I've just seen an interview with David Lynch on the BBC's "Culture Show"
about his new fine art exhibition in Paris, which I'm now obliged to go see
(it looks wicked). I figure it's a good excuse to merge the trip with some
clubbing. So what's the best weekend for a visit between now and May 27?
Part 3:
It's up to you, me, and them...
More complex for no reason? I find music
production in the PC much simpler, and satisfying.
unless you have a ridiculous home studio, you are limited by the
number of channels in your mixer, the number of EFX units and synths
you have, etc. in the co
I ramble... this got too big... I separated for those who like to read:
it could be that it was like that in the past. but i bet the number
right now of people who own a computer without making music is far
more than the number of people who own a guitar that sits around for
no reason.
I wa
And so on::
I'm also a designer. Should we dismiss all of
the art and design of today that was made with a
computer? I love progressive design, but there
is a lot of garbage out there and I cringe at
something awful I see every single day. Do I blame the tool?
Blame the artist.
yeah, but
From: "Odeluga, Ken" <[EMAIL PROTECTED]>
Date: Friday, September 1, 2006 8:46 am
Subject: RE: (313) really
To: 313@hyperreal.org
To qualify that though, dedicated RAM in digital synth vs. RAM used by
myriad other competing applications (meaning potentially less
availablefor sou
>
Date: Friday, September 1, 2006 8:46 am
Subject: RE: (313) really
To: 313@hyperreal.org
> To qualify that though, dedicated RAM in digital synth vs. RAM used by
> myriad other competing applications (meaning potentially less
> availablefor sound quality) plus more than likely bette
Original Message-
From: Michael Lees [mailto:[EMAIL PROTECTED]
Sent: 01 September 2006 13:38
Cc: 313@hyperreal.org
Subject: Re: (313) really
>It may be me, but..
>Isn't a computer just a hardware synthesiser with a different
interface?
Yes.
To qualify that though, dedic
It may be me, but..
Isn't a computer just a hardware synthesiser with a different interface?
In fact I think some synths actually have computers inside them, I could
be wrong though.
There is some irony in technophobes on a techno mailing list?
Thomas D. Cox, Jr. wrote:
On 8/30/06, Dale Law
ha ha ah
http://obscure.co.nz/profiles/turnstyle
Obscure loves Techno!
psst: NZ techno mailing list
http://obscure.co.nz/incoming/909_revolution
haha
http://obscure.co.nz/profiles/lrs
---
www.obscure.co.nz
& www.psurkit.net
-
All I want to listen to is honesty.
.simon
On 8/31/06, Stoddard, Kamal <[EMAIL PROTECTED]> wrote:
Of course computers are used for lots of stuff. Guitars have one
purpose. No-brainer.
but it does help create the problem!
Hey! you ever see this band called peelander-z? I have. One of the
things they do in their act is at a certain poi
or the effects of your taste on your psyche. And above all,
hold the system responsible for it's oppressive nature that allows these
a$$hole to thrive and gives us a reason to hate..
Word.
:)
k
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: Thurs
Original Message
Subject: Re: (313) really
From:"Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
Date:Thu, August 31, 2006 6:51 pm
To: 313@hyperreal.org
On 8/31/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
For every hack artist that installs some software
and declares themselves a musician there are
hundreds of individuals in the past who picked up
a guitar and thought they were rock stars.
it could be that it was like that in the past. but i
ssage-
From: Dale Lawrence [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 31, 2006 12:46 PM
To: 313@hyperreal.org
Subject: Re: (313) really
I rambled on too long and I thought this message
was too big to fit through the chokepoint. Then
I thought that figuring this out might entitle me
to ge
I rambled on too long and I thought this message
was too big to fit through the chokepoint. Then
I thought that figuring this out might entitle me
to get my WorldGeek membership card back... I
figured maybe it was just all the profanity, so I
edited it for prime-time... Nothing.
Then f
i will try to offer my opinion coherently
i remember back in the early 90s, magazines like The Face or I-D were
heralding the new decade as the triumph of "sample culture", where artistic
expression was to be characterized by the mix-and-matching of different
styles and inspirations, drawi
>>anyway, who will break the ground next with musical
>>work? and how will them do it?
That's the question, and the direction this convo should be going IMO.
I'm not sure I even have a quick answer for this one. I ould think of a
few folks I'd say *could* be the next to break ground, but the real
.org
Subject: Re: (313) really
Date: Wed, 30 Aug 2006 11:09:27 -0400
On 8/30/06, henrique casanova <[EMAIL PROTECTED]> wrote:
I beliave that it is very important for us to understand well music
structures, put some strenght on owr creativity, and understand well how
the
mass midia wor
On 8/30/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
--but I thought you said the tools didn't matter? Which is it? All
the ground is already broken then?
the tools DON'T matter, as long as theyre not being used a substitute
for ideas and good music. which in the case of dylan and kraftwerk,
lto:[EMAIL PROTECTED]
Sent: Wednesday, August 30, 2006 8:58 AM
To: 313@hyperreal.org
Subject: Re: (313) really
At 11:09 AM 8/30/2006, you wrote:
>what this has to do with comparing the feats of groundbreaking artists
>to anyone using a computer to make music is beyond me. but thanks i
>gue
At 11:09 AM 8/30/2006, you wrote:
what this has to do with comparing the feats of groundbreaking artists
to anyone using a computer to make music is beyond me. but thanks i
guess.
tom
--but I thought you said the tools didn't matter? Which is it? All
the ground is already broken then?
Do
cheers ken, headphones locked and digg'in for the old Theo stuff I have
left on 12"...
m
On 30 Aug 2006, at 16:32, Jari Tolkkinen wrote:
PS Can some hit me up with some deep/soulful mixes please, I think
I'm ready
to try and get into Theo again
In case you missed:
http://www.ken-gur
what this has to do with comparing the feats of groundbreaking artists
to anyone using a computer to make music is beyond me. but thanks i
guess.
Yo Tom, check this out:
http://www.youtube.com/watch?v=sMPc4Q3AHcQ
Make sure you don't end up like this man ;)
m
PS Can some hit me up with some
On 8/30/06, henrique casanova <[EMAIL PROTECTED]> wrote:
I beliave that it is very important for us to understand well music
structures, put some strenght on owr creativity, and understand well how the
mass midia works. theres no point in considering the mass midia sucsesfull
artists on another l
That is such a breath of fresh air, nay fresh spirit Henrique.
You have hit the nail on the head and driven it deep into the heart of
the matter - or what *should* be the heart of the matter, imo.
You're dead right. The fact is that the noise of the past few days is
further evidence of most peopl
"Did you hear? Bob Dylan used an electric guitar in his set last week?
WTF?"
"Oh no... Kraftwerk's Numbers sounds like it was made on...
*gasp*... electronic instruments."
good luck being on the level with kraftwerk and dylan.
tom
I beliave that it is very important for us to understan
Yes yes... When photography was invented the painters cried foul,
etc... and the cycle of violence continued.
Mr /0 and I were really just messing with each other anyway. We had
a laugh off-list.
At 09:24 AM 8/30/2006, kent williams wrote:
I don't think Dale meant that at all, Tom. I t
Hehe... you're cute. *kiss*
At 08:12 AM 8/30/2006, you wrote:
On 8/30/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
Why would I settle for just leveling?
you have no hope of getting even close. the instruments didnt matter
to those guys, they were brilliant visionaries. im glad you think t
I don't think Dale meant that at all, Tom. I think he was commenting
on the hating on artists that goes on on 313.
My mamma always said don't go looking for trouble, it will find you soon enough.
On 8/29/06, Thomas D. Cox, Jr. <[EMAIL PROTECTED]> wrote:
On 8/29/06, Dale Lawrence <[EMAIL PROTEC
ok, i'll get off your stupid lawn already.
On Aug 30, 2006, at 8:12, Thomas D. Cox, Jr. wrote:
On 8/30/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
Why would I settle for just leveling?
you have no hope of getting even close. the instruments didnt matter
to those guys, they were brilliant v
On 8/30/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
Why would I settle for just leveling?
you have no hope of getting even close. the instruments didnt matter
to those guys, they were brilliant visionaries. im glad you think the
same of yourself.
tom
esday, August 30, 2006 5:47 AM
>Subject: Re: (313) really
>
>
>> On 8/29/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
>>>
>>> "Did you hear? Bob Dylan used an electric guitar in his set last week?
>>> WTF?"
>>>
>>> "Oh
we might as well talk about politics and religion..
- Original Message -
From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, August 30, 2006 5:47 AM
Subject: Re: (313) really
On 8/29/06, Dale Lawrence <[EMAIL PROT
Why would I settle for just leveling?
At 11:47 PM 8/29/2006, you wrote:
On 8/29/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
"Did you hear? Bob Dylan used an electric guitar in his set last
week? WTF?"
"Oh no... Kraftwerk's Numbers sounds like it was made on...
*gasp*... electronic inst
On 8/29/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
"Did you hear? Bob Dylan used an electric guitar in his set last week? WTF?"
"Oh no... Kraftwerk's Numbers sounds like it was made on...
*gasp*... electronic instruments."
good luck being on the level with kraftwerk and dylan.
tom
- From: "Dale Lawrence" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Tuesday, August 29, 2006 6:13 PM
Subject: Re: (313) really
Ok, here:
http://www.myspace.com/theoremthx/
All brand new... because you tricked me into it with your wit and prowess.
I submit.
At 05
sounds like a computer :p
- Original Message -
From: "Dale Lawrence" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Tuesday, August 29, 2006 6:13 PM
Subject: Re: (313) really
Ok, here:
http://www.myspace.com/theoremthx/
All brand new... because you tricke
3" <313@hyperreal.org>
Sent: Tuesday, August 29, 2006 11:50 AM
Subject: Re: (313) really
At 11:54 PM 8/28/2006, you wrote:
To quote the Simpsons "no one will ever mention it again... under
penalty of torture."
My email was down all weekend... I feel like Commodus in Gladiato
t; <313@hyperreal.org>; "Dale Lawrence" <[EMAIL PROTECTED]>
Sent: Tuesday, August 29, 2006 6:00 PM
Subject: Re: (313) really
Missed this message, did you?
http://elists.resynthesize.com/313/2004/05/105844/
On Aug 29, 2006, at 17:55, /0 wrote:
go make music instead
Missed this message, did you?
http://elists.resynthesize.com/313/2004/05/105844/
On Aug 29, 2006, at 17:55, /0 wrote:
go make music instead
- Original Message - From: "Dale Lawrence" <[EMAIL PROTECTED]>
--
matt kane's brain
http://hydrogenproject.com
aim -> mkbatwerk
[EMAIL PROTECTED]
go make music instead
- Original Message -
From: "Dale Lawrence" <[EMAIL PROTECTED]>
To: "313" <313@hyperreal.org>
Sent: Tuesday, August 29, 2006 11:50 AM
Subject: Re: (313) really
At 11:54 PM 8/28/2006, you wrote:
To quote the Simpsons "no on
At 11:54 PM 8/28/2006, you wrote:
To quote the Simpsons "no one will ever mention it again... under
penalty of torture."
My email was down all weekend... I feel like Commodus in Gladiator
when he marches in, stumbles off of his horse and begs, "Have I
missed it?... Have I missed the battle?"
To quote the Simpsons "no one will ever mention it again... under
penalty of torture."
Yeah - by the time I get to download it, it'll be gone. :(
-Original Message-
From: J.T. [mailto:[EMAIL PROTECTED]
Sent: 01 December 2005 15:13
To: Martin Dust; list 313
Subject: Re: (313) Really cool Carl Craig mix from Pacou..
awesome! thanks!
on yousendit even haha...that band
awesome! thanks!
on yousendit even haha...that bandwidth gonna be gone quick...
-Original Message-
From: Martin Dust <[EMAIL PROTECTED]>
Sent: Dec 1, 2005 8:42 AM
To: list 313 <313@hyperreal.org>
Subject: (313) Really cool Carl Craig mix from Pacou..
T.Brookes+A.Soul - City
thanks for posting martin.
on the carl craig tip - theres a new 12" on planet e classics today with
new track off remade landcruising lp "sparkle" and also the remake of home
entertainment (i think)
i spent a fortune on the triple pack lp and would rather have the 12", but
hey ho thats what you g
T.Brookes+A.Soul - City Life (Craigs Caya Dub) -RushHour
Really cool Carl Craig mix from Pacou
http://s35.yousendit.com/d.aspx?id=2AQWAHP6BZMKV2G26AH6X2MKK2
Carl Craig - 4 My Peepz-planet e
Carl Craig - Darkness -planet e
Johnny L - This Time (Craig Mix) - XL
Paperclip People - Throw-planet
.
Grasping the un-obvious from an 'obvious' situation is the mark of a good
mind I think (mho).
k
>-Original Message-
>From: ian cheshire [mailto:[EMAIL PROTECTED]
>Sent: Thursday, November 27, 2003 10:34 PM
>To: [EMAIL PROTECTED]; 313@hyperreal.org
>Subject: RE: (313
ember 2003 19:41
To: 313@hyperreal.org
Subject: (313) really great jeff mills interview
http://hackneyedcentral.blogspot.com/
tommm
--
Still running tings
andythepooh.com
---
Incoming mail is certified Virus
to
do something over again. But it is what it is and I think it’s a rather
unique mix project.”
btw when is this released , is it in Jan?
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: 27 November 2003 19:41
To: 313@hyperreal.org
Subject: (313) really great
http://hackneyedcentral.blogspot.com/
tommm
--
Still running tings
andythepooh.com
Hey all,
Not had email since NYE (btw, sincere and prolific apologies for being a
drunken d!ck and not realising at Public Life...). I haven't heard the
latest Drexciya stuff, and there are a few things people have mentioned I
realise I've missed out on, but here's my tops of 2002 so far.
First o
--- Cyclone Wehner <[EMAIL PROTECTED]> wrote:
> I think some of the commercial hip-hop is really
> cutting-edge - especially
> on the production front - Timbaland is amazing.
actually, in an interview, Four Tet mentioned that he
was a big fan of Timbaland and his productions. In the
Four Tet vs.
I think some of the commercial hip-hop is really cutting-edge - especially
on the production front - Timbaland is amazing.
I am sure someone will flame me for this but I really liked the Nelly album
(I keep hearing the Hot S**t acapella over Green Velvet's Answering Machine
in my head) and I think
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