maybe someone already posted this???
you can find quite a lot of tracks from the TOKOMAK label at
http://mp3.com/tokomak thought that might be of interest to some of you. not
exactly my style, but very high quality productions nonetheless.
Christian Bloch
www.mp3.com/bloch
Tresor/LL/Deep Night Es
Hey everyone,
Heard a really old house cut on the radio the other day and it took me back
about 7-8 years
The track I'm speaking of is circa 1991-92 around the time the Cajual stuff
dropped. The hook is jazzy- made up entirely of a sax. Includes a short
female vocal bit in which she says e
=
Unsel Brown
www.dancedance.com
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DANCE.ELETRO.MUSIC.FEST 2001
=
Unsel Brown
www.dancedance.com
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I,m looking for an agent to do show can any help?
=
Unsel Brown
www.dancedance.com
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At 21:52 09-01-2001 +, Innes Macnee wrote:
!
Gee Wizzz! It works! :D
---
f:un[x]iun
http://funxiun.2y.net
http://www.mp3.com/scout303
---
I usually don't drop in on these types of discussions, but this one caught
my attention.
I work with electronic music production/Djing as well as other forms of
media production (web/graphics). Before my electronic music days I played
all kinds of instruments (guitar, drums, bass, piano, horns
I think Mills and Hawtin maybe see techno as moving beyond concepts such as
'soul' - there was this interview with Mills on Axis in which he stated
something along those lines. Hmmm. Wonder who did that interview. Great
questions.
>> > I seriously doubt that Richie Hawtin would agree it is a "fac
!
_
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
> > --
> >
> > I seriously doubt that Richie Hawtin would agree it is a "fact" that
> > he has "limited the expression ... of his soul" whatsoever. Nor that
> > his music is designed to let the listener "project *anything* he or
> > she wants *onto* the structured repetition ..."
> >
maybe
In message <[EMAIL PROTECTED]>,
Phonopsia <[EMAIL PROTECTED]> messed around with filters and
compression to make the sounds now known as:
>Finished
>>his set with a Radiohead track from Kid A according to my mates, I don't
>>have the album - a nice electronic track.
>
>He did the same thing in Leed
i ordered from watts about two years ago when transmat rereleased it. i
bought a smile compilation five years ago, entitled rave anthems volume 1,
especially for energy flash
darren k
From: "Counterforce - Lay" <[EMAIL PROTECTED]>
To: "peter mueller" <[EMAIL PROTECTED]>, <313@hyperreal.org>
S
Hi Everybody,
For some time I'm running a
"Partyguide with a taste of Detroit Techno"
at www.xs4all.nl/~sanren (section: upcoming events)
I'm "rather well informed" about the events in Europe, (I'm from
Amsterdam...) but I would like to make this guide more global, so if
(where-ever) you are info
Ichi - ni - san - shi
Is the start of counting in Japanese (1234)
and eich me son sche was probably a mispelling of it all
sorry if someone got to this by the time it gets out... (haven't checked
mail since thursday)
Dennis
From: Dave Dawson <[EMAIL PROTECTED]>
To: "[EMAIL PROTECTED]"
Okay, what can anyone tell me about "dave"? Someone sent me a tape some
while back with tracks titled "tropic", "papaya", "skylight" and
"exakt". It's pretty lush stuff which moves from something you'd place
as 313 fodder but is old-style nice whatcha used to term IDM (not harsh
or glitchy, though
anyone who's going, go early. they will also have a warehouse-sale before
the party, starting at 20.00
peter
- Original Message -
From: Elliot Taub <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Tuesday, January 09, 2001 8:07 PM
Subject: [313] A New Yorker at Tresor on wednesday
: If
we have the cd, but no back stock on any deepchord 12"
there will be another deepchord 12" very soon, i'll post on the record time
mailing list when we get it in stock
ani :)
record time
[EMAIL PROTECTED]
www.recordtime.com
ph 810.775.1550
fax 810.775.5830
icq# 33610265
want to be on the record
The Record Collector in Iowa City, IA (USA) has stocked it as well. I'm not
sure if we still have copies. All that's listed right now is the CD. You
can contact the store through the website -
http://www.recordcollectorinc.com. It's not listed on the site, but they're
still working to get every
On Tue, Jan 09, 2001 at 05:03:53PM -, Jonny McIntosh wrote:
> On the phasing/flanging front, I was listening to "Ostinato" off'f Herbie
> Hancock's Mwandishi album. If you check the high end percussion on that,
> it's phased such that it sounds like when you've got two copies locked and
> just
alan.. (oldham)
sorry, deleted your email address...oops
i need to send something to you please reply to me.
xxoo
nan
SORRY SORRY for posting to everyone
=
***saRu maNe***tm
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On the phasing/flanging front, I was listening to "Ostinato" off'f Herbie
Hancock's Mwandishi album. If you check the high end percussion on that,
it's phased such that it sounds like when you've got two copies locked and
just tap the pitch control either way with your fingernail. The up and down
e
OK, I totally misunderstood the original tone shifting discussion. Damn
me for skimming ;-)
So you're talking about perceptual reactions to repetition, eh?
Soft Machine, back in the day had a track where they repeated the same
one bar phrase for nearly 4 minutes-- they repeat the lyric 'We Did It
On Tue, 9 Jan 2001, Kieran wrote:
> Has anyone ever produced any double vinyls of the same track with a1 being a
> particular track and c1 being the same track, but with the inverted phase
> wave? When both a1 and c1 are perfectly mixed, the inverted and normal waves
> should totally cancel each
afaik, it doesn't. it only works with his own version, which unfortunately
has not been released. but i read in german magazine de:bug that he plans
to show his remixed version at clubs where he spins. does anyone have more
information about that?
peter
- Original Message -
From: Sam Kar
Although, with limited pressings and great quality, ofcourse they'll be hard to
find!
// g.
Todd Smith wrote:
> Finding a copy of this release outside of the immediate Detroit distibution
> network should prove difficult.
>
> Of all the shops I've been to in the past year, and including various
If anybody is planning on being in Berlin this wednesday, come check me
out. I'll be DJing at Tresor from 2am to 4am. Be there or be square.
--
S C A T A L O G I C S
www.scatalogics.com
Graphic Design
Party Promotion
Disc Jockeys
718-204-8434
646-752-6262
That's not true!!
I saw it at Dance Tracks in NYC on east 3rd., I bought my copy at Satellite in
Boston and my friend Michael bought his at yes, record time in detroit. I've
heard NYC dj's play deep chord all the time. They're out there more than you
think!
// g.
Todd Smith wrote:
> Finding a
hi
Did anybody ever find out where mill's songs fit in
with the movie. Time and Order? Does it work for the
1984 version.
thanks
Sam
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I am aware that I am probably one of the people on this list who fills it
with "spam" the most. I do this 'cause I've got so many requests to keep on
doing this, and in spite of other people telling me to stop. I hope the
people that are not interested have learned to ignore these messages, and
I'm
Finding a copy of this release outside of the immediate Detroit distibution
network should prove difficult.
Of all the shops I've been to in the past year, and including various
distributors in the UK, Spain, and Germany to which I'm regularly connected,
I have yet to see this release outside of D
Sorry for passing notes in class and not sharing with
everyone :)
David
> John,
>
> rub a dub [EMAIL PROTECTED]
> Phone: 011 44 141 400 69 67
> Contact person: Barry
> This should be the correct info although I haven't tried to contact
> them for a while
>
> Peace,
> David Cooper
> Round Tab
David got it right, all of Otto's numbers are old and out of date. 10 out of
10 for David and a "Must Try Harder" for Otto. Your next assignment is to
find me a shop that has a copy of Deep Chord 09 (Rub A Dub didn't). Goodbye
Class...
In chorus now:
"Goodbye Mr. McIntosh"
david beattie wrote:
>
> I'm not 100% sure but I seem to remember 0141 400 6969
Rub-a-Dub's own website (www.rad69.com) is currently under construction,
but:
Rotator Locator's Scotland page
(http://music.hyperreal.org/rotator/scotland.htm) gives 0141-552-5791
Motion Shopfinder (http://motion.s
I'm not 100% sure but I seem to remember 0141 400 6969
BT
Yeah, lets kidnap the guy and have him throw another superb UR-party in our
living room! ;-))
J
-Original Message-
From: Jonny McIntosh [mailto:[EMAIL PROTECTED]
Sent: Tuesday, January 09, 2001 3:02 PM
To: 313@hyperreal.org
Su
Kieran wrote:_
> Has anyone ever produced any double vinyls of the same track with a1 being
a particular track and c1 being the same track, but with the inverted phase
wave? When both a1 and c1 are perfectly mixed, the inverted and normal waves
should totally cancel
Yeah, lets kidnap the guy and have him throw another superb UR-party in our
living room! ;-))
J
-Original Message-
From: Jonny McIntosh [mailto:[EMAIL PROTECTED]
Sent: Tuesday, January 09, 2001 3:02 PM
To: 313@hyperreal.org
Subject: [313] Rub A Dub's number?
Could anyone give me the num
Could anyone give me the number for Rub A Dub in Glasgow? Cheers,
Jonny.
is anyone im melbourne not busy on the 18th of this month and has a kind
enough heart to show an american sailor around to all the hot spots and show
him whats up on the techno (or house) tip?? if so please reply in private
JEFF!
p.s. i promise i won't bite too hard.
Yep, that's the one. I've tried to get it at a reasonable price, but haven't
succeeded so far. I did get Yello's OH YEAH (dance mix) where Rich got his
samples for Minus Yellow and Orange from. It's amazing how this track is
still so up-to-date and mixable even today. I wish I had three decks to mi
This is actually a relatively easy task. All that's necessary is going
into the wires from one of your turntables (doesn't matter which one, but
only one!) and reversing the connection between high and low. Then, go
play doubles. The closer you get them to perfectly synched, the more
phase
and that my friends is why i love the sounds of minimal techno so much.
very nice topic (explained a lot of things i previously didn't understand)
...
thanks =)
danny
- Original Message -
From: "darw_n" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <313@hyperreal.org
> Not to turn Tone Shifting into a film theory debate,
especially here ;)
You have good points, I choose the wrong words perhaps...
I'm not concerned with Spielberge's intended meaning, I'm concerned with the
[un]intentional effect - the effect of total realism in that film. People,
such as ar
-Original Message-
From: darw_n <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED] <[EMAIL PROTECTED]>; [EMAIL PROTECTED]
<[EMAIL PROTECTED]>; 313@hyperreal.org <313@hyperreal.org>; darw_n
<[EMAIL PROTECTED]>
Date: Tuesday, January 09, 2001 12:11 AM
Subject: Re: [313] Tone Shfting
>I brought up mo
On Mon, 8 Jan 2001, Kent williams wrote:
] In the context of DJ-ing, tone-shifting is what happens when you mix
] two records and new music emerges from the the interference between
] the two tracks. It's a real phenomenon -- if you combine two signals
] they can interfere with each other -- tech
OK,
Toneshifting is indeed like a wandering mind, but much better, and it is
*not* an actual audio-wave process (unfortunately, the name suggests actual
physics are involved, this is not so. The name caught on quicker than I
anticipated however, so I'm not changing it). The shifting tones or mel
In the context of DJ-ing, tone-shifting is what happens when you mix
two records and new music emerges from the the interference between
the two tracks. It's a real phenomenon -- if you combine two signals
they can interfere with each other -- technically 'phase cancellation'
such that new tones b
I don't know if they're any good or not, but they've been in business a
while. You simply have to look the Wiley Coyote name too:
http://www.acmevinyl.com/frame.html
Tristan
==
Ten mixes, one album, various tracks, pics and info here:
http://phonopsia.tripo
In a message dated 1/8/01 10:36:34 AM, [EMAIL PROTECTED] writes:
<< i know there was a major thread about tone shifting not that long ago but
could anyone please recommend some sites about this form of production so i
can do some research on it thanks alot! >>
I dont think that youll find it
http://www.mezzmusic.com/index.cfm?URL=newzz_display.cfm&Story=416
-Original Message-
From: Graham Templeton <[EMAIL PROTECTED]>
To: John Osselaer <[EMAIL PROTECTED]>; 313@hyperreal.org
<313@hyperreal.org>
Date: Monday, January 08, 2001 5:39 PM
Subject: Re: [313] UR In Scotland Tonight
>Great atmosphere, great crowd, amazing music.
>Carl Craig played a n
Thought this may be of interest to some. You can listen online live. The
Basic Channel show was quite good. I anticipate this will be too.
Tristan
==
Ten mixes, one album, various tracks, pics and info here:
http://phonopsia.tripod.com/
[EMAIL PROTECTED]
on
I've got it on a traxx joey beltram 89-90somethin'
classics pack of tracks of stuff...yeah...
josh23
--- Counterforce - Lay <[EMAIL PROTECTED]> wrote:
>
> Haye!
>
> > does anyone know if the transmat release of
> beltram's "energy flash"
> > (ms16) has ever been rereleased?
> > i'd also be inter
Haye!
> does anyone know if the transmat release of beltram's "energy flash"
> (ms16) has ever been rereleased?
> i'd also be interested to know on which records this track has been
> released on apart from the "vol.1" and the "energy flash ep" on r&s.
>
> thanks for your time
I have that track
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