On Mon, 19 Jun 2000, laura gavoor wrote:
+Detroit changed the world twice with no assistance from anyone on the
+planet.
i agreed with your post, except for the above statement.
i'm pretty sure detroit changed the world more than twice. i'm pretty
sure fargo also changed the world more than t
on 6/19/00 12:25 PM, Gwendal Cobert at [EMAIL PROTECTED] wrote:
> solely responsible for beginning two major cultural, youth-oriented
>> revolutions one being with the R&B/Motown thaing. It wasn't
> why did not you add punk ? MC5, Iggy Pop & The Stooges...
> Gwendal
This is actually a good point
solely responsible for beginning two major cultural, youth-oriented
> revolutions one being with the R&B/Motown thaing. It wasn't
why did not you add punk ? MC5, Iggy Pop & The Stooges...
Gwendal
Hey all:
Am compelled to add my 2 cents worth as a senior member on the list
Detroit, unlike any other city on the planet in the past 100 years, is
solely responsible for beginning two major cultural, youth-oriented
revolutions one being with the R&B/Motown thaing. It wasn't really rock
Trance is so BIG right now because
>it's non-threatening, white music (I just can't think of that many popular
>black, hispanic, or asian trance artists).
I wouldn't say it's totally non-threatening since it is so closely
affiliated with drug culture, in particular ecstasy.
Out of all the tra
Um, again, I apologize that this message focuses on rock more than techno,
so if you aren't interested, then delete.
> If that is how you truly feel, then please "progress" to another mailing
> list. You and the smart guy in the message below this one are obviously very
> angry non-americans.
Don't be cheeky... I'll never buy your records again,
if you keep making comments like that:)
Nick:)
--- Simon Walley <[EMAIL PROTECTED]> wrote: > >From:
Nick Walsh <[EMAIL PROTECTED]>
> >Subject: Re: [313] Frankfurt scene (was : 'Trying
> to recreate so
From: Nick Walsh <[EMAIL PROTECTED]>
Subject: Re: [313] Frankfurt scene (was : 'Trying to recreate something
that's long gone')
MMM... that's weird then 'cause when Gaetek came to
The Orbit it said on the flyer "Gaetek (Frankfurt)".
How could this
MMM... that's weird then 'cause when Gaetek came to
The Orbit it said on the flyer "Gaetek (Frankfurt)".
How could this be?
Bubbye,
Nick(Dj Pacific:)
--- Todd Smith <[EMAIL PROTECTED]> wrote: > Could
have sworn Gaetek was Italian no? Other
> conform artists, Advent
> (UK) Qmen (Italy), Marco Carol
From: Todd Smith [mailto:[EMAIL PROTECTED]
> Sent: vrijdag 16 juni 2000 20:22
> To: Nick Walsh
> Cc: 313@hyperreal.org
> Subject: Re: [313] Frankfurt scene (was : 'Trying to recreate something
> that's long gone')
>
>
> Could have sworn Gaetek was Itali
I thought that David Squillace was Italian too.
I think David Squillace is the
>only person from Germany who has produced on this label. Actually just
>confirmed Conform is Gaetek's label from Italy.
>todd
>[EMAIL PROTECTED]
Could have sworn Gaetek was Italian no? Other conform artists, Advent
(UK) Qmen (Italy), Marco Carola (Italy). I think David Squillace is the
only person from Germany who has produced on this label. Actually just
confirmed Conform is Gaetek's label from Italy.
todd
[EMAIL PROTECTED]
Nick Walsh w
--- Gwendal Cobert <[EMAIL PROTECTED]> wrote: > >
inextricably linked. The Frankfurt-Berlin-Detroit
> > Trans-Atlantic connection
> ho ho... I'm not trying here to add a point to this
> ongoing thread, but just
> curious : I still have some difficulty attaching the
> artists to city
> scenes - De
> inextricably linked. The Frankfurt-Berlin-Detroit
> Trans-Atlantic connection
ho ho... I'm not trying here to add a point to this ongoing thread, but just
curious : I still have some difficulty attaching the artists to city
scenes - Detroit I see - Berlin I see (basically I would put there Treso
In a message dated 16/06/00 6:30:28 [EMAIL PROTECTED] writes:
> FYI from california, you are very bold to say that kind of shit on a
mailing
> list invloving Americans. Not only does your opinion hold no value, it
also
> lacks intelligence. It is your closed-mindedness that keeps the world f
> it's just a few t*ssers that are behind the times.
is tosser really a swear word?
what does it refer to?
i love to augment my store of expletives ...
at least i can have a more cultured foul mouth...
peace,
h*lly
gt; From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED]
> Sent: Friday, June 16, 2000 5:29 AM
> To: [EMAIL PROTECTED]; 313@hyperreal.org
> Subject: Re: [313] 'Trying to recreate something that's long gone'
>
> In a message dated 16/06/00 11:30:21 GMT Daylight Time
--- Otto Koppius <[EMAIL PROTECTED]> wrote: > Nick
Walsh wrote:
>
> > The American dance scene IS a helluva lot better
> than
> > that in the UK.
>
> I don't know your experiences, but mine are rather
> different (although
> based only on many nights clubbing in London, which
> I realise may n
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>You and the smart guy in the message below this one are obviously very
>angry non-americans. as far as blues and rock goes, you need to maybe take
>AMERICAN history and learn that not only was blues and ragtime and r
yperreal.org
> Subject: Re: [313] 'Trying to recreate something that's long gone'
>
>
> In a message dated 6/16/00 1:51:48 AM, [EMAIL PROTECTED] writes:
>
> >It is kinda wierd, but it seems as though whenever black americans create
> >a new, amazing genre of
[EMAIL PROTECTED] wrote:
>
> [EMAIL PROTECTED] writes:
>
> >It is kinda wierd, but it seems as though whenever black americans create
> >a new, amazing genre of music, whether its jazz, blues, rock, or techno-
> >it is often rejected by the mainstream American audience, but well
> >accepted by va
Nick Walsh wrote:
> The American dance scene IS a helluva lot better than
> that in the UK.
I don't know your experiences, but mine are rather different (although
based only on many nights clubbing in London, which I realise may not be
representative of the UK as a whole): the UK has a frequenc
To ToToRoGrL:
I could diss you about a million things that are wrong
about your country. And you could do the same about
mine. This is about the music... no one cares where it
comes from. I don't believe things like black/white or
Yank/Limey conflicts should be discussed anymore in
todays society.
In a message dated 16/06/00 11:30:21 GMT Daylight Time, [EMAIL PROTECTED]
writes:
> If that is how you truly feel, then please "progress" to another mailing
> list. You and the smart guy in the message below this one are obviously
very
>
> angry non-americans.
I'm American, although living
In a message dated 6/16/00 1:51:48 AM, [EMAIL PROTECTED] writes:
>It is kinda wierd, but it seems as though whenever black americans create
>a new, amazing genre of music, whether its jazz, blues, rock, or techno-
>it is often rejected by the mainstream American audience, but well
>accepted by var
In a message dated 6/16/00 1:51:48 AM, [EMAIL PROTECTED] writes:
>It is kinda wierd, but it seems as though whenever black americans create
>a new, amazing genre of music, whether its jazz, blues, rock, or techno-
>it is often rejected by the mainstream American audience, but well
>accepted by va
This isn't really that 313 related, but
> "Here is your music, loo what we can do with it, and, you're missing out
> on it." Kind of like what the Beatles and the Rolling Stones did with
> blues..another black American art form.
Actually, it was Led Zepplin and many other British bands (even Bl
In a message dated 6/15/00 7:30:17 PM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
<< If Bukem namedrops old 313 records, is he just 'trying to prove he was
down'? I think he _was_ down, played those tunes when they were released,
then
went on to create his own style. Tunes like 'Demon'
Why YOU gotta go make shit racial?
Kind of like what the Beatles and the Rolling Stones did with
blues..another black American art form.
I think it's actually a racial thing
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RE:
Even some tunes that I like - Maas' "Juan is the Teacher"
f'rinstance, or Ian O'Brian's "Mad Mike Disease" - leave me wondering if
they're helping or hurting the music with their fetishistic recreation of
the sounds of Detroit c.a. 1989 or 1992. Anthony Rother is fun, but do we
really need
I figured that letter might wind somebody up, ah well, it just comes
down to difference's of opinion...I've always found Good Lookin' records to
be alright, but completely interchangable, and basically hip restaurant
music, something good to buy items to. This isn't a bad thing, but I just
don
On Thu, 15 Jun 2000, [EMAIL PROTECTED] wrote:
> Not the same mag, but in a recent Jockey Slut, they had D&B dj's (LTJ
> Bukem, Jumpin' Jack Frost and some other guy) review 12's and they ripped
> on 'Revenge of the Jaguar', saying it was 'trying to re-create something
> that's long gone' (rea
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