I'd guess Mills, per
14:18 "The Punisher!"
27:51 "you want more punishment?'
29:10 "It's the Punisher"
besides, the sampling-scratching sounds VERY Wizard.
Cheers.
-marc
On 24-Oct-05, at 4:13 PM, Wojtek wrote:
http://basiclanguage.net/download/live%20at%20limelight.mp3
Is this with Mills as
My tongue-in-cheek response (to un-ruin the genre) says it already happened
DJ T-1000 "The Last DJ On Earth"
But that hasn't stopped folks from releasing some fine detroit techno
records afterwards.
I think it's obvious that it'll be the last DJ left on earth who
makes the last 313 record
Since Matt has so kindly pointed out the livejournal aspect of the
313 this AM, I'll reveal the moment of shame that begins my
association with 313 music.
Name: Marc Christensen
Age: 35
Born: Baltimore.
Lived: Detroit '72-'01. Victoria, BC, Canada '01-present.
At 2:36 PM -0400 4/14/05, /0 wrote:
id like to play somewhere with sound good enough for me to
differentiate between a 320k mp3 and a wav file
I'd like to *dance* at a club with sound that good, too!
Anyway, I still don't like the idea of computer files substituting
for vinyl. Just think, if
If neither seller nor bidder are really game on doing the
transaction, then all they're out is their ebay ID. Seller can
simply file a non-paying bidder claim, and all they're out is a
two-buck listing fee.
what a har.
On the other hand, it might have people's attention, now. har twice.
-m
That's exactly it, lee. It's rare, nobody's heard it, it's got to be worth 1K!
(But don't play it if you actually get your hands on one -- it'll
degrade its value! Who knows, this may have been one of mr g's
famous self-destructing slabs o vinyl. Bang! You're out your grand.)
-marc
At 9
At 10:45 AM + 2/18/05, [EMAIL PROTECTED] wrote:
Err, btw, apologies for talking loads of rubbish yesterday.
It's not everyday that alex will say THAT! Mark this date in the 313 archives!
heh.
-marc
Does that explain why Sean Deason is suddenly copyright protected?
-m.
At 5:29 PM +0100 10/19/04, Martin Dust wrote:
And Sean's doing a remix *LOL*
On 19 Oct 2004, at 17:20, Brendan Nelson wrote:
Err, there are...
3 of them, making up...
1 band, and they've worked with...
3 producers on the
Help me understand -- do we believe emotion electric got singled out
by bot, or by person?
Before we get too far in collectively imagining how to defeat the
mega-corporate worms, crawlers, & bots by using any of the combined
methods described below (graphically representing the tracklist,
fla
Now that these have been referenced in another
thread, can we expect to see the sets posted
somewhere soon?
(please...)
-marc
At 6:56 PM +0100 9/19/04, Tristan Watkins wrote:
[313] 10th Anniversary - UK (all tracks were created by one-time [313] list
participants)
=
RUN-DMC is 313-related insofar as the same kids who were trying to
bring the whole hip-hop thing into the D back in '84/85 had no
trouble dropping a Kraftwerk tape into their boom boxes:
It was of the moment.
Though I think most of the preps thought RUN-DMC (and the dude who
did the "Funky Co
Why has no one mentioned Inkster? Or Belleville itself? Or Ann
Arbor? They're cities too!
Sorry, alex has been such a cheeky devil in this thread, I wanted in
on the game too.
-m
PS my vote's for whatever special "city in the clouds" that Moritz
Von Oswald clearly lives in. I assume (pe
excuse my ignorance. it was P22's Cezanne font.
cheers,
-m
okay, anybody know the name (or a source for) the script font used on
carl craig's more songs about food & revolutionary art?
i've seen it in several places recently, and it's driving me nuts.
cheers in advance,
-marc c.
It's amazing to me that the Governors' people didn't more clearly
focus on the Techno then - to DEMF now connection. Making that link
would have allowed them to award May & Saunderson, and opt-in *or*
opt out both Atkins & Carl Craig.
But sometimes people in government aren't really as good a
The original question, IIRC, was whether Detroit Techno (as a term)
brought to mind abstract, string-laden melodies (the kind that demand
emotional as well as physical response) or
abstract-minimal-but-bangin' nonetheless tracks like the ones that
have long made Mills famous.
Of course, the q
Let's not forget that Dan Sicko made a nice contribution to the
shrinking cities project, too. It's on the website, under "working
papers" IIRC.
Cheers,
-marc
taken from http://www.shrinkingcities.com/ :
"Shrinking cities are a cultural challenge to us.
In the Shrinking Cities project, ar
Full Text of Article MEK mentioned. It's funny, like techno, it uses
_analog_ technology. Heh.
-m
The New York Times , Oct 27, 2003 pC1 col 03 (23 col in)
With Cable TV at M.I.T., Who Needs Napster ?(Business/Financial
Desk)(the Libraries Access to Music Project) John Schwartz.
Full Text
The canonical history holds that it was indeed out of the marketing
of the Ten Records Techno comp that the term "techno" first came to
be used to describe the 313 sound and differentiate it more
concretely from the sounds of Chicago's scene. But there's more than
one example of May in particu
Hey, does anyone know where to find the pre-'95 interview with
Derrick, conducted over a cell phone with a (British?) journalist,
where Derrick is tearing all over town in his sportscar talking about
how the Detroit landscape has been a primary influence for techno? I
was reading it last month
Indeed, Detroit cops' behaviour towards Detroiters (or out-of-town
guests) isn't exactly exemplary.
IIRC, in 2001, there were nearly a dozen unarmed civilians shot dead
by Detroit cops in situations where the use of lethal force was
certainly questionable. (Can you count holding a rake as "be
Speaking of Sheffield and Detroit, look at the concluding paragraph
to this article I never thought much of much of this article as
a whole, but it does make some sense in places.
-m
(from) Analogical reasoning, digital imagining /
Author: Kihm, Christophe.; Penwarden, C., tr
He probably figured that since he'd be playing a very public NYC gig,
he didn't want to be mistaken for Moby... (This would be funnier if
it weren't so close to likely.)
And the glasses, of course, as Gary noted. What's the consensus --
contacts or laser surgery?
-m
At 10:03 AM -0700 5/6/
At 11:37 AM -0500 1/28/03, Ian wrote:
> A spokesman of Kilpatrick says:
"If necessary, Dickens says, the name will change to the Detroit
International Electronic Music Festival, or some such variation."
D.I.E.M.F.?
Die M-F?
Personally, I'd like to see the acronym "M.F.I.C." worked into
Not to sound critical of scientific hypothesis (because really what
we have represented in the "risks" article is hypothesis, at a fairly
grandiose level), but doesn't this dude's hypothesis sound a lot like
the RIAA's best wet dream come true?
Extending this theory, the internet is also damag
Instead of accepting the term "electroclash" (which has obviously
allowed this thing to go on way longer than the music's 15-minutes of
fame one-note humor deserves) why don't we steal a term from
architecture and call it "Electro Revival" in the breathiest
upper-class british accent we can mus
Final Cut folks that Mills
recorded with, though.
As for a Chris Connely connection, I just don't know.
cheers,
-marc
At 7:21 PM + 12/6/02, Tristan Watkins wrote:
- Original Message -
From: "marc christensen" <[EMAIL PROTECTED]>
To: "<313 list>"
here's a test of folks' techno history:
who was sub-zero?
On the Techno City Records 1989 compilation "There's no way out (of
the groove)", the Subzero track "Right there that's it" gives
producer credit to final cut; engineer: Jeff Mills. Is this just
mills, or do folks have a clue as to wh
I'm not about to defend Eshun's -- uh -- excesses in More Brilliant
than the Sun. He has a tendency to throw a lot of stuff about, and
frankly a lot of it is more like an academic version of scat-poetry
than serious analysis. (I've always liked that he included "fiction"
in the subtitle -- it
Reply-To: <[EMAIL PROTECTED]>
From: "Contemporary Art Institute of Detroit" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Subject: Music created in the Motor City
Date: Wed, 20 Nov 2002 20:06:29 -0500
X-Priority: 3 (Normal)
Importance: Normal
Re:sounding Detroit: a comparative presentation and disc
Correction: in my last message, I meant to say "Scott Sterling" not
"Sterling Silver"
heh. call it a Freudian slip.
-m
Three categories of people ought to be honored by the exhibit:
1) the whole damn scene and taste culture that collectively led to
(and helped to develop) what was then simply "Detroit House" -- that
fine music we all know as Detroit techno. Without audiences deciding
what was fresh, and not s
dear "techno" --
It's nice to see you can couple a good, fresh insight to a troll.
Because you're right -- the old-school elitism of the NW side GQ
cliques was very palpable, and has been documented well in interview
sources.
Your reminder even makes the self-justifying marginalization of
d
that's an excellent thing to read, sean --
the media coverage of 8 Mile, even well beyond Detroit, has been
really outrageous. Witness the appearance of Eminem on the cover of
last Sunday's New York Times Magazine. The studios couldn't *pay* to
get that kind of treatment. And I have to say,
pardon me again
pardon me
pardon me again
pardon me
Making Something New Out of Dance Music's Past
By KELEFA SANNEH
LAST year, disco and new wave underwent a dance-floor revival, as
electronic producers mimicked the pop songs they had grown up loving.
Smart, beguiling albums by Daft Punk and Felix Da Housecat paid
exuberant (if tongue-in-cheek) tr
Now if only it were easy to *get* this disc
heck.
-marc
At 2:52 PM -0500 10/15/02, [EMAIL PROTECTED] wrote:
Holyfunkola!
love love love this disc
good thing half the office is going to be out today - I can dance around
now!
At 9:40 PM +0200 10/10/02, Maarten Baute wrote:
or it would be a cybotron .. liek "clear" ...
or "a numer of names - sharivari"
both ´82
and Maarten's correct, these are both usually credited as being the
first "techno" records. Despite the fact that when they came out,
there wasn't any descr
)" <313@hyperreal.org>
Cc: "Tristan Watkins" <[EMAIL PROTECTED]>; "marc christensen"
<[EMAIL PROTECTED]>
Sent: Wednesday, October 09, 2002 11:49 PM
Subject: RE: (313) Dan Bell sample
> I always figured it was the intro to the Shake track 'De
anybody know who the heck Dan Bell is sampling between the last two
songs of his Globus 4 -- Button Down Mind -- Mix album?
the quote:
"for those of you don't know much about me, i'm from Detroit, the
Black Power capital of America. Some of y'all don't dig the term
Black Power, well, let me
At 8:13 PM +0200 10/4/02, Maarten Baute wrote:
Isn´t Richie Hawtin a player hater (at times)?
He used to diss Dave Clarke for playing "zombie nation - kernkraft 400"...
Richie would be a funny Janus-faced playa-hata' at that, since he's
probably the most simultaneously adored & dissed techno D
At 11:55 PM +1000 10/1/02, Cyclone Wehner wrote:
From Derrick's standpoint, I think in interviews he has always been someone
who carefully thinks about what he says because he knows it's for
prosperity.
I think the longevity of that one quote has certainly added to May's
historically-consciou
At 8:42 AM +0200 10/1/02, <[EMAIL PROTECTED]> wrote:
Legendary funkateer George Clinton has finally revealed what he
thought of Derrick May’s classic description of Detroit techno
as sounding "like George Clinton and Kraftwerk stuck in an
elevator", in typically robust fashion. Speaking to Au
trouble posting, please ignore
Amen, Fred, Amen.
-m
At 4:08 PM -0700 4/15/02, Fred Heutte wrote:
My sense is that Dan has it exactly right. The selection board did
its job, and the follow-through wasn't there.
No surprise.
-
To unsubscribe, e-mail: [EM
Alex-
this is a more problematic (and contentious) issue than you perhaps know.
Streambox ripper is a program that used to do this -- but they had
legal problems exactly because it could rip mp3s from streamed audio
(which goes against the intent of the streaming thing not depriving
the owner
At 2:27 PM -0500 3/23/02, Lester Kenyatta Spence wrote:
the soundtrack is supposed to meld hiphop with "electronica" artists.
just imagine if ice cube was with carl craig instead of whomever...
funny -- as if carl craig *needs* ice cube to do hiphop.
sorry, but i pointed out in print when it
l line-up of
theatre, dance, music, family and comedy presentations."
From: <[EMAIL PROTECTED]>
To: marc christensen <[EMAIL PROTECTED]>,<[EMAIL PROTECTED]>, marc
christensen <[EMAIL PROTECTED]>
CC: Lester Kenyatta Spence <[EMAIL PROTECTED]>,&q
Indeed, though *most* of what you've said is correct, the first point
-- that the name is inconsequential -- is the only one under real
question.
let's not forget that the other big 3-day festival (jazz, you know,
during whichever one of those labor day/memorial day weekends isn't
in may and
At 10:27 AM -0500 3/11/02, Lester Kenyatta Spence wrote:
Did you read the full article? The reason is clear enough whether true or
false. May allegedly did it to prevent the "sale" of the festival to a
foreign
entity.
And clearly, where most are concerned, Carol Marvin counts as a foreign ent
At 6:21 PM -0800 2/22/02, Dan Sicko wrote:
hehe. you'll see it everywhere if you try
indeed. it's quite frightening, once you're tuned into the numerology.
when we stayed in Edmonton, Alberta (which reminded me a *lot* of
suburban detroit - yowch!), the hotel we stayed at inexplicably
Shame on you for making me even more homesick than i already was! I
used to live five blocks from porter street (that's two blocks from
Parabox, mind). Now i live about 5,000 km away!
i can't believe i moved.
-marc
At 2:57 AM -0500 2/22/02, Alexandres Lugo wrote:
This was by far one o
d
by the DEMF/PopCulture folks.
In short -- if the media hasn't mentioned this yet, we can correct that, folks.
Email me privately, please.
-marc christensen
At 11:53 AM -0500 2/18/02, scotto you know wrote:
From: Kent williams <[EMAIL PROTECTED]>
Interesting to see if they can get anyon
there probably aren't four people on this whole contentious list who
will defend Carol Marvin.
hopefully, we can all accept that mock-praise in her name is just
trolling, ignore it, and get on with other topics.
cheers.
-m.
Slated for release this week, a hearty congratulations to those w
Dan & LKS-
it doesn't help the 1315/1515 confusion factor that Chris J. (like i
can spell a last name with two nonsequential "z"s in it!), who owns
1515, was also around parties way *before* 1315 hosted the MI (which
was two blocks away). Dan's book hits on that relationship.
NRR: The oper
test
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but lauryn g obviously didn't explore the site far enough to find this:
http://ishkur.com/exposes/articles/t1000.htm
for *this* list, i'd claim this page as funniest.
-marc
At 10:33 AM -0500 7/26/01, miss lauryn g wrote:
that...HANDS DOWN...was the funniest thing from the site. ;)
--
Does this mean that the main stage performances from DEMF 2001 *ARE*
available for listening somewhere? (Where, where, where?)
-marc
At 4:38 AM + 7/14/01, Michael Kim wrote:
unfortunately, Kenny and Stacey weren't broadcasted on the main
stage so you can't listen to their sets. also unfo
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