Dunno about the first part mate, but I'd have thought that the number of
players which will simply refuse to play VBR-encoded files is now close
to zero? (Plus many good, modern ones are free to download anyway...)
>Q2. Is there any reason not to use VBR? - i.e. maybe some older players
can only
[EMAIL PROTECTED] wrote:
Well two actually!
I'm about to put some new mixes on our site. One will be of some chilled stuff
I played one afternoon when we hired this country
house for a weekend (recommended!). The recording is very long so I'm going to
put it up in manageable sized chunks.
Well two actually!
I'm about to put some new mixes on our site. One will be of some chilled stuff
I played one afternoon when we hired this country
house for a weekend (recommended!). The recording is very long so I'm going to
put it up in manageable sized chunks.
Q1. What is a manageable size
Off the top of my head, sounds like Grand Pubah's Dr. Bootygrabber
which I've heard him play in a few sets.
Quoting Aaron Kulik <[EMAIL PROTECTED]>:
Went to the Richie Hawtin show last week at Clutch Cargos and there
was this one track he played, and Im trying to figure out who it
Is that Dr. Bootygrabber by the Detroit Grand Pubahs? He put it on
DE9:Transitions with the voice slowed way down; maybe he does it live
too.
On Nov 29, 2006, at 14:10, Aaron Kulik wrote:
Went to the Richie Hawtin show last week at Clutch Cargos and there
was this one track he played, and I
Hey Aaron (and Kent)
Do you have something in your email preferences selected for high priority?
I keep getting emails from you with an high priority marking (I'm in Lotus
Notes).
If you do, could you turn it off please?
thanks
MEK
"Aaron Kulik" <[EMAIL PROTECTED]> wrote on 11/29/2006 01:10:
Went to the Richie Hawtin show last week at Clutch Cargos and there was this
one track he played, and Im trying to figure out who it was. There is this
deep, slow voice saying things like "do you want a drink of water" and "come
over here" and other things. Its got this awesome eerie sound.
Question, is is possible to send a pic in .jpgformat to the list???
Martijn
14/03/06 15:40 Subject: RE: (313) Q
l.org
14/03/06 15:51 Fax to:
Subject: Re: (313) Question
re : Mills - '
cc
Subject
(313)
Sorry that was a dumb-ass answer, in retrospect. I need sleep ...
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 14 March 2006 15:28
To: 313@hyperreal.org
Subject: (313) Question re : Mills - 'Hypnotist'
Can anyone tell me where I can find
Can anyone tell me where I can find the track 'Hypnotist' by Jeff Mills ?
It appeared on the Tresor 'True Spirit' comp, but I can't find the EP that
it was taken from.
I've been through the Mills releases on the Tresor site & also had a look
on Discogs, but still no joy. Help !
Thanks,
Gary.
i thought it was pretty clear that i was just putting the screws to some
people.
just wanna make sure everyone got the joke.
And Dan- about the ipod/belkin thing, don't you find it difficult to
transcribe when all you have is the ipod controls to do a quick rewind?
that's what's been keeping me
On Feb 12, 2004, at 11:32 AM, [EMAIL PROTECTED] wrote:
ask dan whether he uses regular cassette, mini-cassette or mini-disc to
record his interviews =P
i love when interviews interview other interviewers.
I love it when a BOOK AUTHORS get interviewed by journalists. There's
a difference... i
ask dan whether he uses regular cassette, mini-cassette or mini-disc to
record his interviews =P
i love when interviews interview other interviewers.
i should interview martin next ;)
On Thu, 12 Feb 2004, Martin wrote:
> Wotcha 313,
>
> I've got interviews with Dan Sicko and Magda coming up
Wotcha 313,
I've got interviews with Dan Sicko and Magda coming up, feel free to hit me
back off list with any questions you'd like answered...
Thanks in Advance
Martin
he did this last summer:
http://www.cooljunkieny.com/clubs/dlg/dmay_review.html
I didn't go because the tickets were expensive and it seemed kinda
cheesy - but hey, who knows... maybe it was cool. did anyone go see him
there?
lisa
matt kane's brain wrote:
At 12:04 PM 1/12/2004, Javier Dra
;313@hyperreal.org>
Sent: Monday, January 12, 2004 3:15 PM
Subject: Re: (313) Question about Derrick May
> Yeah if you are into a bunch of 15 year olds with pacifiers and glowsticks
oh yeah and furry animals everywhere.
>
> -Original Message-
> From: Phonopsia <[EMAIL PRO
- Original Message -
From: "Javier Drada" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Monday, January 12, 2004 8:15 PM
Subject: Re: (313) Question about Derrick May
> Yeah if you are into a bunch of 15 year olds with pacifiers and glowsticks
oh yeah and
7;s brain <[EMAIL PROTECTED]>
Subject: Re: (313) Question about Derrick May
If I'm not mistaken, that Zoolu party has quite a reputation over the years,
doesn't it? I had friends going there at Mardi Gras in the mid-'90s, and it
would appear from the name to
- Original Message -
From: "matt kane's brain" <[EMAIL PROTECTED]>
To: "Javier Drada" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Monday, January 12, 2004 5:21 PM
Subject: Re: (313) Question about Derrick May
> At 12:04 PM 1/12/2004, Ja
At 12:04 PM 1/12/2004, Javier Drada wrote:
I thought Derrick May did not play at Rave's???
I definitely saw Derrick May play a "rave" in NYC on July 4, 2000. He came
on right after Kevin Saunderson and Todd Terry (and before Dave Ralph, yick)
Glowsticks on strings and kids on angel dust all
I thought Derrick May did not play at Rave's???
He is supposedly booke to play at a big New Orleans Rave coming soon and I
wanted to confirm this before I try and go out there.
02.21.04
Zoolu 10
Roni Size(United Kingdom)*2 Hour Set*
Derrick May(Detroit)*2 Hour Set*
Dave Seaman(United Kingd
22, 2003 7:05 PM
Subject: (313) question/help re: questionable program/possible virus (ot)
> (apologies for crossposting)
>
> Dear listmembers:
>
> I always scan attachments for viruses before I open
> them and yet have just encountered a problem I can't
> seem to s
(apologies for crossposting)
Dear listmembers:
I always scan attachments for viruses before I open
them and yet have just encountered a problem I can't
seem to solve.
A friend emailed me a document entitled
1stpressrelease.pdf.pif
When i downloaded it to my desktop, it showed up not as
a docume
Anyone know the people behind the Electronic Sound Terrorist compilations?
Just curious...msg me off list if you do. Trying to get in contact with
them, and any assitance would be greatly appreciated.
Thanks.
ses exist for the digest list:
<[EMAIL PROTECTED]>
<[EMAIL PROTECTED]>
- Original Message -
From: "Martijn de Blaauw" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Thursday, February 20, 2003 9:00 AM
Subject: (313) question
> Hi,
> A friend
Hi,
A friend on mine wants to subscribe to 313 but i cannot find the correct
adress where to sent the subscribe request for this list. Could someone
please help me out?
Thanx!
Martijn
Searchline
Kruisweg 825 A
2132 NG Hoofddorp
P.O. Box 9292
The Netherlands
Tel. +31 (0)23 564 9000
Fax. +31 (0)
ry 23, 2003 2:39 AM
To: 313@hyperreal.org
Subject: (313) QUESTION: FROM OUR MINDS TO YOURS VOL. 1-2
What are mint condition copies of Plus 8's From Our Minds to Yours Volumes 1
and 2 worth? Description: Both contain 2 X 12" records (a total of 4), the
catalog numbers are PLUS8009 an
I got a copy of Vol 2, in green vinyl for 15 bucks off of ebay, back in
November.
- Original Message -
From: "jamison modrack guest" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, January 22, 2003 1:38 PM
Subject: (313) QUESTION: FROM OUR MINDS TO YOURS
What are mint condition copies of one of the 500 pressings worth?
>What are mint condition copies of Plus 8's From Our Minds to Yours Volumes
1
>and 2 worth? Description: Both contain 2 X 12" records (a total of 4), the
>catalog numbers are PLUS8009 and PLUS8022, and neither are in the
>shrinkwra
valuation on this stuff is purely subjective
and why the h would you sell them anyway?
- Original Message -
From: "jamison modrack guest" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, January 22, 2003 10:38 AM
Subject: (313) QUESTION: FROM OUR M
What are mint condition copies of Plus 8's From Our Minds to Yours Volumes 1
and 2 worth? Description: Both contain 2 X 12" records (a total of 4), the
catalog numbers are PLUS8009 and PLUS8022, and neither are in the
shrinkwrap. I'm not sure if these were ever re-pressed, but I believe the
copies
From: <[EMAIL PROTECTED]>
> Hi, I have a question about a record Derrick May plays for a break in his
> set very often, there is a male voice, a bit dark saying "Grace" and
other
> words (which I can't remember now), I've heard it several times in
> combination with a kind of brazil sounding trib
Hi, I have a question about a record Derrick May plays for a break in his
set very often, there is a male voice, a bit dark saying "Grace" and other
words (which I can't remember now), I've heard it several times in
combination with a kind of brazil sounding tribal track, where the music is
sudden
I agree with everythign Fred said, but i think the true importance of
final scratch will lie, not in the preservation/reinstation of older
tracks, but the easy of which it is now possible for new ideas to make
their way from the producer's head to the crowd. Yes, that may mean some
half-assed ideas
I think what is best about FS is that as a producer one no longer has to
wait to get stuff out on vinyl in order to play it out... Allowing a set to
contain a higher percentage of new tracks, as well as all the bootleg
remixes you could care to make. Hopefully making for more creative and
div
>> Surely this is only at twice the audible frequency ? We
>cannot physically
>> hear 44KHz sound but we sample at that rate because its the
>nyquist value
>of
>> 22KHz which is the upper bound of our frequency range ?
>
>Actaually we have to sample at 44kHz in order to get the
>frequencyes up
> Surely this is only at twice the audible frequency ? We cannot physically
> hear 44KHz sound but we sample at that rate because its the nyquist value
of
> 22KHz which is the upper bound of our frequency range ?
Actaually we have to sample at 44kHz in order to get the frequencyes up to
22kHz. If
the sound quality of mp3s may be compromised to some degree. but so is the
sound quality of most of my records. half of my vinyl is over ten years old,
and a lot was bought second-hand on the streets after spending a few years
in a flooded basement in brooklyn.
final scratch would probably increase
>Frequencies outside the audible range in analog *do* have an effect on
>sounds we can hear. In signal processing, it's called the
>modulation theory.
>The digital counterpart is called aliasing. Both require
>fairly technical
>explanations, but amount to this - "inaudible frequencies can make
>To: Eric Scuccimarra; LR2; 'Tom Robbins/Magic Feet'; '313 mailing list'
>Subject: RE: [313] Question: Final Scratch
>
>
>I think its also important to note that, no matter how good
>their sounds
>systems are, clubs are not an environment for audiophiles.
Gwendal Cobert wrote on Tue, 21 May 2002 about following:
> Just one thing : aren't there some lossless compression formats for audio
> files, as there are for images ?
i recall that Monkey Audio would be lossless, but i haven't used it by
myself. and, i'm not sure if its windows-only.
sakke
- Original Message -
From: "Gwendal Cobert" <[EMAIL PROTECTED]>
To: "'313 mailing list'" <313@hyperreal.org>
Sent: Tuesday, May 21, 2002 12:23 PM
Subject: RE: [313] Question: Final Scratch
> Just one thing : aren't there some lossless c
I demoed Final Scratch at a local shop (Platinum in Portland, one of six
retail dealers in the US, it's just three blocks from me) and thought the
quality was really quite good.
As some might remember, I was skeptical of Tosh's contention that FS is
the future of DJing. I'm still skeptical about
> The theory that frequencies outside our audible range have a modulating
> effect on the sounds we *do* hear is one that vinyl enthusiasts often
> postulate. But most tracks go through some form of digital processing
before
> being pressed these days (Basic Channel, Pole etc excepted)
This sound
I would imagine that a large part of FS's appeal for Saunderson is that
he wouldn't need to carry a heavy box of records. As I understand,
Kevin has a bad knee and is unable to carry his own record box to gigs
anymore. A little laptop with the horsepower required for FS weighs about
4 to 5 lbs.
Just one thing : aren't there some lossless compression formats for audio
files, as there are for images ?
Gwendal
> WAVs or AIFF do not have any sound quality loss but the files
> are much
> bigger as they don't use much compression, if they use any
> compression at all.
---
Joshua Stephen Landau wrote on Tue, 21 May 2002 about following:
> > Hmmm, I'm not sure about that... most digital formats actually have a
> > ceiling of 44.1Khz, and cannot store frequencies higher than that. At the
>
> Quick corrections here: digital formats have varying sampling rates. The
>
> > the digital
> > version will always be superior in audio content fidelity
> > since records
> > cannot effectively duplicate all audio frequencies
>
> Hmmm, I'm not sure about that... most digital formats actually have a
> ceiling of 44.1Khz, and cannot store frequencies higher than that. At th
> the digital
> version will always be superior in audio content fidelity
> since records
> cannot effectively duplicate all audio frequencies
Hmmm, I'm not sure about that... most digital formats actually have a
ceiling of 44.1Khz, and cannot store frequencies higher than that. At the
same time
[mailto:[EMAIL PROTECTED]
Sent: 21 May 2002 15:57
To: LR2; 'Tom Robbins/Magic Feet'; '313 mailing list'
Subject: Re: [313] Question: Final Scratch
MP3s do cause sound quality deterioration. The way an MP3 compresses a
sound file is by eliminating certain frequencies and imitatin
s
as to what is perfect MP3 compression and will be happy to provide those on
request.
Raph
-Original Message-
From: LR2 [mailto:[EMAIL PROTECTED]
Sent: Tuesday, May 21, 2002 10:27 AM
To: 'Tom Robbins/Magic Feet'; '313 mailing list'
Subject: [313] Question: Final Scratch
MP3s do cause sound quality deterioration. The way an MP3 compresses a
sound file is by eliminating certain frequencies and imitating those
frequencies using harmonics. MP3 compression is a "lossy" compression
format which means that it compresses by eliminating information.
If you take a CD,
i'd use no compression .wavs or .aiff files just to make sure.
you'd need a big HD then tho
i've heard richie and john aquaviva use the system and you couldn't really
tell (in the club) when they were using vinyl and when they were using mp3s
(that's if they did use mp3s of course)
robin...
After reading of Kevin Saunderson's conversion, it reminded me that I've
had a question about this technology.
I've always heard that one of the appeals of vinyl (for audiophiles in
particular) is the frequency response range; especially in the low end.
It's what purists have complained is missi
How many DJs does it take to screw in a lightbulb?
None, they have software to do that now.
--
:: atomly ::
[ [EMAIL PROTECTED] : www.atomly.com ...
[ atomiq records : po box 805319 chicago il 60680 : 877.741.3571 ...
-
To u
AIL PROTECTED]>
To: "microsound" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Tuesday, February 12, 2002 8:08 PM
Subject: [313] question- technical one
> i can get a MAC quadra should i use it has a sequncer?
> i have a good [EMAIL PROTECTED] but i want another machine
i can get a MAC quadra should i use it has a sequncer?
i have a good [EMAIL PROTECTED] but i want another machine to only work with
music.
any good options on the quadra??
y.
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For addit
i need some help folks,
i am looking for a VCF/VCA chip for my juno 106. Does anyone has a clue
where i can find one or has one lying in the cupboard?
I am quiet desperate so any leeds are helpfull...
Thanx!
B-Out
_
Join the wo
[Mike Taylor <[EMAIL PROTECTED]>]
> The real world example would be Sony vs UR. UR sued sony because they
> violated their publishing rights. They put a re-recorded version of Jaguar
> out without giving songwriting credit, and that is what got them sued. If
> Sony would have just given writing
dings have an implied copyright. You can be
sued for using any copyrighted sound recording without permission. You can
cover a song without permisson if you give writing credit.
take care,
Mike
np : Ian Mabon's rock jam on 365live
From: atomly <[EMAIL PROTECTED]>
To: 313@hyperreal.
["Max Duley (ARCart)" <[EMAIL PROTECTED]>]
> James Brown has a staff scouring for samples of his work, and he's
> made much more from being sampled than he did from his own releases
> (or so I hear).
Well, the majority of the samples from him are drums, which aren't
subject to the same rules- they
> Question: What are the legal rules guarding the practice of
> sampling? Is it at all based on the length of the sample used? I'm just
> curious, for I have
> a good idea for my first techno track (though its realization will
> undoubtedly take place somewhere far in the future), and the piece's
[Rusty Blasco <[EMAIL PROTECTED]>]
> Question: What are the legal rules guarding the practice of sampling? Is it
> at all based on the length of the sample used? I'm just curious, for I have
> a good idea for my first techno track (though its realization will
> undoubtedly take place somewhere
Question: What are the legal rules guarding the practice of sampling? Is it
at all based on the length of the sample used? I'm just curious, for I have
a good idea for my first techno track (though its realization will
undoubtedly take place somewhere far in the future), and the piece's
essen
;subscribe" in the subject
- Original Message -
From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: "313 Detroit" <313@hyperreal.org>
Sent: Wednesday, May 02, 2001 6:20 PM
Subject: Re: [313] question about that new k. hand record.
> My (very comprehensi
My (very comprehensive!!) Tresor press release says just May 2001 - to
coincide with DEMF. There is supposed to be an interview in Urb magazine,
too. I am looking forward to spinning it this weekend and giving it a
rundown here. Looks like a great concept.
Cheers
C
4th June, I believe.
> i saw someone gave a review of the new k. hand record on tresor that they
got as a promo...does anyone have an actual release date for that or is it
already available? i was having difficulty trying to find it and i figured
it probably wasn't available for release quite yet
's beloved
handclaps. :)
/.strobe.\
-Original Message-
From: dan ito [mailto:[EMAIL PROTECTED]
Sent: Thursday, March 15, 2001 9:41 AM
To: 313@hyperreal.org
Subject: Re: [313] Question for the day
well i am sure he won't play old school hip hop and booty bass for 3 ho
hyperreal.org
Subject: [313] Question for the day
Date: Wed, 14 Mar 2001 20:41:49 -0800 (PST)
When Jeff Mills comes to Perth next month, what do you suppose the odds
are that he plays anything from Every Dog has it's day Pts 1 or 2?
As a dj, the man is amazing, but I'm wondering if it
He is playing smaller venues this time so who knows - he says that he can
play more diverse music in those environments. I think this will be his best
ever Aussie tour. We interviewed him and he sounded very excited about the
smaller venues. It is truly a pleasure whenever he comes to town. When he
on 2/21/01 4:38 AM, [EMAIL PROTECTED] wrote:
> For some reason my messages don't seem to be getting to the list, but
> anyway...
Send as plain text, no attachments, and no profanity?
> The Patterns album is not a collection of the 12"s; its all different
> material...
Confirmed. The djax site
). Am I all
> screwed up, or is any of that
> correct?
>
> Den
>
> >From: Charles Prince <[EMAIL PROTECTED]>
> >To: Brian Dillard <[EMAIL PROTECTED]>
> >CC: "'313@hyperreal.org'" <313@hyperreal.org>
> >Subject: Re: [313]
is
From: Charles Prince <[EMAIL PROTECTED]>
To: Brian Dillard <[EMAIL PROTECTED]>
CC: "'313@hyperreal.org'" <313@hyperreal.org>
Subject: Re: [313] question re: mark bell
Date: Tue, 20 Feb 2001 13:41:03 -0500
Sure is. Speedjack was another alias.
On Tue, 20
on 2/20/01 1:39 PM, [EMAIL PROTECTED] wrote:
> anybody know what the relationship is between claude young's pattern buffer
> records and "patterns the album"? is the album a collection of the earlier
> 12-inch tracks or something altogether different?
I don't have the CD with me, but as I recall
Sure is. Speedjack was another alias.
On Tue, 20 Feb 2001, Brian Dillard wrote:
> anyone know whether the mark bell who recorded as planet e's clark (n.b.
> "jack to basics" on the new geology vol. 2 comp) is the same guy who was in
> LFO and produced the last couple Bjork records?
>
> Brian
>
Is there a media contact (publicist) for the DEMF?
You can e-mail me in private if you wish.
on 2/7/01 10:27 AM, [EMAIL PROTECTED] wrote:
> I'm sure this question has been addressed many times but can someone forward
> me
> the contact info for DEMF.
As listed on the Volunteer forms from last year:
Pop Culture Media, Inc.
1500 Woodward Avenue
4th Floor
Detroit, Michigan 48226
TEL: 313-96
YES - I did spin at YOU CAN'T HANDLE THE TRUTH / Benefit for ANTHONY SHAKIR
at MOTOR on September 16th 2000. I was scheduled to spin at Biokidd's "Time
To Shine" party later that evening. In other words, I had two bookings in
Detroit that night. The plan was to spin at Motor from 10:00PM to Midn
I haven't been on the list before and I saw some of the posts on Sony's
ripoff, I was wondering if anyone ever got that feelin that the underground
is slowly being taken over by trendy people? Maybe I'm just paranoid or
something. Sorry I was a bit off the subject. I've just noticed more and
mo
deep dish bought music now, not modern music...
sr
> Modern Music is now owned by Deep Dish...they changed the whole setup and
> renamed it yoshitoshi...you are going to find alot of trance at Buzz
(which
> has also been renamed, this one to Sting)...i used to live there about 7
> months ago
> je
[SMTP:[EMAIL PROTECTED]
> Sent: Thursday, August 10, 2000 9:44 PM
> To: [EMAIL PROTECTED]; 313@hyperreal.org
> Subject: Re: [313] Question about DC
>
>
> i used to live in balto...try the spot(downtempo club), modern
> music(record
> store), buzz(weekly eve
i used to live in balto...try the spot(downtempo club), modern music(record
store), buzz(weekly event), or music now(record store)...
greg
From: "Javier Drada" <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] Question about DC
Date: Thu, 1
ons
- Original Message -
From: "Neil Wallace" <[EMAIL PROTECTED]>
To: "JavierDrada" <[EMAIL PROTECTED]>
Cc: "313" <313@hyperreal.org>
Sent: Tuesday, July 04, 2000 8:15 AM
Subject: Re: [313] Question???
>
>
> On Tue, 4 Jul 2000, JavierD
On Tue, 4 Jul 2000, JavierDrada wrote:
> How come certain trends on 313 are so easy to follow while others are just
> ignored, why I ask this is because I know that there are more people on this
> list that get packages from Submerge or stumbled on certain pre-released
> material but it is hardl
> Because of last week's recommendations
> on Francois K's Essential Mix 2CD i
> ordered this online.
I'm very tempted by this too, and I'm wondering about the best (ie cheapest)
place to get it, online or in the Ann Arbor/Detroit area... Any suggestions
welcomed.
.John.
First off, this is the only place where I found some
kind of discography for Marco Carola:
http://www.sven-vaeth.de/disco/mc_discoen.htm
Second, I have Question #6 and found it slightly
disappointing. After getting Fragile on Zenit (which
btw is one of my favorite 1999 release), I probably
would
On 313 # 1261 Date: Wed, 22 Dec 1999
"ryan burns" <[EMAIL PROTECTED]> asked:-
> does anyone have the new quesiton #6.
> ...what do you think of it???
Measured by the the highest standards,
which Marco Carola deserves, this is a
dull and uninspired release continuing
the relative decline of this
90 matches
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