Re: bars and clefs
[EMAIL PROTECTED] a écrit : > > You might try > > \once \override Staff.Clef #'extra-X-extent = #'(-2 . 1) > \clef tenor > > which would give you 2 more units of space to the left of the > clef symbol and 1 more unit of space to the right of the clef. > ("tenor": sorry, I deleted so much e-mail that I've lost track > of what clef you actually wanted.) > > I'm sitting at a non-LilyPond machine at the moment, so I can't test > that to verify it, but I've used similar commands to provide extra space > to the left or right of various musical graphic objects ("grobs"). > > -- Tom > > > Thanks for your help. I'll try that. I am aware of these commands, but it is not easy for a beginner to find out the right command with the right parameters. And they may be difficult to use since the other objects stay where they are :) Regards. -- Guy ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: 2 conversion problems 2.4.6->2.6.3
On 3-Nov-05, at 8:17 PM, [EMAIL PROTECTED] wrote: Graham Percival wrote: Insert the symbol directly into the lilypond file, just like accents and non-latin characters. See the docs for utf-8. The docs for utf-8? Are there documents that specify how to enter a specific symbol in a text file if I have neither a built-in software character map nor the unicode number for the symbol? Well, no. But I know that OSX and windows have built-in software character map, and I'm certain that many exist for linux and windows. By "docs for utf-8", I just meant the portion of the lilypond docs that discuss utf-8 -- I thought that they mentioned a few cross-platform editors which supported utf8. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: bars and clefs
> . . . however, with a :|: bar, when > inverting the order, the clef is almost stuck to it... You might try \once \override Staff.Clef #'extra-X-extent = #'(-2 . 1) \clef tenor which would give you 2 more units of space to the left of the clef symbol and 1 more unit of space to the right of the clef. ("tenor": sorry, I deleted so much e-mail that I've lost track of what clef you actually wanted.) I'm sitting at a non-LilyPond machine at the moment, so I can't test that to verify it, but I've used similar commands to provide extra space to the left or right of various musical graphic objects ("grobs"). -- Tom ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: 2 conversion problems 2.4.6->2.6.3
Graham Percival wrote: > Insert the symbol directly into the lilypond file, just like accents > and non-latin characters. See the docs for utf-8. The docs for utf-8? Are there documents that specify how to enter a specific symbol in a text file if I have neither a built-in software character map nor the unicode number for the symbol? Because of other discussions on this list, I know how to enter Latin-1 accented characters in utf-8 form, but I don't know how to enter an em-dash or an en-dash, amongst other things. -- Tom ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Lilypond 2.7.15 <----- Any news on a release for windows?
Hi all, Is there any news on when 2.7.15 will be released for windows... we seem to be 3 versions behind the rest at the moment.. Trent ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: foreign languages and caching bugs?
On 3-Nov-05, at 2:14 PM, Markian Hlynka wrote: On Nov 3, 2005, at 14:18, Graham Percival wrote: This is an issue with the OSX Preview application; it has nothing to do with non-latin text. It has been discussed here before, but I don't think there's any solution planned. that's a relief... I'm quite liking lilypond so far! But, um... so how can I open my pdfs with something else? Please keep lilypond email traffic on the mailists, since other people may help or receive help from the discussion. In addition, this is a better topic for lilypond-user than bug-lilypond. Not with the standard lilypond app, but this app might do it: http://edbaskerville.com/software/lilypad/ Thanks for the reply! Would you like to see an example of the other bug I posted? Sorry, I can't help you with that one. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond on MEPIS
On 3-Nov-05, at 5:16 AM, Eddie Z wrote: I have recently moved to Linux usiing MEPIS KDE Debian whatever. Every time I find software that looks like it might be fun to investigate or even learn how to use I get to the installation and then have no idea how to move on from there. Now I come across LILYPOND 2.6.4 and find the same problems. Everything I read says how easy LINUX is to use. Well I must be brain dead because I am studying, "The Complete Idiot's Guide, Moving to Linux and Linux for Dummies", and yes it all takes me so far and then? This question should be directed to the lilypond-user mailist. If you have installed lilypond, then please read the tutorial. Try following the steps in it, section by section, until you feel comfortable with lilypond. If you have trouble installing lilypond, you might want to read the documentation for your distribution. The Debian manual has a lot of info that will help you, even if you are using an offshoot of debian. (this mepis kde thing) Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
On 3-Nov-05, at 2:02 AM, Mats Bengtsson wrote: Graham Percival wrote: The purpose of using lilypond-book here is just to stick multiple scores together, with page numbering. Could you please remind me and others on why you could not simply do it all within a .ly file: \version "2.6.0" \paper{ % For version 2.6: scoreTitleMarkup = \bookTitleMarkup % For version 2.7: printallheaders = ##t } \include "piece1.ly" \include "piece2.ly" ... Now I remember one problem, namely that you have to move all \header{...} blocks into the corresponding \score{...} block, otherwise all the pieces will get the same title. Interestingly, I didn't need to do that with 2.7.12 and printallheaders. But are there any other problems that you solve easier with lilypond-book? Yes. The above produces: collection.pdf (includes piece1, with pages numbered 1 and 2) collection-1.pdf (includes piece2, with pages numbered 1 and 2 as well) (assuming piece1 and 2 are both 2 pages) Now, I _could_ manually set piece2 to start on page 3, and I could probably find some command-line tool to stick foo.pdf and foo-1.pdf together as fooall.pdf (I know pstools can do this with ps files)... but I found it easier to use lilypond-book. The automatic page numbering is a bigger issue than sticking pdfs together. Once I've found the tool (pdftools ?), I can just include those commands in a script and have it done automatically. But if I change the order of pieces in a collection, or add an extra page of text at the beginning or whatever, I'd have to change all the manual page numbers again. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
On 3-Nov-05, at 2:02 AM, Mats Bengtsson wrote: Not if you're using lilypond-book. If you don't use \book, then you can't use \pageBreak in your scores. There used to be a bug (in Aug) wherein the horizontal alignment of some systems was also messed up without \book; I'm not certain if that's still around. That's a rather special issue and should be described in the lilypond-book manual. I still find the information about \book in the main manual very misleading, both in "8.1.4 Text markup", "10.1.12 Multiple movements" and "5.8 File structure". If you agree, I can try to reformulate it. Please do. I'm still discovering facets of \book vs. non-book based on experimentation; the manual page on \book is extremely vague, but I don't feel that I know enough about \book to try to clarify the manual. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: 2 conversion problems 2.4.6->2.6.3
On 3-Nov-05, at 9:08 AM, Thomas Ruedas wrote: understand at all what is meant by it - I can only say that I don't see where I depart from the manual with respect to the beams. This is the error message: "Applying conversion: 2.5.0, 2.5.1, 2.5.2, 2.5.3, 2.5.12, 2.5.13, 2.5.17, 2.5.18, 2.5.21, Not smart enough to convert auto beam settings Auto beam settings must now specify each interesting moment in a measure explicitely; 1/4 is no longer multiplied to cover moments 1/2 and 3/4 too. Please refer to the manual for details, and update manually. error while converting Aborting" This message refers to automatic beaming; it might be generated unnecessarily. Try commenting out any automatic beaming setup, run convert-ly, then uncomment the automatic beaming. If it still works, great; if not, see the 2.6/2.7 manual for the new format. As I am at typography: previously I entered an en-dash in a title in the TeX way as --, and it produced the expected result. This doesn't work anymore, so how can I enter the en-dash now? Insert the symbol directly into the lilypond file, just like accents and non-latin characters. See the docs for utf-8. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
was markup/padding but now tremolo and that markup/padding with blank extra measures
Hello- The solutions so far have produced very odd results. Mostly in the form of extra blank measures for the markup words. Plus the :8 for crosses on the stems does not seem to be working and producing the 'partial' measure effect which is very confusing. here's the whole file \version "2.6.0" \header { title = "Oud 129-132" subtitle = "G major, arpeggio, andantino, Moderato" copyright = "For study purposes only" } melody = \relative c' { \clef treble \key g \major #(set-global-staff-size 20) \override Staff.TimeSignature #'style = #'() \time 4/4 g4 a8 b c d e fis | g4 a8 b c d e fis | g4 fis8 e d c bes a | g4 fis8 e d c b a| g1 \bar "||" g4 b d g | b d g d | b g d b | g1 \bar "||" \tempo 4=80 \time 3/4 \once \override TextScript #'padding = #2.0 s1^\markup{ \italic Andantino } s1^\markup{ Pelleagato } b4\mf c d | g,2.| g'4. g16 g-^ fis8 g | a2 d,4| b'2 a4| c2 a4| fis2 d4| d'2.| e2 d8 c-^| b2 b8 c | d2 c8 b | a4. b16 a-^ g8 f | e2 d8 g| b2 a8 g-^| a4. b16 a-^ g fis | g4 d8 b g4 \bar "||" \time 3/8 \tempo 8=92 \once \override TextScript #'padding = #2.0 s1^\markup{ \italic Moderato } s1^\markup{ Pelleagato } b8:8 d:8 g:8 |d:8 g:8 b:8 | g:8 b:8 d:8| g:8\f d:8 b:8 | g:8 b:8 d:8 |e:8 c:8 a:8 | fis:8 a:8 c:8 | d:8 b:8 g:8 | e:8 g:8 b:8 | c:8 a:8 fis:8 | d:8 fis:8 a:8 | b:8 g:8 e:8 | c:8 e:8 g:8 | a:8 fis:8 d:8 | b:8 d:8 fis:8 | g:8 e:8 c:8 | a:8 c:8 e:8 | fis:8 d:8 b:8 | g''16 d d b b g| fis' c c a a fis| e' b b g g e| d' a a fis fis d | c' g g e e c |b' fis fis d d b| a' e e c c a| g' d d b b d | g8 r r \bar "||" } \score { \new Staff \melody \layout { } \midi { \tempo 4=60 } } Thanks for the help. Jay -- Childhood is a Journey not a race- Emma Sadinsky aged 8 Jay Hamilton Sound and Silence 206-328-7694 www.soundand.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
[EMAIL PROTECTED] wrote: Quoting Han-Wen Nienhuys <[EMAIL PROTECTED]>: Nicolas Sceaux wrote: Table of contents comes to mind. I've made a reduction for voice+piano of Giulio Cesare for a singer, who asked me to add a table of contents. ohhh! that's a fascinating problem! It should be doable in LilyPond, of course, but I'm putting it on "open to sponsor" list of features. It is a fascinating problem all right, but if the table of contents must be in the front pages of your document, it can turn ugly-ugly-ugly, you might consider doing multiple passes, and you will have basically reinvented LaTeX in the process :-) Actually, it wouldn't. Lily keeps all pages in memory at the same time. I'd have to rewire the logic of composing pages (ie. putting headers and footers to them), and make a mechanism where you can transport information out of a \markup neatly. Things would only get hairy if the vertical space available on a page depends on the page number. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Denemo
Just in case someones interested: -- Hi all, After a long period of time denemo 0.7.4 has been released. New features include : Help Documentation Support for exporting to Lilypond 2.6 All ornaments/articulations added Replace Mode Basic Redo/Undo Functionality for individual objects More Templates available Export to PDF (via lilypond processing) Courtesy of Jens Askengren -- For those how are looking for a gui. Aaron __ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: what is wrong with this \markup /padding?
This sort of worked, whereas the other two suggestions did not work at all. However what it did not do was raise the word 'Moderato' above the tempo marking the word Pelleagato appears next to the tempo marking which would be sufficient/acceptable except I still don't know what is going on. My guess is that s1^ is doing something even though it's doing something different in each case- which means that I don't know what/why. I suspect that Han-Wen did answer thoroughly but I accidently deleted that response. I apologize. Jay Martial wrote: \once \override TextScript #'padding = 2.0 \markup{ \italic Moderato } test this : { \once \override TextScript #'padding = #2.0 s1^\markup{ \italic Moderato } s1^\markup{ Pelleagato } } -- Childhood is a Journey not a race- Emma Sadinsky aged 8 Jay Hamilton Sound and Silence 206-328-7694 www.soundand.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
Quoting Han-Wen Nienhuys <[EMAIL PROTECTED]>: > Nicolas Sceaux wrote: > > Table of contents comes to mind. > > I've made a reduction for voice+piano of Giulio Cesare for a singer, > > who asked me to add a table of contents. > > ohhh! that's a fascinating problem! It should be doable in LilyPond, of > course, but I'm putting it on "open to sponsor" list of features. > It is a fascinating problem all right, but if the table of contents must be in the front pages of your document, it can turn ugly-ugly-ugly, you might consider doing multiple passes, and you will have basically reinvented LaTeX in the process :-) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
New and bug-free 2.6.4-4 for Windows [WAS: text font problems with 2.6.4 for windows?]
Mats Bengtsson writes: > Thanks for your efforts! However, is it really that hard to make a simple > test case yourself? There are still a number of problems to solve: Please have a look at the new and bug-free 2.6.4-4! Python and argv0 relocation should both work now (at least, they work for me :-) Jan. -- Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Adding a new feture
Jannik Jeppesen wrote: Though there is a slight problem, for me in drummode. If I am adding accents and sticking at the same time, or in general if the sticking is under the staff... They will not stand in a straight line. Is it possible to add this futue? > Im sending the file. > > It´s from bar 34 and forward... dont know if you can help??? You want the H and the V to appear in the same horizontal line, right? Try staff-padding -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Scribus - alternative to lilybook?
On Thursday 03 November 2005 02:35 pm, Han-Wen Nienhuys wrote: > Arthur Dyck wrote: > > I'm not sure I understand what it is you want to do with this plugin. If > > it is just a matter of updating the pdf once you have edited the .ly > > file, Scribus has a feature where you can select your pdf image and there > > is an Update feature. I haven't tried it yet, but I suspect you could > > just do your editing, create your pdf, go over to Scribus and Update your > > image. > > Yes, but you have to work with multiple files, and multiple > applications. That gets tiresome and errorprone if you have many (over > 40) fragments. Maybe I'm living in blissful ignorance of the problems that are ahead of me. The project I'm working on will have well over a hundred fragments. Arthur ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Scribus - alternative to lilybook?
Arthur Dyck wrote: I'm not sure I understand what it is you want to do with this plugin. If it is just a matter of updating the pdf once you have edited the .ly file, Scribus has a feature where you can select your pdf image and there is an Update feature. I haven't tried it yet, but I suspect you could just do your editing, create your pdf, go over to Scribus and Update your image. Yes, but you have to work with multiple files, and multiple applications. That gets tiresome and errorprone if you have many (over 40) fragments. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Adding a new feture
Jannik Jeppesen wrote: Hi... Great prog. Though there is a slight problem, for me in drummode. If I am adding accents and sticking at the same time, or in general if the sticking is under the staff... They will not stand in a straight line. Is it possible to add this futue? It's probably possible, but can you provide an example in an image? It's not entirely clear what you mean. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Adding a new feture
Hi... Great prog. Though there is a slight problem, for me in drummode. If I am adding accents and sticking at the same time, or in general if the sticking is under the staff... They will not stand in a straight line. Is it possible to add this futue? If already added, please let me know. Best reguards Jannik Jeppesen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: problem or bug?
To Mr. Edward Neeman, Hi, thank you very much for your reply. The \override worked. However, since you mentioned that this could be a bug, should I report it? (This happened on both versions 2.6.3 and 2.7.12 that I tested) Thanks. Yours sincerely, Seng Liang. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Scribus - alternative to lilybook?
On Thursday 03 November 2005 11:16 am, Stephen Corey wrote: > Henrik Frisk wrote: > >Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote: > >>Henrik Frisk wrote: > That would actually be pretty neat... > > Sponsored feature, anyone? > >>> > >>>This sounds interesting, although I'm not quite sure what you > >>>mean. Once > >>>I've imported a pdf into Scribus your suggestion would allow me to edit > >>>the .ly file and then have the plugin render the new pdf and replace it > >>>with the old one? > >> > >>Yes, but then the .ly would be editable from within Scribus, so you > >>only have to import a .ly , or enter it from scratch. > >> > >>>If that's possible I'm up for a share of the cost. > >> > >>That would be cool. It would be significant amount of work, since I'd > >>have to get familiar with Scribus and its plugin interface. I'd guess > >>that this would be 1000 eur or 2000 eur, in order of magnitude. > > > >Let's see if we can create an interest in this. I think this would be a > >valuable addition to LilyPond. Anybody willing to co-sponsor? > > > >/henrik > > Hello, this is my newbie post. I've been using Lilypond with jEdit for > about 2 months now for arranging instrumental parts. The only challenge > has been learning some of the syntax but I can't complain. You have > done a wonderful job with this software. I'd be interested in helping > to support getting this Scribus feature up and running. Also, are there > any user groups in the Eastern U.S. or parties interested in perhaps a > workshop? > > Stephen Corey > Richmond, Virginia, USA > I'm not sure I understand what it is you want to do with this plugin. If it is just a matter of updating the pdf once you have edited the .ly file, Scribus has a feature where you can select your pdf image and there is an Update feature. I haven't tried it yet, but I suspect you could just do your editing, create your pdf, go over to Scribus and Update your image. Arthur ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
Nicolas Sceaux wrote: Table of contents comes to mind. I've made a reduction for voice+piano of Giulio Cesare for a singer, who asked me to add a table of contents. ohhh! that's a fascinating problem! It should be doable in LilyPond, of course, but I'm putting it on "open to sponsor" list of features. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
Quoting Nicolas Sceaux <[EMAIL PROTECTED]>: > Mats Bengtsson <[EMAIL PROTECTED]> writes: > > > Could you please remind me and others on why you could not simply do it > > all within a .ly file: > > \version "2.6.0" > > \paper{ > > % For version 2.6: > > scoreTitleMarkup = \bookTitleMarkup > > % For version 2.7: > > printallheaders = ##t > > } > > > > \include "piece1.ly" > > \include "piece2.ly" > > ... > > > > Now I remember one problem, namely that you have to move all \header{...} > > blocks into the corresponding \score{...} block, otherwise all the > > pieces will > > get the same title. But are there any other problems that you solve > > easier with > > lilypond-book? > > Table of contents comes to mind. > I've made a reduction for voice+piano of Giulio Cesare for a singer, > who asked me to add a table of contents. Argh. But apart from that, I > don't really see the advantage of using lilypond-book for a document > with little text. With longer text across pages, it's another story. > > nicolas > Table of contents, various performance notes, exotic stuff (an ostinato part where the same bar is played 157 times, printed just once with some explanation), etc... I'm not sure I would not be able to achieve the same with plain Lilypond though, but I doubt it will provide the flexibility of LaTeX. Besides, I don't feel like learning yet another markup language :-) LaTeX took me long enough, thank you very much !!! Lilypond-book does a great job for me... but experience has shown that most other people and I do not use Lilypond for the same things, so my opinion is of limited scope here. Darius. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
Mats Bengtsson <[EMAIL PROTECTED]> writes: > Could you please remind me and others on why you could not simply do it > all within a .ly file: > \version "2.6.0" > \paper{ > % For version 2.6: > scoreTitleMarkup = \bookTitleMarkup > % For version 2.7: > printallheaders = ##t > } > > \include "piece1.ly" > \include "piece2.ly" > ... > > Now I remember one problem, namely that you have to move all \header{...} > blocks into the corresponding \score{...} block, otherwise all the > pieces will > get the same title. But are there any other problems that you solve > easier with > lilypond-book? Table of contents comes to mind. I've made a reduction for voice+piano of Giulio Cesare for a singer, who asked me to add a table of contents. Argh. But apart from that, I don't really see the advantage of using lilypond-book for a document with little text. With longer text across pages, it's another story. nicolas ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Scribus - alternative to lilybook?
> >Let's see if we can create an interest in this. I think this would be a > >valuable addition to LilyPond. Anybody willing to co-sponsor? Why not ask the Scribus developpers wether they are interested... It would be a feature no other DTP-software has... ;-) Marc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
2 conversion problems 2.4.6->2.6.3
Hi, I am trying to convert some lilypond sources from 2.4.6 to 2.6.3 (as delivered with SUSE 10.0) and encounter two problems: 1.) convert-ly aborts when invoked as "convert-ly PianoSonataB_2.ly" on the command line, although this file compiled without problems under 2.4.6, and 2.6.3 also handles the old format quite well. The error message is posted below (and is then followed by a screen output of the entire file, which I don't include here). I don't understand at all what is meant by it - I can only say that I don't see where I depart from the manual with respect to the beams. This is the error message: "Applying conversion: 2.5.0, 2.5.1, 2.5.2, 2.5.3, 2.5.12, 2.5.13, 2.5.17, 2.5.18, 2.5.21, Not smart enough to convert auto beam settings Auto beam settings must now specify each interesting moment in a measure explicitely; 1/4 is no longer multiplied to cover moments 1/2 and 3/4 too. Please refer to the manual for details, and update manually. error while converting Aborting" 2.) The other problem concerns the width of the braces at the beginning of the piano staff. While these were just perfect in the old version, they are too wide in the new one, although I didn't change anything in the source. How is that possible, and how do I fix it? As I am at typography: previously I entered an en-dash in a title in the TeX way as --, and it produced the expected result. This doesn't work anymore, so how can I enter the en-dash now? Cheers, Thomas -- ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: what is wrong with this \markup /padding?
\once \override TextScript #'padding = 2.0 \markup{ \italic Moderato } test this : { \once \override TextScript #'padding = #2.0 s1^\markup{ \italic Moderato } s1^\markup{ Pelleagato } } -- Martial http://cathemline.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Scribus - alternative to lilybook?
Henrik Frisk wrote: Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote: Henrik Frisk wrote: That would actually be pretty neat... Sponsored feature, anyone? This sounds interesting, although I'm not quite sure what you mean. Once I've imported a pdf into Scribus your suggestion would allow me to edit the .ly file and then have the plugin render the new pdf and replace it with the old one? Yes, but then the .ly would be editable from within Scribus, so you only have to import a .ly , or enter it from scratch. If that's possible I'm up for a share of the cost. That would be cool. It would be significant amount of work, since I'd have to get familiar with Scribus and its plugin interface. I'd guess that this would be 1000 eur or 2000 eur, in order of magnitude. Let's see if we can create an interest in this. I think this would be a valuable addition to LilyPond. Anybody willing to co-sponsor? /henrik Hello, this is my newbie post. I've been using Lilypond with jEdit for about 2 months now for arranging instrumental parts. The only challenge has been learning some of the syntax but I can't complain. You have done a wonderful job with this software. I'd be interested in helping to support getting this Scribus feature up and running. Also, are there any user groups in the Eastern U.S. or parties interested in perhaps a workshop? Stephen Corey Richmond, Virginia, USA ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: bars and clefs
Mats Bengtsson wrote : > This order is specified by the break-align-orders property of the > BreakAlignment object, see > http://lilypond.org/doc/v2.6/Documentation/user/out-www/lilypond-internals/BreakAlignment.html#BreakAlignment > Thanks for your help. That works ; however, with a :|: bar, when inverting the order, the clef is almost stuck to it... -- =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Guy DURRIEU ONERA/TIS/DTIMtel(33) 05.62.25.26.59 CERT, 2, avenue Edouard Belin B.P. 4025 fax(33) 05.62.25.25.93 31055 TOULOUSE CEDEX 4 FRANCE e-mail [EMAIL PROTECTED] =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tiny ties
Same problem here. I tried: \override Voice.Tie #'minimum-length = #5 but this has no effect. I don't understand "This requires an appropriate routine for the spacing-procedure property" from the manual, though. Is any other setting neccesary to make it work? Thank you, Thomas LilyPond 2.7.12, Windows XP > Did you try to change the minimum-length property? > What LilyPond version, by the way? > > /Mats > > Edward Neeman wrote: > > Hi list, > > > > I have some ties at the end of a line that appear > > unreadably small, like little dots. It seems that > > \overriding the Tie 'control-points doesn't work > > anymore (bug?) Is there any way to increase the size > > of these ties? > > > > Many thanks, > > Edward Neeman > > ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: bars and clefs
This order is specified by the break-align-orders property of the BreakAlignment object, see http://lilypond.org/doc/v2.6/Documentation/user/out-www/lilypond-internals/BreakAlignment.html#BreakAlignment So, to modify this for clef changes in the middle of a line, for example, you could do; \override Score.BreakAlignment #'break-align-orders = #'( ;; end of line (instrument-name left-edge ambitus breathing-sign clef staff-bar key-cancellation key-signature time-signature custos) ;; unbroken (instrument-name left-edge ambitus breathing-sign ;; Default order: ;; clef ;; staff-bar ;; Modified into: staff-bar clef key-cancellation key-signature staff time-signature custos) ;; begin of line (instrument-name left-edge ambitus breathing-sign clef key-cancellation key-signature staff-bar time-signature custos))) /Mats Guy Durrieu wrote: Hello, When specifying a clef change after a bar (for exemple a repeat bar), the clef is placed before the bar. I would like to know if there is a mean to ask a clef change to be placed after the bar. Thanks in advance for your help ! -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
bars and clefs
Hello, When specifying a clef change after a bar (for exemple a repeat bar), the clef is placed before the bar. I would like to know if there is a mean to ask a clef change to be placed after the bar. Thanks in advance for your help ! -- =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Guy DURRIEU ONERA/TIS/DTIMtel(33) 05.62.25.26.59 CERT, 2, avenue Edouard Belin B.P. 4025 fax(33) 05.62.25.25.93 31055 TOULOUSE CEDEX 4 FRANCE e-mail [EMAIL PROTECTED] =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Scribus - alternative to lilybook?
Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote: > Henrik Frisk wrote: > >> > >>That would actually be pretty neat... > >> > >>Sponsored feature, anyone? > >> > > This sounds interesting, although I'm not quite sure what you > > mean. Once > > I've imported a pdf into Scribus your suggestion would allow me to edit > > the .ly file and then have the plugin render the new pdf and replace it > > with the old one? > > Yes, but then the .ly would be editable from within Scribus, so you > only have to import a .ly , or enter it from scratch. > > > If that's possible I'm up for a share of the cost. > > That would be cool. It would be significant amount of work, since I'd > have to get familiar with Scribus and its plugin interface. I'd guess > that this would be 1000 eur or 2000 eur, in order of magnitude. > Let's see if we can create an interest in this. I think this would be a valuable addition to LilyPond. Anybody willing to co-sponsor? /henrik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Alligned articulations
A related question: Why does not staff-padding have any effect on articulations? Is it since the ScriptColumns override the layout? /Mats Han-Wen Nienhuys wrote: Peter Mogensen wrote: Hi, I'm trying to figure out how to allign a group of accents, so they appear at the same vertical position. This code shows the problem not solved: is this customary in drum notation? === \version "2.6.3" \paper { raggedright = ##t } \new DrumStaff << \new DrumVoice { \drummode { hh-> hho-> hh-> hho-> } } I guess I could do it by putting invisible \open on the hh notes. But how? ... or is there another way? The easy way out is to reverse the stacking order of the scripts, or to make one of them appear underneath the notes. -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
Graham Percival wrote: On 2-Nov-05, at 4:06 AM, Gilles wrote: \documentclass{article} \begin{document} \lilypondfile{1allegro/score.ly} \liypondfile{2largo/score.ly} \end{document} If I understand correctly, this is to make it possible to insert text between the different movements (as is the purpose of \book). Right? The purpose of using lilypond-book here is just to stick multiple scores together, with page numbering. Could you please remind me and others on why you could not simply do it all within a .ly file: \version "2.6.0" \paper{ % For version 2.6: scoreTitleMarkup = \bookTitleMarkup % For version 2.7: printallheaders = ##t } \include "piece1.ly" \include "piece2.ly" ... Now I remember one problem, namely that you have to move all \header{...} blocks into the corresponding \score{...} block, otherwise all the pieces will get the same title. But are there any other problems that you solve easier with lilypond-book? --- 1allegro/score.ly According to Han-Wen's remark, with or without \book here, the result should be the same. Not if you're using lilypond-book. If you don't use \book, then you can't use \pageBreak in your scores. There used to be a bug (in Aug) wherein the horizontal alignment of some systems was also messed up without \book; I'm not certain if that's still around. That's a rather special issue and should be described in the lilypond-book manual. I still find the information about \book in the main manual very misleading, both in "8.1.4 Text markup", "10.1.12 Multiple movements" and "5.8 File structure". If you agree, I can try to reformulate it. /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Alligned articulations
Han-Wen Nienhuys wrote: >> I'm trying to figure out how to allign a group of accents, so they >> appear at the same vertical position. This code shows the problem not >> solved: > > is this customary in drum notation? Don't know... but I have a drummer asking me how to do it, and I agree that it would look better and be more readable. > The easy way out is to reverse the stacking order of the scripts, or to > make one of them appear underneath the notes. Won't work, since in the real score there's also snare, bassdrum and other instruments which already uses the space under the staff. Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Alligned articulations
Peter Mogensen wrote: Hi, I'm trying to figure out how to allign a group of accents, so they appear at the same vertical position. This code shows the problem not solved: is this customary in drum notation? === \version "2.6.3" \paper { raggedright = ##t } \new DrumStaff << \new DrumVoice { \drummode { hh-> hho-> hh-> hho-> } } I guess I could do it by putting invisible \open on the hh notes. But how? ... or is there another way? The easy way out is to reverse the stacking order of the scripts, or to make one of them appear underneath the notes. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tiny ties
Did you try to change the minimum-length property? What LilyPond version, by the way? /Mats Edward Neeman wrote: Hi list, I have some ties at the end of a line that appear unreadably small, like little dots. It seems that \overriding the Tie 'control-points doesn't work anymore (bug?) Is there any way to increase the size of these ties? Many thanks, Edward Neeman Do you Yahoo!? The New Yahoo! Movies: Check out the Latest Trailers, Premiere Photos and full Actor Database. http://au.movies.yahoo.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Alligned articulations
Hi, I'm trying to figure out how to allign a group of accents, so they appear at the same vertical position. This code shows the problem not solved: === \version "2.6.3" \paper { raggedright = ##t } \new DrumStaff << \new DrumVoice { \drummode { hh-> hho-> hh-> hho-> } } >> I guess I could do it by putting invisible \open on the hh notes. But how? ... or is there another way? Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user