TECTED]>, 313-List
<313@hyperreal.org>
Subject: Re: (313) Re: what&#x
>Question. With all this talk about what you'd pay for a record, is there a
>resource in print or online, like Goldmine, that would place a value? Or
is
>this just a totally underground territory? Where does one place $300 value
>on a record in this genre?
I'm not sure there is one you know. I'd
Mon, 5 Jul 2004 10:28:58 -0400 (EDT)
> To: Toby Frith <[EMAIL PROTECTED]>
> Cc: robin <[EMAIL PROTECTED]>, Ken Odeluga <[EMAIL PROTECTED]>,
> placid <[EMAIL PROTECTED]>, 313@hyperreal.org
> Subject: RE: (313) Re: what's the most people are willin
I'm not sure of the media "deteriorating" per se, but I will give a short
description of popular methods of CD-R and CD-RW techniques. Basically,
we're dealing with teh same sort of principle as vinyl, accept the laser
in a CD player or CD rom is reflected off of the reflective material in
the CD
ense. It's an unusual step.
-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: 05 July 2004 15:09
To: Toby Frith
Cc: Ken Odeluga; placid; 313@hyperreal.org
Subject: Re: (313) Re: what's the most people are willing to pay for
rekkids?
> And at the same time
And at the same time where we praise artwork, gatefold LPs etc - we're
lapping up faceless mp3 files.
hmmm kind of...in fact this is the biggest barrier to acceptance of DLs
as a way of delivering music, isn't it?
or is it an old-fart thing to want packaging? apparantly the 'kids'
don't ca
>> y'know it's just the music i'm interested in really. i know alex
> will
> find this to be heresy but as long as it sounds the same i don't care.
>
>
i second that. represses, originals ... it's the music that matters to me. my
own only grumble would be bad represses with rubbish sound quali
y, July 05, 2004 2:47 PM
>To: 'Toby Frith'; 313@hyperreal.org
>Subject: RE: (313) Re: what's the most people are willing to pay for
>rekkids?
>
>
>
>-Original Message-----
>From: Toby Frith [mailto:[EMAIL PROTECTED]
>Sent: 05 July 2004 14:46
&
in this group... or am I?? :o)
-Original Message-
From: Maarten Baute [mailto:[EMAIL PROTECTED]
Sent: 05 July 2004 14:43
To: Ken Odeluga; Rob Tyte; Dan Bean; Aidan O'Doherty
Cc: 313@hyperreal.org
Subject: Re: (313) Re: what's the most people are willin
;Toby Frith'; 313@hyperreal.org
>Subject: RE: (313) Re: what's the most people are willing to pay for
>rekkids?
>
>
>
>-Original Message-
>From: Toby Frith [mailto:[EMAIL PROTECTED]
>Sent: 05 July 2004 14:46
>To: [EMAIL PROTECTED]; 313@hyperreal.org
&g
dichotomy
don't know what this means. (sorry)
it means having the bit of your brain removed that tells you it's
insane to buy an original at 4 times the price over an identical
sounding repress. (i think :) )
yet we are still searching for authenticity
It's just the geek factor no? Th
>No-one can have the ultimate music collection.
True of course.
We can aspire to that though!
Mine is poor really, way way too many gaps.
I don't think you should have certain things - whats the point if you never
listen to them? But maybe some reference points for sure..!?
___
; Dan Bean; Aidan O'Doherty
>Cc: 313@hyperreal.org
>Subject: Re: (313) Re: what's the most people are willing to pay for
>rekkids?
>
>
>>Jesse Saunders On & On (Jes Say records) 12" 1984 $60.00
>
>I can understand you want to have the original 'first house' recording. Too
>bad it's a crap track (IMHO).
>
>Cheers,
>Maarten
>
>
>
ate music collection.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 05 July 2004 14:48
To: 313@hyperreal.org
Subject: RE: (313) Re: what's the most people are willing to pay for
rekkids?
>dichotomy
don't know what this means. (sorry)
>yet we
>dichotomy
don't know what this means. (sorry)
>yet we are still searching for authenticity
It's just the geek factor no? The obsessive bit in us all? (more some than
most obviously)
My record collection is pretty rubbish really, but still I spend more money
on one original record than buy say,
[mailto:[EMAIL PROTECTED]
Sent: 05 July 2004 14:46
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: RE: (313) Re: what's the most people are willing to pay for
rekkids?
There's an interesting dichotomy going on here. On the one hand we're
living in an age where information (i.
I paid $150 for 'designer music - good girls'. I wouldn´t do it again
though. I bought a sh*tload of records for $60 each, but wouldn´t do that
agian either. I did these things in my crazy days, about one year ago ;-)
Now I refuse to pay more than $30 dollar for a 12" (and it has to be really
rare
epressings)
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 05 July 2004 14:40
To: 313@hyperreal.org
Subject: RE: (313) Re: what's the most people are willing to pay for
rekkids?
>The last repress I bought was "Sweet Power Your Embrace" by
>Jesse Saunders On & On (Jes Say records) 12" 1984 $60.00
I can understand you want to have the original 'first house' recording. Too
bad it's a crap track (IMHO).
Cheers,
Maarten
>The last repress I bought was "Sweet Power Your Embrace" by James Mason
(but
>who's the singer?!?) originally on Chiaroscuro, 1977. Now that's worth
>having original or repressed if you ask me.
Ha ha ha!
I only bought that as well!!
I'm such a tit.
Represses are still for women though, I'm j
u ask me.
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>Sent: Monday, July 05, 2004 2:25 PM
>To: 313@hyperreal.org
>Subject: RE: (313) Re: what's the most people are willing to pay for
>rekkids?
>
>
>
>Hypocrite>>Represses are
Hypocrite>>Represses are for ladies.
Hmm.
Before Tim grasses me up (not that he ever posts I suppose)
I just remembered my last purchase from Piccadilly was a repress!
ha ha ha.
Donna Mcghee LP on Red Greg.
Being a twat is great, you lot should try it sometime.
Alex
_
When fatcat 1st opened they had jus been to detroit and had nearly every
retroactive release...
A friend who worked for a uk distributor found a box of marcus mixx feat
chine - le mélange (deep rare Chicago house) which they sold to fatcat
and had 30 or so, brand new sealed copies
Also remem
most people are willing to pay for
rekkids?
Ken>but then I guess some people do actually want originals
Oh Ken Ken Ken.
Represses are for ladies.
Oh, and that Deep Space 7" is very rare! you're getting confused
with
the 12...
I WANT ONE (or both)
This is hardcore vinyl fetishi
Ken>but then I guess some people do actually want originals
Oh Ken Ken Ken.
Represses are for ladies.
Oh, and that Deep Space 7" is very rare! you're getting confused with
the 12...
I WANT ONE (or both)
This is hardcore vinyl fetishism here. Represses are the devils work my
friend.
Ge
>Jesse Saunders On & On (Jes Say records) 12" 1984 $60.00
>Cybotron Alleys of your mind (Deep Space) 7" 1982 $56.00
>
>I'm sure I've never paid more!
>
That was a bit unfortunate I think Rob. On & On got repressed about 18
months ago (but then I guess some people do actually want originals0 and
'
Ditto, I've seen it for about a tenner in Reckless in London gawd I
need that too!
>-Original Message-
>From: Dan Bean [mailto:[EMAIL PROTECTED]
>Sent: Monday, July 05, 2004 1:16 PM
>To: Aidan O'Doherty
>Cc: 313@hyperreal.org
>Subject: (313) Re: what's the most people are willing to p
I won't pay more than US$60.00
The few that have got near that price have been:
Jesse Saunders On & On (Jes Say records) 12" 1984 $60.00
Cybotron Alleys of your mind (Deep Space) 7" 1982 $56.00
I'm sure I've never paid more!
Rob.
-Original Message-
From: Dan Bean [mailto:[EMAIL PRO
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