Re: FS: Pentax MZ-5n w/28-70 +goodies

2001-03-24 Thread K.Takeshita

on 3/23/01 5:36 PM, gwlad gwlad at [EMAIL PROTECTED] wrote:

> Im willing to stop the auction if there are no bids and you're interested.

Hello,

If you have not arranged to sell it to someone already, I could be
interested in taking it.  I am assuming that $400.00 is a "buy-it-now"
price.  I live in GTA.

Pls advise.

Cheers,

Ken

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Re: What's the good or bad word on the M-85 F2.0??

2001-03-24 Thread George Stanley

At 12:00 PM 3/22/2001 -0500, Paul wrote:
>I suppose the only reason it still commands such a high price is that the
>other 85s are so damn costly.If you want to kill two birds with one stone, 
>might I suggest you do as I did: Get a 100 or 105mm macro! These nearly 
>always can serve as sharp portrait lenses.

Good suggestion. I also was unhappy with the M-85 F2.0 lens. Alternately
also look at the 80mm Tamron macro lenses. The optics are first rate, with
good construction, they did make a K-a Adaptor. Local swapmeets frequently
have these used lenses for around $100--plus haggling for the Adaptor. --Plus
you should fit a good lens shade for outdoor sunlight shots.

About a year ago, I did some hand-held comparison shots with a friend, manual
identical exposures, portraits. Fuji ASA 400 slide film, side by side. I
used his
80mm Tamron on my ZX-10; he used my new 77mm Limited lens on his ZX-5n..
Most exposures were f/4 to f/11. Identical processing. Yes, there were some
minor
differences in  the images, but we could only agree that both lenses were
excellent.

I do think that the 77mmLimited lens handled & looked better.  But he saved
$600!

   --George Stanley, Studio City, Ca., USA.

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fun at the photo garage sale

2001-03-24 Thread William Johnson

Hi,

Had fun at a photo garage sale today.  Got to meet a
couple of real nice Pentaxer's, one who lurks on
occasion on this list.  He bought an absolute pristine
K135/2.5 with dedicated hood for $100.  My good deal
of the day (which this gentleman was instrumental in
helping me out with) was a very clean M85/2 with hood,
case and caps also for $100.  Looking forward to
comparing it to my K105/2.8 (yeah I got a feeling that
it won't compare so well, yet most of the folks on the
list that have it, like it, so I think that it will
fill a niche). 

I also picked up a Super Program with an A50/1.7
without a mark on it (plastic still on the bottom) for
$150.  I bought this for my daughter who is becoming
interested in photograpy (she's 9).  When we got home,
and she was comparing it to some of my cameras, she
decided she liked my ZX-M better (go figure) so I
ended up trading her.  Actually, I think that the
ZX-M's layout would probably be easier to learn on. 
Anyway, I'm not to upset about the swap.

Anyway, it was a good day here.

William in Utah. 

__
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail. 
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Re: OT OL Re: OT:Definitely a horror tale...

2001-03-24 Thread Mark Roberts

How about: "I'm not a vegetarian because I love animals; I'm a vegetarian
because I hate plants."

Wish I remembered who said it!

Mark
vegetarian, BTW ;)

Chris Brogden <[EMAIL PROTECTED]> wrote:

>Brought to mind a cute phrase I've heard: "Vegetables are not
>food; vegetables are what food eats."

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Re: Pentax wish list

2001-03-24 Thread Paul Ewins

"Collin Brendemuehl" said:
> Seriously, a little retro.
>some leaf shutter lenses on 35mm  (hey, this is a "wish" list!)

645 or 67 LS on an adapter maybe? Those adapters have to be good for
something...

Paul Ewins
Melbourne, Australia

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Re: Tokina Repairs

2001-03-24 Thread GBaumg3568

Five or six years ago I sent one of my Tokina lenses in for minor repairs.  
The work was done fast the lens was given a general cleaning.  I cannot 
address price as it was a warranty repair.

George Baumgardner
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OT OL Re: OT:Definitely a horror tale...

2001-03-24 Thread Chris Brogden


Brought to mind a cute phrase I've heard: "Vegetables are not
food; vegetables are what food eats."

:)
chris

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Re: Tokina Repairs

2001-03-24 Thread Michael Bromm

I used it under warranty - they were extremely accomodating.  I cannot
address the repair success; my lens was simply replaced.  This was at THK
photo products.
- Original Message -
From: "Mark Cassino" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Saturday, March 24, 2001 2:41 PM
Subject: Tokina Repairs


> My Tokina 400 f5.6 seems to have developed a stuck aperture - stuck wide
> open!  I want to make sure it is repaired at a reputable place (I had
> another lens with a stuck aperture come back from a local shop with oil
and
> deep scratches on the rear element.)
>
> Tokina has a repair service - has anyone ever used it?
>
> Thanks
>
> - MCC
> - - - - - - - - - -
> Mark Cassino
> Kalamazoo, MI
> [EMAIL PROTECTED]
> - - - - - - - - - -
> Photos:
> http://www.markcassino.com
> - - - - - - - - - -
>
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> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
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Re: (Over?) lubrication of A 50/2.8 Macro helicoid

2001-03-24 Thread Rfsindg

Brian,

I think you put your finger on the problem.  What harshness in the focusing 
mechanism was that grease added to cover-up?  

Regards,  Bob S.

[EMAIL PROTECTED] writes:

<< Thanks for your replies. I suppose I'll try to clean the lens up, and
 see how it works. If it has problems, perhaps I can describe it on eBay
 as "exceptionally smooth focusing" and make a killing.   >>
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Re: (Over?) lubrication of A 50/2.8 Macro helicoid

2001-03-24 Thread Brian Walsh

Bob S. provided this helpful response to my "How much grease should be
in there, anyway?" query:

>I cranked the lens out and looked inside.  I can see the helicoil but no 
>grease on mine...maybe a little bit on one of the groves at the very back.

>I stuck my finger in and touched the helicoil.  It came out dry, no grease.

>I have had the lubricant in a 28mm smear the lens when I left it in a hot 
>car (never a good idea).  Otherwise, I can't imagine what good purpose 
>that grease is serving.  What does the local repairman say?

I just opened the package, and I haven't had time to do much more than
look at all that grease, and contemplate the tragedy of blowing a big
time shot by getting too close to Elvis's pompadour: Just a single,
grease-smeared shot of what looks more like a sneering Kurt Russel. (My
shot of the Yeti's tonsils was ruined when the elusive creature rather
forcefully exhaled on my lens, but at least the ice crystals melted off
without the aid of powerful organic solvents. I suppose the the extra
working distance of the 200/4 macro might provide some protection from
such environmental hazards, but the A 50/2.8 macro seemed, well, so much
more affordable.)

Todd Stanley ([EMAIL PROTECTED]) eased my pain a bit by stating that his
macro lens, at least, has some goop in it, too--though none on the
glass. . . 

Thanks for your replies. I suppose I'll try to clean the lens up, and
see how it works. If it has problems, perhaps I can describe it on eBay
as "exceptionally smooth focusing" and make a killing. 

Brian Walsh
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Re: Pentax wish list

2001-03-24 Thread Cy Galley

You can add 300mm f/4 as I have one. It is manual but is very sharp.
- Original Message - 
From: "Clive Williams" <[EMAIL PROTECTED]>
To: "Pentax Discuss" <[EMAIL PROTECTED]>
Sent: Saturday, March 24, 2001 4:31 PM
Subject: Pentax wish list


> I'd ask for a 'neo-M series' of prime lenses.  The Limiteds are nice but
> expensive; the likes of the FA*24/2 are bulky and expensive, and not
> everyone needs such wide apertures.  Some of these already exist, but
> how about a series that went something like:
> 20mm f/4
> 24mm f/2.8
> 28mm f/2.8
> 35mm f/2.8
> 50mm f/1.7
> 85mm f/2.8
> 200mm f/4?
> 
> It might enable Pentax to reinvent itself as the true home of the
> knowledgeable amateur, whose pockets do not bulge with cash but who
> wants good, simple lenses that don't need a trolley to carry them
> about.  The FA 35/2 could be the model for these, as an AF lens that
> focuses nicely on a MF camera.
> 
> I'm no marketing professional, which is perhaps why my employer is still
> in business, but I see no future for Pentax in the
> I-Want-What-the-Pros-Use market.  (I know that issue's been well covered
> already.)  No problem - a Canon or a Nikon has more buttons on it and is
> bigger and more imposing, so that's what they buy.  Others choose a
> Canon or a Nikon because they like what those cameras and/or lenses can
> do, so fair enough.  You don't have to watch this list for long to
> realize that Pentax owners keep the faith because of the lenses, but how
> many of us scour magazine ads and Ebay listings for M- and A-series
> lenses because we can't get new equivalents?  I know I do: I bought an
> FA 35/2 and an FA 100/3.5 new because they were both available and
> affordable.  My other lenses are secondhand buys, and while it's to
> Pentax's credit that it made so many fine lenses that have lasted so
> well, I think there's pent-up (sorry!) demand here for new equivalents
> to those compact, affordable classics.  I'd pay $250 for a new FA 24/2.8
> tomorrow, given the chance.
> 
> Of course, if there was a neo-LX (presumably LXXXI now) to go with the
> lenses, so much the better.
> 
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Subject: RE: Subject: Re: Swan Song Photo!

2001-03-24 Thread Tanya & Russell Mayer

Peter wrote:
"This is a copy of a post from a few weeks ago  -  I re-send it because it
is
relevant to what Todd was saying to Tania about using K mount lenses on an
MZ50.  Note this is by Erwin Vereecken not myself.  I think it's quite
clever though.

Just thinking of something,
>
> If you put your M50 f1.7 on your MZ-50, for more then just one occasional
> shot, you could do the following:
>
> Manually select an ISO speed of 2 and 2/3 stops lower then reality (ISO16
> for and ISO100film, ISO 32 for a 200film, etc..)
>
> With the camera on manual, the light meter will now show you
> which diaphragm
> to select. The middle of the meter range will be f4.0, one higher
> f5.6, one
> lower f2.8 etc, all the way from f1.4(which you don't have) to f11,
> including the half stops.
>
> Should work fairly quick, withouth calculations.
>
> There is a theoretical 1/6 stop overexposure, but that should'nt have a
> visible influence on the result. If you think your camera has a
> tendency to
> overexpose anyway, lower ISO speed by 2 and 1/3 stop, that will give a
> theoretical underexposure of 1/6 stop.
>
> It's not real easy, because if you would have several manual lenses, you
> would have to change ISO everytime you change lens, f.i. for a f2.8, lens
> ISO would have to be lowered 1 stop to keep f4 in the midle, and if you
> mount an automatic lens in between, you shouldn't forget to put
> ISO back to
> nominal."



Peter thanks for your attempt to help me here, but I have only one thing to
say "wwooosh!"  That all just went straight over my head!  Well, not
really, but I am sitting here trying what Erwin suggests and I can't for rhe
life of me get my meter to do anything but flash at me in any other mode
except tv - no matter what ISO I set it at.  I have a T400CN loaded at the
moment and I am clueless here!  I did notice however that you mentioned that
this is for "K" mount lenses; the lens I am using is a Tamron with PKA
adaptall, would this make any difference?

Thanks in advance.

Tanya.

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Pentax wish list

2001-03-24 Thread Clive Williams

I'd ask for a 'neo-M series' of prime lenses.  The Limiteds are nice but
expensive; the likes of the FA*24/2 are bulky and expensive, and not
everyone needs such wide apertures.  Some of these already exist, but
how about a series that went something like:
20mm f/4
24mm f/2.8
28mm f/2.8
35mm f/2.8
50mm f/1.7
85mm f/2.8
200mm f/4?

It might enable Pentax to reinvent itself as the true home of the
knowledgeable amateur, whose pockets do not bulge with cash but who
wants good, simple lenses that don't need a trolley to carry them
about.  The FA 35/2 could be the model for these, as an AF lens that
focuses nicely on a MF camera.

I'm no marketing professional, which is perhaps why my employer is still
in business, but I see no future for Pentax in the
I-Want-What-the-Pros-Use market.  (I know that issue's been well covered
already.)  No problem - a Canon or a Nikon has more buttons on it and is
bigger and more imposing, so that's what they buy.  Others choose a
Canon or a Nikon because they like what those cameras and/or lenses can
do, so fair enough.  You don't have to watch this list for long to
realize that Pentax owners keep the faith because of the lenses, but how
many of us scour magazine ads and Ebay listings for M- and A-series
lenses because we can't get new equivalents?  I know I do: I bought an
FA 35/2 and an FA 100/3.5 new because they were both available and
affordable.  My other lenses are secondhand buys, and while it's to
Pentax's credit that it made so many fine lenses that have lasted so
well, I think there's pent-up (sorry!) demand here for new equivalents
to those compact, affordable classics.  I'd pay $250 for a new FA 24/2.8
tomorrow, given the chance.

Of course, if there was a neo-LX (presumably LXXXI now) to go with the
lenses, so much the better.

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Tokina Repairs

2001-03-24 Thread Mark Cassino

My Tokina 400 f5.6 seems to have developed a stuck aperture - stuck wide 
open!  I want to make sure it is repaired at a reputable place (I had 
another lens with a stuck aperture come back from a local shop with oil and 
deep scratches on the rear element.)

Tokina has a repair service - has anyone ever used it?

Thanks

- MCC
- - - - - - - - - -
Mark Cassino
Kalamazoo, MI
[EMAIL PROTECTED]
- - - - - - - - - -
Photos:
http://www.markcassino.com
- - - - - - - - - - 

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Re: Pentax wish list

2001-03-24 Thread Mark Roberts

If you want to see one of the Steadicam systems used for filming in the big
budget hollywood films rent the video of "Aliens" (the second of the Sigourney
Weaver Alien flicks). The machine gun platform that the marines use is a
Steadicam unit with a prop gun attached to it instead of a camera. May be the
only time one of those things wasused in a film as well as appearing *in* the
film!


"Steve Larson" <[EMAIL PROTECTED]> wrote:

>The big TV news stations
>have those high (and I mean high) dollar gyro cameras mounted on their
>helicopters, and the videos are incredible.

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Re: Thinking of an LX

2001-03-24 Thread David P. Chernicoff

At 03:29 PM 3/24/2001 -0500, J. C. O'Connell wrote:
>I'm thinking of buying an LX system and of
>course know of the "sticky" mirror design flaw.
>What other bugs did they never iron out of
>their design over the years?
>
>I recall a web page describing them. Anybody got
>the URL?

http://www.ozemail.com.au/~distudio/thepentaxlx.html




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Re: OT:Definitely a horror tale...

2001-03-24 Thread Robert Harris

dosk wrote:
> 
 It is probably straying too
> far off topic now.

Indeed, this whole thread has degenerated into repetitive, mutual
silliness. So why not close it -- after add my two cents on both sides. 

I think McDonald's food sucks regardless of where they get their beef; I
have eaten it but never by choice, only when there is nothing else to
resort to. On the other hand, the McDonald's Corporation earned eternal
gratitude from me (and many others I know who spend time in Russia) for
providing the only clean toilets that are available to the general
public in downtown Moscow. 

Bob

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Re: (Over?) lubrication of A 50/2.8 Macro helicoid

2001-03-24 Thread Todd Stanley


I noticed a while ago that I can see the grease in my Pheonix 100mm macro
lens.  I bought it new about 6 months ago.  At first I was concerned but so
far the grease has stayed where it should, so I don't really worry about it
much anymore.

Todd

At 11:50 AM 3/24/01 -0800, you wrote:
>I just received an A 50mm f/2.8 Macro lens "in pristine, like new
>condition", according the eBay seller. I have a question regarding the
>proper extent of lubrication for the focusing helicoid. 
>
>The lens arrived in something less than the advertised condition, with a
>light grease smeared on the rear element. I've never used a macro lens
>before, and the ability to peek inside and see the helicoid lubrication
>raised a question: What's it _supposed_ to look like in there? How much
>grease should there be on the helicoid? Does it evaporate to coat the
>glass surfaces over the years, or does the condition of the rear element
>suggest that the "pristine, like new" lens was given (too large) a
>dollop of grease just before I purchased it? 
>
>Thanks for any input.
>
>Brian Walsh

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Re: Pentax wish list

2001-03-24 Thread Pål Jensen

Alberto wrote:


> I'd like a couple of pro-quality zoom:
> 
> FA* 28-70/2.8
> FA* 80-200/2.8
> 
> without PZ, small and compact as only pentax knows
> Ah, just another lens


Replace that FA* 28-70/2.8 with an FA* (II?) 24-90/2.8.
A 24-90/2.8 would have been a perfect companion to the coming 18/2.8. I would rather 
have a 18/2.8 + 24-90/2.8 than a 28-70/2.8 + 17-35/2.8. 


Pål

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24-90

2001-03-24 Thread Raimo Korhonen

Hi all!
My first experience with the lens turned sour - the diaphragm stuck. I did manage to 
get some test shots but when I ventured out of doors this happened - the diaphragm 
stuck in the closed position. The lens in made in Taiwan, BTW. I was getting to like 
the lens but understandably I am not so sure now.
All the best!
Raimo
Personal photography homepage at http://personal.inet.fi/private/raimo.korhonen


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RE: Subject: Re: Swan Song Photo!

2001-03-24 Thread Peter Smith

This is a copy of a post from a few weeks ago  -  I re-send it because it is
relevent to what Todd was saying to Tania about using K mount lenses on an
MZ50.  Note this is by Erwin Vereecken not myself.  I think it's quite
clever though.

Peter


> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of Erwin Vereecken
> Sent: 16 February 2001 13:31
> To: [EMAIL PROTECTED]
> Subject: Re: time @ f-stop formula
>
>
> Just thinking of something,
>
> If you put your M50 f1.7 on your MZ-50, for more then just one occasional
> shot, you could do the following:
>
> Manually select an ISO speed of 2 and 2/3 stops lower then reality (ISO16
> for and ISO100film, ISO 32 for a 200film, etc..)
>
> With the camera on manual, the light meter will now show you
> which diaphragm
> to select. The middle of the meter range will be f4.0, one higher
> f5.6, one
> lower f2.8 etc, all the way from f1.4(which you don't have) to f11,
> including the half stops.
>
> Should work fairly quick, withouth calculations.
>
> There is a theoretical 1/6 stop overexposure, but that should'nt have a
> visible influence on the result. If you think your camera has a
> tendency to
> overexpose anyway, lower ISO speed by 2 and 1/3 stop, that will give a
> theoretical underexposure of 1/6 stop.
>
> It's not real easy, because if you would have several manual lenses, you
> would have to change ISO everytime you change lens, f.i. for a f2.8, lens
> ISO would have to be lowered 1 stop to keep f4 in the midle, and if you
> mount an automatic lens in between, you shouldn't forget to put
> ISO back to
> nominal.
>
>
> Just an idea,
>
> Erwin

> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of Todd Stanley
> Sent: 24 March 2001 18:29
> To: [EMAIL PROTECTED]
> Subject: Re: Subject: Re: Swan Song Photo!
>
>
>
> Yep, you have the idea there.  I remember someone had a way of setting the
> ISO to a certain setting (depends on film and lens) and the little dots on
> the light meter scale would indicate the aperture, but I forgot
> the details
> as I don't have a MZ-50.  Anyway, good luck with combo!
>
> Todd
>
> At 07:31 PM 3/24/01 +1000, you wrote:
> >
> >"Todd, thankyou so much for this!  I had no idea that I could
> use it in TV
> >mode providing that it is wide open.  I almost always shoot in manual and
> >hadn't even considered trying the other modes.  I am so happy that I can
> >now use this lens!  I was quite disappointed to find that the
> meter wouldn't
> >work with the lens and not having a handheld meter, I had rendered it
> >virtually useless on this camera!  So basically, what you are
> saying is that
> >if I want to use it say on f5.6, then I just slow down the shutter speed
> >that
> >the camera advises by 21/2 stops? Makes sense now!  I am renewed, I
> >can use my lens, and in actual fact, it may prove beneficial to my
> >learning to have to work this way for some time, as I will really have to
> >think about the relationship between the f-stops and the shutter
> speed.  So,
> >there we go, there is a silver lining after all!"
> >
>
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Thinking of an LX

2001-03-24 Thread J. C. O'Connell

I'm thinking of buying an LX system and of
course know of the "sticky" mirror design flaw.
What other bugs did they never iron out of
their design over the years?

I recall a web page describing them. Anybody got
the URL?

JCO

 
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Re: Pentax wish list

2001-03-24 Thread Steve Larson

Not to mention dynamically balanced to the gnats #ss. The big TV news
stations
have those high (and I mean high) dollar gyro cameras mounted on their
helicopters, and the videos are incredible.
Steve Larson
Redondo Beach, California
- Original Message -
From: "Bob Blakely" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, March 23, 2001 7:08 AM
Subject: Re: Pentax wish list


> Toy gyroscope... Insufficient rotational inertia to stabilize grasshopper,
> let alone a lens. A gyroscope with sufficient rotational inertia to
> stabilize a lens (and attached camera) would be very, very difficult to
> point. I would think a system for stabilizing a lens would incorporate a
> small rate integrating gyro (a lot of precision and electronics) .
Precision
> servo control of one or a few small elements would be required. This is
just
> a guess, I haven't actually looked at any of the patents, but I will.
>
> Regards,
> Bob...
>
> Give blood. Play hockey.
>
> - Original Message -
> From: "Steve Larson" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Sent: Friday, March 23, 2001 6:50 AM
> Subject: Re: Pentax wish list
>
>
> > Collin,
> >  Funny you should that, I was thinking the same thing a couple of
> > days ago. You used to be able to buy those toy gyroscopes,
> > remember?
> > Steve Larson
> > Redondo Beach, California
> > - Original Message -
> > From: "Collin Brendemuehl" <[EMAIL PROTECTED]>
> > To: <[EMAIL PROTECTED]>
> > Sent: Friday, March 23, 2001 4:42 AM
> > Subject: Re: Pentax wish list
> >
> >
> > > Anyone ever duct-taped a gyroscope to their lens just to see
> > > what might happen?  :-)
> > >
> > > Collin
> > >
> >
>
> --
> > --
> > > From: Paul C
> >
>
> --
> > --
> > > 
> > > -paul
> > >
> > > PS: An IS converter would be AWESOME, here's hopin
> > >
> > > ***
> > >
> > > Data Processing Consultation, Inc.
> > > Providing Broad-Spectrum Business Solutions and Assistance
> > > http://www.iol21.com/dpconsult
> > > [EMAIL PROTECTED]
> > >
> > > -
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> > > go to http://www.pdml.net and follow the directions. Don't forget to
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> > >
> >
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Re: Panoramic Mode

2001-03-24 Thread D. Glenn Arthur Jr.

"Paul" <[EMAIL PROTECTED]> asked:
> Also I have read in magazines that the same effect can be acheived by =
> taking the usual image then cropping top and bottom followed by an =
> enlargement of the remaining elongated image.  Is one way better than =
> the other?

As others have pointed out, it's just economics.  Alas, the discount
doesn't seem to apply in the pro labs I use, but if I'm willing to
go back to a 1-hour lab, I can get a roll of panoramic prints done
at developing time for about the cost of three or four 8x10 prints.

So far I have not mixed panoramic and full-frame in the same roll;
I've either used a single-use panoramic camera or put a mask inside
a screwmount SLR with gaffer's tape.

> Finally, what other uses have list members found for the panoramic =
> feature other than the "beautiful lanscape"
> shots.

Turn it sideways:  guitars, swords, tall buildings, unusual perspectives
of skinny people (really!).

-- Glenn

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Re: (Over?) lubrication of A 50/2.8 Macro helicoid

2001-03-24 Thread Rfsindg

Brian,

I cranked the lens out and looked inside.  I can see the helicoil but no 
grease on mine...maybe a little bit on one of the groves at the very back.

I stuck my finger in and touched the helicoil.  It came out dry, no grease.

I have had the lubricant in a 28mm smear the lens when I left it in a hot car 
(never a good idea).  Otherwise, I can't imagine what good purpose that 
grease is serving.  What does the local repairman say?

Regards,  Bob S.


[EMAIL PROTECTED] writes:

<< I just received an A 50mm f/2.8 Macro lens "in pristine, like new
 condition", according the eBay seller. I have a question regarding the
 proper extent of lubrication for the focusing helicoid. 
 
 The lens arrived in something less than the advertised condition, with a
 light grease smeared on the rear element. I've never used a macro lens
 before, and the ability to peek inside and see the helicoid lubrication
 raised a question: What's it _supposed_ to look like in there? How much
 grease should there be on the helicoid? Does it evaporate to coat the
 glass surfaces over the years, or does the condition of the rear element
 suggest that the "pristine, like new" lens was given (too large) a
 dollop of grease just before I purchased it? 
 
 Thanks for any input.
 
 Brian Walsh >>
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Re: Sorta OT. Perusing previous photographs

2001-03-24 Thread D. Glenn Arthur Jr.

I don't scan all my keepers yet (though a slide/neg scanner
might be the tool that makes that seem reasonable), but I 
do keep a database.  Or try to.  I'm a few months behind on
data entry for frames (though the roll table is up to date).

Mark Roberts wrote:
> BTW: In my filing system I number each roll yyy### where yyy is
> the year in hexadecimal (2001 is 7d1) and ### is the roll number
> (the first roll of film I shoot each year is 001, then 002, etc.
> -- this'll be fine until I startshooting over 999 rolls of film
> per year). 

I use -NNN (where, like you, NNN is a three digit 
sequential number for the year so far).

> The individual photos are the roll ID followed by the frame
> number (so the first shot on the first roll of film this year
> was 7d100101.tif)

*nod*  For me it was either 2001-001#01 or 2001-001#01A
depending on where the frame boundaries lined up on that
roll.  (Okay, it might have been 2001-001#00 -- I can check
if anyone cares, but I don't think anyone will).

> I keep a master list of all the rolls of film I've shot (roll
> number, location(s), film type) in an Excel spreadsheet.

I've got a properly normalized database -- I've got a table for
rolls of film (type, purchase date, expiration date, location
(fridge/freezer/camera-bag/used), and purchase cost -- I call this
the "can" table); a table for exposed rolls (roll-ID as described 
above, lookup into first table, date loaded, date finished, date 
sent to lab, date back from lab, which lab, processing cost, number 
of frames printed, subject (three subject fields, for rolls that 
didn't get used up all on one thing), notes, push/pull, and camera 
used -- I call this the "roll" table); a table for frames (lookup 
into exposed roll table, frame #, main subject, lens/flash/filters/
/speed/aperture (blank in most entries), date shot, list of things 
visible in the photo that I might want to search on in the future, 
location, caption, and notes); a table of reprint requests (who 
ordered it, roll/frame, size, whether I've gotten it done yet, 
whether I've mailed it yet); a table of people (name, address, 
email, etc. etc.); and a table of film types (so that I can enter 
"TMZ" in the film table instead of "Kodak TMax p3200", and have it 
look up the fact that it's BW film DX coded 3200 ASA, and the full 
name to print out on labels).

I store negatives and slides in those 3-ring-binder archive
pages, labelled with roll-ID (and some other info, like
dates & subjects).

The problems?

1) Mine's in an Excel spreadsheet too (with extensive use of
vlookup() and hlookup() references).  I started it in Access
because I didn't have a real DBMS available at the time, but 
got frustrated with the data-entry limitations of Access and 
moved it to Excel despite the performance penalty.  (The spreadsheet
paradigm is convenient for entering lots of rows into the frame
table at once -- fill in the info that changes, working down a
column, then cut&paste the info that stays the same for bunches
of frames (roll-ID, date, location, subject), _then_ commit the
whole session to disk.)  Doing it in linked spreadhseets is slow, 
and doesn't make ad-hoc queries convenient.  My plan has been to 
transfer it all into 4th Dimension (when I get around to installing 
it -- need more disk space) or mySQL (when I get around to writing 
a reasonably useable data-entry front end), but if John's system 
does what I need without ny having to finish the job...

2) I don't have my digitized images organized (yet).

Plusses?

1) I *feel* so *organized*  ;-)

2) A quick mail-merge in Word Perfect, and I've got a batch of
Avery stickers to put on slide mounts or the backs of prints;
and when someone asks a question about a print ("When was that?"
"What film was that shot on?") or wants to order a reprint,
the info is right there on the back of the print (or the slide
mount).

3) I'm just a small bit of programming away (an Excel macro
or some UNIX scripts that work on a text-exported copy) from
having the thing print out a shopping list when I go out to
buy film.  (I'll get around to it soon.)

Ideally I'd like to have the whole pile of images scanned
and the database in an efficient DBMS that understands SQL,
with some glue programmed to let me do a query ("Show me
images that contain a shakuhachi") and have a browser come
up with a set of thumbnails along with the text list.  And
some reference to model releases (which I don't have many
of yet).

But first I have to write the programs for other people, that
pay for my groceries.

-- Glenn

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(Over?) lubrication of A 50/2.8 Macro helicoid

2001-03-24 Thread Brian Walsh

I just received an A 50mm f/2.8 Macro lens "in pristine, like new
condition", according the eBay seller. I have a question regarding the
proper extent of lubrication for the focusing helicoid. 

The lens arrived in something less than the advertised condition, with a
light grease smeared on the rear element. I've never used a macro lens
before, and the ability to peek inside and see the helicoid lubrication
raised a question: What's it _supposed_ to look like in there? How much
grease should there be on the helicoid? Does it evaporate to coat the
glass surfaces over the years, or does the condition of the rear element
suggest that the "pristine, like new" lens was given (too large) a
dollop of grease just before I purchased it? 

Thanks for any input.

Brian Walsh
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RE: Follies

2001-03-24 Thread D. Glenn Arthur Jr.

About a terribly mis-identified Mamiya on eBay, it was said:
>> "50mm Pentax Asahi w/ accessories, Mint"
>> Take a look at the pics . . . the third pic shows the camera has one of
>> those hot shoe/viewfinder thingies that were made to go on spotmatics
>> without shoes . . . 
> Gosh Uncle Bill, haven't you heard of the mamiya/sekor DTL 1000 attachment
> for your Asahi Pentax?
>  :-)

Actually, one of my broken cameras stolen in the burglary was
a Mamiya/Sekor screwmount that had locked up.  It came with
one of those clip-on accessory shoes when I got it from a pawn
shop.  When it died, I yanked the shoe to use on my pre-Spotmatic
bodies.  (Unfortunately, the shoe was in the camera back that
got stolen in the burglary, so it too is gone.)

The accessory shoe had the Mamiya/Sekor name on it, so on 
occasion someone staring into my lens could see, reading from
top to bottom:

Olympus (on the flash)
Mamiya/Sekor (on the accessory shoe)
either Honeywell or Asahi (on the body)
Pentax (on the body)
Vivitar or Fuji (on the lens -- or Takumar, but that's not as funny)

Had a bit of funky brand-name cross-polination going on
there.  Too bad I didn't have a visible brand name on the
front of the PC-to-hotshoe adaptor to round things out to
an even half-dozen.

I need to get another one of those accessory shoes, visible brand
name or not.  That thing came in handy.

-- Glenn

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OT:End of Definitely a horror tale...

2001-03-24 Thread dosk

 >It never ceases to amaze me that zealots think the truth
> will change folks minds. Folks know the truth, and still barbecue
briskets.
> (Got some great barbecue picks too!) Hell, I know what's in a hot dog and
I
> had several yesterday!

You're right there. Repetitive lying is a much more effective way to mold
people's minds.  And it's being done to us so intensely and frequently by
the big corporations in this world that it's getting harder and harder to
see the reality of our lives underneath all of the bullshit...
But sometimes telling a little of what you see as an alternate, different
kind of truth, helps. Maybe not right away, and maybe not for everyone. But
sometimes some people, in their own time, begin to open their eyes and look
around and then maybe make up their own minds for themselves...
And maybe I am a zealot for a little truth saying now and then. So what? You
don't seem to mind preaching your truths at us either, though you disguise
it under the cover of sarcasm...
But I mean you no personal ill will. And good luck with your beef eating
habits. (Remember James Gardner...?)
EOT for me.
Back to the cameras!
Skip

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Re: OT:Definitely a horror tale...

2001-03-24 Thread dosk


- Original Message -
From: "Doug Brewer" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Saturday, March 24, 2001 11:40 AM
Subject: Re: OT:Definitely a horror tale...


> I've been to Dodge City, seen the pens, shooed the flies. I've also worked
in a chicken processing plant and a pickle plant, and worked in restaurants
and specialty food warehouses. All of these things have something in common.
What do you think it is?
>
> Not a damn one of them belongs on a Pentax discussion list.
>
> Doug

Neither does threatening to "report people" to (of all things!) a
corporation, for what is said here to one another! What kind of fink would
even think of doing something like that? This is still a free WWW, isn't it?
And in a free speech country? (Isn't it...??)
And what's the "OT" here for, anyway?
But okay, I'll drop it, you're probably right. It is probably straying too
far off topic now.
Dosk

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Re: Subject: Re: Swan Song Photo!

2001-03-24 Thread Todd Stanley


Yep, you have the idea there.  I remember someone had a way of setting the
ISO to a certain setting (depends on film and lens) and the little dots on
the light meter scale would indicate the aperture, but I forgot the details
as I don't have a MZ-50.  Anyway, good luck with combo!

Todd

At 07:31 PM 3/24/01 +1000, you wrote:
>
>"Todd, thankyou so much for this!  I had no idea that I could use it in TV
>mode providing that it is wide open.  I almost always shoot in manual and
>hadn't even considered trying the other modes.  I am so happy that I can
>now use this lens!  I was quite disappointed to find that the meter wouldn't
>work with the lens and not having a handheld meter, I had rendered it
>virtually useless on this camera!  So basically, what you are saying is that
>if I want to use it say on f5.6, then I just slow down the shutter speed
>that
>the camera advises by 21/2 stops? Makes sense now!  I am renewed, I
>can use my lens, and in actual fact, it may prove beneficial to my
>learning to have to work this way for some time, as I will really have to
>think about the relationship between the f-stops and the shutter speed.  So,
>there we go, there is a silver lining after all!"
>

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Re: FS: Sigma 17-35 EX 1:2.8-4,

2001-03-24 Thread gwlad gwlad

This list has changed,,,
Ive sold to others on this list in the past and had no complains, Ive even 
setup private auctions to allow feeback... and protect the buyer through 
escrow.

...some of you are v.bitter people.

If your in Ontario, you can come and see the lens and camera and will see 
what good condition they're in.

NOT EVERYONE IS OUT TO SCREW YOU PEOPLE!

Gwlad


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Re: OT:Definitely a horror tale...

2001-03-24 Thread Bob Blakely

My post was original written tongue in cheek typed for fun, but I see by
your post that you are a zealot bent on evangelism. OT is one thing. Getting
your hackles up over controversial subjects on the PDML list is another.

My cousin Malcolm (What were his parents thinking..) works in a slaughter
house in Canada. Been there seen that. Got some pics taken with my LX
somewhere. Seen it when I lived in Texas. I still love and eat meat. I still
shoot and gut whitetail, but after trying once myself, I leave the
butchering to the butcher. Too much work and too much time. The butcher has
the right tools. It never ceases to amaze me that zealots think the truth
will change folks minds. Folks know the truth, and still barbecue briskets.
(Got some great barbecue picks too!) Hell, I know what's in a hot dog and I
had several yesterday!

Beware those dangerous fresh fruits and veggies! They account for 85% of
food poisoning in the US and other developed countries. (Yeah, surprised me
too.)

God bless MacD's. Keep that beef flowing!

Har!

Regards,
Bob...

Member, PETA (People Eating The Animals).
Member, PPPETA (People Photographing People Eating The Animals).
Beef, it's what's for dinner!
Pheasant, now that's exotic!
Shark, a mild flavorful taste.
Lamb, tasty in a Middle Eastern Style meal.
Mutton, best left to the Brits.
Pork and Ham, it ain't kosher, man.
Buffalo, I think it's an acquired taste.
Tourists, Hey! If it's tourist season, why can't we shoot them?

- Original Message -
From: "dosk" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Saturday, March 24, 2001 7:52 AM
Subject: Re: OT:Definitely a horror tale...


> Yep, "top of the food chain" would be an apt description for you.  I'd be
> careful where I went swimming though; there might be a few sharks who
would
> contest that claim of yours. They might like to see just how fast you
could
> "claw your way to the top..."
> But seriously though, (if you have a good gag reflex) you should take your
> little camera and go to Dodge City Kansas and do a photo essay on the
> feeding pens... You could label it, "Why I'm A Real Man And Don't Eat
> Broccoli". Or maybe, "Why I'm Proud To Be A Superior Being..."
> But be sure and bring a bandanna or something for the stench. Oh, and some
> kind of bug spray too. There's lots of flies... (And they aren't scared
away
> by all those added artificial hormones the cows are fed...)
> Dosk


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Night Vision Photography

2001-03-24 Thread Kelvin Ang

Hi,

Was just browsing on eBay when I came across a night
vision scope that has a Pentax mount. Anyone out there
done any photography with these sort of equipment
before? I had the chance to play with night vision
goggles when I was in the Army. The images I saw sure
wouldn't look good as a photograph. :)

Kelvin


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OT: Landscape photography in UK

2001-03-24 Thread Clive Williams

[Jim wants ideas for landscapes, when the British countryside is hard to
get to.]

You could get in a boat and photograph the land from the sea - or even
from the air (although a plane might be better than a boat for that.)

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Re: I want a new LX screen too!

2001-03-24 Thread Gianfranco Irlanda

Michel Adam <[EMAIL PROTECTED]> wrote:
> 
> I will second that motion!
> 

I will too!
Let's form a consostium! 
I'm sure Pål is anxious to manage the thing :)

Gianfranco




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Re: OT:Definitely a horror tale...

2001-03-24 Thread Doug Brewer

I've been to Dodge City, seen the pens, shooed the flies. I've also worked in a 
chicken processing plant and a pickle plant, and worked in restaurants and specialty 
food warehouses. All of these things have something in common. What do you think it is?

Not a damn one of them belongs on a Pentax discussion list.

Doug



At 10:52 AM -05003/24/01, dosk caused thus to appear:
>Yep, "top of the food chain" would be an apt description for you.  I'd be
>careful where I went swimming though; there might be a few sharks who would
>contest that claim of yours. They might like to see just how fast you could
>"claw your way to the top..."
>But seriously though, (if you have a good gag reflex) you should take your
>little camera and go to Dodge City Kansas and do a photo essay on the
>feeding pens... You could label it, "Why I'm A Real Man And Don't Eat
>Broccoli". Or maybe, "Why I'm Proud To Be A Superior Being..."
>But be sure and bring a bandanna or something for the stench. Oh, and some
>kind of bug spray too. There's lots of flies... (And they aren't scared away
>by all those added artificial hormones the cows are fed...)
>Dosk
>
-- 
Douglas Forrest Brewer
Ashwood Lake Photography
[EMAIL PROTECTED]
http://www.alphoto.com
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RE: darkroom pics

2001-03-24 Thread Frits J. Wüthrich

> On Wed, 21 Mar 2001 11:54:09 -0600 (CST), Chris Brogden wrote:
> 
> > On 20 Mar 2001, at 23:01, William Robb wrote:
> > 
> > > Anyone interested in a "special" gallery?
> > > Call it "My Darkroom"?

How about "My House" as a theme? That would be nice on this global list!

Frits

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RE: MZ-S: What you need is all you get!

2001-03-24 Thread Frits J. Wüthrich

> "What you need is all you get" is a great marketing slogan.

It sounds a bit like Rolls-Royce.
What is the power: enough
What is the top speed: enough
and never discuss the price, if you have to ask for that, you can't afford
it anyway.

Frits

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Re: OT:Definitely a horror tale...

2001-03-24 Thread dosk

Yep, "top of the food chain" would be an apt description for you.  I'd be
careful where I went swimming though; there might be a few sharks who would
contest that claim of yours. They might like to see just how fast you could
"claw your way to the top..."
But seriously though, (if you have a good gag reflex) you should take your
little camera and go to Dodge City Kansas and do a photo essay on the
feeding pens... You could label it, "Why I'm A Real Man And Don't Eat
Broccoli". Or maybe, "Why I'm Proud To Be A Superior Being..."
But be sure and bring a bandanna or something for the stench. Oh, and some
kind of bug spray too. There's lots of flies... (And they aren't scared away
by all those added artificial hormones the cows are fed...)
Dosk

- Original Message -
From: "Bob Blakely" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, March 23, 2001 5:05 PM
Subject: Re: OT:Definitely a horror tale...


> I love it! Keeps the quality of the beef up (controlled moo-vement and
fattening feed)
> while keeping the price down with smaller land requirements. I do love my
beef tender!
> Good management - I'll have to buy more stock. Later this year, I'll be
going up north
> with my M1A to shoot Bambie. He'll be tasty to, and besides, Papa needs a
new pair of
> gloves! Perhaps I'll bring pics. I'd mount a camera to the rifle, but the
lenses can't
> take the recoil.
>
> My species didn't claw it's way to the top of the food chain through
millions of years of
> evolution to eat only bushes!
>
> I can't wait for barbeque time. Make mine medium rare please!
>
> Regards,
> Bob...
> ---
> Your village called. They're missing their idiot.
>
>
> From: "dosk" <[EMAIL PROTECTED]>
>
>
> > To all those big shot "investors" and "cattlemen" who are so anxious to
> > protect McDonald's integrity:
> >
> > I've been not serious here on this matter before, but I'm getting real
sick
> > and tired of all you McDonald's cowboys!
> > Have you ever been to Dodge City? Well I have. Hundreds of thousands
> > (perhaps millions) of head of "prime" cows confined to endless row upon
row
> > of feeding pens so tiny the poor beasts can only stand upright in their
own
> > excrement. Huge earth mover dump trucks arrive constantly with tons of
feed
> > grain to fatten these confined creatures for the slaughter house. (The
> > amount of grain forced into these poor animals could feed all of the
world's
> > poorest nations if used in better ways...)
> > The animals' cries are constant and heartbreaking, and the stench rising
> > from the entire area is absolutely nauseating!
> > (And I won't even mention here what the slaughterhouses are like...)
> >
> > You're proud of your investment in this system? In McDonalds? You want
to
> > defend it? I think you should all go away and hang your heads in shame
for
> > perpetuating such an atrocity...!
> > Dosk
>
>
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OT: Conversational stuff: Re: The Tragic Tragic Truth

2001-03-24 Thread William Robb


- Original Message -
From: "aimcompute"
Subject: Re: The Tragic Tragic Truth


> Thanks Bill.  It was fun writing it.

I forwarded it to about 50 of my friends. It was a serious hoot.

 I'm sure there are valid reasons for
> criticizing McDonalds, as is so for many corporations and
institutions.

Just don't ever take on Wal~Mart.

> This was an attempt to make clear that my original post on the
subject,
> which was just a side-thought,  was not meant as that, nor was
it even meant
> to be taken seriously.   It was simply a juvenile-like act of
passing on
> some grotesque anecdote.

I knew that right off the start, it was pretty obvious. There
seems to be some awfully touchy people on the subject though.

>
> Darn it, I can't seem to stop posting OT stuff...

Ya, it's a problem I have too.

>
> On the other hand, how many of us really KNOW where our food
comes from, or
> how it's been handled? I don't.

I think if I knew that, I would probably starve to death.

 In the State of Washington, it's illegal to
> dump low-level nuclear waste.  It's not illegal however, for
the producer of
> the waste to hire disposal firms, which in turn sell the waste
to fertilizer
> companies as filler.  The fertilizer then goes on foodstuffs
produced for
> human consumption.  That was front-page news in the Seattle
Times several
> years back.  Watch out for any WA apples. :-)

"Ain't that America...
Home of the free
Little  pink houses..."

HAR
Bill



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Re: FS: Sigma 17-35 EX 1:2.8-4

2001-03-24 Thread Rapture


laughs...

someone better beat it!

i still am keeping mine since its such a lovely lens...

At 02:46 PM 3/24/2001 +, you wrote:
>Hi list,
>Firstly, If you read my email, it says I'll stop the auction if anyone is 
>interested (there are advantages to buying privately).
>Secondly, the lens has come out of the box once for 5 rolls of film (thats 
>not far off New -and is definately proven).
>Thirdly, If you want to pay tax, go to BH.
>So, Anyone else, if you want me to beat the price, email me at 
>[EMAIL PROTECTED]
>Thanks,
>Gwlad
>
>From: Alexandre A. P. Suaide
>Subject: Re: FS: Sigma 17-35 EX 1:2.8-4
>Date: Fri, 23 Mar 2001 15:09:55 -0800
>--
>Hello,
>BH has the same (NEW) for US$439.00. The initial bid for this auction is
>US$450.00. Too expensive
>Alex
>--
>gwlad gwlad wrote:
>>Ive put the following up for sale on ebay also, if anyone is interested (see
>>Sigma 17-35 EX 1:2.8-4 Pentax Mount

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Re: The Tragic Tragic Truth

2001-03-24 Thread aimcompute

Thanks Bill.  It was fun writing it.  I'm sure there are valid reasons for
criticizing McDonalds, as is so for many corporations and institutions.
This was an attempt to make clear that my original post on the subject,
which was just a side-thought,  was not meant as that, nor was it even meant
to be taken seriously.   It was simply a juvenile-like act of passing on
some grotesque anecdote.

Darn it, I can't seem to stop posting OT stuff...

On the other hand, how many of us really KNOW where our food comes from, or
how it's been handled? I don't.  In the State of Washington, it's illegal to
dump low-level nuclear waste.  It's not illegal however, for the producer of
the waste to hire disposal firms, which in turn sell the waste to fertilizer
companies as filler.  The fertilizer then goes on foodstuffs produced for
human consumption.  That was front-page news in the Seattle Times several
years back.  Watch out for any WA apples. :-)

Tom C.

- Original Message -
From: "William Robb" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, March 23, 2001 7:16 PM
Subject: Re: The Tragic Tragic Truth


>
> - Original Message -
> From: "aimcompute" <
> Subject: OT: The Tragic Tragic Truth
>
>
> > Last nite when I got home from work my phone kept ringing off
> the
> > hook.
>
> 
>
> > "Yes", Moortimer replied, "it's also because we know you like
> beef".
>
> Excellent Best post on this list in a long time.!!
> BRAVO!
> William Robb
>
>
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> go to http://www.pdml.net and follow the directions. Don't forget to
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Re: SMC PENTAX FA645 35mmF3.5AL[IF]

2001-03-24 Thread tom

Takehiko Ueda wrote:
> 
> Hi all,
> 
> Pentax has released the above lens.  The price will be
> JPY150,000, and 100 will be manufactured a month.  Adopts
> hybrid and glass-molded aspherical lenses and ghostless
> coating.  Minimal focal distance is 0.3m with the 0.25x
> magnification.
> 
> Specs are as follows;
> Mount: Pentax 645AF Mount
> Lens Number: 7 groups 10 elements
> AOV: 90 degree
> Aperture: Automatic
> Minimal Aperture: f32
> Metering: TTL open aperture metering
> Minimal Focal Distance: 0.3m
> Filter Diameter: 82mm
> Max Magnification: 0.25x
> Max Diameter: 88mm
> Length: 90mm
> Weight: 560g
> http://www.pentax.co.jp/japan/news/2001/gif/200111.gif

Interesting, they totally redesigned it, making it *bigger*. It stops
down further, and the filter diameter is bigger as well.

82mm? I think that's a first for the 645.

Nice looking lens.

tv
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RE: FS: Sigma 17-35 EX 1:2.8-4

2001-03-24 Thread Len Paris


> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of gwlad gwlad
> Sent: Saturday, March 24, 2001 8:46 AM
> To: [EMAIL PROTECTED]
> Subject: Re: FS: Sigma 17-35 EX 1:2.8-4
>
>
> Hi list,
>
> Firstly, If you read my email, it says I'll stop the
> auction if anyone is
> interested (there are advantages to buying privately).

Yeah, like no negative possible if the item is not quite as
described.

> Secondly, the lens has come out of the box once for 5
> rolls of film (thats
> not far off New -and is definately proven).

Proven?  To whom?

> Thirdly, If you want to pay tax, go to BH.

There's no tax if you don't live in New York.

> So, Anyone else, if you want me to beat the price,
> email me at
> [EMAIL PROTECTED]
>
> Thanks,
> Gwlad

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FS: Sigma 17-35 EX 1:2.8-4

2001-03-24 Thread gwlad gwlad

By the way, if anyone wants to see any angle of the said lens or 5n etc. 
just email me and I'll get my buddy to take some digital pics for you.

Gwlad
_
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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Re: Subject: Re: Swan Song Photo!

2001-03-24 Thread tom

Tanya & Russell Mayer wrote:
>> Tom said:
>> "Just how close does it focus? "
> 
> Tom, it focuses at 1.4 metres or 4 ft.  I personally think that that is too
> far
> especially for a lens that is labelled as "close focus", but there you have
> it.
> At what distance would a 135mm without "close focus" normally focus?

The FA 135 focuses down to 2.feet (.7m). I think that's about 1:4. I
don't think that's 'normal', but it's sure nice...

> 
>> "That's pretty nice bokeh"
> 
> Thanks, and that is the exact reason that I took that shot, I just wanted to
> test
> it out a bit.  Now, to go slightly off topic (but I don't really care cause
> it is my
> topic anyways!), you know that until I read the PDML Glossary, I had never
> heard of the word "bokeh", but had a feeling that some lenses looked better
> out of focus than others.   Do you know what?  

And did you know it was introduced into english (from the Japanese) by a
PDML member?

tv
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Subject: Re: Swan Song Photo!

2001-03-24 Thread Tanya & Russell Mayer

Todd wrote:

You can use the lens with the MZ-50, but the light meter is almost useless,
it will meter for the F2.5 aperture no matter where you set the aperture
ring.  So either use it wide open, compensate the reading for how many
stops you have the lens set down from F2.5, or ignore the light meter and
get exposure settings from elsewhere.

"Todd, thankyou so much for this!  I had no idea that I could use it in TV
mode providing that it is wide open.  I almost always shoot in manual and
hadn't even considered trying the other modes.  I am so happy that I can
now use this lens!  I was quite disappointed to find that the meter wouldn't
work with the lens and not having a handheld meter, I had rendered it
virtually useless on this camera!  So basically, what you are saying is that
if I want to use it say on f5.6, then I just slow down the shutter speed
that
the camera advises by 21/2 stops? Makes sense now!  I am renewed, I
can use my lens, and in actual fact, it may prove beneficial to my
learning to have to work this way for some time, as I will really have to
think about the relationship between the f-stops and the shutter speed.  So,
there we go, there is a silver lining after all!"

Tom (the big day photo one) wrote:

"You should have that hand looked at. That's not right."

Yes, you should have seen my husband's face as he tried to count all of
his fingers and toes when he was born!

"Just how close does it focus? "

Tom, it focuses at 1.4 metres or 4 ft.  I personally think that that is too
far
especially for a lens that is labelled as "close focus", but there you have
it.
At what distance would a 135mm without "close focus" normally focus?

"That's pretty nice bokeh"

Thanks, and that is the exact reason that I took that shot, I just wanted to
test
it out a bit.  Now, to go slightly off topic (but I don't really care cause
it is my
topic anyways!), you know that until I read the PDML Glossary, I had never
heard of the word "bokeh", but had a feeling that some lenses looked better
out of focus than others.   Do you know what?  In the past week, since I
have
learned that the word exists, I have seen & heard it used in direct
conversation with
me at least 5 or 6 times!  Isn't strange how these things work?

"So what are you going to do? I'd trade in that mz-50 and get a couple of
super programs, but that's just me..."

Well, I'm keeping the mz-50 for now, however, I have just had a more than
generous
offer from another PDML'er and it seems that I have been EXTREMELY fortunate
to acquire an ME Super, basically for nothing!  So, I guess that the plan is
to work
with these two bodies, at least until the camera fairy sends a reeeally
cheap Ebay
PZ-1p my way, or until the MZ-S is released and the prices of the PZ-1p go
down
the gurgler.  I may consider, depending on how financial I can get, on going
with an Mz-5n
if I can't get a hold of the Pz body before too long (I'm talking Xmas
here - we're building
a house this year remember!)  Of course, if anybody knows how to contact
Easter Bunny
directly, please put in a good word for me!

However, after tonight's lotto draw, all of this will be a distant memory
for
me and I'll be
purchasing shares in Pentax with a lifelong subscription to whatever
equipment takes my
fancy...heehee. ;-)

Tanya.







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Re: Nov 1962 National Geographic

2001-03-24 Thread Shel Belinkoff

Hi Bob ...

Thanks for the tip.  However, I may have found what I need.  There
are a couple of November, 1962 issues available on eBay, so I just
asked the sellers if it contained the article by Chapelle.  Still
waiting to hear back, but, if it's the right issue, I'll probably
bid on one.  EBay as a research source, gotta love it!
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]


Bob Walkden wrote:
> 
> Hi,
> 
> another way to search for it would be to search the cd-rom set which
> NG issued a year or 2 ago containing all the back issues. There was
> also an index online a couple of years ago, which I used for some back
> issues, but unfortunately I can't find it now.
> 
> ---
> 
>  Bob
> 
> mailto:[EMAIL PROTECTED]
> 
> Saturday, March 24, 2001, 3:15:19 AM, you wrote:
> 
> > I'm trying to find an article photographed by war correspondent
> > Dickey Chapelle. I believe the article is in the November, 1962
> > issue of Natl Geographic.  If anyone on the list has this issue,
> > would you check to see if her article is in it?  Thanks so very
> > much.
> 
> > For those who don't know who Dickey Chapelle is, you can get a brief
> > bio here:
> > http://web.missouri.edu/~wjcb23/seventhpage.html
> 
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Re: Pentax wish list

2001-03-24 Thread Paul Ewins

"Collin Brendemuehl" said:
> Seriously, a little retro.
>some leaf shutter lenses on 35mm  (hey, this is a "wish" list!)

645 or 67 LS on an adapter maybe? Those adapters have to be good for
something...

Paul Ewins
Melbourne, Australia

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Re: K2 DMD

2001-03-24 Thread David A. Mann

Jon Hope writes:

> There is a K2 DMD for sale here in Perth, Western Australia. The cost is 
> AUD 300 ono (Or near offer). This equates to about $150 USD, convert to 
> your local currency at will.

 Damn, I'd be interested if I could afford to spend the money right now :)

> I have talked to the seller, it is working on manual, but on automatic it 
> doesn't show (use) the correct shutter speed. I have no idea if it can be 
> fixed, the seller hd it in to a repairer that didn't want to look at it as 
> he didn't have any spare parts.

 My most recently acquired K2 has the exact same problem.  I compared its 
meter with my Sekonic spot meter and found the reading was under by two 
stops, but the "automatic" mode overexposed by two stops relative to the 
meter reading.  So that pointed the finger at the meter _reading_ itself (ie the 
needle) as the net effect of the automatic mode resulted in a correct 
exposure.

 It's gone back to the local Pentax repair agent (yes, I've found out that they 
are the Pentax people) for the _third_ time, this time with a detailed note 
explaining what I just wrote above.  I'm hoping they'll actually fix the thing 
this time.

Cheers,


- Dave

David A. Mann, B.E.
email [EMAIL PROTECTED] * http://www.digistar.com/~dmann/

"Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets?" -- Garfield
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Re: K2 DMD

2001-03-24 Thread David A. Mann

Jon Hope writes:

> Are these a desirable item? There's one in the local paper for sale, going 
> price $300 AUD (erm, I think that's about $2.91 US today).

 I'd buy it at that price.  AU$300 is currently N$360 which is about what a K2 
(non-DMD) goes for here, with a 50mm lens attached.  If you get the motor 
drive as well then you've got a bit of a bargain IMO.

 If it's black then it's worth even more, I'm told.

Cheers,


- Dave

David A. Mann, B.E.
email [EMAIL PROTECTED] * http://www.digistar.com/~dmann/

"Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets?" -- Garfield
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Re: MIR anyone ???

2001-03-24 Thread David A. Mann

Bill D. Casselberry asks:

>   So - did any of our "down-under" members get the MIR on film?

 Not me.  According to this morning's paper it splashed down 3800km east 
of here which probably puts it closer to Chile.  Some people in Fiji apparently 
saw trails and heard sonic booms.

 NZ and Australia were nowhere near the actual flight path which is just as 
well, as it was cloudy here at the time!

Cheers,


- Dave

David A. Mann, B.E.
email [EMAIL PROTECTED] * http://www.digistar.com/~dmann/

"Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets?" -- Garfield
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Re: Pentax wish list

2001-03-24 Thread David A. Mann

Mark Roberts writes:

> I want a PZ-1p with up-to-date autofocus.
> That's all. 

 I'd like to add "ruggedised build" to the list, including better sealing and less 
plastic.  I personally don't care too much about size & weight as long as it 
doesn't reach F5 proportions, at which point you're better off getting a 67II.

 I'd also make a couple of minor modifications:
1) Make the AF-assist beam available without having to activate the flash,
2) Make trap-focus work with an AF lens in "manual" mode,
3) I would love a microprism focussing screen like that in my K2 bodies,
4) Interchangeable viewfinders: a waistlevel finder would be great.
5) More viewfinder coverage.  I was amazed at just how much I miss out on.

Cheers,

Cheers,


- Dave

David A. Mann, B.E.
email [EMAIL PROTECTED] * http://www.digistar.com/~dmann/

"Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets?" -- Garfield
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Re: Nov 1962 National Geographic

2001-03-24 Thread Bob Walkden

Hi,

another way to search for it would be to search the cd-rom set which
NG issued a year or 2 ago containing all the back issues. There was
also an index online a couple of years ago, which I used for some back
issues, but unfortunately I can't find it now.

---

 Bob  

mailto:[EMAIL PROTECTED]

Saturday, March 24, 2001, 3:15:19 AM, you wrote:

> I'm trying to find an article photographed by war correspondent
> Dickey Chapelle. I believe the article is in the November, 1962
> issue of Natl Geographic.  If anyone on the list has this issue,
> would you check to see if her article is in it?  Thanks so very
> much.

> For those who don't know who Dickey Chapelle is, you can get a brief
> bio here:
> http://web.missouri.edu/~wjcb23/seventhpage.html


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