Re: Auto Ties
Looks like you have to remove the Note_heads_engraver first. If you're
using version 2.2.x, the following should apply:
3.2.5 Automatic note splitting
Long notes can be converted automatically to tied notes. This is done by
replacing the Note_heads_engraver by the Completion_heads_engraver. In the
following examples, notes crossing the bar line are split and tied.
\new Voice \with {
\remove "Note_heads_engraver"
\consists "Completion_heads_engraver"
} {
c2. c8 d4 e f g a b c8 c2 b4 a g16 f4 e d c8. c2
}
On Fri, 17 Sep 2004, J L wrote:
Hi,
I remember writing about how I had trouble with entering note values longer
than the remaining measures? in a bar. I realise that there is the
completion_heads_engraver. However, when I tried that, what happened was: all
the doted and syncopated notes within the bar were broken up while the note
that was supposed to be tied over the bar was just left as a minum (causing a
bar-check problem followed by unbound spanners).
I can't remember exactly what file I used, but I think it was this one.
Currently it has the ties added manually. Please point out to me if there is
is something I've missed out that is causing this problem.
---
\version "2.2.5"
\header {
title = "May Suite 2004"
subtitle = "Royal Progression"
subsubtitle = "Movement 1"
composer = "Joshua Leung"
meter = "Allegro Maestoso"
}
\score{
\notes <<
\context StaffGroup <<
\new Staff {
\clef treble
\time 3/4
\key c \major
\set Staff.instrument = "Trumpet 1"
\set Staff.instr = "Tru1"
\set Staff.midiInstrument = "trumpet"
% 1st theme & its variations
a'8. a'16 a'4 \times 2/3 { g'8 a'8 b'8 }
a'8. a'16 a'4 \times 2/3 { g'8 a'8 b'8 }
c''8. b'16 a'4 \times 2/3 { f'8 g'8 a'8 }
b'8. a'16 g'4 \times 2/3 { e'8 f'8 g'8 }
a'8. g'16 f'4 \times 2/3 { g'8 g'8 g'8 }
g'2 r4
% 2nd Idea & its variations
r2 \times 2/3 { a'8 b'8 c''8 }
d''2 \times 2/3 { d''8 e''8 d''8 }
c''2 \times 2/3 { b'8 c''8 d''8 }
a'2 \times 2/3 { g'8 a'8 b'8 }
a'2 r4
R2.*2
% back to 1st theme. we're nearly at the end
a'8. a'16 a'4 \times 2/3 { g'8 a'8 b'8 }
a'8. a'16 a'4 \times 2/3 { g'8 a'8 b'8 }
R2.*3 % the last few bars
\bar "|."
}
\new Staff {
\clef treble
\time 3/4
\key c \major
\set Staff.instrument = "Trumpet 2"
\set Staff.instr = "Tru2"
\set Staff.midiInstrument = "trumpet"
% 1st theme & its variations
f'8. f'16 f'4 \times 2/3 { e'8 f'8 g'8 }
f'8. f'16 f'4 \times 2/3 { e'8 f'8 g'8 }
a'8. g'16 f'4 \times 2/3 { d'8 e'8 f'8 }
g'8. f'16 e'4 \times 2/3 { c'8 d'8 e'8 }
f'8. e'16 d'4 \times 2/3 { e'8 e'8 e'8 }
e'2 r4
% 2nd Idea & its variations
r4 \times 2/3 { g'8 a'8 b'8 }
c''4~ c''4 \times 2/3 { c''8 d''8 c''8 }
b'4~ b'4 \times 2/3 { a'8 b'8 c''8 }
g'4~ g'4 \times 2/3 { f'8 g'8 a'8 }
g'4 ~ g'4 r2
% 1st idea inverted
f'8. f'16 f'4 \times 2/3 { e'8 d'8 c'8 }
f'8. f'16 f'4 \times 2/3 { e'8 f'8 g'8 }
}
\new Staff {
\clef treble
\time 3/4
\key c \major
\set Staff.instrument = "Horn 1"
\set Staff.instr = "Hrn1"
\set Staff.midiInstrument = "french horn"
% 1st theme & its variations
d''8. d''16 d''4 \times 2/3 { c''8 d''8 e''8 }
d''8. d''16 d''4 \times 2/3 { c''8 d''8 e''8 }
f''8. e''16 d''4 \times 2/3 { b'8 c''8 d''8 }
e''8. d''16 c''4 \times 2/3 { a'8 b'8 c''8 }
d''8. c''16 b'4 \times 2/3 { c''8 c''8 c''8 }
c''2 r4
% 2nd Idea & its variations
\times 2/3 { c''8 d''8 e''8 } f''2
\times 2/3 { f''8 g''8 f''8 } e''2
\times 2/3 { d''8 e''8 f''8 } c''2
\times 2/3 { b'8 c''8 d''8 } c''2
R2.*5 % 5 bar's rest
% back to 1st theme. we're nearly at the end
d''8. d''16 d''4 \times 2/3 { c''8 d''8 e''8 }
d''8. d''16 d''4 \times 2/3 { c''8 d''8 e''8 }
R2. % the last bar
}
\new Staff {
\clef treble
\time 3/4
\key c \major
\set Staff.instrument = "Horn 2"
\set Staff.instr = "Hrn2"
\set Staff.midiInstrument = "french horn"
% 1st theme & its variations
d'8. d'16 d'4 \times 2/3 { c'8 d'8 e'8 }
d'8. d'16 d'4 \times 2/3 { c'8 d'8 e'8 }
f'8. e'16 d'4 \times 2/3 { b8 c'8 d'8 }
e'8. d'16 c'4 \times 2/3 { a8 b8 c'8 }
d'8. c'16 b4 \times 2/3 { c'8 c'8 c'8 }
c'2 r4
% 2nd Idea & its variations
\times 2/3 { c'8 d'8 e'8 } f'2
\times 2/3 { f'8 g'8 f'8 } e'2
\times 2/3 { d'8 e'8 f'8 } c'2
\times 2/3 { b8 c'8 d'8 } c'2
R2. % 1 bar's rest
% back to 1st theme
d'8. d'16 d'4 \times 2/3 { c'8 d'8 e'8 }
d'8. d'16 d'4 \times 2/3 { c'8 d'8 e'8 }
R2. % another bar's rest
% t
Auto Ties
Hi,
I remember writing about how I had trouble with entering note values longer
than the remaining measures? in a bar. I realise that there is the
completion_heads_engraver. However, when I tried that, what happened was:
all the doted and syncopated notes within the bar were broken up while the
note that was supposed to be tied over the bar was just left as a minum
(causing a bar-check problem followed by unbound spanners).
I can't remember exactly what file I used, but I think it was this one.
Currently it has the ties added manually. Please point out to me if there is
is something I've missed out that is causing this problem.
---
\version "2.2.5"
\header {
title = "May Suite 2004"
subtitle = "Royal Progression"
subsubtitle = "Movement 1"
composer = "Joshua Leung"
meter = "Allegro Maestoso"
}
\score{
\notes <<
\context StaffGroup <<
\new Staff {
\clef treble
\time 3/4
\key c \major
\set Staff.instrument = "Trumpet 1"
\set Staff.instr = "Tru1"
\set Staff.midiInstrument = "trumpet"
% 1st theme & its variations
a'8. a'16 a'4 \times 2/3 { g'8 a'8 b'8 }
a'8. a'16 a'4 \times 2/3 { g'8 a'8 b'8 }
c''8. b'16 a'4 \times 2/3 { f'8 g'8 a'8 }
b'8. a'16 g'4 \times 2/3 { e'8 f'8 g'8 }
a'8. g'16 f'4 \times 2/3 { g'8 g'8 g'8 }
g'2 r4
% 2nd Idea & its variations
r2 \times 2/3 { a'8 b'8 c''8 }
d''2 \times 2/3 { d''8 e''8 d''8 }
c''2 \times 2/3 { b'8 c''8 d''8 }
a'2 \times 2/3 { g'8 a'8 b'8 }
a'2 r4
R2.*2
% back to 1st theme. we're nearly at the end
a'8. a'16 a'4 \times 2/3 { g'8 a'8 b'8 }
a'8. a'16 a'4 \times 2/3 { g'8 a'8 b'8 }
R2.*3 % the last few bars
\bar "|."
}
\new Staff {
\clef treble
\time 3/4
\key c \major
\set Staff.instrument = "Trumpet 2"
\set Staff.instr = "Tru2"
\set Staff.midiInstrument = "trumpet"
% 1st theme & its variations
f'8. f'16 f'4 \times 2/3 { e'8 f'8 g'8 }
f'8. f'16 f'4 \times 2/3 { e'8 f'8 g'8 }
a'8. g'16 f'4 \times 2/3 { d'8 e'8 f'8 }
g'8. f'16 e'4 \times 2/3 { c'8 d'8 e'8 }
f'8. e'16 d'4 \times 2/3 { e'8 e'8 e'8 }
e'2 r4
% 2nd Idea & its variations
r4 \times 2/3 { g'8 a'8 b'8 }
c''4~ c''4 \times 2/3 { c''8 d''8 c''8 }
b'4~ b'4 \times 2/3 { a'8 b'8 c''8 }
g'4~ g'4 \times 2/3 { f'8 g'8 a'8 }
g'4 ~ g'4 r2
% 1st idea inverted
f'8. f'16 f'4 \times 2/3 { e'8 d'8 c'8 }
f'8. f'16 f'4 \times 2/3 { e'8 f'8 g'8 }
}
\new Staff {
\clef treble
\time 3/4
\key c \major
\set Staff.instrument = "Horn 1"
\set Staff.instr = "Hrn1"
\set Staff.midiInstrument = "french horn"
% 1st theme & its variations
d''8. d''16 d''4 \times 2/3 { c''8 d''8 e''8 }
d''8. d''16 d''4 \times 2/3 { c''8 d''8 e''8 }
f''8. e''16 d''4 \times 2/3 { b'8 c''8 d''8 }
e''8. d''16 c''4 \times 2/3 { a'8 b'8 c''8 }
d''8. c''16 b'4 \times 2/3 { c''8 c''8 c''8 }
c''2 r4
% 2nd Idea & its variations
\times 2/3 { c''8 d''8 e''8 } f''2
\times 2/3 { f''8 g''8 f''8 } e''2
\times 2/3 { d''8 e''8 f''8 } c''2
\times 2/3 { b'8 c''8 d''8 } c''2
R2.*5 % 5 bar's rest
% back to 1st theme. we're nearly at the end
d''8. d''16 d''4 \times 2/3 { c''8 d''8 e''8 }
d''8. d''16 d''4 \times 2/3 { c''8 d''8 e''8 }
R2. % the last bar
}
\new Staff {
\clef treble
\time 3/4
\key c \major
\set Staff.instrument = "Horn 2"
\set Staff.instr = "Hrn2"
\set Staff.midiInstrument = "french horn"
% 1st theme & its variations
d'8. d'16 d'4 \times 2/3 { c'8 d'8 e'8 }
d'8. d'16 d'4 \times 2/3 { c'8 d'8 e'8 }
f'8. e'16 d'4 \times 2/3 { b8 c'8 d'8 }
e'8. d'16 c'4 \times 2/3 { a8 b8 c'8 }
d'8. c'16 b4 \times 2/3 { c'8 c'8 c'8 }
c'2 r4
% 2nd Idea & its variations
\times 2/3 { c'8 d'8 e'8 } f'2
\times 2/3 { f'8 g'8 f'8 } e'2
\times 2/3 { d'8 e'8 f'8 } c'2
\times 2/3 { b8 c'8 d'8 } c'2
R2. % 1 bar's rest
% back to 1st theme
d'8. d'16 d'4 \times 2/3 { c'8 d'8 e'8 }
d'8. d'16 d'4 \times 2/3 { c'8 d'8 e'8 }
R2. % another bar's rest
% the end is near
r4 f''4-. r4
r2 g''4
r4 a''4 r4
b''4 c'''2
}
\new Staff {
\clef bass
\time 3/4
\key c \major
\set Staff.instrument = "Tuba"
\set Staff.instr = "Tub"
\set Staff.midiInstrument = "tuba"
% 1st theme & its variations
d8. d16 d4 \times 2/3 { c8 d8 e8 }
d8. d16 d4 \times 2/3 { c8 d8 e8 }
f8. e16 d4 \times 2/3 { b,8 c8 d8 }
e8. d16 c4 \times 2/3 { a,8 b,8 c8 }
d8. c16 b,4 \times 2/3 { c8 c8 c8 }
c2 r4
% - 2nd Idea
Problems with lilypond-book
I need some help. I've done some archive searching but can't find an answer.
I am running Lilypond 2.2.2 and am trying to generate a latex document.
I have set the following environment variables:
MFINPUTS="/usr/local/share/lilypond/2.2.2/tex:"
TEXINPUTS="/usr/local/share/lilypond/2.2.2/tex:/usr/local/share/lilypond/2.2.2/ps:/usr/local/share/texmf/tex/latex/base:"
I do a:
$ lilypond-book --output=out --format=latex assignment1.lytex
$ cd out && latex assignment1.tex
and I get the following error:
$ latex assignment1.tex
This is TeX, Version 3.14159 (Web2C 7.4.5)
(./assignment1.tex
LaTeX2e <2001/06/01>
Babel and hyphenation patterns for american, french, german, ngerman,
n
ohyphenation, loaded.
(/usr/local/share/texmf/tex/latex/base/article.cls
Document Class: article 2001/04/21 v1.4e Standard LaTeX document class
(/usr/local/share/texmf/tex/latex/base/size10.clo)) (./assignment1.aux)
(./lily-333453254.tex (/usr/local/share/lilypond/2.2.2/tex/lilyponddefs.tex
(/usr/local/share/lilypond/2.2.2/tex/feta20.tex)kpathsea: Running mktextfm
feta16
mktextfm: Running mf-nowin -progname=mf \mode:=ljfour; mag:=1; nonstopmode;
input feta16
This is METAFONT, Version 2.7182 (Web2C 7.4.5)
kpathsea: Running mktexmf feta16
! I can't find file `feta16'.
<*> ...:=ljfour; mag:=1; nonstopmode; input feta16
Please type another input file name
! Emergency stop.
<*> ...:=ljfour; mag:=1; nonstopmode; input feta16
Transcript written on mfput.log.
mktextfm: `mf-nowin -progname=mf \mode:=ljfour; mag:=1; nonstopmode; input
feta16' failed.
kpathsea: Appending font creation commands to missfont.log.
! Font \fetasixteen=feta16 not loadable: Metric (TFM) file not found.
\gdef
l.137 \gdef
\fetafont{\fetasixteen}
?
feta16.tex exists fine at /usr/local/share/lilypond/2.2.2/tex but it can't
seem to find it. Can anybody help me find the problem?
Thank you for your time and assistance.
--
Aaron Dalton
http://aaron.daltons.ca
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Two-voice fingering
Hi!
I'm using version 2.0.1 to write a guitar exercise using two Voice contexts.
When I use the standard fingering notation, as in:
{f4-1 g4-3 e4-0 },
I get the fingering all right, except that the numbers are not aligned
with the corresponding
notes. In fact, they are vertically shifted. In a two-note chord the
numbers appear above
the chord.
How do I get the numbers to print, say, to the right of the
corresponding note heads?
Thanks in advance,
Gustavo J. Mata
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[no subject]
Same thing happens... tho there was no \home directory so i created it so its now C:\cygwin\home\David\test.ly and still i get nothing... im sure im missing something simple but who knows... any help would be greatly appreciated thank you What happens if you - copy your test.ly file into C:\cygwin\home\\ - Click on the Cygwin icon to get a bash prompt - Run the command lilypond test.ly - If you get a test.pdf in your C:\cygwin\home\\ try to view it. Please followup to the mailing list. /Mats David wrote: > Hello after installing this twice.. just to make sure i didnt miss anything... When > i double click test.ly all it does is open the command window and im at the prompt > bash-2.05b$ it doesnt generat a test.log file either it does nothing else. I > downloaded it twice from two different ftps just to make sure i didnt get a bad > package.. IM running windows xp home and im at a loss. Any help would be good > > thank you > > David ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
$BL$(J$B>5(J$BBz(J$B9-(J$B9p(J$B"((J$B%5(J$B%$(J$B%I(J$B%S(J$B%8(J$B%M(J$B%9(J$B$N(J$B7h(J$BDj(J$BHG(J$B$G(J$B$9(J$B!*(J
$BL$>5Bz9-9p"((J $Bhttp://semishigure.minidns.net/scripts/deleteform.html $B!!(J $B!!(Jhttp://semishigure.dyndns.dk/scripts/deleteform.html (B $BHNGd5~6h2r#1#0#0!]#1(J (B $BEEOC(J0774-52-5634 (B (B 8$B7n$K=8$a$?(J100$BK|%a!<%k$r%5!<%S%9Cf$G$9!*(J $B%5%$%I%S%8%M%9$N7hDjHG$G$9!*!!(J $B;~N.$K>h$k%S%8%M%9$O>ehttp://semishigure.minidns.net/ (B (B http://semishigure.dyndns.dk/ (B (B $B!!(J (B (B $B!!(J (B (B (B $B!!(J (B (B $B!!(J (B (B (B (B (B (B $B!!(J (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B $B!!(J (B (B (B (B (B (B (B $B!!(J (B (B $B!!(J (B (B $B!!(J (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B (B___ (Blilypond-user mailing list (B[EMAIL PROTECTED] (Bhttp://lists.gnu.org/mailman/listinfo/lilypond-user
Re: anomolous page breaks
you might also try adding a \noBreak at the points where lilypond is automatically breaking. josiah On Thu, 16 Sep 2004, David Bobroff wrote: I'm transposing an orchestra part. I want to keep line/page breaks the same as the original part. To that end I'm using \break and \pageBreak (Lilypond 2.3.17). The part should be four pages long with the system count being 10, 12, 12, 11. Instead, I get six pages with the system count; 10, 6, 6, 6, 6, 11. I have placed \break at the end of each line to match the original as well as placing \pageBreak at the end of each page. Bug? Feature? User error? -David ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: anomolous page breaks
On Thursday 16 September 2004 20.18, David Bobroff wrote: > I'm transposing an orchestra part. I want to keep line/page breaks the > same as the original part. To that end I'm using \break and \pageBreak > (Lilypond 2.3.17). The part should be four pages long with the system > count being 10, 12, 12, 11. Instead, I get six pages with the system > count; 10, 6, 6, 6, 6, 11. I have placed \break at the end of each line > to match the original as well as placing \pageBreak at the end of each > page. Bug? Feature? User error? I suppose 12 systems don't fit on one page in your case. Then lilypond has no other choice than to split of those pages in two. If you really need to keep the system layout, you will need to make the notes smaller. E.g. by reducing some minimalVerticalExtent or by reducing paper size. Erik ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: cygwin: testers wanted for tetex bugfix release
[EMAIL PROTECTED] writes: > > Han-Wen, what is GUILE's policy on development snapshots, would it be > acceptable to upload 1.7.x to Cygwin (I remember having seen very > strong wording against binary distribution of guile 1.5.x). I would suggest to ignore the policy whatever it is. Since they don't make regular releases available we have little choice. It would be prudent to rename the package to guile-snapshot or somesuch so that it does not conflict with the regular guile package. -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
anomolous page breaks
I'm transposing an orchestra part. I want to keep line/page breaks the same as the original part. To that end I'm using \break and \pageBreak (Lilypond 2.3.17). The part should be four pages long with the system count being 10, 12, 12, 11. Instead, I get six pages with the system count; 10, 6, 6, 6, 6, 11. I have placed \break at the end of each line to match the original as well as placing \pageBreak at the end of each page. Bug? Feature? User error? -David ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
AW: lilypond@wysiwyg (bash script)
Hi Mats!
-> Maybe you are thinking of the script used in the Windows/Cygwin
-> distribution, which lets you process a file and show the result
-> in Acrobat by just double-clicking on the file.
No. The file I found was a script written in bash... and was invoqued with
something like ^s (I suppose one can change the command)
Greetings
François
-> -Ursprüngliche Nachricht-
-> Von: [EMAIL PROTECTED]
-> [mailto:[EMAIL PROTECTED]
-> Auftrag von Mats Bengtsson
-> Gesendet: Donnerstag, 16. September 2004 18:49
-> An: [EMAIL PROTECTED]
-> Cc: [EMAIL PROTECTED]
-> Betreff: Re: [EMAIL PROTECTED] (bash script)
->
->
-> Maybe you are thinking of the script used in the Windows/Cygwin
-> distribution, which lets you process a file and show the result
-> in Acrobat by just double-clicking on the file.
->
-> You may also want to take a look at jedit with its recent plugin
-> for LilyPond. See the mailing list archives.
->
-> /Mats
->
-> Francois Planiol-Auger wrote:
-> > Hi!
-> >
-> > I found some time ago a bash script in internet, that actualize the
-> > .pdf-viewer every time you save. Infortunately, I dont find it again.
-> >
-> > Does somebody knows where I can find it or something like that?
-> >
-> > I mean a bash-script automatizing [ save the file, invoque lilypond
-> > "filename", invoque acroread "filename" ] only with the
-> command: ^s (save).
-> > (I will certainly soon learn how to make that kind of programm
-> myself, but I
-> > am in stress...)
-> >
-> > I work mainly under Suse Linux 9.0 with lilypond 2.2.0. I dont have a
-> > favourite editor, but I think very seriously about The Hessling Editor.
-> > If different, the answer to this question for Windows ME and
-> Cygwin would be
-> > very nice too.
-> >
-> > Thanks in advance!
-> >
-> > François
-> >
-> >
-> > PS Thanks to Mats Bengtsson for the \"s
-> >
-> > The solution was \\\"s without double quotes
-> >
-> > -> -Ursprüngliche Nachricht-
-> > -> Von: Mats Bengtsson [mailto:[EMAIL PROTECTED]
-> > -> Gesendet: Montag, 13. September 2004 10:28
-> > -> An: [EMAIL PROTECTED]
-> > -> Cc: [EMAIL PROTECTED]
-> > -> Betreff: Re: german ss or \"s
-> > ->
-> > ->
-> > -> You didn't say what version of LilyPond you use, neither what
-> > -> operating system or text editor you have.
-> > ->
-> > -> In all recent versions, it should work to just insert the plain ß or
-> > -> directly in the .ly file. However, this requires that your text
-> > -> editor save the file using Latin1 encoding (also called ISO 8859-1).
-> > -> If you have LilyPond version 2.2.x or older, you may also use the
-> > -> LaTeX commands, just replace each backslash with a double backslash.
-> > -> Since the double quote " is also used to delimit strings, the \"s
-> > -> requires some extra care. First of all, you should enclose the full
-> > -> syllable in double quotes, than you should add an extra backslash
-> > -> both before the backslash and before the " like
-> > -> "thi\\\"s"
-> > ->
-> > ->/Mats
-> > ->
-> > -> [EMAIL PROTECTED] wrote:
-> > -> > Hi,
-> > -> > I was enjoying the deepest peace with my computer, using
-> lilypond, till
-> > -> > just now, searching nervously for the ß (german ss, or
-> scharf s, latex
-> > -> > \"s)
-> > -> > I tried all codes for this charakter, but no one
-> ansewered with the
-> > -> > beloved scharf s that my heart so much desires.
-> > -> > Who can help me?
-> > -> > Thanks in advance!
-> > -> > Fran\{c}cois Planiol-Auger
-> > -> > Church musician
-> > -> >
-> > -> >
-> > -> > ___
-> > -> > lilypond-user mailing list
-> > -> > [EMAIL PROTECTED]
-> > -> > http://lists.gnu.org/mailman/listinfo/lilypond-user
-> > ->
-> > -> --
-> > -> =
-> > -> Mats Bengtsson
-> > -> Signal Processing
-> > -> Signals, Sensors and Systems
-> > -> Royal Institute of Technology
-> > -> SE-100 44 STOCKHOLM
-> > -> Sweden
-> > -> Phone: (+46) 8 790 8463
-> > -> Fax: (+46) 8 790 7260
-> > -> Email: [EMAIL PROTECTED]
-> > -> WWW: http://www.s3.kth.se/~mabe
-> > -> =
-> >
-> >
-> >
-> > ___
-> > lilypond-user mailing list
-> > [EMAIL PROTECTED]
-> > http://lists.gnu.org/mailman/listinfo/lilypond-user
->
-> --
-> =
-> Mats Bengtsson
-> Signal Processing
-> Signals, Sensors and Systems
-> Royal Institute of Technology
-> SE-100 44 STOCKHOLM
-> Sweden
-> Phone: (+46) 8 790 8463
-> Fax: (+46) 8 790 7260
-> Email: [EMAIL PROTECTED]
-> WWW: http://www.s3.kth.se/~mabe
-> =
->
->
-> ___
-> lilypond-user mailing list
-> [EMAIL PROTECTED]
-> http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: stem length tweak
Take a look at the properties beamed-lengths and
beamed-minimum-free-length of the Stem object.
/Mats
David Bobroff wrote:
In the following example I would like to shorten the stems of beat three
so that the beam is at the same height as beats 2 and 4. As it stands
now, it interferes visually with the whole rest (the notes are cue
notes). I've looked but have failed to find the answer.
-David
\version "2.3.17"
cue = {
\set fontSize = #-3
\override Stem #'length = #4.5
\override Beam #'thickness = #0.384
\override Beam #'space-function =
#(lambda (beam mult) (* 0.8 (Beam::space_function beam mult)))
}
euc = {
\set fontSize = #0
\revert Stem #'length
\revert Beam #'thickness
\revert Beam #'space-function
}
cues = \context Voice \relative c'' {
<<
{
\cue
\clef G
\stemDown
r16 d' es f cis es, c' e, b' c, bes' cis, a' d, as' es
}
\\
{
R1
}
>>
\euc
\clef F
}
\score{
\cues
}
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Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: lilypond@wysiwyg (bash script)
Maybe you are thinking of the script used in the Windows/Cygwin
distribution, which lets you process a file and show the result
in Acrobat by just double-clicking on the file.
You may also want to take a look at jedit with its recent plugin
for LilyPond. See the mailing list archives.
/Mats
Francois Planiol-Auger wrote:
Hi!
I found some time ago a bash script in internet, that actualize the
.pdf-viewer every time you save. Infortunately, I dont find it again.
Does somebody knows where I can find it or something like that?
I mean a bash-script automatizing [ save the file, invoque lilypond
"filename", invoque acroread "filename" ] only with the command: ^s (save).
(I will certainly soon learn how to make that kind of programm myself, but I
am in stress...)
I work mainly under Suse Linux 9.0 with lilypond 2.2.0. I dont have a
favourite editor, but I think very seriously about The Hessling Editor.
If different, the answer to this question for Windows ME and Cygwin would be
very nice too.
Thanks in advance!
François
PS Thanks to Mats Bengtsson for the \"s
The solution was \\\"s without double quotes
-> -Ursprüngliche Nachricht-
-> Von: Mats Bengtsson [mailto:[EMAIL PROTECTED]
-> Gesendet: Montag, 13. September 2004 10:28
-> An: [EMAIL PROTECTED]
-> Cc: [EMAIL PROTECTED]
-> Betreff: Re: german ss or \"s
->
->
-> You didn't say what version of LilyPond you use, neither what
-> operating system or text editor you have.
->
-> In all recent versions, it should work to just insert the plain ß or
-> directly in the .ly file. However, this requires that your text
-> editor save the file using Latin1 encoding (also called ISO 8859-1).
-> If you have LilyPond version 2.2.x or older, you may also use the
-> LaTeX commands, just replace each backslash with a double backslash.
-> Since the double quote " is also used to delimit strings, the \"s
-> requires some extra care. First of all, you should enclose the full
-> syllable in double quotes, than you should add an extra backslash
-> both before the backslash and before the " like
-> "thi\\\"s"
->
->/Mats
->
-> [EMAIL PROTECTED] wrote:
-> > Hi,
-> > I was enjoying the deepest peace with my computer, using lilypond, till
-> > just now, searching nervously for the ß (german ss, or scharf s, latex
-> > \"s)
-> > I tried all codes for this charakter, but no one ansewered with the
-> > beloved scharf s that my heart so much desires.
-> > Who can help me?
-> > Thanks in advance!
-> > Fran\{c}cois Planiol-Auger
-> > Church musician
-> >
-> >
-> > ___
-> > lilypond-user mailing list
-> > [EMAIL PROTECTED]
-> > http://lists.gnu.org/mailman/listinfo/lilypond-user
->
-> --
-> =
-> Mats Bengtsson
-> Signal Processing
-> Signals, Sensors and Systems
-> Royal Institute of Technology
-> SE-100 44 STOCKHOLM
-> Sweden
-> Phone: (+46) 8 790 8463
-> Fax: (+46) 8 790 7260
-> Email: [EMAIL PROTECTED]
-> WWW: http://www.s3.kth.se/~mabe
-> =
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=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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lilypond@wysiwyg (bash script)
Hi!
I found some time ago a bash script in internet, that actualize the
.pdf-viewer every time you save. Infortunately, I dont find it again.
Does somebody knows where I can find it or something like that?
I mean a bash-script automatizing [ save the file, invoque lilypond
"filename", invoque acroread "filename" ] only with the command: ^s (save).
(I will certainly soon learn how to make that kind of programm myself, but I
am in stress...)
I work mainly under Suse Linux 9.0 with lilypond 2.2.0. I dont have a
favourite editor, but I think very seriously about The Hessling Editor.
If different, the answer to this question for Windows ME and Cygwin would be
very nice too.
Thanks in advance!
François
PS Thanks to Mats Bengtsson for the \"s
The solution was \\\"s without double quotes
-> -Ursprüngliche Nachricht-
-> Von: Mats Bengtsson [mailto:[EMAIL PROTECTED]
-> Gesendet: Montag, 13. September 2004 10:28
-> An: [EMAIL PROTECTED]
-> Cc: [EMAIL PROTECTED]
-> Betreff: Re: german ss or \"s
->
->
-> You didn't say what version of LilyPond you use, neither what
-> operating system or text editor you have.
->
-> In all recent versions, it should work to just insert the plain ß or
-> directly in the .ly file. However, this requires that your text
-> editor save the file using Latin1 encoding (also called ISO 8859-1).
-> If you have LilyPond version 2.2.x or older, you may also use the
-> LaTeX commands, just replace each backslash with a double backslash.
-> Since the double quote " is also used to delimit strings, the \"s
-> requires some extra care. First of all, you should enclose the full
-> syllable in double quotes, than you should add an extra backslash
-> both before the backslash and before the " like
-> "thi\\\"s"
->
->/Mats
->
-> [EMAIL PROTECTED] wrote:
-> > Hi,
-> > I was enjoying the deepest peace with my computer, using lilypond, till
-> > just now, searching nervously for the ß (german ss, or scharf s, latex
-> > \"s)
-> > I tried all codes for this charakter, but no one ansewered with the
-> > beloved scharf s that my heart so much desires.
-> > Who can help me?
-> > Thanks in advance!
-> > Fran\{c}cois Planiol-Auger
-> > Church musician
-> >
-> >
-> > ___
-> > lilypond-user mailing list
-> > [EMAIL PROTECTED]
-> > http://lists.gnu.org/mailman/listinfo/lilypond-user
->
-> --
-> =
-> Mats Bengtsson
-> Signal Processing
-> Signals, Sensors and Systems
-> Royal Institute of Technology
-> SE-100 44 STOCKHOLM
-> Sweden
-> Phone: (+46) 8 790 8463
-> Fax: (+46) 8 790 7260
-> Email: [EMAIL PROTECTED]
-> WWW: http://www.s3.kth.se/~mabe
-> =
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Re: figured bass position
I tried your example, just adding a
\score{\basse}
to make it a complete file, and the result was just what you want,
namely figures above the stave. Without the rest of your code it's
hard to figure :-) out what happens in your score.
Try to make a small complete example that illustrates the problem.
/Mats
Jean-marc LEGRAND wrote:
Hi list !
I'm working with Lily 2.0.1 on XP.
I'm stuck with a pb that is not new for me, and which I thought I had get rid of some
time ago.
Here's an excerpt of my script for the figured bass :
basse = <<
\context FiguredBass
\figures {
<_>1
<_>
<2 4>1
<_+ 7>2. <6>4
<7>2 <7>
<_>1
<4 5>2 <3>
<2 4>4 <5> <5> <6>
<7> <6> <7> <6>
<7> <6> <7> <6>
<_>1
<4>4 <3> <_>2 }
\notes {
\property Staff.minimumVerticalExtent = #'(-4.0 . 0.0)
\property Voice.Accidental \set #'style = #'mensural
\key d \minor
\clef bass
\property Voice.TextScript
\set #'font-family = #'number
\property Voice.TextScript
\set #'font-relative-size = #'-9
\property Voice.TextScript
\set #'baseline-skip = #'1
\relative c {
f,1
bes2 f'2.
e4 f f,
g2 c4 e,
d2 g
c g'
d1~
d8 cis cis4 d2
c bes
a g
f bes
c f,
}
}
When I edti this bass, the figures are below the staff, while I want them on the top
of the notes. I
tried to put \new Staff before \notes, and it works with the figures
but it puts a new staff above my bass line. $
I've tried to find an issue on the list, but none works.
Regards
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=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: alternate lyrics + multiple strophes
Bernd Edler wrote:
Hello,
i have trouble with applying the "alternate lyrics"
technique from repeats.ly (de eerste maat..) from the "tips & tricks"
section of the manual to multiple stanzas.
Instead of:
Staff==
1st stanza 1st (bbb)
1st stanza rpt.(ccc)
2nd stanza 1st (xxx)
2nd stanza rpt.(yyy)
I get.
Staff==
1st stanza 1st (bbb)
2nd stanza 1st (xxx)
1st stanza rpt.(ccc)
code:
...
>
What am I doing wrong?
If lilypond is doing wrong, then maybe there
is a nice method to work around.
If I use 2 lines of lyrics for each strophe with \skip for
not repeated parts, I get an ugly spacing for lines of score without
repeats.
I would consider this a bug, even though the \repeat fold feature
is completely undocumented in the manual.
However, I don't understand your problems with \skip, see the following
version of your example:
\version "2.2.4"
\paper{raggedright = ##t}
\score{
<<
\context Staff \notes\relative c'{
c d e f \break
\repeat "volta" 2 { g a b c \break }
\alternative { { c b a g } { f e d c } }
}
\context Lyrics=A \lyrics {
\set stanza = "1."
aa aaa- aaa
bb bbb
dd ddd ddd ddd dd ddd- ddd ddd
}
\context Lyrics=Arepeat \lyrics {
\skip 1
ccc ccc- _
}
\context Lyrics=B \lyrics {
\set stanza = "2."
ww www- www
xx xxx
zz zzz zzz zzz zz zzz- zzz zzz
}
\context Lyrics=Brepeat \lyrics {
\skip 1
yyy yyy- _
}
>>
}
/Mats
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Re: transparent ledger lines?
It seems that the LedgerLineSpanner that was introduced in
version 2.3.8, is a somewhat special beast, since one and the
same LedgerLineSpanner object handles all ledger lines in the
full score (actually, I think there will be one for each
line, but they are all clones of each other). Just as for any
other spanner object, it means that you cannot change its
properties once it has been created, at least not using
\override.
If you try to move your setting to the top of the score, you
will find that it applies to the whole score.
I actually don't know how to change the setting for just a
short part of the life time of the spanner. The manual just
describes how to intercept a spanner at line breaks.
/Mats
B.Gibson wrote:
Thank you for such a great software!
I have been trying to make ledger lines transparent when using
\hideNotes. I found a mail related to that problem
(http://lists.gnu.org/archive/html/lilypond-user/2003-06/msg00228.html)
and I was wondering if a solution had been found. I thought that
" \override Staff.LedgerLineSpanner #'transparent = ##t " would work.
Thanks
B. Gibson
lilypond 2.3.16
mac X 10.3.5
\paper {
linewidth = 160 \mm
indent = 0.0\mm
raggedright = ##t
}
{
c'''2
\hideNotes
\override Staff.LedgerLineSpanner #'transparent = ##t
c'''
}
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=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: ChordName/Staff Spacing
Matthew Schulkind wrote: How can I squish ChordNames and Staffs closer together than they willingly want to go? I have tried: \set Staff.minimumVerticalExtent = #'(0.2 . 0.2) OK! I hope you set it at the beginning of the top stave. \override SeparatingGroupSpanner #'padding = #'0.2 There is no padding by default, so this might increase the spacing. and \set ChordNames.minimumVerticalExtent = #'(0.2 . 0.2) The default setting has zero extent downwards, so this will also increase the separation. Yet I still can't squish them as much as I want. There's still a considerable amount of space surrounding the staff and names. How can I get rid of even more? If you set only Staff.minimumVerticalExtent, the chords will be typeset just on top of the G clef. (You can try an example with bass clef and no notes higher than the top stave line, to see that it works). If you want to get below the top of the G clef, you have to set Staff.verticalExtent or Staff.extraVerticalExtent (note, though that minimumVerticalExtent has to be set small enough so it doesn't limit the size). /Mats ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
transparent ledger lines?
Thank you for such a great software!
I have been trying to make ledger lines transparent when using
\hideNotes. I found a mail related to that problem
(http://lists.gnu.org/archive/html/lilypond-user/2003-06/msg00228.html)
and I was wondering if a solution had been found. I thought that
" \override Staff.LedgerLineSpanner #'transparent = ##t " would work.
Thanks
B. Gibson
lilypond 2.3.16
mac X 10.3.5
\paper {
linewidth = 160 \mm
indent = 0.0\mm
raggedright = ##t
}
{
c'''2
\hideNotes
\override Staff.LedgerLineSpanner #'transparent = ##t
c'''
}
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Re: no test.log file and test.ly does not run
What happens if you - copy your test.ly file into C:\cygwin\home\\ - Click on the Cygwin icon to get a bash prompt - Run the command lilypond test.ly - If you get a test.pdf in your C:\cygwin\home\\ try to view it. Please followup to the mailing list. /Mats David wrote: Hello after installing this twice.. just to make sure i didnt miss anything... When i double click test.ly all it does is open the command window and im at the prompt bash-2.05b$ it doesnt generat a test.log file either it does nothing else. I downloaded it twice from two different ftps just to make sure i didnt get a bad package.. IM running windows xp home and im at a loss. Any help would be good thank you David ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Automatic response to your mail (Error)
The automatic reply to this e-mail which you should have received in response to your e-mail to [EMAIL PROTECTED] has not been defined. Please contact [EMAIL PROTECTED] for assistance. ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: cygwin: testers wanted for tetex bugfix release
Bertalan Fodor writes: > Jan, could you also try to build a new guile to see if it allows me > now to build lilypond 2.3? Yay, another round of free libtool-fun! Ok, you should be able to point your setup.exe to http://lilypond.org/cygwin/ and select guile-1.7.1 from the [test] release. Alternatively, download and untar from http://lilypond.org/cygwin/upload/guile/ Note that this may break existing LilyPond installations. Han-Wen, what is GUILE's policy on development snapshots, would it be acceptable to upload 1.7.x to Cygwin (I remember having seen very strong wording against binary distribution of guile 1.5.x). Greetings, Jan. -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
