ng/rok cd
(essential underground) and the newer ones are listed as "in stock." in
stock WHERE?
brian
Brian Dillard
"Who's George Clinton? Isn't he a country singer or something?"
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as is her sumptuous "Fjorden" LP ... Kate Bush meets Can meets Derrick May.
Brian
-Original Message-
From: Gwendal Cobert [mailto:[EMAIL PROTECTED]
Sent: Friday, June 07, 2002 12:38 AM
To: 313@hyperreal.org
Subject: RE: [313] Techno songs so good they make you cry
> christian morgen
i hate to say it, but cheeze/piano/kiddie choir hardcore/d-n-b classic "the
sound of music" by nookie" ...
"
just close your eyes and dream with me /
you'll hear the sound of music /
m-ziik /
muuu-zik!
"
-Original Message-
From: Brian 'balistic' Prince [mai
I'm one of the first people who jumped onto this thread.
When I did, I changed my subject line to OT: Globalization [was:
sumberge.panel].
In most of my posts on the subject, I have brought the thread back to
Detroit and to Detroit music.
I fail to see how this relatively novel thread - which I
if roland hadn't been interested in selling TB-303 bass emulators to people
- and competing with companies that made bass guitars - acid house wouldn't
exist. fact. most of the gear that is used to make electronic music exists
because of fierce competition and innovation among a handful of equipmen
"increases in technology have led to globalization which has led to dramatic
increases in inequity in these countries"
h. maybe because instead of the entire country being poor, globalization
has allowed a technological elite to emerge into standards of living on par
with the middle class
it's not a mis-press, just a jokey promotional tool. it's still relatively
rare and might fetch money on ebay. then again, i have seen copies in
several record stores, including a copy at smallfish london.
brian
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Fr
speaking of japansese telecom - and speaking of the pet shop boys the other
day - neil tennant lists "virtual geisha" in his current top 5 in the new
pet shop boys fan club magazine.
brian
-Original Message-
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: 5/3/02 11:44 AM
Subject: [313
anyone have any thoughts on the latest two cds from the folks who brought us
tehnika, last year's excellent survey of slovenian techno? i'm really
digging 'em. the temponauta album is driving and nicely detailed
minimal/detroity stuff - more bread and butter techno. the random numbers
one ("logic")
hear, hear. that moby remix of "miserablism" is fantastic. such a great
song. anyone know if that's an actual 303 on it?
i'm a huge, and unashamed pet shop boys fan. and i love their very acoustic
new album, ESPECIALLY the eminem track (which is actually the next to last.)
313 content: anyone eve
not sure what you meant by "impact," but richie hawtin turned a mediocre
depeche mode b-side ("painkiller") in a lost plastikman classic, with
tweaked and treated guitars in place of the normal twisted acid lines.
brian
-Original Message-
From: Phonopsia [mailto:[EMAIL PROTECTED]
Sent: Fr
http://www.villagevoice.com/issues/0217/romano.php
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my fave online haikus are about whitney houston and bobby brown.
sample:
Bobby a'twitchin'
Whitney puts down her pipe, says
"Damn! Call 911!"
more here: http://www.beardburn.com/issuefive/haikurama.html
313 topic: listening to placid angles "the cry" - god, john beltran is a
genius!
--brian
-
check the archives.
terrence parker gave a very long and knowledgable history of this speech and
the records on which it's appeared, oh, about a year and a half ago.
brian dillard
-Original Message-
From: Sakari Karipuro [mailto:[EMAIL PROTECTED]
Sent: Tuesday, April 23, 2002 9:55
import prices have more to do with customs duty than with the record company
making more money. when a multinational decides not to do a domestic
release, they're basically just giving a gift to the government and screwing
the fans.
however, in case folks haven't figured it out yet, buying a singl
speaking of rip, rig and panic, is anyone here familiar with float-up cp?
they were another early '80s outfit (like the slits and rrp) to feature the
young neneh cherry. i have one 12-inch and it's really great - like rrp, but
hookier. not sure if they ever released anything else
brian
-O
HBO's Six Feet Under pages list the music credits this season - not sure if
they're trying to prove how edgy they are or it's a prerequisite for their
music licensing contract. There's a soundtrack coming out w/ both Rae &
Christian and Photek remixes of the theme music. My fave musical moment this
for the more glamour/lifestyle-obsessed side of the electroclash scene,
point your browsers here:
http://www.glamourpimple.com/live.03.12.01/flipbooks/front_flip.html
if nothing else, there are some cool Chicks on Speed/Adult. photos.
--brian
-Original Message-
From: james boylan [mailt
mark bell is listed in the production credits, albeit minimally.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Monday, March 18, 2002 9:05 AM
To: Mann, Ravinder [CCS]
Cc: 'Jongsma, K.J.'; '313@hyperreal.org'
Subject: RE: [313] LFO Back together?
I don't think
i hate to ruin the day of anyone on-list who already bid on it, but there's
a copy of the hawtin, hood and craig remixes of "losing control" on ebay
right now. i'm not even the seller!
brian
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that's LSG
(Gerald) Levert, (Keith) Sweat, (Johnny) Gill
--brian
-Original Message-
From: Phonopsia [mailto:[EMAIL PROTECTED]
Sent: Thursday, March 21, 2002 3:34 PM
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: [313] LFO Again...
- Original Message -
From: "Gwendal Cobe
despite the existence of "lyte funky ones," the rock boy band, mark bell IS
working on a new LFO album. it's on the warp web site.
brian
-Original Message-
From: Gwendal Cobert [mailto:[EMAIL PROTECTED]
Sent: Thursday, March 21, 2002 7:46 AM
To: 313@hyperreal.org
Subject: RE: [313] LFO Ag
i'm not sure if the font you're talking about is the jagged red and
blackone, but it was used on "artifakts (b.c.)" post-"consumed" and is
currently used on the one-page plastikman.com site.
brian
-Original Message-
From: Dan Sicko [mailto:[EMAIL PROTECTED]
Sent: Tuesday, March 19, 2002 7
i don't understand why all the new-school electro-pop gets so much criticism
but so much new-school jazz/house/breaks, broken-beat-type stuff passes the
"quality" test. i know it all comes down to individual tastes, but it just
leaves me thinking. are we really so ashamed of electronic music's hist
this is an ancient thread but i'm playing catchup.
i know they're incredibly over-sampled and over-played, but the Chic
Organization had an immeasurible influence on both pop and electronic music.
all of the early Chic albums contain killer, if over-familiar, singles and
hidden-gem album tracks. e
try "mad on acid," a two-cd compilation of chicago classics plus a few other
turn-of-the-decade acid tracks, including one by joey beltram (can't
remember which).
brian
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 06, 2002 11:12 AM
To: Gramme
amen. having attended sickness and recovery as a total newbie a few months
earlier and been blown away by mills, hawtin and acquaviva, i attended
blastoff as a budding convert to all things techno. hell and claude blew my
mind - and still blow it, from time to time.
brian
-Original Message---
out each other's
noisier tendencies. serense, sometimes playful and always quirky idm, with
the track titles ("angels at the gates of pandemonium," "butch," broccoli,"
"poppy seed") giving a good indication of the beautiful weirdness on
display.
brian dillar
Watching "Gentlemen Prefer French & Saunders" last night - DVD of highlights
from the British sketch-comedy show that spawned "Absolutely Fabulous." The
actual sketch that originated the "AbFab" idea was called "Modern Mother and
Daughter" and it's included on this DVD. The sketch takes place durin
me: 29
born: battle creek
reside: san francisco
previous: 5 years in chicago w/ frequent trips to detroit
before that: michgan state
occupation: full-time programmer/part-time freelance writer
make music? no, but review it at armchair-dj.com
brian
-Original Message-
From: Jones, George [m
I think it's well-produced, but a lot of the lyrics are pretty cheesy. "My
Sweet Butterfly"? OK, like THAT'S not the most overused metaphor in the
entire English language. Nothing makes my skin crawl more than destroying a
soulful piece of electronic music with lyrics that belong on an N'Sync
album
http://www.salon.com/ent/music/review/2002/01/29/chemical/index.html
There's a really irritating review of the new Chemical Brothers album that
mentions Strings of Life and the birth of Detroit techno in today's
Salon.com.
Bri
it's ... ok. i'm actually a pretty big blake baxter fan, and this disc is
not high on my rotation. certainly not up to the par of the later globus
mixes (bell, herbert).
--brian
-Original Message-
From: Wes [mailto:[EMAIL PROTECTED]
Sent: Saturday, January 19, 2002 10:46 AM
To: 313@hyperr
oh, and i'm also wondering about the techno tracks just before the end of
the CD. one of 'em sounds like e-dancer but i'm not sure which track. i'd
also like to know what the track immediately afterward is.
brian
-Original Message-
From: Brian Dillard
To: '313@
i'm wondering if folks could help me ID a couple of tracks from one of the
KMS CDR bootlegs that were overflowing in record time's bins at DEMF time.
from about the 22-minute mark to the 26-minute mark, kevin works the shit
out of his filters on a track with a mostly spoken-word female vocal and a
l
art-damaged punk techno, including a new EP with krautrock revival poster
boys kreidler.
brian dillard
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i find this whole thread about dancing/not dancing and talking/not talking
to be very interesting because it gets at people's entire conception about
what a party should be. there's the classic "concert" conception of a
musical event where the audience is supposed to stare at the performers and
mov
i think the guy's french and it's just fractured english, but it _is_ pretty
funny that his message can be interpreted to mean its own opposite just
because of incorrect verb forms
brian
-Original Message-
From: James Bucknell [mailto:[EMAIL PROTECTED]
Sent: Tuesday, November 20, 2001
wow, 137 out of 212. i have a lot of catching up to do.
what can anybody tell me about these releases:
silent phase: rewired remixes
various artists/mark gage intelliNET: the story so far
especially the latter as i thought i had all plus 8-related comps and have
never heard of this one.
--br
yes, but it's VERY hard to find these days. i had to settle for a CDR of
Napster MP3s.
dale--how about bugging richie & co. for a re-release under the plus 8
classics banner?
brian dillard
[EMAIL PROTECTED]
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTEC
http://www.dogsquad.com/ is the official site for black dog productions.
brian
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 01, 2001 9:33 AM
To: 313@hyperreal.org
Subject: [313] BLACK DOG
Hello everybody!
I am looking for some info about
I recently got the "Fred" LP under the name "Fred Gianelli" from the late
'80s on I think Wax Trax ... don't remember where I found it, though it was
online somewhere. There's also a set of "Rosebud" remixes on the same label.
Both were on CD. The ambient CD "Telepathic Romance" on Sahko is pretty
;byte size life" (even
though that one had a track title that referenced detroit), it returns to
the sinister edge of 1997's "skeleton keys." anyone else here heard it?
brian dillard
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here's my review from armchair-dj.com.
if you visit it on the site it includes links to earlier felix albums,
including "i know electrikboy."
http://www.armchair-dj.com/handler.asp?/reviews/k/kittenz_and_thee_glitz.asp
Felix Da Housecat
Kittenz and Thee Glitz
CD, City Rockers/Vital, UK,
"Come On Now Baby" from the "Detroit: Beyond the Third Wave" comp is my
favorite K Hand track ever. Really slamming dancefloor production and a
gritty, nagging vocal hook. I've got some of her other stuff, including the
new LP on Tresor, and haven't really heard anything I liked as much as that.
An
for plus 8:
http://www.plus8.com/Plus_8/
this one and the probe one that are just posted aren't linked to from the
current plus8 site but since they're now a year behind schedule in getting
the final plus8 site up, it's a good thing the old content is all still
there lurking.
brian
-Origina
"good love" is the recent inner city 12. i think it was released in a couple
of different versions but i'm not sure.
brian
-Original Message-
From: Cyclone Wehner [mailto:[EMAIL PROTECTED]
Sent: Monday, October 01, 2001 8:45 AM
To: 313 Detroit
Subject: [313] KMS Info
This is my first po
"good love" is the recent inner city 12. i think it was released in a couple
of different versions but i'm not sure.
brian
-Original Message-
From: Cyclone Wehner [mailto:[EMAIL PROTECTED]
Sent: Monday, October 01, 2001 8:45 AM
To: 313 Detroit
Subject: [313] KMS Info
This is my first po
en't
america/europe/china/japan/africa. my $.02.
brian
-Original Message-
From: Jason Kessler [mailto:[EMAIL PROTECTED]
Sent: Thursday, September 20, 2001 8:20 AM
To: Brian Dillard; 313@hyperreal.org
Subject: Re: [313] Enough with the "False" CNN Coverage ting, already!
ation in arizona any good to argue
that not only are arabs caucasians, but that sikhs aren't arabs at all but
are south asians? i don't think so.
brian dillard
-Original Message-
From: Jason Kessler [mailto:[EMAIL PROTECTED]
Sent: Thursday, September 20, 2001 7:21 AM
To: gord; Da
I _worship_ this record.Ccan anyone recommend earlier releases from Mr.
Ruskin besides the other Tresor LP? I know he had some problems in the past
with getting his personal vision reflected in the records he worked on
Brian
P.S. Review of "Into Submission" at
http://www.armchair-dj.com/revie
ouch! there's a good hawtin crack in here and a mean rolando one. funny how
my sympathy is inversely proportional to the artists' marketing budgets.
anyway, let the melee begin:
===
Whippet Good
by Hobey Echlin
Detroit Grand Pubahs
Funk All Y'All
Jive Electro
For a music that started o
sept. 18, tho it seems like half the planet has promos.
brian
-Original Message-
From: troy butler [mailto:[EMAIL PROTECTED]
Sent: Tuesday, September 04, 2001 2:36 PM
To: 313@hyperreal.org
Subject: [313] Closer To The Edit
just curious...can anyone tell me the release date of
richie haw
I did see it, and my favorite thing about it is that the writer identifies
house as "primarily a British export." Reminds me of when Salon.com said
that with "Play," Moby was restoring the spiritual element to techno. I
wrote in, and actually got published, telling them that I was sure Mike
Banks,
Here is the full trackisting for Closer to the Edit.
--Brian
===
Label: NOVAMUTE Artist: Richie Hawtin
Format: CD Title: DE9: Closer To The Edit
TRACK TITLE WRITTEN BY
1 0:00
Rhythm & Sound Range Basic Channel 1999 RS04 BCP (BMG/UFA)
Blue Tr
god, yes. how could i forget fred g. at demf. "discombobulate"! woo hoo!
-Original Message-
From: Fred Heutte [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 30, 2001 11:16 AM
To: 313@hyperreal.org
Subject: Re: [313] Live shows
Tristan and a couple of others have mentioned live sets tha
one of the writers for my web site forwarded me a printout of an email from
richie's publicist that breaks down which tracks on the cd come from which
tracks in real life. for each cd "track" you get a list of 3,4,5 or 6
"songs" that contributed to it. it gives the full info on first reference,
the
i have to say:
1) carl craig's innerzone live debut at st. andrews in 97 or 98 (can't
remember which), when a room full of candy ravers (incl. myself at the time)
kind of half-swayed, half-danced around for at least a half an hour wating
for the beats to drop before splitting into two contingents,
As far as recent melodic/ambient IDM, I suggest the "Slag Boom Van Loon"
eponymous album on Planet Mu. Really ace collaboration between Speedy J and
Mu-Ziq. Review at
http://www.armchair-dj.com/reviews/s/slag_boom_van_loon.asp.
A so-so collection of remixes of this stuff came out this year under th
you can't go wrong with warp's plaid retrospective, "trainer." chronicles
the work of former black dog memebers ed handley and andy turner from the
early to mid '90s. they later toured with bjork, produced nicolette and plus
one and released a string of albums, including this year's "double figure.
at least one of the slater remixes was available on a commercial cd single.
i think it was british but could have been e.u. or japan.
brian
-Original Message-
From: Jussi Lehtonen [mailto:[EMAIL PROTECTED]
Sent: Tuesday, August 28, 2001 7:27 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
olt's "man
next door," produced by adrian sherwood, came out in '80).
brian dillard
-Original Message-
From: M. Todd Smith [mailto:[EMAIL PROTECTED]
Sent: Friday, August 24, 2001 7:52 AM
To: 313 List
Subject: Re: [313] Is Prince the root o
quot;is" techno or
ever even made it, but in terms of four-track bedroom funk, the man is a
pioneer.
brian dillard
-Original Message-
From: Dan Sicko [mailto:[EMAIL PROTECTED]
Sent: Tuesday, August 21, 2001 8:43 PM
To: Ian; 313@hyperreal.org
Subject: Re: [313] Is Prince the root of
what Detroit Technology mix? is this a cd? something online? details,
please
brian
-Original Message-
From: Jason Donnelly [mailto:[EMAIL PROTECTED]
Sent: Monday, August 20, 2001 8:14 AM
To: 313@hyperreal.org
Subject: [313] Common Factor does Glasgow
hello all
Common Factor will be
the boring thing about many of richie's sets in the last year or two isn't
about what technology he's using, it's about dynamics. he just brings it up,
then way down, then up, then down, with no middle ground. it's like being
jack-hammered to death. which is why i love the new "closer to the edit"
any word on whether squarepusher is a go tonight?
brian
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what's the deal with lost? is it the last saturday of every month? i will be
in london the last week in october and was hoping to go; last time i was in
london mills was spinning at lost but it sold out before i could get tix.
--brian dillard
-Original Message-
From: Tom Robbins [m
by the way, has recloose's "jigsaw music" mix cd come out yet? label,
details, anyone, anyone?
b.
-Original Message-
From: Gerald [mailto:[EMAIL PROTECTED]
Sent: Thursday, July 26, 2001 4:35 PM
To: 313@hyperreal.org
Cc: Phonopsia
Subject: Re: [313] Broken Beat House/West London
Phonop
granted, it's awful - one of the worst covers i've ever seen. but the
music's so good, particularly the exclusive shake and random noise
generation tracks, that WHO CARES?! i'm sure carl didn't have ANYTHING else
on his mind while this cd was being created/manufactured - like, oh,
festival contract
little confused about the other two.
a newfound fanatic,
brian dillard
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i believe the lyric is "break me off / show me what you got." i know it
doesn't make much sense, but i've been listening to this album on headphones
daily for a couple of months now and it's definitely a "b" sound.
brian
-Original Message-
From: Jonny McIntosh [mailto:[EMAIL PROTECTED]
Se
nt. go to www.bjork.com
for a full discography to find the various formats on which it appeared.
in a somewhat related vein, anyone else here a fan of carl craig's remix of
gusgus's "polyesterday"? really amazing, either the commercial mix or the
promo-only dub, imho
b
Remix of Delite's "Wild Times" from about '89. Different group from
Deee-Lite, the "Groove is in the Heart" house-pop group. A big anthem at the
Hacienda in Manchester. Recently repressed on bootleg.
Brian Dillard
-Original Message-
From: Williams, Howard
i doubt that. richie loves to record shop and claims he gets his best stuff
at obscure stores, not mailed to him.
brian
-Original Message-
From: joshtwentythree [mailto:[EMAIL PROTECTED]
Sent: Thursday, July 05, 2001 10:17 AM
To: '313@hyperreal.org'
Subject: Re: [313] Richie in SF..
I w
is there any reason to send out an email alert, put up online flyers, and
hand out postcards to tens of thousands of people at the DEMF for a party
where the capacity was all of 400? despite being in line by 10:30 p.m. and
freezing our asses off, we still didn't get into jak by 1:30 a.m. and went
h
eddie fowlkes remixed the pet shop boys, as did terrence parker. eddie did
"i want a dog." terrence did "i wouldn't normally do this kind of thing."
both were ace. also, kevin saunderson remixed kym mazelle. "wait," i think
it was. tasty.
brian
brian j. dillard | [EMAIL PROTECTED]
---
delite
a different group from the pop-house trio deee-lite.
--brian dillard
-Original Message-
From: .: Caltrop :. [mailto:[EMAIL PROTECTED]
Sent: Thursday, May 10, 2001 4:43 PM
To: 313@hyperreal.org
Subject: [313] derrick may - wildtimes rmx
who is the original artist of that remix
it was on his pr agent's website last summer; she pointed it out to me when
i was setting up a phone interview.
--brian
-Original Message-
From: darw_n [mailto:[EMAIL PROTECTED]
Sent: Wednesday, May 09, 2001 8:25 PM
To: 313@hyperreal.org
Subject: [313] did richie's mom write this?
It sa
graham massey didn't produce any bjork solo stuff till her second album,
"post." the first one was produced by nellee hooper of soul ii soul/sinead
o'connor/madonna fame.
bjork was definitely aware of plus 8 at the time; speedy j remixed her first
single, "human behaviour," off the same album as "
Please get in touch re: the order I placed w/ you.
Sorry for the waste of bandwidth.
Brian
brian j. dillard | [EMAIL PROTECTED]
-
reflect.com | [EMAIL PROTECTED]
armchairdj.com | [EMAIL PROTECTED]
plastikfan.org | [EMAIL PROTECTED]
i hate to recommend them b/c their site is kludgy and their service sucks,
but http://www.htfr.co.uk/ sometimes gets some good stuff. they're a big
shop in the uk who sell equipment and used records. they put their entire
catalogue online, so if you've got something you're desperate for and check
o
zoom is probably correct, given that he remixed uk avant-pop group saint
etienne's 1992 track "join our club" into the "chemically friendly zoom
mix." ask him about _that_ connection if you think of it.
brian
-Original Message-
From: Perry, Jeff [mailto:[EMAIL PROTECTED]
Sent: Tuesday, Ap
nicole willis: soul makeover on sahko
distributed by caroline in the u.s.
excellent.
review at:
http://www.armchair-dj.com/reviews/s/soul_makeover.asp
brian dillard
-Original Message-
From: fab137 [mailto:[EMAIL PROTECTED]
Sent: Friday, March 23, 2001 2:22 AM
To: 313 list
Subject: [313
Way back a year ago one of the Detroit papers ran a profile of Terrence and
said his new album, "TP2K," would be out imminently. I've never been able to
find it. Anybody know what ever happened to it?
Terrence, are you out there, buddy? "Detroit After Dark" was the bomb -
more, please!
Brian
bri
some friends of mine are throwing the second-annual detroit meets miami
party.
DJ Lineup:
Juan Atkins (Metroplex , Tresor)
Terrence Parker (Intangible Soundworks)
Alton Miller (Distance, Trackmode)
DJ T-1000 (Pure Sonik Records)
Mike Clark (Planet E Records)
Stryke (Guidance , Sunrise, Platform,Si
m.com, a huge database of used- and new-record stores.
brian dillard
brian j. dillard | [EMAIL PROTECTED]
www.reflect.com | [EMAIL PROTECTED]
www.armchair-dj.com | [EMAIL PROTECTED]
-Original Message-
From: Synthetic Tom [mailto:[EMAIL PROTECTED]
Sent: Wednesday, Februa
anyone know whether the mark bell who recorded as planet e's clark (n.b.
"jack to basics" on the new geology vol. 2 comp) is the same guy who was in
LFO and produced the last couple Bjork records?
Brian
brian j. dillard | [EMAIL PROTECTED]
www.reflect.com | [EMAIL PROTECTED]
www.armc
anybody know what the relationship is between claude young's pattern buffer
records and "patterns the album"? is the album a collection of the earlier
12-inch tracks or something altogether different?
brian
brian j. dillard | [EMAIL PROTECTED]
www.reflect.com | [EMAIL PROTECTED]
www.
of their other productions, but
their set at 1015 seemed big, empty and boring. then again, maybe it was
just the venue.
brian dillard
[EMAIL PROTECTED]
-Original Message-
From: Phonopsia [mailto:[EMAIL PROTECTED]
Sent: Tuesday, January 23, 2001 2:55 PM
To: Dharma Fowler; 313@hyperreal.org
Subject:
and on the limited-pressing British two-CD version of the remix comp (The
Rest of) New Order; Disc I contained the album; disc II contained numerous
additional remixes of "Blue Monday," incl. the Hawtin one. not sure if this
was released on vinyl.
Brian Dillard
-Original Message
rojects at:
http://www.armchair-dj.com/handler.asp?/features/interviews/richie_hawtin.as
p
Brian Dillard
[EMAIL PROTECTED]
-Original Message-
From: The Deliverator [mailto:[EMAIL PROTECTED]
Sent: Wednesday, June 28, 2000 12:44 PM
To: 313@hyperreal.org
Subject: [313] +8 Website
Greetin
Sorry, wrong subject heading.
>I just posted a lengthy interview with Stewart Walker to my Web site,
Armchair->DJ, which covers both electronic and pop music from a decidedly
non-purist, >home-listening point of view. Enjoy.
Brian
---
Brian J. Dillard | [EM
I just posted a lengthy interview with Stewart Walker to my Web site,
Armchair-DJ, which covers both electronic and pop music from a decidedly
non-purist, home-listening point of view. Enjoy.
Brian
---
Brian J. Dillard | [EMAIL PROTECTED]
Armchair DJ | http:
They have been pressed - on a black-label called M_Nus 2. I picked up a copy
at Chicago's Gramaphone the other day, thanks to a tipoff from my friend Kit
(Intrakit), a former listmember. "PK" is pretty great - splits the
difference between "Consumed" and "Artifakts" - dank and deep but also
driving
are you talking the cd or the vinyl? not sure about the vinyl but afrika
(test kut) is _not_ on the cd. hypokondriak was released as a 12-inch w/
afrika as the b-side. the cd album "artifakts(b.c.)" has these tracks:
korridor
psyk
pakard
hypokondriak
rekall
skizofrenik
are friends elecktrk?
Land of the Lost by Green Velvet, probably.
-Original Message-
From: Blair McBride [mailto:[EMAIL PROTECTED]
Sent: Tuesday, April 11, 2000 11:04 AM
To: 313@hyperreal.org
Subject: (313) track id
a track that dj bone plays (well, its in his set on technologix) with a
sample that goes some
> From: Brian Dillard
> Sent: Wednesday, April 05, 2000 1:51 PM
> To: '[EMAIL PROTECTED]'
> Subject: village voice miami postmortem
>
> http://www.villagevoice.com/issues/0014/romano.shtml
>
> check the last paragraph f
> On the topic of Columbia House: at the Rotterdam Film Festival two
> months ago, I saw the movie/documentary "The Target Shoots First". It's
"The Target Shoots First" premiered last summer at the Chicago Underground
Film Festival. It rocked. Chris Wilcha was the guy who made it. A journalist
fri
can anybody confirm the release dates for the following juan atkins cds? i'm
especially wondering whether the cd release date for jazz is the teacher was
different from the vinyl release date. i'm a little confused overall about
the release dates and countries of origin for a lot of those early tre
i'm going for a short vacation to california
anyone have any advice for record stores to hit in san fran or san diego?
in san fran i'll be staying in knob hill
in san diego, i'll be in hillcrest, i think
brian
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Brian J. Dillard | [EMAIL PROTECTED]
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