RE: MD: Co-ax v's Optical (must read).

2000-05-29 Thread rmeeder


Date sent:  Mon, 29 May 2000 13:11:56 +0100
From:   Simon Barnes <[EMAIL PROTECTED]>
Subject:RE: MD: Co-ax v's Optical  (must read).

> Guy Churchill wrote:
> 
> > The ONLY conclusion I can reach is that with my CD player and
> this > recording equipment, optical and co-ax digital are exactly
> the same.
> 
> Only the truly naive would believe a pile of dumb machinery over the
> acute auditory perception of an objective audiophile.

you're joking, right?

Remco
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Re: MD: Salvaging a recording made with levels set too high?

2000-04-14 Thread rmeeder


> If you've got digital clipping (lots of clicks) you're pretty much out
> of luck, as the information needed to reconstruct what was lost it is
> just gone.
> 
With digital clipping your pretty much out of luck to restore it. If the 
clipping is not very audible and doesn't occur all the time you could 
try the "clip restorer" from Cool Edit Pro. It won't sound like new 
but maybe it'll sound a little better. But I am affraid that there is no 
rescue possible.

good luck,

Remco Meeder
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Re: MD: MD How good is the sound?

2000-04-11 Thread rmeeder


D
> during a quiet passage in the music! Who really gives a damn. The main
> reason I purchased a MiniDisc was that I could have quality sound at a
> price a lot less that DAT prices. Plus the flexability over CDs, i.e
> moving, combining and deleting of tracks. The other reason was, that I
> can use it in conjunction with my "Mobile Disco", Not for mixing,
> scratching or any of that crap, but just to be able to copy tired 60s
> and 70s vinyl to MD and have instant access to it.

Hi,

I totally agree with you here... Sony has allways targeted MD as a 
replacement for normal audio cassettes. Not as a replacement for 
DAT or CD. And for portable it is the best compromise. Discmans 
sound good but are way to large to fit into any pocket. A 
tapewalkman is very cheap, but hasn't got the best soundquality. A 
MP3 player has, for PORTABLE use rerasonable soundquality, but 
is way to expensive and you need a computer to use them. MD is 
not to expensive, small, cheap media, long running times and are 
virtually shockproof (my MZ-E33 with 10 secs of shock mem never 
lost track when walking or cycling, most portables feature 40 secs 
now...).
And I allso like MD very much for in home use. The editing 
functions are unsurpassed. No CD-R drive, Tape recorder or DAT 
recorder has the same features.
What I am trying to tell is: Stop comparing MD recorders with DAT, 
or CD-R drives. To me it is allmost impossible to tell the difference 
between a digitally recorded MD and a CD. 
MD is a great format and for portable it is the best format and it will 
still take some time before MP3 or whatever format can pass MD.

Remco

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Re: MD: A question..

2000-03-31 Thread rmeeder


Date sent:  Thu, 30 Mar 2000 22:06:56 -0500
From:   "J. Coon" <[EMAIL PROTECTED]>
Subject:Re: MD: A question..

> Yep, you can buy a PC with a good sound card.  
> 
A little off-topic... but anyone who knows the mac doesn't want to 
go back to a PC...

Remco
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Re: MD: MP3 versus MiniDisc

2000-03-20 Thread rmeeder


> It's like the Sony-Sharp battle on this list. I must admit I'm a
> Sharpy, why? simple, I've got a 702 that has never failed on me. I've
> got also the MDS-S38 home-deck (a 510 in midi size) with all the 510
> bugs in it (turning on, display flickering, grinding noizes). And a
> MDX-7900R car-head which sometimes doesn't want to accept a disk.
> (Randomly... Disks are ranging from HiSpace to Sony and several Maxell
> disks. They ALL give troubles (sometimes).) 

 I got a MDS-JE510 which has NEVER had any problems, it plays 
on and on without any hint of the "known 510 bugs" Those bugs 
were allmost all related to the Malaysian units. I got the European 
model which was made in Japan and it is absolutely trouble free. 
Those Malaysian units take down the whole 510 range allso the 
perfect ones... 

> > I just don't find anything compelling (yet) about those overpriced
> > little MP3 boxes, sorry. Maybe I'd feel differently if I listened to
> > tunes during high-g sports activites.
> > 
That's about the only pre on MP3, that it is shockproof, but I think 
that the modern MD units with 40 secs or more memory will hardly 
ever skip... 
And one other strange thing Look at the battery life some MD 
units play for as long as 50 hours on a rechargeable cell... Most of 
the MP3 units will not even make it to 20 hours and they got no 
moving parts in them at all

Remco
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Re: MD: How ATRAC actually compresses the audio?

2000-03-13 Thread rmeeder


>  I know that ATRAC compresses the audio somewhat by removing all
> the frequencies that the human ear cannot hear.  I have also found out
> another way that it might compress the audio.  I recorded one of my
> lectures onto MD and then transferred it onto as .wav file on my
> computer.  When I zoomed into the waveform of the sound, there wasn't
> a continuous wave, there were many little 'packets of sound'.  Now I
> think that the MD must also take the 'packets' so fast that we can not
> distinguish them as seperate (kind of like the 24 frames per second in
> a movie).  What do other people think?

There is a whitepaper somewhere on the MDCP pages on how 
ATRAC works. I got it here, but it is to large to include as a mail 
message.

Remco
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Re: MD: My Diamond Rio Experience

2000-02-25 Thread rmeeder


On 22 Feb 00, at 21:11, Edward Nigma wrote:

> using good equipment, SACD and Dvd-audio should have the analog warmth afaik.
> 
> E. Nigma

But what is analog warmth. AFAIK analog warmth is nothing more 
then plain distortion of the signal. Vinyl sounds warmer then a CD 
because the signal is more distorted then the signal from a CD.

Remco
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