does musicglyph work?

[Art Hixson]

I have tried every construction I can think of for musicglyph.  I get 
the note but not the fermata (or any other symbol).  This snippet is 
copied straight from the documentation.  What am I missing?


d'4^\markup { \musicglyph  #"scripts-ufermata"  }

I want to use the markup form with the hope of repositioning the fermata.

--Art Hixson


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RE: pango problem with lilypond 2.7

[Michael Porcaro]

I forgot to reply all:

OS: CentOS 3.5 i686
256 megs of ram
1024MB RAM Burstable
python version 2.2.3, working correctly (should I install a newer
version?)

I am using wikitex to process this.  Although, the error I get surely is
this, and to me, doesn't really indicate an error with python, but
something wrong with pango:

Calculating page breaks...lilypond: relocation error: lilypond:
undefined symbol: pango_fc_font_get_type

lilypond 2.2.6 worked well (after about a month of trying to install it,
about to give up)

No other lilypond will install on my server.  2.4 gives me segmentation
faults.  2.5 and 2.6 keeps complaining about a missing pango, when it is
clearly installed.  At least 2.7 recognizes pango, I just get the weird
error I mentioned above.

-Original Message-
From: Jan Nieuwenhuizen [mailto:[EMAIL PROTECTED] 
Sent: Thursday, November 17, 2005 2:00 AM
To: Michael Porcaro
Cc: lilypond-user@gnu.org
Subject: Re: pango problem with lilypond 2.7

Michael Porcaro writes:

> I keep getting this error, when installing the latest version of
> lilypond:
>  
> Processing `2baaa9906a2a5af12b822767a1c97c36'

What platform do you use?  How much memory is available?  This looks
quite odd, I would check your python installation.

Jan.

-- 
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music
typesetter
http://www.xs4all.nl/~jantien   | http://www.lilypond.org




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Re: Cross noteheads

[Jan Nieuwenhuizen]

Graham Percival writes:

> Unfortunately the pdf documentation replaces the normal ' character
> with a fancier curly '.

We should look to get this fixed.

Jan.

-- 
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter
http://www.xs4all.nl/~jantien   | http://www.lilypond.org


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Re: pango problem with lilypond 2.7

[Jan Nieuwenhuizen]

Michael Porcaro writes:

> I keep getting this error, when installing the latest version of
> lilypond:
>  
> Processing `2baaa9906a2a5af12b822767a1c97c36'

What platform do you use?  How much memory is available?  This looks
quite odd, I would check your python installation.

Jan.

-- 
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter
http://www.xs4all.nl/~jantien   | http://www.lilypond.org


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Re: Lyrics: many syllables -> one note?

[David Rogers]

Hi

After a preliminary fix for my problem with lyrics chanted to a  
single note (thank you, Mats and Arthur), and some extremely  
determined messing around, I have discovered:

__

\version "2.6.0"
\relative c'' {\key f \major \set Score.timing = ##f
c1 f,4 bes a \bar "|" g e f8 e f1}
\addlyrics {\once \override LyricText #'self-alignment-X = #-1 "All  
these words are placed properly under one note," while these ones are  
set nor -- mal -- ly. }


___

Placing the prefix \once \override LyricText #'self-alignment-X = #-1
before a lyric word causes Lilypond to left-align that lyric with its  
note. Change the #-1 to a #1 and it will be right-aligned; use #0 for  
centred (which is the default). #-0.8 is most of the way to being  
left-aligned, etc. Hope this helps someone.


David


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pango problem with lilypond 2.7

[Michael Porcaro]

Hi,

 

I keep getting this error, when installing the latest
version of lilypond:

 

Processing `2baaa9906a2a5af12b822767a1c97c36'Parsing...Interpreting music... [1]Preprocessing graphical objects... Calculating line breaks... [2]Interpreting music... MIDI output to `2baaa9906a2a5af12b822767a1c97c36.midi'...Track... Calculating page breaks...lilypond: relocation error: lilypond: undefined symbol: pango_fc_font_get_type

 

This is the only version that seems to “almost”
work on my server (2.7.16).  I CAN
get 2.2.6 to work, however, it is old, and I would like to try to get the newer
version to work before resorting to the older version.

 

Any help with the problem I mentioned?  Thanks!






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Re: Lyrics: many syllables -> one note?

[David Rogers]

On Nov 16, 2005, at 01:14, Mats Bengtsson wrote:

The easiest is just to put all the words together within double  
quotes, so LilyPond

handles them as a single syllable:

\lyricmode{ "This sentence is handled like a single syllable" This  
one is not! }


If you have so many words that you need a line break in the middle  
of the
pseudo-chant, you would need some more advanced tricks, such as  
connecting

them to a voice with invisible notes.



Thank you Mats. This works, in a way - but then the note is centred  
over the line of lyrics. I suppose that may be correct for an  
ordinary single syllable, but in a chant it means the singer can't  
see his note until half the words are over.
However, I've successfully used invisible notes for the extra words.  
Thanks to you for that tip as well.


David


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Re: Cross noteheads

[Graham Percival]

On 16-Nov-05, at 4:16 PM, Andrew Neil wrote:


c4 d 
\override NoteHead #’style = #’cross 
e f 
\revert NoteHead #’style 

(As copied from section 8.4.5 of the documentation)


Unfortunately the pdf documentation replaces the normal ' character 
with a fancier curly '.  Replace every apostrophe in this example with 
'  (ie your normal keyboard ') and it will work.


Cheers,
- Graham


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Re: Cross noteheads

[Gilles]

> When I attempt to override the notehead style to cross, I get the  
> following output in the console:
> 

This works fine here:

%---
\version "2.6.0"

themusic = \new Staff
\relative c'' {
  c4 d
  \override NoteHead #'style = #'cross
  e f
  \revert NoteHead #'style
  c d
}

\score {
  \themusic
  \layout {}
}
%--


> c4 d
> \override NoteHead #’style = #’cross
> e f
> \revert NoteHead #’style
> 

But... When I copy-pasted the above, the quotes seemed "unusual",
which might be the cause of the problem (as discussed a few posts
ago).


Best,
Gilles


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Re: Repeat midi using "repeat volta"

[Gilles]

> How is it posible to create a midi file repeating a bar 20 times, but still 
> using the command
> 
>\repeat volta 20 {
>}
> ?
> 
> If i write unfold, it generates 20 bars in the layout, and thats not what i 
> need.
> Until now I have created 2 files, a layout file, and a midibut isn´t 
> it possible to do it in one file?
>

Yes, it is:

%---
\version "2.6.0"

themusic = \new Staff
\relative c'' {
  \repeat volta 20 {
a b c d |
  }
}

\score {
  \themusic
  \layout {}
}

\score {
  \unfoldRepeats \themusic
  \midi { \tempo 4 = 60 }
}
%---


Best,
Gilles


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Cross noteheads

[Andrew Neil]

When I attempt to override the notehead style to cross, I get the following output in the console:Parsing...: In _expression_ ’style:: Unbound variable: ’styleLilypond doesn't get any further than this, and stops working.  This occurs when the following is present in my .ly file:c4 d \override NoteHead #’style = #’cross e f \revert NoteHead #’style (As copied from section 8.4.5 of the documentation)If I remove the \override and \revert statements, the file is parsed without a problem.  Can anyone help?Thanks___
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Repeat midi using "repeat volta"

[Jannik Jeppesen]

Hi,
How is it posible to create a midi file repeating a bar 20 times, but still 
using the command


   \repeat volta 20 {
   }
?

If i write unfold, it generates 20 bars in the layout, and thats not what i 
need.
Until now I have created 2 files, a layout file, and a midibut isn´t it 
possible to do it in one file?


Best wishes

Jannik 




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Re: Guitar notation

[Jannik Jeppesen]

Hey.

Thanx alot for your answer, that helped me alot... thats exactly what I 
needed.


Another guitar question...

==
% C major chord
  c'1^\markup
\override #'(finger-code . below-string) {
  \fret-diagram-verbose #'((mute 6) (place-fret 5 3 3) (place-fret 
4 2 2)
   (place-fret 3 0) (place-fret 2 1 1) 
(place-fret 1 0))

}

I want the dot in  the tab, when playing an open string to be a black cirkel 
with a hole inside... like a "o" instead of a complete black dot.

That meens string 1 and 3... how is that possible.

Anyway, thanks for your answer.

Jannik Jeppesen



- Original Message - 
From: "Vaylor Trucks" <[EMAIL PROTECTED]>

To: <[EMAIL PROTECTED]>
Cc: 
Sent: Wednesday, November 16, 2005 10:54 PM
Subject: RE: Guitar notation


Here is the template I use for a combination chords / standard / tab 
staff - with the A minor pentatonic scale starting on the 5th fret.


\version "2.6.0"

\header
{
title = "A minor pentatonic scale"
composer = "none"
meter = "you choose"
}

% - GUITAR -

gtr = \relative c
{
\key a \minor
\time 4/4

   % NOTES ARE ENTERED NORMALLY
   % WITH STRING NUMBER AFTER A BACKSLASH "\"
a8\6 c\6 d\5 e\5 g\4 a\4 c\3 d\3 e\2 g\2 a\1 c\1

\bar "|."
}

guitar = {
\set Staff.instrument = #"Guitar"
\set Staff.midiIntrument = "electric guitar (jazz)"
\clef treble
\context Staff << \gtr >>
}

guitartab = {
\context TabStaff << \gtr >>
}

% - CHORDS -

chordline = \chordmode
{
a1:m
}

% - SCORE -

\score
{
<<
\context ChordNames = chords \chordline
\context Staff = guitar \guitar
\context TabStaff = guitar \guitartab
>>
\layout { }
\midi { \tempo 4=120 }
}



From: "Jannik Jeppesen" <[EMAIL PROTECTED]>
To: 
Subject: Guitar notation
Date: Wed, 16 Nov 2005 17:15:15 +0100

Hi.
Is there anyone who can send me an example on a  a blues scale with tab 
starting on 5. fret? (or somthing similar)


I really cant figure out how to tell lilypond exactly where to specify the 
tab...


Please.

Jannik



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RE: Guitar notation

[Vaylor Trucks]

of course, strictly speaking, you need to add a \transpose command to the 
standard notation staff - like this:


guitar = {
\set Staff.instrument = #"Guitar"
\set Staff.midiIntrument = "electric guitar (jazz)"
\clef treble
\transpose c c'
\context Staff << \gtr >>
}

...plus you need to change the clef to a treble cleff with an "8" beneath 
the loop - but I haven't found that clef yet.




From: "Jannik Jeppesen" <[EMAIL PROTECTED]>
To: 
Subject: Guitar notation
Date: Wed, 16 Nov 2005 17:15:15 +0100

Hi.
Is there anyone who can send me an example on a  a blues scale with tab 
starting on 5. fret? (or somthing similar)


I really cant figure out how to tell lilypond exactly where to specify the 
tab...


Please.

Jannik



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Re: Guitar notation

[VSD]

see the manual, section 7.5.

here another working example:

%%

\version "2.7.10"

pentatonic = \relative c
{

  a\6 c\6 d\5 e\5 g\4 a\4 c\3 d\3 e\2 g\2 a c

  % alternatively this also works:
  % \set TabStaff.minimumFret = #5
  % a c d e g a c d e g a c

  \bar "|."
}

\score
{
  \new StaffGroup
  <<
\context Staff
{
  \clef "G_8"
  \pentatonic
}
\context TabStaff
{
  \override Beam #'transparent = ##t % I prefer it
  \override Stem #'transparent = ##t % I prefer it
  \pentatonic
}
  >>
}

%% EOF


On Wed, 16 Nov 2005 17:15:15 +0100, Jannik Jeppesen <[EMAIL PROTECTED]>  
wrote:



Hi.
Is there anyone who can send me an example on a  a blues scale with tab  
starting on 5. fret? (or somthing similar)


I really cant figure out how to tell lilypond exactly where to specify  
the tab...


Please.

Jannik  


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RE: Guitar notation

[Vaylor Trucks]

Here is the template I use for a combination chords / standard / tab staff - 
with the A minor pentatonic scale starting on the 5th fret.


\version "2.6.0"

\header
{
title = "A minor pentatonic scale"
composer = "none"
meter = "you choose"
}

% - GUITAR -

gtr = \relative c
{
\key a \minor
\time 4/4

   % NOTES ARE ENTERED NORMALLY
   % WITH STRING NUMBER AFTER A BACKSLASH "\"
a8\6 c\6 d\5 e\5 g\4 a\4 c\3 d\3 e\2 g\2 a\1 c\1

\bar "|."
}

guitar = {
\set Staff.instrument = #"Guitar"
\set Staff.midiIntrument = "electric guitar (jazz)"
\clef treble
\context Staff << \gtr >>
}

guitartab = {
\context TabStaff << \gtr >>
}

% - CHORDS -

chordline = \chordmode
{
a1:m
}

% - SCORE -

\score
{
<<
\context ChordNames = chords \chordline
\context Staff = guitar \guitar
\context TabStaff = guitar \guitartab
>>
\layout { }
\midi { \tempo 4=120 }
}



From: "Jannik Jeppesen" <[EMAIL PROTECTED]>
To: 
Subject: Guitar notation
Date: Wed, 16 Nov 2005 17:15:15 +0100

Hi.
Is there anyone who can send me an example on a  a blues scale with tab 
starting on 5. fret? (or somthing similar)


I really cant figure out how to tell lilypond exactly where to specify the 
tab...


Please.

Jannik



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Re: Chord Chart - no lines

[Mats Bengtsson]

I changed the documentation to avoid future confusion.

  /Mats

joeyc (sent by Nabble.com) wrote:


Thanks Mats,

that makes sense...

I had just copied the original from the documentation, and it has the 
\repeat outside of \chordmode...


thanks,
joey

Sent from the Gnu - Lilypond - User 
 
forum at Nabble.com.




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--
=
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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Guitar notation

[Jannik Jeppesen]

Hi.
Is there anyone who can send me an example on a  a blues scale with tab 
starting on 5. fret? (or somthing similar)


I really cant figure out how to tell lilypond exactly where to specify the 
tab...


Please.

Jannik 




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Re: Lyrics: many syllables -> one note?

[Arthur Dyck]

On Tuesday 15 November 2005 12:54 pm, David Rogers wrote:
> I have searched the documentation as well as I can, and find nothing
> on this topic. I want to write ordinary notation, but to have a
> pseudo-chant section where there are many syllables to one note. How
> do I format my lyrics to make this happen?
>
> Thanks
> David

Joining your syllables or words with an underscore will place them all under 
one note. e.g. one_two_three.

Regards
Arthur


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Re: "\unfoldRepeats" bug? [was: Partial measure moment]

[Mats Bengtsson]

It seems that the best you can do is something like:

\version "2.6.0"

\score{
% \applymusic #unfold-repeats
\relative c'' {
 \time 4/4
\repeat volta 2 {
 \partial 4 d4 |
   e8 d e d e d e d |
 }
 \alternative {
   { f2. }
   { \set Timing.measurePosition = #(ly:make-moment 0 4) f8 e f e f e f 
g | }

 }
}
}

which gets rid of the warning and prints all the automatic beams
correctly.

  /Mats

Gilles wrote:


Hi.

 


(1)
First, is this in effect the most straightforward way to obtain
the expected result?
 


No, a problem is that \cadenzaOff doesn't mark the end of the bar (there will 
be four beats before the candenza bar is finished).

   



I don't get what you mean; maybe you could correct the "one.ly" example.

 


What would the equivalent incantation using "Timing.measurePosition"?
 


I guess it'd be something like
\set Timing.measurePosition = #(make-moment 1 4)
where you now inserted \cadenzaOn. But I don't know, so please experiment. 

   



I don't seem to get it any better with these "moments":  In addition to the
warnings, I get a bar printed at the wrong place :-{

 


(2)
In the 3rd attached file, when "\unfoldRepeats" is put back in,
warnings show up:
 


That's becaue you don't end the cadenza within the repeat. Repeat unfolding works 
in principle by copy&paste, so you will have two \cadenzaOn:s followed by two 
cadenzaOff:s in your example; this may give unexpected results.

   



Well...  The authoritative (Han-Wen) answer seems to indicate that there is
currently no way to improve the notation and get rid of the warnings.


Thanks,
Gilles


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=
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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Re: Chord Chart - no lines

[joeyc (sent by Nabble.com)]

Thanks Mats,

that makes sense...

I had just copied the original from the documentation, and it has the \repeat outside of \chordmode...

thanks,
joey

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classical notation for barre guitar chords

[Kai Gorlich]

Hi all,

I would like to write classical guitar music and am looking for a way to 
include a vertical line spanning either the complete staff or parts of it, to 
be placed in front of a chord or the first note of it, indicating a barre chord 
in the left hand.

Is there any way?

Cheers
Kai






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Re: "\unfoldRepeats" bug? [was: Partial measure moment]

[Gilles]

Hi.

> > (1)
> > First, is this in effect the most straightforward way to obtain
> > the expected result?
> 
> No, a problem is that \cadenzaOff doesn't mark the end of the bar (there will 
> be four beats before the candenza bar is finished).
>

I don't get what you mean; maybe you could correct the "one.ly" example.
 
> > What would the equivalent incantation using "Timing.measurePosition"?
> 
> I guess it'd be something like
> \set Timing.measurePosition = #(make-moment 1 4)
> where you now inserted \cadenzaOn. But I don't know, so please experiment. 
> 

I don't seem to get it any better with these "moments":  In addition to the
warnings, I get a bar printed at the wrong place :-{

> > (2)
> > In the 3rd attached file, when "\unfoldRepeats" is put back in,
> > warnings show up:
> 
> That's becaue you don't end the cadenza within the repeat. Repeat unfolding 
> works in principle by copy&paste, so you will have two \cadenzaOn:s followed 
> by two cadenzaOff:s in your example; this may give unexpected results.
> 

Well...  The authoritative (Han-Wen) answer seems to indicate that there is
currently no way to improve the notation and get rid of the warnings.


Thanks,
Gilles


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Re: Partial measure moment

[Mats Bengtsson]

OK! I hope you add it to the list of feature requests (or the list of 
sponsorable

features).

  /Mats

Han-Wen Nienhuys wrote:


Mats Bengtsson wrote:

at beat 1 in the above example. Also, I would like to hear an 
authoritative

explanation from the main LilyPond hackers on how to input this kind of
repeat that is not aligned with a measure. In early LilyPond versions, I



There is no clean way at the moment.





--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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Re: Chord Chart - no lines

[Mats Bengtsson]

You can insert as much music as you wish within
\new Chords \with {...} \chordmode{...}

For some reason, you had written the \repeat command outside \chordmode,
just move it inside, like in the following example.
\new ChordNames \with {
\override BarLine #'bar-size = #4
voltaOnThisStaff = ##t
\consists Bar_engraver
\consists "Volta_engraver"
\consists "Percent_repeat_engraver"
}
\chordmode{ \repeat volta 2  {
\partial 8 s8 | f2:maj f:7 \repeat "percent" 2 {bes1:7}
c:maj c:maj c:maj c:maj c:maj c:maj c:maj
} \alternative {
es e }
\repeat volta 2 {
f2:maj f:7 \repeat "percent" 2 {bes1:7}
c:maj c:maj c:maj c:maj c:maj c:maj c:maj
} \alternative {
es e
}
}

  /Mats


joeyc (sent by Nabble.com) wrote:

The solution for the bar line only works well with one line of 
music... if the chord progression is long enough to go to the second 
line, then things get messed up... but I found I can just repeat the 
whole structure again like below...  my question is...  Why do you 
have to repeat the \new ChordNames and all the engravers?  I found if 
I didn't do this, then I got a staff and the chords were notes...


\new ChordNames \with {
\override BarLine #'bar-size = #4
voltaOnThisStaff = ##t
\consists Bar_engraver
\consists "Volta_engraver"
\consists "Percent_repeat_engraver"
}
\repeat volta 2 \chordmode {
\partial 8 s8 | f2:maj f:7 \repeat "percent" 2 {bes1:7}
c:maj c:maj c:maj c:maj c:maj c:maj c:maj
} \alternative {
es e
}
\new ChordNames \with {
\override BarLine #'bar-size = #4
voltaOnThisStaff = ##t
\consists Bar_engraver
\consists "Volta_engraver"
\consists "Percent_repeat_engraver"
}
\repeat volta 2 \chordmode {
\partial 8 s8 | f2:maj f:7 \repeat "percent" 2 {bes1:7}
c:maj c:maj c:maj c:maj c:maj c:maj c:maj
} \alternative {
es e
}

Sent from the Gnu - Lilypond - User 
 
forum at Nabble.com.




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=
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: accidentals and clef changes

[Mats Bengtsson]

Now I realize what you mean, sorry. I forward it to bug-lilypond as a bug
report/feature request. As a musician, I completely agree that this should
be done for clarity, still I have seen many printed scores that do not print
out the additional accidentals.
A possible workaround for you is to do
   \clef bass \set Staff.localKeySignature = #'()
or maybe even define a \myclef function that does both in a single call.

  /Mats

Edward Neeman wrote:




*/Mats Bengtsson <[EMAIL PROTECTED]>/* wrote:
If you take a look at the program reference for the Key_engraver, you will
find a property to set to get what you want:
http://lilypond.org/doc/v2.6/Documentation/user/out-www/lilypond-internals/Key_005fengraver.html#Key_005fengraver

/Mats

I checked the key signature page but it doesn't seem to answer my 
problem.  Maybe I should have explained better.  When I say the 
accidentals should be reset after a key change, I mean the first bar 
in this example should, by default look exactly like the second:


=

\version "2.7.12"
\new Staff \relative c' {
\clef treble
cis dis fis
\clef bass
%% Accidentals are not reset for this chord

\clef treble
cis dis fis
\clef bass

}

\layout {raggedright = ##t}



I would consider it a bug that lilypond doesn't do this by default.

Cheers,
Edward Neeman


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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: lily in agnula ? lily in live distro ?

[Darius Blasband]

Jay Hamilton, Sound and Silence wrote:

Hardware auto worked fine but connecting it all together each and 
every time you boot up is a total pain.


I totally agree... Hence my comment about installing it on a hard disk; 
booting on the CD is unreasonable beyond demoware...


And it wasn't so much that  the initial cost was so much but that 
between very slow and mostly inadequate support (the forums last I 
checked and that was a while ago- I basically gave up on it- were of 
not much use and none of the advise I got worked.) and then that the 
software was integrated but not with any of the hardware so just to 
start it took forever each time.


I needed support only once, and the answer was prompt and adequate. But 
I might have been just lucky...


Darius.



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Re: Lyrics: many syllables -> one note?

[Mats Bengtsson]

The easiest is just to put all the words together within double quotes, 
so LilyPond

handles them as a single syllable:

\lyricmode{ "This sentence is handled like a single syllable" This one 
is not! }


If you have so many words that you need a line break in the middle of the
pseudo-chant, you would need some more advanced tricks, such as connecting
them to a voice with invisible notes.

  /Mats

David Rogers wrote:

I have searched the documentation as well as I can, and find nothing  
on this topic. I want to write ordinary notation, but to have a  
pseudo-chant section where there are many syllables to one note. How  
do I format my lyrics to make this happen?


Thanks
David


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Signal Processing
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Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: Undefined control sequence. \embeddedps

[Mats Bengtsson]

If you search the mailing lists, you will find emails from several people
who have installed LilyPond of FreeBSD. Hopefully you can find some
useful hints there.

  /Mats

[EMAIL PROTECTED] wrote:


On Tue, 15 Nov 2005 17:22:00 +0100
Mats Bengtsson <[EMAIL PROTECTED]> wrote:

 


Please always keep the discussion on the mailing list, for the
benefit of yourself since you get access to the collected
expertise on the list and for the benefit of others who experience
similar problems. Feel free to quote my answer below if you wish.

Why not try the installation package at www.lilypond.org which is
intended to work on almost any Linux system and which contains its
own ghostscript, renamed to avoid the problems you describe, if I remember
correctly.

  /Mats
   




There is an added difficulty--this system is FreeBSD, not Linux.

--
Jim Smith
 



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Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: Newbie, lyrics and vertical spacing.

[Mats Bengtsson]

The correct syntax is \new Staff \with {...} ...
I recommend you to take a look at the corresponding part of
the manual for more information, see "9.1.3 Modifying context
plug-ins"

  /Mats

Rodolfo Zitellini wrote:


On 11/14/05, Mats Bengtsson <[EMAIL PROTECTED]> wrote:

 


If you only want larger spacing between the score lines, you should
instead look at section "Vertical Spacing" and read about
betweensystemspacing. Note that you can also set the extent of each
separate Staff by setting the property like
\new Staff with {minimumVerticalExtent = #'(-6 . 6 ) } {
%The actual music
}

   



I did this:
\new StaffGroup <<
  \new Staff with { minimumVerticalExtent = #'(-6 . 6 ) } \violinouno
  \new Staff with { minimumVerticalExtent = #'(-6 . 6 ) } \violinodue
  \new Staff with { minimumVerticalExtent = #'(-6 . 6 ) } \viola
  \new Staff with { minimumVerticalExtent = #'(-6 . 6 ) } \violoncello
 



But then I get:
gaudeamus.ly:45:14: error: syntax error, unexpected STRING
  \new Staff
 with { minimumVerticalExtent = #'(-6 . 6 ) } \violinouno
gaudeamus.ly:34:0: error: errors found, ignoring music expression

I'm using lilypond 2.6.3

 


It seems that the minimumVerticalExtent redefined by
the lyrics gets summed to the global minimumVerticalExtent I set,
making a huge space (only for staves with lyrics, the other are ok).


 


Maybe there's a misunderstanding here since you say "global". You make the
setting for every Staff context (i.e. for every stave) in the score, so
in that sense
it's "global", but it doesn't apply to any other kind of contexts.
   



I set the minimumVerticalExtent in the \layout block:
\layout {
 indent = 2.0\cm
 \context {
  \Staff minimumVerticalExtent = #'(-6 . 6 )
 }
}

Thanks,
Rodolfo


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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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