Does anybody know to Dr.Blowfin ?
Mario
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At 17:44 24/01/2002 -0600, Mxyzptlk wrote:
Ah...Holger...Dorau...and the band from which they sprang, Palais
Schuamberg - and to make it a bit more 313 relevant, didn't M. Von Oswald
play drums with them as well
sure, with thomas fehlmann
f.
---
on 1/24/02 11:58 AM, [EMAIL PROTECTED] wrote:
> anyone can point me for a good degiorgio mix on the net?
I've been unsuccessful here, but you owe it to yourself to hunt down the
Checkone mix compilation (2CDs) he did. Lovely stuff.
1997: x:treme records xtr22cdm
--
im
mmm, I got confused. it _is a collaboration song with holger hiller on his
lp "oben im eck" and I should know cause I loved holger hiller too...
Ah...Holger...Dorau...and the band from which they sprang, Palais
Schuamberg - and to make it a bit more 313 relevant, didn't M. Von Oswald
play d
My frame of reference was more of what was making waves then in terms of
the UK music press and what my circle of friends (other music nerds)
commonly acknowledged as stellar during the period.
jeff
At 07:00 AM 1/24/2002, John Bush wrote
For anyone who may be interested Deetron has just started a 2 hour live mix
on www.Groovetech.com
Check it out...
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on 1/24/02 5:54 AM, [EMAIL PROTECTED] wrote:
> It's melancholy but upbeat at the same time ... By the way, cd owners, do
> you find that it is 'quieter' than normal, certainly than more recent stuf
> you may have, or do I have a (audio!) equipment problem?
More likely related to EQ than anything
These found their way to my inbox today - I'm a Midwest denzian so I can't
go obviously.
> laurent garnier, i love techno, about 16 mins. into his set. it is like
the 5th record he spins. lots of crowd noise in the background while it is
playing. he also uses the efx on the pioneer a lot when the record is
playing.
Ignacio - Virton (musicman - kozzmozz sampler) ?
Is it a track with
I think you're confusing Rob Gordon with Rob Mitchell, co-founder of Warp,
who sadly passed away last October...
Tom
>> I think he died.
>>
>> -Joe
>>> Ok, any of the Ewoks from over there, got the real story of WARP ?
>>>
>>> How it was founded and why Robert Gordon (also Engineer 4 many impo
i just found out he's got a new 12"
out on ubiquity records. anyone who
heard it ?
I am playing guitar on that one to.
_
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laurent garnier, i love techno, about 16 mins. into his set. it is like the 5th
record he spins. lots of crowd noise in the background while it is playing. he
also uses the efx on the pioneer a lot when the record is playing. mills also
uses it in his i love techno set also, about 5 or 6 tracks
Just to tie it all together... it's not necessarily brand new, but I really
like
Kirk DeGiorgio's somewhat recent As One single on Ubiquity, which also
has a choice Stacey Pullen remix. The jam on there though (and is also
on the album), is "Problems". That sh*t is hot!
I liked his As One albu
NOT true... Rob Gordon is alive, and doing some music here and there.
The latest thing he's involved in is a pseudo-Industrial project called
"Sector" with one of the guys from Clock DVA and DJ Mink. Sonic Groove
put out an EP of their material recently.
As for the Warp story, I don't know...
sorry for the profanity all, thats one part of growing up in detroit I would
like to rid myself of..
potty mouth since he was a kid,
-Joe
--
R17 is not a fixed velocity, but it is clearly far too fast.
---
I saw him I believe 4 times at the motor last year.
I love dancing and was willing to pay to see a DJ I knew I didnt like in
hopes of getting my dance on :)
plus, he's got a good reputation, but in what context I dont know.
-Joe
--
> is Staceys release work good?
MS-20 (kenny larkin remix) and TMT-01 (meditive fusion) are for me the best
techno releases EVER (in the top 10 at least...)
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anyone can point me for a good degiorgio mix on the net?
i really like his stuff from his early days on clear and his stuff now is
very good. he`s got more class in his medicore works than alot of people
has in their best works.
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL P
i just found out he's got a new 12"
out on ubiquity records. anyone who
heard it ?
>
>
>Open House is Mark Wilson,
>Jon Beltran is Placid Angles
>
>They did records as Open House feat. Placid Angles..
>
>Mark Wilson did a record on Lethal as well
>
>makes two
>Open House - Seven Day Weekend (Nu Gr
At 1/23/2002 + 14:52, you wrote:
>> I'm really digging the new John Beltran 12" on Exceptional Records.
This is
>> the first house record I've heard him make. Am I correct in assuming this
>> is the first?
>
> wasn't there an Open House 12" on Nu Groove... or is that a different Open
> House
>Picture the scenario (and I may be very wrong - correct me if I am)
>
>Renee says to Derrick "Can I release some of your stuff? Here's a large
>advance"
>Derrick replys "D'oh, sure you can Renee, can I cash this straight away?"
Yes, you are wrong.
>Is the R&S label still running? It´s a lo
IMHO, I dunno about 'brilliant' ... I'd say he's yet to live up to his
potential as a producer ... I believe he spent much of the last decade
finishing his Phd - it seems (to me) he dj'ed to support himself and
produced very little, whilst he studied ... so I really doubt he's explored
his head to
some people did slag nairobi, but i thought it was a pretty solid track
considering most of the crap coming out these days.
however, 21st century soul is a gorgeous album. simply put: some of his most
brilliant work ever.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECT
I am a massive Kirk D fan, but I can't see what the fuss was about Nairobi
(nor the C2 mix) nor Another Revolution.
Haven't heard the new album.
Of course, someone of that quality cannot be written off - I'm not that
fickle!
Check out his website as well for some great musical info on his favourit
I can't see how people can be even talking about writing him off. Offworld may
have been very different and at times more acid jazz than techno and could have
passed for even the brand new heavies in places, but it was still funky and
musically sound. And even if anyone didn't like that you only
In a message dated 1/24/02 3:39:10 AM Eastern Standard Time,
[EMAIL PROTECTED] writes:
> Speaking of the R&S / Transmat connection Can someone explain to me what
> the
> basic idea was to release the records under the R&S flag? Is it a
> distribution
> thing or something? And what made Tra
Do you know what? - I LIKED that Offworld thing. Very much! ('Offworld' goes
very well with 'Inside The Outway' on the '01 Pullen LP, by the way) ... We
need more jazz and fusion type o' stuff in techno or we'll all be deaf
before we're 40 ... I think we'll all be deaf before we're 40 anyway but
st
yeah, body rock is a great tune..
has also been sampled on paperclip people's 'reach'
At 16:25 24.01.02 +0100, you wrote:
>I've never heard him spin, but whatever you want to say about him
'Bodyrock' (a track that I never hear mentioned in SP discussions) off his
Silent Phase album is one of my fa
Swearing from the Tebbitgraph isn't swearing, it's expounding (my good man
:o)
>-Original Message-
>From: Tom Robbins/Tom Magic Feet [mailto:[EMAIL PROTECTED]
>Sent: Thursday, January 24, 2002 3:09 PM
>To: 313 mailing list
>Subject: [313] Re: wash your mouth out, young man [was: stacey pul
I've never heard him spin, but whatever you want to say about him 'Bodyrock' (a
track that I never hear mentioned in SP discussions) off his Silent Phase album
is one of my favourite funky techno cuts of all time.
[EMAIL PROTECTED]
>
> From: "Odeluga, Ken" <[EMAIL PROTECTED]>
> Date: Thu 24/Ja
You better believe dj's have bad days (& nites) like everyone else ... Is it
the end of the world? Anyone who's seen Atkins play out (for instance) will
have been reassured of his profound ability as a great producer! ;o) ...
Having said that I've enjoyed the 2 times I've seen him immensely - it's
ok ... I never noticed him doing that when I saw him - twice. I would say
definitively that he didn't mix in such a lazy and frankly embarrassingly
crap manner. I'd notice, being able on dex (but no pro) myself ... When did
you see him? It's funny how people's techniques can actually improve over
t
that's a good one, and one of the good techno jazz
approaches, unlike the last kirk degiorgio offworld
album (sorry, just an opinion, if you hate me for that,
don't hesitate to tell me your opinions..)
actually there are not too many releases by stacey, but
what i've heard from him are brilliant.
a
How are all these naughty s & f-words getting through the 313 filter?!? Tsk
tsk.
- Original Message -
From: :P <[EMAIL PROTECTED]>
To: Toby Frith <[EMAIL PROTECTED]>; <313@hyperreal.org>; Niko
Tzoukmanis <[EMAIL PROTECTED]>
Sent: Friday, January 25, 2002 3:01 AM
Subject: Re: [313] RE: (313
it's the same party again
fyi
some of the represses come as one-sided only
at least kdj6 & kdj21a (which already had two different b-sides..)
kdj 006 - 12"
a1, i can't kick this feelin' when it hits
kdj 021a - 12"
a1, shades of jae (short mix)
a2, shades of jae (long mix)
.. . :: http://no
FYI,
the flames I were referring to were private.
sorry for that misunderstanding
-Joe
--
R17 is not a fixed velocity, but it is clearly far too fast.
--
--
I didn't flame either! You're entitled to your opinion - I was just
pointing out that a lot of people would not share that opinion (I know this
from the response I got when I asked a question about Stacey - he has a lot
of fans on this list) - that's all. Chill!
G.
--
Also ... The Stacey Pullen LP out of the Virgin subsidiary Science, last
year, was a small surprise to me. A decisive turn towards 'New' techno
(largely). There was only 1 4/4 track on there. Interesting, v. weird and
actually good for a toke ... I think he needs to work with other producers
though
hmmm
maybe he had issues with the motor or was just being a crabby fuck and
decided to stick it to the crowd.
seriously tho guys, skill wise and selection wise, I dont think he lives up
to his name.
but he got that name somehow and I realize some peoples forte is
production.
it seemed as soon a
I'm not flaming - it may be that when he's played there that's happened -
just every time I've seen him he's been technically superb and more
importantly, has got everyone moving!
- Original Message -
From: :P <[EMAIL PROTECTED]>
To: Toby Frith <[EMAIL PROTECTED]>; <313@hyperreal.org>; Ni
Have to dispute the bad dj bit ... Saw him at Mass, London, when he
headlined after Jim Masters (a well known guy here) he was more than a match
for that experienced dj. He may not be very innovative, but then not many
are. He's still worth seeing I'd say ... I've also seen him play a
downtempo/jaz
well OK then, since I was promptly attacked by several people, let me
qualify my statement:
when you play at the motor and you actually make the crowd MOAN because you
keep taking the bass drum out and slowing records all the way down, you are
a shitty DJ.
I have given him at least 4 trys now.
I
> I think he died.
>
> -Joe
please not ...
Is that true ?
I once made an interview (he released records under his name and as black
knight
4 source records (germsmoney) ... and done some producing and engeneering)
and know a part of the not so sweet story -
but I would like to know if t
Bit harsh to say he's a bad DJ - he plays a variety of different sets -
I've seen him a few times and he's always got an unexpected surprise up his
sleeve. Lovely variety in his sets is reflected by the material he releases.
His last LP has grown on me in the last couple of months.
- Origina
his the shittiest DJ I've even gone to see 3-4 times
I think most people agree that Stacey Pullen is a top DJ. I've only been to
see him once but he made me get off the seat I was sitting on and go &
dance to a great selection of solid tech-house grooves for the rest of the
night. I'm just waitin
is Staceys release work good?
his the shittiest DJ I've even gone to see 3-4 times
-Joe
--
R17 is not a fixed velocity, but it is clearly far too fast.
--
--
I think he died.
-Joe
--
R17 is not a fixed velocity, but it is clearly far too fast.
--
- Original Message -
From: <[EMAIL PROTECTED]>
To: <313@hyper
At 20:23 22/01/02 -0600, Mxyzptlk wrote:
>("Colours Will Come" - produced by M. Von Oritz), I know of nothing entitled
>"Whippets". If you have
>some more info on this please forward it - I'd love to own it.
mmm, I got confused. it _is a collaboration song with holger hiller on his lp
"oben im
öhem - sory - just getting quite many letters just now bout this -
and serious answers coming up later ...
in the meantime ...
thanks to all the Ewoks and the EwoksnotEwoks and the Nu-Ewoks,
the Not-Ewoks keeping it real and unreal on 313
--
LoveThemPlanetZ
peoplez
plantz
peaze
pluz
m
I'd say the Ewoks were very important in Return of The Jedi.
Seeing them and their development on Endor(land) gave us a realisation of
how great in staure Chewbacca was, who incidentally had more or less been
around from day one but just sitting on his arse (fanny or whatever). But
both were certa
Sorry, no British number one smashes for Associates -- they barely even hit
the Top Ten (once with Party Fears Two from early '82). Two others in the
Top 40: Club Country (mid-'82) and Love Hangover/18 Carat Love Affair (late
'82).
John
-Original Message-
From: Mxyzptlk [mailto:[EMAIL PR
r&s still exists, latest releases afaik is
air frog 'bon voyage' with a remix by...
stacey pullen ;O)
At 12:41 24.01.02 -, you wrote:
>Wow, the end of an era then. Best see if I can stil pick up that 'Ten
>years...' comp from about 2 yeras back.
>
>>-Original Message-
>>From: [EMAIL PR
Wow, the end of an era then. Best see if I can stil pick up that 'Ten
years...' comp from about 2 yeras back.
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>Sent: Thursday, January 24, 2002 12:01 PM
>To: Maarten Baute; 313@hyperreal.org
>Subject: [313] RE: (313) RE
I don't know why they did it, but one thing is sure: TMT-01, TMT-02 and
MS-19 & MS-20 will never get a repress...
You can get any transmat record nowadays, except for those four released
thru R&S.. (and I hate it)
>>>Oh? Didn't know that.
Is the R&S label still running? It's a long time I heard f
on 24/1/02 11:32 am, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:
> hm, so you would also say that the introduction of the Ewoks in star wars 3
> was important ?
actually, it was star wars 6.
see, it takes yet another brit to truly understand yet another part of US
culture.
LOL;)
Ok, any of the Ewoks from over there, got the real story of WARP ?
How it was founded and why Robert Gordon (also Engineer 4 many important
tracks
in the beginning) did leave, or did have to leave ?
I never did see it in any Feature - I know there´s another story there
so what do you kno
> Tell him. It's bizarre when some people effectively want to close
themselves
> off from all outside influences ... there lies danger - in fact of course,
> we're already experiencing the consequences of that. Sad.
everybody who is checking the music history a lil bit knows that too -
and it´s
Star Wars, an institution that would not exist without UK studios (Pinewood)
and a whole host of British actors - running throughout the series,
including heavyweights like Sir Alec Guinness, who you may have heard of.
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Tell him. It's bizarre when some people effectively want to close themselves
> off from all outside influences ... there lies danger - in fact of course,
> we're already experiencing the consequences of that. Sad.
as much as the original poster thought he was joking, the transatlantic
thing has
>> if it wasn't for us trendy brits techno would've died many years ago...
>>
hm, so you would also say that the introduction of the Ewoks in star wars 3
was important ?
>> and house would still be seen as a gay thing
hm - well my first house experience was in a kind of a gay club and that wa
Tell him. It's bizarre when some people effectively want to close themselves
off from all outside influences ... there lies danger - in fact of course,
we're already experiencing the consequences of that. Sad.
>-Original Message-
>From: robin pinning [mailto:[EMAIL PROTECTED]
>Sent: Thursd
Interesting ... Is that speculation or tied together with inside knowledge?
Would it go some way to explaining the (almost) complete lack of output from
May since, well, forever it seems.
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>Sent: Thursday, January 24, 20
It's melancholy but upbeat at the same time ... By the way, cd owners, do
you find that it is 'quieter' than normal, certainly than more recent stuf
you may have, or do I have a (audio!) equipment problem?
>-Original Message-
>From: Niko Tzoukmanis [mailto:[EMAIL PROTECTED]
>Sent: Thursday
>
> but this announcment is the typical british bull hipster way to blow up
> stuff ...
:)
ok i'll bite:
if it wasn't for us trendy brits techno would've died many years ago...
and house would still be seen as a gay thing
:) :)
robin...
---
Memo from Alex Bond of PricewaterhouseCoopers
Start of message text
3 little words - Money Money Money. What else?
Picture the scenario (and I may be very wrong - correct me if I am)
Renee says to Derrick "Can I release some of your stuff? Here's a lar
yeah, this has been released on the transmat/ r&s
lp 'the theory of silent phase' (transmat tmt-1),
stacey's debut album which is essential, a real
classic.. there also was a 12" called 'fire', with
remixes of a cd track not on vinyl.
never got the cd, how does this cd track called
'love comes and
> Speaking of the R&S / Transmat connection Can someone explain to me
what the
> basic idea was to release the records under the R&S flag? Is it a
distribution
> thing or something? And what made Transmat step out of this construction?
Planet
> E did the same thing, for the same reasons?
I d
Did anybody see the Skam people last night at the Static party at Open Air,
N.Y.C.?
How was it?
Karl
www.capsite.net
Looks good to me. If you were kidnapped sedated and revived on the
dancefloor with a vodka redbull in hand, would you not have a good time?
I rest my case.
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>Sent: Wednesday, January 23, 2002 7:39 PM
>To: 313@hyperreal.
Speaking of the R&S / Transmat connection Can someone explain to me what the
basic idea was to release the records under the R&S flag? Is it a distribution
thing or something? And what made Transmat step out of this construction? Planet
E did the same thing, for the same reasons?
W
-Origi
Powerbass?
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: Thursday, January 24, 2002 3:12 AM
To: [EMAIL PROTECTED]; [EMAIL PROTECTED] Org
Subject: RE: [313] KMS in NYC
Enjoy. Do tell if he kicks some of his NY releases, like on Sonic Groove
... fer instance that bi
Enjoy. Do tell if he kicks some of his NY releases, like on Sonic Groove
... fer instance that big bassy one from last year(?) I have it but titles
are so forgetable - music memorable ... I'll look it up. If you know it,
it's unmistakable to the ear ... give us the lowdown on the latest in his
head
> Should be on the Silent Phase LP, although I only have CD so can't confirm
> for certain.
That is correct. But the vinyl copy seems hard to find (TMT-01). released on
R&S (licensed to transmat).
Greets,
Maarten
-
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This April 4th through 6th, in Iowa City Iowa, the University of Iowa
is hosting the 2002 SEAMUS Conference. SEAMUS is the Society for
Electro Acoustic Music in the United States. This is the premiere
annual gathering of Academic electronic musicians, composers and
performers.
You can read up on
If you have it, please hit me back privately. TIA
Take care,
mt
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anyone have any thoughts on the new STEVE POINDEXTER AFRICANS WITH...
on MAFDAPP. any good?
ryan
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we are happy to announce the following clonky recipe:
move 1 ether.mann [aka greg smith] to the west coast of the us
add 1 long-time friend to clonk and fellow music appreciator kristyn
gelfand to the mix.
begin 1 working relationship with el mocambo productions [simmering
since nov 2001 with
Los Ninos Del Parque is still in print on CD via mute. Go to CDNow and plug
their name in, it will pull up the cd single.
Take care,
mt
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-Original Message-
From: Saving Our Sounds [mailto:[EMAIL PROTECTED]
Sent: Wednesday, January 23, 2002 7:53 PM
To: 313
Subject: [313] cd inserts
Can anyone recomend where we can get cd inserts and tray liners at a
go
touch /v/ to leave a mark or impression
:
thursday:[jan. 24]
traxx [chicago]
twonz [detroit]
:
ghostly glass room:
sam valenti iv
matthew dear
rob theakston
:
the necto
516 liberty, ann arbor
18+ door
hi folks,
it's our first mailout of 2002 and we're very proud to tell you that
awkward 10, the papa m / unhome split 7" is now available. here's some
info for you:
papa m: 'mama you been on my mind' / unhome: 'pine tree' - split 7".
__both tracks are exclusive to this release!__
strictly
in www.klubradio.com
*Michael Mayer (kompakt) Tobias Thomas (kompakt) Fiedel (mmm) / ostgut
30.12.2001 - in this stream.
the second track? any one any clue? lots of precussion, and kinds acidic
lines. very nice track:)
C
-
To uns
Can anyone recomend where we can get cd inserts and tray liners at a
good price
Your Help is welcomed
-
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For additional commands, e-mail: [EMAIL PROTECTED]
You mean Whirlpool Productions - as in "From Disco to Disco"? I nabbed mine
by trolling for it on German ebay sites.
jeff
At 11:37 AM 1/23/2002, Super Coffee Beans wrote:
hi just wanted to know does any one here has any idea about this stuff?
who
Ah...one of the snipers who outbid me!!! :-)
jeff
At 08:59 AM 1/23/2002, tom churchill wrote:
> Wasn't this record re-released on the German Superstition label
somewhere in
> 1992? The Suprstition release is still easy to find.
Is it? Bugger. I just spent a f
- Original Message -
From: "john arnold" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, January 23, 2002 12:38 PM
Subject: Re: [313] Caboclo
> I didn't even know that came out. I am playing guitar on this one. Did
> they give me credit?
Nope. But I will. :) Nice guitar
Some of the lyrics would help! If it was '82, it was probably "Party Fears
Two" or "Club Country". If it was a bit later (say 1- 2 years) it might
have been "Waiting for the Love Boat" "Those First Impressions" or
"Perhaps". If it was earlier it could have been "White Car In Germany",
"Kitchen
- Original Message -
From: "henrique casanova" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, January 23, 2002 6:58 PM
Subject: [313] stacey pullen - electric relaxation
hy. was this track released on vinyl? i downloaded from the transmat space
tour site at mp3.com and love
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