Amen, Fred, Amen.
-m
At 4:08 PM -0700 4/15/02, Fred Heutte wrote:
My sense is that Dan has it exactly right. The selection board did
its job, and the follow-through wasn't there.
No surprise.
-
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So exciting I had to say it twice. April 27, FAITH will be bringing
Terrence Parker, Mike Huckaby, and Rick Wade to LA Info line at
323.288.7725. Also Recloose will be in town next Sat. the 20th at "Heading
Home" http://www.headinghome.net/ (Yes, I know Ectomorph is playing the
same night
My sense is that Dan has it exactly right. The selection board did
its job, and the follow-through wasn't there.
No surprise.
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What I would like to know though is were the selection comittee
aware that PCM planned to list thier selection without having first
booked or even contacted the artists involved?
I probably didn't make much sense in my last post ...
I think people are getting the "lists" of performers mixed
s were the selection comittee aware that PCM planned to list thier
selection without having first booked or even contacted the artists
involved?
I really don't think that's how it happened. They come up with a
wish list and work from there ... the artists that are listed now are
booked AFAIK
Has anyone checked out his recent set from Motor on paxahau.com? It's
amazing, I can't stop listening to it.
Kevin
http://www.mp313.com
- Original Message -
From: "Kent williams" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; "313 list" <313@hyperreal.org>;
<[EMAIL PROTECTED]>; "i'd do ma
And now for the next shoe dropping:
From: "motordetroit" <[EMAIL PROTECTED]>
Subject: Motor-Detroit NOT sponsoring DEMF stage
Date: Mon, 15 Apr 2002 17:03:20 -0400
Motor-Detroit Will NOT be Sponsoring a Stage at DEMF 2002
Despite reports to the contrary, Motor-Detroit will not be sponsoring a
wednesday april 17th FUTURE RHETORIC presents:
naw
granny 'ark
with monthly host, one aballero
Please join us for the next installment of FUTURE
RHETORIC, Toronto's live/laptop/leftfield electronic
music series, with live performa
most certainly check the place out - Gary is right it does have the best
sound system in London and the coolest security going.
> cool might have to check it out..
> what are the lineups like at the end ?
Ah... now there's the rub ... at the moment words like sh1te come to mind.
There was a time
Yeah - Fabric might have a great sound system - but they can never forget it
was an old meat factory so the policy is pack em in like sardines. (and at
£15 a head its obviously a fairly sound policy).
As an aside i went to Belgium to see Claude at Fuse Club on Saturday night.
(There's a great dea
You should join up with the 313 gear-related list for questions on
mastering. You'll get more than enough help there.
http://groups.yahoo.com/group/313techknow/
Kevin
http://www.mp313.com
- Original Message -
From: "Dennis DeSantis" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Mon
Maybe it has something to do with the fact that he actually
introduces himself as, "Bone." Reminds me of some cheesy
line from some early 90s movie where someone introduces
himself as, "Maverick." I think they're going for the same
effect.
mm
-Original Message-
From: [EMAIL PROTECTED] [ma
PCM would probably tell you that they own the rights to those photos of
Derrick May and Hawtin that our up on their website.
(C-Pop was trying to sell prints of them for the past two years)
Funny, why are there no classic pictures of Bone
On Mon, 15 Apr 2002 [EMAIL PROTECTED] wrote:
> Hey ma
PCM has never been in touch with the Detroit techno community.
On Mon, 15 Apr 2002 [EMAIL PROTECTED] wrote:
>
> What I find unbelievable is that this is a Detroit based promoter who is
> f*cking around with one of the toughest artist collectives (UR & Drexciya)
> in the city and have a reputation
i think there's a lot more missing than just the clubs. none of us are under
the illusion that suddenly all these people are going to realise what
they've been missing and embrace techno. nor do we expect them to.
the problem is that electronic music HAS achieved a mainstream success, much
of it on
Um, I was just playing! :)
A Versace stage at DEMF with Lil' Kim and Donatella lurking about, just my
humour!!
I laughed at your earnest reply though, funniest thing since Rob's cookies
recipe. :)
I found it funny Lil' Kim got a cover on a DJ magazine for one gig (in
Japan). This phenomenon of c
Not that I'm condoning the use of a robot on the poster, but maybe it would
have been a wee bit more appropriate if the robot beared more of a
resemblance to say, oh... Robocop. (313 tie-in... heh)
Or is there an irony in that image that I may be missing? lol
Matt
E-mail: [EMAIL PROTECTED]
Web S
Hey man its a shame because If PCM continue to disrespect guys like these and
lose all support of the Detroit techno community, then the rest of the world is
soon gonna follow. People have way too much respect for guys like UR and
Derrick to continue supporting an event that continues to flex it
What I find unbelievable is that this is a Detroit based promoter who is
f*cking around with one of the toughest artist collectives (UR & Drexciya)
in the city and have a reputation for calling it like it is. Clearly shows
that PCM is way out of touch with the techno community in their own
Well if its been esatblished that this is thier selection policy then I missed
that, but what the hell!! Sorry if this has been discussed to death, but surely
that breaks every ethical rule of party promotion in the book. Firstly it seems
kinda presumptious to assume that DJs who may well have p
On 4/15/02 2:58 PM, "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote:
> www.emmrecords.com/teh_fux
> "bone that hoe.mp3"
I'd suggest a title change, but I loved the string/pads. Bring em up in the
mix, please!
Thinking now about Rob Hood's "Home".
--
im
james= one half of drexciya along with noted actress Bea Arthur.
-Original Message-
From: marsel [mailto:[EMAIL PROTECTED]
Sent: Monday, April 15, 2002 4:31 PM
To: 313@hyperreal.org
Subject: Re: [313] Drexciya and the DEMF
who's james?
;)
( just a next one in the series of 'who is.. ?
who's james?
;)
( just a next one in the series of 'who is.. ?' )
At 15-4-2002 -0400 16:27, you wrote:
maybe they knew who this "Drexciyan DJ" was and contacted him (her? it?)
directly instead of through James?
I think they know better than to play with fire ... er, water.
-d
At 10:25
maybe they knew who this "Drexciyan DJ" was and contacted him (her?
it?) directly instead of through James?
I think they know better than to play with fire ... er, water.
-d
At 10:25 PM +0200 4/15/2002, <[EMAIL PROTECTED]> wrote:
I'm sure most of you have pretty much figured it out anyway, but
I'm sure most of you have pretty much figured it out anyway, but just to
confirm it. James from Drexciya has told me they will not be doing the DEMF and
will infact be in Atlanta that weekend. It seems they did indeed have no
knowledge of the listing nor will they ever perform at the festival.
Normalizing takes the single loudest sample and pushes it to the level of
your choice (usually around 0 db).
To make the whole track louder requires compression.
These are VERY different things but in a nutshell: normalizing makes it all
louder, while compression makes the peaks quieter so you can
Checking the new e-mail setup
m*
_
Mark S. Krüx Cel - 917.817.3989
DJ / Photographer Fax - 877.485.3477
[EMAIL PROTECTED]
[EMAIL PROTECTED]
_
-
ne1 else notice it being quiet? I normalized the mix, so
it should be at peak potency :)
-Joe
www.emmrecords.com/teh_fux
[EMAIL PROTECTED] wrote on Mon, 15 Apr 2002 about
following:
> listen to my track ok? seriously tell me if it sucks, or
so here goes, i liked it. nice dark moody dri
[EMAIL PROTECTED] wrote on Mon, 15 Apr 2002 about following:
> listen to my track ok? seriously tell me if it sucks, or
so here goes, i liked it. nice dark moody driving stuff.
and on the sort-of-negative side, little mixing and mastering would do
good, it sounds pretty quiet.
sakke
Yo that was july 2000 when he played with rockliffe. Angel didn¹t like
charlie so he played a lackluster set that night.
on 4/15/02 2:50 AM, FC3 Richards at [EMAIL PROTECTED] wrote:
> He got into the US last year to play a rave party in LA last year with
> trevor Rocklife. And in 98 he was in Ch
www.emmrecords.com/teh_fux
"bone that hoe.mp3"
listen to my track ok? seriously tell me if it sucks, or
what part sucks. negative feedback is honestly the most
musically helpful, but I like hearing nice things too :)
I'm trying to make you people some good music !!! :P
PLEASE?
track link:
dont forget John Acquaviva, spinning his yearly demf set :)
he rules. point me to live mp3 sets :)
-Joe
>A UK member wrote earlier:
>
>>"I have decided over the weekend that I'm not going to go
to DEMF
>(there's
>>only that Trackmode thing I want to go to and Drexciya
isn't even playing
>
previously..
I can honestly say that the price is the *one* thing stopping people
from buying that record. Regardless of people's tastes all you have to do
is play "Another Day" with Jill Scott and they ask "Whats that?"
Then they catch the 40 dollar price tag and its over.
by co-incidence t
Kevin Saunderson and KMS Productions present, Global Mondays at The Works,
Detroit, launching April 22, 2002. Global will feature
Kevin Saunderson, along with a special guest artist each month. The first
official installment of Global will feature Transmat's
legendary Derrick May (www.transmat.
:touch /v/ to leave a mark or impression
:thursday:[apr 18]
:
:kevin saunderson
:trustthedj KS01 cd release party
:
:the ghostly glass room:
:sam valenti IV
:rob theakston
:matthew dear
:jan d
:todd osborn
:
:the nect
this is Robert Smith aka The Fixer aka Big Rob. are you confused at my
globetrotting? I am former Detroit and former LA, settled down in Cork (for
now) as of June 2001.
Sean, you're gonna have to try and keep up now. You are planning on signing
up for a gig on "313 Takes the EU Monthly Tour
hey! I thought Robert Smith (the other one) was "the fixer"!?? what gives!?
sean deason
[EMAIL PROTECTED] wrote:
> snip snip snip
>
>
> --
> fix.er \'fik-s*r\ n : one that fixes : as : one that intervenes
> to enable a person to circumvent the law or obtain a political
> favor : one that ad
This is the most horrible thing Ive seen... Why not go the route of
'Beyond the 3rd Wave'? That at least had artistic sensibility. This
looks like a really bad Go-Bots advert. Eeek!
mm
-Original Message-
From: [EMAIL PROTECTED]
Sent: Friday, April 12, 2002 1:37 PM
To: Giles Dick
what are the best places you would recommend around Europe for a monthly
"313" focused event? Not biggest places, and best is difficult to rate,
naturally. Mix of venue, sound system, and of course, appreciative
audiences. My preference is to avoid the biggest cities, where techno has
gotten
I went to the Eyes Only party with Ultradyne last year and it looked every bit
the illegal venue (ie run down arts centre, dusty floor and in a rundown area
of town which gave it an excellent seedy vibe) but it was slap bang over the
road from the local police station and that one went off ok. W
- Forwarded message from Dynamic Groove <[EMAIL PROTECTED]> -
First off...a very nice article @ Wired.com about the use of
computers, especially laptops, in electronic music:
http://www.wired.com/wired/archive/10.05/laptop.html
Experience it yourself, this Thursday @ Thrillride !
Thur
At 2:59 PM -0200 4/15/2002, henrique casanova wrote:
what reasons would the police have to cancel these partys??
im just curious. we live in very diferent worlds in this list. i'm
never heard about a party being closed by the police here in brazil.
depends on the venue, right?
I only hit Pla
what reasons would the police have to cancel these partys??
im just curious. we live in very diferent worlds in this list. i'm
never heard about a party being closed by the police here in brazil.
> -- Mensagem original ---
>
> De : Gerald <[EMAIL PROTECTED]>
> Para: 313@h
Anyone else having trouble getting past the map page?
MEK
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Memo from Alex Bond of PricewaterhouseCoopers
Start of message text
It was me that made that first comment.
I didn't mean for it to sound how it came out I think! (typical for me)
I would dearly love to go, if only for the experience and to meet people
Ok,
Does anyone know how the Detroit authorities (Police/Gov't) are treating
them this year. The past 2 years i take it, they've turned a blind eye
to these events.
However, i've heard of one event which was cancelled (unless they can
find another place) after the owner receieved a visit from a c
boy am i looking forward to thiswell bone specifically
robin...
> - Original Message -
> From: "i-voodoo" <[EMAIL PROTECTED]>
> To: "PRESS MAILOUT" <[EMAIL PROTECTED]>
> Sent: Monday, April 15, 2002 3:59 PM
> Subject: VOODOO 9TH BIRTHDAY
>
>
> The Birthday has been put back to the
import prices have more to do with customs duty than with the record company
making more money. when a multinational decides not to do a domestic
release, they're basically just giving a gift to the government and screwing
the fans.
however, in case folks haven't figured it out yet, buying a singl
- Original Message -
From: "i-voodoo" <[EMAIL PROTECTED]>
To: "PRESS MAILOUT" <[EMAIL PROTECTED]>
Sent: Monday, April 15, 2002 3:59 PM
Subject: VOODOO 9TH BIRTHDAY
The Birthday has been put back to the following date...
FRI 17th MAY
VOODOO 9TH BIRTHDAY / KNE'DEEP TOUR
DJ RUSH
DJ BONE
STE
Caught some of this show Gerald..NICE!
Especially when you threw down Bitches from Hell...my favourite in dark evil
styles.
cheers
Kim
_
Join the worlds largest e-mail service with MSN Hotmail.
http://www.hotmail.com
---
For anyone looking for a good Charles Siegling mix I can confirm that this
one is wicked ...
Furthermore i have seen a recent MP3 dj-set by Siegling
recorded at club Fuse in Brussels at 03.02.2002 on WINMX
and Kazaa...also recommended!
-
Thanks for the info. I checked with the promoter, advent will not be
playing, but check out this line-up for tonight ;)
APRIL 15 - TRONIC TREATMENT - Baktun
SVEN VÄTH - Cocoon, Germany
RICHIE HAWTIN - M-nus, Canada
THOMAS KROME - Corb, Sweden
SAFETY SCISSORS - Force. Inc, Germany
-Pete
-Or
A UK member wrote earlier:
>"I have decided over the weekend that I'm not going to go to DEMF
(there's
>only that Trackmode thing I want to go to and Drexciya isn't even playing
>now) ...
I wonder how much of this feeling there is around, especially in Europe -
amid no Derrick May, Saunderson,
Anyways, thought i'd break out almost all of the Thomas Krome records i
own... in anticipation of his playing in Toronto this Thursday, April
18. For full details on the show go here: http//www.tribemagazine.com
and checkout the Techno section of the messageboard
I did manage to squeeze in some 31
advent is playing live tonight @ baktun in nyc, again ;)<
You may want to double check on this. The Advent gig was cancelled here in
Chicago on Friday. The promoters said all 11 cities on their North American
tour had to be cancelled due to visa problems.
Cheers,
John
dave has played at Motor twice in the past 2-3 years. I'm assuming his
papers were in order, although pre-9/11 it wasn't that hard to come over
without them.
On Sun, 14 Apr 2002 [EMAIL PROTECTED] wrote:
>
> >Dave Angel
>
> Hasn't he had trouble with acquiring visas in the past because of his
> c
i agree. there is definately a gap due to carl's lack of participation.
but also, even if all the big Detroit guys get paid their standard fee,
then that's still not nearly as expensive as last year with flying in
dozens of international artist.
also, i'm quite certain that the first DEMF lost qu
Actually you touched on something that disturbed me greatly, the difference
in crowds between Demf 1 & 2. It was the sight of such a diverse crowd
after the first Demf, all enjoying themselves and digging on the music, that
made it really seem like a landmark to me. That diversity seemed to be
123
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I suggest you do a google search for "mp3pro" and use that
file format. typically allows for the same quality as mp3
with half the filesize. most of my tracks on EMMs site
are mp3pro I believe
-Joe
www.emmrecords.com/teh_fux
mp3 is already compressed so any app will most likely not
be ab
arghghgh how can you be more excited about wink than
acquaviva?!?!? john rules!
I'd like to make it clear to everyone that I was being sarcastic about Josh
Wink! Acquaviva is a much better DJ (imo - just in case Wink sues me!)
:o)
GG
--
arghghgh how can you be more excited about wink than
acquaviva?!?!? john rules!
:)
-Joe
**
Entertainment UK Limited
Registered Office: 243 Blyth Road, Hayes, Middlesex UB3
1DN.
Registered in England Numbered 409775
T
A UK member wrote earlier:
>"I have decided over the weekend that I'm not going to go to DEMF (there's
>only that Trackmode thing I want to go to and Drexciya isn't even playing
>now) ...
I wonder how much of this feeling there is around, especially in Europe -
amid no Derrick May, Saunderson, Ca
Honestly,, I'd rather pay the full import price than to rely on Polygram
releasing an American version.
They screwed up the Two Pages release by taking out some of the great tracks
and messing with the sequence for the American release on that album.
-Original Message-
From: Odeluga, Ke
> Yeah those prices are pretty crazy. I didn't realize. Polygram is the
> biggest record company in the world (on many measures) so I'd guess that
> that's definitely deliberate, rather than poor strategy - somehow, they must
> figure that they'll earn more by selling at the import price ...
hmmm
advent is playing live tonight @ baktun in nyc, again ;)
-pete
-Original Message-
From: atomly [mailto:[EMAIL PROTECTED]
Sent: Sunday, April 14, 2002 1:45 PM
To: 313@hyperreal.org
Subject: Re: [313] Advent/ was Woody McBride
[Jake <[EMAIL PROTECTED]>]
> When does cisco ever make it to
Yeah those prices are pretty crazy. I didn't realize. Polygram is the
biggest record company in the world (on many measures) so I'd guess that
that's definitely deliberate, rather than poor strategy - somehow, they must
figure that they'll earn more by selling at the import price ...
>-Origina
I can honestly say that the price is the *one* thing stopping people from
buying that record. Regardless of people's tastes all you have to do is play
"Another Day" with Jill Scott and they ask "Whats that?" Then they catch the
40 dollar price tag and its over.
ID
--
>From: "Rob Theaks
**
Entertainment UK Limited
Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN.
Registered in England Numbered 409775
This e-mail is only intended for the person(s) to whom it is addressed and may
contain confiden
i guess the main problem is getting that record over here at a decent price.
unless you are die hard west london obsessive, it's a bit tough to justify
the $30-40 price tag i've seen for the vinyl; or the $23 CD price tag. too
bad mercury/polygram didn't have the good sense to do a US version at a
'Day of The Greys' for me (The Terrier Callier track). Mournful,
accomplished and deep of message. I'm a little surprised to be discussing
the LP now though ... I thought everyone vaguely into D and the universe it
exists in, would've checked it out already.
>-Original Message-
>From: Dan
cool might have to check it out..
what are the lineups like at the end ?
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>Sent: Monday, April 15, 2002 2:47 PM
>To: Steve Kai
>Cc: 313@hyperreal.org
>Subject: Re: [313] detroit in london
>
>
>
>In reply to your message
In reply to your message: "The End" has the best sound system in London.
Spot on! The end has long been the best club in London (imo.) and primarily
for that reason. They also don't pack 'em in like Fabric and the security
are, shall we say .. relaxed ;o)
---
mine is "Golden Solitude" with Bembe Segue on vocals. Amazing stuff.
at first I didn't dig the new 4Hero because of all the vocal tracks.
Now it's hard for me to dig their stuff *without* vocals.
They really do an amazing job on this one.
-d
however, the thing that does it for me is the la
Sorry, I didn't mean to say that all people in their teens are fans of
nu-rock, just that it seems to be the dominant sound - when I was 19, the
dominant sound (here in the UK anyway) was grunge, but you didn't catch me
wearing any Pearl Jam t-shirts... :)
Brendan
> -Original Message-
> F
i think i was misunderstood here...
what i was trying to say that he turned
off bass and mids, just playing the trebles
from a certain point of the set straight
until the end, not turning them on again.
robin pinning wrote:
> > > Derrick May was being pretty adventurous with the EQs,
> >
> > this
On half those records the crackles and pops are probably intentional though
;-)
>
> moreover, i have heard plenty of records done on expensive 180
> gram european
> vinyl that come out noisy and crackly as hell...so dont believe all the
> hype.
>
> jt
>
> PS BIG props to Southern Outpost!!! Esse
excuse me everyone, but T-1000 is not a mid-tier DJ. He is a high caliber
DJ. I think that everyone here should be happy that this is coming off and
people like PVD and PO and all these other Trance eating mofo's aren't
showing up. This could have turned into total crap.
heh ... you definite
tristan:
it's a mix of things. not so heavy on the drum and bass tip, more so on the
jazz/broken beat tip.
it has a bit of r&b as well, with ms. jill scott guesting on vocals for a
track. their production
sonically has never sounded better. very rich and warm.
however, the thing that does it for
mp3 is already compressed so any app will most likely not be able tocompress
it much further - add to this the fact that compression requires a header to
written onto the file you may end up with a file bigger than the mp3
:> i have a charles siegling MP3 set here ...from i think "Plus
:(China) 2
Techno can never die, the parameters for what it constitutes are too broad
for it to just pass away.
- Original Message -
From: Odeluga, Ken <[EMAIL PROTECTED]>
To: Tim Maughan <[EMAIL PROTECTED]>; [EMAIL PROTECTED] Org
<313@hyperreal.org>
Sent: Monday, April 15, 2002 1:20 PM
Subject: RE
Ahem, now I have no idea what age group you are discussing here, but I'm
not exactly into any form of "nu-rock" I like my techno, experimental
and house, and I'm 19.
>>> <[EMAIL PROTECTED]> 04/15/02 08:15 AM >>>
I've always seen techno as being "the music of the future" in the sense
that
it's *abo
I really enjoyed myself that night despite not having my dancing shoes on.
As Brendan intimated, Juan's track selection was perhaps better than his
mixing, but I'm happy just to hear "M5" or "Game One" in a set nowadays.
Derrick was dynamic, if a little too tribal for my liking. Agreed about the
q
>i'm pretty sure you can hear him doing this on the "mayday" ministry of
>sound Cd from a few years back. but it's a while since i heard it.
that mix is *the bomb* :))
--
This message is intended only for the personal a
i'm pretty sure you can hear him doing this on the "mayday" ministry of
sound Cd from a few years back. but it's a while since i heard it.
on 15/4/02 1:25 pm, Niko Tzoukmanis at [EMAIL PROTECTED]
wrote:
>
>
> [EMAIL PROTECTED] wrote:
>
>> Derrick May was being pretty adventurous with the EQs,
>I'd agree that the place was too packed, imagine when Mills
>rolls into town
>on 1 June
but I think that the sound at Fabric was top -
>probably the best
>you will hear, in London anyway.
I dunno - compared to somewhere like ministry (talking on a purely
soundsystem basis here - not music etc
oh - i don't doubt there's new talent comming through worldwide. i'd bloody
hope so, or ther'd be no point carrying on right here.
my point was more that we shouldn't try and kid ourselves that everyone else
outside our circle should suddenly sit up and take notice. that's not
necessirily that we
> > Derrick May was being pretty adventurous with the EQs,
>
> this reminds me of an anecdote i read some years ago
> about derrick may spinning at the ministry of sound,
> turning out bass and mids at a certain point of his set,
> so you could only hear the trebles... is that true ?
all techno dj
[EMAIL PROTECTED] wrote:
> Derrick May was being pretty adventurous with the EQs,
this reminds me of an anecdote i read some years ago
about derrick may spinning at the ministry of sound,
turning out bass and mids at a certain point of his set,
so you could only hear the trebles... is that true
I remember the first time I went to Fabric being really impressed with it,
that was probably around 2yrs ago now. Stacy Pullen and Dave Angel were
playing and it was wonderful. Such a large venue, bright, fresh I don't
really like going to Fabric now!
The management really let it go a bit. It'
It is a 3 years contract, ended this year, so for sure, from the next year,
the contract will be completely renegotiated, and certainly not in our
"favour"..
From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re:
[313] Pass the Excess Date: Sun, 14 Apr 2002 22:45:50 -0500
>About t
Derrick May was being pretty adventurous with the EQs, while Juan was
keeping things a bit more flat - I probably went for Juan's track selection
more than Derrick's (although "Fade to Grey" could have been faded out a bit
sooner I thought!), but to be honest I ended up spending a lot of time the
b
Well, London is one thing, but why not think Europe? - we have no borders
here after all: I'm sitting here with a cd by two Dutch guys who have so far
got and running totally under their own steam (and funding) - I don't know
how old they are but I don't think they're as old as me ;-) ... And I've
I've always seen techno as being "the music of the future" in the sense that
it's *about* the future rather than destined to be the mainstream music
everyone listens to in 2007 or whenever. But even still, in the time I've
been involved in electronic music (about 12 years or so) there's been a
defi
> There are always people within any genre who want the "scene" as it were to
> become more recognised, but for me personally, I love it the way it is. We
> can all discuss music we love with ease, plus we can also buy it very easily
> due to the Internet. Perhaps the only thing missing are the cl
What kind of fascist state are you living in then?
Can't you even express you're opinion publicly?
- Original Message -
From: "MikeD" <[EMAIL PROTECTED]>
To: "FC3 Richards" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: 12 April, 2002 11:42 PM
Subject: Re: [313] Ovum taking legal action
There are always people within any genre who want the "scene" as it were to
become more recognised, but for me personally, I love it the way it is. We
can all discuss music we love with ease, plus we can also buy it very easily
due to the Internet. Perhaps the only thing missing are the clubs thems
on 15/4/02 12:56 pm, Odeluga, Ken at [EMAIL PROTECTED] wrote:
> and
> I wonder if it's entirely justified, given the swathe of youngsters
> (compared to, er *some* ;o) getting involved, all around us?
really? I truly hope so. being stuck here in the UK there's no evidence of
that i can see.
on 15/4/02 12:53 pm, robin pinning at [EMAIL PROTECTED] wrote:
> maybe i'm showing my age
>
> :)
>
> robin...
i think that's the point - we all are. i frequently fail to understand
people getting upset about techno not getting mainstream coverage, or not
getting played in the clubs in favor
Lost was O.K if you don't mind warehouse style events with huge queues for
everything. I thought Juan's technical skills were terrible & Derrick May
was quite good.
(I know others that went on this list thought differently though.)
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