, which 
essentially would

be a mantilla.  A kind of merging of two garments...


From the link you provided:

The photographs of Agustín Casasola depict soldaderas, the female 
soldiers of the Mexican Revolution, wearing rebozos de bolita.


I can't find any of those photos to check it out but, doesn't "rebozo 
de bolita" mean "bobbin rebozo"?


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[lace] Re: Saving Making a Leaf tally

2009-09-09 Thread Tamara P Duvall

On Sep 9, 2009, at 22:30, Clive & Betty Rice wrote:


I saved Tess's video by opening it and simply clicking on "Favorites"
which is on the strip that has File, Edit, View, Favorites, Tools, 
Help.

Then I click on Add to Favorites and renamed it Making a Tally. When I
want to review it, I simply click on Favorites and scroll down to 
Making

a Tally. Simple. I use Internet Explorer so this works.

Mind you, this is simple because I am roadkill on the information
superhighway, and I can do it!


My roadkill is bigger than your roadkill, so it was still too 
complicated for me. Or, maybe, there's a reckless, rebellious, gene 
somewhere in my make-up, which baulks at the idea of "saving" anything 
measured in kilobytes :)


Google is my friend; it knows where YouTube "lives". Type in: "making a 
leaf tally+YouTube" and there you are... It's already *been* saved -- 
on YouTube; I don't have to waste space on my personal 'puter.


Now, to find the time to actually *watch* the clip and see which 
tally-making version Tess is showing... If it's the "chiropractor" one, 
I'm outa there :)  Back in '06, in Montreal, I took the Cluny class and 
the teacher (Nathalie. Nathalie... what? Can't remember) tried to teach 
us that one. I failed, miserably. But I was as fast and as effective 
using Tess's *old* (and my favourite) method -- TTC, tension; TTC, 
tension -- so Nathalie told me not to change a thing :)


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[lace] Re: box folders

2009-09-03 Thread Tamara P Duvall

On Sep 3, 2009, at 22:26, dmt11h...@aol.com wrote:


Or perhaps something like this, called a document box?
_http://apps.webcreate.com/ecom/catalog/product_specific.cfm? 
ClientID=15&Pro

ductID=17284_
(http://apps.webcreate.com/ecom/catalog/product_specific.cfm? 
ClientID=15&ProductID=17284)

Devon


In a message dated 9/3/2009 8:47:37 P.M. Eastern Daylight Time,
4l...@tussah.com writes:

Is this  what you are looking  for?

http://tinyurl.com/expandingwallet

It's an expanding wallet  from Office Depot.


Well, no :) I know what Tess is talking about, because I bought a bunch  
of them in England, back in 1988, and used them till they fell apart.  
But I never saw them Stateside. It's a *single* folder -- not  
expanding, not a box -- much like ours are, except that they do not  
have the spine holes to put them into a binder. But, instead of opening  
like a book -- two parts, each with a little pocket at the bottom --  
it's more like an envelope. There's a little flap on top and the  
"envelope" is held closed with a piece of elastic , which slides over a  
corner. Very efficient, very simple and I don't know why it's not made  
here.

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[lace] Re: Cost of linen thread

2009-09-03 Thread Tamara P Duvall

On Sep 3, 2009, at 6:22, Brenda Paternoster wrote:

[...] a sample of the finest size which I have measured as 34 wraps/cm 
[...]
Would you be prepared to pay 12-15 Euros, 10-12 GBP, 18-21 USD for a 
250 metre spool of fine, coloured, linen thread?


For comparison: 34wpc is the same as for Bockens 120. That thread (no 
colours; bleached and cream only), on 500m spools is $8.50 at Lacy 
Susan and $10.95 at Van Sciver Bobbin Lace (in both cases, before 
shipping and/or sales tax where applicable). So, you get twice as much 
for half the price but no colours. You might, then, want to use the 
coloured linen for accents rather than whole large projects. In which 
case, a spool of 250m would last a looong time.


So, yeah, I'd buy it, for something special; I love linen, even with 
slubs :) There just is no other fiber which has the same lasting 
endurance, the body, and the property of getting better and better 
(shiny and soft) with repeated washings. Though a bit would depend on 
how easily available it would be (shipping is expensive here but 
shipping from abroad is prohibitive) and what the range of colours was.


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[lace] Re: lace (pins) in fiction

2009-08-30 Thread Tamara P Duvall

On Aug 30, 2009, at 22:12, Su Carter wrote:

A No. 3 Broad-headed Extra Long would grace any true pinhead's 
collection."


-- Going Postal by Terry Pratchett

Su, recovering from her unexpected overdose of endorphins


To help you recover in a hurry... You owe me for a keyboard (and Mac 
ones don't come cheap) -- wine all over the place. I only gurgled 
through most of  the quotation (including the image of a "microscopic 
cockerel" on a pin's head) but the "true pinhead's collection" was just 
too much... Especially in conjunction with a similarly double-edged and 
textile-related term, used (though not by Pratchett, so far as I know)  
in reference to annoyingly stupid people: "a pinprick".

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[lace] Re: threads - sizes and plies

2009-08-25 Thread Tamara P Duvall

On Aug 25, 2009, at 7:45, Dona B. wrote:

For years I've used Holly's thread comparison chart but I can see that 
your
book would be a good addition, Brenda.  Is that available for purchase 
in

the US?  What are the chances it would be available at Ithaca in Oct.?


Very good to excellent :) The newest edition of the book is listed on 
Holly's website:

http://www.vansciverbobbinlace.com/1Books.html#New%20Books!
Last book in the second row, @ $24.95.

I think all American suppliers carry it; it's indispensable for anyone 
serious about lacemaking.

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[lace] Fwd: Re: Where does your lace guild meet?

2009-08-23 Thread Tamara P Duvall
I thought this was worth forwarding to the list, since it adds to the 
general "pot" of suggestions. Marji's message had my own message to the 
list appended, but I'm stripping that off; it wasn't all that important 
in the first place (just something to get the discussion going)...


As an aside... Even after 36+yrs in the US and even though I now often 
do it myself, I still, sometimes, pause and wonder at how willing 
Americans are to travel, long distance, to meet. And hour in the car -- 
one way! -- is not considered to be much of an obstacle, unless it's at 
night and, sometimes, not even then. When I was growing up, visiting a 
friend who lived 20 minutes away by bus or tram was going to "where the 
devil says good-night"; an hour (by train) meant spending the night, as 
likely as not...


Begin forwarded message:


From: Marji Sakievich 
Date: August 23, 2009 23:04:20 EDT
To: Tamara P Duvall 
Subject: Re: [lace] Re: Where does your lace guild meet?

We decided not to have a permanent library.  We met a local restored 
college building that is attached to the library.  It is a beautiful 
building.  Academy Square in Provo, UT.  It is the site of the 
original Brigham Young University.  The city is centrally located for 
our ladies, some who travel over an hour to meet with us.  My other 
guild meets in a library in a city closer Salt Lake City.  That is an 
hour drive for me.  Some of us belong to both guilds so we get to meet 
twice a month.  The Beehive Lacers have a library in someone's home.


Marji


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[lace] Re: Where does your lace guild meet?

2009-08-22 Thread Tamara P Duvall

On Aug 22, 2009, at 23:20,  wrote:


I am looking for ideas on where a lace guild could meet.


I don't have a local-enough guild, so don't attend meetings but one of 
the locations that has always struck me as mutually beneficent was a 
sewing notions store, if it's big enough (and many do have a back room 
which might be suitable). Most lacemakers are "into" more than just 
lacemaking, so the temptation to keep buying threads and other "stuff" 
while in such a store is always overpowering :)


The issue of a permanent library is something else, however. The only 
time I've seen one was in Pittsburgh, where one of the guilds (they had 
two, IIRC -- Robin Panza will straighten me out, if not) was meeting in 
a church basement/vestry. All other guilds I know cart their libraries 
with them evey time...


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[lace] Fwd: Lace in Translation Exhibition

2009-08-22 Thread Tamara P Duvall
I don't know whether Tina sent this privately by intent or by mistake 
but I think it's something that everyone on Arachne should see, so I'm 
forwarding.


Begin forwarded message:


From: Tina Allen 
Date: August 22, 2009 15:48:54 EDT
To: tallen...@verizon.net
Subject: Re:  Lace in Translation Exhibition

Hi,
 
I've attached a link to the web site for Lace in Translation, an 
exhibition at the Paley Design center at Philadelphia University that 
I thought you might find of interest.  The exhibition runs from 
9/24/09 to 4/3/10  http://www.laceintranslation.com/.

 
 
Best regards,
 
 
Tina Allen



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[lace] Fwd: Ipswich Lace

2009-08-22 Thread Tamara P Duvall

Obviously, my memory has played me false :)

Begin forwarded message:


From: Judith Lamp 
Date: August 21, 2009 23:39:38 EDT
To: t...@rockbridge.net
Subject: Ipswich Lace

Hi Tamara,
	I get the summary of the lace digest posts.  My late husband 
subscribed to it for me so I don't know how to post a message.  I just 
finished Marta Cotterell Raffel's book on Ipswich lace.  She states 
that the lace was sold in Boston, NYC, Philadelphia and Virginia. I 
would not consider that local use.


Judith Lamp




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[lace] Re:Lace songs

2009-08-21 Thread Tamara P Duvall

On Aug 21, 2009, at 4:34, Nathalie wrote:


Anyone know more about lace and music?


Lace *is* music (in threads). You can quote me :)

It reminds me of an old sci-fi story I once read (45yrs ago? more?), 
about a group of Earthlings, who landed on a strange planet, where they 
were allowed -- by the native inhabitants -- to set up a base. The two 
races got along OK, but never got very friendly, one of the obstacles 
being that the natives had no ears and could not hear sounds. And then, 
one of the Earthlings -- on of the crazier ones -- got a weird idea of 
"translating" musical notes into coloured motion and filming it... 
Can't remember what piece he used for his first experiment -- something 
by Beethoven; a sonata, maybe? -- but the natives, seeing it, decided 
that the Earthlings, afterall, weren't the uncouth clods everyone had 
thought them to be

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[lace] Re: period lace

2009-08-20 Thread Tamara P Duvall

On Aug 20, 2009, at 1:16, Lorelei Halley wrote:

There is also the Ipswich lace production: local and homegrown, point 
ground.
But I'm not sure what time period  the Ipswich lacemakers were active. 
 I know

there is someone in arachne who does know.


The subtitle of Marta Cotterell Raffel's book on the subject of "The 
Laces of Ipswich" is: "the art and economics of an early American 
industry, 1750-1840", so we do know the dates. But, as far as I 
remember (it's been a while since I read the book and my wretched 
memory is like a sieve), the Ipswich lace -- despite its energetic 
promotion by the local worthies -- never really "took" and its use 
remained relatively local.


Also, it wasn't, sensu stricto,  Point Ground. Most of it was black and 
used either Kat Stitch or what's described as "Torchon with an extra 
twist at the pinhole" (honeycomb *stitch*?) as ground, not the CTTT, 
typical of Point Ground. Also, some of the laces were "groundless" and 
I'd have a hard time categorising them. It's a similar story to that of 
"Tonder Laces". When we think of "Tonder Laces", we think "Point 
Ground, very fine, large Copenhagen holes". But, given that the laces 
of the Tonder area were made over a long period of time, there's more 
to them than that; they changed along with the demands of fashion and 
taste.


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Re: [lace] 1810s vs 1860s

2009-08-20 Thread Tamara P Duvall

On Aug 19, 2009, at 23:07, lucie...@uottawa.ca wrote:

I am trying to figure out what kinds of lace would be extant and 
available

to American and Canadian women (urban and fairly rich, I guess) to
decorate their clothes (especially coiffes).


I remember reading somewhere that one of the American First Ladies 
(but, which???) had her entire inauguration dress made of the 
new-fangled, *machine-made* lace (imported from Nottingham, IIRC). I 
expect that would have had an influence on the "urban rich" fashions, 
at least in the US. It would, also, have made a definite difference 
between the 1810s and the 1860s fashions, the said dress (again, *as 
far as I remember*) having "happened" somewhere in the early 1820s. For 
us, "AM" can have a totally different meanting than it does for the 
rest of the world -- After Machine :)



[...] the difference between country
clothes that seems to stay fairly 18th centurish and urban clothes 
which

follows European fashion fairly quickly. Have others noticed this too?)


The differences between the (slow) country rhythms and the 
(fast-moving) city ones extend beyond US/Canada and beyond the clothing 
scope, though clothing is one of the most manifest. You can tell, by 
their clothing, the "country bumpkins" from the "city slicks" in 
paintings done all over Europe -- England, France, Netherlands... even 
Poland  --  at different  times. But language, also, changed faster 
in the cities than it did in the boondocks, even in countries where the 
population was native and (mostly) monolithic, not immigrant and mixed, 
as in US and Canada.


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[lace] Re: Early laces

2009-08-12 Thread Tamara P Duvall

On Aug 12, 2009, at 20:33, Elizabeth Ligeti wrote:

Gina, Noelene, has got in first!! I was about to mention Rosemary 
Shepherd's
new book on the Early laces. It has a few patterns and very clear 
working
diagrams, and a lot of history about the early laces, threads, etc.  A 
very

interesting read.


It is, indeed, a very interesting book. Sent me back to the drawing 
board on one of my past articles, but I won't hold it against Rosemary 
:)  Anything new I learn is always a gift.


One of the fascinating things about the -- very few, so far -- books on 
the early laces is the progress made in deciphering those same early 
laces. If you start with the Levey/Payne "Le Pompe" (1983) and end with 
Shepherd's "An Early lace Workbook" (2009) -- travelling via Burkhard's 
"Fascinating Bobbin Lace",  snippets from Nora Andries' "Onder de loep" 
and Gillian Dye's "Elizabethan Lace" -- you'll notice how much better 
and more reliable the newer books got in those 26yrs, as more people 
added their observations into the common "pot".


The Levey/Payne was a pioneering work, but the reproductions didn't 
look anything like the extant laces; some of Shepherd's could fool a 
museum curator... Not that *Shepherd* has all the answers, though :)


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[lace] Re: Lace teaching happened!

2009-08-11 Thread Tamara P Duvall

On Aug 11, 2009, at 12:39, Chris Vail wrote:

I taught a beginner 16th c. bobbin lace course.  It was... 
interesting. I usually teach this class in two hours to about 6 people 
at a time (basic twist and cross, plaiting -- I

don't cover picots).


And just as well, since there don't seem to have been any true picots 
then :)


In the past two years, I looked at lots of the earliest laces, often in 
great magnification. And I've asked Devon to pay special attention to 
them for me, in her weekly trips to the Metropolitan, where she 
volunteers and has access to the said laces. Nothing. Zero. Picots 
don't seem to appear until much later, when the laces began to get 
really fine.


What those early laces do have are "mock picots" which we know as 
"winkie pins".


For linen and silk, Twist the worker pair (or the pair nearest the pin, 
in a plait) at least 3 times (or more; some of those early "picots" are 
really overtwisted), put a pin under it and keep working. For 
metallic/metal thread, Twist the pair, place the pin under *just one* 
(outer) thread, Twist the pair again and keep working.



On Aug 11, 2009, at 13:20, Regina Hart wrote (re Chris' message):

 Do you have prickings/diagrams for early work?  I'd like to learn 
more about
bobbin lace in this early period, and I wouldn't mind replicating a 
piece or

two.


OK, I'm not Chris and can't answer for her (him?) as to what sources 
*s/he* used, but...
In addition to several books on the subject, the IOLI Bulletin has been 
publishing -- beginning with vol.27, #4 (summer 2007) -- my 
reconstructions of some of the simpler early laces, mostly from Le 
Pompe. Not to blow my own horn too loudly, but, while not perfect (I'm 
working on a correction for one of them, right now ), they're not 
half bad, either. And most are simple enough so that they can be made, 
by-the-many- yard, as needed for those early costumes. Nor am I 
finished reconstructing... And, during that same time, others have also 
written articles (some with prickings and diagrams) on the earliest 
laces.


So, join us. Subscribe to IOLI, which will allow you to borrow the old 
issues and will assure you of getting anything new that comes out as 
well. By-and-by, you should be able to assemble a library of patterns 
for every occasion to choose from.


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[lace] Re: was Shops - now Tools and restorations

2009-08-06 Thread Tamara P Duvall

On Aug 6, 2009, at 19:07, Clay Blackwell wrote:

And while you're in those shops that sell fly-tying equipment and 
supplies, don't overlook the swivel hackle pliers which are a god-send 
when you break a thread!!


Also... Sometimes, you can find a sort-of-silky (possibly silk?), fine, 
smooth-cord, fishing line. Makes for the strongest magic loop, ever.

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Fwd: [lace] Lacy mosaic

2009-07-29 Thread Tamara P Duvall

Not me, but I think the challenge might be of interest to others...

Begin forwarded message:


From: "J. Falkink" 
Date: July 29, 2009 11:59:16 EDT
To: "'Tamara P Duvall'" 
Subject: RE: [lace] Lacy mosaic

Challenge: make it with the chaos ground (ct - ctct, repeat), working 
with

pairs as threads outside the gimps for the hearts.

Jo


<...>
Had to share:

http://www.flickr.com/photos/rachelrodimosaics/3255538665/
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[lace] Lacy mosaic

2009-07-28 Thread Tamara P Duvall

Gentle Spiders,

For the past few days, I've been pestering my son to explain the 
mysteries of Facebook to me; could someone -- as 'puter-illiterate and 
as "dinosaurish" as I am -- manage to dip her toes into that ocean? Is 
it safe?  How does one eat it? What's in it for me???


It's not easy to explore the subject because almost all the roads lead 
to Rome. Er... to Facebook. Almost anything you click on brings up a 
"sign up for a Facebook account" screen, without ever answering my 
original question: "why should I want to?"


But, looking at his opening screen, with things he's a fan of, I 
noticed a non-profit, called Counter Pulse, that *did* open  (up to a 
point). And there, I found this mosaic, with lacy, spidery, hearts... 
Had to share:


http://www.flickr.com/photos/rachelrodimosaics/3255538665/
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[lace] Sue Carter?

2009-07-26 Thread Tamara P Duvall

Hi, and sorry to bother everyone...

If Sue Carter (of Williamsburg, VA) is still on Arachne... Would she 
please get in touch? My e-mails to her get returned with the dreaded 
"unknown user" explanation...

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[lace] Re: Something for you all to look at

2009-07-19 Thread Tamara P Duvall

On Jul 19, 2009, at 16:04, Celtic Dream Weaver (Sherry) wrote:

  My husband [...] brought home this Beaded Art On Net that someone 
sewed onto what looks like velvet. The beads look like they are 
tarnished silver lined glass. I have a feeling at one time it was on 
the front of a dress...maybe a wedding dress. It looks very old.


It's likely to be about 90yrs old and you're right, it's likely to have 
been a dress front.


My Mother-in-law (born in 1897) had a dress with a similar -- though 
coloured (red-bronze, silver and gold. The "silver" looks more 
"gun-metal" than silver, by now) and mounted on black, not white, net 
-- beaded panel front, when she was "young and flighty" (her words 
). She gave me the panel about 25 years ago ("you're the only one in 
the family who cares about such things") and I reused it. Made a 
(velveteen) dress especially for it, and wore it to her granddaughter's 
debutante ball. The dress was a "smash", especially with my MIL, so 
everyone was happy. In "mine", some of the flowery motifs were, in 
part, metallic thread (satin stitch), not just metallic beads. I never 
wore the dress again; there are not that many special occasions that 
come my way and, by now, I don't think I could fit into it any more. 
Even then, I worried a bit about taking too deep breaths; the net was 
fragile and some of the threads on which the beads had been strung 
"gave" at the slightest provocation.


Now that I have seen it...he had every right to be afraid for I do not 
want to sell it. I think it is pretty and a nice example of vintage 
Bead work. I know we need the money...but...oh and he hardly paid 
anything for this.


The only way I'd sell it (especially if the original outlay had not 
been too high, so that keeping the piece is not a hardship) would be to 
a haute couture designer -- directly, and for a boatload of money. 
Forget E-bay; you're not going to get for it what it's really worth, 
especially in this economy, where even the truly rich are cutting 
corners... It's not just that it's old (almost antique ), it's that 
you can't get the same quality now. Beginning with the mesh size of the 
net (very, very fine in mine and, it looks like, in yours), through the 
net fiber (cotton, while most netting now is "plastic"), through the 
quality of the beads (uniform, among other superiur qualities)...


Oh, and somewhere (on your website?) you asked about the technique. In 
all likelihood, it's tambour work. We think of "tambour" and envision 
Liers or Carrickmacross (spell?) but, before the tambour hook was used 
to make lace of that kind (thread on net), it was used to attach beads 
to net or fabric.

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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Favourite pattern

2009-07-13 Thread Tamara P Duvall

On Jul 13, 2009, at 13:26, Sue Duckles wrote:


Tamara's snake  Sounds interesting!!  What snake Tamara?


It's a "pocket snake", which keeps my spending in check. When I put my 
hand in my pocket to reach for the money, it bites :) Nothing much to 
do with lace per se, except when it goes into a hissy fit at Lace Days 
and such. But it's grown much more tolerant of lacy and book 
(especially lace books) expenditures, over the years. We have a truce 
of sorts now: I don't spend much on clothes and eating out and it 
allows me to buy almost as many books as I want :)

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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Favourite pattern

2009-07-12 Thread Tamara P Duvall

On Jul 11, 2009, at 4:40, Jane Partridge wrote:

What is your favourite lace pattern out of the ones you have worked, 
(whether your own design or one that has been published)


While I'm very stadfast in my human relationships, I'm afraid I'm 
rather promiscuous in my lace love affairs and the number of 
"favourite" patterns is endless... :) Whatever I'm working on is my 
current favourite, more or less. Some of the patterns offered in 
workshops had not been as beguiling as others but, since I'm an 
amateur/hobbyist there's no reason for me to spend time and effort on a 
pattern that I don't love. At least for a little while :)



and which pattern/type of lace have you found most challenging?


Teaching myself Flanders, from a book written in Dutch was my greatest 
challenge, ever. The sudden doubling of bobbins per pin, coupled with 
the language barrier nearly did me in. Only the absolutely *burning* 
love of the style (sturdy, no nonsense, never boring) kept me going.


And, of course, Arachne... Thank goodness, there was Arachne by then 
(if still very small), cheering me on, helping me in my "battles of 
Flanders" and translating the very strange words...  Good times :)


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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Novel: The Lace Makers of Glenmara

2009-07-08 Thread Tamara P Duvall

On Jul 8, 2009, at 20:27, Diane Williams wrote:


Has anyone read this book yet?


Haven't, and the review you quoted isn't likely to entice me :) My 
husband found the following in Washington Post book review section a 
week or so ago:


Devastating loss gives way to new life in Heather Barbieri's charming 
novel "The Lace Makers of Glenmara", about a heartbroken American 
designer who discovers inspiration, comfort, and friendship in an 
intimate circle of lace makers from a quaint Irish village.


and I thought it might be perfect -- mindless, summer chick-reading, 
and at the end I give the book to the library, for others to enjoy. 
But, obviously, "less is more"; a closer look at the book (via the 
fuller review you provided) suggests that there might be better ways to 
spend my limited resources :)


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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Lace query (not Torchon but Cluny)

2009-06-24 Thread Tamara P Duvall

On Jun 24, 2009, at 13:33, laceandb...@aol.com wrote:


In a message dated 24/06/2009 18:21:18 GMT Standard Time,
di...@coalole.demon.co.uk writes:


I was going to use it in dressmaking but if it's hand made I think I
would be better making a pricking from the lace and working 
individual lengths

to make the garment I wanted.



Why

If was good enough to use on the garment when you thought it was 
machine
made, what makes it not suitable now you know it's handmade?  Or why 
would you
want to spend hundreds of hours to make the piece of lace you already 
have?


Libra speaking here... :) Make a pricking of the lace, if you really, 
really like it; maybe, one day, you'll make some of it. Meanwhile, use 
what you have as you had intended originally. Jacquie is absolutely 
right; it seems wasteful to have all this nice -- but not exceptional 
-- quality lace on hand and keep it locked in a drawer somewhere.


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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Rubberbands for the Pocket Bobbin Winder

2009-06-20 Thread Tamara P Duvall

On Jun 20, 2009, at 10:21, Norma Harris wrote:


Haven't had a chance to see if I want
to make one of these winders  do you want to bring some of the 
rubber

bands with you?


The rubberbands Liz is talking about are, I think, for the Australian 
pocket winder -- a little miracle of engineering, made of lucite -- not 
the home made one...


See you both tomorrow at Sweet Briar. I'll be parachuting in for the 
afternoon, to "woman" the registration desk :)


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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: winding bobbins - a comment

2009-06-17 Thread Tamara P Duvall

On Jun 17, 2009, at 11:55, Patricia Dowden wrote:

When I wind bobbins, I lay the first layer (only) tightly side by 
side down
the thread area to give a solid base to the windings.  All the rest 
of the

layers are at an angle, up, down, up, down, etc.
Alice in Oregon
Like Alice, I wind the first layer side by side.  Then I bring the 
thread
straight back from where it ends back to the beginning, wind another 
layer

and then straight back again.


"My" method seems to be in between the two: down -- meticulously 
parallel; up -- in about 2-3 angled "hops". Must be yet another side 
effect of being a libra :)


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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Bridesmaid gifts

2009-06-10 Thread Tamara P Duvall

On Jun 10, 2009, at 18:12, Sue (Harvey) wrote:

That reminds me of a friend who made a beautiful piece of lace for a 
wedding
present for her niece and framed it in a wonderful silver frame, the 
thank
you note received from the bride said "thank you for the beautiful 
silver

frame" the lace was not even mentioned.


Ouch. The best-received bridal gift I've ever made was Lenka Suchanek's 
"Flower Girl", in wire. I had -- but didn't use -- the kit. Instead, I 
reduced the pattern, changed it a bit (for single strand of 32wire), 
used the colours which I knew would be used in the wedding and told her 
it was a Christmas ornament, "the better to remember the year by". She 
opened the box and went around the entire wedding party, bragging about 
it, so I knew she liked and appreciated it.


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Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Sandra Day O'Connor's lace scarf-judicial lace

2009-05-28 Thread Tamara P Duvall

On May 28, 2009, at 8:40, dmt11h...@aol.com wrote:

At the time, I think the plan was "overbroad" to use Supreme Court 
terms,

in that handmade jabots were to be presented to all the Supreme Court
judges,  including the men.


Definitely "overbroad"; I can't imagine any of the men on our Court 
wearing lace jabots with their robes, unless we gave them wigs to go 
with the lace and presented the lot on Halloween :)



However, here is a picture of retired Supreme Court justice Sandra Day
O'Connor in a lovely lace scarf, a particular innovation of hers. Also
pictured is Ruth Ginsburg in a less appealing circular collar.


I'm pretty sure that, although this one is the collar I've seen Justice 
Ginsburg wear most often (at least 3 different photos, before today's 
), I also saw her wear another one, at least once. Also lace, but 
smaller and (maybe) two-part, a bit Victorian-looking. Maybe Nottingham 
(machine) lace; couldn't see it all that well, but it looked much more 
delicate than the "lattice" she's wearing in the pictures here.


Perhaps it  is the case that we will soon have another female Supreme 
Court judge, making  for 2 out of 9. Last count 51% of those affected 
by their decisions, are women,

yet strangely, women are such a minority on the court


Yeah, I'm hoping for at least 4 out of 9, during my lifetime... A girl 
can dream, no?



 I suppose if the current nominee were  passed,


Apparently, confirmation is expected, despite the current roadblocks. 
She'd look cute in lace, too; as good as Justice O'Connor :)



one might appeal to her as to whether a special lace collar would
be  accepted, and she in her happiness at her approval, might agree.


I was -- and still am -- of the school of thought that, if we sent the 
women something lacy to wear with their robes, they'd wear it. No need 
to ask, since it only slows down the process (Would they even answer 
the question? Would they even get the question passed on to them or 
would some clerk think it was something crazy?)


But I'm not up for making something the size/fineness of Justice 
O'Connor's scarf by hand, never mind two of such "somethings" :) One, 
and coarser - Milanese or Cluny, or something based on 16thc plaited 
lace (but no ruffs ) -- would be my limit. And when does the next 
session start? September? October? One would have to step on the gas...


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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: April Lace magazine- and another dumb question

2009-05-27 Thread Tamara P Duvall

On May 27, 2009, at 17:41, Carolyn M Salafia wrote:


Dear All:

And to be honest, I'm still way too emotional to respond to some of 
you, but

I am looking forward to it

But I'm righting my ship amnd one thing I can do in that direction 
would be
to resubscribe to the Lace magazine; can some one please point me in 
the

right direction to subscribe again??


Their website is:

http://www.laceguild.demon.co.uk/

and you can start from there. But you're either a bit late or a bit 
early, since they run their subscriptions on a "fixed year" basis, not 
"from whenever you suscribe" (as IOLI does now). So, you'll get some 
back (old) magazines, if you subscribe now, or you can wait till their 
subscription year runs its course and start with the first issue of the 
year.


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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Fwd: [lace] Re: Aluminum Bobbins

2009-05-21 Thread Tamara P Duvall
So, I got this, which, I think, can be safely forwarded to the 
list-at-large, without offending Lauren. It seems that I was right 
about the source of the aluminium bobbins. And, if so, then maybe 
Shirley Tregellas herself will tell us whether those bobbins are still 
available or not; I think she reads our list occcasionally.


Begin forwarded message:


From: "L.Snyder" 
Date: May 21, 2009 23:36:27 EDT
To: Tamara P Duvall 
Subject: Re: [lace] Re: Aluminum Bobbins

Nothing wrong with your memory, Tamara!
Tregellas is right. I have some, too, way cool!
Lauren Snyder in WA
I used to have a couple of aluminium hookies and they were made by 
someone in Australia. Tregellas, maybe? I'm pretty sure that the same 
supplier made "straight" bobbins as well.





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[lace] Re: Aluminum Bobbins

2009-05-21 Thread Tamara P Duvall

On May 21, 2009, at 11:28, Jensen Marilyn wrote:

I have some aluminum bobbins which make such a wonderful sound when 
lacing- does anyone know who the maker is/was and if they are still 
making them?


I used to have a couple of aluminium hookies and they were made by 
someone in Australia. Tregellas, maybe? I'm pretty sure that the same 
supplier made "straight" bobbins as well.


Sorry not to be of more help but, if we keep your query on the front 
burner, perhaps someone's memory (better than mine) will be jogged?


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[lace] Re: collar

2009-05-20 Thread Tamara P Duvall

On May 20, 2009, at 20:40, Patricia Dowden wrote:


Actually, while the listing inaccurately says the lace is handmade,


It doesn't, actually... :)  It stays just this side of the truth, 
because it says the *collar* is hand made :) And so it is - hand 
assembled, using not hand-made lace.


As a trained linguist (in a long-ago past), I do admire the seller's 
skill with semantics :)


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[lace] Re: Odd request: value of lace bobbins

2009-05-20 Thread Tamara P Duvall

On May 20, 2009, at 18:36, salafi...@aol.com (Carrie) wrote:

I did not inherit them; they were purchased in the 90's, many from an 
Australian bobbin maker who retired (and I can't for the life of me 
remember his name), and some from someone in England who did fancy 
bone bobbins.


Another post hit home, in terms of where their "value" lies... I have 
a bobbin handpainted with an image of Eleanore of Aquitaine.


Perhaps you could post good photos of the fancier ones to the Arachne 
Webshots? I don't know how to do that, but others will.  And then, 
people here would be likely to be able to attribute the bobbins and 
evaluate them.  I've moved away from Midlands and from fancy stuff but 
I seem to remember a series -- a bobbin-of-the-month club, maybe? -- 
which had various English queens painted on. Someone is likely to 
recognise the image once they see it.


But, in general... I started making lace in '89, so it's the same time 
frame. At the time, even the fancy, hand turned, hand engraved and 
painted, bone, spangled, what-have-you... were most unlikely to have 
cost more than $10 per bobbin. $15 for something really, truly, 
spectacular (along the lines of mother and babe, in bone and with 
embedded wires). I had some really nice ones -- including bone -- and 
none were more than $5, because I thought it was outrageously high 
already (my pocket snake hissed and hissed). And, although you'd have 
to pay more for the same bobbins today, today's price of (new) bobbins 
isn't what you'd go by. Since your bobbins aren't antiques (100yrs old 
or more), they're just *used*; you'd need to have *way* more than a 
1000 of them to be worth $10K. So don't let your "almost ex" get away 
with that scam. Can't blame him for trying to pull it, but...


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Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Re: Beds lace in silk

2009-05-14 Thread Tamara P Duvall

On May 14, 2009, at 5:02, Elizabeth Ligeti wrote:

I made a couple of Springett's Beds handkie edges in silk, and mounted 
them on

some cream Bridal silk - and we all thought them lovely.  However, both
christine Springett andf Barbara Underwood saw them and went 
"Yuk"


Beds lace, apparently, is supposed to be crisp and firm and lay 
straight when

laid over the hand, - not soft and 'flowing' like my silk lace!


Unless, of course, it's Beds-Maltese, in which case all bets are off 
and it's supposed to be made in silk (and is made of rayon these days), 
so it drapes :)

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