en a commercial site broadcast their
|tracks...!
|
|Our petition To BMI/ASCAP should start with this introduction.
|
|
||-Original Message-
||From: Javier Drada [mailto:[EMAIL PROTECTED]
||Sent: Wednesday, April 10, 2002 8:15 AM
||To: 313@hyperreal.org
||Subject: [313] Undergro
it is sad. I know up and coming artists who use these kind of smaller run
sites to be heard.
For many of us, this is the primary way we hear certain music.
Tamara Harris
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additiona
> Quite a few people on this list run their own labels, and I'd be
interested
> in whether they think they earn more from ASCAP and BMI fees than sales
> prompted by internet broadcasting in it's myriad forms. Obviously those
> sales are a hard thing to quantify but ask how many sites can afford th
This is really sad news. And not just because it means my mix isn't up any
more ;) I don't know how many records I have bought after hearing them on
mixes online, but I wouldn't be surprised if it's into triple figures.
Ironically, these fees are supposed to protect the artist, but it seems to
me i
Unfortunately due to the pending issues with webcasting lincensing,
Underground Committee is forced to pull all streams from it's site.
Underound Committee is an independent organization who set out to give you
quality Underground Music, thats all gone now. We can't afford the fees. It
all started
