Almost forgot. Huge thanks to Martin (aka Vector Lovers) for contributing
last week's set. His releases can be found at www.somarecords.com.
-Original Message-
From: Anton Banks (313) [mailto:[EMAIL PROTECTED]
Sent: Wednesday, August 23, 2006 7:50 PM
To: 313@hyperreal.org
Subject: (313) Va
Please click the link to reply to me directly: www.antonbanks.com/email.html
News and other info can be found at the bottom of this message.
My next show will air live about 2 hours after this message was sent.
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I can handle the TNT stuff (mostly) but the Jamal stuff I'm a bit
more choosy about (some good stuff though)
On 23 Aug 2006, at 16:27, Thomas D. Cox, Jr. wrote:
On 8/23/06, chthonic streams <[EMAIL PROTECTED]> wrote:
you could lodge this complaint against some of the ghostly/spectral
stuff,
ha ha ha- that's so ridiculously true!!!
, i can see this 12" becoming a staple in derrick may sets for
the next 10 years.
tom
That pretty much hits the nail on the head for me- during the weekend
James Pennington and I were discussing how he often leaves tracks for
years without releasing them - "the ultimate test- the test of time"-
if you set out to make music that is of the "now" or "futuristic"
then generally
On Wed, Aug 23, 2006 at 05:07:03PM +0100, [EMAIL PROTECTED] wrote:
>
> Berghain's up there. Massive. A maze. Incredible soundsystem. Which just
> churns out that wonderful sound of continuous hard tech
Yep Francis, you had a great time. Berghain is a unique experience.
> last (some mad ga
-- Original Message --
From: "Blaauw, Martijn de " <[EMAIL PROTECTED]>
Date: Wed, 23 Aug 2006 18:21:09 +0200
>This band called 'She wants revenge'..do i hear Joy Divison in a
>2006 format???
>
>Hmmm...sounds quite allright actually
don't forget to
This band called 'She wants revenge'..do i hear Joy Divison in a
2006 format???
Hmmm...sounds quite allright actually
Martijn
haha, same thing really, although personally i consider a desk or console to be
of
the larger more professional variety. sometimes a soundboard or mixer is so
small
it can hardly be called a "desk" - yes even the main one for a club PA. there
are
some small clubs here in NYC. the worst off
Sounds like a wicked place
I was being a bit ironic in my previous post;-)
Good to read u had a good time...
-Oorspronkelijk bericht-
Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Verzonden: woensdag 23 augustus 2006 18:07
Aan: 313@Hyperreal.Org
Onderwerp: FW: (313) more blankhea
> -Original Message-
> From: chthonic [mailto:[EMAIL PROTECTED]
> Sent: 23 August 2006 16:32
>
> "soundboard" is shorthand for "soundboard recording", meaning
> the source of a live recording was directly from the mixing
> board of the main PA.
Course I forgot - Americans have "boards"
> -Original Message-
> From: Blaauw, Martijn de [mailto:[EMAIL PROTECTED]
> Sent: 23 August 2006 16:20
>
> Is Berlin still that übercoolische and all about minimal,
> silk scarfs, trendy beards and haircuts?
Berlin [EMAIL PROTECTED] rocks. Maybe some parts are like that. But we either
On 8/23/06, chthonic <[EMAIL PROTECTED]> wrote:
you want ghostly/spectral to get dirty and nasty, try the james t. cotton and
audion
stuff.
eh, ive listened to all of them, none of them really moved me. there
wasnt enough insane sounding stuff going on in them. the afrika record
is probably on
Is Berlin still that übercoolische and all about minimal, silk scarfs, trendy
beards and haircuts?
by the way...I like that 'i'm a dancing machine' mixalbum by Magda a lot..
-Oorspronkelijk bericht-
Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Verzonden: woensdag 23 augustus 2006 1
On 23 Aug 2006, at 16:11, [EMAIL PROTECTED] wrote:
-Original Message-
From: J.T. [mailto:[EMAIL PROTECTED]
Sent: 21 August 2006 22:42
i'm totally baffled why people don't like it?
Just sounds like a load of other average latin dance records to me.
I'll go listen to the 12" instead of
-- Original Message --
From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
Date: Wed, 23 Aug 2006 11:27:04 -0400
>On 8/23/06, chthonic streams <[EMAIL PROTECTED]> wrote:
>
>> you could lodge this complaint against some of the ghostly/spectral
>> stuff, but for
-- Original Message --
From: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
Reply-To: <[EMAIL PROTECTED]>
Date: Wed, 23 Aug 2006 16:08:04 +0100
>I'm starting to wonder if the weekend I've just had in Berlin has wiped part
>of my
brain (=likely). In addition to
On 8/23/06, chthonic streams <[EMAIL PROTECTED]> wrote:
you could lodge this complaint against some of the ghostly/spectral
stuff, but for the most part it sounds great to me.
i like a decent bit of the ghostly/spectral stuff. i wouldnt buy most
of it, but its at least some dirty nasty busines
On 8/23/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
Dunno if you're reading Tris 100% on this one Tom? I hope this is the case 'cos
if so I'm the bringer of good news - it's on the
current mega repress - Piccadilly had 17 SS repress 12"s in last week
yeah im on top of it ;) i was just la
On 8/23/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
Just sounds like a load of other average latin dance records to me.
I'll go listen to the 12" instead of the clips to see if that changes my mind.
i dont know man, im generally underwhelmed by any music that has a
"latin" feel aside from
> -Original Message-
> From: J.T. [mailto:[EMAIL PROTECTED]
> Sent: 21 August 2006 22:42
>
> i'm totally baffled why people don't like it?
Just sounds like a load of other average latin dance records to me.
I'll go listen to the 12" instead of the clips to see if that changes my mind.
I'm starting to wonder if the weekend I've just had in Berlin has wiped part of
my brain (=likely). In addition to the previous
post I just commented on and, I suspect, possibly misunderstanding Tom on the
not having Theo Essential Selections thing I have no
idea what a "soundboard" is - some ty
Ralf I love posts like this! I understand none of the 4(?) things you are
saying here. I'm not sure whether to ask you to explain
or not to spoil the fun by doing so :-)
> -Original Message-
> From: Ralf Gill (healthAlliance)
> [mailto:[EMAIL PROTECTED]
> Sent: 19 August 2006 10:05
> -Original Message-
> From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
> Sent: 19 August 2006 18:12
>
> On 8/19/06, Tristan Watkins <[EMAIL PROTECTED]> wrote:
>
> > Ah, well I guess you can get Essential Selections 1 now, right?
>
> yeah. the worst part is that i saw it in 05, but i
> This is a really nice compilation, both for featuring some
> lesser known artists and for the quality of the tracks.
Got this at Hardwax at the weekend. Then left it on the S-Bahn train to the
airport on Monday. What you get for leaving Berghain
past dinnertime on Sunday I suppose. It was
> -Original Message-
> From: Tristan Watkins [mailto:[EMAIL PROTECTED]
> Sent: 31 August 2006 23:37
>
> Anyhow... I'm very happy to have it again. I never knew Loop
> 1.5 or Catatonic Part 2 existed, so that's been a nice
> surprise. It's one of those odd releases where the vinyl has
>
My own 2 cents:
I think you see the same thing in all types of music. A style is
developed at some time, and it's innovative at the time, and it sounds
great. After the style is pioneered, it remains popular with people who
love it, and they start making tracks in that style, using the same
Can't speak for the others, but I'm talking about a general trend
rather than any specific artists. If you compare current releases
with those of say 10 years ago, they have in general become far
smoother, cleaner and, in a way, colder. I rarely hear new material
with the depth and warmth of
On 8/23/06, Matt Chester (313) <[EMAIL PROTECTED]> wrote:
It's a very subjective thing, a lot of people seem to feel that striving for
the so-called perfect production is an essential development, but personally
I'm far more into a sound that gives more rawness, warmth and depth than one
which i
Robert Hood at The Zoo (Hasselt-Belgium) - March 12th, 2005
http://www.megaupload.com/fr/?d=IZGEF1C8
Rob Hood
http://dodownload.filefront.com/5387306//61a9e0e439735aa05fbbe922f40aca8747878f21deecb58ebe61efd6911965aecbe41edd6d55f0de
Speaking about demf
Richie Hawtin
http://dodownload.filefron
Also, any one want to cite some examples of this recent wave of boring
polished melodic techno that people are saying is not gritty enough? Are
you
all still talking about Vince Watson or just general trends in production?
Can't speak for the others, but I'm talking about a general trend rat
I had a go. It's not Analord, and I thought it might be Urban Tribe on
Rephlex, but it doesn't appear to be that from the Urban Tribe clips.
Electro ain't my strong suit I'm afraid.
Tristan
===
[EMAIL PROTECTED]
http://www.phonopsia.co.uk
- Original Message -
From: "Greg Earle" <[
one thing not mentioned so far: hard disc failure!
a hard disc failure in your head might lead to some failure of your
external hard disc you use to store your music data!
Indeed. Think how much 3000 wavs would cost you to buy though. Some
maths: roughly £1 per track, 80MB per track, that'
On Aug 18, 2006, at 4:45 PM, Nick Breinich <[EMAIL PROTECTED]> wrote:
Hey all,
I don't have many details on this set, but if you like electro
[meaning you inherently like drexciya :) ], you should check this
out. it made my day a lot better.
http://oliver.epm-musiconline.com/DJ%20Stingra
Just a reminder re: the Consumer vs. User remix contest:
The deadline for getting your entry in is next Thursday August 31
noon Atlantic Standard Time. So if you're finishing up your remix
or haven't gotten around to starting it yet, please make sure you
get it into Stratagem Musik by the deadlin
its probably similar to having an engineer working on your stuff.
every "real" producer does it, only in dance music is it expected that
the producer also be the engineer.
tom
On 8/22/06, Simon Hindle <[EMAIL PROTECTED]> wrote:
He is also Timo Mass' "production partner" (responsible for that mi
On Thu, Aug 31, 2006 at 11:37:20PM +0100, Tristan Watkins wrote:
> > -Original Message-
> > From: Tristan Watkins [mailto:[EMAIL PROTECTED]
> > Sent: 20 August 2006 13:24
> > To: 'Guilherme Menegon Arantes'; 'Tristan Watkins'
> > Cc: 313@hyperreal.org
> > Subject: RE: (313) Re: Nice Detroit
He is also Timo Mass' "production partner" (responsible for that mix of
Azzido Da Bass' "Dooms night" a few years ago that blew the f*ck up),
and is also "Production partner" for all the current super hits on M_nus
etc that bear Locodice's name.
Does anyone else think that there is something a bit
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