Just to clarify
- I haven't heard the record yet
- I'm reserving my own judgement until that time.
I would also like to point out that this record has not hit any
shelves here at all, due to the fact that it doesn't look like it's hit
any of the distributor's sheets. Why are so many good record
To note further,
I think that maybe this release is suffering from having another kdj release
out that is stealing the spotlight. That's fine, but don't over look this
track. I remeber the same thing seemed to happen when Mills put out Kat Moda
and then Force Universalle. Both are great, but Kat
> >
> > On the other hand, I've been told that the kdj on moods / grooves
> > isn't actually that good (I guess when you compare it to other
> > moodyman stuff). I'll still hear it for myself, if mike grant decides to
> > repress the sucker.
Wrong. Its good. I guess you could measure it against
dave: the kdj on moods and grooves is a one
sided 2 track 12". the second track is a cut up
of a ten city track (memory escapes me re:
which one, but i posted re: this before) and the
first track is played on show 596 of Andrew Duke's
In The Mix (archive on cognition: http://techno.ca/cognition)
if
