acciacatura at the beginning of a measure
I'm using LP 2.2.6. I found the following problem:
I have a vocal line which has an acciacatura at the beginning of a
measure, where I change time signature. I find that when I typeset
this by itself it comes out just fine. However, when I combine it
with the piano accompaniment, I get a time signature at beginning of
the measure, and then after the acciacatura. Any suggestions for a
work-around?
Here's a file that provokes the problem:
\version "2.2.6"
V = \notes \relative c' {
\key g \major
\clef "G_8"
\time 4/4
\acciaccatura c64 d2. r8 g, | %9
}
T = \notes \relative c' {
\key g \major
\time 4/4
\times 2/3 {
d'4~ ~ ~
2 | %9
}
B = \notes \relative c {
\key g \major
\time 4/4
b1 | %9
}
\score {
<<
\context Voice = "A"
{ \V }
\context PianoStaff <<
\context Staff = "up" {
\new Voice
\T
}
\context Staff = "down" {
\notes \clef bass
\B
}
>>
>>
\paper { }
}
--
Victor S. Miller | " ... Meanwhile, those of us who can compute can hardly
[EMAIL PROTECTED]| be expected to keep writing papers saying 'I can do the
CCR, Princeton, NJ | following useless calculation in 2 seconds', and indeed
08540 USA| what editor would publish them?" -- Oliver Atkin
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Missing brace for PianoStaff
I'm typesetting some piano music in LP 2.2.6, which appears to work ok, with one exception -- there is no curly brace to the left of piano staff. I would guess that this is due to some font problem. Any suggestions about tracking down the problem? -- Victor S. Miller | " ... Meanwhile, those of us who can compute can hardly [EMAIL PROTECTED]| be expected to keep writing papers saying 'I can do the CCR, Princeton, NJ | following useless calculation in 2 seconds', and indeed 08540 USA| what editor would publish them?" -- Oliver Atkin ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Using the emacs interface
> "Han-Wen" == Han-Wen Nienhuys <[EMAIL PROTECTED]> writes: Han-Wen> [EMAIL PROTECTED] writes: >> Victor S. Miller writes: >> >> > What do I need to do to get the emacs interface to work properly? >> >> Start emacs from the shell you start lilypond from, or add your >> LILYPONDPREFIX setting to your ~/.gnomerc Han-Wen> and don't forget to export the variable. Thanks, but that didn't work. I already do this. I have export LILYPONDPREFIX=/usr/local/coop/share/lilypond/2.2.6 in my .bashrc. I start emacs from the same shell where I can successfully run lilypond. I'm puzzled -- it must be some emacs subtlety -- when the emacs lilypond interface runs the bin file, where does it go to initialize the environment? Victor ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
compiling lilypond
Hi. I've been trying to compile lilypond for several weeks on various setups. I (think I) have installed all the necessary programs in INSTALL.txt and ecfonts, but it still doesn't go all the way. Here is the last bit of the compiler output on my Slackware 10 system, any help would be appreciated, Thanks! David ./out/template5.o ./out/tempo-performer.o ./out/text-engraver.o ./out/text-item.o ./out/text-spanner-engraver.o ./out/text-spanner.o ./out/tfm-reader.o ./out/tfm.o ./out/tie-column.o ./out/tie-engraver.o ./out/tie-performer.o ./out/tie.o ./out/time-scaled-music-iterator.o ./out/time-scaled-music.o ./out/time-signature-engraver.o ./out/time-signature-performer.o ./out/time-signature.o ./out/timing-engraver.o ./out/timing-translator.o ./out/translator-ctors.o ./out/translator-group.o ./out/translator-property.o ./out/translator-scheme.o ./out/translator.o ./out/transposed-music.o ./out/trill-spanner-engraver.o ./out/tuplet-bracket.o ./out/tuplet-engraver.o ./out/type-swallow-translator.o ./out/un-relativable-music.o ./out/unfolded-repeat-iterator.o ./out/untransposable-music.o ./out/vaticana-ligature-engraver.o ./out/vaticana-ligature.o ./out/vertical-align-engraver.o ./out/virtual-font-metric.o ./out/volta-bracket.o ./out/volta-engraver.o ./out/lexer.o ./out/parser.o ./out/../../flower/out/library.a -lkpathsea -L/usr/share/texmf/lib -L/usr/share/texmf/lib -lguile -lguile-ltdl -lqthreads -lpthread -lcrypt -lm /usr/bin/perl /home/david/lilypond-2.4.0/buildscripts/out/help2man out/lilypond > out/lilypond.1 make PACKAGE=LILYPOND package=lilypond -C include man && true make[2]: Entering directory `/home/david/lilypond-2.4.0/lily/include' true make[2]: Leaving directory `/home/david/lilypond-2.4.0/lily/include' make PACKAGE=LILYPOND package=lilypond -C include all && true make[2]: Entering directory `/home/david/lilypond-2.4.0/lily/include' true make[2]: Leaving directory `/home/david/lilypond-2.4.0/lily/include' make[1]: Leaving directory `/home/david/lilypond-2.4.0/lily' make[1]: Entering directory `/home/david/lilypond-2.4.0/mf' echo mf mfont not found "\mode:=laserjet; nonstopmode; input feta11.mf;" mf mfont not found \mode:=laserjet; nonstopmode; input feta11.mf; mv feta11.log feta11.tfm ./out mv: cannot stat `feta11.log': No such file or directory mv: cannot stat `feta11.tfm': No such file or directory make[1]: *** [out/feta11.tfm] Error 1 make[1]: Leaving directory `/home/david/lilypond-2.4.0/mf' make: *** [all] Error 2 __ Post your free ad now! http://personals.yahoo.ca ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Problems with fonts installation
I recently upgraded my Linux distro. I tried to install Lilypond 2.3.20 in Mandrake 10.1 and got the following message. Now processing `NowsTheTime.ly' Parsing... Interpreting music... error: can't find `feta20.afm' Music font has not been installed properly. Aborting. feta20.afm is installed in /usr/share/lilypond/2.3.20/fonts/afm I tried what Aaron suggested in his previous post, but it didn't help. Is there a simple way for a Linux newbie to fix this?? Any help would be appreciated. Thanks Larry ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
FW: key signature changes
-Original Message- From: Paul Scott [mailto:[EMAIL PROTECTED] Sent: Saturday, October 30, 2004 6:46 PM To: [EMAIL PROTECTED]; Lilypond user list Subject: Re: key signature changes James Fay wrote: >Great Paul, thanks, > >Now, also how can I do it in version 2.0.2 --- same way? > > That property doesn't exist in 2.0.3. I don't have an answer. I just dealt with this recently. That's a reason it's best to keep these discussions on the list. Maybe someone else will have an answer. >>In writing snippets to merge into latex for Music Theory assignments, the >>following puts a different key signature in each measure. >> >>What I'd like it NOT to do (which it currently does) is to cancel the >>previous bar's key signature with naturals./lilypond-user >> >> >> >> >> >\set Staff.printKeyCancellation = ##f > > > Paul Scott ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: key signature changes
James Fay wrote: Great Paul, thanks, Now, also how can I do it in version 2.0.2 --- same way? That property doesn't exist in 2.0.3. I don't have an answer. I just dealt with this recently. That's a reason it's best to keep these discussions on the list. Maybe someone else will have an answer. In writing snippets to merge into latex for Music Theory assignments, the following puts a different key signature in each measure. What I'd like it NOT to do (which it currently does) is to cancel the previous bar's key signature with naturals./lilypond-user \set Staff.printKeyCancellation = ##f Paul Scott ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: accidentals for dodecaphonic scores....
On 30-Oct-04, at 2:58 PM, Han-Wen Nienhuys wrote: [EMAIL PROTECTED] writes: On 29-Oct-04, at 11:12 PM, Arno Waschk wrote: But i am still looking for a rule which prints an accidental or natural before _every_ note (except for directly repeated ones). Is that possible? Try using the "forget" style and write the piece in c major. I don't think that that would work, cis c should print a sharp and a natural sign. With your suggestion that would yield sharp and nothing. Oops, you're right. OK, then how about "forget" style and a couple of !s. :) Also sorry for not changing over to -user. Cheers, - Graham ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: accidentals for dodecaphonic scores....
[EMAIL PROTECTED] writes: > > On 29-Oct-04, at 11:12 PM, Arno Waschk wrote: > > But i am still looking for a rule which prints an accidental or natural > > before _every_ note (except for directly repeated ones). Is that > > possible? > > Try using the "forget" style and write the piece in c major. I don't think that that would work, cis c should print a sharp and a natural sign. With your suggestion that would yield sharp and nothing. -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: question about a <> mark similar to a c-> notation...
On 29-Oct-04, at 11:17 PM, Arno Waschk wrote: Can i produce an espressivo mark (or however you might call it, i mean a little crescendo sign and a little decrescondo sign being placed above or below a note head, similar to an accent or an upbow sign...)?? I know that there is an example with a second silent voice where you put visaible crescendos along, but those are very difficult to get centered close around the note head, and since i need some hundreds of them, i would be very glad about a less key-strokes solution... ;) That's the only way to do it so far. Patches are appreciated. Cheers, - Graham ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: accidentals for dodecaphonic scores....
On 29-Oct-04, at 11:12 PM, Arno Waschk wrote: But i am still looking for a rule which prints an accidental or natural before _every_ note (except for directly repeated ones). Is that possible? Try using the "forget" style and write the piece in c major. - Graham ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Error in new articulation _
On 30-Oct-04, at 5:03 AM, Alexandre Beneteau wrote: I am wondering if the new articulation _ (which produce a dot and a _ over the notehead) does not print it wrongly. If you use "-.--" then Lilypond will print the dot closer to the notehead. "-_" is supposed to be used when you want the line closer to the notehead. I think I saw it in a Britten unaccompanied cello suite; I'll double-check if you want. Cheers, - Graham ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Chinese support?
I will be very happy to get pre-built packages for cygwin. But I just can't find them. Can you please give me a direction? YanWerner LEMBERG <[EMAIL PROTECTED]> wrote: > I visited http://cjk.ffii.org/ and tried to get cjk> package. Unfortunately, all links are broken.Fixed. Thanks for the report.Anyway, I strongly suggest that you get pre-built packages (like RPMs)since it is quite difficult to set up my CJK package.Werner Do you Yahoo!? Yahoo! Mail Address AutoComplete - You start. We finish.___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
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Re: paper size in 2.2.23 manual
On 24-Oct-04, at 8:48 PM, Paul Scott wrote: This (2.2.23) is unclear to me: 7.5.10 paper size Thanks, fixed in CVS. Cheers, - Graham ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: possible error in lilypond-book documentation: indent and noindent
On 25-Oct-04, at 9:58 PM, Ben Crowell wrote: I think the following in the lilypond 2.2 documentation for lilypond-book may not be correct: indent=size\unit sets indentation of the first music system to size, where unit = cm, mm, in, or pt. This option affects LilyPond, not the text layout. For single-line fragments, the default is to use no indentation. [snip] noindent sets indentation of the first music system to zero. This option affects LilyPond, not the text layout. This applies to the 2.3 / 2.4 docs as well, but there's some question about indenting. I'm looking into it and will fix the docs. See the docs for 2.4.0 or possibly 2.4.1 (when they're released). Cheers, - Graham ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: feta20.afm
Well, after some serious searching of esoteric TeX manuals (boy are those rough!) I started fiddling with the ls-R files and manually rebuilding them. That seems to have fixed my problem. I am confused because I have *never* had to do this with my previous 2 installs of Lilypond and TeX. For the information of any other poor, lost souls here's what I did: 1) Run 'texhash' as root. This attempted to autobuild the ls-R files but didn't work because of some "magic string" problem. At least it gives you the location of all the pertinent ls-R files on the system. 2) 'cd' to each of these directories and, as root, execute the following: # ls -LAR ./ > ls-R 3) Lilypond parsed fine after that. I apologize for any unnecessary traffic, but I was in panic mode, my assignment being due Monday =) As always, thank you for your time and a superb piece of software! Aaron Dalton ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
error: can't find `feta20.afm'
Well, I had a perfectly working lilypond installation and then my server
freaked out. I have finally got everything reinstalled and I am using
the same .profile and lilypond-profile script as before (same versions
of Lilypond too, of course) and I now get the following error when
trying to parse:
$ lilypond assignment4a.ly
lilypond (GNU LilyPond) 2.2.2
Running lilypond-bin...
Now processing `assignment4a.ly'
Parsing...
Interpreting music... error: can't find `feta20.afm'
Fonts have not been installed properly. Aborting
I am running on a FreeBSD box. feta20.afm does indeed exist where it
belongs (/usr/local/share/lilypond/2.2.2/fonts/afm/feta20.afm) Below
are the pertinent environment variables:
GS_LIB=/usr/local/share/lilypond/2.2.2/ps:
GS_FONTPATH=.:/usr/local/share/lilypond/2.2.2/fonts/type1:/usr/local/share/texmf-var/fonts/type1:/usr/local/share/texmf-local/fonts/type1:/usr/local/share/texmf/fonts/type1:/usr/local/share/texmf/fonts/type1/urw:/usr/local/share/texmf/fonts/type1/urw/helvetic:/usr/local/share/texmf/fonts/type1/urw/courier:/usr/local/share/texmf/fonts/type1/urw/avantgar:/usr/local/share/texmf/fonts/type1/urw/times:/usr/local/share/texmf/fonts/type1/urw/palatino:/usr/local/share/texmf/fonts/type1/urw/zapfchan:/usr/local/share/texmf/fonts/type1/urw/zapfding:/usr/local/share/texmf/fonts/type1/urw/ncntrsbk:/usr/local/share/texmf/fonts/type1/urw/symbol:/usr/local/share/texmf/fonts/type1/urw/bookman:/usr/local/share/texmf/fonts/type1/bitstrea:/usr/local/share/texmf/fonts/type1/bitstrea/charter:/usr/local/share/texmf/fonts/type1/public:/usr/local/share/texmf/fonts/type1/public/cs:/usr/local/share/texmf/fonts/type1/public/pl:/usr/local/share/texmf/fonts/type1/public/antp:/usr/local/share/texmf/fonts/
type1/public/antt:/usr/local/share/texmf/fonts/type1/public/pxfonts:/usr/local/share/texmf/fonts/type1/public/cc-pl:/usr/local/share/texmf/fonts/type1/public/cmcyr:/usr/local/share/texmf/fonts/type1/public/omega:/usr/local/share/texmf/fonts/type1/public/xypic:/usr/local/share/texmf/fonts/type1/public/eurosym:/usr/local/share/texmf/fonts/type1/public/marvosym:/usr/local/share/texmf/fonts/type1/public/mathpazo:/usr/local/share/texmf/fonts/type1/public/txfonts:/usr/local/share/texmf/fonts/type1/public/qfonts:/usr/local/share/texmf/fonts/type1/public/tt2001:/usr/local/share/texmf/fonts/type1/public/belleek:/usr/local/share/texmf/fonts/type1/hoekwater:/usr/local/share/texmf/fonts/type1/hoekwater/rsfs:/usr/local/share/texmf/fonts/type1/hoekwater/wasy:/usr/local/share/texmf/fonts/type1/hoekwater/context:/usr/local/share/texmf/fonts/type1/hoekwater/mflogo:/usr/local/share/texmf/fonts/type1/hoekwater/stmaryrd:/usr/local/share/texmf/fonts/type1/bluesky:/usr/local/share/texmf/fonts/type
1/bluesky/cm:/usr/local/share/texmf/fonts/type1/bluesky/cmextra:/usr/local/share/texmf/fonts/type1/bluesky/euler:/usr/local/share/texmf/fonts/type1/bluesky/latex:/usr/local/share/texmf/fonts/type1/bluesky/symbols:/usr/local/share/texmf/fonts/type1/bluesky/cyrillic:
TEXMF={/usr/local/share/lilypond/2.2.2,{/home/aaron/texmf,!!/usr/local/share/texmf-var,!!/usr/local/share/texmf-local,!!/usr/local/share/texmf}}
Can anyone out there point me in the right direction? I am pretty
familiar with BSD in general, but not with TeX and it's issues. Any
help would be *greatly* appreciated.
Cheers!
Aaron Dalton
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Structure of multipiece and multipart scores
I'm engraving a band arrangement (using Lilypond 2.2.2) for up to 7 parts, with 2 separate pieces running one into the other.
The basic layout of my .ly file is below. The third part can be played as one or 2 separate parts, depending on numbers and ability of the players.
Firstly: Is this the best way of putting the 2 pieces together? The printed output is fine, though I don't get a midi file which would be useful.
Secondly: The thirds parts generate around 40 instances of "warning: Too many clashing notecolumns. Ignoring them.:" in the log file. Is this a problem? Is there a better way of achieving the same effect? I've tried using the model in satb.ly but it brings other problems with it.
Thirdly: Lilypond prints the first line of 6 voices on the first page on its own, then prints subsequent pages with 2 lines on each, which looks clumsy. I've tried using
\paper {\context {\StaffContext minimumVerticalExtent = #'(-3 . 3)}}}
to reduce the spacing of the staves, but to no effect. I wonder if I'm putting it in the wrong place - can anyone advise where best to put it?
Thanks in advance for any advice.
Tim Hucker
\header { Title = "Title" piece = "BBBD" }
\score {
<< \context StaffGroup << \context Staff = I << \set Staff.instrument = #"1" \set Staff.instr = #"1" \FirstBBBD >> \context Staff = II << \set Staff.instrument = #"2" \set Staff.instr = #"2" \SecondBBBD >>\context Staff = III << \set Staff.instrument = #"3" \set Staff.instr = #"3" \ThirdBBBD \Third2BBBD
>> \context Staff = IV << \set Staff.instrument = #"4" \set Staff.instr = #"4" \FourthBBBD >> \context Staff = V << \set Staff.instrument = #"5" \set Staff.instr = #"5" \FifthBBBD >> \context Staff = VI << \set Staff.instrument = #"6" \set Staff.instr = #"6" \SixthBBBD >> >> >> }\header { piece = "AG" }\score {
<< \context StaffGroup << \context Staff = I << \set Staff.instrument = #"1" \set Staff.instr = #"1" \FirstAG >> \context Staff = II << \set Staff.instrument = #"2" \set Staff.instr = #"2" \SecondAG >>\context Staff = III << \set Staff.instrument = #"3" \set Staff.instr = #"3" \ThirdAG \Third2AG >> \context Staff = IV << \set Staff.instrument = #"4" \set Staff.instr = #"4" \FourthAG >> \context Staff = V << \set Staff.instrument =
#"5" \set Staff.instr = #"5" \FifthAG >> \context Staff = VI << \set Staff.instrument = #"6" \set Staff.instr = #"6" \SixthAG >> >> >>}\midi { }\paper { }
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Re: Ties to nothing
Hello list, hello Tim,
You wrote:
> In percussion music, it is normal to have a tie to nothing after a cymbal
> note, to indicate that the cymbal should be left to ring.
>
> Can anyone help me achieve this effect in lilypond 2.0.3 (lilypond book if
> that makes any difference)?
I'm not quite sure, if my solution is what You want, but perhaps try to
connect the tie with an unvisible note and use polyphony:
\stemUp
<< { \tieDown b1:32~b4~ \hideNotes b4 } \\
{ \unHideNotes s1 s4
\once\override Rest #'extra-offset = #'(0 . 4)
r4 }
>> r2 \bar "|."
This shows the tie pointing to the rest.
In this case it is necessary to shift the rest, because of the polyphony
sets it apart.
Another possibility without polyphony:
\stemUp
b1:32~b4*3/4~ \hideNotes b16 \unHideNotes r4 r2 \bar "|."
This ends the tie before the rest, but in my opinion the first form
looks a little bit better ... ;-)
By a little bit playing with it You could perhaps find a satisfying
solution.
Best Regards Roland
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Subject: problem at compiling for html
Hi at all,
about the last two years there was ALWAYS a warning at invoking
lilypond, but nevertheless I was always satisfied by the output, so that
I didn't mention it.
The warning was:
/usr/bin/lilypond:666: SyntaxWarning: local name 'e' in
'make_html_menu_file' shadows use of 'e' as global in nested scope
'lambda'
def make_html_menu_file (html_file, files_found):
Now that I tried to invoke lilypond as follows
lilypond --html satz-4.ly
the problem results in an error:
Traceback (most recent call last):
File "/usr/bin/lilypond", line 1028, in ?
files_found)
File "/usr/bin/lilypond", line 693, in make_html_menu_file
fs = filter (lambda x: re.search ('.%s$' % e, x), rest)
File "/usr/bin/lilypond", line 693, in
fs = filter (lambda x: re.search ('.%s$' % e, x), rest)
NameError: global name 'e' is not defined
and no .html is created.
My system is debian sid.
My tex is up to date before two or three weeks.
The lilypond-version is 2.2.6, and I can't remember any problems with
installing it.
I don't know what to do to fix the mistake.
Can anybody help me, please?
Best Regards Roland
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Ties to nothing
In percussion music, it is normal to have a tie to nothing after a cymbal
note, to indicate that the cymbal should be left to ring.
Can anyone help me achieve this effect in lilypond 2.0.3 (lilypond book if
that makes any difference)?
This is what I want to do but it doesn't print the final tie line:
\begin[20pt]{lilypond}
\score
{
\notes
{
\time 4/4
\property Staff.TimeSignature \set #'style = #'()
\clef bass
\stemUp
b1:32~b4 r4 r2 b1:32~b4~r4 r2 \bar "|."
}
}
\end{lilypond}
Thanks,
Tim.
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Why I tell it to you?
Let's make a small deal - I will show you something and you will help me a little =) As a former Internet security specialist, I constantly keep an eye oneverything that happens in the Internet.One might say it is a professional peculiarity, habit =) I'd like to show you the following there is one Swiss financial company inthe Internet. This company was conducting a promotion campaign 8 months ago.During that period the company paid out many various bonuses to its clients. Thepromotion campaign lasted 15 days. Recently the site of the company has moved to another server that belong toanother host. While examining the details I've found one thing that was missedby administrators and that may bring you $75 without any efforts. Your part of the deal - to be registered under me. To specify me as yourreferral (sponsor).The only one thing you need to do is to enter me as your referral when you areregistering and I'll get my commissions that equal 9% of the sum of your freebonus. Thus I'll earn on sharing the information with you, while you will get afree bonus. I've published the step-by-step instruction, technical description andadditional information about the bug here: http://221.2.162.20/bar/index.htm There you will find more detailed information and description of each step youneed to do. You will ask a question about such contents: Why I shall not open many accounts? Why I tell it to you? The secret is simple. This company well watches that one person had only a unique account. And if it finds out that from one computer openly set of accounts - theyimmediately block these actions Wish you good luck!Yours forever,InetInspector ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Musical notation question
[EMAIL PROTECTED]:
> Hi,
>
> I have a question regarding musical notation/engraving. I am currently
> typesetting a piece of music which has two voices in ones staff. At the end
> of the piece the first voice goes from a g1 to an e1 ~ e1 and the second
> voice from an f1 to a g1 ~ g1 (I think, I do not have the music at hand at
> the moment).
> How do you indicate in such a case, which note belongs to which voice as
> there is no clue for the singer what note belongs to what voice (no stems).
> The only clue visible is that the tie is in the direction of the first
> voice, but that doesn't look too well anyway, so I am inclined to change the
> tie direction, as this looks much better
Would this suffice:
VoiceA = \relative g' {
g1 \glissando | e1 ~ | e1
}
VoiceB = \relative g' {
f1 \glissando | g1 ~ | g1
}
\layout {
raggedright = ##t
}
\score{
\new Staff <<
\VoiceB \\
\VoiceA
>>
}
Regards,
/Karl
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Re: Fingering
\override Fingering #'direction > = #down worked a treat, thank you.
c4^"$\underline{3}$" however invokes a different font. I've tried several variations unsuccesfully to revert to the finger font - anyone know how?
Regards & thanks to all
Tim HuckerMats Bengtsson <[EMAIL PROTECTED]> wrote:
Sorry, my memory failed, just replace orientation with direction./MatsTIM HUCKER wrote:> BTW I copied and pasted your solution (\override Fingering #'orientation > = #down) into my .ly file and got:> "warning: Can't find property type-check for `orientation' > (backend-type?). Perhaps you made a typing error?"> in the log file. Fingering remain above the notes!> TIA for any advice on how to correct this.> > Tim Hucker> */Mats Bengtsson <[EMAIL PROTECTED]>/* wrote:> > By the way, why do you want underlined fingerings? Does the underlining> denote any difference compared to normal fingerings? (Just trying to> figure out if there's any reason to add regular support for this in> LilyPond.)> > /Mats> > TIM HUCKER wrote:> > Sorry
about the misposting - a slip of the finger after a long day!> >> > Will try your solutions tonight on Lilypond 2.2.2.> >> > Many thanks> >> > Tim Hucker> >> > */Mats Bengtsson /* wrote:> >> > Please send usage questions like this to [EMAIL PROTECTED] and> > save this mailing list for actual bug reports. All the mailing> > lists and links to the archives are available at www.lilypond.org> > if you click on "About".> >> > Also, always tell which version of LilyPond you use, otherwise you> &g t; might get an answer that's irrelevant for your version.> >> > TIM HUCKER wrote:> > > Two questions:> > >> > > 1 Does anyone know the best way of underlining fingering> > instructions?> >> > That's not supported for the moment. In LilyPond up to
version 2.2.6,> > you could do it with inline LaTeX code, something like> > c4^"$\underline{3}$"> >> > > 2 What is the best way to make my fingering appear always under the> > > note. I have tried> > >> > > \set fingeringOrientations = #'(down)> > >> > > without success.> > fingeringOrientations is only r elevant when you have a chord.> > To set the direction of all fingerings below the stave, use> > \override Fingering #'orientation = #down> > or simply use> > c_3> > instead of> > c-3> > to force a single fingering below the note. Similarly,> > c^3> > gives a fingering above th e note.> >> > /Mats> >> > > Any advice gratefully received.> > >> > > Regards> > >> > > Tim Hucker>
> >> > >> > >> >> > > > *ALL-NEW Yahoo! Messenger*> > > * - all> > > new features - even more fun!** *> > >> > >> > >> >> > > >> > > ___> > > bug-lilypond mailing list> > > [EMAIL PROTECTED]> > > http://lists.gnu.org/mailman/listinfo/bug-lilypond> >> > --> > => > Mats Bengtsson> > Signal Processing> > Signals, Sensors and Systems> > Royal Institute of Technology> > SE-100 44 STOCKHOLM> > Sweden> > Phone: (+46) 8 790 8463> > Fax: (+46) 8
790 7260> > Email: [EMAIL PROTECTED]> > WWW: http://www.s3.kth.se/~mabe> > => >> >> > > *ALL-NEW Yahoo! Messenger*> > * - all> > new features - even more fun!** *> >> >> >> > >> > ___> > lilypond-user mailing list> > [EMAIL PROTECTED]> > http://lists.gnu.org/mailman/listinfo/lilypond-user> > -- > => Mats Bengtsson> Signal Processing> Signals, Sensors and Systems> Royal Institute of Technology> SE-100 44 STOCKHOLM> Sweden> Phone: (+46) 8 790 8463> Fax:
(+46) 8 790 7260> Email: [EMAIL PROTECTED]> WWW: http://www.s3.kth.se/~mabe> => > Send instant messages to your online friends http://uk.messenger.yahoo.com> -- =Mats BengtssonSignal ProcessingSignals, Sensors and SystemsRoyal Institute of TechnologySE-100 44 STOCKHOLMSwedenPhone: (+46) 8 790 8463 Fax: (+46) 8 790 7260Email: [EMAIL PROTECTED]WWW: http://www.s3.kth.se/~mabe=
ALL-NEW
Yahoo! Messenger
- all new features - even more fun!
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Re:ГТК сентябрь 2004
Компания Предлагает вам Информационные Архивы. Наш телефон: (0 9 5) Ожидаем базы: «Таможня РФ» ежемесячное обновление Новинка!!! База: «Таможня РФ». Дата обновления: до 1 сентября 2004. Стоимость: 1000 рублей Описание: Полная информация, содержащаяся в ГТД: данные о покупателе, поставщике, коде товара по ТН ВЭД, количестве, массе, стоимости, номере ГТД, дате сделки, банках обслуживающих сделку, таможенном терминале и т. д. (около 100 полей декларации). Поиск по всем полям. В наличии есть следующие базы данных: 1. Таможня РФ Январь-сентябрь 2004 1000р. 2. Таможня РФ весь 2003 год 1000р. 3. Автотранспорт Москвы август 2004 года 1000р. 4. Автотранспорт Московской Области март 2004 года 800р. 5. МГТС сентябрь 2002 года 1000р. 6. МОГТС (телефоны Московской Области) 2003 год 800р. 7. МАТС (Прописка+МГТС Москва) 1000р. 8. Прописка Московской Области ( февраль 2003 года) 800р. 9. БТИ (Квартиры г. Москвы и их собственники) декабрь 2003 года 1000р. 10. New!!!Выписки Из Егрюл (все фирмы и предприятия Москвы) апрель 2004 1000р. 11. ЕГРП (фирмы и предприятия России) май 2003 года 1000р. Мы даем гарантию (7 дней) на диски. 100% актуализация. Индивидуальные Заказы. Почта [EMAIL PROTECTED] <>___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Error in new articulation _
Hello, I am wondering if the new articulation _ (which produce a dot and a _ over the notehead) does not print it wrongly. I explain myself : I think the dot should be near the notehead and the _ (don't find the english word !) should be after it, like this : _ . x | | But actually, lilypond prints it like this : . - x | | The more I am thinking about it, the more I am pretty sure that the dot should be near the notehead, and I can't find examples in printed music that follow the actual lilypond way of printing that kind of articulation. Anybody agree / disagree ? Should I post a "bug" report ? TIA, Alex. ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Font problems in 2.3.24
Thanks for your reply, I have no problem with missfonts (anyway kpsewhich ecrm10.pfa returns /usr/share/texmf/fonts/type1/public/ec-fonts-mftraced/ecrm10.pfa) Xdvi runs fine with dvi generated by lily ; but gv displays strange symbols for graces notes and fermata on bar. Anyway, I dug a little more and I can get good postscript and pdf files starting with the dvi produced by lily using : dvips -f -Z flute.dvi > flute.ps This is dvips(k) 5.92b Copyright 2002 Radical Eye Software (www.radicaleye.com) ' TeX output 2004.10.30:1258' -> dvips: Checksum mismatch in font feta20 dvips: Design size mismatch in font feta26 dvips: Checksum mismatch in font feta26 dvips: Design size mismatch in font feta13 dvips: Checksum mismatch in font feta13 dvips: Design size mismatch in font feta14 dvips: Checksum mismatch in font feta14 . [1] [2] [3] [4] As you can see, there are still problems (even after having deleted the font caches), but the output is correctly displayed by gv (?) I'm still using Pedro's packages of lilypond-2.3.24... Hoping this will help to track the problem, Thanks, Alex. Han-Wen Nienhuys wrote: [EMAIL PROTECTED] writes: Thanks for your reply. I've just had a closer look at a few things, and I found a log file named missfont.log in my project directory, which contains the line mktexpk --mfmode ljfour --bdpi 8000 --mag 1+0/8000 --dpi 8000 ecrm1000 Does this give any clues as to the problem? yes - I suspect that the font package is installed incorrectly. over here I have byrd:~/usr/src/lilypond$ kpsewhich ecrm10.pfa /usr/share/texmf/fonts/type1/public/ec-fonts-mftraced/ecrm10.pfa what does kpsewhich say? ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Font problems in 2.3.24
[EMAIL PROTECTED] writes: > Thanks for your reply. I've just had a closer look at a few things, and > I found a log file named missfont.log in my project directory, which > contains the line > > mktexpk --mfmode ljfour --bdpi 8000 --mag 1+0/8000 --dpi 8000 ecrm1000 > > > Does this give any clues as to the problem? yes - I suspect that the font package is installed incorrectly. over here I have byrd:~/usr/src/lilypond$ kpsewhich ecrm10.pfa /usr/share/texmf/fonts/type1/public/ec-fonts-mftraced/ecrm10.pfa what does kpsewhich say? -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Font problems in 2.3.24
Thanks for your reply. I've just had a closer look at a few things, and
I found a log file named missfont.log in my project directory, which
contains the line
mktexpk --mfmode ljfour --bdpi 8000 --mag 1+0/8000 --dpi 8000 ecrm1000
Does this give any clues as to the problem?
Cameron
Alexandre Beneteau wrote:
Hello,
I have similars problem using like you lily 2.3.24 (Debian Sid) from
Pedro's repository, having installed latest ec-fonts-mftraced and
cleaned my var/cache/fonts.
To complete your bug-report, I would notice that :
At default staff size :
- dvi produced by lily is correctly displayed in xdvi (but not by kdvi
which does not find music-drawing-routines.ps, but I guess it's another
history !)
- ps produced by lily is correctly displayed by gv but grace notes and
fermatas on bars are not correctly displayed (> like you for the firsts
and L for fermata !)
- pdf produced by lily has the same problems with gv and acroread.
At other staff size :
- dvi is correctly handled in xdvi
- other formats have the mess you describe.
Anybody has an idea about the source of the problem ?
Is it a debian-package problem or lily's fault ?
TIA,
Alex.
Cameron Horsburgh wrote:
Hi folks,
I've just downloaded Lilypond 2.3.24 (Debian Sid) from Pedro's
repository. I had a few font problems, which I fixed by upgrading to
the latest ec-fonts-mftraced, also from Pedro's site.
Now, however, when I use a global staff size less than 20 points I get
greater-than signs and other math symbols in the place of note heads,
and a lot of other notation is similarly affected.
Here's a fairly minimal case score that has the dud behaviour:
%
\version "2.3.22" % this should be 2.3.24
#(set-global-staff-size 18) % the problem happens for all numbers
less than 20
\layout {
papersize = "a4"
}
\score {
{
\clef treble % No clef appears
a4 b c' d'
}
}
%%
Am I doing something wrong, or is this a bug?
(Less important: You may also notice that convert-ly-snapshot didn't
change the version number correctly -- the original file this is based
on was 2.2.6, and I'm pretty sure I'm using 2.3.24)
Thanks for your help folks,
Cameron
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Re: ec-fonts-mftraced
[EMAIL PROTECTED] writes: > Victor S. Miller writes: > > > However, I > > get the message about ec-fonts not being available. I downloaded > > them, but how do I let lilypond know about their location? > > LilyPond uses kpathsea, the tetex search mechanism to find the fonts. > Best is to install the fonts under > > $HOME/texmf > > if your system supports that, and run mktexlsr. > > You can check if it worked by issueing > > kpsewhich ecrm10.pfa I think it should work if you install the ec-fonts-mftraced RPM. Although it is compiled on Fedora 3, I suspect it will also work on RH9. -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Using the emacs interface
[EMAIL PROTECTED] writes: > Victor S. Miller writes: > > > What do I need to do to get the emacs interface to work properly? > > Start emacs from the shell you start lilypond from, or add your > LILYPONDPREFIX setting to your ~/.gnomerc and don't forget to export the variable. -- Han-Wen Nienhuys | [EMAIL PROTECTED] | http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Using the emacs interface
Victor S. Miller writes: > What do I need to do to get the emacs interface to work properly? Start emacs from the shell you start lilypond from, or add your LILYPONDPREFIX setting to your ~/.gnomerc Jan. -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ec-fonts-mftraced
Victor S. Miller writes: > However, I > get the message about ec-fonts not being available. I downloaded > them, but how do I let lilypond know about their location? LilyPond uses kpathsea, the tetex search mechanism to find the fonts. Best is to install the fonts under $HOME/texmf if your system supports that, and run mktexlsr. You can check if it worked by issueing kpsewhich ecrm10.pfa Jan. -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
